{ "method": "Beépített image_gen; leckénként külön generált, ellenőrzött jelenetek", "historicalRole": "Forrásokra támaszkodó szemléltető rekonstrukciók; nem eredeti történeti képi források.", "images": [ { "unitId": "w01-01", "title": "Áruátadás Kilwa kikötőjében", "alt": "Kuromi és Jani Kilwa kikötőjében figyeli a parton dolgozó rakodókat és a kereskedők áruátadását.", "caption": "Az Indiai-óceán középkori kikötői afrikai, arábiai és indiai közösségek munkáját kapcsolták össze. A kikötői jelenet a távolsági kapcsolatot és a rakodók, kereskedők eltérő szerepét mutatja.", "scene": "Kilwa Kisiwani waterfront around 1300: a Swahili merchant and a visiting Indian Ocean trader negotiate beside an unloaded dhow while port workers carry cloth bundles and ceramic jars between shore and storehouses.", "period": "Kr. u. 1300 körül", "setting": "Kilwa Kisiwani, kelet-afrikai kikötő", "historicalDetails": [ "Fából épült, varrott deszkázatú indiai-óceáni vitorlás a sekély vízben", "Korallkő és mészvakolat raktárfalak", "Szőtt textilkötegek és kerámiaedények kézi rakodása", "Kereskedők és rakodók eltérő feladatai" ], "sourceBasis": [ { "book": "v1", "pdfPages": [ 20, 23 ], "chapter": "1.1 Developing a Global Perspective", "note": "A lecke indiai-óceáni hálózati példájának rekonstruált kikötői jelenete." }, { "book": "v1", "pdfPages": [ 524, 526 ], "chapter": "12.2 The Swahili Coast and Indian Ocean Trade", "note": "Kilwa szerepe, középkori kikötők, pamutszövet és kerámia, kereskedő elit és kézi munkások." }, { "url": "https://whc.unesco.org/en/list/144/", "title": "UNESCO: Ruins of Kilwa Kisiwani and Ruins of Songo Mnara", "note": "13–14. századi virágzás; korallkő és mészhabarcs építészet; kerámia- és indiai-óceáni kereskedelem." } ], "prompt": "Use case: historical-scene. Create ONE landscape 1536x1024 full-color hand-drawn educational narrative illustration, fine outlines, gentle painted shading, natural daylight and historically grounded materials. Entire image has coherent illustrated style. Reference image 1 is Jani identity only: a GIRL ragdoll kitten, fluffy cream-white body, blue eyes, pink nose, very fluffy dark-brown tail. Her FACE MUST BE ASYMMETRICAL: large dark brown patch around VIEWER LEFT eye, smaller lighter tan patch around VIEWER RIGHT eye, irregular white central blaze. Natural cat anatomy and paws, four legs, no human hands, no human costume, no bowtie. Reference image 2 is Kuromi identity only: recognizable canonical black two-point jester hood with pink skull, white body, pink collar; do not repeat the reference book or magnifier. Both characters clearly visible as small present-day narrative observers within the scene, not replacing real historical people. Historical people have period correct everyday clothing and equipment, illustrated faces, not photorealistic. Wide single scene, no panels, no captions or labels, no numbers, no legible writing, no modern flags, no watermark. Avoid Hollywood, fantasy, game art, glamorous armor, dramatic backlight, explosions or generic battle panorama. Scene: Kilwa Kisiwani on the East African Swahili coast around 1300, viewed at shore level along a modest busy tidal landing. A sewn-plank Indian Ocean sailing dhow with furled triangular sail rests in pale blue shallow water on the left. Center: two merchants, one local Swahili man in a simple undyed wrap and shoulder cloth, one visiting trader in a cotton tunic, inspect a folded woven textile; at right African port workers move ceramic storage jars and cloth bundles to coral-rag stone and limewashed storehouses. No European ships, no colonial buildings. Show distinct work and negotiation, no wealth treasure pile. Kuromi stands at foreground right attentively observing the exchange; Jani sits beside her facing toward viewer enough that asymmetric eye patches are clear. Characters occupy about one quarter of image height; broad harbor context and low coastal roofs remain visible.", "placement": { "area": "base", "sectionIndex": 0 }, "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [], "canonicalKuromi": true }, "generation": { "tool": "image_gen", "mode": "built-in", "prompt": "Use case: historical-scene. Create ONE landscape 1536x1024 full-color hand-drawn educational narrative illustration, fine outlines, gentle painted shading, natural daylight and historically grounded materials. Entire image has coherent illustrated style. Reference image 1 is Jani identity only: a GIRL ragdoll kitten, fluffy cream-white body, blue eyes, pink nose, very fluffy dark-brown tail. Her FACE MUST BE ASYMMETRICAL: large dark brown patch around VIEWER LEFT eye, smaller lighter tan patch around VIEWER RIGHT eye, irregular white central blaze. Natural cat anatomy and paws, four legs, no human hands, no human costume, no bowtie. Reference image 2 is Kuromi identity only: recognizable canonical black two-point jester hood with pink skull, white body, pink collar; do not repeat the reference book or magnifier. Both characters clearly visible as small present-day narrative observers within the scene, not replacing real historical people. Historical people have period correct everyday clothing and equipment, illustrated faces, not photorealistic. Wide single scene, no panels, no captions or labels, no numbers, no legible writing, no modern flags, no watermark. Avoid Hollywood, fantasy, game art, glamorous armor, dramatic backlight, explosions or generic battle panorama. Scene: Kilwa Kisiwani on the East African Swahili coast around 1300, viewed at shore level along a modest busy tidal landing. A sewn-plank Indian Ocean sailing dhow with furled triangular sail rests in pale blue shallow water on the left. Center: two merchants, one local Swahili man in a simple undyed wrap and shoulder cloth, one visiting trader in a cotton tunic, inspect a folded woven textile; at right African port workers move ceramic storage jars and cloth bundles to coral-rag stone and limewashed storehouses. No European ships, no colonial buildings. Show distinct work and negotiation, no wealth treasure pile. Kuromi stands at foreground right attentively observing the exchange; Jani sits beside her facing toward viewer enough that asymmetric eye patches are clear. Characters occupy about one quarter of image height; broad harbor context and low coastal roofs remain visible." }, "editHistory": [ { "tool": "image_gen", "mode": "built-in", "purpose": "canonical Kuromi correction", "prompt": "Use case: identity-preserve. Image 1 is the existing finished historical narrative illustration and is the EDIT TARGET. Image 2 is the authoritative canonical Kuromi reference from the user. Image 3 is Jani character reference only. Make a SMALL LOCALIZED CORRECTION ONLY TO KUROMI. Preserve entire historical background, all human people, objects, lighting, framing, colors, and Jani exactly. Kuromi's jester collar must be dark charcoal/black like her hood; the only pink on collar is four tiny round pink balls at the pointed tips. REMOVE the broad pink collar fabric or border completely. Keep pink skull on black hood and pink nose. Her eyes must match canonical reference: simple solid black oval/teardrop eye shapes, without human irises/highlights, with exactly two short curved outer lashes per eye, no thick eyebrows or long straight human eyelashes. Preserve Kuromi's existing pose and serious/attentive expression while matching canonical proportions. Keep Jani unchanged: fluffy cream-white natural female ragdoll cat with blue eyes, large dark brown VIEWER-LEFT eye patch and smaller lighter VIEWER-RIGHT patch, natural four paws and fluffy dark brown tail. Do not change Jani or add costume. One scene, same landscape size, no new text or panels. Correct only Kuromi collar/eyes/lashes." } ], "src": "assets/lesson-scenes/w01-01.webp", "sha256": "e4fb13a3449b127e13a3fce4b3217bc694e98a31f16ecfb099cc95264b05c2e0", "bytes": 498272, "thumbnailSrc": "assets/lesson-scenes/w01-01-preview.webp", "thumbnailSha256": "b2421e4dbcdc4d879a5c07e48fe433a128ef6a99ca41849f8c735de7246a63db", "thumbnailBytes": 159650 }, { "unitId": "w01-02", "title": "A Hagia Sophia építőinek munkája", "alt": "Kuromi és Jani a Hagia Sophia hatalmas belső terében figyeli a mozaikon és márványburkolaton dolgozó mestereket.", "caption": "Konstantinápoly új császári templomát 537-ben szentelték fel. Az építés anyagi erőforrást, szakmunkát és uralkodói szervezést követelt; az oszmán minaretek és későbbi díszítések ekkor még nem léteztek.", "scene": "Final interior fitting of Justinian's Hagia Sophia in Constantinople around 537, with marble workers and mosaic craftsmen beneath the high central dome.", "period": "Kr. u. 537 körül", "setting": "Hagia Sophia belső tere, Konstantinápoly", "historicalDetails": [ "Korai bizánci kupola és oszlopos oldalkarzatok", "Márványburkolatot illesztő kőfaragók", "Aranyhátterű geometrikus mozaik apró tesszerái", "Faállvány és kézi szerszámok", "Későbbi oszmán és 10. századi képi elemek nélkül" ], "sourceBasis": [ { "book": "v1", "pdfPages": [ 26, 31 ], "chapter": "1.2 Primary Sources" } ], "placement": { "area": "base", "sectionIndex": 1 }, "prompt": "Use case: historical-scene. Create ONE landscape 1536x1024 full-color hand-drawn educational narrative illustration, fine outlines, gentle painted shading, natural daylight and historically grounded materials. Entire image has coherent illustrated style. Reference image 1 is Jani identity only: a GIRL ragdoll kitten, fluffy cream-white body, blue eyes, pink nose, very fluffy dark-brown tail. Her FACE MUST BE ASYMMETRICAL: large dark brown patch around VIEWER LEFT eye, smaller lighter tan patch around VIEWER RIGHT eye, irregular white central blaze. Natural cat anatomy and paws, four legs, no human hands, no human costume, no bowtie. Reference image 2 is Kuromi identity only: recognizable canonical black two-point jester hood with pink skull, white body, pink collar; do not repeat the reference book or magnifier. Both characters clearly visible as small present-day narrative observers within the scene, not replacing real historical people. Historical people have period correct everyday clothing and equipment, illustrated faces, not photorealistic. Wide single scene, no panels, no captions or labels, no numbers, no legible writing, no modern flags, no watermark. Avoid Hollywood, fantasy, game art, glamorous armor, dramatic backlight, explosions or generic battle panorama. Scene: Constantinople, the interior of Justinian's Hagia Sophia nearing completion around AD 537. View diagonally upward from the marble floor toward the great central dome, arcades and side galleries. In the middle distance two sixth-century Byzantine craftsmen in knee-length plain tunics fit contrasting marble revetment slabs; one mosaic worker on low wooden scaffolding lays small gold and colored tesserae in a restrained geometric pattern. A few baskets of tesserae and mallet and chisel show labor required for imperial architecture. Kuromi at foreground left looks up thoughtfully at the immense dome, empty hands; Jani next to her sits naturally facing three-quarter front, blue eyes and asymmetric patches clearly readable. Warm shafts of ordinary daylight. No Ottoman minarets or Arabic calligraphic roundels, no mosque carpets, no later emperor portrait mosaic, no modern restoration tools, no invented huge figural fresco. Include architecture, workers, characters, one coherent interior scene.", "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [], "canonicalKuromi": true }, "generation": { "tool": "image_gen", "mode": "built-in", "prompt": "Use case: historical-scene. Create ONE landscape 1536x1024 full-color hand-drawn educational narrative illustration, fine outlines, gentle painted shading, natural daylight and historically grounded materials. Entire image has coherent illustrated style. Reference image 1 is Jani identity only: a GIRL ragdoll kitten, fluffy cream-white body, blue eyes, pink nose, very fluffy dark-brown tail. Her FACE MUST BE ASYMMETRICAL: large dark brown patch around VIEWER LEFT eye, smaller lighter tan patch around VIEWER RIGHT eye, irregular white central blaze. Natural cat anatomy and paws, four legs, no human hands, no human costume, no bowtie. Reference image 2 is Kuromi identity only: recognizable canonical black two-point jester hood with pink skull, white body, pink collar; do not repeat the reference book or magnifier. Both characters clearly visible as small present-day narrative observers within the scene, not replacing real historical people. Historical people have period correct everyday clothing and equipment, illustrated faces, not photorealistic. Wide single scene, no panels, no captions or labels, no numbers, no legible writing, no modern flags, no watermark. Avoid Hollywood, fantasy, game art, glamorous armor, dramatic backlight, explosions or generic battle panorama. Scene: Constantinople, the interior of Justinian's Hagia Sophia nearing completion around AD 537. View diagonally upward from the marble floor toward the great central dome, arcades and side galleries. In the middle distance two sixth-century Byzantine craftsmen in knee-length plain tunics fit contrasting marble revetment slabs; one mosaic worker on low wooden scaffolding lays small gold and colored tesserae in a restrained geometric pattern. A few baskets of tesserae and mallet and chisel show labor required for imperial architecture. Kuromi at foreground left looks up thoughtfully at the immense dome, empty hands; Jani next to her sits naturally facing three-quarter front, blue eyes and asymmetric patches clearly readable. Warm shafts of ordinary daylight. No Ottoman minarets or Arabic calligraphic roundels, no mosque carpets, no later emperor portrait mosaic, no modern restoration tools, no invented huge figural fresco. Include architecture, workers, characters, one coherent interior scene." }, "editHistory": [ { "tool": "image_gen", "mode": "built-in", "purpose": "canonical Kuromi correction", "prompt": "Use case: identity-preserve. Image 1 is the existing finished historical narrative illustration and is the EDIT TARGET. Image 2 is the authoritative canonical Kuromi reference from the user. Image 3 is Jani character reference only. Make a SMALL LOCALIZED CORRECTION ONLY TO KUROMI. Preserve entire historical background, all human people, objects, lighting, framing, colors, and Jani exactly. Kuromi's jester collar must be dark charcoal/black like her hood; the only pink on collar is four tiny round pink balls at the pointed tips. REMOVE the broad pink collar fabric or border completely. Keep pink skull on black hood and pink nose. Her eyes must match canonical reference: simple solid black oval/teardrop eye shapes, without human irises/highlights, with exactly two short curved outer lashes per eye, no thick eyebrows or long straight human eyelashes. Preserve Kuromi's existing pose and serious/attentive expression while matching canonical proportions. Keep Jani unchanged: fluffy cream-white natural female ragdoll cat with blue eyes, large dark brown VIEWER-LEFT eye patch and smaller lighter VIEWER-RIGHT patch, natural four paws and fluffy dark brown tail. Do not change Jani or add costume. One scene, same landscape size, no new text or panels. Correct only Kuromi collar/eyes/lashes." }, { "tool": "image_gen", "purpose": "Remove extra fifth collar ball", "prompt": "Use case: identity-preserve. Image 1 is the existing finished historical narrative illustration and is the EDIT TARGET. Image 2 is the authoritative canonical Kuromi reference from the user. Image 3 is Jani character reference only. Make a SMALL LOCALIZED CORRECTION ONLY TO KUROMI. Preserve entire historical background, all human people, objects, lighting, framing, colors, and Jani exactly. Kuromi's jester collar must be dark charcoal/black like her hood; the only pink on collar is four tiny round pink balls at the pointed tips. REMOVE the broad pink collar fabric or border completely. Keep pink skull on black hood and pink nose. Her eyes must match canonical reference: simple solid black oval/teardrop eye shapes, without human irises/highlights, with exactly two short curved outer lashes per eye, no thick eyebrows or long straight human eyelashes. Preserve Kuromi's existing pose and serious/attentive expression while matching canonical proportions. Keep Jani unchanged: fluffy cream-white natural female ragdoll cat with blue eyes, large dark brown VIEWER-LEFT eye patch and smaller lighter VIEWER-RIGHT patch, natural four paws and fluffy dark brown tail. Do not change Jani or add costume. One scene, same landscape size, no new text or panels. Correct only Kuromi collar/eyes/lashes. Extra precise correction: Kuromi currently has five pink balls on her collar. Remove the EXTRA inner-left ball. Collar must have exactly FOUR tips and FOUR pink balls: two front lower tips and one at each outer shoulder tip. No fifth tip or fifth ball. Preserve everything else." } ], "src": "assets/lesson-scenes/w01-02.webp", "sha256": "8fc67b415c1d9f4d5006dc12e6324a9155887846dc1c2f4485a0ff58928ab710", "bytes": 321556, "thumbnailSrc": "assets/lesson-scenes/w01-02-preview.webp", "thumbnailSha256": "3d6117fcb55bc096dd1c026b7284c8822e4f4d911baace9d2e00c64b58970271", "thumbnailBytes": 118010 }, { "unitId": "w01-03", "title": "Az ostrom mögött: oszmán ellátók 1453-ban", "alt": "Kuromi és Jani komolyan figyeli az élelmiszert és ostromfelszerelést továbbító oszmán munkásokat Konstantinápoly előtt.", "caption": "Konstantinápoly 1453-as ostromához nemcsak II. Mehmed döntése, hanem élelem, szállítás és sok ember munkája is kellett. A jelenet a katonai vállalkozás anyagi feltételeit teszi láthatóvá.", "scene": "Ottoman supply train outside Constantinople in spring 1453: ox carts deliver grain sacks and timber beside an unmanned bronze siege cannon and an engineer's work area, with distant land walls.", "period": "1453 tavasza", "setting": "Oszmán ellátótábor Konstantinápoly szárazföldi falai előtt", "historicalDetails": [ "Ökrös szekéren érkező gabonazsákok", "Fa gerendák és kötélcsigák nehéz felszereléshez", "Bronz ostromágyú alacsony faágyon", "15. századi oszmán kaftán és fejfedő", "Távoli kettős szárazföldi falak" ], "sourceBasis": [ { "book": "v1", "pdfPages": [ 35, 40 ], "chapter": "1.3 Causation and Interpretation in History" } ], "placement": { "area": "advanced", "sectionIndex": 1 }, "prompt": "Use case: historical-scene. Create ONE landscape 1536x1024 full-color hand-drawn educational narrative illustration, fine outlines, gentle painted shading, natural daylight and historically grounded materials. Entire image has coherent illustrated style. Reference image 1 is Jani identity only: a GIRL ragdoll kitten, fluffy cream-white body, blue eyes, pink nose, very fluffy dark-brown tail. Her FACE MUST BE ASYMMETRICAL: large dark brown patch around VIEWER LEFT eye, smaller lighter tan patch around VIEWER RIGHT eye, irregular white central blaze. Natural cat anatomy and paws, four legs, no human hands, no human costume, no bowtie. Reference image 2 is Kuromi identity only: recognizable canonical black two-point jester hood with pink skull, white body, pink collar; do not repeat the reference book or magnifier. Both characters clearly visible as small present-day narrative observers within the scene, not replacing real historical people. Historical people have period correct everyday clothing and equipment, illustrated faces, not photorealistic. Wide single scene, no panels, no captions or labels, no numbers, no legible writing, no modern flags, no watermark. Avoid Hollywood, fantasy, game art, glamorous armor, dramatic backlight, explosions or generic battle panorama. Scene: an Ottoman logistical encampment OUTSIDE Constantinople's distant double land walls in spring 1453. Foreground right Kuromi and Jani observe with sober curious expressions, Jani sitting naturally and showing her unmistakably asymmetric face. In the central scene workers in modest 15th-century Ottoman long tunics, loose trousers, wrapped caps and turbans unload grain sacks from an ox cart; a supervisor checks delivery with a small wooden tally. On the left, timber rollers, thick ropes and simple wooden tackle lie beside a large bronze siege cannon resting in a low wooden cradle; no one is firing it. Show how food, transport and workers make a ruler's military decision feasible. Distant walls and plain cloth tents establish location without a battle. No explosions, no corpses, no heroic sultan, no steel fantasy armor, no modern wheels or military uniforms, no diagrams or text. CORRECTION TO PRIOR OUTPUT: skyline behind the walls must contain ONLY trees and low Byzantine rooflines, no minarets anywhere and NO mosque architecture: this is before the Ottoman conquest. Remove the entire distant domed/minareted skyline and replace with foliage and modest low roofs, keeping the foreground supply camp and characters.", "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [], "corrections": [ "Az első változat háttérében szereplő későbbi minareteket újragenerálással eltávolítottam." ], "canonicalKuromi": true }, "generation": { "tool": "image_gen", "mode": "built-in", "prompt": "Use case: historical-scene. Create ONE landscape 1536x1024 full-color hand-drawn educational narrative illustration, fine outlines, gentle painted shading, natural daylight and historically grounded materials. Entire image has coherent illustrated style. Reference image 1 is Jani identity only: a GIRL ragdoll kitten, fluffy cream-white body, blue eyes, pink nose, very fluffy dark-brown tail. Her FACE MUST BE ASYMMETRICAL: large dark brown patch around VIEWER LEFT eye, smaller lighter tan patch around VIEWER RIGHT eye, irregular white central blaze. Natural cat anatomy and paws, four legs, no human hands, no human costume, no bowtie. Reference image 2 is Kuromi identity only: recognizable canonical black two-point jester hood with pink skull, white body, pink collar; do not repeat the reference book or magnifier. Both characters clearly visible as small present-day narrative observers within the scene, not replacing real historical people. Historical people have period correct everyday clothing and equipment, illustrated faces, not photorealistic. Wide single scene, no panels, no captions or labels, no numbers, no legible writing, no modern flags, no watermark. Avoid Hollywood, fantasy, game art, glamorous armor, dramatic backlight, explosions or generic battle panorama. Scene: an Ottoman logistical encampment OUTSIDE Constantinople's distant double land walls in spring 1453. Foreground right Kuromi and Jani observe with sober curious expressions, Jani sitting naturally and showing her unmistakably asymmetric face. In the central scene workers in modest 15th-century Ottoman long tunics, loose trousers, wrapped caps and turbans unload grain sacks from an ox cart; a supervisor checks delivery with a small wooden tally. On the left, timber rollers, thick ropes and simple wooden tackle lie beside a large bronze siege cannon resting in a low wooden cradle; no one is firing it. Show how food, transport and workers make a ruler's military decision feasible. Distant walls and plain cloth tents establish location without a battle. No explosions, no corpses, no heroic sultan, no steel fantasy armor, no modern wheels or military uniforms, no diagrams or text. CORRECTION TO PRIOR OUTPUT: skyline behind the walls must contain ONLY trees and low Byzantine rooflines, no minarets anywhere and NO mosque architecture: this is before the Ottoman conquest. Remove the entire distant domed/minareted skyline and replace with foliage and modest low roofs, keeping the foreground supply camp and characters." }, "editHistory": [ { "tool": "image_gen", "mode": "built-in", "purpose": "canonical Kuromi correction", "prompt": "Use case: identity-preserve. Image 1 is the existing finished historical narrative illustration and is the EDIT TARGET. Image 2 is the authoritative canonical Kuromi reference from the user. Image 3 is Jani character reference only. Make a SMALL LOCALIZED CORRECTION ONLY TO KUROMI. Preserve entire historical background, all human people, objects, lighting, framing, colors, and Jani exactly. Kuromi's jester collar must be dark charcoal/black like her hood; the only pink on collar is four tiny round pink balls at the pointed tips. REMOVE the broad pink collar fabric or border completely. Keep pink skull on black hood and pink nose. Her eyes must match canonical reference: simple solid black oval/teardrop eye shapes, without human irises/highlights, with exactly two short curved outer lashes per eye, no thick eyebrows or long straight human eyelashes. Preserve Kuromi's existing pose and serious/attentive expression while matching canonical proportions. Keep Jani unchanged: fluffy cream-white natural female ragdoll cat with blue eyes, large dark brown VIEWER-LEFT eye patch and smaller lighter VIEWER-RIGHT patch, natural four paws and fluffy dark brown tail. Do not change Jani or add costume. One scene, same landscape size, no new text or panels. Correct only Kuromi collar/eyes/lashes." } ], "src": "assets/lesson-scenes/w01-03.webp", "sha256": "a0616aef73b907316fd123069ca96844505844b3f9e3916ab2c4139c3f03cd59", "bytes": 515178, "thumbnailSrc": "assets/lesson-scenes/w01-03-preview.webp", "thumbnailSha256": "a9637eb8524a5b03b4f62d0a689573b2cea027c4cc928cba03a63c50a84a04a9", "thumbnailBytes": 164204 }, { "unitId": "w02-01", "title": "Kőeszközkészítés a kelet-afrikai folyóparton", "alt": "Kuromi és Jani a folyóparton figyeli, ahogy egy tapasztalt eszközkészítő megmutatja a pattintás mozdulatát fiatalabb társának.", "caption": "A korai embercsoportok kőeszközeinek elkészítése tanulást és gyakorlást követelt. A kelet-afrikai jelenet az eszköz és közösségi tudásátadás kapcsolatának régészeti alapú rekonstrukciója.", "scene": "East African river terrace roughly one million years ago. A small Homo erectus group with accurately modest archaic facial traits, not ape caricatures, gathered at a shaded stone-knapping spot. An experienced adult demonstrates striking a bifacial stone handaxe with a rounded hammerstone to a younger learner. Scattered sharp flakes show process, nearby gathered roots and water indicate daily subsistence. Simple unsewn hide wraps, no woven cloth, pottery, metal, farming or villages; no mammoths or dinosaurs. Low intimate eye-level composition, river and acacia scrub in background. Kuromi crouches attentively at left foreground beside Jani sitting naturally facing front. They observe and do not teach prehistoric people.", "period": "Kb. 1 millió éve", "setting": "Kelet-afrikai folyópart", "historicalDetails": [ "Kétoldalt megmunkált kőkézi-balta", "Ütőkő és pattintási szilánkok", "Folyó menti akáciás környezet" ], "sourceBasis": [ { "book": "v1", "pdfPages": [ 46, 57 ], "chapter": "2.1 Early Human Evolution and Migration" }, { "book": "v1", "pdfPages": [ 46, 54 ], "chapter": "2.1 Early Human Evolution and Migration" } ], "placement": { "area": "base", "sectionIndex": 1 }, "prompt": "Use case: historical-scene. Create ONE landscape 1536x1024 full-color hand-drawn educational narrative illustration, fine outlines, gentle painted shading, natural daylight and historically grounded materials. Entire image has coherent illustrated style. Reference image 1 is Jani identity only: a GIRL ragdoll kitten, fluffy cream-white body, blue eyes, pink nose, very fluffy dark-brown tail. Her FACE MUST BE ASYMMETRICAL: large dark brown patch around VIEWER LEFT eye, smaller lighter tan patch around VIEWER RIGHT eye, irregular white central blaze. Natural cat anatomy and paws, four legs, no human hands, no human costume, no bowtie. Reference image 2 is Kuromi identity only: recognizable canonical black two-point jester hood with pink skull, white body, pink collar; do not repeat the reference book or magnifier. Both characters clearly visible as small present-day narrative observers within the scene, not replacing real historical people. Historical people have period correct everyday clothing and equipment, illustrated faces, not photorealistic. Wide single scene, no panels, no captions or labels, no numbers, no legible writing, no modern flags, no watermark. Avoid Hollywood, fantasy, game art, glamorous armor, dramatic backlight, explosions or generic battle panorama. Scene: East African river terrace roughly one million years ago. A small Homo erectus group with accurately modest archaic facial traits, not ape caricatures, gathered at a shaded stone-knapping spot. An experienced adult demonstrates striking a bifacial stone handaxe with a rounded hammerstone to a younger learner. Scattered sharp flakes show process, nearby gathered roots and water indicate daily subsistence. Simple unsewn hide wraps, no woven cloth, pottery, metal, farming or villages; no mammoths or dinosaurs. Low intimate eye-level composition, river and acacia scrub in background. Kuromi crouches attentively at left foreground beside Jani sitting naturally facing front. They observe and do not teach prehistoric people. Correction: keep the existing scene, but remove the extra dark-brown fluffy tail at the far left behind Kuromi. There must be exactly one brown cat tail belonging to Jani, attached to Jani only. Kuromi has ONLY her own thin black arrow tail. Additional historical correction: remove ALL woven, braided, basketry, wicker and textile mats in the foreground, especially beneath the roots. Replace them with irregular bare earth, pebbles and one untanned unsewn animal hide, no patterned weave. This is one million years ago. Preserve stone knapping, plain hides and both characters.", "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [], "corrections": [ "Kuromi mellett megjelenő többlet cicafarkat javítottam.", "Az 1 millió éves jelenetből a fonott/szőtt előtéri felületet eltávolítottam." ], "canonicalKuromi": true }, "width": 1536, "height": 1024, "generation": { "tool": "image_gen", "mode": "built-in", "prompt": "Use case: historical-scene. Create ONE landscape 1536x1024 full-color hand-drawn educational narrative illustration, fine outlines, gentle painted shading, natural daylight and historically grounded materials. Entire image has coherent illustrated style. Reference image 1 is Jani identity only: a GIRL ragdoll kitten, fluffy cream-white body, blue eyes, pink nose, very fluffy dark-brown tail. Her FACE MUST BE ASYMMETRICAL: large dark brown patch around VIEWER LEFT eye, smaller lighter tan patch around VIEWER RIGHT eye, irregular white central blaze. Natural cat anatomy and paws, four legs, no human hands, no human costume, no bowtie. Reference image 2 is Kuromi identity only: recognizable canonical black two-point jester hood with pink skull, white body, pink collar; do not repeat the reference book or magnifier. Both characters clearly visible as small present-day narrative observers within the scene, not replacing real historical people. Historical people have period correct everyday clothing and equipment, illustrated faces, not photorealistic. Wide single scene, no panels, no captions or labels, no numbers, no legible writing, no modern flags, no watermark. Avoid Hollywood, fantasy, game art, glamorous armor, dramatic backlight, explosions or generic battle panorama. Scene: East African river terrace roughly one million years ago. A small Homo erectus group with accurately modest archaic facial traits, not ape caricatures, gathered at a shaded stone-knapping spot. An experienced adult demonstrates striking a bifacial stone handaxe with a rounded hammerstone to a younger learner. Scattered sharp flakes show process, nearby gathered roots and water indicate daily subsistence. Simple unsewn hide wraps, no woven cloth, pottery, metal, farming or villages; no mammoths or dinosaurs. Low intimate eye-level composition, river and acacia scrub in background. Kuromi crouches attentively at left foreground beside Jani sitting naturally facing front. They observe and do not teach prehistoric people. Correction: keep the existing scene, but remove the extra dark-brown fluffy tail at the far left behind Kuromi. There must be exactly one brown cat tail belonging to Jani, attached to Jani only. Kuromi has ONLY her own thin black arrow tail. Additional historical correction: remove ALL woven, braided, basketry, wicker and textile mats in the foreground, especially beneath the roots. Replace them with irregular bare earth, pebbles and one untanned unsewn animal hide, no patterned weave. This is one million years ago. Preserve stone knapping, plain hides and both characters." }, "editHistory": [ { "tool": "image_gen", "mode": "built-in", "purpose": "canonical Kuromi correction", "prompt": "Use case: identity-preserve. Image 1 is the existing finished historical narrative illustration and is the EDIT TARGET. Image 2 is the authoritative canonical Kuromi reference from the user. Image 3 is Jani character reference only. Make a SMALL LOCALIZED CORRECTION ONLY TO KUROMI. Preserve entire historical background, all human people, objects, lighting, framing, colors, and Jani exactly. Kuromi's jester collar must be dark charcoal/black like her hood; the only pink on collar is four tiny round pink balls at the pointed tips. REMOVE the broad pink collar fabric or border completely. Keep pink skull on black hood and pink nose. Her eyes must match canonical reference: simple solid black oval/teardrop eye shapes, without human irises/highlights, with exactly two short curved outer lashes per eye, no thick eyebrows or long straight human eyelashes. Preserve Kuromi's existing pose and serious/attentive expression while matching canonical proportions. Keep Jani unchanged: fluffy cream-white natural female ragdoll cat with blue eyes, large dark brown VIEWER-LEFT eye patch and smaller lighter VIEWER-RIGHT patch, natural four paws and fluffy dark brown tail. Do not change Jani or add costume. One scene, same landscape size, no new text or panels. Correct only Kuromi collar/eyes/lashes." } ], "src": "assets/lesson-scenes/w02-01.webp", "sha256": "9eef104d16032678a11c7294b1c87c4128989bee2ecf0cfce6e661c6639d1686", "bytes": 469970, "thumbnailSrc": "assets/lesson-scenes/w02-01-preview.webp", "thumbnailSha256": "a2f9625f8a774c8a223499d2fa505c781bc1e2c4756fe0615b49880379e21bd8", "thumbnailBytes": 158270 }, { "unitId": "w02-02", "title": "Csonttű és bőrruha a jégkorszaki táborban", "alt": "Kuromi és Jani a szélvédett táborban figyeli a bőrruha varrását és a közösség hétköznapi munkáját.", "caption": "A késő paleolitikum hideg környezetében a finoman megmunkált csonttű és a varrott állatbőr ruha együtt segítette az alkalmazkodást. A technika anyagbeszerzést, kézügyességet és tudásátadást kapcsolt össze.", "scene": "A late Upper Paleolithic camp in cold Eurasia around 20,000 BCE, sheltered by a low rocky overhang and a hide-covered wooden windbreak. Close side view of an adult sewing a fitted animal-hide garment with a very small eyed bone needle and sinew thread, another person scraping a hide with a stone scraper. Bundles of dried edible plants, flint blades, a modest hearth with embers. People wear practical stitched hides, not ragged caveman leopard costumes; faces anatomically modern. Cold open grassland and a few distant reindeer outside the camp. Kuromi stands near the windbreak watching the sewing, Jani sits by her on a folded hide facing three-quarter front. Daylight with a little warm hearth glow, no cave painting ritual and no hunting battle.", "period": "Kr. e. 20 000 körül", "setting": "Eurázsiai késő paleolit tábor", "historicalDetails": [ "Átfúrt csonttű", "Ínnal varrott bőrruha", "Bőrrel fedett könnyű faváz", "Pattintott kőpengék" ], "sourceBasis": [ { "book": "v1", "pdfPages": [ 58, 64 ], "chapter": "2.2 People in the Paleolithic Age" }, { "book": "v1", "pdfPages": [ 59, 65 ], "chapter": "2.2 People in the Paleolithic Age" } ], "placement": { "area": "base", "sectionIndex": 2 }, "prompt": "Use case: historical-scene. Create ONE landscape 1536x1024 full-color hand-drawn educational narrative illustration, fine outlines, gentle painted shading, natural daylight and historically grounded materials. Entire image has coherent illustrated style. Reference image 1 is Jani identity only: a GIRL ragdoll kitten, fluffy cream-white body, blue eyes, pink nose, very fluffy dark-brown tail. Her FACE MUST BE ASYMMETRICAL: large dark brown patch around VIEWER LEFT eye, smaller lighter tan patch around VIEWER RIGHT eye, irregular white central blaze. Natural cat anatomy and paws, four legs, no human hands, no human costume, no bowtie. Reference image 2 is Kuromi identity only: recognizable canonical black two-point jester hood with pink skull, white body, pink collar; do not repeat the reference book or magnifier. Both characters clearly visible as small present-day narrative observers within the scene, not replacing real historical people. Historical people have period correct everyday clothing and equipment, illustrated faces, not photorealistic. Wide single scene, no panels, no captions or labels, no numbers, no legible writing, no modern flags, no watermark. Avoid Hollywood, fantasy, game art, glamorous armor, dramatic backlight, explosions or generic battle panorama. Scene: A late Upper Paleolithic camp in cold Eurasia around 20,000 BCE, sheltered by a low rocky overhang and a hide-covered wooden windbreak. Close side view of an adult sewing a fitted animal-hide garment with a very small eyed bone needle and sinew thread, another person scraping a hide with a stone scraper. Bundles of dried edible plants, flint blades, a modest hearth with embers. People wear practical stitched hides, not ragged caveman leopard costumes; faces anatomically modern. Cold open grassland and a few distant reindeer outside the camp. Kuromi stands near the windbreak watching the sewing, Jani sits by her on a folded hide facing three-quarter front. Daylight with a little warm hearth glow, no cave painting ritual and no hunting battle.", "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [], "canonicalKuromi": true }, "generation": { "tool": "image_gen", "mode": "built-in", "prompt": "Use case: historical-scene. Create ONE landscape 1536x1024 full-color hand-drawn educational narrative illustration, fine outlines, gentle painted shading, natural daylight and historically grounded materials. Entire image has coherent illustrated style. Reference image 1 is Jani identity only: a GIRL ragdoll kitten, fluffy cream-white body, blue eyes, pink nose, very fluffy dark-brown tail. Her FACE MUST BE ASYMMETRICAL: large dark brown patch around VIEWER LEFT eye, smaller lighter tan patch around VIEWER RIGHT eye, irregular white central blaze. Natural cat anatomy and paws, four legs, no human hands, no human costume, no bowtie. Reference image 2 is Kuromi identity only: recognizable canonical black two-point jester hood with pink skull, white body, pink collar; do not repeat the reference book or magnifier. Both characters clearly visible as small present-day narrative observers within the scene, not replacing real historical people. Historical people have period correct everyday clothing and equipment, illustrated faces, not photorealistic. Wide single scene, no panels, no captions or labels, no numbers, no legible writing, no modern flags, no watermark. Avoid Hollywood, fantasy, game art, glamorous armor, dramatic backlight, explosions or generic battle panorama. Scene: A late Upper Paleolithic camp in cold Eurasia around 20,000 BCE, sheltered by a low rocky overhang and a hide-covered wooden windbreak. Close side view of an adult sewing a fitted animal-hide garment with a very small eyed bone needle and sinew thread, another person scraping a hide with a stone scraper. Bundles of dried edible plants, flint blades, a modest hearth with embers. People wear practical stitched hides, not ragged caveman leopard costumes; faces anatomically modern. Cold open grassland and a few distant reindeer outside the camp. Kuromi stands near the windbreak watching the sewing, Jani sits by her on a folded hide facing three-quarter front. Daylight with a little warm hearth glow, no cave painting ritual and no hunting battle." }, "editHistory": [ { "tool": "image_gen", "mode": "built-in", "purpose": "canonical Kuromi correction", "prompt": "Use case: identity-preserve. Image 1 is the existing finished historical narrative illustration and is the EDIT TARGET. Image 2 is the authoritative canonical Kuromi reference from the user. Image 3 is Jani character reference only. Make a SMALL LOCALIZED CORRECTION ONLY TO KUROMI. Preserve entire historical background, all human people, objects, lighting, framing, colors, and Jani exactly. Kuromi's jester collar must be dark charcoal/black like her hood; the only pink on collar is four tiny round pink balls at the pointed tips. REMOVE the broad pink collar fabric or border completely. Keep pink skull on black hood and pink nose. Her eyes must match canonical reference: simple solid black oval/teardrop eye shapes, without human irises/highlights, with exactly two short curved outer lashes per eye, no thick eyebrows or long straight human eyelashes. Preserve Kuromi's existing pose and serious/attentive expression while matching canonical proportions. Keep Jani unchanged: fluffy cream-white natural female ragdoll cat with blue eyes, large dark brown VIEWER-LEFT eye patch and smaller lighter VIEWER-RIGHT patch, natural four paws and fluffy dark brown tail. Do not change Jani or add costume. One scene, same landscape size, no new text or panels. Correct only Kuromi collar/eyes/lashes." } ], "src": "assets/lesson-scenes/w02-02.webp", "sha256": "9ce27d07821540aeb97805866096f4e014c710dc71d9a6f90585ea6b980d0a7f", "bytes": 496004, "thumbnailSrc": "assets/lesson-scenes/w02-02-preview.webp", "thumbnailSha256": "66da7e1caeaf359f44f1cf8d7fb6c15c55f6cd7ffc422aeab3bead22783f7b98", "thumbnailBytes": 156154 }, { "unitId": "w02-03", "title": "Aratás és magtárolás Çatalhöyükben", "alt": "Kuromi és Jani Çatalhöyük lapos tetőinél figyeli a gabonát hordó és tárolóedényekbe rendező lakókat.", "caption": "Çatalhöyük lakói a Kr. e. 7. évezredben termesztést, állattartást és vadon gyűjtött élelmet is használtak. A tetőn át megközelített házak és a gabonatárolás a sűrű együttélés munkarendjét mutatják.", "scene": "Çatalhöyük in central Anatolia around 6500 BCE. Elevated diagonal view across adjoining flat-roofed mudbrick houses with NO streets between them. A person on a wooden ladder through a roof opening receives a basket of harvested grain from another adult; nearby a seated person grinds grain on a saddle quern, and a plaster-lined storage bin is being filled. Small simple ceramic bowls, reed baskets, a few lentils and gathered plants show mixed subsistence. Plain woven and hide garments, no metal tools, wagons, palace or temples. Kuromi on the safe broad roof observes the receiving of grain, Jani stands on four natural paws beside her and looks slightly toward viewer. Roof-to-house activity and surrounding fields are the focus.", "period": "Kr. e. 6500 körül", "setting": "Çatalhöyük, Anatólia", "historicalDetails": [ "Egymáshoz épült vályogházak", "Tetőnyílás és falétra", "Gabonát őrlő nyeregkő", "Kosárban hozott gabonakéve" ], "sourceBasis": [ { "book": "v1", "pdfPages": [ 65, 73 ], "chapter": "2.3 The Neolithic Revolution" }, { "book": "v1", "pdfPages": [ 70, 73 ], "chapter": "2.3 The Neolithic Revolution" } ], "placement": { "area": "base", "sectionIndex": 2 }, "prompt": "Use case: historical-scene. Create ONE landscape 1536x1024 full-color hand-drawn educational narrative illustration, fine outlines, gentle painted shading, natural daylight and historically grounded materials. Entire image has coherent illustrated style. Reference image 1 is Jani identity only: a GIRL ragdoll kitten, fluffy cream-white body, blue eyes, pink nose, very fluffy dark-brown tail. Her FACE MUST BE ASYMMETRICAL: large dark brown patch around VIEWER LEFT eye, smaller lighter tan patch around VIEWER RIGHT eye, irregular white central blaze. Natural cat anatomy and paws, four legs, no human hands, no human costume, no bowtie. Reference image 2 is Kuromi identity only: recognizable canonical black two-point jester hood with pink skull, white body, pink collar; do not repeat the reference book or magnifier. Both characters clearly visible as small present-day narrative observers within the scene, not replacing real historical people. Historical people have period correct everyday clothing and equipment, illustrated faces, not photorealistic. Wide single scene, no panels, no captions or labels, no numbers, no legible writing, no modern flags, no watermark. Avoid Hollywood, fantasy, game art, glamorous armor, dramatic backlight, explosions or generic battle panorama. Scene: Çatalhöyük in central Anatolia around 6500 BCE. Elevated diagonal view across adjoining flat-roofed mudbrick houses with NO streets between them. A person on a wooden ladder through a roof opening receives a basket of harvested grain from another adult; nearby a seated person grinds grain on a saddle quern, and a plaster-lined storage bin is being filled. Small simple ceramic bowls, reed baskets, a few lentils and gathered plants show mixed subsistence. Plain woven and hide garments, no metal tools, wagons, palace or temples. Kuromi on the safe broad roof observes the receiving of grain, Jani stands on four natural paws beside her and looks slightly toward viewer. Roof-to-house activity and surrounding fields are the focus. Correction: Çatalhöyük has access ONLY through roof openings. Remove all side wall doorways and wooden doors visible below the roofs; replace with continuous plastered walls. Keep roof opening, ladders, grain work and characters.", "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [], "corrections": [ "Az oldalfali ajtókat a tetőbejáratos elrendezéshez javítottam." ], "canonicalKuromi": true }, "width": 1536, "height": 1024, "generation": { "tool": "image_gen", "mode": "built-in", "prompt": "Use case: historical-scene. Create ONE landscape 1536x1024 full-color hand-drawn educational narrative illustration, fine outlines, gentle painted shading, natural daylight and historically grounded materials. Entire image has coherent illustrated style. Reference image 1 is Jani identity only: a GIRL ragdoll kitten, fluffy cream-white body, blue eyes, pink nose, very fluffy dark-brown tail. Her FACE MUST BE ASYMMETRICAL: large dark brown patch around VIEWER LEFT eye, smaller lighter tan patch around VIEWER RIGHT eye, irregular white central blaze. Natural cat anatomy and paws, four legs, no human hands, no human costume, no bowtie. Reference image 2 is Kuromi identity only: recognizable canonical black two-point jester hood with pink skull, white body, pink collar; do not repeat the reference book or magnifier. Both characters clearly visible as small present-day narrative observers within the scene, not replacing real historical people. Historical people have period correct everyday clothing and equipment, illustrated faces, not photorealistic. Wide single scene, no panels, no captions or labels, no numbers, no legible writing, no modern flags, no watermark. Avoid Hollywood, fantasy, game art, glamorous armor, dramatic backlight, explosions or generic battle panorama. Scene: Çatalhöyük in central Anatolia around 6500 BCE. Elevated diagonal view across adjoining flat-roofed mudbrick houses with NO streets between them. A person on a wooden ladder through a roof opening receives a basket of harvested grain from another adult; nearby a seated person grinds grain on a saddle quern, and a plaster-lined storage bin is being filled. Small simple ceramic bowls, reed baskets, a few lentils and gathered plants show mixed subsistence. Plain woven and hide garments, no metal tools, wagons, palace or temples. Kuromi on the safe broad roof observes the receiving of grain, Jani stands on four natural paws beside her and looks slightly toward viewer. Roof-to-house activity and surrounding fields are the focus. Correction: Çatalhöyük has access ONLY through roof openings. Remove all side wall doorways and wooden doors visible below the roofs; replace with continuous plastered walls. Keep roof opening, ladders, grain work and characters." }, "editHistory": [ { "tool": "image_gen", "mode": "built-in", "purpose": "canonical Kuromi correction", "prompt": "Use case: identity-preserve. Image 1 is the existing finished historical narrative illustration and is the EDIT TARGET. Image 2 is the authoritative canonical Kuromi reference from the user. Image 3 is Jani character reference only. Make a SMALL LOCALIZED CORRECTION ONLY TO KUROMI. Preserve entire historical background, all human people, objects, lighting, framing, colors, and Jani exactly. Kuromi's jester collar must be dark charcoal/black like her hood; the only pink on collar is four tiny round pink balls at the pointed tips. REMOVE the broad pink collar fabric or border completely. Keep pink skull on black hood and pink nose. Her eyes must match canonical reference: simple solid black oval/teardrop eye shapes, without human irises/highlights, with exactly two short curved outer lashes per eye, no thick eyebrows or long straight human eyelashes. Preserve Kuromi's existing pose and serious/attentive expression while matching canonical proportions. Keep Jani unchanged: fluffy cream-white natural female ragdoll cat with blue eyes, large dark brown VIEWER-LEFT eye patch and smaller lighter VIEWER-RIGHT patch, natural four paws and fluffy dark brown tail. Do not change Jani or add costume. One scene, same landscape size, no new text or panels. Correct only Kuromi collar/eyes/lashes." }, { "tool": "image_gen", "purpose": "Remove residual pink collar border", "prompt": "Use case: identity-preserve. Image 1 is the existing finished historical narrative illustration and is the EDIT TARGET. Image 2 is the authoritative canonical Kuromi reference from the user. Image 3 is Jani character reference only. Make a SMALL LOCALIZED CORRECTION ONLY TO KUROMI. Preserve entire historical background, all human people, objects, lighting, framing, colors, and Jani exactly. Kuromi's jester collar must be dark charcoal/black like her hood; the only pink on collar is four tiny round pink balls at the pointed tips. REMOVE the broad pink collar fabric or border completely. Keep pink skull on black hood and pink nose. Her eyes must match canonical reference: simple solid black oval/teardrop eye shapes, without human irises/highlights, with exactly two short curved outer lashes per eye, no thick eyebrows or long straight human eyelashes. Preserve Kuromi's existing pose and serious/attentive expression while matching canonical proportions. Keep Jani unchanged: fluffy cream-white natural female ragdoll cat with blue eyes, large dark brown VIEWER-LEFT eye patch and smaller lighter VIEWER-RIGHT patch, natural four paws and fluffy dark brown tail. Do not change Jani or add costume. One scene, same landscape size, no new text or panels. Correct only Kuromi collar/eyes/lashes. Kuromi is small at the top center of this image, beside the cat on the roof. Her collar STILL HAS A PINK ZIGZAG OUTLINE. Carefully repaint the entire pink zigzag neck border and all pink fabric between balls to DARK CHARCOAL. There must be NO pink continuous line around her neck. ONLY four isolated pink dots at tips." } ], "src": "assets/lesson-scenes/w02-03.webp", "sha256": "6e5f883d9519e7bb90a7e27e04c3a61cd5368672dab9f6300ce282dd906f81c1", "bytes": 446930, "thumbnailSrc": "assets/lesson-scenes/w02-03-preview.webp", "thumbnailSha256": "7ed2e4b525024d37e05cf6e77ee9721486f1d4f22c3bf1dcbb79849d4e98b9eb", "thumbnailBytes": 146582 }, { "unitId": "w03-01", "title": "Közös csatornatisztítás egy korai város mellett", "alt": "Kuromi és Jani a várost ellátó csatorna mellett figyeli a különböző munkát végző lakókat.", "caption": "A korai dél-mezopotámiai városi központok a környező földek termelésére támaszkodtak. A vízellátás és közös munka megszervezése tartós szerepeket és kötelezettségeket alakított ki.", "scene": "Southern Mesopotamia late fourth millennium BCE, at the meeting of an early city and irrigated fields. A diagonal earthen canal leads from foreground to low mudbrick urban storehouses. Several workers clear silt with wooden spades and reed baskets while others repair a bank with mud; a coordinator receives baskets and indicates the stretch still to clear. Crops and pottery workshops are seen beyond, showing specialists dependent on water and grain. Humans in simple undyed wool wraps and skirts, no giant ziggurat, no Assyrian palace, no currency. Kuromi stands safely on the bank at mid-foreground, Jani sits next to her facing front, observing water begin to flow through the cleared channel. Open landscape composition with water as visual connecting line.", "period": "Kr. e. 4. évezred vége", "setting": "Dél-Mezopotámia, város és öntözött vidék találkozása", "historicalDetails": [ "Kézzel tisztított földcsatorna", "Nádkosarakban hordott iszap", "Vályogtégla városfal és alacsony gabonatároló", "Eltérő termelő és szervező feladatok" ], "sourceBasis": [ { "book": "v1", "pdfPages": [ 81, 85 ], "chapter": "3.1 Early Civilizations" } ], "placement": { "area": "base", "sectionIndex": 1 }, "prompt": "Use case: historical-scene. Create ONE landscape 1536x1024 full-color hand-drawn educational narrative illustration, fine outlines, gentle painted shading, natural daylight and historically grounded materials. Entire image has coherent illustrated style. Reference image 1 is Jani identity only: a GIRL ragdoll kitten, fluffy cream-white body, blue eyes, pink nose, very fluffy dark-brown tail. Her FACE MUST BE ASYMMETRICAL: large dark brown patch around VIEWER LEFT eye, smaller lighter tan patch around VIEWER RIGHT eye, irregular white central blaze. Natural cat anatomy and paws, four legs, no human hands, no human costume, no bowtie. Reference image 2 is Kuromi identity only: recognizable canonical black two-point jester hood with pink skull, white body, pink collar; do not repeat the reference book or magnifier. Both characters clearly visible as small present-day narrative observers within the scene, not replacing real historical people. Historical people have period correct everyday clothing and equipment, illustrated faces, not photorealistic. Wide single scene, no panels, no captions or labels, no numbers, no legible writing, no modern flags, no watermark. Avoid Hollywood, fantasy, game art, glamorous armor, dramatic backlight, explosions or generic battle panorama. Scene: Southern Mesopotamia late fourth millennium BCE, at the meeting of an early city and irrigated fields. A diagonal earthen canal leads from foreground to low mudbrick urban storehouses. Several workers clear silt with wooden spades and reed baskets while others repair a bank with mud; a coordinator receives baskets and indicates the stretch still to clear. Crops and pottery workshops are seen beyond, showing specialists dependent on water and grain. Humans in simple undyed wool wraps and skirts, no giant ziggurat, no Assyrian palace, no currency. Kuromi stands safely on the bank at mid-foreground, Jani sits next to her facing front, observing water begin to flow through the cleared channel. Open landscape composition with water as visual connecting line.", "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [], "canonicalKuromi": true }, "generation": { "tool": "image_gen", "mode": "built-in", "prompt": "Use case: historical-scene. Create ONE landscape 1536x1024 full-color hand-drawn educational narrative illustration, fine outlines, gentle painted shading, natural daylight and historically grounded materials. Entire image has coherent illustrated style. Reference image 1 is Jani identity only: a GIRL ragdoll kitten, fluffy cream-white body, blue eyes, pink nose, very fluffy dark-brown tail. Her FACE MUST BE ASYMMETRICAL: large dark brown patch around VIEWER LEFT eye, smaller lighter tan patch around VIEWER RIGHT eye, irregular white central blaze. Natural cat anatomy and paws, four legs, no human hands, no human costume, no bowtie. Reference image 2 is Kuromi identity only: recognizable canonical black two-point jester hood with pink skull, white body, pink collar; do not repeat the reference book or magnifier. Both characters clearly visible as small present-day narrative observers within the scene, not replacing real historical people. Historical people have period correct everyday clothing and equipment, illustrated faces, not photorealistic. Wide single scene, no panels, no captions or labels, no numbers, no legible writing, no modern flags, no watermark. Avoid Hollywood, fantasy, game art, glamorous armor, dramatic backlight, explosions or generic battle panorama. Scene: Southern Mesopotamia late fourth millennium BCE, at the meeting of an early city and irrigated fields. A diagonal earthen canal leads from foreground to low mudbrick urban storehouses. Several workers clear silt with wooden spades and reed baskets while others repair a bank with mud; a coordinator receives baskets and indicates the stretch still to clear. Crops and pottery workshops are seen beyond, showing specialists dependent on water and grain. Humans in simple undyed wool wraps and skirts, no giant ziggurat, no Assyrian palace, no currency. Kuromi stands safely on the bank at mid-foreground, Jani sits next to her facing front, observing water begin to flow through the cleared channel. Open landscape composition with water as visual connecting line." }, "editHistory": [ { "tool": "image_gen", "mode": "built-in", "purpose": "canonical Kuromi correction", "prompt": "Use case: identity-preserve. Image 1 is the existing finished historical narrative illustration and is the EDIT TARGET. Image 2 is the authoritative canonical Kuromi reference from the user. Image 3 is Jani character reference only. Make a SMALL LOCALIZED CORRECTION ONLY TO KUROMI. Preserve entire historical background, all human people, objects, lighting, framing, colors, and Jani exactly. Kuromi's jester collar must be dark charcoal/black like her hood; the only pink on collar is four tiny round pink balls at the pointed tips. REMOVE the broad pink collar fabric or border completely. Keep pink skull on black hood and pink nose. Her eyes must match canonical reference: simple solid black oval/teardrop eye shapes, without human irises/highlights, with exactly two short curved outer lashes per eye, no thick eyebrows or long straight human eyelashes. Preserve Kuromi's existing pose and serious/attentive expression while matching canonical proportions. Keep Jani unchanged: fluffy cream-white natural female ragdoll cat with blue eyes, large dark brown VIEWER-LEFT eye patch and smaller lighter VIEWER-RIGHT patch, natural four paws and fluffy dark brown tail. Do not change Jani or add costume. One scene, same landscape size, no new text or panels. Correct only Kuromi collar/eyes/lashes." } ], "src": "assets/lesson-scenes/w03-01.webp", "sha256": "0d4cf197efdcde24d2662008b6976382486b26bacdf6662cb42abf443b52a2c6", "bytes": 537510, "thumbnailSrc": "assets/lesson-scenes/w03-01-preview.webp", "thumbnailSha256": "d9cc06c0dce6af0698d15f5ae4a4b0b1da150945c1efebed6be140bcab940cba", "thumbnailBytes": 170484 }, { "unitId": "w03-02", "title": "Gabona és agyagtábla Uruk raktárudvarán", "alt": "Kuromi és Jani Uruk raktárudvarán nézi a gabona átadását és az agyagtáblára jegyző írnokot.", "caption": "Uruk Kr. e. 4. évezred végi gazdasági feljegyzései termények és juttatások ellenőrzéséhez kapcsolódtak. Az átadott gabona, a kiosztóedények és az írnok együtt mutatja a nyilvántartás intézményi szerepét.", "scene": "Uruk around 3200 BCE. Ground-level view INSIDE a modest open-air mudbrick institutional granary courtyard. At center-left a worker pours grain from a reed basket into a pottery measuring bowl while a seated scribe at right presses small proto-writing impressions into a palm-sized wet clay tablet using a cut reed stylus. A few bevel-rim pottery bowls wait to receive rations; sacks and jars rest in niches behind. No legible text and no alphabet; tablet marks small and nonreadable. People in plain Sumerian wool wrap skirts, no later Assyrian beards or royal jewelry. Kuromi and Jani clearly visible at foreground left, looking from bowl to scribe, Jani three-quarter front with asymmetric face. No museum display table; this is an active institution showing accounting of an actual delivery.", "period": "Kr. e. 3200 körül", "setting": "Uruk, intézményi raktárudvar", "historicalDetails": [ "Nedves agyagtáblába nyomott jelek", "Nádból készült íróvessző", "Gabona kimérése kerámiaedénnyel", "Vályogtégla raktár" ], "sourceBasis": [ { "book": "v1", "pdfPages": [ 86, 97 ], "chapter": "3.2 Ancient Mesopotamia" }, { "book": "v1", "pdfPages": [ 88, 89 ], "chapter": "3.2 Ancient Mesopotamia: Origins of Writing" }, { "book": "v1", "pdfPages": [ 95, 96 ], "chapter": "3.2 Ancient Mesopotamia: Law and Society" } ], "placement": { "area": "base", "sectionIndex": 1 }, "prompt": "Use case: historical-scene. Create ONE landscape 1536x1024 full-color hand-drawn educational narrative illustration, fine outlines, gentle painted shading, natural daylight and historically grounded materials. Entire image has coherent illustrated style. Reference image 1 is Jani identity only: a GIRL ragdoll kitten, fluffy cream-white body, blue eyes, pink nose, very fluffy dark-brown tail. Her FACE MUST BE ASYMMETRICAL: large dark brown patch around VIEWER LEFT eye, smaller lighter tan patch around VIEWER RIGHT eye, irregular white central blaze. Natural cat anatomy and paws, four legs, no human hands, no human costume, no bowtie. Reference image 2 is Kuromi identity only: recognizable canonical black two-point jester hood with pink skull, white body, pink collar; do not repeat the reference book or magnifier. Both characters clearly visible as small present-day narrative observers within the scene, not replacing real historical people. Historical people have period correct everyday clothing and equipment, illustrated faces, not photorealistic. Wide single scene, no panels, no captions or labels, no numbers, no legible writing, no modern flags, no watermark. Avoid Hollywood, fantasy, game art, glamorous armor, dramatic backlight, explosions or generic battle panorama. Scene: Uruk around 3200 BCE. Ground-level view INSIDE a modest open-air mudbrick institutional granary courtyard. At center-left a worker pours grain from a reed basket into a pottery measuring bowl while a seated scribe at right presses small proto-writing impressions into a palm-sized wet clay tablet using a cut reed stylus. A few bevel-rim pottery bowls wait to receive rations; sacks and jars rest in niches behind. No legible text and no alphabet; tablet marks small and nonreadable. People in plain Sumerian wool wrap skirts, no later Assyrian beards or royal jewelry. Kuromi and Jani clearly visible at foreground left, looking from bowl to scribe, Jani three-quarter front with asymmetric face. No museum display table; this is an active institution showing accounting of an actual delivery.", "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [], "canonicalKuromi": true }, "generation": { "tool": "image_gen", "mode": "built-in", "prompt": "Use case: historical-scene. Create ONE landscape 1536x1024 full-color hand-drawn educational narrative illustration, fine outlines, gentle painted shading, natural daylight and historically grounded materials. Entire image has coherent illustrated style. Reference image 1 is Jani identity only: a GIRL ragdoll kitten, fluffy cream-white body, blue eyes, pink nose, very fluffy dark-brown tail. Her FACE MUST BE ASYMMETRICAL: large dark brown patch around VIEWER LEFT eye, smaller lighter tan patch around VIEWER RIGHT eye, irregular white central blaze. Natural cat anatomy and paws, four legs, no human hands, no human costume, no bowtie. Reference image 2 is Kuromi identity only: recognizable canonical black two-point jester hood with pink skull, white body, pink collar; do not repeat the reference book or magnifier. Both characters clearly visible as small present-day narrative observers within the scene, not replacing real historical people. Historical people have period correct everyday clothing and equipment, illustrated faces, not photorealistic. Wide single scene, no panels, no captions or labels, no numbers, no legible writing, no modern flags, no watermark. Avoid Hollywood, fantasy, game art, glamorous armor, dramatic backlight, explosions or generic battle panorama. Scene: Uruk around 3200 BCE. Ground-level view INSIDE a modest open-air mudbrick institutional granary courtyard. At center-left a worker pours grain from a reed basket into a pottery measuring bowl while a seated scribe at right presses small proto-writing impressions into a palm-sized wet clay tablet using a cut reed stylus. A few bevel-rim pottery bowls wait to receive rations; sacks and jars rest in niches behind. No legible text and no alphabet; tablet marks small and nonreadable. People in plain Sumerian wool wrap skirts, no later Assyrian beards or royal jewelry. Kuromi and Jani clearly visible at foreground left, looking from bowl to scribe, Jani three-quarter front with asymmetric face. No museum display table; this is an active institution showing accounting of an actual delivery." }, "editHistory": [ { "tool": "image_gen", "mode": "built-in", "purpose": "canonical Kuromi correction", "prompt": "Use case: identity-preserve. Image 1 is the existing finished historical narrative illustration and is the EDIT TARGET. Image 2 is the authoritative canonical Kuromi reference from the user. Image 3 is Jani character reference only. Make a SMALL LOCALIZED CORRECTION ONLY TO KUROMI. Preserve entire historical background, all human people, objects, lighting, framing, colors, and Jani exactly. Kuromi's jester collar must be dark charcoal/black like her hood; the only pink on collar is four tiny round pink balls at the pointed tips. REMOVE the broad pink collar fabric or border completely. Keep pink skull on black hood and pink nose. Her eyes must match canonical reference: simple solid black oval/teardrop eye shapes, without human irises/highlights, with exactly two short curved outer lashes per eye, no thick eyebrows or long straight human eyelashes. Preserve Kuromi's existing pose and serious/attentive expression while matching canonical proportions. Keep Jani unchanged: fluffy cream-white natural female ragdoll cat with blue eyes, large dark brown VIEWER-LEFT eye patch and smaller lighter VIEWER-RIGHT patch, natural four paws and fluffy dark brown tail. Do not change Jani or add costume. One scene, same landscape size, no new text or panels. Correct only Kuromi collar/eyes/lashes." } ], "src": "assets/lesson-scenes/w03-02.webp", "sha256": "765df7ddcc486f83ebc91efa6887f9a75111e10a80f83c88e3ab5fe611130689", "bytes": 294414, "thumbnailSrc": "assets/lesson-scenes/w03-02-preview.webp", "thumbnailSha256": "a8729c23627046ed73195176eafda717c8d9124dbed09d6854ea6d08997b15d3", "thumbnailBytes": 100518 }, { "unitId": "w03-03", "title": "A gízai építők ellátása", "alt": "Kuromi és Jani a gízai munkástelepnél figyeli a kenyér és sör szétosztását a követ szállító építők között.", "caption": "A Kr. e. 3. évezredi piramisépítéshez kőfaragók, szállítók és az ellátást biztosító dolgozók összehangolt munkája kellett. A jelenet a királyi építkezés mögött működő élelmezést állítja középpontba.", "scene": "Giza around the 26th century BCE, Old Kingdom pyramid work settlement. Focus on organized food distribution: a baker lifts flat loaves from a simple clay oven, an attendant hands bread and a pottery beer jar to arriving stone haulers. Beyond them a coordinated team pulls a limestone block on a low wooden sledge with thick ropes across dampened ground. A partly built single pyramid rises in distant haze, not all later Giza pyramids complete. Workers wear plain white linen kilts or simple linen wraps, shaved or short hair, not striped pharaoh headdresses. No slaves in chains or whips; no cranes, metal carts, Roman architecture. Kuromi and Jani stand near the bread baskets, attentive not celebrating, Jani facing viewer. Composition follows bread distribution toward work crew, the pyramid is contextual not dominating.", "period": "Kr. e. 26. század", "setting": "Gíza, óbirodalmi építőtelep", "historicalDetails": [ "Kenyérformák és agyagedényes sör", "Mészkőtömb alacsony faszánon", "Kötéllel húzó munkacsoport", "Egyszerű vászon ágyékkötők" ], "sourceBasis": [ { "book": "v1", "pdfPages": [ 98, 108 ], "chapter": "3.3 Ancient Egypt" }, { "book": "v1", "pdfPages": [ 101, 106 ], "chapter": "3.3 Ancient Egypt: Flooding, Writing and Pyramid Building" } ], "placement": { "area": "base", "sectionIndex": 2 }, "prompt": "Use case: historical-scene. Create ONE landscape 1536x1024 full-color hand-drawn educational narrative illustration, fine outlines, gentle painted shading, natural daylight and historically grounded materials. Entire image has coherent illustrated style. Reference image 1 is Jani identity only: a GIRL ragdoll kitten, fluffy cream-white body, blue eyes, pink nose, very fluffy dark-brown tail. Her FACE MUST BE ASYMMETRICAL: large dark brown patch around VIEWER LEFT eye, smaller lighter tan patch around VIEWER RIGHT eye, irregular white central blaze. Natural cat anatomy and paws, four legs, no human hands, no human costume, no bowtie. Reference image 2 is Kuromi identity only: recognizable canonical black two-point jester hood with pink skull, white body, pink collar; do not repeat the reference book or magnifier. Both characters clearly visible as small present-day narrative observers within the scene, not replacing real historical people. Historical people have period correct everyday clothing and equipment, illustrated faces, not photorealistic. Wide single scene, no panels, no captions or labels, no numbers, no legible writing, no modern flags, no watermark. Avoid Hollywood, fantasy, game art, glamorous armor, dramatic backlight, explosions or generic battle panorama. Scene: Giza around the 26th century BCE, Old Kingdom pyramid work settlement. Focus on organized food distribution: a baker lifts flat loaves from a simple clay oven, an attendant hands bread and a pottery beer jar to arriving stone haulers. Beyond them a coordinated team pulls a limestone block on a low wooden sledge with thick ropes across dampened ground. A partly built single pyramid rises in distant haze, not all later Giza pyramids complete. Workers wear plain white linen kilts or simple linen wraps, shaved or short hair, not striped pharaoh headdresses. No slaves in chains or whips; no cranes, metal carts, Roman architecture. Kuromi and Jani stand near the bread baskets, attentive not celebrating, Jani facing viewer. Composition follows bread distribution toward work crew, the pyramid is contextual not dominating.", "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [], "canonicalKuromi": true }, "generation": { "tool": "image_gen", "mode": "built-in", "prompt": "Use case: historical-scene. Create ONE landscape 1536x1024 full-color hand-drawn educational narrative illustration, fine outlines, gentle painted shading, natural daylight and historically grounded materials. Entire image has coherent illustrated style. Reference image 1 is Jani identity only: a GIRL ragdoll kitten, fluffy cream-white body, blue eyes, pink nose, very fluffy dark-brown tail. Her FACE MUST BE ASYMMETRICAL: large dark brown patch around VIEWER LEFT eye, smaller lighter tan patch around VIEWER RIGHT eye, irregular white central blaze. Natural cat anatomy and paws, four legs, no human hands, no human costume, no bowtie. Reference image 2 is Kuromi identity only: recognizable canonical black two-point jester hood with pink skull, white body, pink collar; do not repeat the reference book or magnifier. Both characters clearly visible as small present-day narrative observers within the scene, not replacing real historical people. Historical people have period correct everyday clothing and equipment, illustrated faces, not photorealistic. Wide single scene, no panels, no captions or labels, no numbers, no legible writing, no modern flags, no watermark. Avoid Hollywood, fantasy, game art, glamorous armor, dramatic backlight, explosions or generic battle panorama. Scene: Giza around the 26th century BCE, Old Kingdom pyramid work settlement. Focus on organized food distribution: a baker lifts flat loaves from a simple clay oven, an attendant hands bread and a pottery beer jar to arriving stone haulers. Beyond them a coordinated team pulls a limestone block on a low wooden sledge with thick ropes across dampened ground. A partly built single pyramid rises in distant haze, not all later Giza pyramids complete. Workers wear plain white linen kilts or simple linen wraps, shaved or short hair, not striped pharaoh headdresses. No slaves in chains or whips; no cranes, metal carts, Roman architecture. Kuromi and Jani stand near the bread baskets, attentive not celebrating, Jani facing viewer. Composition follows bread distribution toward work crew, the pyramid is contextual not dominating." }, "editHistory": [ { "tool": "image_gen", "mode": "built-in", "purpose": "canonical Kuromi correction", "prompt": "Use case: identity-preserve. Image 1 is the existing finished historical narrative illustration and is the EDIT TARGET. Image 2 is the authoritative canonical Kuromi reference from the user. Image 3 is Jani character reference only. Make a SMALL LOCALIZED CORRECTION ONLY TO KUROMI. Preserve entire historical background, all human people, objects, lighting, framing, colors, and Jani exactly. Kuromi's jester collar must be dark charcoal/black like her hood; the only pink on collar is four tiny round pink balls at the pointed tips. REMOVE the broad pink collar fabric or border completely. Keep pink skull on black hood and pink nose. Her eyes must match canonical reference: simple solid black oval/teardrop eye shapes, without human irises/highlights, with exactly two short curved outer lashes per eye, no thick eyebrows or long straight human eyelashes. Preserve Kuromi's existing pose and serious/attentive expression while matching canonical proportions. Keep Jani unchanged: fluffy cream-white natural female ragdoll cat with blue eyes, large dark brown VIEWER-LEFT eye patch and smaller lighter VIEWER-RIGHT patch, natural four paws and fluffy dark brown tail. Do not change Jani or add costume. One scene, same landscape size, no new text or panels. Correct only Kuromi collar/eyes/lashes." } ], "src": "assets/lesson-scenes/w03-03.webp", "sha256": "db118a66563ad3ece1270f2b36fc31e7014da33a16011bd41f1d3eb39296f8aa", "bytes": 402186, "thumbnailSrc": "assets/lesson-scenes/w03-03-preview.webp", "thumbnailSha256": "3b5d53eb2311e44a1d380b84258f6762cad6351ca61e764cea3c8191d6b6821f", "thumbnailBytes": 131402 }, { "unitId": "w03-04", "title": "Súlyokkal ellenőrzött csere Harappában", "alt": "Kuromi és Jani egy harappái műhelyudvaron figyeli a gyöngyök mérlegelését a kocka alakú súlyokkal.", "caption": "Az Indus-vidéki szabványos súlyok a mennyiség ellenőrzését segítették. A Kr. e. 3. évezredi kézműves és kereskedő együttműködését a tárgyak alapján rekonstruáljuk; a vezetők neve és a pecsétjelek jelentése bizonytalan.", "scene": "Harappa in the Indus civilization around 2500 BCE. A craft workshop courtyard beside a straight baked-brick street with covered brick drain and a circular brick well. An artisan weighs a small batch of polished carnelian beads in a simple beam balance against graduated dark cubic stone weights; a trader watches the balance level. Rectangular stamp seal with a tiny animal motif rests face-down nearby, no readable or invented translation. People in modest draped cotton garments, no coins, crowns or invented royal throne. Kuromi stands at right on a low ledge watching the balance; Jani sits naturally beside the ledge facing viewer, asymmetric face clear. A few unfinished beads and stone drills establish workshop process. Focus on trust in standardized measure, no museum arrangement.", "period": "Kr. e. 2500 körül", "setting": "Harappá, Indus-völgy", "historicalDetails": [ "Kocka alakú kősúlyok", "Egyszerű kétkarú mérleg", "Karneolgyöngyök és féldrágakő nyersanyag", "Égetett tégla fal és fedett vízelvezető" ], "sourceBasis": [ { "book": "v1", "pdfPages": [ 109, 116 ], "chapter": "3.4 The Indus Valley Civilization" }, { "book": "v1", "pdfPages": [ 111, 115 ], "chapter": "3.4 The Indus Valley Civilization: Trade, Writing, and Religion" } ], "placement": { "area": "base", "sectionIndex": 1 }, "prompt": "Use case: historical-scene. Create ONE landscape 1536x1024 full-color hand-drawn educational narrative illustration, fine outlines, gentle painted shading, natural daylight and historically grounded materials. Entire image has coherent illustrated style. Reference image 1 is Jani identity only: a GIRL ragdoll kitten, fluffy cream-white body, blue eyes, pink nose, very fluffy dark-brown tail. Her FACE MUST BE ASYMMETRICAL: large dark brown patch around VIEWER LEFT eye, smaller lighter tan patch around VIEWER RIGHT eye, irregular white central blaze. Natural cat anatomy and paws, four legs, no human hands, no human costume, no bowtie. Reference image 2 is Kuromi identity only: recognizable canonical black two-point jester hood with pink skull, white body, pink collar; do not repeat the reference book or magnifier. Both characters clearly visible as small present-day narrative observers within the scene, not replacing real historical people. Historical people have period correct everyday clothing and equipment, illustrated faces, not photorealistic. Wide single scene, no panels, no captions or labels, no numbers, no legible writing, no modern flags, no watermark. Avoid Hollywood, fantasy, game art, glamorous armor, dramatic backlight, explosions or generic battle panorama. Scene: Harappa in the Indus civilization around 2500 BCE. A craft workshop courtyard beside a straight baked-brick street with covered brick drain and a circular brick well. An artisan weighs a small batch of polished carnelian beads in a simple beam balance against graduated dark cubic stone weights; a trader watches the balance level. Rectangular stamp seal with a tiny animal motif rests face-down nearby, no readable or invented translation. People in modest draped cotton garments, no coins, crowns or invented royal throne. Kuromi stands at right on a low ledge watching the balance; Jani sits naturally beside the ledge facing viewer, asymmetric face clear. A few unfinished beads and stone drills establish workshop process. Focus on trust in standardized measure, no museum arrangement.", "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [], "canonicalKuromi": true }, "generation": { "tool": "image_gen", "mode": "built-in", "prompt": "Use case: historical-scene. Create ONE landscape 1536x1024 full-color hand-drawn educational narrative illustration, fine outlines, gentle painted shading, natural daylight and historically grounded materials. Entire image has coherent illustrated style. Reference image 1 is Jani identity only: a GIRL ragdoll kitten, fluffy cream-white body, blue eyes, pink nose, very fluffy dark-brown tail. Her FACE MUST BE ASYMMETRICAL: large dark brown patch around VIEWER LEFT eye, smaller lighter tan patch around VIEWER RIGHT eye, irregular white central blaze. Natural cat anatomy and paws, four legs, no human hands, no human costume, no bowtie. Reference image 2 is Kuromi identity only: recognizable canonical black two-point jester hood with pink skull, white body, pink collar; do not repeat the reference book or magnifier. Both characters clearly visible as small present-day narrative observers within the scene, not replacing real historical people. Historical people have period correct everyday clothing and equipment, illustrated faces, not photorealistic. Wide single scene, no panels, no captions or labels, no numbers, no legible writing, no modern flags, no watermark. Avoid Hollywood, fantasy, game art, glamorous armor, dramatic backlight, explosions or generic battle panorama. Scene: Harappa in the Indus civilization around 2500 BCE. A craft workshop courtyard beside a straight baked-brick street with covered brick drain and a circular brick well. An artisan weighs a small batch of polished carnelian beads in a simple beam balance against graduated dark cubic stone weights; a trader watches the balance level. Rectangular stamp seal with a tiny animal motif rests face-down nearby, no readable or invented translation. People in modest draped cotton garments, no coins, crowns or invented royal throne. Kuromi stands at right on a low ledge watching the balance; Jani sits naturally beside the ledge facing viewer, asymmetric face clear. A few unfinished beads and stone drills establish workshop process. Focus on trust in standardized measure, no museum arrangement." }, "editHistory": [ { "tool": "image_gen", "mode": "built-in", "purpose": "canonical Kuromi correction", "prompt": "Use case: identity-preserve. Image 1 is the existing finished historical narrative illustration and is the EDIT TARGET. Image 2 is the authoritative canonical Kuromi reference from the user. Image 3 is Jani character reference only. Make a SMALL LOCALIZED CORRECTION ONLY TO KUROMI. Preserve entire historical background, all human people, objects, lighting, framing, colors, and Jani exactly. Kuromi's jester collar must be dark charcoal/black like her hood; the only pink on collar is four tiny round pink balls at the pointed tips. REMOVE the broad pink collar fabric or border completely. Keep pink skull on black hood and pink nose. Her eyes must match canonical reference: simple solid black oval/teardrop eye shapes, without human irises/highlights, with exactly two short curved outer lashes per eye, no thick eyebrows or long straight human eyelashes. Preserve Kuromi's existing pose and serious/attentive expression while matching canonical proportions. Keep Jani unchanged: fluffy cream-white natural female ragdoll cat with blue eyes, large dark brown VIEWER-LEFT eye patch and smaller lighter VIEWER-RIGHT patch, natural four paws and fluffy dark brown tail. Do not change Jani or add costume. One scene, same landscape size, no new text or panels. Correct only Kuromi collar/eyes/lashes." }, { "tool": "image_gen", "purpose": "Exactly four collar balls", "prompt": "Use case: identity-preserve. Image 1 is the existing finished historical narrative illustration and is the EDIT TARGET. Image 2 is the authoritative canonical Kuromi reference from the user. Image 3 is Jani character reference only. Make a SMALL LOCALIZED CORRECTION ONLY TO KUROMI. Preserve entire historical background, all human people, objects, lighting, framing, colors, and Jani exactly. Kuromi's jester collar must be dark charcoal/black like her hood; the only pink on collar is four tiny round pink balls at the pointed tips. REMOVE the broad pink collar fabric or border completely. Keep pink skull on black hood and pink nose. Her eyes must match canonical reference: simple solid black oval/teardrop eye shapes, without human irises/highlights, with exactly two short curved outer lashes per eye, no thick eyebrows or long straight human eyelashes. Preserve Kuromi's existing pose and serious/attentive expression while matching canonical proportions. Keep Jani unchanged: fluffy cream-white natural female ragdoll cat with blue eyes, large dark brown VIEWER-LEFT eye patch and smaller lighter VIEWER-RIGHT patch, natural four paws and fluffy dark brown tail. Do not change Jani or add costume. One scene, same landscape size, no new text or panels. Correct only Kuromi collar/eyes/lashes. Collar topology is EXACTLY FOUR pointed tips and FOUR pink balls in total: ONE at each outer shoulder, TWO lower tips at front. If the old drawing has five balls, remove the extra ball and extra tip. No pink outline or piping. Kuromi has a small upright two-legged body with two arms, not a four-legged cat body. CRITICAL LOCAL CHANGE: the existing Kuromi has FIVE balls. Remove one extra collar ball and its tip so there are EXACTLY FOUR: two front balls, one on left outer shoulder, one on right outer shoulder. Count them carefully. Leave ALL other pixels and scene unchanged." }, { "tool": "image_gen", "purpose": "Remove specifically located fifth collar ball", "prompt": "Image 1 edit target. Only a tiny local object deletion on Kuromi. At approximately pixel (1118,599) in this 1536x1024 illustration, Kuromi has a small PINK COLLAR BALL near her black arrow tail, immediately below the right side of her head. ERASE THAT UPPER-RIGHT PINK BALL and its small extra collar tip, replace the exposed area with the brown human hand/background behind it. Keep the lower-right pink collar ball at about (1105,616), keep both front balls, and the far-left shoulder ball. Exactly FOUR pink collar balls remain. Make no other changes whatsoever: preserve Jani, human figures, bead balance, weights, background, Kuromi eyes, pose and dark collar. Image 2 canonical Kuromi confirms four balls." }, { "tool": "image_gen", "mode": "built-in", "purpose": "Add fourth canonical collar ball", "prompt": "Image 1 is edit target. Kuromi sits on the workbench in the right-center foreground around x1050,y600. There are currently only THREE visible small round pink collar balls. Add EXACTLY ONE tiny round pink ball to the far RIGHT outer collar tip at approximately x1115,y600, immediately below the head on its right side, matching the size/color of the existing far-left shoulder ball. Result: four total balls, two outer shoulder balls and two front lower balls as canonical image2. Do not add any other ball. Keep dark collar, eyes, pose, entire scene and Jani unchanged. Only this one tiny pink circle is added, no captions." } ], "src": "assets/lesson-scenes/w03-04.webp", "sha256": "004311ad4ce52ec6863dcf0f74668783cfa373e4bfbce4b4925f19b4fbae2bfe", "bytes": 302798, "thumbnailSrc": "assets/lesson-scenes/w03-04-preview.webp", "thumbnailSha256": "3399aa9d9a95ff648a8f44900f1997a4b1a0d9653ea548e2e57d5fd4b4ecaf2b", "thumbnailBytes": 115584 }, { "unitId": "w04-01", "title": "Követ fogadása Hattuszasz udvarán", "alt": "Kuromi és Jani a hettita palota udvarán figyeli az üzenetet és ajándékot átadó egyiptomi követséget.", "caption": "Az egyiptomi és hettita hatalom a Kr. e. 13. században békemegállapodással rendezte versengését. A követ ajándéka és üzenete az uralkodók rangját és kapcsolatát is közvetítette.", "scene": "A Hittite administrative palace courtyard in Hattusa, central Anatolia in the mid-thirteenth century BCE, during diplomatic relations with Egypt after their peace agreement. An Egyptian envoy in white linen kilt and a light shoulder cloth presents a protected clay-tablet message and a folded linen gift to a Hittite official in a long wool tunic and rounded cap; attendants carry a modest bronze vessel. Low stone foundations, timber beams, plastered mudbrick upper walls; a mountain slope glimpsed through the gateway. No classical Greek columns, no Persian winged bulls, no fantasy horned helmets, no pyramids in Anatolia. Kuromi and Jani observe from the side of the courtyard, not center-stage rulers. Jani sits facing nearly front. Human gesture of formal exchange, respectful and practical, no readable cuneiform.", "period": "Kr. e. 13. század közepe", "setting": "Hattuszasz, hettita királyi központ", "historicalDetails": [ "Kőalapra emelt vályogtégla palotafal", "Agyagtáblát védő tok és pecséthenger", "Egyszerű fém- és textilajándék", "Eltérő egyiptomi és anatóliai öltözet" ], "sourceBasis": [ { "book": "v1", "pdfPages": [ 125, 139 ], "chapter": "4.1 From Old Babylon to the Medes" }, { "book": "v1", "pdfPages": [ 130, 132 ], "chapter": "4.1 From Old Babylon to the Medes: Foreign Affairs and Trade" } ], "placement": { "area": "base", "sectionIndex": 1 }, "prompt": "Use case: historical-scene. Create ONE landscape 1536x1024 full-color hand-drawn educational narrative illustration, fine outlines, gentle painted shading, natural daylight and historically grounded materials. Entire image has coherent illustrated style. Reference image 1 is Jani identity only: a GIRL ragdoll kitten, fluffy cream-white body, blue eyes, pink nose, very fluffy dark-brown tail. Her FACE MUST BE ASYMMETRICAL: large dark brown patch around VIEWER LEFT eye, smaller lighter tan patch around VIEWER RIGHT eye, irregular white central blaze. Natural cat anatomy and paws, four legs, no human hands, no human costume, no bowtie. Reference image 2 is Kuromi identity only: recognizable canonical black two-point jester hood with pink skull, white body, pink collar; do not repeat the reference book or magnifier. Both characters clearly visible as small present-day narrative observers within the scene, not replacing real historical people. Historical people have period correct everyday clothing and equipment, illustrated faces, not photorealistic. Wide single scene, no panels, no captions or labels, no numbers, no legible writing, no modern flags, no watermark. Avoid Hollywood, fantasy, game art, glamorous armor, dramatic backlight, explosions or generic battle panorama. Scene: A Hittite administrative palace courtyard in Hattusa, central Anatolia in the mid-thirteenth century BCE, during diplomatic relations with Egypt after their peace agreement. An Egyptian envoy in white linen kilt and a light shoulder cloth presents a protected clay-tablet message and a folded linen gift to a Hittite official in a long wool tunic and rounded cap; attendants carry a modest bronze vessel. Low stone foundations, timber beams, plastered mudbrick upper walls; a mountain slope glimpsed through the gateway. No classical Greek columns, no Persian winged bulls, no fantasy horned helmets, no pyramids in Anatolia. Kuromi and Jani observe from the side of the courtyard, not center-stage rulers. Jani sits facing nearly front. Human gesture of formal exchange, respectful and practical, no readable cuneiform.", "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [], "canonicalKuromi": true }, "generation": { "tool": "image_gen", "mode": "built-in", "prompt": "Use case: historical-scene. Create ONE landscape 1536x1024 full-color hand-drawn educational narrative illustration, fine outlines, gentle painted shading, natural daylight and historically grounded materials. Entire image has coherent illustrated style. Reference image 1 is Jani identity only: a GIRL ragdoll kitten, fluffy cream-white body, blue eyes, pink nose, very fluffy dark-brown tail. Her FACE MUST BE ASYMMETRICAL: large dark brown patch around VIEWER LEFT eye, smaller lighter tan patch around VIEWER RIGHT eye, irregular white central blaze. Natural cat anatomy and paws, four legs, no human hands, no human costume, no bowtie. Reference image 2 is Kuromi identity only: recognizable canonical black two-point jester hood with pink skull, white body, pink collar; do not repeat the reference book or magnifier. Both characters clearly visible as small present-day narrative observers within the scene, not replacing real historical people. Historical people have period correct everyday clothing and equipment, illustrated faces, not photorealistic. Wide single scene, no panels, no captions or labels, no numbers, no legible writing, no modern flags, no watermark. Avoid Hollywood, fantasy, game art, glamorous armor, dramatic backlight, explosions or generic battle panorama. Scene: A Hittite administrative palace courtyard in Hattusa, central Anatolia in the mid-thirteenth century BCE, during diplomatic relations with Egypt after their peace agreement. An Egyptian envoy in white linen kilt and a light shoulder cloth presents a protected clay-tablet message and a folded linen gift to a Hittite official in a long wool tunic and rounded cap; attendants carry a modest bronze vessel. Low stone foundations, timber beams, plastered mudbrick upper walls; a mountain slope glimpsed through the gateway. No classical Greek columns, no Persian winged bulls, no fantasy horned helmets, no pyramids in Anatolia. Kuromi and Jani observe from the side of the courtyard, not center-stage rulers. Jani sits facing nearly front. Human gesture of formal exchange, respectful and practical, no readable cuneiform." }, "editHistory": [ { "tool": "image_gen", "mode": "built-in", "purpose": "canonical Kuromi correction", "prompt": "Use case: identity-preserve. Image 1 is the existing finished historical narrative illustration and is the EDIT TARGET. Image 2 is the authoritative canonical Kuromi reference from the user. Image 3 is Jani character reference only. Make a SMALL LOCALIZED CORRECTION ONLY TO KUROMI. Preserve entire historical background, all human people, objects, lighting, framing, colors, and Jani exactly. Kuromi's jester collar must be dark charcoal/black like her hood; the only pink on collar is four tiny round pink balls at the pointed tips. REMOVE the broad pink collar fabric or border completely. Keep pink skull on black hood and pink nose. Her eyes must match canonical reference: simple solid black oval/teardrop eye shapes, without human irises/highlights, with exactly two short curved outer lashes per eye, no thick eyebrows or long straight human eyelashes. Preserve Kuromi's existing pose and serious/attentive expression while matching canonical proportions. Keep Jani unchanged: fluffy cream-white natural female ragdoll cat with blue eyes, large dark brown VIEWER-LEFT eye patch and smaller lighter VIEWER-RIGHT patch, natural four paws and fluffy dark brown tail. Do not change Jani or add costume. One scene, same landscape size, no new text or panels. Correct only Kuromi collar/eyes/lashes." }, { "tool": "image_gen", "purpose": "Exactly four collar balls", "prompt": "Use case: identity-preserve. Image 1 is the existing finished historical narrative illustration and is the EDIT TARGET. Image 2 is the authoritative canonical Kuromi reference from the user. Image 3 is Jani character reference only. Make a SMALL LOCALIZED CORRECTION ONLY TO KUROMI. Preserve entire historical background, all human people, objects, lighting, framing, colors, and Jani exactly. Kuromi's jester collar must be dark charcoal/black like her hood; the only pink on collar is four tiny round pink balls at the pointed tips. REMOVE the broad pink collar fabric or border completely. Keep pink skull on black hood and pink nose. Her eyes must match canonical reference: simple solid black oval/teardrop eye shapes, without human irises/highlights, with exactly two short curved outer lashes per eye, no thick eyebrows or long straight human eyelashes. Preserve Kuromi's existing pose and serious/attentive expression while matching canonical proportions. Keep Jani unchanged: fluffy cream-white natural female ragdoll cat with blue eyes, large dark brown VIEWER-LEFT eye patch and smaller lighter VIEWER-RIGHT patch, natural four paws and fluffy dark brown tail. Do not change Jani or add costume. One scene, same landscape size, no new text or panels. Correct only Kuromi collar/eyes/lashes. Collar topology is EXACTLY FOUR pointed tips and FOUR pink balls in total: ONE at each outer shoulder, TWO lower tips at front. If the old drawing has five balls, remove the extra ball and extra tip. No pink outline or piping. Kuromi has a small upright two-legged body with two arms, not a four-legged cat body. CRITICAL LOCAL CHANGE: the existing Kuromi has FIVE balls. Remove one extra collar ball and its tip so there are EXACTLY FOUR: two front balls, one on left outer shoulder, one on right outer shoulder. Count them carefully. Leave ALL other pixels and scene unchanged." } ], "src": "assets/lesson-scenes/w04-01.webp", "sha256": "adb8559dfaab300190d5a3df23a7f13e2d05cb166156acd2ec11028b265f1155", "bytes": 317898, "thumbnailSrc": "assets/lesson-scenes/w04-01-preview.webp", "thumbnailSha256": "e916af91dfe398abe1941adc74c171907f8f75fb686c57218d90710e638cc7a0", "thumbnailBytes": 113892 }, { "unitId": "w04-02", "title": "Punt élő fái megérkeznek Egyiptomba", "alt": "Kuromi és Jani a Nílus-parti kirakodásnál figyeli a gyökérlabdás tömjénfákat és az értékes árukat hordó embereket.", "caption": "Hatsepszut uralkodása idején a Puntba küldött expedíció értékes javakat és élő illatgyanta-fákat hozott Egyiptomba. A kapcsolat királyi tekintélyt teremtett, de hajósok, szállítók és kertészek munkáját is igényelte.", "scene": "A Theban Nile landing in the reign of Hatshepsut, fifteenth century BCE. Returning expedition goods are being unloaded from an Egyptian wooden river vessel with a square linen sail furled around its yard. Center action: a team carefully carries a small live incense tree with root ball in a woven basket on a shoulder pole; other workers move resin jars, logs and baskets onto a low stone landing. An Egyptian gardener waters one root ball, showing care needed to transplant a living resource. Distant desert cliffs and Nile cultivation, no complete Giza pyramid skyline, no Greek temples, no pharaoh portrait invented. Men in plain white linen kilts, women in modest linen garments, illustrated faces. Kuromi at foreground right watches the tree and Jani sits facing front near a reed basket. No captions or visible writing. Royal overseas connection explained through everyday labor.", "period": "Kr. e. 15. század", "setting": "Théba környéki nílusi kikötő", "historicalDetails": [ "Gyökérlabdával szállított illatgyanta-fák", "Újbirodalmi egyiptomi folyami hajó", "Fonott szállítókosarak", "Lenvászon ruhák és agyagedények" ], "sourceBasis": [ { "book": "v1", "pdfPages": [ 140, 151 ], "chapter": "4.2 Egypt’s New Kingdom" }, { "book": "v1", "pdfPages": [ 143, 147 ], "chapter": "4.2 Egypt’s New Kingdom: The Pharaohs of the New Kingdom" } ], "placement": { "area": "base", "sectionIndex": 1 }, "prompt": "Use case: historical-scene. Create ONE landscape 1536x1024 full-color hand-drawn educational narrative illustration, fine outlines, gentle painted shading, natural daylight and historically grounded materials. Entire image has coherent illustrated style. Reference image 1 is Jani identity only: a GIRL ragdoll kitten, fluffy cream-white body, blue eyes, pink nose, very fluffy dark-brown tail. Her FACE MUST BE ASYMMETRICAL: large dark brown patch around VIEWER LEFT eye, smaller lighter tan patch around VIEWER RIGHT eye, irregular white central blaze. Natural cat anatomy and paws, four legs, no human hands, no human costume, no bowtie. Reference image 2 is Kuromi identity only: recognizable canonical black two-point jester hood with pink skull, white body, pink collar; do not repeat the reference book or magnifier. Both characters clearly visible as small present-day narrative observers within the scene, not replacing real historical people. Historical people have period correct everyday clothing and equipment, illustrated faces, not photorealistic. Wide single scene, no panels, no captions or labels, no numbers, no legible writing, no modern flags, no watermark. Avoid Hollywood, fantasy, game art, glamorous armor, dramatic backlight, explosions or generic battle panorama. Scene: A Theban Nile landing in the reign of Hatshepsut, fifteenth century BCE. Returning expedition goods are being unloaded from an Egyptian wooden river vessel with a square linen sail furled around its yard. Center action: a team carefully carries a small live incense tree with root ball in a woven basket on a shoulder pole; other workers move resin jars, logs and baskets onto a low stone landing. An Egyptian gardener waters one root ball, showing care needed to transplant a living resource. Distant desert cliffs and Nile cultivation, no complete Giza pyramid skyline, no Greek temples, no pharaoh portrait invented. Men in plain white linen kilts, women in modest linen garments, illustrated faces. Kuromi at foreground right watches the tree and Jani sits facing front near a reed basket. No captions or visible writing. Royal overseas connection explained through everyday labor.", "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [], "canonicalKuromi": true }, "generation": { "tool": "image_gen", "mode": "built-in", "prompt": "Use case: historical-scene. Create ONE landscape 1536x1024 full-color hand-drawn educational narrative illustration, fine outlines, gentle painted shading, natural daylight and historically grounded materials. Entire image has coherent illustrated style. Reference image 1 is Jani identity only: a GIRL ragdoll kitten, fluffy cream-white body, blue eyes, pink nose, very fluffy dark-brown tail. Her FACE MUST BE ASYMMETRICAL: large dark brown patch around VIEWER LEFT eye, smaller lighter tan patch around VIEWER RIGHT eye, irregular white central blaze. Natural cat anatomy and paws, four legs, no human hands, no human costume, no bowtie. Reference image 2 is Kuromi identity only: recognizable canonical black two-point jester hood with pink skull, white body, pink collar; do not repeat the reference book or magnifier. Both characters clearly visible as small present-day narrative observers within the scene, not replacing real historical people. Historical people have period correct everyday clothing and equipment, illustrated faces, not photorealistic. Wide single scene, no panels, no captions or labels, no numbers, no legible writing, no modern flags, no watermark. Avoid Hollywood, fantasy, game art, glamorous armor, dramatic backlight, explosions or generic battle panorama. Scene: A Theban Nile landing in the reign of Hatshepsut, fifteenth century BCE. Returning expedition goods are being unloaded from an Egyptian wooden river vessel with a square linen sail furled around its yard. Center action: a team carefully carries a small live incense tree with root ball in a woven basket on a shoulder pole; other workers move resin jars, logs and baskets onto a low stone landing. An Egyptian gardener waters one root ball, showing care needed to transplant a living resource. Distant desert cliffs and Nile cultivation, no complete Giza pyramid skyline, no Greek temples, no pharaoh portrait invented. Men in plain white linen kilts, women in modest linen garments, illustrated faces. Kuromi at foreground right watches the tree and Jani sits facing front near a reed basket. No captions or visible writing. Royal overseas connection explained through everyday labor." }, "editHistory": [ { "tool": "image_gen", "mode": "built-in", "purpose": "canonical Kuromi correction", "prompt": "Use case: identity-preserve. Image 1 is the existing finished historical narrative illustration and is the EDIT TARGET. Image 2 is the authoritative canonical Kuromi reference from the user. Image 3 is Jani character reference only. Make a SMALL LOCALIZED CORRECTION ONLY TO KUROMI. Preserve entire historical background, all human people, objects, lighting, framing, colors, and Jani exactly. Kuromi's jester collar must be dark charcoal/black like her hood; the only pink on collar is four tiny round pink balls at the pointed tips. REMOVE the broad pink collar fabric or border completely. Keep pink skull on black hood and pink nose. Her eyes must match canonical reference: simple solid black oval/teardrop eye shapes, without human irises/highlights, with exactly two short curved outer lashes per eye, no thick eyebrows or long straight human eyelashes. Preserve Kuromi's existing pose and serious/attentive expression while matching canonical proportions. Keep Jani unchanged: fluffy cream-white natural female ragdoll cat with blue eyes, large dark brown VIEWER-LEFT eye patch and smaller lighter VIEWER-RIGHT patch, natural four paws and fluffy dark brown tail. Do not change Jani or add costume. One scene, same landscape size, no new text or panels. Correct only Kuromi collar/eyes/lashes." } ], "src": "assets/lesson-scenes/w04-02.webp", "sha256": "0b508192a7981c3c2396bb7c39391d7b9f4202b7e2382e59f1b60e2b71f1942f", "bytes": 555180, "thumbnailSrc": "assets/lesson-scenes/w04-02-preview.webp", "thumbnailSha256": "574f248435d55e96d4a2a4abb6a32e3900850f2e20694dcc9964ece98bff0a2a", "thumbnailBytes": 164800 }, { "unitId": "w04-03", "title": "Futárváltás a perzsa királyi úton", "alt": "Kuromi és Jani a perzsa útállomáson figyeli az üzenetet átadó és friss lovat nyergelő futárokat.", "caption": "Dareiosz uralma alatt az utak és váltóállomások segítették a nagy birodalom igazgatását. A hír továbbítása az út, az ellátás és a helyben dolgozó emberek együttműködésétől függött.", "scene": "An Achaemenid Persian Royal Road relay station in Anatolia early fifth century BCE. Dynamic but calm side view: a road-weary courier dismounts at left and hands a small sealed message pouch to a fresh courier beside a rested horse; a stable attendant offers water and loosens a pack strap. Ordinary horses with simple cloth saddle padding, no stirrups, no modern saddles. Men wear Persian trousers, long-sleeved tunics and soft caps, no Greek hoplite or fantasy armor. Low stone and mudbrick station, fodder storage and drinking trough; road continues into dry hills. Kuromi stands under a simple shade roof beside naturally seated Jani, both watch transfer rather than riding. Blue eyes, one dark brown eye patch viewer-left and light small patch right. Show relay as an organized human system, no postal signs or readable text.", "period": "Kr. e. 5. század eleje", "setting": "Achaimenida királyi út, anatóliai váltóállomás", "historicalDetails": [ "Friss és megérkezett ló váltása", "Kis lezárt üzenettok", "Vályog és kő útállomás", "Achaimenida nadrág, tunika és puha fejfedő" ], "sourceBasis": [ { "book": "v1", "pdfPages": [ 152, 160 ], "chapter": "4.3 The Persian Empire" }, { "book": "v1", "pdfPages": [ 152, 154 ], "chapter": "4.3 The Persian Empire: Cyrus and Darius" }, { "book": "v1", "pdfPages": [ 156, 159 ], "chapter": "4.3 The Persian Empire: Communications and Daily Life" } ], "placement": { "area": "base", "sectionIndex": 2 }, "prompt": "Use case: historical-scene. Create ONE landscape 1536x1024 full-color hand-drawn educational narrative illustration, fine outlines, gentle painted shading, natural daylight and historically grounded materials. Entire image has coherent illustrated style. Reference image 1 is Jani identity only: a GIRL ragdoll kitten, fluffy cream-white body, blue eyes, pink nose, very fluffy dark-brown tail. Her FACE MUST BE ASYMMETRICAL: large dark brown patch around VIEWER LEFT eye, smaller lighter tan patch around VIEWER RIGHT eye, irregular white central blaze. Natural cat anatomy and paws, four legs, no human hands, no human costume, no bowtie. Reference image 2 is Kuromi identity only: recognizable canonical black two-point jester hood with pink skull, white body, pink collar; do not repeat the reference book or magnifier. Both characters clearly visible as small present-day narrative observers within the scene, not replacing real historical people. Historical people have period correct everyday clothing and equipment, illustrated faces, not photorealistic. Wide single scene, no panels, no captions or labels, no numbers, no legible writing, no modern flags, no watermark. Avoid Hollywood, fantasy, game art, glamorous armor, dramatic backlight, explosions or generic battle panorama. Scene: An Achaemenid Persian Royal Road relay station in Anatolia early fifth century BCE. Dynamic but calm side view: a road-weary courier dismounts at left and hands a small sealed message pouch to a fresh courier beside a rested horse; a stable attendant offers water and loosens a pack strap. Ordinary horses with simple cloth saddle padding, no stirrups, no modern saddles. Men wear Persian trousers, long-sleeved tunics and soft caps, no Greek hoplite or fantasy armor. Low stone and mudbrick station, fodder storage and drinking trough; road continues into dry hills. Kuromi stands under a simple shade roof beside naturally seated Jani, both watch transfer rather than riding. Blue eyes, one dark brown eye patch viewer-left and light small patch right. Show relay as an organized human system, no postal signs or readable text. Correction to the existing output: remove BOTH the stirrup and its hanging leather strap on the mounted courier. His boot must hang freely against the horse's flank, with no support beneath the foot. Replace the raised rigid saddle with a simple flat folded wool saddle blanket secured by a girth, no pommel, no cantle. Fifth century BCE riding equipment; all characters and message exchange stay.", "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [], "corrections": [ "A téves kengyelt és merev nyerget korai textilnyereg-alátétre javítottam." ], "canonicalKuromi": true }, "width": 1536, "height": 1024, "generation": { "tool": "image_gen", "mode": "built-in", "prompt": "Use case: historical-scene. Create ONE landscape 1536x1024 full-color hand-drawn educational narrative illustration, fine outlines, gentle painted shading, natural daylight and historically grounded materials. Entire image has coherent illustrated style. Reference image 1 is Jani identity only: a GIRL ragdoll kitten, fluffy cream-white body, blue eyes, pink nose, very fluffy dark-brown tail. Her FACE MUST BE ASYMMETRICAL: large dark brown patch around VIEWER LEFT eye, smaller lighter tan patch around VIEWER RIGHT eye, irregular white central blaze. Natural cat anatomy and paws, four legs, no human hands, no human costume, no bowtie. Reference image 2 is Kuromi identity only: recognizable canonical black two-point jester hood with pink skull, white body, pink collar; do not repeat the reference book or magnifier. Both characters clearly visible as small present-day narrative observers within the scene, not replacing real historical people. Historical people have period correct everyday clothing and equipment, illustrated faces, not photorealistic. Wide single scene, no panels, no captions or labels, no numbers, no legible writing, no modern flags, no watermark. Avoid Hollywood, fantasy, game art, glamorous armor, dramatic backlight, explosions or generic battle panorama. Scene: An Achaemenid Persian Royal Road relay station in Anatolia early fifth century BCE. Dynamic but calm side view: a road-weary courier dismounts at left and hands a small sealed message pouch to a fresh courier beside a rested horse; a stable attendant offers water and loosens a pack strap. Ordinary horses with simple cloth saddle padding, no stirrups, no modern saddles. Men wear Persian trousers, long-sleeved tunics and soft caps, no Greek hoplite or fantasy armor. Low stone and mudbrick station, fodder storage and drinking trough; road continues into dry hills. Kuromi stands under a simple shade roof beside naturally seated Jani, both watch transfer rather than riding. Blue eyes, one dark brown eye patch viewer-left and light small patch right. Show relay as an organized human system, no postal signs or readable text. Correction to the existing output: remove BOTH the stirrup and its hanging leather strap on the mounted courier. His boot must hang freely against the horse's flank, with no support beneath the foot. Replace the raised rigid saddle with a simple flat folded wool saddle blanket secured by a girth, no pommel, no cantle. Fifth century BCE riding equipment; all characters and message exchange stay." }, "editHistory": [ { "tool": "image_gen", "mode": "built-in", "purpose": "canonical Kuromi correction", "prompt": "Use case: identity-preserve. Image 1 is the existing finished historical narrative illustration and is the EDIT TARGET. Image 2 is the authoritative canonical Kuromi reference from the user. Image 3 is Jani character reference only. Make a SMALL LOCALIZED CORRECTION ONLY TO KUROMI. Preserve entire historical background, all human people, objects, lighting, framing, colors, and Jani exactly. Kuromi's jester collar must be dark charcoal/black like her hood; the only pink on collar is four tiny round pink balls at the pointed tips. REMOVE the broad pink collar fabric or border completely. Keep pink skull on black hood and pink nose. Her eyes must match canonical reference: simple solid black oval/teardrop eye shapes, without human irises/highlights, with exactly two short curved outer lashes per eye, no thick eyebrows or long straight human eyelashes. Preserve Kuromi's existing pose and serious/attentive expression while matching canonical proportions. Keep Jani unchanged: fluffy cream-white natural female ragdoll cat with blue eyes, large dark brown VIEWER-LEFT eye patch and smaller lighter VIEWER-RIGHT patch, natural four paws and fluffy dark brown tail. Do not change Jani or add costume. One scene, same landscape size, no new text or panels. Correct only Kuromi collar/eyes/lashes. Collar topology is EXACTLY FOUR pointed tips and FOUR pink balls in total: ONE at each outer shoulder, TWO lower tips at front. If the old drawing has five balls, remove the extra ball and extra tip. No pink outline or piping. Kuromi has a small upright two-legged body with two arms, not a four-legged cat body." } ], "src": "assets/lesson-scenes/w04-03.webp", "sha256": "8af9e4fdb0403f8b33197fe3f493fd1cf5c739a2930fbb633f2ad690a39324d3", "bytes": 446164, "thumbnailSrc": "assets/lesson-scenes/w04-03-preview.webp", "thumbnailSha256": "f1c1edabf1b80d7f194a28771cc46da4d6309238bdcd304ec5edfdd5a7bf9147", "thumbnailBytes": 147774 }, { "unitId": "w04-04", "title": "Közösségi emlékezet a babiloni fogságban", "alt": "Kuromi és Jani csendesen figyel egy júdai családot és idősebb felolvasót egy mezopotámiai ház udvarán.", "caption": "A Kr. e. 6. századi babiloni fogságban a júdaiak új környezetben is őrizték és alakították közösségi hagyományaikat. A családi és vallási együttlét nem szüntette meg az elhurcolás veszteségét, de új hordozót adott az összetartozásnak.", "scene": "A sober domestic courtyard among Judean deportees living in Babylonia in the sixth century BCE. An older Judean adult seated on a reed mat recounts or reads a shared tradition from a small rolled parchment to a family group; surfaces turned away so NO readable text. Nearby someone repairs cloth on a simple upright loom, a child sits with a parent; no smiling feast or forced-chain spectacle. Modest local mudbrick house, pottery water jars, a little date palm shade, urban canal glimpsed outside, no Hanging Gardens fantasy, no modern synagogue, no Star of David badges, no modern flags. People wear simple long wool and linen garments with headcloths, varied ages and quiet thoughtful faces. Kuromi and Jani sit respectfully at the side, serious expressions, Jani natural four-leg cat body and asymmetric blue-eyed face. Focus on preserving community after political loss.", "period": "Kr. e. 6. század", "setting": "Mezopotámiai városi ház udvara", "historicalDetails": [ "Vályogtégla udvari lakóház", "Egyszerű tekercs olvasása", "Szövéshez használt függőleges faváz", "Mezopotámiai agyagedények" ], "sourceBasis": [ { "book": "v1", "pdfPages": [ 161, 169 ], "chapter": "4.4 The Hebrews" }, { "book": "v1", "pdfPages": [ 163, 168 ], "chapter": "4.4 The Hebrews" } ], "placement": { "area": "base", "sectionIndex": 2 }, "prompt": "Use case: historical-scene. Create ONE landscape 1536x1024 full-color hand-drawn educational narrative illustration, fine outlines, gentle painted shading, natural daylight and historically grounded materials. Entire image has coherent illustrated style. Reference image 1 is Jani identity only: a GIRL ragdoll kitten, fluffy cream-white body, blue eyes, pink nose, very fluffy dark-brown tail. Her FACE MUST BE ASYMMETRICAL: large dark brown patch around VIEWER LEFT eye, smaller lighter tan patch around VIEWER RIGHT eye, irregular white central blaze. Natural cat anatomy and paws, four legs, no human hands, no human costume, no bowtie. Reference image 2 is Kuromi identity only: recognizable canonical black two-point jester hood with pink skull, white body, pink collar; do not repeat the reference book or magnifier. Both characters clearly visible as small present-day narrative observers within the scene, not replacing real historical people. Historical people have period correct everyday clothing and equipment, illustrated faces, not photorealistic. Wide single scene, no panels, no captions or labels, no numbers, no legible writing, no modern flags, no watermark. Avoid Hollywood, fantasy, game art, glamorous armor, dramatic backlight, explosions or generic battle panorama. Scene: A sober domestic courtyard among Judean deportees living in Babylonia in the sixth century BCE. An older Judean adult seated on a reed mat recounts or reads a shared tradition from a small rolled parchment to a family group; surfaces turned away so NO readable text. Nearby someone repairs cloth on a simple upright loom, a child sits with a parent; no smiling feast or forced-chain spectacle. Modest local mudbrick house, pottery water jars, a little date palm shade, urban canal glimpsed outside, no Hanging Gardens fantasy, no modern synagogue, no Star of David badges, no modern flags. People wear simple long wool and linen garments with headcloths, varied ages and quiet thoughtful faces. Kuromi and Jani sit respectfully at the side, serious expressions, Jani natural four-leg cat body and asymmetric blue-eyed face. Focus on preserving community after political loss.", "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [], "canonicalKuromi": true }, "generation": { "tool": "image_gen", "mode": "built-in", "prompt": "Use case: historical-scene. Create ONE landscape 1536x1024 full-color hand-drawn educational narrative illustration, fine outlines, gentle painted shading, natural daylight and historically grounded materials. Entire image has coherent illustrated style. Reference image 1 is Jani identity only: a GIRL ragdoll kitten, fluffy cream-white body, blue eyes, pink nose, very fluffy dark-brown tail. Her FACE MUST BE ASYMMETRICAL: large dark brown patch around VIEWER LEFT eye, smaller lighter tan patch around VIEWER RIGHT eye, irregular white central blaze. Natural cat anatomy and paws, four legs, no human hands, no human costume, no bowtie. Reference image 2 is Kuromi identity only: recognizable canonical black two-point jester hood with pink skull, white body, pink collar; do not repeat the reference book or magnifier. Both characters clearly visible as small present-day narrative observers within the scene, not replacing real historical people. Historical people have period correct everyday clothing and equipment, illustrated faces, not photorealistic. Wide single scene, no panels, no captions or labels, no numbers, no legible writing, no modern flags, no watermark. Avoid Hollywood, fantasy, game art, glamorous armor, dramatic backlight, explosions or generic battle panorama. Scene: A sober domestic courtyard among Judean deportees living in Babylonia in the sixth century BCE. An older Judean adult seated on a reed mat recounts or reads a shared tradition from a small rolled parchment to a family group; surfaces turned away so NO readable text. Nearby someone repairs cloth on a simple upright loom, a child sits with a parent; no smiling feast or forced-chain spectacle. Modest local mudbrick house, pottery water jars, a little date palm shade, urban canal glimpsed outside, no Hanging Gardens fantasy, no modern synagogue, no Star of David badges, no modern flags. People wear simple long wool and linen garments with headcloths, varied ages and quiet thoughtful faces. Kuromi and Jani sit respectfully at the side, serious expressions, Jani natural four-leg cat body and asymmetric blue-eyed face. Focus on preserving community after political loss." }, "editHistory": [ { "tool": "image_gen", "mode": "built-in", "purpose": "canonical Kuromi correction", "prompt": "Use case: identity-preserve. Image 1 is the existing finished historical narrative illustration and is the EDIT TARGET. Image 2 is the authoritative canonical Kuromi reference from the user. Image 3 is Jani character reference only. Make a SMALL LOCALIZED CORRECTION ONLY TO KUROMI. Preserve entire historical background, all human people, objects, lighting, framing, colors, and Jani exactly. Kuromi's jester collar must be dark charcoal/black like her hood; the only pink on collar is four tiny round pink balls at the pointed tips. REMOVE the broad pink collar fabric or border completely. Keep pink skull on black hood and pink nose. Her eyes must match canonical reference: simple solid black oval/teardrop eye shapes, without human irises/highlights, with exactly two short curved outer lashes per eye, no thick eyebrows or long straight human eyelashes. Preserve Kuromi's existing pose and serious/attentive expression while matching canonical proportions. Keep Jani unchanged: fluffy cream-white natural female ragdoll cat with blue eyes, large dark brown VIEWER-LEFT eye patch and smaller lighter VIEWER-RIGHT patch, natural four paws and fluffy dark brown tail. Do not change Jani or add costume. One scene, same landscape size, no new text or panels. Correct only Kuromi collar/eyes/lashes. Collar topology is EXACTLY FOUR pointed tips and FOUR pink balls in total: ONE at each outer shoulder, TWO lower tips at front. If the old drawing has five balls, remove the extra ball and extra tip. No pink outline or piping. Kuromi has a small upright two-legged body with two arms, not a four-legged cat body." } ], "src": "assets/lesson-scenes/w04-04.webp", "sha256": "72ed87887a8b9af63820826b2a53cec303e29b9b3b81e63c17f0dde200e3434e", "bytes": 462334, "thumbnailSrc": "assets/lesson-scenes/w04-04-preview.webp", "thumbnailSha256": "68495e4700ed7c223064f20457f2d142206a1ae0e2b22054f38afc046e91054a", "thumbnailBytes": 146228 }, { "unitId": "w05-01a", "title": "Repedések értelmezése a Shang-udvarban", "alt": "Kuromi és Jani egy Shang-kori udvaron figyeli a felhevített teknőspáncél repedéseit vizsgáló jóslót.", "caption": "A Shang-kori jóslás kérdéseket, szertartást és királyi döntési helyzetet kapcsolt össze. A jóslócsont a királyi világ írásos nyoma, de nem minden társadalmi csoport véleményének feljegyzése.", "scene": "Anyang in northern China around 1200 BCE during the late Shang period. In an open-sided timber ritual pavilion on a rammed-earth platform, an adult diviner uses a heated pointed rod to make a crack in the inner face of a prepared turtle plastron, held safely above a low brazier; another specialist studies a previously cracked ox shoulder blade. A modest bronze ding tripod vessel with angular Shang decoration is beside them, no giant dragon sculptures. Attendants in simple cross-collared woven robes, hair tied up, no imperial yellow dragon costumes or Qing hats. Kuromi and Jani observe from foreground right at a respectful distance, visibly curious, Jani seated naturally with clear asymmetric blue-eyed face. Show the actual technical action and political ritual context. Bone markings tiny nonreadable, no modern Chinese text, no glowing magic or supernatural apparition.", "period": "Kr. e. 1200 körül", "setting": "Anyang térsége, Shang-kori udvar", "historicalDetails": [ "Teknőspáncél belső oldala", "Bronz rituális edény", "Parázson hevített pálca", "Földdöngöléses udvari alap és faoszlop" ], "sourceBasis": [ { "book": "v1", "pdfPages": [ 177, 187 ], "chapter": "5.1 Ancient China" }, { "book": "v1", "pdfPages": [ 180, 186 ], "chapter": "5.1 Ancient China: Shang, Zhou and Confucianism" } ], "placement": { "area": "base", "sectionIndex": 1 }, "prompt": "Use case: historical-scene. Create ONE landscape 1536x1024 full-color hand-drawn educational narrative illustration, fine outlines, gentle painted shading, natural daylight and historically grounded materials. Entire image has coherent illustrated style. Reference image 1 is Jani identity only: a GIRL ragdoll kitten, fluffy cream-white body, blue eyes, pink nose, very fluffy dark-brown tail. Her FACE MUST BE ASYMMETRICAL: large dark brown patch around VIEWER LEFT eye, smaller lighter tan patch around VIEWER RIGHT eye, irregular white central blaze. Natural cat anatomy and paws, four legs, no human hands, no human costume, no bowtie. Reference image 2 is Kuromi identity only: recognizable canonical black two-point jester hood with pink skull, white body, pink collar; do not repeat the reference book or magnifier. Both characters clearly visible as small present-day narrative observers within the scene, not replacing real historical people. Historical people have period correct everyday clothing and equipment, illustrated faces, not photorealistic. Wide single scene, no panels, no captions or labels, no numbers, no legible writing, no modern flags, no watermark. Avoid Hollywood, fantasy, game art, glamorous armor, dramatic backlight, explosions or generic battle panorama. Scene: Anyang in northern China around 1200 BCE during the late Shang period. In an open-sided timber ritual pavilion on a rammed-earth platform, an adult diviner uses a heated pointed rod to make a crack in the inner face of a prepared turtle plastron, held safely above a low brazier; another specialist studies a previously cracked ox shoulder blade. A modest bronze ding tripod vessel with angular Shang decoration is beside them, no giant dragon sculptures. Attendants in simple cross-collared woven robes, hair tied up, no imperial yellow dragon costumes or Qing hats. Kuromi and Jani observe from foreground right at a respectful distance, visibly curious, Jani seated naturally with clear asymmetric blue-eyed face. Show the actual technical action and political ritual context. Bone markings tiny nonreadable, no modern Chinese text, no glowing magic or supernatural apparition.", "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [], "canonicalKuromi": true }, "generation": { "tool": "image_gen", "mode": "built-in", "prompt": "Use case: historical-scene. Create ONE landscape 1536x1024 full-color hand-drawn educational narrative illustration, fine outlines, gentle painted shading, natural daylight and historically grounded materials. Entire image has coherent illustrated style. Reference image 1 is Jani identity only: a GIRL ragdoll kitten, fluffy cream-white body, blue eyes, pink nose, very fluffy dark-brown tail. Her FACE MUST BE ASYMMETRICAL: large dark brown patch around VIEWER LEFT eye, smaller lighter tan patch around VIEWER RIGHT eye, irregular white central blaze. Natural cat anatomy and paws, four legs, no human hands, no human costume, no bowtie. Reference image 2 is Kuromi identity only: recognizable canonical black two-point jester hood with pink skull, white body, pink collar; do not repeat the reference book or magnifier. Both characters clearly visible as small present-day narrative observers within the scene, not replacing real historical people. Historical people have period correct everyday clothing and equipment, illustrated faces, not photorealistic. Wide single scene, no panels, no captions or labels, no numbers, no legible writing, no modern flags, no watermark. Avoid Hollywood, fantasy, game art, glamorous armor, dramatic backlight, explosions or generic battle panorama. Scene: Anyang in northern China around 1200 BCE during the late Shang period. In an open-sided timber ritual pavilion on a rammed-earth platform, an adult diviner uses a heated pointed rod to make a crack in the inner face of a prepared turtle plastron, held safely above a low brazier; another specialist studies a previously cracked ox shoulder blade. A modest bronze ding tripod vessel with angular Shang decoration is beside them, no giant dragon sculptures. Attendants in simple cross-collared woven robes, hair tied up, no imperial yellow dragon costumes or Qing hats. Kuromi and Jani observe from foreground right at a respectful distance, visibly curious, Jani seated naturally with clear asymmetric blue-eyed face. Show the actual technical action and political ritual context. Bone markings tiny nonreadable, no modern Chinese text, no glowing magic or supernatural apparition." }, "editHistory": [ { "tool": "image_gen", "mode": "built-in", "purpose": "canonical Kuromi correction", "prompt": "Use case: identity-preserve. Image 1 is the existing finished historical narrative illustration and is the EDIT TARGET. Image 2 is the authoritative canonical Kuromi reference from the user. Image 3 is Jani character reference only. Make a SMALL LOCALIZED CORRECTION ONLY TO KUROMI. Preserve entire historical background, all human people, objects, lighting, framing, colors, and Jani exactly. Kuromi's jester collar must be dark charcoal/black like her hood; the only pink on collar is four tiny round pink balls at the pointed tips. REMOVE the broad pink collar fabric or border completely. Keep pink skull on black hood and pink nose. Her eyes must match canonical reference: simple solid black oval/teardrop eye shapes, without human irises/highlights, with exactly two short curved outer lashes per eye, no thick eyebrows or long straight human eyelashes. Preserve Kuromi's existing pose and serious/attentive expression while matching canonical proportions. Keep Jani unchanged: fluffy cream-white natural female ragdoll cat with blue eyes, large dark brown VIEWER-LEFT eye patch and smaller lighter VIEWER-RIGHT patch, natural four paws and fluffy dark brown tail. Do not change Jani or add costume. One scene, same landscape size, no new text or panels. Correct only Kuromi collar/eyes/lashes. Collar topology is EXACTLY FOUR pointed tips and FOUR pink balls in total: ONE at each outer shoulder, TWO lower tips at front. If the old drawing has five balls, remove the extra ball and extra tip. No pink outline or piping. Kuromi has a small upright two-legged body with two arms, not a four-legged cat body." } ], "src": "assets/lesson-scenes/w05-01a.webp", "sha256": "f58cc46d0b4c8e7b3fa5fef43ff183c48df9c1919b1efe804e9b5a166512e3ab", "bytes": 325992, "thumbnailSrc": "assets/lesson-scenes/w05-01a-preview.webp", "thumbnailSha256": "af012d96cd0d6e942f9bbccfd4c1dea41124e79985f402e07ab4cfe16a163c15", "thumbnailBytes": 110268 }, { "unitId": "w05-01b", "title": "Egységes mérték a Qin-kori raktárban", "alt": "Kuromi és Jani a Qin-kori raktár kapujában figyeli a gabonamérték és a tisztviselői nyilvántartás ellenőrzését.", "caption": "A Kr. e. 221-ben létrejött császári egység közös mértékeket és igazgatási eljárásokat alkalmazott. A raktári ellenőrzés azt mutatja, hogyan vált az egységesítés ismétlődő napi gyakorlattá.", "scene": "Northern China around 220 BCE, just after Qin imperial unification. A county granary entrance, eye-level view. An appointed official in a plain dark cross-collared robe compares a local pottery grain measure with an official rectangular bronze volume measure while a clerk records the inspection on narrow tied bamboo slips. Grain is being delivered by villagers in simple hemp garments; a modest cart waits outside, timber posts and rammed-earth walls. No emperor present, no terracotta army, no later examination hall, no pagodas, no Qing costume, no paper scrolls or modern numerals. Kuromi stands by the doorway, Jani sits beside her facing toward viewer enough for asymmetric face. Active scene of standardization through administration, human faces coherently illustrated; no legible inscription on measures or slips.", "period": "Kr. e. 220 körül", "setting": "Qin-kori észak-kínai igazgatási raktár", "historicalDetails": [ "Szabványos fém gabonamérték", "Bambuszlapokból összekötött irat", "Raktári gabonazsákok", "Keresztbe záródó egyszerű köntösök" ], "sourceBasis": [ { "book": "v1", "pdfPages": [ 188, 190 ], "chapter": "5.1 Ancient China" }, { "book": "v1", "pdfPages": [ 193, 194 ], "chapter": "5.2 The Steppes" }, { "book": "v1", "pdfPages": [ 592, 592 ], "chapter": "14.1 Song China and the Steppe Peoples: a hivatalnoki hagyomány történeti áttekintése" }, { "book": "v1", "pdfPages": [ 188, 190 ], "chapter": "5.1 Ancient China: Qin Unification and the Han" }, { "book": "v1", "pdfPages": [ 592, 592 ], "chapter": "14.1 Song China and the Steppe Peoples: Historical Development of Official Recruitment" } ], "placement": { "area": "base", "sectionIndex": 1 }, "prompt": "Use case: historical-scene. Create ONE landscape 1536x1024 full-color hand-drawn educational narrative illustration, fine outlines, gentle painted shading, natural daylight and historically grounded materials. Entire image has coherent illustrated style. Reference image 1 is Jani identity only: a GIRL ragdoll kitten, fluffy cream-white body, blue eyes, pink nose, very fluffy dark-brown tail. Her FACE MUST BE ASYMMETRICAL: large dark brown patch around VIEWER LEFT eye, smaller lighter tan patch around VIEWER RIGHT eye, irregular white central blaze. Natural cat anatomy and paws, four legs, no human hands, no human costume, no bowtie. Reference image 2 is Kuromi identity only: recognizable canonical black two-point jester hood with pink skull, white body, pink collar; do not repeat the reference book or magnifier. Both characters clearly visible as small present-day narrative observers within the scene, not replacing real historical people. Historical people have period correct everyday clothing and equipment, illustrated faces, not photorealistic. Wide single scene, no panels, no captions or labels, no numbers, no legible writing, no modern flags, no watermark. Avoid Hollywood, fantasy, game art, glamorous armor, dramatic backlight, explosions or generic battle panorama. Scene: Northern China around 220 BCE, just after Qin imperial unification. A county granary entrance, eye-level view. An appointed official in a plain dark cross-collared robe compares a local pottery grain measure with an official rectangular bronze volume measure while a clerk records the inspection on narrow tied bamboo slips. Grain is being delivered by villagers in simple hemp garments; a modest cart waits outside, timber posts and rammed-earth walls. No emperor present, no terracotta army, no later examination hall, no pagodas, no Qing costume, no paper scrolls or modern numerals. Kuromi stands by the doorway, Jani sits beside her facing toward viewer enough for asymmetric face. Active scene of standardization through administration, human faces coherently illustrated; no legible inscription on measures or slips.", "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [], "canonicalKuromi": true }, "generation": { "tool": "image_gen", "mode": "built-in", "prompt": "Use case: historical-scene. Create ONE landscape 1536x1024 full-color hand-drawn educational narrative illustration, fine outlines, gentle painted shading, natural daylight and historically grounded materials. Entire image has coherent illustrated style. Reference image 1 is Jani identity only: a GIRL ragdoll kitten, fluffy cream-white body, blue eyes, pink nose, very fluffy dark-brown tail. Her FACE MUST BE ASYMMETRICAL: large dark brown patch around VIEWER LEFT eye, smaller lighter tan patch around VIEWER RIGHT eye, irregular white central blaze. Natural cat anatomy and paws, four legs, no human hands, no human costume, no bowtie. Reference image 2 is Kuromi identity only: recognizable canonical black two-point jester hood with pink skull, white body, pink collar; do not repeat the reference book or magnifier. Both characters clearly visible as small present-day narrative observers within the scene, not replacing real historical people. Historical people have period correct everyday clothing and equipment, illustrated faces, not photorealistic. Wide single scene, no panels, no captions or labels, no numbers, no legible writing, no modern flags, no watermark. Avoid Hollywood, fantasy, game art, glamorous armor, dramatic backlight, explosions or generic battle panorama. Scene: Northern China around 220 BCE, just after Qin imperial unification. A county granary entrance, eye-level view. An appointed official in a plain dark cross-collared robe compares a local pottery grain measure with an official rectangular bronze volume measure while a clerk records the inspection on narrow tied bamboo slips. Grain is being delivered by villagers in simple hemp garments; a modest cart waits outside, timber posts and rammed-earth walls. No emperor present, no terracotta army, no later examination hall, no pagodas, no Qing costume, no paper scrolls or modern numerals. Kuromi stands by the doorway, Jani sits beside her facing toward viewer enough for asymmetric face. Active scene of standardization through administration, human faces coherently illustrated; no legible inscription on measures or slips." }, "editHistory": [ { "tool": "image_gen", "mode": "built-in", "purpose": "canonical Kuromi correction", "prompt": "Use case: identity-preserve. Image 1 is the existing finished historical narrative illustration and is the EDIT TARGET. Image 2 is the authoritative canonical Kuromi reference from the user. Image 3 is Jani character reference only. Make a SMALL LOCALIZED CORRECTION ONLY TO KUROMI. Preserve entire historical background, all human people, objects, lighting, framing, colors, and Jani exactly. Kuromi's jester collar must be dark charcoal/black like her hood; the only pink on collar is four tiny round pink balls at the pointed tips. REMOVE the broad pink collar fabric or border completely. Keep pink skull on black hood and pink nose. Her eyes must match canonical reference: simple solid black oval/teardrop eye shapes, without human irises/highlights, with exactly two short curved outer lashes per eye, no thick eyebrows or long straight human eyelashes. Preserve Kuromi's existing pose and serious/attentive expression while matching canonical proportions. Keep Jani unchanged: fluffy cream-white natural female ragdoll cat with blue eyes, large dark brown VIEWER-LEFT eye patch and smaller lighter VIEWER-RIGHT patch, natural four paws and fluffy dark brown tail. Do not change Jani or add costume. One scene, same landscape size, no new text or panels. Correct only Kuromi collar/eyes/lashes. Collar topology is EXACTLY FOUR pointed tips and FOUR pink balls in total: ONE at each outer shoulder, TWO lower tips at front. If the old drawing has five balls, remove the extra ball and extra tip. No pink outline or piping. Kuromi has a small upright two-legged body with two arms, not a four-legged cat body." } ], "src": "assets/lesson-scenes/w05-01b.webp", "sha256": "6bff95f6c9efc7d49c7c2cf9b08779c16e034adabd85539441eabd964d510213", "bytes": 322592, "thumbnailSrc": "assets/lesson-scenes/w05-01b-preview.webp", "thumbnailSha256": "8bd1b4fb38ab3a78f258ed2a16ab4f2b882c98a54a6d50260e22d0c78e76d67c", "thumbnailBytes": 109542 }, { "unitId": "w05-02", "title": "Költözés az új sztyeppei legelőre", "alt": "Kuromi és Jani egy sztyeppei táborban figyeli a nemezborítás és a háztartási felszerelés felmálházását.", "caption": "A belső-ázsiai pásztorközösségek évszakos mozgása az állatállomány, víz és legelő rendjéhez igazodott. A költözés sokféle háztartási és állatgondozási munka összehangolását követelte.", "scene": "Inner Asian steppe during the Xiongnu era, second to first century BCE. Broad ground-level open grassland scene of a pastoral household moving to seasonal pasture. Center: two adults roll a thick felt cover from a dismantled portable round tent, others tie wooden lattice sections and household bundles onto a pack horse with wool pads, no saddle stirrups. A woman checks a leather water skin, young people gather sheep near the stream; another intact low felt tent stands farther back. People in practical wool coats, trousers and soft caps, no Mongol imperial banners, no battle armor, no exotic stage costume. Kuromi and Jani at foreground left observe the packers; Jani stands with all four natural paws and looks slightly front so asymmetric patches show. Emphasize skilled planning and household cooperation rather than endless cavalry warfare.", "period": "Kr. e. 2–1. század", "setting": "Belső-ázsiai sztyeppe, Xiongnu-kori pásztortábor", "historicalDetails": [ "Feltekerhető nemezborítás", "Szétszedett farácsos sátorváz", "Málhás ló és juhnyáj", "Bőrtömlők és fonott kötelek" ], "sourceBasis": [ { "book": "v1", "pdfPages": [ 190, 195 ], "chapter": "5.2 The Steppes" }, { "book": "v1", "pdfPages": [ 192, 195 ], "chapter": "5.2 The Steppes: Confederations and Settled Neighbors" } ], "placement": { "area": "base", "sectionIndex": 0 }, "prompt": "Use case: historical-scene. Create ONE landscape 1536x1024 full-color hand-drawn educational narrative illustration, fine outlines, gentle painted shading, natural daylight and historically grounded materials. Entire image has coherent illustrated style. Reference image 1 is Jani identity only: a GIRL ragdoll kitten, fluffy cream-white body, blue eyes, pink nose, very fluffy dark-brown tail. Her FACE MUST BE ASYMMETRICAL: large dark brown patch around VIEWER LEFT eye, smaller lighter tan patch around VIEWER RIGHT eye, irregular white central blaze. Natural cat anatomy and paws, four legs, no human hands, no human costume, no bowtie. Reference image 2 is Kuromi identity only: recognizable canonical black two-point jester hood with pink skull, white body, pink collar; do not repeat the reference book or magnifier. Both characters clearly visible as small present-day narrative observers within the scene, not replacing real historical people. Historical people have period correct everyday clothing and equipment, illustrated faces, not photorealistic. Wide single scene, no panels, no captions or labels, no numbers, no legible writing, no modern flags, no watermark. Avoid Hollywood, fantasy, game art, glamorous armor, dramatic backlight, explosions or generic battle panorama. Scene: Inner Asian steppe during the Xiongnu era, second to first century BCE. Broad ground-level open grassland scene of a pastoral household moving to seasonal pasture. Center: two adults roll a thick felt cover from a dismantled portable round tent, others tie wooden lattice sections and household bundles onto a pack horse with wool pads, no saddle stirrups. A woman checks a leather water skin, young people gather sheep near the stream; another intact low felt tent stands farther back. People in practical wool coats, trousers and soft caps, no Mongol imperial banners, no battle armor, no exotic stage costume. Kuromi and Jani at foreground left observe the packers; Jani stands with all four natural paws and looks slightly front so asymmetric patches show. Emphasize skilled planning and household cooperation rather than endless cavalry warfare. Historical correction: remove the upright stovepipe/chimney and all smoke from the background felt tent. Leave only a simple open roof smoke-hole with no metal tube. No metal stove or modern tent components. Preserve the packers and characters.", "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [], "corrections": [ "A háttéri sátor téves kályhacsövét eltávolítottam." ], "canonicalKuromi": true }, "generation": { "tool": "image_gen", "mode": "built-in", "prompt": "Use case: historical-scene. Create ONE landscape 1536x1024 full-color hand-drawn educational narrative illustration, fine outlines, gentle painted shading, natural daylight and historically grounded materials. Entire image has coherent illustrated style. Reference image 1 is Jani identity only: a GIRL ragdoll kitten, fluffy cream-white body, blue eyes, pink nose, very fluffy dark-brown tail. Her FACE MUST BE ASYMMETRICAL: large dark brown patch around VIEWER LEFT eye, smaller lighter tan patch around VIEWER RIGHT eye, irregular white central blaze. Natural cat anatomy and paws, four legs, no human hands, no human costume, no bowtie. Reference image 2 is Kuromi identity only: recognizable canonical black two-point jester hood with pink skull, white body, pink collar; do not repeat the reference book or magnifier. Both characters clearly visible as small present-day narrative observers within the scene, not replacing real historical people. Historical people have period correct everyday clothing and equipment, illustrated faces, not photorealistic. Wide single scene, no panels, no captions or labels, no numbers, no legible writing, no modern flags, no watermark. Avoid Hollywood, fantasy, game art, glamorous armor, dramatic backlight, explosions or generic battle panorama. Scene: Inner Asian steppe during the Xiongnu era, second to first century BCE. Broad ground-level open grassland scene of a pastoral household moving to seasonal pasture. Center: two adults roll a thick felt cover from a dismantled portable round tent, others tie wooden lattice sections and household bundles onto a pack horse with wool pads, no saddle stirrups. A woman checks a leather water skin, young people gather sheep near the stream; another intact low felt tent stands farther back. People in practical wool coats, trousers and soft caps, no Mongol imperial banners, no battle armor, no exotic stage costume. Kuromi and Jani at foreground left observe the packers; Jani stands with all four natural paws and looks slightly front so asymmetric patches show. Emphasize skilled planning and household cooperation rather than endless cavalry warfare. Historical correction: remove the upright stovepipe/chimney and all smoke from the background felt tent. Leave only a simple open roof smoke-hole with no metal tube. No metal stove or modern tent components. Preserve the packers and characters." }, "editHistory": [ { "tool": "image_gen", "mode": "built-in", "purpose": "canonical Kuromi correction", "prompt": "Use case: identity-preserve. Image 1 is the existing finished historical narrative illustration and is the EDIT TARGET. Image 2 is the authoritative canonical Kuromi reference from the user. Image 3 is Jani character reference only. Make a SMALL LOCALIZED CORRECTION ONLY TO KUROMI. Preserve entire historical background, all human people, objects, lighting, framing, colors, and Jani exactly. Kuromi's jester collar must be dark charcoal/black like her hood; the only pink on collar is four tiny round pink balls at the pointed tips. REMOVE the broad pink collar fabric or border completely. Keep pink skull on black hood and pink nose. Her eyes must match canonical reference: simple solid black oval/teardrop eye shapes, without human irises/highlights, with exactly two short curved outer lashes per eye, no thick eyebrows or long straight human eyelashes. Preserve Kuromi's existing pose and serious/attentive expression while matching canonical proportions. Keep Jani unchanged: fluffy cream-white natural female ragdoll cat with blue eyes, large dark brown VIEWER-LEFT eye patch and smaller lighter VIEWER-RIGHT patch, natural four paws and fluffy dark brown tail. Do not change Jani or add costume. One scene, same landscape size, no new text or panels. Correct only Kuromi collar/eyes/lashes. Collar topology is EXACTLY FOUR pointed tips and FOUR pink balls in total: ONE at each outer shoulder, TWO lower tips at front. If the old drawing has five balls, remove the extra ball and extra tip. No pink outline or piping. Kuromi has a small upright two-legged body with two arms, not a four-legged cat body." }, { "tool": "image_gen", "mode": "built-in", "purpose": "Remove residual pink collar piping", "prompt": "Image 1 is the current finished illustration, edit target. Only recolor one tiny area: Kuromi stands in the lower-left foreground beside the ragdoll cat. Her jester collar STILL has a PINK ZIGZAG EDGE or small PINK FABRIC TRIANGLE between its four round pink balls. Repaint ALL continuous pink line, border, piping and triangular collar fabric DARK CHARCOAL, exactly the same dark tone as her hood. Keep the FOUR round pink balls pink and separate. After the change there is no pink anywhere on the collar except the isolated round balls. Keep pink skull and nose, black eyes, pose unchanged. Keep Jani, every human, every historical object and whole background exactly. No restyling, no text. Image 2 confirms canonical charcoal collar; Image 3 Jani identity only." }, { "tool": "image_gen", "mode": "built-in", "purpose": "Rebuild dark collar without pink piping", "prompt": "Image 1 is edit target. Kuromi stands beside the cat in the lower-left foreground. Rebuild ONLY her small jester collar from scratch using canonical image 2: a completely SOLID DARK CHARCOAL jagged collar shape, bounded by a DARK BROWN/BLACK outline, four tips ending in four tiny pink balls. DELETE the original collar completely before drawing the replacement. The old collar has a thin bright pink zigzag border around (x430–560,y760–795): this entire zigzag outline MUST DISAPPEAR, be overpainted DARK CHARCOAL/BLACK. There is no pink line or triangle between balls after correction. Preserve her head, eyes, pose, hands, body and tail. Preserve Jani and every historical figure, animal, tent and object exactly. Full image same size, no new text." } ], "src": "assets/lesson-scenes/w05-02.webp", "sha256": "d6ebfaf8976aaa50028f6cadef323b746a23ef01fcff70dd635a21ceb688b287", "bytes": 454808, "thumbnailSrc": "assets/lesson-scenes/w05-02-preview.webp", "thumbnailSha256": "e4f813028e3f767326f4ec8383fb6491399758cf2741e9ab00634d1ea364e1cb", "thumbnailBytes": 158338 }, { "unitId": "w05-03", "title": "Vízmegosztás egy Jajoi-kori rizsfaluban", "alt": "Kuromi és Jani a Jajoi-kori rizsföld gátján figyeli, ahogy a falusiak a víz útját rendezik és palántákat ültetnek.", "caption": "A japán szigeteken a Jajoi-kor rizstermesztése bevándorláshoz és technikai kapcsolatokhoz kötődött. Az átvett módszert helyben kellett vízkezeléssel, tárolással és közös munkával működőképessé tenni.", "scene": "Northern Kyushu Japan in the Yayoi period around the first century BCE. View across shallow terraced rice paddies at a modest farming village, not grand feudal Japan. A small group adjusts a simple wooden water-diversion board in an earthen channel so water enters the next paddy; neighboring adults plant rice seedlings by hand and discuss the flow. Low thatched pit dwellings and one small raised-floor timber granary on posts in background. Plain woven short tunics and wrapped skirts or trousers, no kimono with obi, no samurai, no pagodas, no torii gates or cherry blossom clichés. Kuromi stands on a broad dry bank beside Jani sitting naturally facing three-quarter front; both clearly visible watching the local water decision. Show technology as labor and cooperation, no arrows, text, map or diagrams.", "period": "Kr. e. 1. század körül", "setting": "Észak-Kjúsú, Jajoi-kori falu", "historicalDetails": [ "Gátakkal tagolt sekély rizsparcellák", "Fa vízterelő deszka", "Cölöpökre épített gabonatároló", "Egyszerű szövött ruhák és faásók" ], "sourceBasis": [ { "book": "v1", "pdfPages": [ 195, 211 ], "chapter": "5.3 Korea, Japan, and Southeast Asia" }, { "book": "v1", "pdfPages": [ 198, 201 ], "chapter": "5.3 Korea, Japan, and Southeast Asia: Korea" }, { "book": "v1", "pdfPages": [ 204, 204 ], "chapter": "5.3 Korea, Japan, and Southeast Asia: Himiko" }, { "book": "v1", "pdfPages": [ 206, 208 ], "chapter": "5.3 Korea, Japan, and Southeast Asia: Maritime Connections" } ], "placement": { "area": "base", "sectionIndex": 1 }, "prompt": "Use case: historical-scene. Create ONE landscape 1536x1024 full-color hand-drawn educational narrative illustration, fine outlines, gentle painted shading, natural daylight and historically grounded materials. Entire image has coherent illustrated style. Reference image 1 is Jani identity only: a GIRL ragdoll kitten, fluffy cream-white body, blue eyes, pink nose, very fluffy dark-brown tail. Her FACE MUST BE ASYMMETRICAL: large dark brown patch around VIEWER LEFT eye, smaller lighter tan patch around VIEWER RIGHT eye, irregular white central blaze. Natural cat anatomy and paws, four legs, no human hands, no human costume, no bowtie. Reference image 2 is Kuromi identity only: recognizable canonical black two-point jester hood with pink skull, white body, pink collar; do not repeat the reference book or magnifier. Both characters clearly visible as small present-day narrative observers within the scene, not replacing real historical people. Historical people have period correct everyday clothing and equipment, illustrated faces, not photorealistic. Wide single scene, no panels, no captions or labels, no numbers, no legible writing, no modern flags, no watermark. Avoid Hollywood, fantasy, game art, glamorous armor, dramatic backlight, explosions or generic battle panorama. Scene: Northern Kyushu Japan in the Yayoi period around the first century BCE. View across shallow terraced rice paddies at a modest farming village, not grand feudal Japan. A small group adjusts a simple wooden water-diversion board in an earthen channel so water enters the next paddy; neighboring adults plant rice seedlings by hand and discuss the flow. Low thatched pit dwellings and one small raised-floor timber granary on posts in background. Plain woven short tunics and wrapped skirts or trousers, no kimono with obi, no samurai, no pagodas, no torii gates or cherry blossom clichés. Kuromi stands on a broad dry bank beside Jani sitting naturally facing three-quarter front; both clearly visible watching the local water decision. Show technology as labor and cooperation, no arrows, text, map or diagrams.", "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [], "canonicalKuromi": true }, "generation": { "tool": "image_gen", "mode": "built-in", "prompt": "Use case: historical-scene. Create ONE landscape 1536x1024 full-color hand-drawn educational narrative illustration, fine outlines, gentle painted shading, natural daylight and historically grounded materials. Entire image has coherent illustrated style. Reference image 1 is Jani identity only: a GIRL ragdoll kitten, fluffy cream-white body, blue eyes, pink nose, very fluffy dark-brown tail. Her FACE MUST BE ASYMMETRICAL: large dark brown patch around VIEWER LEFT eye, smaller lighter tan patch around VIEWER RIGHT eye, irregular white central blaze. Natural cat anatomy and paws, four legs, no human hands, no human costume, no bowtie. Reference image 2 is Kuromi identity only: recognizable canonical black two-point jester hood with pink skull, white body, pink collar; do not repeat the reference book or magnifier. Both characters clearly visible as small present-day narrative observers within the scene, not replacing real historical people. Historical people have period correct everyday clothing and equipment, illustrated faces, not photorealistic. Wide single scene, no panels, no captions or labels, no numbers, no legible writing, no modern flags, no watermark. Avoid Hollywood, fantasy, game art, glamorous armor, dramatic backlight, explosions or generic battle panorama. Scene: Northern Kyushu Japan in the Yayoi period around the first century BCE. View across shallow terraced rice paddies at a modest farming village, not grand feudal Japan. A small group adjusts a simple wooden water-diversion board in an earthen channel so water enters the next paddy; neighboring adults plant rice seedlings by hand and discuss the flow. Low thatched pit dwellings and one small raised-floor timber granary on posts in background. Plain woven short tunics and wrapped skirts or trousers, no kimono with obi, no samurai, no pagodas, no torii gates or cherry blossom clichés. Kuromi stands on a broad dry bank beside Jani sitting naturally facing three-quarter front; both clearly visible watching the local water decision. Show technology as labor and cooperation, no arrows, text, map or diagrams." }, "editHistory": [ { "tool": "image_gen", "mode": "built-in", "purpose": "canonical Kuromi correction", "prompt": "Use case: identity-preserve. Image 1 is the existing finished historical narrative illustration and is the EDIT TARGET. Image 2 is the authoritative canonical Kuromi reference from the user. Image 3 is Jani character reference only. Make a SMALL LOCALIZED CORRECTION ONLY TO KUROMI. Preserve entire historical background, all human people, objects, lighting, framing, colors, and Jani exactly. Kuromi's jester collar must be dark charcoal/black like her hood; the only pink on collar is four tiny round pink balls at the pointed tips. REMOVE the broad pink collar fabric or border completely. Keep pink skull on black hood and pink nose. Her eyes must match canonical reference: simple solid black oval/teardrop eye shapes, without human irises/highlights, with exactly two short curved outer lashes per eye, no thick eyebrows or long straight human eyelashes. Preserve Kuromi's existing pose and serious/attentive expression while matching canonical proportions. Keep Jani unchanged: fluffy cream-white natural female ragdoll cat with blue eyes, large dark brown VIEWER-LEFT eye patch and smaller lighter VIEWER-RIGHT patch, natural four paws and fluffy dark brown tail. Do not change Jani or add costume. One scene, same landscape size, no new text or panels. Correct only Kuromi collar/eyes/lashes. Collar topology is EXACTLY FOUR pointed tips and FOUR pink balls in total: ONE at each outer shoulder, TWO lower tips at front. If the old drawing has five balls, remove the extra ball and extra tip. No pink outline or piping. Kuromi has a small upright two-legged body with two arms, not a four-legged cat body." }, { "tool": "image_gen", "mode": "built-in", "purpose": "Remove residual pink collar fabric", "prompt": "Image 1 is the current finished illustration, edit target. Only recolor one tiny area: Kuromi stands in the lower-left foreground beside the ragdoll cat. Her jester collar STILL has a PINK ZIGZAG EDGE or small PINK FABRIC TRIANGLE between its four round pink balls. Repaint ALL continuous pink line, border, piping and triangular collar fabric DARK CHARCOAL, exactly the same dark tone as her hood. Keep the FOUR round pink balls pink and separate. After the change there is no pink anywhere on the collar except the isolated round balls. Keep pink skull and nose, black eyes, pose unchanged. Keep Jani, every human, every historical object and whole background exactly. No restyling, no text. Image 2 confirms canonical charcoal collar; Image 3 Jani identity only." } ], "src": "assets/lesson-scenes/w05-03.webp", "sha256": "2b335cb93cfe7e1eb057af3984667dfe9ebf3eb66d42e591d5a860aa912750eb", "bytes": 486592, "thumbnailSrc": "assets/lesson-scenes/w05-03-preview.webp", "thumbnailSha256": "58db5e82aac3bc7e17db1bbb863ac6baa8986bbc8960f696c85d5e35b44c2e9d", "thumbnailBytes": 166206 }, { "unitId": "w05-04a", "title": "Tanítás és alamizsna a korai buddhista közösségben", "alt": "Kuromi és Jani egy észak-indiai ligetben figyeli a tanítást és az ételt felajánló helyi lakókat.", "caption": "A Kr. e. 1. évezred közepén formálódó buddhista közösségekben a tanítás, életvezetés és a világi támogatás összekapcsolódott. A szerzetesek megélhetéséhez is emberi kapcsolatok és felajánlások kellettek.", "scene": "A grove beside a town in the Ganges region of northern India in the fifth to fourth century BCE, an early Buddhist community. A quietly attentive group of adults of different social backgrounds listens to an ordinary seated Buddhist teacher in a plain ochre patched robe under a broad tree, no halo and no superhuman glow. At the side two lay supporters offer cooked grain from a simple basket into a monk's dark alms bowl; another novice arranges reed mats. Their faces and body language show a community built through ethical teaching and support rather than inherited ceremonial rank. Plain draped cotton clothes, simple pottery, no giant Buddha statues, stupas from much later periods, ornate pagodas, or modern ritual objects. Kuromi and Jani sit peacefully at the edge of listeners, respectful, clear asymmetric blue-eyed cat face front. Sunlit leafy setting, natural colors, one shared scene.", "period": "Kr. e. 5–4. század", "setting": "Gangesz-vidéki liget, Észak-India", "historicalDetails": [ "Egyszerű varrott szerzetesi köntös", "Alamizsnás tál", "Földre terített gyékény", "Világi támogatók hétköznapi öltözete" ], "sourceBasis": [ { "book": "v1", "pdfPages": [ 211, 217 ], "chapter": "5.4 Vedic India to the Fall of the Maurya Empire" }, { "book": "v1", "pdfPages": [ 214, 217 ], "chapter": "5.4 Vedic India to the Fall of the Maurya Empire: Brahmanism and Buddhism" } ], "placement": { "area": "base", "sectionIndex": 2 }, "prompt": "Use case: historical-scene. Create ONE landscape 1536x1024 full-color hand-drawn educational narrative illustration, fine outlines, gentle painted shading, natural daylight and historically grounded materials. Entire image has coherent illustrated style. Reference image 1 is Jani identity only: a GIRL ragdoll kitten, fluffy cream-white body, blue eyes, pink nose, very fluffy dark-brown tail. Her FACE MUST BE ASYMMETRICAL: large dark brown patch around VIEWER LEFT eye, smaller lighter tan patch around VIEWER RIGHT eye, irregular white central blaze. Natural cat anatomy and paws, four legs, no human hands, no human costume, no bowtie. Reference image 2 is Kuromi identity only: recognizable canonical black two-point jester hood with pink skull, white body, pink collar; do not repeat the reference book or magnifier. Both characters clearly visible as small present-day narrative observers within the scene, not replacing real historical people. Historical people have period correct everyday clothing and equipment, illustrated faces, not photorealistic. Wide single scene, no panels, no captions or labels, no numbers, no legible writing, no modern flags, no watermark. Avoid Hollywood, fantasy, game art, glamorous armor, dramatic backlight, explosions or generic battle panorama. Scene: A grove beside a town in the Ganges region of northern India in the fifth to fourth century BCE, an early Buddhist community. A quietly attentive group of adults of different social backgrounds listens to an ordinary seated Buddhist teacher in a plain ochre patched robe under a broad tree, no halo and no superhuman glow. At the side two lay supporters offer cooked grain from a simple basket into a monk's dark alms bowl; another novice arranges reed mats. Their faces and body language show a community built through ethical teaching and support rather than inherited ceremonial rank. Plain draped cotton clothes, simple pottery, no giant Buddha statues, stupas from much later periods, ornate pagodas, or modern ritual objects. Kuromi and Jani sit peacefully at the edge of listeners, respectful, clear asymmetric blue-eyed cat face front. Sunlit leafy setting, natural colors, one shared scene.", "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [], "canonicalKuromi": true }, "generation": { "tool": "image_gen", "mode": "built-in", "prompt": "Use case: historical-scene. Create ONE landscape 1536x1024 full-color hand-drawn educational narrative illustration, fine outlines, gentle painted shading, natural daylight and historically grounded materials. Entire image has coherent illustrated style. Reference image 1 is Jani identity only: a GIRL ragdoll kitten, fluffy cream-white body, blue eyes, pink nose, very fluffy dark-brown tail. Her FACE MUST BE ASYMMETRICAL: large dark brown patch around VIEWER LEFT eye, smaller lighter tan patch around VIEWER RIGHT eye, irregular white central blaze. Natural cat anatomy and paws, four legs, no human hands, no human costume, no bowtie. Reference image 2 is Kuromi identity only: recognizable canonical black two-point jester hood with pink skull, white body, pink collar; do not repeat the reference book or magnifier. Both characters clearly visible as small present-day narrative observers within the scene, not replacing real historical people. Historical people have period correct everyday clothing and equipment, illustrated faces, not photorealistic. Wide single scene, no panels, no captions or labels, no numbers, no legible writing, no modern flags, no watermark. Avoid Hollywood, fantasy, game art, glamorous armor, dramatic backlight, explosions or generic battle panorama. Scene: A grove beside a town in the Ganges region of northern India in the fifth to fourth century BCE, an early Buddhist community. A quietly attentive group of adults of different social backgrounds listens to an ordinary seated Buddhist teacher in a plain ochre patched robe under a broad tree, no halo and no superhuman glow. At the side two lay supporters offer cooked grain from a simple basket into a monk's dark alms bowl; another novice arranges reed mats. Their faces and body language show a community built through ethical teaching and support rather than inherited ceremonial rank. Plain draped cotton clothes, simple pottery, no giant Buddha statues, stupas from much later periods, ornate pagodas, or modern ritual objects. Kuromi and Jani sit peacefully at the edge of listeners, respectful, clear asymmetric blue-eyed cat face front. Sunlit leafy setting, natural colors, one shared scene." }, "editHistory": [ { "tool": "image_gen", "mode": "built-in", "purpose": "canonical Kuromi correction", "prompt": "Use case: identity-preserve. Image 1 is the existing finished historical narrative illustration and is the EDIT TARGET. Image 2 is the authoritative canonical Kuromi reference from the user. Image 3 is Jani character reference only. Make a SMALL LOCALIZED CORRECTION ONLY TO KUROMI. Preserve entire historical background, all human people, objects, lighting, framing, colors, and Jani exactly. Kuromi's jester collar must be dark charcoal/black like her hood; the only pink on collar is four tiny round pink balls at the pointed tips. REMOVE the broad pink collar fabric or border completely. Keep pink skull on black hood and pink nose. Her eyes must match canonical reference: simple solid black oval/teardrop eye shapes, without human irises/highlights, with exactly two short curved outer lashes per eye, no thick eyebrows or long straight human eyelashes. Preserve Kuromi's existing pose and serious/attentive expression while matching canonical proportions. Keep Jani unchanged: fluffy cream-white natural female ragdoll cat with blue eyes, large dark brown VIEWER-LEFT eye patch and smaller lighter VIEWER-RIGHT patch, natural four paws and fluffy dark brown tail. Do not change Jani or add costume. One scene, same landscape size, no new text or panels. Correct only Kuromi collar/eyes/lashes. Collar topology is EXACTLY FOUR pointed tips and FOUR pink balls in total: ONE at each outer shoulder, TWO lower tips at front. If the old drawing has five balls, remove the extra ball and extra tip. No pink outline or piping. Kuromi has a small upright two-legged body with two arms, not a four-legged cat body." } ], "src": "assets/lesson-scenes/w05-04a.webp", "sha256": "3a3b8e190c10a0dcc930da1f06c4b585b90f6105f03cfc353cb923a3474bfc48", "bytes": 393888, "thumbnailSrc": "assets/lesson-scenes/w05-04a-preview.webp", "thumbnailSha256": "4523bc608380c5d1a36ba6dd2a376230dc795834425495b74681e5b1364697cb", "thumbnailBytes": 137944 }, { "unitId": "w05-04b", "title": "Kút és árnyék Asóka útja mellett", "alt": "Kuromi és Jani az út mellett figyeli a vizet húzó és az új árnyékfát ültető dolgozókat és utazókat.", "caption": "Asóka Kr. e. 3. századi uralkodói programja erkölcsi üzeneteket és közösségi feladatokat kapcsolt össze. Az utak mellé telepített árnyék és vízellátás munkát, fenntartást és helyi közvetítőket igényelt.", "scene": "Northern India in the Mauryan period under Ashoka, mid-third century BCE. Wide roadside civic work scene in ordinary daylight. At center a worker draws water from a newly lined stone well with a rope and clay pot while travelers refill water vessels and an ox drinks from a shallow trough; nearby two people plant and stake a shade sapling along the dusty road. A modest ox cart and walking family pause in the shade of an older tree. In distant background one plain polished sandstone pillar may be visible as context, no readable inscription, no national emblem, no modern flag. People wear simple Mauryan-era draped cotton garments, no Mughal domes, no modern saris, no giant Buddha or lion statue. Kuromi and Jani stand on a low dry verge watching the well and tree work, sober friendly observers, natural cat anatomy and clear asymmetric face. Show welfare policy needs organized material labor, not idealized magical abundance.", "period": "Kr. e. 3. század közepe", "setting": "Maurja-kori észak-indiai út", "historicalDetails": [ "Kővel bélelt út menti kút", "Fiatal árnyékfa védőkarókkal", "Ökrös szekér és utazók", "Egyszerű vizesedény és itató" ], "sourceBasis": [ { "book": "v1", "pdfPages": [ 217, 221 ], "chapter": "5.4 Vedic India to the Fall of the Maurya Empire" }, { "book": "v1", "pdfPages": [ 217, 219 ], "chapter": "5.4 Vedic India to the Fall of the Maurya Empire: The Mauryan Empire" } ], "placement": { "area": "base", "sectionIndex": 2 }, "prompt": "Use case: historical-scene. Create ONE landscape 1536x1024 full-color hand-drawn educational narrative illustration, fine outlines, gentle painted shading, natural daylight and historically grounded materials. Entire image has coherent illustrated style. Reference image 1 is Jani identity only: a GIRL ragdoll kitten, fluffy cream-white body, blue eyes, pink nose, very fluffy dark-brown tail. Her FACE MUST BE ASYMMETRICAL: large dark brown patch around VIEWER LEFT eye, smaller lighter tan patch around VIEWER RIGHT eye, irregular white central blaze. Natural cat anatomy and paws, four legs, no human hands, no human costume, no bowtie. Reference image 2 is Kuromi identity only: recognizable canonical black two-point jester hood with pink skull, white body, pink collar; do not repeat the reference book or magnifier. Both characters clearly visible as small present-day narrative observers within the scene, not replacing real historical people. Historical people have period correct everyday clothing and equipment, illustrated faces, not photorealistic. Wide single scene, no panels, no captions or labels, no numbers, no legible writing, no modern flags, no watermark. Avoid Hollywood, fantasy, game art, glamorous armor, dramatic backlight, explosions or generic battle panorama. Scene: Northern India in the Mauryan period under Ashoka, mid-third century BCE. Wide roadside civic work scene in ordinary daylight. At center a worker draws water from a newly lined stone well with a rope and clay pot while travelers refill water vessels and an ox drinks from a shallow trough; nearby two people plant and stake a shade sapling along the dusty road. A modest ox cart and walking family pause in the shade of an older tree. In distant background one plain polished sandstone pillar may be visible as context, no readable inscription, no national emblem, no modern flag. People wear simple Mauryan-era draped cotton garments, no Mughal domes, no modern saris, no giant Buddha or lion statue. Kuromi and Jani stand on a low dry verge watching the well and tree work, sober friendly observers, natural cat anatomy and clear asymmetric face. Show welfare policy needs organized material labor, not idealized magical abundance.", "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [], "canonicalKuromi": true }, "generation": { "tool": "image_gen", "mode": "built-in", "prompt": "Use case: historical-scene. Create ONE landscape 1536x1024 full-color hand-drawn educational narrative illustration, fine outlines, gentle painted shading, natural daylight and historically grounded materials. Entire image has coherent illustrated style. Reference image 1 is Jani identity only: a GIRL ragdoll kitten, fluffy cream-white body, blue eyes, pink nose, very fluffy dark-brown tail. Her FACE MUST BE ASYMMETRICAL: large dark brown patch around VIEWER LEFT eye, smaller lighter tan patch around VIEWER RIGHT eye, irregular white central blaze. Natural cat anatomy and paws, four legs, no human hands, no human costume, no bowtie. Reference image 2 is Kuromi identity only: recognizable canonical black two-point jester hood with pink skull, white body, pink collar; do not repeat the reference book or magnifier. Both characters clearly visible as small present-day narrative observers within the scene, not replacing real historical people. Historical people have period correct everyday clothing and equipment, illustrated faces, not photorealistic. Wide single scene, no panels, no captions or labels, no numbers, no legible writing, no modern flags, no watermark. Avoid Hollywood, fantasy, game art, glamorous armor, dramatic backlight, explosions or generic battle panorama. Scene: Northern India in the Mauryan period under Ashoka, mid-third century BCE. Wide roadside civic work scene in ordinary daylight. At center a worker draws water from a newly lined stone well with a rope and clay pot while travelers refill water vessels and an ox drinks from a shallow trough; nearby two people plant and stake a shade sapling along the dusty road. A modest ox cart and walking family pause in the shade of an older tree. In distant background one plain polished sandstone pillar may be visible as context, no readable inscription, no national emblem, no modern flag. People wear simple Mauryan-era draped cotton garments, no Mughal domes, no modern saris, no giant Buddha or lion statue. Kuromi and Jani stand on a low dry verge watching the well and tree work, sober friendly observers, natural cat anatomy and clear asymmetric face. Show welfare policy needs organized material labor, not idealized magical abundance." }, "editHistory": [ { "tool": "image_gen", "mode": "built-in", "purpose": "canonical Kuromi correction", "prompt": "Use case: identity-preserve. Image 1 is the existing finished historical narrative illustration and is the EDIT TARGET. Image 2 is the authoritative canonical Kuromi reference from the user. Image 3 is Jani character reference only. Make a SMALL LOCALIZED CORRECTION ONLY TO KUROMI. Preserve entire historical background, all human people, objects, lighting, framing, colors, and Jani exactly. Kuromi's jester collar must be dark charcoal/black like her hood; the only pink on collar is four tiny round pink balls at the pointed tips. REMOVE the broad pink collar fabric or border completely. Keep pink skull on black hood and pink nose. Her eyes must match canonical reference: simple solid black oval/teardrop eye shapes, without human irises/highlights, with exactly two short curved outer lashes per eye, no thick eyebrows or long straight human eyelashes. Preserve Kuromi's existing pose and serious/attentive expression while matching canonical proportions. Keep Jani unchanged: fluffy cream-white natural female ragdoll cat with blue eyes, large dark brown VIEWER-LEFT eye patch and smaller lighter VIEWER-RIGHT patch, natural four paws and fluffy dark brown tail. Do not change Jani or add costume. One scene, same landscape size, no new text or panels. Correct only Kuromi collar/eyes/lashes. Collar topology is EXACTLY FOUR pointed tips and FOUR pink balls in total: ONE at each outer shoulder, TWO lower tips at front. If the old drawing has five balls, remove the extra ball and extra tip. No pink outline or piping. Kuromi has a small upright two-legged body with two arms, not a four-legged cat body." } ], "src": "assets/lesson-scenes/w05-04b.webp", "sha256": "eb42c07d8dfd64de5f806f53103e095c214d9985f1b89707e45de02d5980a422", "bytes": 426860, "thumbnailSrc": "assets/lesson-scenes/w05-04b-preview.webp", "thumbnailSha256": "d58a930b87622ac46cdf4154480273ade44318ae47f70ddf425fdc2582cf4874", "thumbnailBytes": 147228 }, { "unitId": "w06-01", "title": "Olajkészlet a knósszoszi palota raktárában", "alt": "Kuromi és Jani a knósszoszi raktár folyosóján figyeli az olajat hordó és a készletet ellenőrző dolgozókat.", "caption": "A Kr. e. 2. évezredi égei paloták mezőgazdasági terméket, tárolást és szakosodott munkát fogtak össze. Az olajraktár a tengeri csere mögött működő helyi erőforrás-szervezést mutatja.", "scene": "Knossos on Crete around 1500 BCE, inside a Minoan palace storage corridor opening onto a sunlit courtyard. Deep oblique perspective past a row of very large clay pithoi with rope-pattern decoration set along plastered stone walls. Workers pour olive oil from a small transport jar into a pithos while a palace attendant checks the next delivery, another artisan ties a reed stopper. A restrained red-painted wooden column tapering toward the bottom visible through doorway, simple light well and timber roof. Minoan people in practical wrapped skirts or modest short-sleeved draped work garments, no toga, hoplite armor, modern museum rails, reconstruction signage or fantasy throne. Kuromi looks into the storage corridor from foreground left, empty hands; Jani sits beside her facing front. Daylight, clay and lime plaster textures; focus on agricultural storage connecting rural producers to palace and sea trade.", "period": "Kr. e. 1500 körül", "setting": "Knósszosz, Kréta", "historicalDetails": [ "Nagyméretű agyag pithoszok", "Palotai raktárfolyosó", "Lefelé keskenyedő festett faoszlopok", "Olaj áttöltése kisebb szállítóedénybe" ], "sourceBasis": [ { "book": "v1", "pdfPages": [ 229, 234 ], "chapter": "6.1 Early Mediterranean Peoples" }, { "book": "v1", "pdfPages": [ 230, 234 ], "chapter": "6.1 Early Mediterranean Peoples" } ], "placement": { "area": "base", "sectionIndex": 0 }, "prompt": "Use case: historical-scene. Create ONE landscape 1536x1024 full-color hand-drawn educational narrative illustration, fine outlines, gentle painted shading, natural daylight and historically grounded materials. Entire image has coherent illustrated style. Reference image 1 is Jani identity only: a GIRL ragdoll kitten, fluffy cream-white body, blue eyes, pink nose, very fluffy dark-brown tail. Her FACE MUST BE ASYMMETRICAL: large dark brown patch around VIEWER LEFT eye, smaller lighter tan patch around VIEWER RIGHT eye, irregular white central blaze. Natural cat anatomy and paws, four legs, no human hands, no human costume, no bowtie. Reference image 2 is Kuromi identity only: recognizable canonical black two-point jester hood with pink skull, white body, pink collar; do not repeat the reference book or magnifier. Both characters clearly visible as small present-day narrative observers within the scene, not replacing real historical people. Historical people have period correct everyday clothing and equipment, illustrated faces, not photorealistic. Wide single scene, no panels, no captions or labels, no numbers, no legible writing, no modern flags, no watermark. Avoid Hollywood, fantasy, game art, glamorous armor, dramatic backlight, explosions or generic battle panorama. Scene: Knossos on Crete around 1500 BCE, inside a Minoan palace storage corridor opening onto a sunlit courtyard. Deep oblique perspective past a row of very large clay pithoi with rope-pattern decoration set along plastered stone walls. Workers pour olive oil from a small transport jar into a pithos while a palace attendant checks the next delivery, another artisan ties a reed stopper. A restrained red-painted wooden column tapering toward the bottom visible through doorway, simple light well and timber roof. Minoan people in practical wrapped skirts or modest short-sleeved draped work garments, no toga, hoplite armor, modern museum rails, reconstruction signage or fantasy throne. Kuromi looks into the storage corridor from foreground left, empty hands; Jani sits beside her facing front. Daylight, clay and lime plaster textures; focus on agricultural storage connecting rural producers to palace and sea trade.", "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [], "canonicalKuromi": true }, "generation": { "tool": "image_gen", "mode": "built-in", "prompt": "Use case: historical-scene. Create ONE landscape 1536x1024 full-color hand-drawn educational narrative illustration, fine outlines, gentle painted shading, natural daylight and historically grounded materials. Entire image has coherent illustrated style. Reference image 1 is Jani identity only: a GIRL ragdoll kitten, fluffy cream-white body, blue eyes, pink nose, very fluffy dark-brown tail. Her FACE MUST BE ASYMMETRICAL: large dark brown patch around VIEWER LEFT eye, smaller lighter tan patch around VIEWER RIGHT eye, irregular white central blaze. Natural cat anatomy and paws, four legs, no human hands, no human costume, no bowtie. Reference image 2 is Kuromi identity only: recognizable canonical black two-point jester hood with pink skull, white body, pink collar; do not repeat the reference book or magnifier. Both characters clearly visible as small present-day narrative observers within the scene, not replacing real historical people. Historical people have period correct everyday clothing and equipment, illustrated faces, not photorealistic. Wide single scene, no panels, no captions or labels, no numbers, no legible writing, no modern flags, no watermark. Avoid Hollywood, fantasy, game art, glamorous armor, dramatic backlight, explosions or generic battle panorama. Scene: Knossos on Crete around 1500 BCE, inside a Minoan palace storage corridor opening onto a sunlit courtyard. Deep oblique perspective past a row of very large clay pithoi with rope-pattern decoration set along plastered stone walls. Workers pour olive oil from a small transport jar into a pithos while a palace attendant checks the next delivery, another artisan ties a reed stopper. A restrained red-painted wooden column tapering toward the bottom visible through doorway, simple light well and timber roof. Minoan people in practical wrapped skirts or modest short-sleeved draped work garments, no toga, hoplite armor, modern museum rails, reconstruction signage or fantasy throne. Kuromi looks into the storage corridor from foreground left, empty hands; Jani sits beside her facing front. Daylight, clay and lime plaster textures; focus on agricultural storage connecting rural producers to palace and sea trade." }, "editHistory": [ { "tool": "image_gen", "mode": "built-in", "purpose": "canonical Kuromi correction", "prompt": "Use case: identity-preserve. Image 1 is the existing finished historical narrative illustration and is the EDIT TARGET. Image 2 is the authoritative canonical Kuromi reference from the user. Image 3 is Jani character reference only. Make a SMALL LOCALIZED CORRECTION ONLY TO KUROMI. Preserve entire historical background, all human people, objects, lighting, framing, colors, and Jani exactly. Kuromi's jester collar must be dark charcoal/black like her hood; the only pink on collar is four tiny round pink balls at the pointed tips. REMOVE the broad pink collar fabric or border completely. Keep pink skull on black hood and pink nose. Her eyes must match canonical reference: simple solid black oval/teardrop eye shapes, without human irises/highlights, with exactly two short curved outer lashes per eye, no thick eyebrows or long straight human eyelashes. Preserve Kuromi's existing pose and serious/attentive expression while matching canonical proportions. Keep Jani unchanged: fluffy cream-white natural female ragdoll cat with blue eyes, large dark brown VIEWER-LEFT eye patch and smaller lighter VIEWER-RIGHT patch, natural four paws and fluffy dark brown tail. Do not change Jani or add costume. One scene, same landscape size, no new text or panels. Correct only Kuromi collar/eyes/lashes. Collar topology is EXACTLY FOUR pointed tips and FOUR pink balls in total: ONE at each outer shoulder, TWO lower tips at front. If the old drawing has five balls, remove the extra ball and extra tip. No pink outline or piping. Kuromi has a small upright two-legged body with two arms, not a four-legged cat body." } ], "src": "assets/lesson-scenes/w06-01.webp", "sha256": "a2b1e4461b562b363b09344108457d5cb43b7b86923de793665e8166576df05a", "bytes": 355520, "thumbnailSrc": "assets/lesson-scenes/w06-01-preview.webp", "thumbnailSha256": "b3d04d7b54cf57fa0b29a459eed2f3ca08212d0dc2dd8335c9cf3da24984fc8f", "thumbnailBytes": 116160 }, { "unitId": "w06-02a", "title": "Polgári vita az athéni népgyűlésen", "alt": "Kuromi és Jani az athéni gyűléstér széléről figyeli a felszólalót és az összegyűlt férfipolgárokat.", "caption": "Az athéni népgyűlés a Kr. e. 5. században felnőtt férfipolgárok közvetlen döntési fóruma volt. A jelenlétet megélhetési feltételek is befolyásolták, a város minden lakója pedig nem kapott részvételi jogot.", "scene": "Athens mid-fifth century BCE, a restrained reconstruction of an assembly on the Pnyx hillside. Wide scene viewed from the gathering's side: a citizen in a simple himation addresses adult male citizens seated or standing on the rocky slope, a few raise hands to respond. Speaker stands on a modest rock platform, not a modern lectern; no large later fourth-century terraced monument. People have varied ages and ordinary cloth rather than every man a noble in pristine white. Along an outer path in the far distance, a woman carries a water jar and another person leads a donkey, showing city labor outside political gathering without turning scene into panels. Kuromi and Jani observe at near edge away from voting citizens, not voting or replacing historical actors. Jani sits natural four-leg anatomy front face clear. Natural limestone and Attic hillside, no modern Greek flags, no marble fantasy senate hall, no readable text.", "period": "Kr. e. 5. század közepe", "setting": "Pnyx, Athén", "historicalDetails": [ "Szabadtéri gyűlés domboldalon", "Egyszerű sziklából alakított szónoki hely", "Himationt vagy chitónt viselő férfipolgárok", "Városi mindennapi munka a távoli ösvényen" ], "sourceBasis": [ { "book": "v1", "pdfPages": [ 235, 242 ], "chapter": "6.2 Ancient Greece" }, { "book": "v1", "pdfPages": [ 246, 248 ], "chapter": "6.2 Ancient Greece" }, { "book": "v1", "pdfPages": [ 239, 242 ], "chapter": "6.2 Ancient Greece: Sparta and Athens" }, { "book": "v1", "pdfPages": [ 246, 247 ], "chapter": "6.2 Ancient Greece: Socrates and Plato" } ], "placement": { "area": "base", "sectionIndex": 3 }, "prompt": "Use case: historical-scene. Create ONE landscape 1536x1024 full-color hand-drawn educational narrative illustration, fine outlines, gentle painted shading, natural daylight and historically grounded materials. Entire image has coherent illustrated style. Reference image 1 is Jani identity only: a GIRL ragdoll kitten, fluffy cream-white body, blue eyes, pink nose, very fluffy dark-brown tail. Her FACE MUST BE ASYMMETRICAL: large dark brown patch around VIEWER LEFT eye, smaller lighter tan patch around VIEWER RIGHT eye, irregular white central blaze. Natural cat anatomy and paws, four legs, no human hands, no human costume, no bowtie. Reference image 2 is Kuromi identity only: recognizable canonical black two-point jester hood with pink skull, white body, pink collar; do not repeat the reference book or magnifier. Both characters clearly visible as small present-day narrative observers within the scene, not replacing real historical people. Historical people have period correct everyday clothing and equipment, illustrated faces, not photorealistic. Wide single scene, no panels, no captions or labels, no numbers, no legible writing, no modern flags, no watermark. Avoid Hollywood, fantasy, game art, glamorous armor, dramatic backlight, explosions or generic battle panorama. Scene: Athens mid-fifth century BCE, a restrained reconstruction of an assembly on the Pnyx hillside. Wide scene viewed from the gathering's side: a citizen in a simple himation addresses adult male citizens seated or standing on the rocky slope, a few raise hands to respond. Speaker stands on a modest rock platform, not a modern lectern; no large later fourth-century terraced monument. People have varied ages and ordinary cloth rather than every man a noble in pristine white. Along an outer path in the far distance, a woman carries a water jar and another person leads a donkey, showing city labor outside political gathering without turning scene into panels. Kuromi and Jani observe at near edge away from voting citizens, not voting or replacing historical actors. Jani sits natural four-leg anatomy front face clear. Natural limestone and Attic hillside, no modern Greek flags, no marble fantasy senate hall, no readable text.", "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [], "canonicalKuromi": true }, "generation": { "tool": "image_gen", "mode": "built-in", "prompt": "Use case: historical-scene. Create ONE landscape 1536x1024 full-color hand-drawn educational narrative illustration, fine outlines, gentle painted shading, natural daylight and historically grounded materials. Entire image has coherent illustrated style. Reference image 1 is Jani identity only: a GIRL ragdoll kitten, fluffy cream-white body, blue eyes, pink nose, very fluffy dark-brown tail. Her FACE MUST BE ASYMMETRICAL: large dark brown patch around VIEWER LEFT eye, smaller lighter tan patch around VIEWER RIGHT eye, irregular white central blaze. Natural cat anatomy and paws, four legs, no human hands, no human costume, no bowtie. Reference image 2 is Kuromi identity only: recognizable canonical black two-point jester hood with pink skull, white body, pink collar; do not repeat the reference book or magnifier. Both characters clearly visible as small present-day narrative observers within the scene, not replacing real historical people. Historical people have period correct everyday clothing and equipment, illustrated faces, not photorealistic. Wide single scene, no panels, no captions or labels, no numbers, no legible writing, no modern flags, no watermark. Avoid Hollywood, fantasy, game art, glamorous armor, dramatic backlight, explosions or generic battle panorama. Scene: Athens mid-fifth century BCE, a restrained reconstruction of an assembly on the Pnyx hillside. Wide scene viewed from the gathering's side: a citizen in a simple himation addresses adult male citizens seated or standing on the rocky slope, a few raise hands to respond. Speaker stands on a modest rock platform, not a modern lectern; no large later fourth-century terraced monument. People have varied ages and ordinary cloth rather than every man a noble in pristine white. Along an outer path in the far distance, a woman carries a water jar and another person leads a donkey, showing city labor outside political gathering without turning scene into panels. Kuromi and Jani observe at near edge away from voting citizens, not voting or replacing historical actors. Jani sits natural four-leg anatomy front face clear. Natural limestone and Attic hillside, no modern Greek flags, no marble fantasy senate hall, no readable text." }, "editHistory": [ { "tool": "image_gen", "mode": "built-in", "purpose": "canonical Kuromi correction", "prompt": "Use case: identity-preserve. Image 1 is the existing finished historical narrative illustration and is the EDIT TARGET. Image 2 is the authoritative canonical Kuromi reference from the user. Image 3 is Jani character reference only. Make a SMALL LOCALIZED CORRECTION ONLY TO KUROMI. Preserve entire historical background, all human people, objects, lighting, framing, colors, and Jani exactly. Kuromi's jester collar must be dark charcoal/black like her hood; the only pink on collar is four tiny round pink balls at the pointed tips. REMOVE the broad pink collar fabric or border completely. Keep pink skull on black hood and pink nose. Her eyes must match canonical reference: simple solid black oval/teardrop eye shapes, without human irises/highlights, with exactly two short curved outer lashes per eye, no thick eyebrows or long straight human eyelashes. Preserve Kuromi's existing pose and serious/attentive expression while matching canonical proportions. Keep Jani unchanged: fluffy cream-white natural female ragdoll cat with blue eyes, large dark brown VIEWER-LEFT eye patch and smaller lighter VIEWER-RIGHT patch, natural four paws and fluffy dark brown tail. Do not change Jani or add costume. One scene, same landscape size, no new text or panels. Correct only Kuromi collar/eyes/lashes. Collar topology is EXACTLY FOUR pointed tips and FOUR pink balls in total: ONE at each outer shoulder, TWO lower tips at front. If the old drawing has five balls, remove the extra ball and extra tip. No pink outline or piping. Kuromi has a small upright two-legged body with two arms, not a four-legged cat body." } ], "src": "assets/lesson-scenes/w06-02a.webp", "sha256": "e6430dc4a7916eca08c70e2446a85ae94f6e539169d73011b0a366cd0bfbe654", "bytes": 461070, "thumbnailSrc": "assets/lesson-scenes/w06-02a-preview.webp", "thumbnailSha256": "2839fe16b8f63d3f7968b593043f0fd61ccd959f0d3afc2d736e94a84797c984", "thumbnailBytes": 151452 }, { "unitId": "w06-02b", "title": "Evezősök és hajóácsok az athéni flottánál", "alt": "Kuromi és Jani Peiraieusz hajótelepén figyeli az evezőket átvevő férfiakat és a hajótestet javító ácsokat.", "caption": "Az athéni tengeri hatalom a Kr. e. 5. században hajók, képzett evezősök és rendszeres bevétel együttműködésére épült. A déloszi szövetség hozzájárulásai egyre erősebben Athén kezébe összpontosították a hadviselés eszközeit.", "scene": "Piraeus naval yard around 450 BCE, Athens. A grounded wooden trireme under repair on a low shore slipway fills the diagonal middle ground, its long slender hull and modest bronze bow ram visible, not a fantasy galley. Carpenters replace a plank using hand tools, other workers carry long oars. A group of ordinary poorer male citizen rowers in plain short chitons receive their oars from a quartermaster and prepare to board. No battle, no Roman bireme decorations, no Roman helmets, no modern pulleys or cranes. The naval organization is the focus: materials, paid labor and trained men. Kuromi and Jani clearly visible at near edge of slipway, observing, not in the military crew. Use the NEW canonical reference: Kuromi dark charcoal collar with ONLY four tiny pink balls, simple black oval eyes and exactly two short curved outer lashes, no broad pink fabric. Jani girl ragdoll natural four paws, asymmetric eye patches. Open bright harbor context.", "period": "Kr. e. 450 körül", "setting": "Peiraieusz, athéni hajótelep", "historicalDetails": [ "Partra húzott fa háromsorevezős", "Evezők átvétele és javítása", "Ácsszerszámok és hajótestdeszkák", "Egyszerű chitónos evezősök" ], "sourceBasis": [ { "book": "v1", "pdfPages": [ 242, 245 ], "chapter": "6.2 Ancient Greece" }, { "book": "v1", "pdfPages": [ 242, 244 ], "chapter": "6.2 Ancient Greece: The Persian Wars and Delian League" } ], "placement": { "area": "base", "sectionIndex": 3 }, "prompt": "Use case: historical-scene. Create ONE landscape 1536x1024 full-color hand-drawn educational narrative illustration, fine outlines, gentle painted shading, natural daylight and historically grounded materials. Entire image has coherent illustrated style. Reference image 1 is Jani identity only: a GIRL ragdoll kitten, fluffy cream-white body, blue eyes, pink nose, very fluffy dark-brown tail. Her FACE MUST BE ASYMMETRICAL: large dark brown patch around VIEWER LEFT eye, smaller lighter tan patch around VIEWER RIGHT eye, irregular white central blaze. Natural cat anatomy and paws, four legs, no human hands, no human costume, no bowtie. Reference image 2 is Kuromi identity only: recognizable canonical black two-point jester hood with pink skull, white body, dark charcoal jester collar with ONLY four tiny pink balls at its points, no wide pink band. Eyes are simple black oval/teardrop shapes with exactly two short curved outer lashes as canonical reference, no human irises, no thick straight eyebrows; do not repeat the reference book or magnifier. Both characters clearly visible as small present-day narrative observers within the scene, not replacing real historical people. Historical people have period correct everyday clothing and equipment, illustrated faces, not photorealistic. Wide single scene, no panels, no captions or labels, no numbers, no legible writing, no modern flags, no watermark. Avoid Hollywood, fantasy, game art, glamorous armor, dramatic backlight, explosions or generic battle panorama. Scene: Piraeus naval yard around 450 BCE, Athens. A grounded wooden trireme under repair on a low shore slipway fills the diagonal middle ground, its long slender hull and modest bronze bow ram visible, not a fantasy galley. Carpenters replace a plank using hand tools, other workers carry long oars. A group of ordinary poorer male citizen rowers in plain short chitons receive their oars from a quartermaster and prepare to board. No battle, no Roman bireme decorations, no Roman helmets, no modern pulleys or cranes. The naval organization is the focus: materials, paid labor and trained men. Kuromi and Jani clearly visible at near edge of slipway, observing, not in the military crew. Use the NEW canonical reference: Kuromi dark charcoal collar with ONLY four tiny pink balls, simple black oval eyes and exactly two short curved outer lashes, no broad pink fabric. Jani girl ragdoll natural four paws, asymmetric eye patches. Open bright harbor context.", "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [], "canonicalKuromi": true }, "width": 1536, "height": 1024, "src": "assets/lesson-scenes/w06-02b.webp", "sha256": "9af11395c04a56b6e212129fa929b810c122fd5a05cb11f21df8f2a69c96452a", "bytes": 476402, "thumbnailSrc": "assets/lesson-scenes/w06-02b-preview.webp", "thumbnailSha256": "e8980fb782aab4b1f40b4cd8fcfb91e097b55496261c90846587ce0c3c439646", "thumbnailBytes": 145086 }, { "unitId": "w06-02c", "title": "Attikai családok Athén falai között", "alt": "Kuromi és Jani komolyan figyeli a falak közé költözött családokat és a vizet osztó segítőket.", "caption": "A peloponnészoszi háború kezdetén sok attikai lakos Athén védett terébe húzódott. A zsúfoltság és a Kr. e. 430-ban kitört járvány megmutatta a falakra és tengeri ellátásra építő stratégia emberi terheit.", "scene": "Athens around 430 BCE at the beginning of the Peloponnesian War. Sober civilian scene INSIDE the long defensive walls: displaced Attic farming families shelter under modest cloth and reed awnings beside household bundles, baskets and a few animals. A woman quietly gives water from a clay jug to a tired seated older person; another parent comforts a child. Distant cramped houses and continuous plain stone wall show crowding caused by refuge from the countryside. Show concern and mutual care, no happy festival, no graphic illness, corpses, sores, supernatural plague, or invented doctor uniform. People in ordinary classical Greek wool chitons and himatia, no Roman togas or helmets. Kuromi and Jani at foreground right observe respectfully with serious expressions, not comic antics. Canonical Kuromi dark collar only tiny pink balls, solid oval eyes with two short outer lashes. Jani natural blue-eyed asymmetric girl ragdoll. Muted natural colors and ordinary daylight.", "period": "Kr. e. 430 körül", "setting": "Athén, a városfal belső oldala", "historicalDetails": [ "Vidékről behozott háztartási batyuk", "Ideiglenes vászon- és nádszállás", "Közös agyag vízedények", "Klasszikus kori hosszú kőfal" ], "sourceBasis": [ { "book": "v1", "pdfPages": [ 244, 246 ], "chapter": "6.2 Ancient Greece" }, { "book": "v1", "pdfPages": [ 245, 246 ], "chapter": "6.2 Ancient Greece: The Peloponnesian War" } ], "placement": { "area": "base", "sectionIndex": 0 }, "prompt": "Use case: historical-scene. Create ONE landscape 1536x1024 full-color hand-drawn educational narrative illustration, fine outlines, gentle painted shading, natural daylight and historically grounded materials. Entire image has coherent illustrated style. Reference image 1 is Jani identity only: a GIRL ragdoll kitten, fluffy cream-white body, blue eyes, pink nose, very fluffy dark-brown tail. Her FACE MUST BE ASYMMETRICAL: large dark brown patch around VIEWER LEFT eye, smaller lighter tan patch around VIEWER RIGHT eye, irregular white central blaze. Natural cat anatomy and paws, four legs, no human hands, no human costume, no bowtie. Reference image 2 is Kuromi identity only: recognizable canonical black two-point jester hood with pink skull, white body, dark charcoal jester collar with ONLY four tiny pink balls at its points, no wide pink band. Eyes are simple black oval/teardrop shapes with exactly two short curved outer lashes as canonical reference, no human irises, no thick straight eyebrows; do not repeat the reference book or magnifier. Both characters clearly visible as small present-day narrative observers within the scene, not replacing real historical people. Historical people have period correct everyday clothing and equipment, illustrated faces, not photorealistic. Wide single scene, no panels, no captions or labels, no numbers, no legible writing, no modern flags, no watermark. Avoid Hollywood, fantasy, game art, glamorous armor, dramatic backlight, explosions or generic battle panorama. Scene: Athens around 430 BCE at the beginning of the Peloponnesian War. Sober civilian scene INSIDE the long defensive walls: displaced Attic farming families shelter under modest cloth and reed awnings beside household bundles, baskets and a few animals. A woman quietly gives water from a clay jug to a tired seated older person; another parent comforts a child. Distant cramped houses and continuous plain stone wall show crowding caused by refuge from the countryside. Show concern and mutual care, no happy festival, no graphic illness, corpses, sores, supernatural plague, or invented doctor uniform. People in ordinary classical Greek wool chitons and himatia, no Roman togas or helmets. Kuromi and Jani at foreground right observe respectfully with serious expressions, not comic antics. Canonical Kuromi dark collar only tiny pink balls, solid oval eyes with two short outer lashes. Jani natural blue-eyed asymmetric girl ragdoll. Muted natural colors and ordinary daylight.", "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [], "canonicalKuromi": true }, "width": 1536, "height": 1024, "src": "assets/lesson-scenes/w06-02c.webp", "sha256": "da191e58681c9e31d31e9b7b4e3c97c5b0ce06cac919ad5301804ea68c444003", "bytes": 469752, "thumbnailSrc": "assets/lesson-scenes/w06-02c-preview.webp", "thumbnailSha256": "ac3b31e11eb267d1a709441b6e75bcc33d926e7c9c6ce40c8de128477419a8ce", "thumbnailBytes": 138134 }, { "unitId": "w06-03", "title": "Görög és egyiptomi tudás Alexandria műhelyében", "alt": "Kuromi és Jani Alexandriában figyeli a görög és egyiptomi írnokok és kézművesek közös papiruszmunkáját.", "caption": "A hellenisztikus Alexandriában a görög nyelv és helyi tudás új intézményi közegben találkozott. A kapcsolat közvetítést teremtett, miközben az uralkodói és társadalmi különbségek fennmaradtak.", "scene": "Alexandria in Ptolemaic Egypt, third century BCE. An active urban papyrus workshop courtyard, not a generic museum desk. Egyptian artisans trim and smooth papyrus sheets on low boards while a Greek-speaking scribe in a simple chiton and a local Egyptian scribe in linen compare two rolled documents with a bilingual assistant gesturing to a sheet. All writing surfaces angled away or blank at readable scale, NO invented legible scripts. A customer waits with a basket of rolled documents; in background a narrow street with modest mixed Greek colonnaded frontage and plastered Egyptian brick houses, no later Roman arch or huge library fantasy, no lighthouse dominating. Communicating knowledge depends on skilled local production and language mediation. Kuromi stands at side of courtyard, Jani sits facing three-quarter front on a low step. Canonical black hood and charcoal collar with four tiny pink balls, solid black eyes two curved outer lashes. One coherent scene in soft daylight.", "period": "Kr. e. 3. század", "setting": "Alexandria, hellenisztikus Egyiptom", "historicalDetails": [ "Papirusztekercsek és nádíróeszközök", "Görög chitón és egyiptomi vászonruhák", "Udvaros városi műhely", "Kisebb mészkő oszlop és festett vakolat" ], "sourceBasis": [ { "book": "v1", "pdfPages": [ 252, 259 ], "chapter": "6.3 The Hellenistic Era" }, { "book": "v1", "pdfPages": [ 253, 257 ], "chapter": "6.3 The Hellenistic Era: Alexander and the Successor Kingdoms" } ], "placement": { "area": "base", "sectionIndex": 3 }, "prompt": "Use case: historical-scene. Create ONE landscape 1536x1024 full-color hand-drawn educational narrative illustration, fine outlines, gentle painted shading, natural daylight and historically grounded materials. Entire image has coherent illustrated style. Reference image 1 is Jani identity only: a GIRL ragdoll kitten, fluffy cream-white body, blue eyes, pink nose, very fluffy dark-brown tail. Her FACE MUST BE ASYMMETRICAL: large dark brown patch around VIEWER LEFT eye, smaller lighter tan patch around VIEWER RIGHT eye, irregular white central blaze. Natural cat anatomy and paws, four legs, no human hands, no human costume, no bowtie. Reference image 2 is Kuromi identity only: recognizable canonical black two-point jester hood with pink skull, white body, dark charcoal jester collar with ONLY four tiny pink balls at its points, no wide pink band. Eyes are simple black oval/teardrop shapes with exactly two short curved outer lashes as canonical reference, no human irises, no thick straight eyebrows; do not repeat the reference book or magnifier. Both characters clearly visible as small present-day narrative observers within the scene, not replacing real historical people. Historical people have period correct everyday clothing and equipment, illustrated faces, not photorealistic. Wide single scene, no panels, no captions or labels, no numbers, no legible writing, no modern flags, no watermark. Avoid Hollywood, fantasy, game art, glamorous armor, dramatic backlight, explosions or generic battle panorama. Scene: Alexandria in Ptolemaic Egypt, third century BCE. An active urban papyrus workshop courtyard, not a generic museum desk. Egyptian artisans trim and smooth papyrus sheets on low boards while a Greek-speaking scribe in a simple chiton and a local Egyptian scribe in linen compare two rolled documents with a bilingual assistant gesturing to a sheet. All writing surfaces angled away or blank at readable scale, NO invented legible scripts. A customer waits with a basket of rolled documents; in background a narrow street with modest mixed Greek colonnaded frontage and plastered Egyptian brick houses, no later Roman arch or huge library fantasy, no lighthouse dominating. Communicating knowledge depends on skilled local production and language mediation. Kuromi stands at side of courtyard, Jani sits facing three-quarter front on a low step. Canonical black hood and charcoal collar with four tiny pink balls, solid black eyes two curved outer lashes. One coherent scene in soft daylight.", "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [], "canonicalKuromi": true }, "width": 1536, "height": 1024, "src": "assets/lesson-scenes/w06-03.webp", "sha256": "a13e2c4ba376701e51ec7f77475384198f51ba6cdefd0f4181230c757f9daaa7", "bytes": 480616, "thumbnailSrc": "assets/lesson-scenes/w06-03-preview.webp", "thumbnailSha256": "b5cfe4408ea7465dd29835217e3683f37d6f56b55cfae0a94575a88ce5b741be", "thumbnailBytes": 142640 }, { "unitId": "w06-04a", "title": "Itáliai szövetségesek érkeznek a római táborba", "alt": "Kuromi és Jani egy római tábor kapujánál figyeli a különböző itáliai közösségekből érkező katonákat és málháikat.", "caption": "Róma köztársasági haderejéhez itáliai szövetségesei is embereket és ellátást adtak. A Kr. e. 3. századi mozgósítás mögött eltérő jogállású közösségek kötelezettségei álltak.", "scene": "Italy late third century BCE during the Roman Republic. An organized muster outside a temporary Roman army camp with earthen rampart, ditch and wooden gateway. Allied Italian contingents in varied practical tunics and simple bronze Montefortino-type helmets arrive leading pack mules with grain sacks; a Roman officer in plain short tunic with a modest mail shirt receives a local contingent leader, no imperious heroic general. Soldiers carry Republican oval shields or early oval scuta, NOT rectangular imperial scuta, not lorica segmentata. A clerk records numbers on a small wax tablet without readable letters. Focus on allied manpower and supplies sustaining repeated mobilization. Kuromi and Jani observe from safe side of gate, no military costume or weapons. Canonical Kuromi dark charcoal collar four tiny pink balls and oval eyes with exactly two short curved outer lashes. Jani natural female ragdoll cat with asymmetric patches. Ordinary daylight, no combat or elephants.", "period": "Kr. e. 3. század vége", "setting": "Itáliai római mozgósító tábor", "historicalDetails": [ "Köztársasági ovális és korai pajzsok", "Montefortino jellegű bronzsisak", "Málhás öszvérek és zsákok", "Földsánc, árok és fakapu" ], "sourceBasis": [ { "book": "v1", "pdfPages": [ 259, 267 ], "chapter": "6.4 The Roman Republic" }, { "book": "v1", "pdfPages": [ 262, 265 ], "chapter": "6.4 The Roman Republic: Institutions and Expansion" } ], "placement": { "area": "base", "sectionIndex": 2 }, "prompt": "Use case: historical-scene. Create ONE landscape 1536x1024 full-color hand-drawn educational narrative illustration, fine outlines, gentle painted shading, natural daylight and historically grounded materials. Entire image has coherent illustrated style. Reference image 1 is Jani identity only: a GIRL ragdoll kitten, fluffy cream-white body, blue eyes, pink nose, very fluffy dark-brown tail. Her FACE MUST BE ASYMMETRICAL: large dark brown patch around VIEWER LEFT eye, smaller lighter tan patch around VIEWER RIGHT eye, irregular white central blaze. Natural cat anatomy and paws, four legs, no human hands, no human costume, no bowtie. Reference image 2 is Kuromi identity only: recognizable canonical black two-point jester hood with pink skull, white body, dark charcoal jester collar with ONLY four tiny pink balls at its points, no wide pink band. Eyes are simple black oval/teardrop shapes with exactly two short curved outer lashes as canonical reference, no human irises, no thick straight eyebrows; do not repeat the reference book or magnifier. Both characters clearly visible as small present-day narrative observers within the scene, not replacing real historical people. Historical people have period correct everyday clothing and equipment, illustrated faces, not photorealistic. Wide single scene, no panels, no captions or labels, no numbers, no legible writing, no modern flags, no watermark. Avoid Hollywood, fantasy, game art, glamorous armor, dramatic backlight, explosions or generic battle panorama. Scene: Italy late third century BCE during the Roman Republic. An organized muster outside a temporary Roman army camp with earthen rampart, ditch and wooden gateway. Allied Italian contingents in varied practical tunics and simple bronze Montefortino-type helmets arrive leading pack mules with grain sacks; a Roman officer in plain short tunic with a modest mail shirt receives a local contingent leader, no imperious heroic general. Soldiers carry Republican oval shields or early oval scuta, NOT rectangular imperial scuta, not lorica segmentata. A clerk records numbers on a small wax tablet without readable letters. Focus on allied manpower and supplies sustaining repeated mobilization. Kuromi and Jani observe from safe side of gate, no military costume or weapons. Canonical Kuromi dark charcoal collar four tiny pink balls and oval eyes with exactly two short curved outer lashes. Jani natural female ragdoll cat with asymmetric patches. Ordinary daylight, no combat or elephants.", "generation": { "tool": "image_gen", "mode": "built-in", "prompt": "Use case: historical-scene. Create ONE landscape 1536x1024 full-color hand-drawn educational narrative illustration, fine outlines, gentle painted shading, natural daylight and historically grounded materials. Entire image has coherent illustrated style. Reference image 1 is Jani identity only: a GIRL ragdoll kitten, fluffy cream-white body, blue eyes, pink nose, very fluffy dark-brown tail. Her FACE MUST BE ASYMMETRICAL: large dark brown patch around VIEWER LEFT eye, smaller lighter tan patch around VIEWER RIGHT eye, irregular white central blaze. Natural cat anatomy and paws, four legs, no human hands, no human costume, no bowtie. Reference image 2 is Kuromi identity only: recognizable canonical black two-point jester hood with pink skull, white body, dark charcoal jester collar with ONLY four tiny pink balls at its points, no wide pink band. Eyes are simple black oval/teardrop shapes with exactly two short curved outer lashes as canonical reference, no human irises, no thick straight eyebrows; do not repeat the reference book or magnifier. Both characters clearly visible as small present-day narrative observers within the scene, not replacing real historical people. Historical people have period correct everyday clothing and equipment, illustrated faces, not photorealistic. Wide single scene, no panels, no captions or labels, no numbers, no legible writing, no modern flags, no watermark. Avoid Hollywood, fantasy, game art, glamorous armor, dramatic backlight, explosions or generic battle panorama. Scene: Italy late third century BCE during the Roman Republic. An organized muster outside a temporary Roman army camp with earthen rampart, ditch and wooden gateway. Allied Italian contingents in varied practical tunics and simple bronze Montefortino-type helmets arrive leading pack mules with grain sacks; a Roman officer in plain short tunic with a modest mail shirt receives a local contingent leader, no imperious heroic general. Soldiers carry Republican oval shields or early oval scuta, NOT rectangular imperial scuta, not lorica segmentata. A clerk records numbers on a small wax tablet without readable letters. Focus on allied manpower and supplies sustaining repeated mobilization. Kuromi and Jani observe from safe side of gate, no military costume or weapons. Canonical Kuromi dark charcoal collar four tiny pink balls and oval eyes with exactly two short curved outer lashes. Jani natural female ragdoll cat with asymmetric patches. Ordinary daylight, no combat or elephants." }, "editHistory": [ { "tool": "image_gen", "purpose": "Kuromi pose and collar", "prompt": "Use case: identity-preserve. Image 1 is the existing finished historical narrative illustration and is the EDIT TARGET. Image 2 is the authoritative canonical Kuromi reference from the user. Image 3 is Jani character reference only. Make a SMALL LOCALIZED CORRECTION ONLY TO KUROMI. Preserve entire historical background, all human people, objects, lighting, framing, colors, and Jani exactly. Kuromi's jester collar must be dark charcoal/black like her hood; the only pink on collar is four tiny round pink balls at the pointed tips. REMOVE the broad pink collar fabric or border completely. Keep pink skull on black hood and pink nose. Her eyes must match canonical reference: simple solid black oval/teardrop eye shapes, without human irises/highlights, with exactly two short curved outer lashes per eye, no thick eyebrows or long straight human eyelashes. Preserve Kuromi's existing pose and serious/attentive expression while matching canonical proportions. Keep Jani unchanged: fluffy cream-white natural female ragdoll cat with blue eyes, large dark brown VIEWER-LEFT eye patch and smaller lighter VIEWER-RIGHT patch, natural four paws and fluffy dark brown tail. Do not change Jani or add costume. One scene, same landscape size, no new text or panels. Correct only Kuromi collar/eyes/lashes. Kuromi currently has an incorrect quadruped posture. Replace only Kuromi with a small upright two-legged canonical Kuromi, with two white arms and two white legs, canonical charcoal collar and four tiny pink balls. Keep her original size, place and the entire Roman camp and Jani unchanged." } ], "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [], "canonicalKuromi": true }, "width": 1536, "height": 1024, "src": "assets/lesson-scenes/w06-04a.webp", "sha256": "618119f75f913ec0207c4432a5c9c5dff6d09c24633bdbf37667c5e686142a50", "bytes": 413650, "thumbnailSrc": "assets/lesson-scenes/w06-04a-preview.webp", "thumbnailSha256": "a33810f8325e652290e8ffe4e852b993bfc244a445370ce8a3c2f8cc31f2acda", "thumbnailBytes": 140794 }, { "unitId": "w06-04b", "title": "Hazatérő katona a kisbirtok határán", "alt": "Kuromi és Jani egy itáliai gazdaság mellett figyeli a hazatérő katonát, családját és a földet felmérő birtokkezelőket.", "caption": "A Kr. e. 2. században a hosszú katonai távollét több itáliai kisgazdaságot meggyengített. A föld és a hadsereg társadalmi alapjának feszültsége a Gracchusok reformkísérleteinek egyik háttere lett.", "scene": "Rural Italy in the later second century BCE, a sober social scene at the boundary of a small family farm. A tired returning Republican citizen-soldier with worn tunic, a rolled cloak, simple bronze helmet carried in hand and oval shield set down greets his family beside their modest stone farmhouse. At a distance an estate agent and assistant measure land along a boundary stone with rope while large cultivated fields continue beyond. Show concern about the family's future and labor shortage, not an explicit violent eviction or celebratory homecoming. Olive trees, small grain plot, a wooden hoe and repaired household pottery. No lorica segmentata, rectangular imperial shields or medieval architecture. Kuromi and Jani quietly observe beside the low wall, serious expressions, Jani natural asymmetric blue-eyed girl cat. Canonical Kuromi dark charcoal four-tip collar, only four isolated tiny pink balls, upright small body two arms two legs. Natural daylight.", "period": "Kr. e. 2. század második fele", "setting": "Itáliai kisbirtok, Róma vidéke", "historicalDetails": [ "Egyszerű kőfalas parasztház", "Hazatérő köztársasági katona málhája", "Olajfák és kis gabonaföld", "Földmérő kötél és határkő" ], "sourceBasis": [ { "book": "v1", "pdfPages": [ 267, 270 ], "chapter": "6.4 The Roman Republic" }, { "book": "v1", "pdfPages": [ 268, 270 ], "chapter": "6.4 The Roman Republic: Reform, Client Armies and Sulla" } ], "placement": { "area": "base", "sectionIndex": 0 }, "prompt": "Use case: historical-scene. Create ONE landscape 1536x1024 full-color hand-drawn educational narrative illustration, fine outlines, gentle painted shading, natural daylight and historically grounded materials. Entire image has coherent illustrated style. Reference image 1 is Jani identity only: a GIRL ragdoll kitten, fluffy cream-white body, blue eyes, pink nose, very fluffy dark-brown tail. Her FACE MUST BE ASYMMETRICAL: large dark brown patch around VIEWER LEFT eye, smaller lighter tan patch around VIEWER RIGHT eye, irregular white central blaze. Natural cat anatomy and paws, four legs, no human hands, no human costume, no bowtie. Reference image 2 is Kuromi identity only: recognizable canonical black two-point jester hood with pink skull, white body, dark charcoal jester collar with ONLY four tiny pink balls at its points, no wide pink band. Eyes are simple black oval/teardrop shapes with exactly two short curved outer lashes as canonical reference, no human irises, no thick straight eyebrows; do not repeat the reference book or magnifier. Both characters clearly visible as small present-day narrative observers within the scene, not replacing real historical people. Historical people have period correct everyday clothing and equipment, illustrated faces, not photorealistic. Wide single scene, no panels, no captions or labels, no numbers, no legible writing, no modern flags, no watermark. Avoid Hollywood, fantasy, game art, glamorous armor, dramatic backlight, explosions or generic battle panorama. Scene: Rural Italy in the later second century BCE, a sober social scene at the boundary of a small family farm. A tired returning Republican citizen-soldier with worn tunic, a rolled cloak, simple bronze helmet carried in hand and oval shield set down greets his family beside their modest stone farmhouse. At a distance an estate agent and assistant measure land along a boundary stone with rope while large cultivated fields continue beyond. Show concern about the family's future and labor shortage, not an explicit violent eviction or celebratory homecoming. Olive trees, small grain plot, a wooden hoe and repaired household pottery. No lorica segmentata, rectangular imperial shields or medieval architecture. Kuromi and Jani quietly observe beside the low wall, serious expressions, Jani natural asymmetric blue-eyed girl cat. Canonical Kuromi dark charcoal four-tip collar, only four isolated tiny pink balls, upright small body two arms two legs. Natural daylight.", "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [], "canonicalKuromi": true }, "width": 1536, "height": 1024, "generation": { "tool": "image_gen", "mode": "built-in", "prompt": "Use case: historical-scene. Create ONE landscape 1536x1024 full-color hand-drawn educational narrative illustration, fine outlines, gentle painted shading, natural daylight and historically grounded materials. Entire image has coherent illustrated style. Reference image 1 is Jani identity only: a GIRL ragdoll kitten, fluffy cream-white body, blue eyes, pink nose, very fluffy dark-brown tail. Her FACE MUST BE ASYMMETRICAL: large dark brown patch around VIEWER LEFT eye, smaller lighter tan patch around VIEWER RIGHT eye, irregular white central blaze. Natural cat anatomy and paws, four legs, no human hands, no human costume, no bowtie. Reference image 2 is Kuromi identity only: recognizable canonical black two-point jester hood with pink skull, white body, dark charcoal jester collar with ONLY four tiny pink balls at its points, no wide pink band. Eyes are simple black oval/teardrop shapes with exactly two short curved outer lashes as canonical reference, no human irises, no thick straight eyebrows; do not repeat the reference book or magnifier. Both characters clearly visible as small present-day narrative observers within the scene, not replacing real historical people. Historical people have period correct everyday clothing and equipment, illustrated faces, not photorealistic. Wide single scene, no panels, no captions or labels, no numbers, no legible writing, no modern flags, no watermark. Avoid Hollywood, fantasy, game art, glamorous armor, dramatic backlight, explosions or generic battle panorama. Scene: Rural Italy in the later second century BCE, a sober social scene at the boundary of a small family farm. A tired returning Republican citizen-soldier with worn tunic, a rolled cloak, simple bronze helmet carried in hand and oval shield set down greets his family beside their modest stone farmhouse. At a distance an estate agent and assistant measure land along a boundary stone with rope while large cultivated fields continue beyond. Show concern about the family's future and labor shortage, not an explicit violent eviction or celebratory homecoming. Olive trees, small grain plot, a wooden hoe and repaired household pottery. No lorica segmentata, rectangular imperial shields or medieval architecture. Kuromi and Jani quietly observe beside the low wall, serious expressions, Jani natural asymmetric blue-eyed girl cat. Canonical Kuromi dark charcoal four-tip collar, only four isolated tiny pink balls, upright small body two arms two legs. Natural daylight." }, "editHistory": [ { "tool": "image_gen", "mode": "built-in", "purpose": "Remove medieval campanile", "prompt": "Image 1 is the finished historical illustration and edit target. Make ONE localized historical background correction ONLY. Remove EVERY tall square tower with a pitched roof or open belfry windows anywhere in the distant skyline, as these resemble medieval Italian campaniles. Replace each with LOW one- or two-storey ancient Roman buildings with simple terracotta pitched roofs and modest rectangular windows, at the same scale as adjoining roofs. The skyline must have NO bell tower, church, chimney or medieval turret. Keep all foreground human figures, their hands/tools/clothes, Kuromi, Jani, water, machinery, objects, lighting and composition exactly unchanged. Kuromi already has correct charcoal collar and eyes, do not change her or Jani. No new objects or text. Image 2 is only canonical Kuromi reference, image 3 is only Jani reference; preserve them in target." } ], "src": "assets/lesson-scenes/w06-04b.webp", "sha256": "7ec6e72ab5f26a589fbcdf1369319eeeb5ab102dd37c9200a0ea8ca7beaaefed", "bytes": 490782, "thumbnailSrc": "assets/lesson-scenes/w06-04b-preview.webp", "thumbnailSha256": "99e3a312e08074470b7832c614ecfa60e41b535dab5d04e72d304eb2dd3db85b", "thumbnailBytes": 155768 }, { "unitId": "w06-05", "title": "Augustus a fennmaradó szenátusi formák között", "alt": "Kuromi és Jani a szenátusi terem széléről figyeli a tógás felszólalót és a padokon ülő szenátorokat.", "caption": "Kr. e. 27 után a szenátus és több köztársasági tisztség tovább működött. Augustus tartós katonai és tartományi erőforrásai azonban egy személy köré rendezték a hatalom döntő részét.", "scene": "Rome just after 27 BCE, a restrained reconstruction of the Curia Julia senate interior. Broad rectangular high room with daylight from high windows and stepped benches along two long sides; senators in white togas with restrained purple stripes listen while Octavian Augustus, a young clean-shaven adult in plain formal toga, addresses them from the short end. No crown, no throne, no imperial military armor, no giant eagle banners, no modern parliamentary desks. Attendants keep wax tablets; one lictor waits outside the open far doorway but no threatening soldiers in chamber. Architecture practical and dignified with marble floor and pale plaster walls, not fantasy gilded palace. Kuromi and Jani small observers at near entrance, looking into institutional scene without acting as senators. Jani faces slightly front with distinct unequal eye patches. Canonical Kuromi charcoal collar exactly four tiny isolated pink balls, black oval eyes with two curved outer lashes. Explain continuity of public forms; no text or diagram.", "period": "Kr. e. 27 után", "setting": "Róma, a Curia Julia rekonstruált belső tere", "historicalDetails": [ "Fehér tóga bíborszegéllyel", "Oldalfalak mellett emelkedő ülőpadok", "Viaszos jegyzetelő tábla", "Márványpadló és egyszerű nagy téglalap alakú terem" ], "sourceBasis": [ { "book": "v1", "pdfPages": [ 270, 275 ], "chapter": "6.5 The Age of Augustus" }, { "book": "v1", "pdfPages": [ 271, 274 ], "chapter": "6.5 The Age of Augustus: Triumvirates and the Principate" } ], "placement": { "area": "base", "sectionIndex": 3 }, "prompt": "Use case: historical-scene. Create ONE landscape 1536x1024 full-color hand-drawn educational narrative illustration, fine outlines, gentle painted shading, natural daylight and historically grounded materials. Entire image has coherent illustrated style. Reference image 1 is Jani identity only: a GIRL ragdoll kitten, fluffy cream-white body, blue eyes, pink nose, very fluffy dark-brown tail. Her FACE MUST BE ASYMMETRICAL: large dark brown patch around VIEWER LEFT eye, smaller lighter tan patch around VIEWER RIGHT eye, irregular white central blaze. Natural cat anatomy and paws, four legs, no human hands, no human costume, no bowtie. Reference image 2 is Kuromi identity only: recognizable canonical black two-point jester hood with pink skull, white body, dark charcoal jester collar with ONLY four tiny pink balls at its points, no wide pink band. Eyes are simple black oval/teardrop shapes with exactly two short curved outer lashes as canonical reference, no human irises, no thick straight eyebrows; do not repeat the reference book or magnifier. Both characters clearly visible as small present-day narrative observers within the scene, not replacing real historical people. Historical people have period correct everyday clothing and equipment, illustrated faces, not photorealistic. Wide single scene, no panels, no captions or labels, no numbers, no legible writing, no modern flags, no watermark. Avoid Hollywood, fantasy, game art, glamorous armor, dramatic backlight, explosions or generic battle panorama. Scene: Rome just after 27 BCE, a restrained reconstruction of the Curia Julia senate interior. Broad rectangular high room with daylight from high windows and stepped benches along two long sides; senators in white togas with restrained purple stripes listen while Octavian Augustus, a young clean-shaven adult in plain formal toga, addresses them from the short end. No crown, no throne, no imperial military armor, no giant eagle banners, no modern parliamentary desks. Attendants keep wax tablets; one lictor waits outside the open far doorway but no threatening soldiers in chamber. Architecture practical and dignified with marble floor and pale plaster walls, not fantasy gilded palace. Kuromi and Jani small observers at near entrance, looking into institutional scene without acting as senators. Jani faces slightly front with distinct unequal eye patches. Canonical Kuromi charcoal collar exactly four tiny isolated pink balls, black oval eyes with two curved outer lashes. Explain continuity of public forms; no text or diagram.", "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [], "canonicalKuromi": true }, "width": 1536, "height": 1024, "src": "assets/lesson-scenes/w06-05.webp", "sha256": "073a673a2f10abf21af3fc3a90838db2137cfddcbedcb0f9d5db8ed98e052822", "bytes": 290910, "thumbnailSrc": "assets/lesson-scenes/w06-05-preview.webp", "thumbnailSha256": "a0159bb4dca67fab27354658287de7d7389d8a791817690767f44e5b895e12a8", "thumbnailBytes": 86762 }, { "unitId": "w07-01", "title": "Reggeli fogadás a pompeji atriumban", "alt": "Kuromi és Jani egy pompeji ház atriumában figyeli a patrónushoz érkező klienseket és a háztartás dolgozóit.", "caption": "A Kr. u. 1. századi domus nemcsak családi lakóhely volt. Az atrium fogadást, munkát és a társadalmi rang bemutatását szervezte, miközben a háztartásban eltérő jogállású emberek éltek.", "scene": "Pompeii around AD 50, morning in the atrium of a prosperous Roman domus. View from entrance through a modest rectangular roof opening down to an impluvium rainwater basin. A householder in a restrained toga receives a short line of male clients; a female household member discusses supplies with an attendant while another worker carries a water vessel and a youth practices on a wax tablet at the side. Make the spatial organization show reception, household work and status in a single scene. Painted red and ochre plaster panels, small mosaic floor motifs, sightline to a leafy peristyle. No eruption, no medieval furniture, no palace throne, no labels. Kuromi and Jani observe beside the basin at safe distance, canonical dark charcoal collar with four tiny pink balls, black oval eyes two short outer lashes; Jani natural female cat with asymmetric eye patches and no clothing. Comfortable but not idealizing the inequality of a large household.", "period": "Kr. u. 1. század közepe", "setting": "Pompeji, előkelő domus atriuma", "historicalDetails": [ "Nyitott tető alatti impluvium", "Festett vakolatfal és mozaikpadló", "Tógás kliensek sora", "Háztartási vízhordás és iratrendezés" ], "sourceBasis": [ { "book": "v1", "pdfPages": [ 284, 290 ], "chapter": "7.1 The Daily Life of a Roman Family" }, { "book": "v1", "pdfPages": [ 286, 289 ], "chapter": "7.1 The Daily Life of a Roman Family: House Plans and Augustus’s Family Laws" } ], "placement": { "area": "base", "sectionIndex": 2 }, "prompt": "Use case: historical-scene. Create ONE landscape 1536x1024 full-color hand-drawn educational narrative illustration, fine outlines, gentle painted shading, natural daylight and historically grounded materials. Entire image has coherent illustrated style. Reference image 1 is Jani identity only: a GIRL ragdoll kitten, fluffy cream-white body, blue eyes, pink nose, very fluffy dark-brown tail. Her FACE MUST BE ASYMMETRICAL: large dark brown patch around VIEWER LEFT eye, smaller lighter tan patch around VIEWER RIGHT eye, irregular white central blaze. Natural cat anatomy and paws, four legs, no human hands, no human costume, no bowtie. Reference image 2 is Kuromi identity only: recognizable canonical black two-point jester hood with pink skull, white body, dark charcoal jester collar with ONLY four tiny pink balls at its points, no wide pink band. Eyes are simple black oval/teardrop shapes with exactly two short curved outer lashes as canonical reference, no human irises, no thick straight eyebrows; do not repeat the reference book or magnifier. Both characters clearly visible as small present-day narrative observers within the scene, not replacing real historical people. Historical people have period correct everyday clothing and equipment, illustrated faces, not photorealistic. Wide single scene, no panels, no captions or labels, no numbers, no legible writing, no modern flags, no watermark. Avoid Hollywood, fantasy, game art, glamorous armor, dramatic backlight, explosions or generic battle panorama. Scene: Pompeii around AD 50, morning in the atrium of a prosperous Roman domus. View from entrance through a modest rectangular roof opening down to an impluvium rainwater basin. A householder in a restrained toga receives a short line of male clients; a female household member discusses supplies with an attendant while another worker carries a water vessel and a youth practices on a wax tablet at the side. Make the spatial organization show reception, household work and status in a single scene. Painted red and ochre plaster panels, small mosaic floor motifs, sightline to a leafy peristyle. No eruption, no medieval furniture, no palace throne, no labels. Kuromi and Jani observe beside the basin at safe distance, canonical dark charcoal collar with four tiny pink balls, black oval eyes two short outer lashes; Jani natural female cat with asymmetric eye patches and no clothing. Comfortable but not idealizing the inequality of a large household.", "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [], "canonicalKuromi": true }, "width": 1536, "height": 1024, "src": "assets/lesson-scenes/w07-01.webp", "sha256": "e44efc0c2abfe24444fb8c5a36795302617f2eccc923d98b6c3b43530c8d07db", "bytes": 440884, "thumbnailSrc": "assets/lesson-scenes/w07-01-preview.webp", "thumbnailSha256": "e54b47a70fe6bc41217656994c6074d5b3d95c275935f81486e38b95d4d4c7aa", "thumbnailBytes": 130346 }, { "unitId": "w07-02", "title": "Rabszolgasorban végzett munka a római olajmalomnál", "alt": "Kuromi és Jani komolyan figyeli a római birtokon olívát őrlő embereket és az intézőt.", "caption": "A római rabszolgasorban élő emberek munkája a gazdaság sokféle területén jelen volt. A szaktudás és a termelőtevékenység nem adott önállóságot a tulajdonosi rendelkezéssel szemben.", "scene": "An Italian Roman agricultural estate in the first century AD, a sober respectful work scene in an olive-processing courtyard. Several enslaved adult workers operate a large traditional wooden beam olive press and carry baskets of olives to a stone crushing basin while an overseer in a cleaner tunic directs the pace from nearby. Workers in worn simple tunics show fatigue and concentration; no cheerful holiday, no heroic gladiators, chains spectacle, beating or gore. Jars and amphorae receive oil, stone paving and roofed processing shed, no modern screw machinery or barrels. Make hierarchy visible through body position, dress and supervision without invented slave badges or labels. Kuromi and Jani watch with serious concerned faces from foreground left, observers not owners or laborers. Canonical Kuromi upright two-legged body, dark charcoal collar with EXACTLY four isolated tiny pink balls and black oval eyes two curved outer lashes. Jani asymmetric blue-eyed natural girl ragdoll. Ordinary daylight, no text.", "period": "Kr. u. 1. század", "setting": "Itáliai mezőgazdasági birtok olajfeldolgozó udvara", "historicalDetails": [ "Kő őrlőmedence és kézi hajtórúd", "Olajgyűjtő csatorna", "Olívás kosarak és amphorák", "Intézői munkafelügyelet" ], "sourceBasis": [ { "book": "v1", "pdfPages": [ 290, 295 ], "chapter": "7.2 Slavery in the Roman Empire" }, { "book": "v1", "pdfPages": [ 291, 295 ], "chapter": "7.2 Slavery in the Roman Empire: Novels and Gladiators" } ], "placement": { "area": "base", "sectionIndex": 1 }, "prompt": "Use case: historical-scene. Create ONE landscape 1536x1024 full-color hand-drawn educational narrative illustration, fine outlines, gentle painted shading, natural daylight and historically grounded materials. Entire image has coherent illustrated style. Reference image 1 is Jani identity only: a GIRL ragdoll kitten, fluffy cream-white body, blue eyes, pink nose, very fluffy dark-brown tail. Her FACE MUST BE ASYMMETRICAL: large dark brown patch around VIEWER LEFT eye, smaller lighter tan patch around VIEWER RIGHT eye, irregular white central blaze. Natural cat anatomy and paws, four legs, no human hands, no human costume, no bowtie. Reference image 2 is Kuromi identity only: recognizable canonical black two-point jester hood with pink skull, white body, dark charcoal jester collar with ONLY four tiny pink balls at its points, no wide pink band. Eyes are simple black oval/teardrop shapes with exactly two short curved outer lashes as canonical reference, no human irises, no thick straight eyebrows; do not repeat the reference book or magnifier. Both characters clearly visible as small present-day narrative observers within the scene, not replacing real historical people. Historical people have period correct everyday clothing and equipment, illustrated faces, not photorealistic. Wide single scene, no panels, no captions or labels, no numbers, no legible writing, no modern flags, no watermark. Avoid Hollywood, fantasy, game art, glamorous armor, dramatic backlight, explosions or generic battle panorama. Scene: An Italian Roman agricultural estate in the first century AD, a sober respectful work scene in an olive-processing courtyard. Several enslaved adult workers operate a large traditional wooden beam olive press and carry baskets of olives to a stone crushing basin while an overseer in a cleaner tunic directs the pace from nearby. Workers in worn simple tunics show fatigue and concentration; no cheerful holiday, no heroic gladiators, chains spectacle, beating or gore. Jars and amphorae receive oil, stone paving and roofed processing shed, no modern screw machinery or barrels. Make hierarchy visible through body position, dress and supervision without invented slave badges or labels. Kuromi and Jani watch with serious concerned faces from foreground left, observers not owners or laborers. Canonical Kuromi upright two-legged body, dark charcoal collar with EXACTLY four isolated tiny pink balls and black oval eyes two curved outer lashes. Jani asymmetric blue-eyed natural girl ragdoll. Ordinary daylight, no text.", "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [], "canonicalKuromi": true }, "width": 1536, "height": 1024, "generation": { "tool": "image_gen", "mode": "built-in", "prompt": "Use case: historical-scene. Create ONE landscape 1536x1024 full-color hand-drawn educational narrative illustration, fine outlines, gentle painted shading, natural daylight and historically grounded materials. Entire image has coherent illustrated style. Reference image 1 is Jani identity only: a GIRL ragdoll kitten, fluffy cream-white body, blue eyes, pink nose, very fluffy dark-brown tail. Her FACE MUST BE ASYMMETRICAL: large dark brown patch around VIEWER LEFT eye, smaller lighter tan patch around VIEWER RIGHT eye, irregular white central blaze. Natural cat anatomy and paws, four legs, no human hands, no human costume, no bowtie. Reference image 2 is Kuromi identity only: recognizable canonical black two-point jester hood with pink skull, white body, dark charcoal jester collar with ONLY four tiny pink balls at its points, no wide pink band. Eyes are simple black oval/teardrop shapes with exactly two short curved outer lashes as canonical reference, no human irises, no thick straight eyebrows; do not repeat the reference book or magnifier. Both characters clearly visible as small present-day narrative observers within the scene, not replacing real historical people. Historical people have period correct everyday clothing and equipment, illustrated faces, not photorealistic. Wide single scene, no panels, no captions or labels, no numbers, no legible writing, no modern flags, no watermark. Avoid Hollywood, fantasy, game art, glamorous armor, dramatic backlight, explosions or generic battle panorama. Scene: An Italian Roman agricultural estate in the first century AD, a sober respectful work scene in an olive-processing courtyard. Several enslaved adult workers operate a large traditional wooden beam olive press and carry baskets of olives to a stone crushing basin while an overseer in a cleaner tunic directs the pace from nearby. Workers in worn simple tunics show fatigue and concentration; no cheerful holiday, no heroic gladiators, chains spectacle, beating or gore. Jars and amphorae receive oil, stone paving and roofed processing shed, no modern screw machinery or barrels. Make hierarchy visible through body position, dress and supervision without invented slave badges or labels. Kuromi and Jani watch with serious concerned faces from foreground left, observers not owners or laborers. Canonical Kuromi upright two-legged body, dark charcoal collar with EXACTLY four isolated tiny pink balls and black oval eyes two curved outer lashes. Jani asymmetric blue-eyed natural girl ragdoll. Ordinary daylight, no text." }, "editHistory": [ { "tool": "image_gen", "mode": "built-in", "purpose": "Remove medieval campanile", "prompt": "Image 1 is the finished historical illustration and edit target. Make ONE localized historical background correction ONLY. Remove EVERY tall square tower with a pitched roof or open belfry windows anywhere in the distant skyline, as these resemble medieval Italian campaniles. Replace each with LOW one- or two-storey ancient Roman buildings with simple terracotta pitched roofs and modest rectangular windows, at the same scale as adjoining roofs. The skyline must have NO bell tower, church, chimney or medieval turret. Keep all foreground human figures, their hands/tools/clothes, Kuromi, Jani, water, machinery, objects, lighting and composition exactly unchanged. Kuromi already has correct charcoal collar and eyes, do not change her or Jani. No new objects or text. Image 2 is only canonical Kuromi reference, image 3 is only Jani reference; preserve them in target." } ], "src": "assets/lesson-scenes/w07-02.webp", "sha256": "836356dcc23821491e8c2d1a2c08f6f016e3f29c72b2678fd2151448b312044e", "bytes": 527348, "thumbnailSrc": "assets/lesson-scenes/w07-02-preview.webp", "thumbnailSha256": "7c82c50d26dc21d4c9b631ac98a493bb52f7851c959be42d1394b817cba3c400", "thumbnailBytes": 162874 }, { "unitId": "w07-03", "title": "A római gabona útja Ostia raktáraiba", "alt": "Kuromi és Jani Ostia rakpartján figyeli a gabonazsákokat, a mérőedényt és a folyami továbbítást.", "caption": "A Kr. u. 2. században Róma ellátásához kikötői rakodás, raktárak és Tiberisen végzett továbbítás is kellett. Az annona politikai ígéretét sok különböző ember munkája és a távoli termelők szolgáltatásai tették működőképessé.", "scene": "Ostia on the Tiber in the second century AD, an active grain landing beside brick horrea warehouses. In a diagonal composition workers carry grain sacks along a short wooden gangplank from a low river barge, another worker fills a pottery measure and an official checks the received load without legible text. A second small river boat prepared to continue upriver conveys the supply chain, not a giant imperial warship. Rough brick warehouse arches, stacked sacks, mooring ropes, amphorae at side but GRAIN is focus. Roman laborers in practical short tunics, official in plain longer tunic, no everyone wearing togas, no modern cargo crane, pallet, machinery or barrel containers. Kuromi and Jani at foreground right observe sack-to-store movement. Canonical Kuromi dark collar exactly four tiny pink balls, black oval eyes two curved outer lashes and upright two-legged body; Jani natural asymmetric girl ragdoll. Daylight and earthy harbor colors.", "period": "Kr. u. 2. század", "setting": "Ostia, Tiberis-parti gabonaraktárak", "historicalDetails": [ "Gabonazsákok kézi rakodása", "Folyami szállítóhajó", "Téglafalú horreum raktár", "Gabona kimérése edénnyel" ], "sourceBasis": [ { "book": "v1", "pdfPages": [ 296, 299 ], "chapter": "7.3 The Roman Economy: Trade, Taxes, and Conquest" }, { "book": "v1", "pdfPages": [ 297, 299 ], "chapter": "7.3 The Roman Economy: Trade, Taxes, and Conquest" } ], "placement": { "area": "base", "sectionIndex": 2 }, "prompt": "Use case: historical-scene. Create ONE landscape 1536x1024 full-color hand-drawn educational narrative illustration, fine outlines, gentle painted shading, natural daylight and historically grounded materials. Entire image has coherent illustrated style. Reference image 1 is Jani identity only: a GIRL ragdoll kitten, fluffy cream-white body, blue eyes, pink nose, very fluffy dark-brown tail. Her FACE MUST BE ASYMMETRICAL: large dark brown patch around VIEWER LEFT eye, smaller lighter tan patch around VIEWER RIGHT eye, irregular white central blaze. Natural cat anatomy and paws, four legs, no human hands, no human costume, no bowtie. Reference image 2 is Kuromi identity only: recognizable canonical black two-point jester hood with pink skull, white body, dark charcoal jester collar with ONLY four tiny pink balls at its points, no wide pink band. Eyes are simple black oval/teardrop shapes with exactly two short curved outer lashes as canonical reference, no human irises, no thick straight eyebrows; do not repeat the reference book or magnifier. Both characters clearly visible as small present-day narrative observers within the scene, not replacing real historical people. Historical people have period correct everyday clothing and equipment, illustrated faces, not photorealistic. Wide single scene, no panels, no captions or labels, no numbers, no legible writing, no modern flags, no watermark. Avoid Hollywood, fantasy, game art, glamorous armor, dramatic backlight, explosions or generic battle panorama. Scene: Ostia on the Tiber in the second century AD, an active grain landing beside brick horrea warehouses. In a diagonal composition workers carry grain sacks along a short wooden gangplank from a low river barge, another worker fills a pottery measure and an official checks the received load without legible text. A second small river boat prepared to continue upriver conveys the supply chain, not a giant imperial warship. Rough brick warehouse arches, stacked sacks, mooring ropes, amphorae at side but GRAIN is focus. Roman laborers in practical short tunics, official in plain longer tunic, no everyone wearing togas, no modern cargo crane, pallet, machinery or barrel containers. Kuromi and Jani at foreground right observe sack-to-store movement. Canonical Kuromi dark collar exactly four tiny pink balls, black oval eyes two curved outer lashes and upright two-legged body; Jani natural asymmetric girl ragdoll. Daylight and earthy harbor colors.", "generation": { "tool": "image_gen", "mode": "built-in", "prompt": "Use case: historical-scene. Create ONE landscape 1536x1024 full-color hand-drawn educational narrative illustration, fine outlines, gentle painted shading, natural daylight and historically grounded materials. Entire image has coherent illustrated style. Reference image 1 is Jani identity only: a GIRL ragdoll kitten, fluffy cream-white body, blue eyes, pink nose, very fluffy dark-brown tail. Her FACE MUST BE ASYMMETRICAL: large dark brown patch around VIEWER LEFT eye, smaller lighter tan patch around VIEWER RIGHT eye, irregular white central blaze. Natural cat anatomy and paws, four legs, no human hands, no human costume, no bowtie. Reference image 2 is Kuromi identity only: recognizable canonical black two-point jester hood with pink skull, white body, dark charcoal jester collar with ONLY four tiny pink balls at its points, no wide pink band. Eyes are simple black oval/teardrop shapes with exactly two short curved outer lashes as canonical reference, no human irises, no thick straight eyebrows; do not repeat the reference book or magnifier. Both characters clearly visible as small present-day narrative observers within the scene, not replacing real historical people. Historical people have period correct everyday clothing and equipment, illustrated faces, not photorealistic. Wide single scene, no panels, no captions or labels, no numbers, no legible writing, no modern flags, no watermark. Avoid Hollywood, fantasy, game art, glamorous armor, dramatic backlight, explosions or generic battle panorama. Scene: Ostia on the Tiber in the second century AD, an active grain landing beside brick horrea warehouses. In a diagonal composition workers carry grain sacks along a short wooden gangplank from a low river barge, another worker fills a pottery measure and an official checks the received load without legible text. A second small river boat prepared to continue upriver conveys the supply chain, not a giant imperial warship. Rough brick warehouse arches, stacked sacks, mooring ropes, amphorae at side but GRAIN is focus. Roman laborers in practical short tunics, official in plain longer tunic, no everyone wearing togas, no modern cargo crane, pallet, machinery or barrel containers. Kuromi and Jani at foreground right observe sack-to-store movement. Canonical Kuromi dark collar exactly four tiny pink balls, black oval eyes two curved outer lashes and upright two-legged body; Jani natural asymmetric girl ragdoll. Daylight and earthy harbor colors." }, "editHistory": [ { "tool": "image_gen", "mode": "built-in", "purpose": "Remove medieval campanile", "prompt": "Image 1 is the finished historical illustration and edit target. Make ONE localized historical background correction ONLY. Remove EVERY tall square tower with a pitched roof or open belfry windows anywhere in the distant skyline, as these resemble medieval Italian campaniles. Replace each with LOW one- or two-storey ancient Roman buildings with simple terracotta pitched roofs and modest rectangular windows, at the same scale as adjoining roofs. The skyline must have NO bell tower, church, chimney or medieval turret. Keep all foreground human figures, their hands/tools/clothes, Kuromi, Jani, water, machinery, objects, lighting and composition exactly unchanged. Kuromi already has correct charcoal collar and eyes, do not change her or Jani. No new objects or text. Image 2 is only canonical Kuromi reference, image 3 is only Jani reference; preserve them in target." } ], "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [], "canonicalKuromi": true }, "width": 1536, "height": 1024, "src": "assets/lesson-scenes/w07-03.webp", "sha256": "e5d5caa20b53510efb7685919bfbf63e5597d724c4eaf972b4fa2f719858b9af", "bytes": 462460, "thumbnailSrc": "assets/lesson-scenes/w07-03-preview.webp", "thumbnailSha256": "db6e3901f148693a4963e1d19c3e7000f3e52788a1c8553bddf9aa1cf266ea97", "thumbnailBytes": 146502 }, { "unitId": "w07-04", "title": "Áldozati követelmény és lelkiismereti döntés", "alt": "Kuromi és Jani komolyan figyeli az áldozati edény mellett álló tisztviselőt és a felajánlástól tartózkodó városi lakost.", "caption": "Decius Kr. u. 250 körüli áldozati követelménye a közösségi rend biztosítását célozta a római hatóság szemében. Egy keresztény hívő számára ugyanaz a részvétel hitbeli kötelezettséggel ütközhetett.", "scene": "A provincial Roman town around AD 250 under Decius. A serious quiet scene at an open portico: a civic official indicates a small incense brazier and offers a little dish of incense to an ordinary Christian woman in modest tunic and mantle, who keeps her hands close and respectfully declines. An anxious family member stands beside her; other residents wait in a short line, a clerk holds a wax tablet with no readable text. No beating, arrest spectacle, crucifixion, lions, gore, halo, giant cross, church building or medieval priest costume. Show competing duties and authority through restrained gestures. Small stone altar with faint incense smoke, pale columns and urban street establish civic setting. Kuromi and Jani at the edge observe solemnly, not joking. Canonical Kuromi charcoal collar exactly four isolated pink balls, black oval eyes two short curved outer lashes, upright two arms two legs. Jani asymmetric blue-eyed natural female cat with no clothing. Neutral daylight.", "period": "Kr. u. 250 körül", "setting": "Római tartományi város köztere", "historicalDetails": [ "Kis füstölőoltár", "Tömjént kínáló edény", "Viasztábla a tisztviselőnél", "Egyszerű római oszlopcsarnok" ], "sourceBasis": [ { "book": "v1", "pdfPages": [ 299, 306 ], "chapter": "7.4 Religion in the Roman Empire" }, { "book": "v1", "pdfPages": [ 300, 306 ], "chapter": "7.4 Religion in the Roman Empire: Isis and Perpetua" } ], "placement": { "area": "base", "sectionIndex": 3 }, "prompt": "Use case: historical-scene. Create ONE landscape 1536x1024 full-color hand-drawn educational narrative illustration, fine outlines, gentle painted shading, natural daylight and historically grounded materials. Entire image has coherent illustrated style. Reference image 1 is Jani identity only: a GIRL ragdoll kitten, fluffy cream-white body, blue eyes, pink nose, very fluffy dark-brown tail. Her FACE MUST BE ASYMMETRICAL: large dark brown patch around VIEWER LEFT eye, smaller lighter tan patch around VIEWER RIGHT eye, irregular white central blaze. Natural cat anatomy and paws, four legs, no human hands, no human costume, no bowtie. Reference image 2 is Kuromi identity only: recognizable canonical black two-point jester hood with pink skull, white body, dark charcoal jester collar with ONLY four tiny pink balls at its points, no wide pink band. Eyes are simple black oval/teardrop shapes with exactly two short curved outer lashes as canonical reference, no human irises, no thick straight eyebrows; do not repeat the reference book or magnifier. Both characters clearly visible as small present-day narrative observers within the scene, not replacing real historical people. Historical people have period correct everyday clothing and equipment, illustrated faces, not photorealistic. Wide single scene, no panels, no captions or labels, no numbers, no legible writing, no modern flags, no watermark. Avoid Hollywood, fantasy, game art, glamorous armor, dramatic backlight, explosions or generic battle panorama. Scene: A provincial Roman town around AD 250 under Decius. A serious quiet scene at an open portico: a civic official indicates a small incense brazier and offers a little dish of incense to an ordinary Christian woman in modest tunic and mantle, who keeps her hands close and respectfully declines. An anxious family member stands beside her; other residents wait in a short line, a clerk holds a wax tablet with no readable text. No beating, arrest spectacle, crucifixion, lions, gore, halo, giant cross, church building or medieval priest costume. Show competing duties and authority through restrained gestures. Small stone altar with faint incense smoke, pale columns and urban street establish civic setting. Kuromi and Jani at the edge observe solemnly, not joking. Canonical Kuromi charcoal collar exactly four isolated pink balls, black oval eyes two short curved outer lashes, upright two arms two legs. Jani asymmetric blue-eyed natural female cat with no clothing. Neutral daylight.", "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [], "canonicalKuromi": true }, "width": 1536, "height": 1024, "src": "assets/lesson-scenes/w07-04.webp", "sha256": "0c2c5a960f57d20efe73c2483e5d6fdd7df1a6f3272393d814a65fb8a8980220", "bytes": 300318, "thumbnailSrc": "assets/lesson-scenes/w07-04-preview.webp", "thumbnailSha256": "0bc951f6614850a4d81276e74e94b3bea3343e2c551ae3e85da289ba3cc8892e", "thumbnailBytes": 97684 }, { "unitId": "w07-05", "title": "Helyi közvetítők egy galliai középítkezésen", "alt": "Kuromi és Jani egy galliai városban figyeli a római tisztviselő, a helyi előkelő és a dolgozó kőfaragók találkozását.", "caption": "A Kr. u. 1–2. századi tartományi városokat helyi szereplők is működtették. A római intézmények és középítkezések kapcsolati lehetőséget adtak, miközben a helyi hagyományok és társadalmi különbségek fennmaradtak.", "scene": "A town in Roman Gaul early second century AD. In a sunlit public-building construction yard, a local Gallic notable in a wool cloak fastened with a brooch discusses a limestone column block with a Roman civic official in a restrained toga and a master stonecutter in a plain tunic. Other artisans use chisels and wooden mallets, one apprentice moves a basket of stone chips. Background juxtaposes a partly finished modest classical portico with local pitched-roof timber-and-plaster houses. No battlefield, barbarian caricature, modern French flags, medieval cathedral or triumphal parade. Show local intermediaries actively organizing civic work, not passively imitating Romans. Kuromi and Jani beside the workyard boundary observe, canonical dark charcoal collar with four tiny pink balls, black oval eyes two outer lashes, upright white body two arms and legs; Jani natural asymmetric girl ragdoll. Clay pots, stone and wood details grounded, no text or invented emperor portrait.", "period": "Kr. u. 2. század eleje", "setting": "Római Gallia, városi építkezés", "historicalDetails": [ "Mészkőből faragott középületi oszlop", "Helyi köpenyek és római tóga együtt", "Kőfaragó véső és fakalapács", "Burkolt út, helyi nyeregtetős házak" ], "sourceBasis": [ { "book": "v1", "pdfPages": [ 306, 312 ], "chapter": "7.5 The Regions of Rome" }, { "book": "v1", "pdfPages": [ 307, 308 ], "chapter": "7.5 The Regions of Rome: Regional Cultures" }, { "book": "v1", "pdfPages": [ 311, 312 ], "chapter": "7.5 The Regions of Rome: Jewish Communities and Roman Authors" } ], "placement": { "area": "base", "sectionIndex": 0 }, "prompt": "Use case: historical-scene. Create ONE landscape 1536x1024 full-color hand-drawn educational narrative illustration, fine outlines, gentle painted shading, natural daylight and historically grounded materials. Entire image has coherent illustrated style. Reference image 1 is Jani identity only: a GIRL ragdoll kitten, fluffy cream-white body, blue eyes, pink nose, very fluffy dark-brown tail. Her FACE MUST BE ASYMMETRICAL: large dark brown patch around VIEWER LEFT eye, smaller lighter tan patch around VIEWER RIGHT eye, irregular white central blaze. Natural cat anatomy and paws, four legs, no human hands, no human costume, no bowtie. Reference image 2 is Kuromi identity only: recognizable canonical black two-point jester hood with pink skull, white body, dark charcoal jester collar with ONLY four tiny pink balls at its points, no wide pink band. Eyes are simple black oval/teardrop shapes with exactly two short curved outer lashes as canonical reference, no human irises, no thick straight eyebrows; do not repeat the reference book or magnifier. Both characters clearly visible as small present-day narrative observers within the scene, not replacing real historical people. Historical people have period correct everyday clothing and equipment, illustrated faces, not photorealistic. Wide single scene, no panels, no captions or labels, no numbers, no legible writing, no modern flags, no watermark. Avoid Hollywood, fantasy, game art, glamorous armor, dramatic backlight, explosions or generic battle panorama. Scene: A town in Roman Gaul early second century AD. In a sunlit public-building construction yard, a local Gallic notable in a wool cloak fastened with a brooch discusses a limestone column block with a Roman civic official in a restrained toga and a master stonecutter in a plain tunic. Other artisans use chisels and wooden mallets, one apprentice moves a basket of stone chips. Background juxtaposes a partly finished modest classical portico with local pitched-roof timber-and-plaster houses. No battlefield, barbarian caricature, modern French flags, medieval cathedral or triumphal parade. Show local intermediaries actively organizing civic work, not passively imitating Romans. Kuromi and Jani beside the workyard boundary observe, canonical dark charcoal collar with four tiny pink balls, black oval eyes two outer lashes, upright white body two arms and legs; Jani natural asymmetric girl ragdoll. Clay pots, stone and wood details grounded, no text or invented emperor portrait.", "generation": { "tool": "image_gen", "mode": "built-in", "prompt": "Use case: historical-scene. Create ONE landscape 1536x1024 full-color hand-drawn educational narrative illustration, fine outlines, gentle painted shading, natural daylight and historically grounded materials. Entire image has coherent illustrated style. Reference image 1 is Jani identity only: a GIRL ragdoll kitten, fluffy cream-white body, blue eyes, pink nose, very fluffy dark-brown tail. Her FACE MUST BE ASYMMETRICAL: large dark brown patch around VIEWER LEFT eye, smaller lighter tan patch around VIEWER RIGHT eye, irregular white central blaze. Natural cat anatomy and paws, four legs, no human hands, no human costume, no bowtie. Reference image 2 is Kuromi identity only: recognizable canonical black two-point jester hood with pink skull, white body, dark charcoal jester collar with ONLY four tiny pink balls at its points, no wide pink band. Eyes are simple black oval/teardrop shapes with exactly two short curved outer lashes as canonical reference, no human irises, no thick straight eyebrows; do not repeat the reference book or magnifier. Both characters clearly visible as small present-day narrative observers within the scene, not replacing real historical people. Historical people have period correct everyday clothing and equipment, illustrated faces, not photorealistic. Wide single scene, no panels, no captions or labels, no numbers, no legible writing, no modern flags, no watermark. Avoid Hollywood, fantasy, game art, glamorous armor, dramatic backlight, explosions or generic battle panorama. Scene: A town in Roman Gaul early second century AD. In a sunlit public-building construction yard, a local Gallic notable in a wool cloak fastened with a brooch discusses a limestone column block with a Roman civic official in a restrained toga and a master stonecutter in a plain tunic. Other artisans use chisels and wooden mallets, one apprentice moves a basket of stone chips. Background juxtaposes a partly finished modest classical portico with local pitched-roof timber-and-plaster houses. No battlefield, barbarian caricature, modern French flags, medieval cathedral or triumphal parade. Show local intermediaries actively organizing civic work, not passively imitating Romans. Kuromi and Jani beside the workyard boundary observe, canonical dark charcoal collar with four tiny pink balls, black oval eyes two outer lashes, upright white body two arms and legs; Jani natural asymmetric girl ragdoll. Clay pots, stone and wood details grounded, no text or invented emperor portrait." }, "editHistory": [ { "tool": "image_gen", "mode": "built-in", "purpose": "Remove medieval campanile", "prompt": "Image 1 is the finished historical illustration and edit target. Make ONE localized historical background correction ONLY. Remove EVERY tall square tower with a pitched roof or open belfry windows anywhere in the distant skyline, as these resemble medieval Italian campaniles. Replace each with LOW one- or two-storey ancient Roman buildings with simple terracotta pitched roofs and modest rectangular windows, at the same scale as adjoining roofs. The skyline must have NO bell tower, church, chimney or medieval turret. Keep all foreground human figures, their hands/tools/clothes, Kuromi, Jani, water, machinery, objects, lighting and composition exactly unchanged. Kuromi already has correct charcoal collar and eyes, do not change her or Jani. No new objects or text. Image 2 is only canonical Kuromi reference, image 3 is only Jani reference; preserve them in target." } ], "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [], "canonicalKuromi": true }, "width": 1536, "height": 1024, "src": "assets/lesson-scenes/w07-05.webp", "sha256": "40af4e06e63dccb3d175d7a8200ff8e1702fd0de7245587bea48ca707fc507e1", "bytes": 391264, "thumbnailSrc": "assets/lesson-scenes/w07-05-preview.webp", "thumbnailSha256": "2b4fa5e7632aab076bf0689261be615f2c2a26763ba92a84f34e2a736cb381f1", "thumbnailBytes": 132440 }, { "unitId": "w08-01", "title": "Hal és gyapot cseréje a Supe-völgyben", "alt": "Kuromi és Jani egy perui partvidéki találkozóhelyen figyeli a halat, gyapotot és hálókat átadó közösségeket.", "caption": "A perui part és a belső völgyek Kr. e. 3. évezredi kapcsolatai eltérő megélhetéseket kötöttek össze. A hal, növényi termék és hálóalapanyag cseréje nagyobb központok ellátását is segíthette.", "scene": "The Norte Chico region of the Peruvian coast and Supe Valley in the third millennium BCE. A shore-edge meeting place where coastal fishers exchange baskets of small dried fish and a finished cotton fishing net for raw cotton fiber and valley-grown gourds brought by inland neighbors. A simple tied reed watercraft rests at the beach; beyond, arid hills and an irrigated green valley with a distant low stone platform complex, not an Inca or Maya pyramid. People in plain early Andean woven wraps, no metal tools, pottery wheel, horses, llamas loaded with saddles, feathered war bonnets, gold crowns or Inca imperial emblems. Show mutual practical inspection of net and supplies; no invented chief. Kuromi and Jani watch from a rock at foreground left, both clearly visible, canonical Kuromi dark charcoal collar four tiny pink balls and oval eyes two short outer lashes, Jani natural asymmetric girl cat. Gentle coastal daylight, no text.", "period": "Kr. e. 3. évezred", "setting": "Norte Chico, perui partvidék és Supe-völgy", "historicalDetails": [ "Szárított apró halak", "Gyapotrost és pamutháló", "Nádból kötött egyszerű vízi jármű", "Kőből rakott alacsony közösségi építmény" ], "sourceBasis": [ { "book": "v1", "pdfPages": [ 321, 332 ], "chapter": "8.1 Populating and Settling the Americas" }, { "book": "v1", "pdfPages": [ 324, 325 ], "chapter": "8.1 Populating and Settling the Americas: Regional Subsistence" }, { "book": "v1", "pdfPages": [ 327, 328 ], "chapter": "8.1 Populating and Settling the Americas: The Chinchorro Mummies" } ], "placement": { "area": "base", "sectionIndex": 3 }, "prompt": "Use case: historical-scene. Create ONE landscape 1536x1024 full-color hand-drawn educational narrative illustration, fine outlines, gentle painted shading, natural daylight and historically grounded materials. Entire image has coherent illustrated style. Reference image 1 is Jani identity only: a GIRL ragdoll kitten, fluffy cream-white body, blue eyes, pink nose, very fluffy dark-brown tail. Her FACE MUST BE ASYMMETRICAL: large dark brown patch around VIEWER LEFT eye, smaller lighter tan patch around VIEWER RIGHT eye, irregular white central blaze. Natural cat anatomy and paws, four legs, no human hands, no human costume, no bowtie. Reference image 2 is Kuromi identity only: recognizable canonical black two-point jester hood with pink skull, white body, dark charcoal jester collar with ONLY four tiny pink balls at its points, no wide pink band. Eyes are simple black oval/teardrop shapes with exactly two short curved outer lashes as canonical reference, no human irises, no thick straight eyebrows; do not repeat the reference book or magnifier. Both characters clearly visible as small present-day narrative observers within the scene, not replacing real historical people. Historical people have period correct everyday clothing and equipment, illustrated faces, not photorealistic. Wide single scene, no panels, no captions or labels, no numbers, no legible writing, no modern flags, no watermark. Avoid Hollywood, fantasy, game art, glamorous armor, dramatic backlight, explosions or generic battle panorama. Scene: The Norte Chico region of the Peruvian coast and Supe Valley in the third millennium BCE. A shore-edge meeting place where coastal fishers exchange baskets of small dried fish and a finished cotton fishing net for raw cotton fiber and valley-grown gourds brought by inland neighbors. A simple tied reed watercraft rests at the beach; beyond, arid hills and an irrigated green valley with a distant low stone platform complex, not an Inca or Maya pyramid. People in plain early Andean woven wraps, no metal tools, pottery wheel, horses, llamas loaded with saddles, feathered war bonnets, gold crowns or Inca imperial emblems. Show mutual practical inspection of net and supplies; no invented chief. Kuromi and Jani watch from a rock at foreground left, both clearly visible, canonical Kuromi dark charcoal collar four tiny pink balls and oval eyes two short outer lashes, Jani natural asymmetric girl cat. Gentle coastal daylight, no text.", "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [], "canonicalKuromi": true }, "width": 1536, "height": 1024, "src": "assets/lesson-scenes/w08-01.webp", "sha256": "1b2338b09d60df10dba6714ddf5aa37039f65b6db78777ed2fd5debdbbf7ed70", "bytes": 476560, "thumbnailSrc": "assets/lesson-scenes/w08-01-preview.webp", "thumbnailSha256": "1d16b3493dede79e7af4644bb0bb082b91c0cefdb793fbd7ea731a9092150e75", "thumbnailBytes": 145060 }, { "unitId": "w08-02", "title": "Közös földmunka a Hopewell-hálózatban", "alt": "Kuromi és Jani az Ohio-völgyi földmű mellett figyeli a kosarakkal földet hordó, időszakosan összegyűlt közösséget.", "caption": "A Kr. u. első évszázadok Hopewell-hálózatában kisebb települések lakói közös szertartási helyekhez és távoli anyagokhoz kapcsolódtak. A nagyszabású földmunka önmagában nem bizonyít egyetlen központosított királyi államot.", "scene": "Ohio River valley around AD 200, a Hopewell-era ceremonial earthwork under construction. Wide landscape at human level: people from small neighboring communities carry earth in woven baskets and compact a low curved earthen bank using wooden tools, while a few visitors beneath a simple timber shade exchange a small native-copper sheet ornament and a marine shell, indicating distant networks. Background shows open grassy geometric earthworks and scattered woodland, NOT a dense stone city or giant stepped Maya pyramid. People wear modest woven plant-fiber garments and deerhide wraps, simple hair, no Plains feather war bonnets, horses, steel tools, tipis or invented king enthroned above laborers. Kuromi and Jani observe from a safe foreground patch beside the curve of earth, natural asymmetric girl ragdoll. Canonical Kuromi upright two-legged white body and two arms, charcoal collar four isolated small pink balls, oval black eyes two short curved outer lashes. Gentle daylight, no labels or map.", "period": "Kr. u. 200 körül", "setting": "Ohio-völgy, Hopewell-kori szertartási központ", "historicalDetails": [ "Kosarakban hordott föld", "Alacsony ívelt és egyenes földsáncok", "Rézlemez és tengeri kagyló kis cseretárgyként", "Faoszlopos ideiglenes árnyékoló" ], "sourceBasis": [ { "book": "v1", "pdfPages": [ 333, 352 ], "chapter": "8.2 Early Cultures and Civilizations in the Americas" }, { "book": "v1", "pdfPages": [ 366, 370 ], "chapter": "8.3 The Age of Empires in the Americas" }, { "book": "v1", "pdfPages": [ 333, 335 ], "chapter": "8.2 Early Cultures and Civilizations in the Americas: Olmec Culture" }, { "book": "v1", "pdfPages": [ 337, 337 ], "chapter": "8.2 Early Cultures and Civilizations in the Americas: Teotihuacán" }, { "book": "v1", "pdfPages": [ 349, 350 ], "chapter": "8.2 Early Cultures and Civilizations in the Americas: Hopewell Tradition" } ], "placement": { "area": "base", "sectionIndex": 3 }, "prompt": "Use case: historical-scene. Create ONE landscape 1536x1024 full-color hand-drawn educational narrative illustration, fine outlines, gentle painted shading, natural daylight and historically grounded materials. Entire image has coherent illustrated style. Reference image 1 is Jani identity only: a GIRL ragdoll kitten, fluffy cream-white body, blue eyes, pink nose, very fluffy dark-brown tail. Her FACE MUST BE ASYMMETRICAL: large dark brown patch around VIEWER LEFT eye, smaller lighter tan patch around VIEWER RIGHT eye, irregular white central blaze. Natural cat anatomy and paws, four legs, no human hands, no human costume, no bowtie. Reference image 2 is Kuromi identity only: recognizable canonical black two-point jester hood with pink skull, white body, dark charcoal jester collar with ONLY four tiny pink balls at its points, no wide pink band. Eyes are simple black oval/teardrop shapes with exactly two short curved outer lashes as canonical reference, no human irises, no thick straight eyebrows; do not repeat the reference book or magnifier. Both characters clearly visible as small present-day narrative observers within the scene, not replacing real historical people. Historical people have period correct everyday clothing and equipment, illustrated faces, not photorealistic. Wide single scene, no panels, no captions or labels, no numbers, no legible writing, no modern flags, no watermark. Avoid Hollywood, fantasy, game art, glamorous armor, dramatic backlight, explosions or generic battle panorama. Scene: Ohio River valley around AD 200, a Hopewell-era ceremonial earthwork under construction. Wide landscape at human level: people from small neighboring communities carry earth in woven baskets and compact a low curved earthen bank using wooden tools, while a few visitors beneath a simple timber shade exchange a small native-copper sheet ornament and a marine shell, indicating distant networks. Background shows open grassy geometric earthworks and scattered woodland, NOT a dense stone city or giant stepped Maya pyramid. People wear modest woven plant-fiber garments and deerhide wraps, simple hair, no Plains feather war bonnets, horses, steel tools, tipis or invented king enthroned above laborers. Kuromi and Jani observe from a safe foreground patch beside the curve of earth, natural asymmetric girl ragdoll. Canonical Kuromi upright two-legged white body and two arms, charcoal collar four isolated small pink balls, oval black eyes two short curved outer lashes. Gentle daylight, no labels or map.", "generation": { "tool": "image_gen", "mode": "built-in", "prompt": "Use case: historical-scene. Create ONE landscape 1536x1024 full-color hand-drawn educational narrative illustration, fine outlines, gentle painted shading, natural daylight and historically grounded materials. Entire image has coherent illustrated style. Reference image 1 is Jani identity only: a GIRL ragdoll kitten, fluffy cream-white body, blue eyes, pink nose, very fluffy dark-brown tail. Her FACE MUST BE ASYMMETRICAL: large dark brown patch around VIEWER LEFT eye, smaller lighter tan patch around VIEWER RIGHT eye, irregular white central blaze. Natural cat anatomy and paws, four legs, no human hands, no human costume, no bowtie. Reference image 2 is Kuromi identity only: recognizable canonical black two-point jester hood with pink skull, white body, dark charcoal jester collar with ONLY four tiny pink balls at its points, no wide pink band. Eyes are simple black oval/teardrop shapes with exactly two short curved outer lashes as canonical reference, no human irises, no thick straight eyebrows; do not repeat the reference book or magnifier. Both characters clearly visible as small present-day narrative observers within the scene, not replacing real historical people. Historical people have period correct everyday clothing and equipment, illustrated faces, not photorealistic. Wide single scene, no panels, no captions or labels, no numbers, no legible writing, no modern flags, no watermark. Avoid Hollywood, fantasy, game art, glamorous armor, dramatic backlight, explosions or generic battle panorama. Scene: Ohio River valley around AD 200, a Hopewell-era ceremonial earthwork under construction. Wide landscape at human level: people from small neighboring communities carry earth in woven baskets and compact a low curved earthen bank using wooden tools, while a few visitors beneath a simple timber shade exchange a small native-copper sheet ornament and a marine shell, indicating distant networks. Background shows open grassy geometric earthworks and scattered woodland, NOT a dense stone city or giant stepped Maya pyramid. People wear modest woven plant-fiber garments and deerhide wraps, simple hair, no Plains feather war bonnets, horses, steel tools, tipis or invented king enthroned above laborers. Kuromi and Jani observe from a safe foreground patch beside the curve of earth, natural asymmetric girl ragdoll. Canonical Kuromi upright two-legged white body and two arms, charcoal collar four isolated small pink balls, oval black eyes two short curved outer lashes. Gentle daylight, no labels or map." }, "editHistory": [ { "tool": "image_gen", "mode": "built-in", "purpose": "Replace later platform mound with low Hopewell earthwork", "prompt": "Image 1 is edit target. Preserve the entire foreground Hopewell earthwork construction, all people, copper/shell exchange, Kuromi and Jani exactly. Only change the FAR BACKGROUND across the river at upper-right: DELETE the large flat-topped stepped or terraced platform mound. It resembles a later Mississippian platform and does not fit this Ohio Hopewell scene around AD200. Replace that whole distant mound with ordinary flat grassland, woodland edge and a LOW SINGLE CURVED EARTHEN BANK at ground level, no temple, no flat-topped elevated platform, no terrace. The near curved construction bank remains unchanged. No new text or objects." } ], "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [], "canonicalKuromi": true }, "width": 1536, "height": 1024, "src": "assets/lesson-scenes/w08-02.webp", "sha256": "550b8beb2c17d515fab39dbb97267d0e5af91b6476adb89882349543312c3bba", "bytes": 502920, "thumbnailSrc": "assets/lesson-scenes/w08-02-preview.webp", "thumbnailSha256": "61823ec04677290b1bb4f6e7f3d2f2831cf0516bfce2b46c15b51d6b6c2ff237", "thumbnailBytes": 157000 }, { "unitId": "w08-03a", "title": "Beszolgáltatott labdák Tenochtitlán raktáránál", "alt": "Kuromi és Jani Tenochtitlán egyik csatornája mellett figyeli a gumilabdák és szövetkötegek kötelező átadását.", "caption": "A 16. század eleji azték uralom távoli közösségektől is előírt termékeket követelt. A gumilabdák és rangjelző textilek útja a termelőmunkát vallási, katonai és politikai szükségletekhez kapcsolta.", "scene": "Tenochtitlan around AD 1500, beside a canal and a modest plastered masonry tribute warehouse. Tribute bearers in plain cotton garments unload baskets of dark natural rubber balls and neatly folded cotton cloth from a low wooden canoe. A Mexica collector checks the delivery with a small pictographic accounting sheet angled away, not legible, while a visiting local leader waits soberly. A higher-status warrior without fantasy armor receives a folded decorated cotton mantle from a warehouse attendant, showing redistribution of tribute into rank and loyalty. No blood, sacrifice, skull walls, conquistadors, horses, steel armor or modern Mexican flag. Distant causeway and low urban roofs, one modest temple roof far off, no huge generic jungle pyramid. Kuromi and Jani at foreground right watch seriously; canonical dark charcoal collar with exactly four tiny pink balls, simple black oval eyes two short outer lashes, upright white body; Jani natural asymmetrical female ragdoll. Explain compulsory delivery, not a cheerful voluntary market sale.", "period": "Kr. u. 1500 körül", "setting": "Tenochtitlán, csatorna melletti raktárudvar", "historicalDetails": [ "Sötét természetes gumilabdák", "Összehajtott pamutszövetek", "Fa teherkenu a csatornában", "Piktografikus nyilvántartó lap olvasható szöveg nélkül" ], "sourceBasis": [ { "book": "v1", "pdfPages": [ 353, 359 ], "chapter": "8.3 The Age of Empires in the Americas" }, { "book": "v1", "pdfPages": [ 353, 354 ], "chapter": "8.3 The Age of Empires in the Americas: Aztec Codices" }, { "book": "v1", "pdfPages": [ 358, 359 ], "chapter": "8.3 The Age of Empires in the Americas: Tribute and Social Rank" } ], "placement": { "area": "base", "sectionIndex": 3 }, "prompt": "Use case: historical-scene. Create ONE landscape 1536x1024 full-color hand-drawn educational narrative illustration, fine outlines, gentle painted shading, natural daylight and historically grounded materials. Entire image has coherent illustrated style. Reference image 1 is Jani identity only: a GIRL ragdoll kitten, fluffy cream-white body, blue eyes, pink nose, very fluffy dark-brown tail. Her FACE MUST BE ASYMMETRICAL: large dark brown patch around VIEWER LEFT eye, smaller lighter tan patch around VIEWER RIGHT eye, irregular white central blaze. Natural cat anatomy and paws, four legs, no human hands, no human costume, no bowtie. Reference image 2 is Kuromi identity only: recognizable canonical black two-point jester hood with pink skull, white body, dark charcoal jester collar with ONLY four tiny pink balls at its points, no wide pink band. Eyes are simple black oval/teardrop shapes with exactly two short curved outer lashes as canonical reference, no human irises, no thick straight eyebrows; do not repeat the reference book or magnifier. Both characters clearly visible as small present-day narrative observers within the scene, not replacing real historical people. Historical people have period correct everyday clothing and equipment, illustrated faces, not photorealistic. Wide single scene, no panels, no captions or labels, no numbers, no legible writing, no modern flags, no watermark. Avoid Hollywood, fantasy, game art, glamorous armor, dramatic backlight, explosions or generic battle panorama. Scene: Tenochtitlan around AD 1500, beside a canal and a modest plastered masonry tribute warehouse. Tribute bearers in plain cotton garments unload baskets of dark natural rubber balls and neatly folded cotton cloth from a low wooden canoe. A Mexica collector checks the delivery with a small pictographic accounting sheet angled away, not legible, while a visiting local leader waits soberly. A higher-status warrior without fantasy armor receives a folded decorated cotton mantle from a warehouse attendant, showing redistribution of tribute into rank and loyalty. No blood, sacrifice, skull walls, conquistadors, horses, steel armor or modern Mexican flag. Distant causeway and low urban roofs, one modest temple roof far off, no huge generic jungle pyramid. Kuromi and Jani at foreground right watch seriously; canonical dark charcoal collar with exactly four tiny pink balls, simple black oval eyes two short outer lashes, upright white body; Jani natural asymmetrical female ragdoll. Explain compulsory delivery, not a cheerful voluntary market sale.", "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [], "canonicalKuromi": true }, "width": 1536, "height": 1024, "src": "assets/lesson-scenes/w08-03a.webp", "sha256": "5a3ad8204f62476597fd2418498dfa80cdadd00efd92ee34c1b36986c3a129b8", "bytes": 448668, "thumbnailSrc": "assets/lesson-scenes/w08-03a-preview.webp", "thumbnailSha256": "19f6c73fcf315c84e0736b1a9b2e802618cd3ed9eda330c09ba9d0ad3dd97bfc", "thumbnailBytes": 140072 }, { "unitId": "w08-03b", "title": "Mita-munka az andoki kötélhídnál", "alt": "Kuromi és Jani egy andoki út mellett figyeli a hídköteleket fonó munkásokat és a csomózott zsinórral számoló kezelőt.", "caption": "A 15. századi inka úthálózat fenntartásához a közösségek munkaszolgálata és ellátása is kellett. A kötélhíd, raktár és quipu a mozgást, készleteket és kötelezettségeket összekapcsoló rendszer része volt.", "scene": "Peruvian Andes in the late fifteenth century, an Inca state road maintenance site beside a deep ravine. Wide diagonal landscape: community workers fulfilling mita labor braid thick grass-fiber bridge ropes on the safe near bank while another team secures ropes to substantial stone anchors of a narrow suspension footbridge. A quipu specialist seated nearby checks a bundle of knotted colored cords as a few pack llamas bring food sacks from round stone storehouses on the hillside. Inca people in plain woven tunics and mantles with restrained geometric borders, practical sandals, no horses, wheels, metal suspension cables, European soldiers or fantasy golden emperor. Stone steps and terraced slopes connect worksite and storehouses. Kuromi and Jani observe from a broad safe foreground ledge, not on the bridge; Jani natural four paws and asymmetrical girl ragdoll face, Kuromi upright two legs two arms, canonical charcoal collar exactly four tiny isolated pink balls, black oval eyes two short curved outer lashes. Natural mountain daylight, organized work and dependence, no text.", "period": "Kr. u. 15. század vége", "setting": "Perui Andok, inka hegyi út és kötélhíd", "historicalDetails": [ "Növényi rostból font hídkötél", "Kőlépcsős hegyi út", "Domboldali kőraktárak", "Csomózott quipu és málhás lámák" ], "sourceBasis": [ { "book": "v1", "pdfPages": [ 359, 366 ], "chapter": "8.3 The Age of Empires in the Americas" }, { "book": "v2", "pdfPages": [ 184, 184 ], "chapter": "5.2 Crossing the Atlantic" }, { "book": "v1", "pdfPages": [ 362, 365 ], "chapter": "8.3 The Age of Empires in the Americas: Inca Administration and Quipus" } ], "placement": { "area": "base", "sectionIndex": 2 }, "prompt": "Use case: historical-scene. Create ONE landscape 1536x1024 full-color hand-drawn educational narrative illustration, fine outlines, gentle painted shading, natural daylight and historically grounded materials. Entire image has coherent illustrated style. Reference image 1 is Jani identity only: a GIRL ragdoll kitten, fluffy cream-white body, blue eyes, pink nose, very fluffy dark-brown tail. Her FACE MUST BE ASYMMETRICAL: large dark brown patch around VIEWER LEFT eye, smaller lighter tan patch around VIEWER RIGHT eye, irregular white central blaze. Natural cat anatomy and paws, four legs, no human hands, no human costume, no bowtie. Reference image 2 is Kuromi identity only: recognizable canonical black two-point jester hood with pink skull, white body, dark charcoal jester collar with ONLY four tiny pink balls at its points, no wide pink band. Eyes are simple black oval/teardrop shapes with exactly two short curved outer lashes as canonical reference, no human irises, no thick straight eyebrows; do not repeat the reference book or magnifier. Both characters clearly visible as small present-day narrative observers within the scene, not replacing real historical people. Historical people have period correct everyday clothing and equipment, illustrated faces, not photorealistic. Wide single scene, no panels, no captions or labels, no numbers, no legible writing, no modern flags, no watermark. Avoid Hollywood, fantasy, game art, glamorous armor, dramatic backlight, explosions or generic battle panorama. Scene: Peruvian Andes in the late fifteenth century, an Inca state road maintenance site beside a deep ravine. Wide diagonal landscape: community workers fulfilling mita labor braid thick grass-fiber bridge ropes on the safe near bank while another team secures ropes to substantial stone anchors of a narrow suspension footbridge. A quipu specialist seated nearby checks a bundle of knotted colored cords as a few pack llamas bring food sacks from round stone storehouses on the hillside. Inca people in plain woven tunics and mantles with restrained geometric borders, practical sandals, no horses, wheels, metal suspension cables, European soldiers or fantasy golden emperor. Stone steps and terraced slopes connect worksite and storehouses. Kuromi and Jani observe from a broad safe foreground ledge, not on the bridge; Jani natural four paws and asymmetrical girl ragdoll face, Kuromi upright two legs two arms, canonical charcoal collar exactly four tiny isolated pink balls, black oval eyes two short curved outer lashes. Natural mountain daylight, organized work and dependence, no text.", "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [], "canonicalKuromi": true }, "width": 1536, "height": 1024, "src": "assets/lesson-scenes/w08-03b.webp", "sha256": "cd8e8eb084fa53fa192b3b2cd0a92071be1618b8df56bfae4961d737d6f2ed7f", "bytes": 628290, "thumbnailSrc": "assets/lesson-scenes/w08-03b-preview.webp", "thumbnailSha256": "3c2bd1f453c4843c435905c145d026f87b241a20b9fe4e4f7f916b3710a4feba", "thumbnailBytes": 174156 }, { "unitId": "w09-01", "title": "Vízhez jutás a zöldebb Szaharában", "alt": "Kuromi és Jani egy szaharai tóparton figyelik a vizet merítő és szarvasmarhákat terelő közösséget.", "caption": "A Szahara a Kr. e. 6–3. évezredben fokozatosan szárazabbá vált. A vízlelőhelyek változása állattartó közösségek szezonális mozgását és együttműködését is alakította.", "scene": "Reconstruct a small pastoral community beside a shrinking shallow lake in the central Sahara around 4000 BCE, still a grassland with scattered acacia trees and rocky escarpments, not an endless dune desert. Midground dark-skinned adults in simple woven or hide wraps guide long-horned cattle toward a remaining water inlet; one woman fills a plain round clay pot, another adult sorts gathered plants beside woven baskets near modest grass shelters. Dry lake mud at one edge and greener reeds at the other make seasonal water access concrete. Kuromi kneels attentively by a water pot at lower left; Jani stands on all four paws beside her, face turned toward viewer so asymmetric patches are clear. Eye-level composition anchored on the human coordination of water use, cattle and lake, calm curious expressions.", "period": "Az őskortól az ókor végéig", "setting": "Közép-Szahara, sekély tópart, Kr. e. 4000 körül", "historicalDetails": [ "Nedvesebb szaharai táj sekély tóval és füves parttal", "Hosszú szarvú szarvasmarhák", "Egyszerű agyagedények és fonott kosarak", "Vízmerítés és állatterelés összehangolása" ], "sourceBasis": [ { "book": "v1", "pdfPages": [ 379, 388 ], "chapter": "9.1 Africa’s Geography and Climate" }, { "book": "v1", "pdfPages": [ 379, 386 ], "chapter": "9.1 Africa’s Geography and Climate" } ], "placement": { "area": "base", "sectionIndex": 1 }, "prompt": "TARGETED CHARACTER CORRECTION: Use image 1 as the scene to preserve. Use subsequent canonical Kuromi references to correct ONLY Kuromi. Make her collar dark charcoal gray/black, with only four tiny pink balls on the pointed tips; remove every wide pink collar area. Correct her eyes to simple black teardrop/oval eyes with exactly two short curved eyelashes at each outer edge as in the canonical images. Keep recognizable pink skull emblem, black two-point hood and white body. Preserve the existing historical scene, all human figures, setting, objects, poses, framing, lighting and colors. Preserve Jani exactly including her asymmetric facial markings, blue eyes, four paws and fluffy tail. Do not add props, writing or change expressions unnecessarily. The correction must blend with the illustration's existing drawn style. Preserve concerned or serious facial expressions in scenes of hardship, violence or loss; do not introduce a cheerful smile. ", "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [], "canonicalKuromi": true }, "generationPrompt": "Use case: historical-scene. Create a wide 1536x1024 opaque full-color hand-drawn historical educational narrative illustration. Fine clean outlines, coherent drawn human and animal figures, natural daylight and considered earth colors, delicate painted textures. One continuous scene, no panels. The two attached pictures are CHARACTER IDENTITY REFERENCES ONLY, not poses, props or backgrounds. Include recognizable Kuromi with black two-point jester hood, pink skull emblem, white body and pink collar; no magnifying glass or book unless specified. Include Jani, a FEMALE fluffy cream-white ragdoll CAT with blue eyes, pink nose, dark brown bushy tail, natural four-legged feline anatomy and paws. Jani's facial markings are ASYMMETRICAL: a large DARK BROWN eye patch on the VIEWER'S LEFT, a much smaller lighter taupe patch on the VIEWER'S RIGHT, an irregular central white blaze. No clothing, no bow tie, no human hands for Jani. Both clearly visible as small observers within the scene, never impersonate historical people. Keep the full setting and all people in the same gentle illustration style as the characters. Historically restrained clothing and objects; no movie/game/fantasy armor, theatrical backlight, gigantic battle, decorative out-of-period icons. No readable writing, labels, dates, charts, watermark, modern flags, or modern equipment. Reconstruct a small pastoral community beside a shrinking shallow lake in the central Sahara around 4000 BCE, still a grassland with scattered acacia trees and rocky escarpments, not an endless dune desert. Midground dark-skinned adults in simple woven or hide wraps guide long-horned cattle toward a remaining water inlet; one woman fills a plain round clay pot, another adult sorts gathered plants beside woven baskets near modest grass shelters. Dry lake mud at one edge and greener reeds at the other make seasonal water access concrete. Kuromi kneels attentively by a water pot at lower left; Jani stands on all four paws beside her, face turned toward viewer so asymmetric patches are clear. Eye-level composition anchored on the human coordination of water use, cattle and lake, calm curious expressions.", "canonicalCorrectionPrompt": "TARGETED CHARACTER CORRECTION: Use image 1 as the scene to preserve. Use subsequent canonical Kuromi references to correct ONLY Kuromi. Make her collar dark charcoal gray/black, with only four tiny pink balls on the pointed tips; remove every wide pink collar area. Correct her eyes to simple black teardrop/oval eyes with exactly two short curved eyelashes at each outer edge as in the canonical images. Keep recognizable pink skull emblem, black two-point hood and white body. Preserve the existing historical scene, all human figures, setting, objects, poses, framing, lighting and colors. Preserve Jani exactly including her asymmetric facial markings, blue eyes, four paws and fluffy tail. Do not add props, writing or change expressions unnecessarily. The correction must blend with the illustration's existing drawn style. Preserve concerned or serious facial expressions in scenes of hardship, violence or loss; do not introduce a cheerful smile. ", "revisions": [ { "kind": "canonical-kuromi", "prompt": "TARGETED CHARACTER CORRECTION: Use image 1 as the scene to preserve. Use subsequent canonical Kuromi references to correct ONLY Kuromi. Make her collar dark charcoal gray/black, with only four tiny pink balls on the pointed tips; remove every wide pink collar area. Correct her eyes to simple black teardrop/oval eyes with exactly two short curved eyelashes at each outer edge as in the canonical images. Keep recognizable pink skull emblem, black two-point hood and white body. Preserve the existing historical scene, all human figures, setting, objects, poses, framing, lighting and colors. Preserve Jani exactly including her asymmetric facial markings, blue eyes, four paws and fluffy tail. Do not add props, writing or change expressions unnecessarily. The correction must blend with the illustration's existing drawn style. Preserve concerned or serious facial expressions in scenes of hardship, violence or loss; do not introduce a cheerful smile. ", "visuallyReviewed": true } ], "src": "assets/lesson-scenes/w09-01.webp", "sha256": "b7df0feaee945ac59b370bcb680fe9de7c602ec90d73d06985fc4a52af6ba957", "bytes": 524198, "thumbnailSrc": "assets/lesson-scenes/w09-01-preview.webp", "thumbnailSha256": "ec0260b3a71afe2a0b01778537ad6b46c1cc1489be1b5b23ae5545aefb188faf", "thumbnailBytes": 160532 }, { "unitId": "w09-02", "title": "Vasműves tudás az erdő és a szavanna határán", "alt": "Kuromi és Jani egy kelet-afrikai település vasművesét és a közeli földművelőket figyelik.", "caption": "A Kr. u. 1. évezredben Kelet-Afrika több térségében összekapcsolódott a növénytermesztés és a vasmegmunkálás. Az eszközök és a helyi környezet ismerete közösségek közötti tanulással is terjedhetett.", "scene": "A small early Iron Age settlement at the forest-savanna edge near the Great Lakes of eastern Africa around 500 CE. In the center an experienced local smith and an apprentice work a low clay shaft furnace with charcoal and clay tuyere bellows, with a newly forged simple iron hoe resting nearby. In the left distance, households cultivate a modest millet field with hoes while another community member shares a basket of local roots with newcomers beside round thatched houses. Make shared technical and environmental knowledge the story, not an invading migration column. Three-quarter overhead view from the woodland edge. Kuromi and female ragdoll Jani observe the unlit cooled tools safely from the foreground; show Jani facing front with the much darker larger patch on viewer left and smaller light patch on viewer right.", "period": "Kr. e. 7. évezred–Kr. u. 1. évezred", "setting": "Kelet-afrikai Nagy-tavak vidéke, Kr. u. 500 körül", "historicalDetails": [ "Alacsony agyag olvasztókemence és faszén", "Agyag fúvócső és fújtató", "Egyszerű vaskapa", "Kölesparcella és kerek nádtetős házak" ], "sourceBasis": [ { "book": "v1", "pdfPages": [ 389, 395 ], "chapter": "9.2 The Emergence of Farming and the Bantu Migrations" }, { "book": "v1", "pdfPages": [ 390, 395 ], "chapter": "9.2 The Emergence of Farming and the Bantu Migrations" } ], "placement": { "area": "base", "sectionIndex": 1 }, "prompt": "TARGETED CHARACTER CORRECTION: Use image 1 as the scene to preserve. Use subsequent canonical Kuromi references to correct ONLY Kuromi. Make her collar dark charcoal gray/black, with only four tiny pink balls on the pointed tips; remove every wide pink collar area. Correct her eyes to simple black teardrop/oval eyes with exactly two short curved eyelashes at each outer edge as in the canonical images. Keep recognizable pink skull emblem, black two-point hood and white body. Preserve the existing historical scene, all human figures, setting, objects, poses, framing, lighting and colors. Preserve Jani exactly including her asymmetric facial markings, blue eyes, four paws and fluffy tail. Do not add props, writing or change expressions unnecessarily. The correction must blend with the illustration's existing drawn style. Preserve concerned or serious facial expressions in scenes of hardship, violence or loss; do not introduce a cheerful smile. ", "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [], "canonicalKuromi": true }, "generationPrompt": "Use case: historical-scene. Create a wide 1536x1024 opaque full-color hand-drawn historical educational narrative illustration. Fine clean outlines, coherent drawn human and animal figures, natural daylight and considered earth colors, delicate painted textures. One continuous scene, no panels. The two attached pictures are CHARACTER IDENTITY REFERENCES ONLY, not poses, props or backgrounds. Include recognizable Kuromi with black two-point jester hood, pink skull emblem, white body and pink collar; no magnifying glass or book unless specified. Include Jani, a FEMALE fluffy cream-white ragdoll CAT with blue eyes, pink nose, dark brown bushy tail, natural four-legged feline anatomy and paws. Jani's facial markings are ASYMMETRICAL: a large DARK BROWN eye patch on the VIEWER'S LEFT, a much smaller lighter taupe patch on the VIEWER'S RIGHT, an irregular central white blaze. No clothing, no bow tie, no human hands for Jani. Both clearly visible as small observers within the scene, never impersonate historical people. Keep the full setting and all people in the same gentle illustration style as the characters. Historically restrained clothing and objects; no movie/game/fantasy armor, theatrical backlight, gigantic battle, decorative out-of-period icons. No readable writing, labels, dates, charts, watermark, modern flags, or modern equipment. A small early Iron Age settlement at the forest-savanna edge near the Great Lakes of eastern Africa around 500 CE. In the center an experienced local smith and an apprentice work a low clay shaft furnace with charcoal and clay tuyere bellows, with a newly forged simple iron hoe resting nearby. In the left distance, households cultivate a modest millet field with hoes while another community member shares a basket of local roots with newcomers beside round thatched houses. Make shared technical and environmental knowledge the story, not an invading migration column. Three-quarter overhead view from the woodland edge. Kuromi and female ragdoll Jani observe the unlit cooled tools safely from the foreground; show Jani facing front with the much darker larger patch on viewer left and smaller light patch on viewer right.", "canonicalCorrectionPrompt": "TARGETED CHARACTER CORRECTION: Use image 1 as the scene to preserve. Use subsequent canonical Kuromi references to correct ONLY Kuromi. Make her collar dark charcoal gray/black, with only four tiny pink balls on the pointed tips; remove every wide pink collar area. Correct her eyes to simple black teardrop/oval eyes with exactly two short curved eyelashes at each outer edge as in the canonical images. Keep recognizable pink skull emblem, black two-point hood and white body. Preserve the existing historical scene, all human figures, setting, objects, poses, framing, lighting and colors. Preserve Jani exactly including her asymmetric facial markings, blue eyes, four paws and fluffy tail. Do not add props, writing or change expressions unnecessarily. The correction must blend with the illustration's existing drawn style. Preserve concerned or serious facial expressions in scenes of hardship, violence or loss; do not introduce a cheerful smile. ", "revisions": [ { "kind": "canonical-kuromi", "prompt": "TARGETED CHARACTER CORRECTION: Use image 1 as the scene to preserve. Use subsequent canonical Kuromi references to correct ONLY Kuromi. Make her collar dark charcoal gray/black, with only four tiny pink balls on the pointed tips; remove every wide pink collar area. Correct her eyes to simple black teardrop/oval eyes with exactly two short curved eyelashes at each outer edge as in the canonical images. Keep recognizable pink skull emblem, black two-point hood and white body. Preserve the existing historical scene, all human figures, setting, objects, poses, framing, lighting and colors. Preserve Jani exactly including her asymmetric facial markings, blue eyes, four paws and fluffy tail. Do not add props, writing or change expressions unnecessarily. The correction must blend with the illustration's existing drawn style. Preserve concerned or serious facial expressions in scenes of hardship, violence or loss; do not introduce a cheerful smile. ", "visuallyReviewed": true } ], "src": "assets/lesson-scenes/w09-02.webp", "sha256": "562d72e98c863d9e9c3c5b5e8e5a5e52dcc6c6ad93a5879c2da87bf9464fc442", "bytes": 566296, "thumbnailSrc": "assets/lesson-scenes/w09-02-preview.webp", "thumbnailSha256": "ee80c85123c7e7ad262192d17775cfb0327cfd8eebf9b3294c087787847f2676", "thumbnailBytes": 176124 }, { "unitId": "w09-03", "title": "Fekete peremű edények Kerma kikötőjénél", "alt": "Kuromi és Jani Kerma nílusi rakpartján figyelik a núbiai edényekkel és más árukkal kereskedő embereket.", "caption": "Kerma a Kr. e. 2. évezred elején önálló núbiai központként kapcsolta össze a Nílus menti csereutakat. Fekete peremű, vörös kerámiája a helyi kézműves tudás és sajátos tárgyi kultúra példája.", "scene": "Kerma in Nubia around 1800 BCE, an intimate riverside exchange viewed from the Nile landing, emphasizing an independent Nubian trading center. A dark-skinned Kushite pottery maker and a merchant in simple wrapped linen compare distinctive finely polished red bowls with BLACK TOP rims, beside baskets of ivory pieces, cattle hides and a modest balance scale; a riverboat brings linen bundles. Behind them rise mudbrick courtyard houses and the massive plain mudbrick Western Deffufa, with palms and the Nile. No Egyptian pharaoh costume, pyramids, or Greek columns. The people are active equal trading partners. Kuromi sits at the edge of a reed mat studying one bowl without tools; Jani stands beside her looking toward us, four natural paws and precisely asymmetric eye patches. Close enough for the black-topped pottery to be unmistakable, wide enough to establish the Nubian river town.", "period": "Kr. e. 3. évezred–Kr. u. 1. század", "setting": "Kerma, Núbia, Kr. e. 1800 körül", "historicalDetails": [ "Fekete peremű polírozott vörös kerámia", "Nílusi folyami hajó és vászoncsomagok", "Sártéglából emelt deffufa", "Elefántcsont és marhabőr kereskedelme" ], "sourceBasis": [ { "book": "v1", "pdfPages": [ 396, 403 ], "chapter": "9.3 The Kingdom of Kush" }, { "book": "v1", "pdfPages": [ 398, 399 ], "chapter": "9.3 The Kingdom of Kush: Harkhuf and Kushite Kings" }, { "book": "v1", "pdfPages": [ 401, 402 ], "chapter": "9.3 The Kingdom of Kush: Aspalta and Herodotus" } ], "placement": { "area": "base", "sectionIndex": 0 }, "prompt": "TARGETED CHARACTER CORRECTION: Use image 1 as the scene to preserve. Use subsequent canonical Kuromi references to correct ONLY Kuromi. Make her collar dark charcoal gray/black, with only four tiny pink balls on the pointed tips; remove every wide pink collar area. Correct her eyes to simple black teardrop/oval eyes with exactly two short curved eyelashes at each outer edge as in the canonical images. Keep recognizable pink skull emblem, black two-point hood and white body. Preserve the existing historical scene, all human figures, setting, objects, poses, framing, lighting and colors. Preserve Jani exactly including her asymmetric facial markings, blue eyes, four paws and fluffy tail. Do not add props, writing or change expressions unnecessarily. The correction must blend with the illustration's existing drawn style. Preserve concerned or serious facial expressions in scenes of hardship, violence or loss; do not introduce a cheerful smile. ", "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [], "canonicalKuromi": true }, "generationPrompt": "Use case: historical-scene. Create a wide 1536x1024 opaque full-color hand-drawn historical educational narrative illustration. Fine clean outlines, coherent drawn human and animal figures, natural daylight and considered earth colors, delicate painted textures. One continuous scene, no panels. The two attached pictures are CHARACTER IDENTITY REFERENCES ONLY, not poses, props or backgrounds. Include recognizable Kuromi with black two-point jester hood, pink skull emblem, white body and pink collar; no magnifying glass or book unless specified. Include Jani, a FEMALE fluffy cream-white ragdoll CAT with blue eyes, pink nose, dark brown bushy tail, natural four-legged feline anatomy and paws. Jani's facial markings are ASYMMETRICAL: a large DARK BROWN eye patch on the VIEWER'S LEFT, a much smaller lighter taupe patch on the VIEWER'S RIGHT, an irregular central white blaze. No clothing, no bow tie, no human hands for Jani. Both clearly visible as small observers within the scene, never impersonate historical people. Keep the full setting and all people in the same gentle illustration style as the characters. Historically restrained clothing and objects; no movie/game/fantasy armor, theatrical backlight, gigantic battle, decorative out-of-period icons. No readable writing, labels, dates, charts, watermark, modern flags, or modern equipment. Kerma in Nubia around 1800 BCE, an intimate riverside exchange viewed from the Nile landing, emphasizing an independent Nubian trading center. A dark-skinned Kushite pottery maker and a merchant in simple wrapped linen compare distinctive finely polished red bowls with BLACK TOP rims, beside baskets of ivory pieces, cattle hides and a modest balance scale; a riverboat brings linen bundles. Behind them rise mudbrick courtyard houses and the massive plain mudbrick Western Deffufa, with palms and the Nile. No Egyptian pharaoh costume, pyramids, or Greek columns. The people are active equal trading partners. Kuromi sits at the edge of a reed mat studying one bowl without tools; Jani stands beside her looking toward us, four natural paws and precisely asymmetric eye patches. Close enough for the black-topped pottery to be unmistakable, wide enough to establish the Nubian river town.", "canonicalCorrectionPrompt": "TARGETED CHARACTER CORRECTION: Use image 1 as the scene to preserve. Use subsequent canonical Kuromi references to correct ONLY Kuromi. Make her collar dark charcoal gray/black, with only four tiny pink balls on the pointed tips; remove every wide pink collar area. Correct her eyes to simple black teardrop/oval eyes with exactly two short curved eyelashes at each outer edge as in the canonical images. Keep recognizable pink skull emblem, black two-point hood and white body. Preserve the existing historical scene, all human figures, setting, objects, poses, framing, lighting and colors. Preserve Jani exactly including her asymmetric facial markings, blue eyes, four paws and fluffy tail. Do not add props, writing or change expressions unnecessarily. The correction must blend with the illustration's existing drawn style. Preserve concerned or serious facial expressions in scenes of hardship, violence or loss; do not introduce a cheerful smile. ", "revisions": [ { "kind": "canonical-kuromi", "prompt": "TARGETED CHARACTER CORRECTION: Use image 1 as the scene to preserve. Use subsequent canonical Kuromi references to correct ONLY Kuromi. Make her collar dark charcoal gray/black, with only four tiny pink balls on the pointed tips; remove every wide pink collar area. Correct her eyes to simple black teardrop/oval eyes with exactly two short curved eyelashes at each outer edge as in the canonical images. Keep recognizable pink skull emblem, black two-point hood and white body. Preserve the existing historical scene, all human figures, setting, objects, poses, framing, lighting and colors. Preserve Jani exactly including her asymmetric facial markings, blue eyes, four paws and fluffy tail. Do not add props, writing or change expressions unnecessarily. The correction must blend with the illustration's existing drawn style. Preserve concerned or serious facial expressions in scenes of hardship, violence or loss; do not introduce a cheerful smile. ", "visuallyReviewed": true } ], "src": "assets/lesson-scenes/w09-03.webp", "sha256": "4ba64681b8c3d4c18dc455cb8a1ec7c6dfacccd3ebcdbe3930be0c5bb4bd9f7b", "bytes": 436146, "thumbnailSrc": "assets/lesson-scenes/w09-03-preview.webp", "thumbnailSha256": "ef5921dca091f0feb1bbdd7c68e9e33514eabe35550b50988de57f15d455a0c7", "thumbnailBytes": 142812 }, { "unitId": "w09-04", "title": "Víz és rakomány az oázisállomáson", "alt": "Kuromi és Jani egy fezzáni oázis kútjánál figyelik a víztömlőket töltő és tevés rakományt rendező embereket.", "caption": "A Kr. u. 1. évezred szaharai forgalmát oázisok, helyi útismeret és ellátás tartotta fenn. A teve hosszabb szakaszokat tett elérhetővé, de a vízhez jutás megszervezését nem helyettesítette.", "scene": "An oasis staging point in the Fezzan Sahara around 400 CE, viewed diagonally from beside a sunken stone-lined well. Local North African guides coordinate the measured filling of leather water bags and the repacking of a short dromedary caravan; date palms, garden beds and low mudbrick houses surround the water. Two kneeling camels carry balanced rectangular salt slabs wrapped in fiber rope, while travelers wait their turn under a palm canopy. Show the local community actively regulating scarce water and safe onward travel. Kuromi points at a ready water bag and Jani crouches naturally on the low well parapet with all paws visible and face turned to viewer. Light, expansive high horizon; no modern desert clothing stereotypes, no Islamic domes or flags in this late-antique scene.", "period": "Kr. e. 1. évezred–Kr. u. 1. évezred", "setting": "Fezzán, szaharai oázis, Kr. u. 400 körül", "historicalDetails": [ "Egypúpú tevék kiegyensúlyozott málhával", "Kővel bélelt kút és bőr víztömlők", "Rostkötéllel rögzített sótömbök", "Datolyapálmák és vályogépületek" ], "sourceBasis": [ { "book": "v1", "pdfPages": [ 404, 414 ], "chapter": "9.4 North Africa’s Mediterranean and Trans-Saharan Connections" }, { "book": "v1", "pdfPages": [ 408, 411 ], "chapter": "9.4 North Africa’s Mediterranean and Trans-Saharan Connections: Ptolemaic and Roman Egypt" }, { "book": "v1", "pdfPages": [ 413, 414 ], "chapter": "9.4 North Africa’s Mediterranean and Trans-Saharan Connections: Dromedary Transport" } ], "placement": { "area": "base", "sectionIndex": 3 }, "prompt": "TARGETED CHARACTER CORRECTION: Use image 1 as the scene to preserve. Use subsequent canonical Kuromi references to correct ONLY Kuromi. Make her collar dark charcoal gray/black, with only four tiny pink balls on the pointed tips; remove every wide pink collar area. Correct her eyes to simple black teardrop/oval eyes with exactly two short curved eyelashes at each outer edge as in the canonical images. Keep recognizable pink skull emblem, black two-point hood and white body. Preserve the existing historical scene, all human figures, setting, objects, poses, framing, lighting and colors. Preserve Jani exactly including her asymmetric facial markings, blue eyes, four paws and fluffy tail. Do not add props, writing or change expressions unnecessarily. The correction must blend with the illustration's existing drawn style. Preserve concerned or serious facial expressions in scenes of hardship, violence or loss; do not introduce a cheerful smile. ", "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [], "canonicalKuromi": true }, "generationPrompt": "Use case: historical-scene. Create a wide 1536x1024 opaque full-color hand-drawn historical educational narrative illustration. Fine clean outlines, coherent drawn human and animal figures, natural daylight and considered earth colors, delicate painted textures. One continuous scene, no panels. The two attached pictures are CHARACTER IDENTITY REFERENCES ONLY, not poses, props or backgrounds. Include recognizable Kuromi with black two-point jester hood, pink skull emblem, white body and pink collar; no magnifying glass or book unless specified. Include Jani, a FEMALE fluffy cream-white ragdoll CAT with blue eyes, pink nose, dark brown bushy tail, natural four-legged feline anatomy and paws. Jani's facial markings are ASYMMETRICAL: a large DARK BROWN eye patch on the VIEWER'S LEFT, a much smaller lighter taupe patch on the VIEWER'S RIGHT, an irregular central white blaze. No clothing, no bow tie, no human hands for Jani. Both clearly visible as small observers within the scene, never impersonate historical people. Keep the full setting and all people in the same gentle illustration style as the characters. Historically restrained clothing and objects; no movie/game/fantasy armor, theatrical backlight, gigantic battle, decorative out-of-period icons. No readable writing, labels, dates, charts, watermark, modern flags, or modern equipment. An oasis staging point in the Fezzan Sahara around 400 CE, viewed diagonally from beside a sunken stone-lined well. Local North African guides coordinate the measured filling of leather water bags and the repacking of a short dromedary caravan; date palms, garden beds and low mudbrick houses surround the water. Two kneeling camels carry balanced rectangular salt slabs wrapped in fiber rope, while travelers wait their turn under a palm canopy. Show the local community actively regulating scarce water and safe onward travel. Kuromi points at a ready water bag and Jani crouches naturally on the low well parapet with all paws visible and face turned to viewer. Light, expansive high horizon; no modern desert clothing stereotypes, no Islamic domes or flags in this late-antique scene.", "canonicalCorrectionPrompt": "TARGETED CHARACTER CORRECTION: Use image 1 as the scene to preserve. Use subsequent canonical Kuromi references to correct ONLY Kuromi. Make her collar dark charcoal gray/black, with only four tiny pink balls on the pointed tips; remove every wide pink collar area. Correct her eyes to simple black teardrop/oval eyes with exactly two short curved eyelashes at each outer edge as in the canonical images. Keep recognizable pink skull emblem, black two-point hood and white body. Preserve the existing historical scene, all human figures, setting, objects, poses, framing, lighting and colors. Preserve Jani exactly including her asymmetric facial markings, blue eyes, four paws and fluffy tail. Do not add props, writing or change expressions unnecessarily. The correction must blend with the illustration's existing drawn style. Preserve concerned or serious facial expressions in scenes of hardship, violence or loss; do not introduce a cheerful smile. ", "revisions": [ { "kind": "canonical-kuromi", "prompt": "TARGETED CHARACTER CORRECTION: Use image 1 as the scene to preserve. Use subsequent canonical Kuromi references to correct ONLY Kuromi. Make her collar dark charcoal gray/black, with only four tiny pink balls on the pointed tips; remove every wide pink collar area. Correct her eyes to simple black teardrop/oval eyes with exactly two short curved eyelashes at each outer edge as in the canonical images. Keep recognizable pink skull emblem, black two-point hood and white body. Preserve the existing historical scene, all human figures, setting, objects, poses, framing, lighting and colors. Preserve Jani exactly including her asymmetric facial markings, blue eyes, four paws and fluffy tail. Do not add props, writing or change expressions unnecessarily. The correction must blend with the illustration's existing drawn style. Preserve concerned or serious facial expressions in scenes of hardship, violence or loss; do not introduce a cheerful smile. ", "visuallyReviewed": true } ], "src": "assets/lesson-scenes/w09-04.webp", "sha256": "11a0b0973aed398197b41e4357759df06c823ce23a9481317a3e8c31480ee2da", "bytes": 539882, "thumbnailSrc": "assets/lesson-scenes/w09-04-preview.webp", "thumbnailSha256": "cb7f76fba3476de6f4c36e5a514cd4e01628364ee8af4cbcb499f2b6d6f10b96", "thumbnailBytes": 164184 }, { "unitId": "w10-01", "title": "Márvány és gabona az új Konstantinápoly számára", "alt": "Kuromi és Jani a Boszporusz partján szemlélik az építőanyagot kirakó munkásokat és a növekvő késő római várost.", "caption": "Constantinus 330-ban avatta fel Konstantinápolyt új uralkodói központként. A kedvező stratégiai fekvést állami építkezés, szállítás és a város ellátásának megszervezése tette használható erőforrássá.", "scene": "Constantinople during its expansion around 330 CE, seen at street level from a working harbor ramp toward the Bosporus. Roman builders in late antique belted tunics unload cut marble column drums and reused classical architectural pieces from a modest cargo boat; an official in a cloak coordinates builders and provisioning baskets. In the middle distance a new rectangular Christian basilica with timber gabled roof is taking shape alongside Roman colonnaded public buildings, scaffold ropes and tiled roofs. Show the practical labor and transport needed for a new imperial center. No Hagia Sophia dome of 537, no Ottoman minarets, no medieval Crusader armor. Kuromi and Jani watch from a stack of stones at the right edge, Jani front-facing with clear asymmetric patches. Broad diagonal harbor-to-city composition, cool sea-blue and cream stone colors, no emperor portrait needed.", "period": "3–5. század", "setting": "Konstantinápoly kikötője, 330 körül", "historicalDetails": [ "Késő római öves tunikák", "Hajón érkező márvány oszlopdobok", "Faállványos építkezés és nyeregtetős bazilika", "Boszporuszi kikötő és ellátmány" ], "sourceBasis": [ { "book": "v1", "pdfPages": [ 423, 433 ], "chapter": "10.1 The Eastward Shift" }, { "book": "v1", "pdfPages": [ 424, 430 ], "chapter": "10.1 The Eastward Shift" } ], "placement": { "area": "base", "sectionIndex": 1 }, "prompt": "TARGETED CHARACTER CORRECTION: Use image 1 as the scene to preserve. Use subsequent canonical Kuromi references to correct ONLY Kuromi. Make her collar dark charcoal gray/black, with only four tiny pink balls on the pointed tips; remove every wide pink collar area. Correct her eyes to simple black teardrop/oval eyes with exactly two short curved eyelashes at each outer edge as in the canonical images. Keep recognizable pink skull emblem, black two-point hood and white body. Preserve the existing historical scene, all human figures, setting, objects, poses, framing, lighting and colors. Preserve Jani exactly including her asymmetric facial markings, blue eyes, four paws and fluffy tail. Do not add props, writing or change expressions unnecessarily. The correction must blend with the illustration's existing drawn style. Preserve concerned or serious facial expressions in scenes of hardship, violence or loss; do not introduce a cheerful smile. ", "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [], "canonicalKuromi": true }, "generationPrompt": "Use case: historical-scene. Create a wide 1536x1024 opaque full-color hand-drawn historical educational narrative illustration. Fine clean outlines, coherent drawn human and animal figures, natural daylight and considered earth colors, delicate painted textures. One continuous scene, no panels. The two attached pictures are CHARACTER IDENTITY REFERENCES ONLY, not poses, props or backgrounds. Include recognizable Kuromi with black two-point jester hood, pink skull emblem, white body and pink collar; no magnifying glass or book unless specified. Include Jani, a FEMALE fluffy cream-white ragdoll CAT with blue eyes, pink nose, dark brown bushy tail, natural four-legged feline anatomy and paws. Jani's facial markings are ASYMMETRICAL: a large DARK BROWN eye patch on the VIEWER'S LEFT, a much smaller lighter taupe patch on the VIEWER'S RIGHT, an irregular central white blaze. No clothing, no bow tie, no human hands for Jani. Both clearly visible as small observers within the scene, never impersonate historical people. Keep the full setting and all people in the same gentle illustration style as the characters. Historically restrained clothing and objects; no movie/game/fantasy armor, theatrical backlight, gigantic battle, decorative out-of-period icons. No readable writing, labels, dates, charts, watermark, modern flags, or modern equipment. Constantinople during its expansion around 330 CE, seen at street level from a working harbor ramp toward the Bosporus. Roman builders in late antique belted tunics unload cut marble column drums and reused classical architectural pieces from a modest cargo boat; an official in a cloak coordinates builders and provisioning baskets. In the middle distance a new rectangular Christian basilica with timber gabled roof is taking shape alongside Roman colonnaded public buildings, scaffold ropes and tiled roofs. Show the practical labor and transport needed for a new imperial center. No Hagia Sophia dome of 537, no Ottoman minarets, no medieval Crusader armor. Kuromi and Jani watch from a stack of stones at the right edge, Jani front-facing with clear asymmetric patches. Broad diagonal harbor-to-city composition, cool sea-blue and cream stone colors, no emperor portrait needed.", "canonicalCorrectionPrompt": "TARGETED CHARACTER CORRECTION: Use image 1 as the scene to preserve. Use subsequent canonical Kuromi references to correct ONLY Kuromi. Make her collar dark charcoal gray/black, with only four tiny pink balls on the pointed tips; remove every wide pink collar area. Correct her eyes to simple black teardrop/oval eyes with exactly two short curved eyelashes at each outer edge as in the canonical images. Keep recognizable pink skull emblem, black two-point hood and white body. Preserve the existing historical scene, all human figures, setting, objects, poses, framing, lighting and colors. Preserve Jani exactly including her asymmetric facial markings, blue eyes, four paws and fluffy tail. Do not add props, writing or change expressions unnecessarily. The correction must blend with the illustration's existing drawn style. Preserve concerned or serious facial expressions in scenes of hardship, violence or loss; do not introduce a cheerful smile. ", "revisions": [ { "kind": "canonical-kuromi", "prompt": "TARGETED CHARACTER CORRECTION: Use image 1 as the scene to preserve. Use subsequent canonical Kuromi references to correct ONLY Kuromi. Make her collar dark charcoal gray/black, with only four tiny pink balls on the pointed tips; remove every wide pink collar area. Correct her eyes to simple black teardrop/oval eyes with exactly two short curved eyelashes at each outer edge as in the canonical images. Keep recognizable pink skull emblem, black two-point hood and white body. Preserve the existing historical scene, all human figures, setting, objects, poses, framing, lighting and colors. Preserve Jani exactly including her asymmetric facial markings, blue eyes, four paws and fluffy tail. Do not add props, writing or change expressions unnecessarily. The correction must blend with the illustration's existing drawn style. Preserve concerned or serious facial expressions in scenes of hardship, violence or loss; do not introduce a cheerful smile. ", "visuallyReviewed": true } ], "src": "assets/lesson-scenes/w10-01.webp", "sha256": "b0217655b6d6b1ba7c7d8524b1c83e465080df70ce2ceb3f2c51b2f98c0428b8", "bytes": 445478, "thumbnailSrc": "assets/lesson-scenes/w10-01-preview.webp", "thumbnailSha256": "8e4e632a69b03da1d8fb920abdf37cdeb44596ac92fdf73987561a15b8e83810", "thumbnailBytes": 145354 }, { "unitId": "w10-02", "title": "Alku a római–szászánida határon", "alt": "Kuromi és Jani a római és iráni követek egyeztetését figyelik egy mezopotámiai erőd kapujánál.", "caption": "A 6. században a kelet-római és a szászánida udvar között követjárás és békekötés is összekötötte a háborús időszakokat. A megállapodások és kifizetések a többfrontos államok erőforrásainak elosztását szolgálhatták.", "scene": "A restrained diplomatic meeting on the Roman-Sasanian frontier near Dara around 562 CE. Under a simple shade awning beside massive late-antique stone fortification, a Roman envoy in belted cream tunic and dark red cloak and an Iranian envoy in a long patterned riding coat, trousers and soft cap receive a small sealed document from a bilingual intermediary. A clerk checks modest coin purses used for a negotiated payment, with pack animals and irrigated fields beyond; attendants are unarmed or carry sheathed swords, no combat. Distinguish the Roman and Iranian dress without fantasy crowns, turbans, plate armor or Arab-Islamic architectural motifs. The story is the expense and practical work of peace between rival states. Kuromi stands quietly beside a baggage chest and Jani sits naturally beside her, face visible. Side-on composition with the border gate framing the group, neutral respectful expressions.", "period": "6. század–628", "setting": "Dara környéki római–szászánida határvidék, 562 körül", "historicalDetails": [ "Késő antik kőerőd", "Római tunika és köpeny, iráni hosszú lovaglókaftán", "Lepecsételt okirat és tolmácsoló közvetítő", "Békéhez kapcsolódó pénzes erszények" ], "sourceBasis": [ { "book": "v1", "pdfPages": [ 434, 440 ], "chapter": "10.2 The Byzantine Empire and Persia" }, { "book": "v1", "pdfPages": [ 435, 440 ], "chapter": "10.2 The Byzantine Empire and Persia" } ], "placement": { "area": "base", "sectionIndex": 2 }, "prompt": "TARGETED CHARACTER CORRECTION: Use image 1 as the scene to preserve. Use subsequent canonical Kuromi references to correct ONLY Kuromi. Make her collar dark charcoal gray/black, with only four tiny pink balls on the pointed tips; remove every wide pink collar area. Correct her eyes to simple black teardrop/oval eyes with exactly two short curved eyelashes at each outer edge as in the canonical images. Keep recognizable pink skull emblem, black two-point hood and white body. Preserve the existing historical scene, all human figures, setting, objects, poses, framing, lighting and colors. Preserve Jani exactly including her asymmetric facial markings, blue eyes, four paws and fluffy tail. Do not add props, writing or change expressions unnecessarily. The correction must blend with the illustration's existing drawn style. Preserve concerned or serious facial expressions in scenes of hardship, violence or loss; do not introduce a cheerful smile. ", "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [], "canonicalKuromi": true }, "generationPrompt": "Use case: historical-scene. Create a wide 1536x1024 opaque full-color hand-drawn historical educational narrative illustration. Fine clean outlines, coherent drawn human and animal figures, natural daylight and considered earth colors, delicate painted textures. One continuous scene, no panels. The two attached pictures are CHARACTER IDENTITY REFERENCES ONLY, not poses, props or backgrounds. Include recognizable Kuromi with black two-point jester hood, pink skull emblem, white body and pink collar; no magnifying glass or book unless specified. Include Jani, a FEMALE fluffy cream-white ragdoll CAT with blue eyes, pink nose, dark brown bushy tail, natural four-legged feline anatomy and paws. Jani's facial markings are ASYMMETRICAL: a large DARK BROWN eye patch on the VIEWER'S LEFT, a much smaller lighter taupe patch on the VIEWER'S RIGHT, an irregular central white blaze. No clothing, no bow tie, no human hands for Jani. Both clearly visible as small observers within the scene, never impersonate historical people. Keep the full setting and all people in the same gentle illustration style as the characters. Historically restrained clothing and objects; no movie/game/fantasy armor, theatrical backlight, gigantic battle, decorative out-of-period icons. No readable writing, labels, dates, charts, watermark, modern flags, or modern equipment. A restrained diplomatic meeting on the Roman-Sasanian frontier near Dara around 562 CE. Under a simple shade awning beside massive late-antique stone fortification, a Roman envoy in belted cream tunic and dark red cloak and an Iranian envoy in a long patterned riding coat, trousers and soft cap receive a small sealed document from a bilingual intermediary. A clerk checks modest coin purses used for a negotiated payment, with pack animals and irrigated fields beyond; attendants are unarmed or carry sheathed swords, no combat. Distinguish the Roman and Iranian dress without fantasy crowns, turbans, plate armor or Arab-Islamic architectural motifs. The story is the expense and practical work of peace between rival states. Kuromi stands quietly beside a baggage chest and Jani sits naturally beside her, face visible. Side-on composition with the border gate framing the group, neutral respectful expressions.", "canonicalCorrectionPrompt": "TARGETED CHARACTER CORRECTION: Use image 1 as the scene to preserve. Use subsequent canonical Kuromi references to correct ONLY Kuromi. Make her collar dark charcoal gray/black, with only four tiny pink balls on the pointed tips; remove every wide pink collar area. Correct her eyes to simple black teardrop/oval eyes with exactly two short curved eyelashes at each outer edge as in the canonical images. Keep recognizable pink skull emblem, black two-point hood and white body. Preserve the existing historical scene, all human figures, setting, objects, poses, framing, lighting and colors. Preserve Jani exactly including her asymmetric facial markings, blue eyes, four paws and fluffy tail. Do not add props, writing or change expressions unnecessarily. The correction must blend with the illustration's existing drawn style. Preserve concerned or serious facial expressions in scenes of hardship, violence or loss; do not introduce a cheerful smile. ", "revisions": [ { "kind": "canonical-kuromi", "prompt": "TARGETED CHARACTER CORRECTION: Use image 1 as the scene to preserve. Use subsequent canonical Kuromi references to correct ONLY Kuromi. Make her collar dark charcoal gray/black, with only four tiny pink balls on the pointed tips; remove every wide pink collar area. Correct her eyes to simple black teardrop/oval eyes with exactly two short curved eyelashes at each outer edge as in the canonical images. Keep recognizable pink skull emblem, black two-point hood and white body. Preserve the existing historical scene, all human figures, setting, objects, poses, framing, lighting and colors. Preserve Jani exactly including her asymmetric facial markings, blue eyes, four paws and fluffy tail. Do not add props, writing or change expressions unnecessarily. The correction must blend with the illustration's existing drawn style. Preserve concerned or serious facial expressions in scenes of hardship, violence or loss; do not introduce a cheerful smile. ", "visuallyReviewed": true } ], "src": "assets/lesson-scenes/w10-02.webp", "sha256": "4ad178f931bad1b4ec4eefa87cb73a7c7d6486ec92ccdc85a75aa3cb9d2481d0", "bytes": 399524, "thumbnailSrc": "assets/lesson-scenes/w10-02-preview.webp", "thumbnailSha256": "a622ffc63b3d18e4798eb0f2c51a9f2d5bd2590d4cf3a2b188a8a0a96a036025", "thumbnailBytes": 137344 }, { "unitId": "w10-03", "title": "Keresztjel az akszúmi pénzverő műhelyben", "alt": "Kuromi és Jani az akszúmi pénzverők munkáját figyelik, miközben a mesterek érmét ütnek és aranylapkákat mérnek.", "caption": "Akszúm saját pénzverése a királyi hatalom és a távolsági kapcsolatok egyik eszköze volt. A 4. században a pénzek keresztjele az udvar keresztény kötődését közvetítette, de nem bizonyította az egész lakosság azonnali áttérését.", "scene": "The royal mint of Aksum in the Ethiopian highlands around 370 CE, an open stone-and-timber workshop with stepped rubble walls and wooden horizontal beams, carved stone stelae visible in the distant city. An African metalworker uses hand-held coin dies and a small hammer to strike a GOLD coin; a second worker weighs blanks on a little balance, and an official compares a newly minted cross-marked coin with earlier discs in a shallow tray. The single small cross is a simple emblem, no readable legends or invented letters. Workers wear wrapped cotton garments and cloaks, with a modest cruciform pendant on the official. No medieval rock-hewn Lalibela church or modern Ethiopian flag. Kuromi stands observing a coin die from the side and Jani rests on all four paws beside her with frontal asymmetric face. Close workshop scene with the minting action largest, natural cool highland light.", "period": "1–6. század", "setting": "Akszúm pénzverő műhelye, 370 körül", "historicalDetails": [ "Kézi verőtő és kalapács", "Mérlegen ellenőrzött aranylapkák", "Egyszerű keresztjelű érme olvasható felirat nélkül", "Kő-fa falazat és távoli akszúmi sztélék" ], "sourceBasis": [ { "book": "v1", "pdfPages": [ 441, 446 ], "chapter": "10.3 The Kingdoms of Aksum and Himyar" }, { "book": "v1", "pdfPages": [ 441, 445 ], "chapter": "10.3 The Kingdoms of Aksum and Himyar" } ], "placement": { "area": "base", "sectionIndex": 1 }, "prompt": "TARGETED CHARACTER CORRECTION: Use image 1 as the scene to preserve. Use subsequent canonical Kuromi references to correct ONLY Kuromi. Make her collar dark charcoal gray/black, with only four tiny pink balls on the pointed tips; remove every wide pink collar area. Correct her eyes to simple black teardrop/oval eyes with exactly two short curved eyelashes at each outer edge as in the canonical images. Keep recognizable pink skull emblem, black two-point hood and white body. Preserve the existing historical scene, all human figures, setting, objects, poses, framing, lighting and colors. Preserve Jani exactly including her asymmetric facial markings, blue eyes, four paws and fluffy tail. Do not add props, writing or change expressions unnecessarily. The correction must blend with the illustration's existing drawn style. Preserve concerned or serious facial expressions in scenes of hardship, violence or loss; do not introduce a cheerful smile. ", "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [], "canonicalKuromi": true }, "generationPrompt": "Use case: historical-scene. Create a wide 1536x1024 opaque full-color hand-drawn historical educational narrative illustration. Fine clean outlines, coherent drawn human and animal figures, natural daylight and considered earth colors, delicate painted textures. One continuous scene, no panels. The two attached pictures are CHARACTER IDENTITY REFERENCES ONLY, not poses, props or backgrounds. Include recognizable Kuromi with black two-point jester hood, pink skull emblem, white body and pink collar; no magnifying glass or book unless specified. Include Jani, a FEMALE fluffy cream-white ragdoll CAT with blue eyes, pink nose, dark brown bushy tail, natural four-legged feline anatomy and paws. Jani's facial markings are ASYMMETRICAL: a large DARK BROWN eye patch on the VIEWER'S LEFT, a much smaller lighter taupe patch on the VIEWER'S RIGHT, an irregular central white blaze. No clothing, no bow tie, no human hands for Jani. Both clearly visible as small observers within the scene, never impersonate historical people. Keep the full setting and all people in the same gentle illustration style as the characters. Historically restrained clothing and objects; no movie/game/fantasy armor, theatrical backlight, gigantic battle, decorative out-of-period icons. No readable writing, labels, dates, charts, watermark, modern flags, or modern equipment. The royal mint of Aksum in the Ethiopian highlands around 370 CE, an open stone-and-timber workshop with stepped rubble walls and wooden horizontal beams, carved stone stelae visible in the distant city. An African metalworker uses hand-held coin dies and a small hammer to strike a GOLD coin; a second worker weighs blanks on a little balance, and an official compares a newly minted cross-marked coin with earlier discs in a shallow tray. The single small cross is a simple emblem, no readable legends or invented letters. Workers wear wrapped cotton garments and cloaks, with a modest cruciform pendant on the official. No medieval rock-hewn Lalibela church or modern Ethiopian flag. Kuromi stands observing a coin die from the side and Jani rests on all four paws beside her with frontal asymmetric face. Close workshop scene with the minting action largest, natural cool highland light.\nTARGETED REPAIR OF IMAGE 1: preserve the historical mint workshop, all human figures, coin-striking tools, lighting, architecture and composition. Replace ONLY the two foreground mascots: Kuromi must have a fully separate small upright biped white body with two arms and two feet, next to her a fully separate fluffy four-legged cat Jani with one head, four paws, one torso and one dark bushy tail. Leave a clear visible air gap between their complete silhouettes. Do not overlap or merge any part of Kuromi with Jani. Use images 2 and 3 as their separate identity references. Place Kuromi at lower left, Jani immediately to her right facing the viewer; Jani's larger darker eye patch is on viewer left and much lighter smaller patch on viewer right. Everything else unchanged.", "canonicalCorrectionPrompt": "TARGETED CHARACTER CORRECTION: Use image 1 as the scene to preserve. Use subsequent canonical Kuromi references to correct ONLY Kuromi. Make her collar dark charcoal gray/black, with only four tiny pink balls on the pointed tips; remove every wide pink collar area. Correct her eyes to simple black teardrop/oval eyes with exactly two short curved eyelashes at each outer edge as in the canonical images. Keep recognizable pink skull emblem, black two-point hood and white body. Preserve the existing historical scene, all human figures, setting, objects, poses, framing, lighting and colors. Preserve Jani exactly including her asymmetric facial markings, blue eyes, four paws and fluffy tail. Do not add props, writing or change expressions unnecessarily. The correction must blend with the illustration's existing drawn style. Preserve concerned or serious facial expressions in scenes of hardship, violence or loss; do not introduce a cheerful smile. ", "revisions": [ { "kind": "canonical-kuromi", "prompt": "TARGETED CHARACTER CORRECTION: Use image 1 as the scene to preserve. Use subsequent canonical Kuromi references to correct ONLY Kuromi. Make her collar dark charcoal gray/black, with only four tiny pink balls on the pointed tips; remove every wide pink collar area. Correct her eyes to simple black teardrop/oval eyes with exactly two short curved eyelashes at each outer edge as in the canonical images. Keep recognizable pink skull emblem, black two-point hood and white body. Preserve the existing historical scene, all human figures, setting, objects, poses, framing, lighting and colors. Preserve Jani exactly including her asymmetric facial markings, blue eyes, four paws and fluffy tail. Do not add props, writing or change expressions unnecessarily. The correction must blend with the illustration's existing drawn style. Preserve concerned or serious facial expressions in scenes of hardship, violence or loss; do not introduce a cheerful smile. ", "visuallyReviewed": true } ], "src": "assets/lesson-scenes/w10-03.webp", "sha256": "532e62c961a7a2524efc556131a24e4c032897f2e751413833328f54d6e68e1a", "bytes": 392970, "thumbnailSrc": "assets/lesson-scenes/w10-03-preview.webp", "thumbnailSha256": "95e1661a89a2a303b39a842c0cd59d68b3f715fa7b2a3bbdb8cc22b2d733ba87", "thumbnailBytes": 136636 }, { "unitId": "w10-04", "title": "Gandhárai szobrász a kusán korban", "alt": "Kuromi és Jani egy gandhárai műhelyben figyelik, ahogy a szobrász Buddha kőszobrának ruharedőit faragja.", "caption": "A 2. századi Kusán Birodalom gandhárai műhelyei többféle művészeti hagyomány találkozásából alakítottak új formákat. A buddhista intézmények és támogatók megrendelései anyagi hátteret adtak az alkotómunkának.", "scene": "A Gandharan stone-carving workshop near Taxila during Kushan rule around 150 CE. An artisan in a simple tunic and trousers carefully chisels the folded robe of a serene seated Buddha in gray schist, while a Buddhist monk in a plain draped robe discusses a small clay model with the artisan's assistant. Show a partly worked carved relief, hand chisels, stone chips, and an unfinished niche, with a modest Buddhist monastery courtyard and green foothills beyond. The scene explains new artistic forms and royal-era support through human craft, not a generic caravan. Historically grounded Gandharan wavy hair, draped robe folds, simple halo, no East Asian pagodas or later Tibetan imagery. Kuromi watches beside the stone chips at lower right, and Jani sits separately on a low wall with clearly asymmetric front-facing eye patches. Intimate lateral composition; no huge mystical glowing statue.", "period": "Kr. e. 2. század–Kr. u. 6. század", "setting": "Taxila környéke, Gandhára, 150 körül", "historicalDetails": [ "Szürke palakő és kézi vésők", "Gandhárai redőzött köntösű Buddha-ábrázolás", "Buddhista kolostor udvara", "Agyagmodell és kőfaragó műhelymunka" ], "sourceBasis": [ { "book": "v1", "pdfPages": [ 447, 453 ], "chapter": "10.4 The Margins of Empire" }, { "book": "v1", "pdfPages": [ 448, 453 ], "chapter": "10.4 The Margins of Empire" } ], "placement": { "area": "base", "sectionIndex": 0 }, "prompt": "TARGETED CHARACTER CORRECTION: Use image 1 as the scene to preserve. Use subsequent canonical Kuromi references to correct ONLY Kuromi. Make her collar dark charcoal gray/black, with only four tiny pink balls on the pointed tips; remove every wide pink collar area. Correct her eyes to simple black teardrop/oval eyes with exactly two short curved eyelashes at each outer edge as in the canonical images. Keep recognizable pink skull emblem, black two-point hood and white body. Preserve the existing historical scene, all human figures, setting, objects, poses, framing, lighting and colors. Preserve Jani exactly including her asymmetric facial markings, blue eyes, four paws and fluffy tail. Do not add props, writing or change expressions unnecessarily. The correction must blend with the illustration's existing drawn style. Preserve concerned or serious facial expressions in scenes of hardship, violence or loss; do not introduce a cheerful smile. ", "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [], "canonicalKuromi": true }, "generationPrompt": "Use case: historical-scene. Create a wide 1536x1024 opaque full-color hand-drawn historical educational narrative illustration. Fine clean outlines, coherent drawn human and animal figures, natural daylight and considered earth colors, delicate painted textures. One continuous scene, no panels. The two attached pictures are CHARACTER IDENTITY REFERENCES ONLY, not poses, props or backgrounds. Include recognizable Kuromi with black two-point jester hood, pink skull emblem, white body and pink collar; no magnifying glass or book unless specified. Include Jani, a FEMALE fluffy cream-white ragdoll CAT with blue eyes, pink nose, dark brown bushy tail, natural four-legged feline anatomy and paws. Jani's facial markings are ASYMMETRICAL: a large DARK BROWN eye patch on the VIEWER'S LEFT, a much smaller lighter taupe patch on the VIEWER'S RIGHT, an irregular central white blaze. No clothing, no bow tie, no human hands for Jani. Both clearly visible as small observers within the scene, never impersonate historical people. Keep the full setting and all people in the same gentle illustration style as the characters. Historically restrained clothing and objects; no movie/game/fantasy armor, theatrical backlight, gigantic battle, decorative out-of-period icons. No readable writing, labels, dates, charts, watermark, modern flags, or modern equipment. Keep Kuromi and Jani as TWO SEPARATE complete bodies with a clear gap between their silhouettes; do not merge their limbs, fur, heads or tails. A Gandharan stone-carving workshop near Taxila during Kushan rule around 150 CE. An artisan in a simple tunic and trousers carefully chisels the folded robe of a serene seated Buddha in gray schist, while a Buddhist monk in a plain draped robe discusses a small clay model with the artisan's assistant. Show a partly worked carved relief, hand chisels, stone chips, and an unfinished niche, with a modest Buddhist monastery courtyard and green foothills beyond. The scene explains new artistic forms and royal-era support through human craft, not a generic caravan. Historically grounded Gandharan wavy hair, draped robe folds, simple halo, no East Asian pagodas or later Tibetan imagery. Kuromi watches beside the stone chips at lower right, and Jani sits separately on a low wall with clearly asymmetric front-facing eye patches. Intimate lateral composition; no huge mystical glowing statue.\nTARGETED REPAIR: preserve this entire workshop illustration and all figures, composition, objects and poses. Correct ONLY Jani's facial fur markings: on the LEFT SIDE OF THE PICTURE, the patch around her left visible blue eye must be much larger and dark chocolate brown, covering her cheek. On the RIGHT SIDE OF THE PICTURE, the patch around her right visible blue eye must be small and pale taupe. The white central facial stripe is irregular. Do not mirror the whole image, do not change her eyes or body, do not change Kuromi or anything else.", "canonicalCorrectionPrompt": "TARGETED CHARACTER CORRECTION: Use image 1 as the scene to preserve. Use subsequent canonical Kuromi references to correct ONLY Kuromi. Make her collar dark charcoal gray/black, with only four tiny pink balls on the pointed tips; remove every wide pink collar area. Correct her eyes to simple black teardrop/oval eyes with exactly two short curved eyelashes at each outer edge as in the canonical images. Keep recognizable pink skull emblem, black two-point hood and white body. Preserve the existing historical scene, all human figures, setting, objects, poses, framing, lighting and colors. Preserve Jani exactly including her asymmetric facial markings, blue eyes, four paws and fluffy tail. Do not add props, writing or change expressions unnecessarily. The correction must blend with the illustration's existing drawn style. Preserve concerned or serious facial expressions in scenes of hardship, violence or loss; do not introduce a cheerful smile. ", "revisions": [ { "kind": "canonical-kuromi", "prompt": "TARGETED CHARACTER CORRECTION: Use image 1 as the scene to preserve. Use subsequent canonical Kuromi references to correct ONLY Kuromi. Make her collar dark charcoal gray/black, with only four tiny pink balls on the pointed tips; remove every wide pink collar area. Correct her eyes to simple black teardrop/oval eyes with exactly two short curved eyelashes at each outer edge as in the canonical images. Keep recognizable pink skull emblem, black two-point hood and white body. Preserve the existing historical scene, all human figures, setting, objects, poses, framing, lighting and colors. Preserve Jani exactly including her asymmetric facial markings, blue eyes, four paws and fluffy tail. Do not add props, writing or change expressions unnecessarily. The correction must blend with the illustration's existing drawn style. Preserve concerned or serious facial expressions in scenes of hardship, violence or loss; do not introduce a cheerful smile. ", "visuallyReviewed": true } ], "src": "assets/lesson-scenes/w10-04.webp", "sha256": "7aade52cf0ed5b96601cdd313e133fa3bb937c3aa91b03453985da32c52446ee", "bytes": 400254, "thumbnailSrc": "assets/lesson-scenes/w10-04-preview.webp", "thumbnailSha256": "504ab0ec7e8fb8368aaaa3fe7dcb7a2889798dc682aa6ffa208aedd1f0ad6f72", "thumbnailBytes": 137776 }, { "unitId": "w11-01", "title": "Új közösségi kapcsolatok Medinában", "alt": "Kuromi és Jani egy medinai pálmaudvarban figyelik, ahogy a helyiek vizet és datolyát adnak az érkező családoknak.", "caption": "A 622-es hidzsra után Medinában új vallási és politikai közösség szerveződött. A jelenet a befogadás és a közös ellátás hétköznapi oldalát szemlélteti, történeti személy portréja nélkül.", "scene": "Medina shortly after the Hijra, around 623 CE, a modest date-palm oasis settlement. Show ordinary residents receiving newly arrived families: a host offers a bowl of dates and a water vessel to a weary traveler, while others share shelter space and unload small woven bundles under a palm-beam portico beside low mudbrick homes. Adults in simple undyed wrapped cloth and plain tunics, families varied in age; cooperation and new communal bonds are the central action. This is NOT a portrait of Muhammad: DO NOT depict Muhammad, any prophet, a veiled stand-in, halo, or singular religious leader. No monumental mosque, green dome, minarets, black modern flags or ornate later robes. Kuromi and Jani observe quietly beside an empty reed basket, both complete and separate, Jani facing viewer. Low eye-level intimate composition under palms, warm calm humane mood.", "period": "7. század eleje–632", "setting": "Medina, 623 körül, pálmaudvar", "historicalDetails": [ "Alacsony sártéglaházak", "Pálmagerendás árnyékoló és gyékény", "Datolya és egyszerű víztartó edény", "Utazócsomagok és befogadó háztartások" ], "sourceBasis": [ { "book": "v1", "pdfPages": [ 461, 474 ], "chapter": "11.1 The Rise and Message of Islam" }, { "book": "v1", "pdfPages": [ 468, 474 ], "chapter": "11.1 The Rise and Message of Islam" } ], "placement": { "area": "base", "sectionIndex": 2 }, "prompt": "TARGETED CHARACTER CORRECTION: Use image 1 as the scene to preserve. Use subsequent canonical Kuromi references to correct ONLY Kuromi. Make her collar dark charcoal gray/black, with only four tiny pink balls on the pointed tips; remove every wide pink collar area. Correct her eyes to simple black teardrop/oval eyes with exactly two short curved eyelashes at each outer edge as in the canonical images. Keep recognizable pink skull emblem, black two-point hood and white body. Preserve the existing historical scene, all human figures, setting, objects, poses, framing, lighting and colors. Preserve Jani exactly including her asymmetric facial markings, blue eyes, four paws and fluffy tail. Do not add props, writing or change expressions unnecessarily. The correction must blend with the illustration's existing drawn style. Preserve concerned or serious facial expressions in scenes of hardship, violence or loss; do not introduce a cheerful smile. ", "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [], "canonicalKuromi": true }, "generationPrompt": "Use case: historical-scene. Create a wide 1536x1024 opaque full-color hand-drawn historical educational narrative illustration. Fine clean outlines, coherent drawn human and animal figures, natural daylight and considered earth colors, delicate painted textures. One continuous scene, no panels. The two attached pictures are CHARACTER IDENTITY REFERENCES ONLY, not poses, props or backgrounds. Include recognizable Kuromi with black two-point jester hood, pink skull emblem, white body and pink collar; no magnifying glass or book unless specified. Include Jani, a FEMALE fluffy cream-white ragdoll CAT with blue eyes, pink nose, dark brown bushy tail, natural four-legged feline anatomy and paws. Jani's facial markings are ASYMMETRICAL: a large DARK BROWN eye patch on the VIEWER'S LEFT, a much smaller lighter taupe patch on the VIEWER'S RIGHT, an irregular central white blaze. No clothing, no bow tie, no human hands for Jani. Both clearly visible as small observers within the scene, never impersonate historical people. Keep the full setting and all people in the same gentle illustration style as the characters. Historically restrained clothing and objects; no movie/game/fantasy armor, theatrical backlight, gigantic battle, decorative out-of-period icons. No readable writing, labels, dates, charts, watermark, modern flags, or modern equipment. Keep Kuromi and Jani as TWO SEPARATE complete bodies with a clear gap between their silhouettes; do not merge their limbs, fur, heads or tails. Medina shortly after the Hijra, around 623 CE, a modest date-palm oasis settlement. Show ordinary residents receiving newly arrived families: a host offers a bowl of dates and a water vessel to a weary traveler, while others share shelter space and unload small woven bundles under a palm-beam portico beside low mudbrick homes. Adults in simple undyed wrapped cloth and plain tunics, families varied in age; cooperation and new communal bonds are the central action. This is NOT a portrait of Muhammad: DO NOT depict Muhammad, any prophet, a veiled stand-in, halo, or singular religious leader. No monumental mosque, green dome, minarets, black modern flags or ornate later robes. Kuromi and Jani observe quietly beside an empty reed basket, both complete and separate, Jani facing viewer. Low eye-level intimate composition under palms, warm calm humane mood.", "canonicalCorrectionPrompt": "TARGETED CHARACTER CORRECTION: Use image 1 as the scene to preserve. Use subsequent canonical Kuromi references to correct ONLY Kuromi. Make her collar dark charcoal gray/black, with only four tiny pink balls on the pointed tips; remove every wide pink collar area. Correct her eyes to simple black teardrop/oval eyes with exactly two short curved eyelashes at each outer edge as in the canonical images. Keep recognizable pink skull emblem, black two-point hood and white body. Preserve the existing historical scene, all human figures, setting, objects, poses, framing, lighting and colors. Preserve Jani exactly including her asymmetric facial markings, blue eyes, four paws and fluffy tail. Do not add props, writing or change expressions unnecessarily. The correction must blend with the illustration's existing drawn style. Preserve concerned or serious facial expressions in scenes of hardship, violence or loss; do not introduce a cheerful smile. ", "revisions": [ { "kind": "canonical-kuromi", "prompt": "TARGETED CHARACTER CORRECTION: Use image 1 as the scene to preserve. Use subsequent canonical Kuromi references to correct ONLY Kuromi. Make her collar dark charcoal gray/black, with only four tiny pink balls on the pointed tips; remove every wide pink collar area. Correct her eyes to simple black teardrop/oval eyes with exactly two short curved eyelashes at each outer edge as in the canonical images. Keep recognizable pink skull emblem, black two-point hood and white body. Preserve the existing historical scene, all human figures, setting, objects, poses, framing, lighting and colors. Preserve Jani exactly including her asymmetric facial markings, blue eyes, four paws and fluffy tail. Do not add props, writing or change expressions unnecessarily. The correction must blend with the illustration's existing drawn style. Preserve concerned or serious facial expressions in scenes of hardship, violence or loss; do not introduce a cheerful smile. ", "visuallyReviewed": true } ], "src": "assets/lesson-scenes/w11-01.webp", "sha256": "dc985ea7ed15fc37eb2ba59e5cf27a4ee626f7e828ea3a6d264e0b0406ca84ab", "bytes": 417696, "thumbnailSrc": "assets/lesson-scenes/w11-01-preview.webp", "thumbnailSha256": "9a64d6a9c5338104aafe2d635cc130a6b5887fc86d34c497e09faaaeeef95d97", "thumbnailBytes": 137698 }, { "unitId": "w11-02", "title": "Gabona és helyi írnokok Fusztátban", "alt": "Kuromi és Jani egy fusztáti magtárnál figyelik a gabona kimérését és az arab tisztviselővel együtt dolgozó helyi írnokot.", "caption": "A 7. századi hódítások után a tartós uralomhoz bevételre, helyi írnokokra és a meghódított közösségekkel kialakított rendre volt szükség. Egyiptomban az új központ és a korábbi igazgatási tudás együtt szolgálta az állam működését.", "scene": "Fustat in Egypt around 650 CE, a newly established garrison settlement beside the Nile. At a modest shaded granary doorway an Arabic-speaking official and a local Coptic Egyptian scribe cooperate with an interpreter as village representatives deliver sacks of measured grain; show a wooden dry measure being leveled, a balance and tied papyrus rolls whose writing is not visible. Behind them simple mudbrick homes, a few soldiers in plain early-medieval tunics with small round shields resting aside, and Nile grain boats. Focus on negotiated administration, taxation and continuity of local expertise after conquest; no victorious battle, no glamorous palace, no later Mamluk mosque silhouette. Kuromi watches the filling of the grain measure at lower right, and female cat Jani stands separately on four paws, face front and asymmetric markings clear. Composition from inside the granary looking outward to a bright courtyard.", "period": "632–750", "setting": "Fusztát, Egyiptom, 650 körül", "historicalDetails": [ "Gabona szárazmértékkel történő kimérése", "Lekötött papirusztekercsek", "Helyi kopt írnok és arab tisztviselő együttműködése", "Egyszerű vályog magtár és nílusi hajók" ], "sourceBasis": [ { "book": "v1", "pdfPages": [ 475, 483 ], "chapter": "11.2 The Arab-Islamic Conquests and the First Islamic States" }, { "book": "v1", "pdfPages": [ 477, 483 ], "chapter": "11.2 The Arab-Islamic Conquests and the First Islamic States" } ], "placement": { "area": "base", "sectionIndex": 2 }, "prompt": "TARGETED CHARACTER CORRECTION: Use image 1 as the scene to preserve. Use subsequent canonical Kuromi references to correct ONLY Kuromi. Make her collar dark charcoal gray/black, with only four tiny pink balls on the pointed tips; remove every wide pink collar area. Correct her eyes to simple black teardrop/oval eyes with exactly two short curved eyelashes at each outer edge as in the canonical images. Keep recognizable pink skull emblem, black two-point hood and white body. Preserve the existing historical scene, all human figures, setting, objects, poses, framing, lighting and colors. Preserve Jani exactly including her asymmetric facial markings, blue eyes, four paws and fluffy tail. Do not add props, writing or change expressions unnecessarily. The correction must blend with the illustration's existing drawn style. Preserve concerned or serious facial expressions in scenes of hardship, violence or loss; do not introduce a cheerful smile. ", "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [], "canonicalKuromi": true }, "generationPrompt": "Use case: historical-scene. Create a wide 1536x1024 opaque full-color hand-drawn historical educational narrative illustration. Fine clean outlines, coherent drawn human and animal figures, natural daylight and considered earth colors, delicate painted textures. One continuous scene, no panels. The two attached pictures are CHARACTER IDENTITY REFERENCES ONLY, not poses, props or backgrounds. Include recognizable Kuromi with black two-point jester hood, pink skull emblem, white body and pink collar; no magnifying glass or book unless specified. Include Jani, a FEMALE fluffy cream-white ragdoll CAT with blue eyes, pink nose, dark brown bushy tail, natural four-legged feline anatomy and paws. Jani's facial markings are ASYMMETRICAL: a large DARK BROWN eye patch on the VIEWER'S LEFT, a much smaller lighter taupe patch on the VIEWER'S RIGHT, an irregular central white blaze. No clothing, no bow tie, no human hands for Jani. Both clearly visible as small observers within the scene, never impersonate historical people. Keep the full setting and all people in the same gentle illustration style as the characters. Historically restrained clothing and objects; no movie/game/fantasy armor, theatrical backlight, gigantic battle, decorative out-of-period icons. No readable writing, labels, dates, charts, watermark, modern flags, or modern equipment. Keep Kuromi and Jani as TWO SEPARATE complete bodies with a clear gap between their silhouettes; do not merge their limbs, fur, heads or tails. Fustat in Egypt around 650 CE, a newly established garrison settlement beside the Nile. At a modest shaded granary doorway an Arabic-speaking official and a local Coptic Egyptian scribe cooperate with an interpreter as village representatives deliver sacks of measured grain; show a wooden dry measure being leveled, a balance and tied papyrus rolls whose writing is not visible. Behind them simple mudbrick homes, a few soldiers in plain early-medieval tunics with small round shields resting aside, and Nile grain boats. Focus on negotiated administration, taxation and continuity of local expertise after conquest; no victorious battle, no glamorous palace, no later Mamluk mosque silhouette. Kuromi watches the filling of the grain measure at lower right, and female cat Jani stands separately on four paws, face front and asymmetric markings clear. Composition from inside the granary looking outward to a bright courtyard.\nTARGETED REPAIR of image 1: change ONLY the cat Jani's facial fur patches, using image 4 (real Jani) as asymmetry identity. The large dark brown patch must surround her eye on the LEFT SIDE OF THE PICTURE and extend across her LEFT cheek. The patch on the RIGHT SIDE OF THE PICTURE must be much smaller and PALE taupe, with mostly white cheek. Retain blue eyes, irregular white middle stripe, same pose and drawn style. Do not mirror scene, do not alter her body or any other object or person. The right patch must be lighter than left. Everything else unchanged.", "canonicalCorrectionPrompt": "TARGETED CHARACTER CORRECTION: Use image 1 as the scene to preserve. Use subsequent canonical Kuromi references to correct ONLY Kuromi. Make her collar dark charcoal gray/black, with only four tiny pink balls on the pointed tips; remove every wide pink collar area. Correct her eyes to simple black teardrop/oval eyes with exactly two short curved eyelashes at each outer edge as in the canonical images. Keep recognizable pink skull emblem, black two-point hood and white body. Preserve the existing historical scene, all human figures, setting, objects, poses, framing, lighting and colors. Preserve Jani exactly including her asymmetric facial markings, blue eyes, four paws and fluffy tail. Do not add props, writing or change expressions unnecessarily. The correction must blend with the illustration's existing drawn style. Preserve concerned or serious facial expressions in scenes of hardship, violence or loss; do not introduce a cheerful smile. ", "revisions": [ { "kind": "canonical-kuromi", "prompt": "TARGETED CHARACTER CORRECTION: Use image 1 as the scene to preserve. Use subsequent canonical Kuromi references to correct ONLY Kuromi. Make her collar dark charcoal gray/black, with only four tiny pink balls on the pointed tips; remove every wide pink collar area. Correct her eyes to simple black teardrop/oval eyes with exactly two short curved eyelashes at each outer edge as in the canonical images. Keep recognizable pink skull emblem, black two-point hood and white body. Preserve the existing historical scene, all human figures, setting, objects, poses, framing, lighting and colors. Preserve Jani exactly including her asymmetric facial markings, blue eyes, four paws and fluffy tail. Do not add props, writing or change expressions unnecessarily. The correction must blend with the illustration's existing drawn style. Preserve concerned or serious facial expressions in scenes of hardship, violence or loss; do not introduce a cheerful smile. ", "visuallyReviewed": true } ], "src": "assets/lesson-scenes/w11-02.webp", "sha256": "d8f4c24b98718f91d95efe600d7a44dabddba33070f27661806a24d7d3bd9207", "bytes": 353312, "thumbnailSrc": "assets/lesson-scenes/w11-02-preview.webp", "thumbnailSha256": "44c443b74c6cf0bd1a4b7f4b9bbdff94188bfbcfe838dc4861936aff46be13bf", "thumbnailBytes": 117112 }, { "unitId": "w11-03", "title": "Fordítók közös munkája az abbászida Bagdadban", "alt": "Kuromi és Jani bagdadi tudósokat figyelnek, akik könyveket hasonlítanak össze és papírra készítenek fordítást.", "caption": "A 9. századi Bagdadban a görög, szír és más hagyományok műveinek fordítása összehasonlító, alkotó munkát igényelt. A tudás terjedését nyelvi közvetítők, megrendelők és az írás anyagi eszközei együtt tették lehetővé.", "scene": "A scholarly translation session in Abbasid Baghdad around 830 CE, viewed from above and to one side through a shaded brick courtyard arcade. Three scholars of different local backgrounds discuss a Greek medical codex and a Syriac intermediary volume while an Arabic-writing colleague drafts a translation with a reed pen on PAPER, another checks a small bronze astrolabe on a shelf. Book surfaces are angled away, showing blank page edges only, no readable invented scripts. Simple bound books, reed pens, ink pots and loose paper make the labor of comparison concrete. The room has brick arches and woven mats, not a fantastic palace, no telescopes or printing presses. A date palm and Tigris boat glimpse outside. Kuromi sits quietly near a stack of paper, Jani lies naturally separately with her face toward viewer, clear asymmetric patches. Scholarly cooperation rather than mystical golden knowledge glow.", "period": "750–10. század", "setting": "Bagdad, tudósudvar, 830 körül", "historicalDetails": [ "Papír és nádtoll", "Kódexek összevetése többnyelvű közvetítéssel", "Bronz asztrolábium", "Téglaárkád és gyékényszőnyegek" ], "sourceBasis": [ { "book": "v1", "pdfPages": [ 484, 491 ], "chapter": "11.3 Islamization and Religious Rule under Islam" }, { "book": "v1", "pdfPages": [ 486, 491 ], "chapter": "11.3 Islamization and Religious Rule under Islam" } ], "placement": { "area": "base", "sectionIndex": 1 }, "prompt": "TARGETED CHARACTER CORRECTION: Use image 1 as the scene to preserve. Use subsequent canonical Kuromi references to correct ONLY Kuromi. Make her collar dark charcoal gray/black, with only four tiny pink balls on the pointed tips; remove every wide pink collar area. Correct her eyes to simple black teardrop/oval eyes with exactly two short curved eyelashes at each outer edge as in the canonical images. Keep recognizable pink skull emblem, black two-point hood and white body. Preserve the existing historical scene, all human figures, setting, objects, poses, framing, lighting and colors. Preserve Jani exactly including her asymmetric facial markings, blue eyes, four paws and fluffy tail. Do not add props, writing or change expressions unnecessarily. The correction must blend with the illustration's existing drawn style. Preserve concerned or serious facial expressions in scenes of hardship, violence or loss; do not introduce a cheerful smile. ", "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [], "canonicalKuromi": true }, "generationPrompt": "Use case: historical-scene. Create a wide 1536x1024 opaque full-color hand-drawn historical educational narrative illustration. Fine clean outlines, coherent drawn human and animal figures, natural daylight and considered earth colors, delicate painted textures. One continuous scene, no panels. The attached images are CHARACTER IDENTITY REFERENCES ONLY, not poses, props or backgrounds. Include recognizable Kuromi with black two-point jester hood, pink skull emblem, white body and pink collar; no magnifying glass or book unless specified. Include Jani, a FEMALE fluffy cream-white ragdoll CAT with blue eyes, pink nose, dark brown bushy tail, natural four-legged feline anatomy and paws. Jani's facial markings are ASYMMETRICAL: a large DARK BROWN eye patch on the VIEWER'S LEFT, a much smaller lighter taupe patch on the VIEWER'S RIGHT, an irregular central white blaze. No clothing, no bow tie, no human hands for Jani. Both clearly visible as small observers within the scene, never impersonate historical people. Keep the full setting and all people in the same gentle illustration style as the characters. Historically restrained clothing and objects; no movie/game/fantasy armor, theatrical backlight, gigantic battle, decorative out-of-period icons. No readable writing, labels, dates, charts, watermark, modern flags, or modern equipment. Keep Kuromi and Jani as TWO SEPARATE complete bodies with a clear gap between their silhouettes; do not merge their limbs, fur, heads or tails. The third reference is the real Jani photo for face identity only; preserve illustrated style, never use its modern room. Jani should face front: the patch on the LEFT SIDE OF THE PICTURE is larger, DARK chocolate, extending onto cheek; the patch on the RIGHT SIDE OF THE PICTURE is much smaller PALE taupe. A scholarly translation session in Abbasid Baghdad around 830 CE, viewed from above and to one side through a shaded brick courtyard arcade. Three scholars of different local backgrounds discuss a Greek medical codex and a Syriac intermediary volume while an Arabic-writing colleague drafts a translation with a reed pen on PAPER, another checks a small bronze astrolabe on a shelf. Book surfaces are angled away, showing blank page edges only, no readable invented scripts. Simple bound books, reed pens, ink pots and loose paper make the labor of comparison concrete. The room has brick arches and woven mats, not a fantastic palace, no telescopes or printing presses. A date palm and Tigris boat glimpse outside. Kuromi sits quietly near a stack of paper, Jani lies naturally separately with her face toward viewer, clear asymmetric patches. Scholarly cooperation rather than mystical golden knowledge glow.\nTARGETED HISTORICAL REPAIR: preserve foreground scholars, books, instruments, mascots and workshop exactly. Replace ONLY the distant skyline across the river: remove the turquoise bulbous dome and all tall ornate late minarets. Instead show an understated ninth-century Abbasid riverside of low flat-roof brick and mudbrick buildings, plain walls and palm trees, with just one distant plain square brick tower. No turquoise domes, Ottoman pointed minarets, or modern Baghdad monuments. Keep river and boats and light unchanged.", "canonicalCorrectionPrompt": "TARGETED CHARACTER CORRECTION: Use image 1 as the scene to preserve. Use subsequent canonical Kuromi references to correct ONLY Kuromi. Make her collar dark charcoal gray/black, with only four tiny pink balls on the pointed tips; remove every wide pink collar area. Correct her eyes to simple black teardrop/oval eyes with exactly two short curved eyelashes at each outer edge as in the canonical images. Keep recognizable pink skull emblem, black two-point hood and white body. Preserve the existing historical scene, all human figures, setting, objects, poses, framing, lighting and colors. Preserve Jani exactly including her asymmetric facial markings, blue eyes, four paws and fluffy tail. Do not add props, writing or change expressions unnecessarily. The correction must blend with the illustration's existing drawn style. Preserve concerned or serious facial expressions in scenes of hardship, violence or loss; do not introduce a cheerful smile. ", "revisions": [ { "kind": "canonical-kuromi", "prompt": "TARGETED CHARACTER CORRECTION: Use image 1 as the scene to preserve. Use subsequent canonical Kuromi references to correct ONLY Kuromi. Make her collar dark charcoal gray/black, with only four tiny pink balls on the pointed tips; remove every wide pink collar area. Correct her eyes to simple black teardrop/oval eyes with exactly two short curved eyelashes at each outer edge as in the canonical images. Keep recognizable pink skull emblem, black two-point hood and white body. Preserve the existing historical scene, all human figures, setting, objects, poses, framing, lighting and colors. Preserve Jani exactly including her asymmetric facial markings, blue eyes, four paws and fluffy tail. Do not add props, writing or change expressions unnecessarily. The correction must blend with the illustration's existing drawn style. Preserve concerned or serious facial expressions in scenes of hardship, violence or loss; do not introduce a cheerful smile. ", "visuallyReviewed": true } ], "src": "assets/lesson-scenes/w11-03.webp", "sha256": "4546151d0f2ba527ba889ba48f7a1396008819760673bff288d677f5d674870c", "bytes": 389078, "thumbnailSrc": "assets/lesson-scenes/w11-03-preview.webp", "thumbnailSha256": "d731b4f171cc62a1f482a3588650e96c054a598a0b725f98c6a19bbe3de3bb82", "thumbnailBytes": 130040 }, { "unitId": "w12-01", "title": "Gabonaszállítás és munkateher a Szuj-kori csatornán", "alt": "Kuromi és Jani a Nagy-csatorna partjáról figyelik a töltésen dolgozó embereket és a vontatott gabonahajót.", "caption": "A Szuj-dinasztia Nagy-csatornája a déli terményeket az északi központokhoz kapcsolta. A 7. század eleji építés és fenntartás ugyanakkor munkaerőt vont el a falusi háztartásoktól.", "scene": "A working section of the Sui Grand Canal near Luoyang around 610 CE. View from the sloping earth bank: conscript laborers in plain early seventh-century Chinese cross-collar tunics carry excavated soil in shoulder baskets and repair a timber-reinforced embankment, while a flat-bottomed wooden grain barge is hauled along the towpath by a rope team. A small official in a simple dark cap supervises beside grain sacks; rice or millet sacks, wooden shovels and wicker baskets, no machinery. The new canal connects provisioning to a distant northern city but the labor burden is visible through tired, dignified people; no chains, no celebratory spectacle. No modern lock gates, ornate Ming junk or queues hairstyle. Kuromi and Jani observe from a safe grassy bank in the foreground, separate complete figures, Jani frontal asymmetric face. Long curved canal leads the eye across a broad flat landscape.", "period": "6–13. század", "setting": "Nagy-csatorna Luojang térségében, 610 körül", "historicalDetails": [ "Lapos fenekű fa gabonahajó", "Vontatókötél és parti vontatóút", "Vállon vitt fonott földhordó kosarak", "Faerősítésű földtöltés" ], "sourceBasis": [ { "book": "v1", "pdfPages": [ 498, 512 ], "chapter": "12.1 The Indian Ocean World in the Early Middle Ages" }, { "book": "v1", "pdfPages": [ 509, 512 ], "chapter": "12.1 The Indian Ocean World in the Early Middle Ages" } ], "placement": { "area": "base", "sectionIndex": 1 }, "prompt": "TARGETED CHARACTER CORRECTION: Use image 1 as the scene to preserve. Use subsequent canonical Kuromi references to correct ONLY Kuromi. Make her collar dark charcoal gray/black, with only four tiny pink balls on the pointed tips; remove every wide pink collar area. Correct her eyes to simple black teardrop/oval eyes with exactly two short curved eyelashes at each outer edge as in the canonical images. Keep recognizable pink skull emblem, black two-point hood and white body. Preserve the existing historical scene, all human figures, setting, objects, poses, framing, lighting and colors. Preserve Jani exactly including her asymmetric facial markings, blue eyes, four paws and fluffy tail. Do not add props, writing or change expressions unnecessarily. The correction must blend with the illustration's existing drawn style. Preserve concerned or serious facial expressions in scenes of hardship, violence or loss; do not introduce a cheerful smile. ", "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [], "canonicalKuromi": true }, "generationPrompt": "Use case: historical-scene. Create a wide 1536x1024 opaque full-color hand-drawn historical educational narrative illustration. Fine clean outlines, coherent drawn human and animal figures, natural daylight and considered earth colors, delicate painted textures. One continuous scene, no panels. The attached images are CHARACTER IDENTITY REFERENCES ONLY, not poses, props or backgrounds. Include recognizable Kuromi with black two-point jester hood, pink skull emblem, white body and pink collar; no magnifying glass or book unless specified. Include Jani, a FEMALE fluffy cream-white ragdoll CAT with blue eyes, pink nose, dark brown bushy tail, natural four-legged feline anatomy and paws. Jani's facial markings are ASYMMETRICAL: a large DARK BROWN eye patch on the VIEWER'S LEFT, a much smaller lighter taupe patch on the VIEWER'S RIGHT, an irregular central white blaze. No clothing, no bow tie, no human hands for Jani. Both clearly visible as small observers within the scene, never impersonate historical people. Keep the full setting and all people in the same gentle illustration style as the characters. Historically restrained clothing and objects; no movie/game/fantasy armor, theatrical backlight, gigantic battle, decorative out-of-period icons. No readable writing, labels, dates, charts, watermark, modern flags, or modern equipment. Keep Kuromi and Jani as TWO SEPARATE complete bodies with a clear gap between their silhouettes; do not merge their limbs, fur, heads or tails. The third reference is the real Jani photo for face identity only; preserve illustrated style, never use its modern room. Jani should face front: the patch on the LEFT SIDE OF THE PICTURE is larger, DARK chocolate, extending onto cheek; the patch on the RIGHT SIDE OF THE PICTURE is much smaller PALE taupe. A working section of the Sui Grand Canal near Luoyang around 610 CE. View from the sloping earth bank: conscript laborers in plain early seventh-century Chinese cross-collar tunics carry excavated soil in shoulder baskets and repair a timber-reinforced embankment, while a flat-bottomed wooden grain barge is hauled along the towpath by a rope team. A small official in a simple dark cap supervises beside grain sacks; rice or millet sacks, wooden shovels and wicker baskets, no machinery. The new canal connects provisioning to a distant northern city but the labor burden is visible through tired, dignified people; no chains, no celebratory spectacle. No modern lock gates, ornate Ming junk or queues hairstyle. Kuromi and Jani observe from a safe grassy bank in the foreground, separate complete figures, Jani frontal asymmetric face. Long curved canal leads the eye across a broad flat landscape.", "canonicalCorrectionPrompt": "TARGETED CHARACTER CORRECTION: Use image 1 as the scene to preserve. Use subsequent canonical Kuromi references to correct ONLY Kuromi. Make her collar dark charcoal gray/black, with only four tiny pink balls on the pointed tips; remove every wide pink collar area. Correct her eyes to simple black teardrop/oval eyes with exactly two short curved eyelashes at each outer edge as in the canonical images. Keep recognizable pink skull emblem, black two-point hood and white body. Preserve the existing historical scene, all human figures, setting, objects, poses, framing, lighting and colors. Preserve Jani exactly including her asymmetric facial markings, blue eyes, four paws and fluffy tail. Do not add props, writing or change expressions unnecessarily. The correction must blend with the illustration's existing drawn style. Preserve concerned or serious facial expressions in scenes of hardship, violence or loss; do not introduce a cheerful smile. ", "revisions": [ { "kind": "canonical-kuromi", "prompt": "TARGETED CHARACTER CORRECTION: Use image 1 as the scene to preserve. Use subsequent canonical Kuromi references to correct ONLY Kuromi. Make her collar dark charcoal gray/black, with only four tiny pink balls on the pointed tips; remove every wide pink collar area. Correct her eyes to simple black teardrop/oval eyes with exactly two short curved eyelashes at each outer edge as in the canonical images. Keep recognizable pink skull emblem, black two-point hood and white body. Preserve the existing historical scene, all human figures, setting, objects, poses, framing, lighting and colors. Preserve Jani exactly including her asymmetric facial markings, blue eyes, four paws and fluffy tail. Do not add props, writing or change expressions unnecessarily. The correction must blend with the illustration's existing drawn style. Preserve concerned or serious facial expressions in scenes of hardship, violence or loss; do not introduce a cheerful smile. ", "visuallyReviewed": true } ], "src": "assets/lesson-scenes/w12-01.webp", "sha256": "96facb1397f3f82cd0ea43796a48f0840eac5d47d127a5f7d8df699b5f6cce7b", "bytes": 463480, "thumbnailSrc": "assets/lesson-scenes/w12-01-preview.webp", "thumbnailSha256": "4f6502464bf97494d9dbd5a2315ef0425e3520134bf080c80ff87d8d71e61909", "thumbnailBytes": 155862 }, { "unitId": "w12-02", "title": "Monszunra várva Kollam kikötőjében", "alt": "Kuromi és Jani egy malabári kikötő verandáján figyelik a vitorlát javító helyi kereskedőt és tengeri hajóst.", "caption": "Az Indiai-óceán évszakos szeleihez igazodó hajózás hónapokra egy kikötőben tarthatta az utazókat. A 11–12. századi partvidéki központokban a várakozás tartós üzleti és közösségi kapcsolatokat is építhetett.", "scene": "Kollam on India's Malabar coast around 1100 CE during a pause in the monsoon sailing season. Under the deep eaves of a timber-and-tile waterside lodging, a resident South Indian merchant and an Arabic-speaking sailor mend a triangular sail together while two other travelers share a simple meal; bundled pepper, coir rope and ceramic jars await the next voyage. Beyond, a modest stitched-plank Indian Ocean vessel sits safely moored in a sheltered tropical inlet, palm trees bend gently in moist seasonal weather. Show a settled trading household and practical waiting, making diasporic relationships and local trust visible. No European ships, cannons, modern flags, American crops or modern port cranes; modest historically plausible long garments and wrapped cloth. Kuromi holds a loose length of coir at one end without helping impersonate a historical person; Jani lies separately on the veranda with natural paws and front-facing asymmetric face. Broad shaded veranda frames luminous humid harbor.", "period": "7–13. század", "setting": "Kollam, Malabár-part, 1100 körül", "historicalDetails": [ "Kókuszrost kötél és vitorlajavítás", "Borscsomagok és kerámia tárolóedények", "Szezonálisan kikötőben váró varrott palánkú hajó", "Faoszlopos cseréptetős veranda" ], "sourceBasis": [ { "book": "v1", "pdfPages": [ 512, 526 ], "chapter": "12.2 East-West Interactions in the Early Middle Ages" }, { "book": "v1", "pdfPages": [ 518, 526 ], "chapter": "12.2 East-West Interactions in the Early Middle Ages" } ], "placement": { "area": "base", "sectionIndex": 2 }, "prompt": "TARGETED CHARACTER CORRECTION: Use image 1 as the scene to preserve. Use subsequent canonical Kuromi references to correct ONLY Kuromi. Make her collar dark charcoal gray/black, with only four tiny pink balls on the pointed tips; remove every wide pink collar area. Correct her eyes to simple black teardrop/oval eyes with exactly two short curved eyelashes at each outer edge as in the canonical images. Keep recognizable pink skull emblem, black two-point hood and white body. Preserve the existing historical scene, all human figures, setting, objects, poses, framing, lighting and colors. Preserve Jani exactly including her asymmetric facial markings, blue eyes, four paws and fluffy tail. Do not add props, writing or change expressions unnecessarily. The correction must blend with the illustration's existing drawn style. Preserve concerned or serious facial expressions in scenes of hardship, violence or loss; do not introduce a cheerful smile. ", "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [], "canonicalKuromi": true }, "generationPrompt": "Use case: historical-scene. Create a wide 1536x1024 opaque full-color hand-drawn historical educational narrative illustration. Fine clean outlines, coherent drawn human and animal figures, natural daylight and considered earth colors, delicate painted textures. One continuous scene, no panels. The attached images are CHARACTER IDENTITY REFERENCES ONLY, not poses, props or backgrounds. Include recognizable Kuromi with black two-point jester hood, pink skull emblem, white body and pink collar; no magnifying glass or book unless specified. Include Jani, a FEMALE fluffy cream-white ragdoll CAT with blue eyes, pink nose, dark brown bushy tail, natural four-legged feline anatomy and paws. Jani's facial markings are ASYMMETRICAL: a large DARK BROWN eye patch on the VIEWER'S LEFT, a much smaller lighter taupe patch on the VIEWER'S RIGHT, an irregular central white blaze. No clothing, no bow tie, no human hands for Jani. Both clearly visible as small observers within the scene, never impersonate historical people. Keep the full setting and all people in the same gentle illustration style as the characters. Historically restrained clothing and objects; no movie/game/fantasy armor, theatrical backlight, gigantic battle, decorative out-of-period icons. No readable writing, labels, dates, charts, watermark, modern flags, or modern equipment. Keep Kuromi and Jani as TWO SEPARATE complete bodies with a clear gap between their silhouettes; do not merge their limbs, fur, heads or tails. The third reference is the real Jani photo for face identity only; preserve illustrated style, never use its modern room. Jani should face front: the patch on the LEFT SIDE OF THE PICTURE is larger, DARK chocolate, extending onto cheek; the patch on the RIGHT SIDE OF THE PICTURE is much smaller PALE taupe. Kollam on India's Malabar coast around 1100 CE during a pause in the monsoon sailing season. Under the deep eaves of a timber-and-tile waterside lodging, a resident South Indian merchant and an Arabic-speaking sailor mend a triangular sail together while two other travelers share a simple meal; bundled pepper, coir rope and ceramic jars await the next voyage. Beyond, a modest stitched-plank Indian Ocean vessel sits safely moored in a sheltered tropical inlet, palm trees bend gently in moist seasonal weather. Show a settled trading household and practical waiting, making diasporic relationships and local trust visible. No European ships, cannons, modern flags, American crops or modern port cranes; modest historically plausible long garments and wrapped cloth. Kuromi holds a loose length of coir at one end without helping impersonate a historical person; Jani lies separately on the veranda with natural paws and front-facing asymmetric face. Broad shaded veranda frames luminous humid harbor.", "canonicalCorrectionPrompt": "TARGETED CHARACTER CORRECTION: Use image 1 as the scene to preserve. Use subsequent canonical Kuromi references to correct ONLY Kuromi. Make her collar dark charcoal gray/black, with only four tiny pink balls on the pointed tips; remove every wide pink collar area. Correct her eyes to simple black teardrop/oval eyes with exactly two short curved eyelashes at each outer edge as in the canonical images. Keep recognizable pink skull emblem, black two-point hood and white body. Preserve the existing historical scene, all human figures, setting, objects, poses, framing, lighting and colors. Preserve Jani exactly including her asymmetric facial markings, blue eyes, four paws and fluffy tail. Do not add props, writing or change expressions unnecessarily. The correction must blend with the illustration's existing drawn style. Preserve concerned or serious facial expressions in scenes of hardship, violence or loss; do not introduce a cheerful smile. ", "revisions": [ { "kind": "canonical-kuromi", "prompt": "TARGETED CHARACTER CORRECTION: Use image 1 as the scene to preserve. Use subsequent canonical Kuromi references to correct ONLY Kuromi. Make her collar dark charcoal gray/black, with only four tiny pink balls on the pointed tips; remove every wide pink collar area. Correct her eyes to simple black teardrop/oval eyes with exactly two short curved eyelashes at each outer edge as in the canonical images. Keep recognizable pink skull emblem, black two-point hood and white body. Preserve the existing historical scene, all human figures, setting, objects, poses, framing, lighting and colors. Preserve Jani exactly including her asymmetric facial markings, blue eyes, four paws and fluffy tail. Do not add props, writing or change expressions unnecessarily. The correction must blend with the illustration's existing drawn style. Preserve concerned or serious facial expressions in scenes of hardship, violence or loss; do not introduce a cheerful smile. ", "visuallyReviewed": true } ], "src": "assets/lesson-scenes/w12-02.webp", "sha256": "35cee78150721ffac9851f34ce9ecb428e6d23226fc3716399d7f83b4cb9178b", "bytes": 418286, "thumbnailSrc": "assets/lesson-scenes/w12-02-preview.webp", "thumbnailSha256": "ae2170b4a77be1ac8aff933d97c09101d985da07614a307a2276b7f29d334031", "thumbnailBytes": 139150 }, { "unitId": "w12-03", "title": "Női írásbeliség a Heian-udvarban", "alt": "Kuromi és Jani egy Heian-kori udvari szobában figyelik a papírra író és tekercset olvasó nőket.", "caption": "A 11. század eleji japán udvari irodalom női szerzők hangját is megőrizte. Muraszaki Sikibu műve az elit kapcsolatainak és elvárásainak forrása, de nem az egész társadalom mindennapjainak közvetlen leírása.", "scene": "A Heian-period aristocratic women's writing chamber in Heian-kyo, Japan, around 1008 CE. A court lady with long straight black hair and layered silk robes sits at a low writing stand, pausing with a brush while another woman quietly reads a rolled manuscript with the written surface turned away; show a small inkstone, folded paper, woven floor mats and bamboo blinds partly lowered. An open wooden veranda looks onto an understated garden pond and flowering plum branch. This is a historically informed literary setting, not a verified portrait of Murasaki Shikibu or a claim that a novel scene literally happened. No samurai weapons, tea ceremony, modern tatami grid, geisha hairstyle or gold Edo screens. Kuromi sits near a bamboo blind, Jani rests separately on the veranda edge facing front with asymmetric markings. Elegant horizontal interior with soft side daylight, emotional focus on the woman's thoughtful creative work.", "period": "4–13. század", "setting": "Heian-kjó, udvari női lakrész, 1008 körül", "historicalDetails": [ "Réteges selyem udvari öltözet", "Ecset, dörzskő és papír", "Bambuszroló és fa veranda", "Udvari kert és tekercsolvasás" ], "sourceBasis": [ { "book": "v1", "pdfPages": [ 527, 537 ], "chapter": "12.3 Border States: Sogdiana, Korea, and Japan" }, { "book": "v1", "pdfPages": [ 533, 536 ], "chapter": "12.3 Border States: Sogdiana, Korea, and Japan" } ], "placement": { "area": "base", "sectionIndex": 2 }, "prompt": "TARGETED CHARACTER CORRECTION: Use image 1 as the scene to preserve. Use subsequent canonical Kuromi references to correct ONLY Kuromi. Make her collar dark charcoal gray/black, with only four tiny pink balls on the pointed tips; remove every wide pink collar area. Correct her eyes to simple black teardrop/oval eyes with exactly two short curved eyelashes at each outer edge as in the canonical images. Keep recognizable pink skull emblem, black two-point hood and white body. Preserve the existing historical scene, all human figures, setting, objects, poses, framing, lighting and colors. Preserve Jani exactly including her asymmetric facial markings, blue eyes, four paws and fluffy tail. Do not add props, writing or change expressions unnecessarily. The correction must blend with the illustration's existing drawn style. Preserve concerned or serious facial expressions in scenes of hardship, violence or loss; do not introduce a cheerful smile. ", "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [], "canonicalKuromi": true }, "generationPrompt": "Use case: historical-scene. Create a wide 1536x1024 opaque full-color hand-drawn historical educational narrative illustration. Fine clean outlines, coherent drawn human and animal figures, natural daylight and considered earth colors, delicate painted textures. One continuous scene, no panels. The attached images are CHARACTER IDENTITY REFERENCES ONLY, not poses, props or backgrounds. Include recognizable Kuromi with black two-point jester hood, pink skull emblem, white body and pink collar; no magnifying glass or book unless specified. Include Jani, a FEMALE fluffy cream-white ragdoll CAT with blue eyes, pink nose, dark brown bushy tail, natural four-legged feline anatomy and paws. Jani's facial markings are ASYMMETRICAL: a large DARK BROWN eye patch on the VIEWER'S LEFT, a much smaller lighter taupe patch on the VIEWER'S RIGHT, an irregular central white blaze. No clothing, no bow tie, no human hands for Jani. Both clearly visible as small observers within the scene, never impersonate historical people. Keep the full setting and all people in the same gentle illustration style as the characters. Historically restrained clothing and objects; no movie/game/fantasy armor, theatrical backlight, gigantic battle, decorative out-of-period icons. No readable writing, labels, dates, charts, watermark, modern flags, or modern equipment. Keep Kuromi and Jani as TWO SEPARATE complete bodies with a clear gap between their silhouettes; do not merge their limbs, fur, heads or tails. The third reference is the real Jani photo for face identity only; preserve illustrated style, never use its modern room. Jani should face front: the patch on the LEFT SIDE OF THE PICTURE is larger, DARK chocolate, extending onto cheek; the patch on the RIGHT SIDE OF THE PICTURE is much smaller PALE taupe. A Heian-period aristocratic women's writing chamber in Heian-kyo, Japan, around 1008 CE. A court lady with long straight black hair and layered silk robes sits at a low writing stand, pausing with a brush while another woman quietly reads a rolled manuscript with the written surface turned away; show a small inkstone, folded paper, woven floor mats and bamboo blinds partly lowered. An open wooden veranda looks onto an understated garden pond and flowering plum branch. This is a historically informed literary setting, not a verified portrait of Murasaki Shikibu or a claim that a novel scene literally happened. No samurai weapons, tea ceremony, modern tatami grid, geisha hairstyle or gold Edo screens. Kuromi sits near a bamboo blind, Jani rests separately on the veranda edge facing front with asymmetric markings. Elegant horizontal interior with soft side daylight, emotional focus on the woman's thoughtful creative work.", "canonicalCorrectionPrompt": "TARGETED CHARACTER CORRECTION: Use image 1 as the scene to preserve. Use subsequent canonical Kuromi references to correct ONLY Kuromi. Make her collar dark charcoal gray/black, with only four tiny pink balls on the pointed tips; remove every wide pink collar area. Correct her eyes to simple black teardrop/oval eyes with exactly two short curved eyelashes at each outer edge as in the canonical images. Keep recognizable pink skull emblem, black two-point hood and white body. Preserve the existing historical scene, all human figures, setting, objects, poses, framing, lighting and colors. Preserve Jani exactly including her asymmetric facial markings, blue eyes, four paws and fluffy tail. Do not add props, writing or change expressions unnecessarily. The correction must blend with the illustration's existing drawn style. Preserve concerned or serious facial expressions in scenes of hardship, violence or loss; do not introduce a cheerful smile. ", "revisions": [ { "kind": "canonical-kuromi", "prompt": "TARGETED CHARACTER CORRECTION: Use image 1 as the scene to preserve. Use subsequent canonical Kuromi references to correct ONLY Kuromi. Make her collar dark charcoal gray/black, with only four tiny pink balls on the pointed tips; remove every wide pink collar area. Correct her eyes to simple black teardrop/oval eyes with exactly two short curved eyelashes at each outer edge as in the canonical images. Keep recognizable pink skull emblem, black two-point hood and white body. Preserve the existing historical scene, all human figures, setting, objects, poses, framing, lighting and colors. Preserve Jani exactly including her asymmetric facial markings, blue eyes, four paws and fluffy tail. Do not add props, writing or change expressions unnecessarily. The correction must blend with the illustration's existing drawn style. Preserve concerned or serious facial expressions in scenes of hardship, violence or loss; do not introduce a cheerful smile. ", "visuallyReviewed": true } ], "src": "assets/lesson-scenes/w12-03.webp", "sha256": "880faaae066df3f0f239045b57521a5cdfdcb445cdfd3a7b51d7103a29c6b8b9", "bytes": 347696, "thumbnailSrc": "assets/lesson-scenes/w12-03-preview.webp", "thumbnailSha256": "e0cd17be413481563285264f1968004f31d79258d9b7ae70ae6de6db766dd56f", "thumbnailBytes": 122946 }, { "unitId": "w13-01a", "title": "Királyi küldöttek egy frank uradalomban", "alt": "Kuromi és Jani egy frank településen figyelik a helyi lakost meghallgató egyházi és világi királyi küldöttet.", "caption": "Nagy Károly uralma helyi birtokosok, grófok és egyházi közvetítők együttműködésére támaszkodott. A 9. század eleji királyi ellenőrzés az írásbeliséget személyes jelenléttel és meghallgatással kapcsolta össze.", "scene": "A Carolingian royal inspection in a rural estate in Francia around 805 CE. Outside a timber hall and a small stone church, a pair of royal envoys, one tonsured cleric in a plain robe and one lay official in a knee-length tunic and cloak, listen to a village woman's account while a local count gestures toward grain stores. A mounted messenger waits with a modest horse, and a clerk holds a closed parchment booklet; no readable writing. Make the practical reliance on local intermediaries, oral testimony and written administration visible, rather than a coronation or battlefield. Clothing based on early ninth-century tunics, leggings, cloaks, simple leather shoes; no plate armor, Gothic castle, modern tricolor or elaborate crowns. Kuromi and Jani stand separately beside the church path, attentive, with Jani frontal asymmetric face. Wide composition at human eye level, low buildings and cultivated fields behind.", "period": "5–9. század", "setting": "Frank uradalom, 805 körül", "historicalDetails": [ "Egyházi és világi királyi küldött párosa", "Kora középkori tunika és köpeny", "Pergamenfüzet és lovas hírvivő", "Fa udvarház, gabonaraktár és kis kőtemplom" ], "sourceBasis": [ { "book": "v1", "pdfPages": [ 546, 552 ], "chapter": "13.1 The Post-Roman West in the Early Middle Ages" }, { "book": "v1", "pdfPages": [ 549, 551 ], "chapter": "13.1 The Post-Roman West in the Early Middle Ages" } ], "placement": { "area": "base", "sectionIndex": 2 }, "prompt": "Precise correction to image 1: change ONLY the TWO tiny balls at the tips of Kuromi's black jester hood from pink to DARK CHARCOAL gray, matching image 2. The hood-tip balls MUST be dark charcoal, never pink. Keep the FOUR small PINK balls at the COLLAR tips exactly as they are, and keep the dark charcoal collar. Do not change anything else: preserve Kuromi's eyes, lashes, skull, white body, Jani and her asymmetry, all humans, historical environment, colors, composition and lighting.", "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [], "canonicalKuromi": true }, "generationPrompt": "Use case: historical-scene. Create a wide 1536x1024 opaque full-color hand-drawn historical educational narrative illustration. Fine clean outlines, coherent drawn human and animal figures, natural daylight and considered earth colors, delicate painted textures. One continuous scene, no panels. The attached images are CHARACTER IDENTITY REFERENCES ONLY, not poses, props or backgrounds. Include recognizable Kuromi with black two-point jester hood, pink skull emblem, white body and pink collar; no magnifying glass or book unless specified. Include Jani, a FEMALE fluffy cream-white ragdoll CAT with blue eyes, pink nose, dark brown bushy tail, natural four-legged feline anatomy and paws. Jani's facial markings are ASYMMETRICAL: a large DARK BROWN eye patch on the VIEWER'S LEFT, a much smaller lighter taupe patch on the VIEWER'S RIGHT, an irregular central white blaze. No clothing, no bow tie, no human hands for Jani. Both clearly visible as small observers within the scene, never impersonate historical people. Keep the full setting and all people in the same gentle illustration style as the characters. Historically restrained clothing and objects; no movie/game/fantasy armor, theatrical backlight, gigantic battle, decorative out-of-period icons. No readable writing, labels, dates, charts, watermark, modern flags, or modern equipment. Keep Kuromi and Jani as TWO SEPARATE complete bodies with a clear gap between their silhouettes; do not merge their limbs, fur, heads or tails. The third reference is the real Jani photo for face identity only; preserve illustrated style, never use its modern room. Jani should face front: the patch on the LEFT SIDE OF THE PICTURE is larger, DARK chocolate, extending onto cheek; the patch on the RIGHT SIDE OF THE PICTURE is much smaller PALE taupe. A Carolingian royal inspection in a rural estate in Francia around 805 CE. Outside a timber hall and a small stone church, a pair of royal envoys, one tonsured cleric in a plain robe and one lay official in a knee-length tunic and cloak, listen to a village woman's account while a local count gestures toward grain stores. A mounted messenger waits with a modest horse, and a clerk holds a closed parchment booklet; no readable writing. Make the practical reliance on local intermediaries, oral testimony and written administration visible, rather than a coronation or battlefield. Clothing based on early ninth-century tunics, leggings, cloaks, simple leather shoes; no plate armor, Gothic castle, modern tricolor or elaborate crowns. Kuromi and Jani stand separately beside the church path, attentive, with Jani frontal asymmetric face. Wide composition at human eye level, low buildings and cultivated fields behind.\nHISTORICAL REPAIR: change ONLY church openings on the right. This is 805 CE, so replace the pointed Gothic doorway and pointed window with a small simple ROUND-ARCH Carolingian doorway and narrow ROUND-HEADED window, plain rough masonry, no Gothic moldings. All people, animals, Kuromi, Jani, landscape, colors, garments and other buildings remain identical.", "canonicalCorrectionPrompt": "Precise correction to image 1: change ONLY the TWO tiny balls at the tips of Kuromi's black jester hood from pink to DARK CHARCOAL gray, matching image 2. The hood-tip balls MUST be dark charcoal, never pink. Keep the FOUR small PINK balls at the COLLAR tips exactly as they are, and keep the dark charcoal collar. Do not change anything else: preserve Kuromi's eyes, lashes, skull, white body, Jani and her asymmetry, all humans, historical environment, colors, composition and lighting.", "canonicalCorrectionPrompts": [ "TARGETED CHARACTER CORRECTION: Use image 1 as the scene to preserve. Use subsequent canonical Kuromi references to correct ONLY Kuromi. Make her collar dark charcoal gray/black, with only four tiny pink balls on the pointed tips; remove every wide pink collar area. Correct her eyes to simple black teardrop/oval eyes with exactly two short curved eyelashes at each outer edge as in the canonical images. Keep recognizable pink skull emblem, black two-point hood and white body. Preserve the existing historical scene, all human figures, setting, objects, poses, framing, lighting and colors. Preserve Jani exactly including her asymmetric facial markings, blue eyes, four paws and fluffy tail. Do not add props, writing or change expressions unnecessarily. The correction must blend with the illustration's existing drawn style. Preserve concerned or serious facial expressions in scenes of hardship, violence or loss; do not introduce a cheerful smile. ", "Precise correction to image 1: change ONLY the TWO tiny balls at the tips of Kuromi's black jester hood from pink to DARK CHARCOAL gray, matching image 2. The hood-tip balls MUST be dark charcoal, never pink. Keep the FOUR small PINK balls at the COLLAR tips exactly as they are, and keep the dark charcoal collar. Do not change anything else: preserve Kuromi's eyes, lashes, skull, white body, Jani and her asymmetry, all humans, historical environment, colors, composition and lighting." ], "revisions": [ { "kind": "canonical-kuromi", "prompt": "Precise correction to image 1: change ONLY the TWO tiny balls at the tips of Kuromi's black jester hood from pink to DARK CHARCOAL gray, matching image 2. The hood-tip balls MUST be dark charcoal, never pink. Keep the FOUR small PINK balls at the COLLAR tips exactly as they are, and keep the dark charcoal collar. Do not change anything else: preserve Kuromi's eyes, lashes, skull, white body, Jani and her asymmetry, all humans, historical environment, colors, composition and lighting.", "visuallyReviewed": true } ], "src": "assets/lesson-scenes/w13-01a.webp", "sha256": "a3676b39000140c8f7fed2ab48a64b63c9346c01328a8336749e77f293179de2", "bytes": 448400, "thumbnailSrc": "assets/lesson-scenes/w13-01a-preview.webp", "thumbnailSha256": "39dce76b94a4f80a207668a5051378f8ffa7ddc7106a3e70ae7508aac3ca048b", "thumbnailBytes": 152234 }, { "unitId": "w13-01b", "title": "Őrlési járandóság az uradalmi vízimalomban", "alt": "Kuromi és Jani egy középkori vízimalomnál figyelik, ahogy a molnár a behozott gabonából kiméri a járandóságot.", "caption": "A 12. századi nyugat-európai uradalmakban a háztartások munkája és szolgáltatásai tartották fenn a birtokos jövedelmét. A malom használatához kapcsolódó elvonás a termelőnél maradó gabona mennyiségét is alakíthatta.", "scene": "A working watermill on a northern French manor around 1150 CE. The wooden undershot wheel and millrace occupy the left of a cutaway open doorway; inside a peasant woman and an older man bring grain sacks to the miller, who sets aside a small measured portion as the lord's milling due. A steward holds a split wooden tally stick, no readable writing. In the background through the doorway, narrow cultivated strips, oxen and a modest stone manor house show the connection between household work and elite income. People look practical and slightly tired, no idealized happy servitude or humiliation. Wool tunics, simple linen head covering, leather belts, wooden measures, millstones; no windmill, Gothic palace, armored knight, modern machinery or American crops. Kuromi observes the two grain measures, while Jani sits separately on a dry wooden step, front-facing with left dark larger patch. Composition focused on material flow through the mill, not a social pyramid diagram.", "period": "9–13. század", "setting": "Észak-francia uradalmi vízimalom, 1150 körül", "historicalDetails": [ "Fa vízikerék és malomárok", "Malomkő és gabonazsákok", "Fa szárazmértékek és rovásbot", "Keskeny szántóföldi parcellák" ], "sourceBasis": [ { "book": "v1", "pdfPages": [ 552, 555 ], "chapter": "13.1 The Post-Roman West in the Early Middle Ages" }, { "book": "v1", "pdfPages": [ 547, 547 ], "chapter": "13.1 The Post-Roman West in the Early Middle Ages" }, { "book": "v1", "pdfPages": [ 553, 555 ], "chapter": "13.1 The Post-Roman West in the Early Middle Ages" } ], "placement": { "area": "base", "sectionIndex": 2 }, "prompt": "TARGETED CHARACTER CORRECTION: Use image 1 as the scene to preserve. Use subsequent canonical Kuromi references to correct ONLY Kuromi. Make her collar dark charcoal gray/black, with only four tiny pink balls on the pointed tips; remove every wide pink collar area. Correct her eyes to simple black teardrop/oval eyes with exactly two short curved eyelashes at each outer edge as in the canonical images. Keep recognizable pink skull emblem, black two-point hood and white body. Preserve the existing historical scene, all human figures, setting, objects, poses, framing, lighting and colors. Preserve Jani exactly including her asymmetric facial markings, blue eyes, four paws and fluffy tail. Do not add props, writing or change expressions unnecessarily. The correction must blend with the illustration's existing drawn style. Preserve concerned or serious facial expressions in scenes of hardship, violence or loss; do not introduce a cheerful smile. Kuromi's two jester HOOD-tip balls are DARK CHARCOAL, not pink; only the FOUR COLLAR-tip balls are pink. ", "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [], "canonicalKuromi": true }, "generationPrompt": "Use case: historical-scene. Create a wide 1536x1024 opaque full-color hand-drawn historical educational narrative illustration. Fine clean outlines, coherent drawn human and animal figures, natural daylight and considered earth colors, delicate painted textures. One continuous scene, no panels. The attached images are CHARACTER IDENTITY REFERENCES ONLY, not poses, props or backgrounds. Include recognizable Kuromi with black two-point jester hood, pink skull emblem, white body and pink collar; no magnifying glass or book unless specified. Include Jani, a FEMALE fluffy cream-white ragdoll CAT with blue eyes, pink nose, dark brown bushy tail, natural four-legged feline anatomy and paws. Jani's facial markings are ASYMMETRICAL: a large DARK BROWN eye patch on the VIEWER'S LEFT, a much smaller lighter taupe patch on the VIEWER'S RIGHT, an irregular central white blaze. No clothing, no bow tie, no human hands for Jani. Both clearly visible as small observers within the scene, never impersonate historical people. Keep the full setting and all people in the same gentle illustration style as the characters. Historically restrained clothing and objects; no movie/game/fantasy armor, theatrical backlight, gigantic battle, decorative out-of-period icons. No readable writing, labels, dates, charts, watermark, modern flags, or modern equipment. Keep Kuromi and Jani as TWO SEPARATE complete bodies with a clear gap between their silhouettes; do not merge their limbs, fur, heads or tails. The third reference is the real Jani photo for face identity only; preserve illustrated style, never use its modern room. Jani should face front: the patch on the LEFT SIDE OF THE PICTURE is larger, DARK chocolate, extending onto cheek; the patch on the RIGHT SIDE OF THE PICTURE is much smaller PALE taupe. A working watermill on a northern French manor around 1150 CE. The wooden undershot wheel and millrace occupy the left of a cutaway open doorway; inside a peasant woman and an older man bring grain sacks to the miller, who sets aside a small measured portion as the lord's milling due. A steward holds a split wooden tally stick, no readable writing. In the background through the doorway, narrow cultivated strips, oxen and a modest stone manor house show the connection between household work and elite income. People look practical and slightly tired, no idealized happy servitude or humiliation. Wool tunics, simple linen head covering, leather belts, wooden measures, millstones; no windmill, Gothic palace, armored knight, modern machinery or American crops. Kuromi observes the two grain measures, while Jani sits separately on a dry wooden step, front-facing with left dark larger patch. Composition focused on material flow through the mill, not a social pyramid diagram.", "canonicalCorrectionPrompt": "TARGETED CHARACTER CORRECTION: Use image 1 as the scene to preserve. Use subsequent canonical Kuromi references to correct ONLY Kuromi. Make her collar dark charcoal gray/black, with only four tiny pink balls on the pointed tips; remove every wide pink collar area. Correct her eyes to simple black teardrop/oval eyes with exactly two short curved eyelashes at each outer edge as in the canonical images. Keep recognizable pink skull emblem, black two-point hood and white body. Preserve the existing historical scene, all human figures, setting, objects, poses, framing, lighting and colors. Preserve Jani exactly including her asymmetric facial markings, blue eyes, four paws and fluffy tail. Do not add props, writing or change expressions unnecessarily. The correction must blend with the illustration's existing drawn style. Preserve concerned or serious facial expressions in scenes of hardship, violence or loss; do not introduce a cheerful smile. Kuromi's two jester HOOD-tip balls are DARK CHARCOAL, not pink; only the FOUR COLLAR-tip balls are pink. ", "canonicalCorrectionPrompts": [ "TARGETED CHARACTER CORRECTION: Use image 1 as the scene to preserve. Use subsequent canonical Kuromi references to correct ONLY Kuromi. Make her collar dark charcoal gray/black, with only four tiny pink balls on the pointed tips; remove every wide pink collar area. Correct her eyes to simple black teardrop/oval eyes with exactly two short curved eyelashes at each outer edge as in the canonical images. Keep recognizable pink skull emblem, black two-point hood and white body. Preserve the existing historical scene, all human figures, setting, objects, poses, framing, lighting and colors. Preserve Jani exactly including her asymmetric facial markings, blue eyes, four paws and fluffy tail. Do not add props, writing or change expressions unnecessarily. The correction must blend with the illustration's existing drawn style. Preserve concerned or serious facial expressions in scenes of hardship, violence or loss; do not introduce a cheerful smile. Kuromi's two jester HOOD-tip balls are DARK CHARCOAL, not pink; only the FOUR COLLAR-tip balls are pink. " ], "revisions": [ { "kind": "canonical-kuromi", "prompt": "TARGETED CHARACTER CORRECTION: Use image 1 as the scene to preserve. Use subsequent canonical Kuromi references to correct ONLY Kuromi. Make her collar dark charcoal gray/black, with only four tiny pink balls on the pointed tips; remove every wide pink collar area. Correct her eyes to simple black teardrop/oval eyes with exactly two short curved eyelashes at each outer edge as in the canonical images. Keep recognizable pink skull emblem, black two-point hood and white body. Preserve the existing historical scene, all human figures, setting, objects, poses, framing, lighting and colors. Preserve Jani exactly including her asymmetric facial markings, blue eyes, four paws and fluffy tail. Do not add props, writing or change expressions unnecessarily. The correction must blend with the illustration's existing drawn style. Preserve concerned or serious facial expressions in scenes of hardship, violence or loss; do not introduce a cheerful smile. Kuromi's two jester HOOD-tip balls are DARK CHARCOAL, not pink; only the FOUR COLLAR-tip balls are pink. ", "visuallyReviewed": true } ], "src": "assets/lesson-scenes/w13-01b.webp", "sha256": "7b630fa451d040a1858ad3cdd6940310b14e1311ecc2f6c8d6772b3899a81714", "bytes": 466616, "thumbnailSrc": "assets/lesson-scenes/w13-01b-preview.webp", "thumbnailSha256": "c6fc07f5b63b79c8cc6a95d421877688ba7fcac53e2b793e2ea3c8164c40dabc", "thumbnailBytes": 144192 }, { "unitId": "w13-02", "title": "Bizánci követek nyugati segítséget kérnek", "alt": "Kuromi és Jani egy román kori kerengőben figyelik a levelet átadó bizánci követet és a tolmácsolt megbeszélést.", "caption": "I. Alexiosz 1095-ben nyugati katonai segítséget keresett Bizánc helyzetének javítására. A közvetítők és a pápaság saját céljaik szerint értelmezték a kérést, ezért a várakozások csak részben találkoztak.", "scene": "Byzantine envoys presenting a request for military assistance to western church representatives at Piacenza in 1095, a small Romanesque cloister meeting rather than a throne-room spectacle. A Greek-speaking envoy in a modest silk tunic and cloak hands a sealed rolled letter to a Latin cleric, while an interpreter gestures between them and a second envoy points toward a travel saddlebag. A few western nobles listen with differing thoughtful expressions, their simple sheathed swords set aside. Round stone arches, unadorned wooden benches, tiled courtyard and travel dust establish the setting; no pointed Gothic arches, papal triple tiara, crusader uniforms or weapons drawn. The exchange should communicate different political expectations and the need for translation. Kuromi and Jani watch separately from the low cloister step, both serious but curious, front-facing cat with dark left and pale right patch. Medium-distance balanced composition.", "period": "9–11. század", "setting": "Piacenza, követi megbeszélés, 1095", "historicalDetails": [ "Lepecsételt követi levél", "Tolmácson keresztül zajló egyeztetés", "Bizánci tunika és köpeny", "Román kori félköríves kerengő" ], "sourceBasis": [ { "book": "v1", "pdfPages": [ 559, 568 ], "chapter": "13.2 The Seljuk Migration and the Call from the East" }, { "book": "v1", "pdfPages": [ 561, 566 ], "chapter": "13.2 The Seljuk Migration and the Call from the East" } ], "placement": { "area": "base", "sectionIndex": 3 }, "prompt": "TARGETED CHARACTER CORRECTION: Use image 1 as the scene to preserve. Use subsequent canonical Kuromi references to correct ONLY Kuromi. Make her collar dark charcoal gray/black, with only four tiny pink balls on the pointed tips; remove every wide pink collar area. Correct her eyes to simple black teardrop/oval eyes with exactly two short curved eyelashes at each outer edge as in the canonical images. Keep recognizable pink skull emblem, black two-point hood and white body. Preserve the existing historical scene, all human figures, setting, objects, poses, framing, lighting and colors. Preserve Jani exactly including her asymmetric facial markings, blue eyes, four paws and fluffy tail. Do not add props, writing or change expressions unnecessarily. The correction must blend with the illustration's existing drawn style. Preserve concerned or serious facial expressions in scenes of hardship, violence or loss; do not introduce a cheerful smile. Kuromi's two jester HOOD-tip balls are DARK CHARCOAL, not pink; only the FOUR COLLAR-tip balls are pink. ", "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [], "canonicalKuromi": true }, "generationPrompt": "Use case: historical-scene. Create a wide 1536x1024 opaque full-color hand-drawn historical educational narrative illustration. Fine clean outlines, coherent drawn human and animal figures, natural daylight and considered earth colors, delicate painted textures. One continuous scene, no panels. The attached images are CHARACTER IDENTITY REFERENCES ONLY, not poses, props or backgrounds. Include recognizable Kuromi with black two-point jester hood, pink skull emblem, white body and pink collar; no magnifying glass or book unless specified. Include Jani, a FEMALE fluffy cream-white ragdoll CAT with blue eyes, pink nose, dark brown bushy tail, natural four-legged feline anatomy and paws. Jani's facial markings are ASYMMETRICAL: a large DARK BROWN eye patch on the VIEWER'S LEFT, a much smaller lighter taupe patch on the VIEWER'S RIGHT, an irregular central white blaze. No clothing, no bow tie, no human hands for Jani. Both clearly visible as small observers within the scene, never impersonate historical people. Keep the full setting and all people in the same gentle illustration style as the characters. Historically restrained clothing and objects; no movie/game/fantasy armor, theatrical backlight, gigantic battle, decorative out-of-period icons. No readable writing, labels, dates, charts, watermark, modern flags, or modern equipment. Keep Kuromi and Jani as TWO SEPARATE complete bodies with a clear gap between their silhouettes; do not merge their limbs, fur, heads or tails. The third reference is the real Jani photo for face identity only; preserve illustrated style, never use its modern room. Jani should face front: the patch on the LEFT SIDE OF THE PICTURE is larger, DARK chocolate, extending onto cheek; the patch on the RIGHT SIDE OF THE PICTURE is much smaller PALE taupe. Byzantine envoys presenting a request for military assistance to western church representatives at Piacenza in 1095, a small Romanesque cloister meeting rather than a throne-room spectacle. A Greek-speaking envoy in a modest silk tunic and cloak hands a sealed rolled letter to a Latin cleric, while an interpreter gestures between them and a second envoy points toward a travel saddlebag. A few western nobles listen with differing thoughtful expressions, their simple sheathed swords set aside. Round stone arches, unadorned wooden benches, tiled courtyard and travel dust establish the setting; no pointed Gothic arches, papal triple tiara, crusader uniforms or weapons drawn. The exchange should communicate different political expectations and the need for translation. Kuromi and Jani watch separately from the low cloister step, both serious but curious, front-facing cat with dark left and pale right patch. Medium-distance balanced composition.", "canonicalCorrectionPrompt": "TARGETED CHARACTER CORRECTION: Use image 1 as the scene to preserve. Use subsequent canonical Kuromi references to correct ONLY Kuromi. Make her collar dark charcoal gray/black, with only four tiny pink balls on the pointed tips; remove every wide pink collar area. Correct her eyes to simple black teardrop/oval eyes with exactly two short curved eyelashes at each outer edge as in the canonical images. Keep recognizable pink skull emblem, black two-point hood and white body. Preserve the existing historical scene, all human figures, setting, objects, poses, framing, lighting and colors. Preserve Jani exactly including her asymmetric facial markings, blue eyes, four paws and fluffy tail. Do not add props, writing or change expressions unnecessarily. The correction must blend with the illustration's existing drawn style. Preserve concerned or serious facial expressions in scenes of hardship, violence or loss; do not introduce a cheerful smile. Kuromi's two jester HOOD-tip balls are DARK CHARCOAL, not pink; only the FOUR COLLAR-tip balls are pink. ", "canonicalCorrectionPrompts": [ "TARGETED CHARACTER CORRECTION: Use image 1 as the scene to preserve. Use subsequent canonical Kuromi references to correct ONLY Kuromi. Make her collar dark charcoal gray/black, with only four tiny pink balls on the pointed tips; remove every wide pink collar area. Correct her eyes to simple black teardrop/oval eyes with exactly two short curved eyelashes at each outer edge as in the canonical images. Keep recognizable pink skull emblem, black two-point hood and white body. Preserve the existing historical scene, all human figures, setting, objects, poses, framing, lighting and colors. Preserve Jani exactly including her asymmetric facial markings, blue eyes, four paws and fluffy tail. Do not add props, writing or change expressions unnecessarily. The correction must blend with the illustration's existing drawn style. Preserve concerned or serious facial expressions in scenes of hardship, violence or loss; do not introduce a cheerful smile. Kuromi's two jester HOOD-tip balls are DARK CHARCOAL, not pink; only the FOUR COLLAR-tip balls are pink. " ], "revisions": [ { "kind": "canonical-kuromi", "prompt": "TARGETED CHARACTER CORRECTION: Use image 1 as the scene to preserve. Use subsequent canonical Kuromi references to correct ONLY Kuromi. Make her collar dark charcoal gray/black, with only four tiny pink balls on the pointed tips; remove every wide pink collar area. Correct her eyes to simple black teardrop/oval eyes with exactly two short curved eyelashes at each outer edge as in the canonical images. Keep recognizable pink skull emblem, black two-point hood and white body. Preserve the existing historical scene, all human figures, setting, objects, poses, framing, lighting and colors. Preserve Jani exactly including her asymmetric facial markings, blue eyes, four paws and fluffy tail. Do not add props, writing or change expressions unnecessarily. The correction must blend with the illustration's existing drawn style. Preserve concerned or serious facial expressions in scenes of hardship, violence or loss; do not introduce a cheerful smile. Kuromi's two jester HOOD-tip balls are DARK CHARCOAL, not pink; only the FOUR COLLAR-tip balls are pink. ", "visuallyReviewed": true } ], "src": "assets/lesson-scenes/w13-02.webp", "sha256": "68ef24580a6abbb871e35bfe633949e763b0908f4068f336976fc2ee88aab572", "bytes": 342710, "thumbnailSrc": "assets/lesson-scenes/w13-02-preview.webp", "thumbnailSha256": "30924ea5fdd0ed012d5796818444ae48c44d84839dc841f51b64c24437fb4bd1", "thumbnailBytes": 116478 }, { "unitId": "w13-03", "title": "A clermont-i felhívás közönsége", "alt": "Kuromi és Jani egy templom melletti gyűlés széléről figyelik a prédikátort és a különbözően reagáló hallgatókat.", "caption": "II. Orbán 1095-ös felhívásának terjedését prédikátorok és helyi kapcsolatok közvetítették. A későbbi beszédváltozatok a mozgósítás céljairól tanúskodnak, de nem tekinthetők szó szerinti felvételnek.", "scene": "The public preaching of the crusading appeal near Clermont in late 1095. A modest raised wooden platform beside a ROUND-ARCH Romanesque church holds a senior Latin cleric in period vestments and a simple single-pointed mitre, addressing a mixed gathering of townspeople, a few cloaked landholders and pilgrims with walking staffs. Listeners react differently: a thoughtful woman, a concerned older craftsman, an attentive young noble, no mass cheering or weapons raised. A local cleric at the crowd's edge quietly repeats the message to people farther away, making channels of mobilization visible. No legendary exact speech, no readable banners, triple papal tiara, Gothic cathedral, uniform crusader army or theatrical shaft of light. Kuromi and Jani stand separately in the side foreground near a travel bundle, subdued and reflective, front-facing asymmetric cat. Wide oblique view across crowd toward platform, autumn landscape, historically restrained rather than heroic.", "period": "10–11. század", "setting": "Clermont környéke, 1095 késő ősze", "historicalDetails": [ "Román kori félköríves templomnyílások", "Fa prédikálóemelvény", "Eltérő társadalmi helyzetű hallgatók", "Zarándokbotok és úti batyu" ], "sourceBasis": [ { "book": "v1", "pdfPages": [ 568, 573 ], "chapter": "13.3 Patriarch and Papacy: The Church and the Call to Crusade" }, { "book": "v1", "pdfPages": [ 570, 573 ], "chapter": "13.3 Patriarch and Papacy: The Church and the Call to Crusade" } ], "placement": { "area": "base", "sectionIndex": 3 }, "prompt": "TARGETED CHARACTER CORRECTION: Use image 1 as the scene to preserve. Use subsequent canonical Kuromi references to correct ONLY Kuromi. Make her collar dark charcoal gray/black, with only four tiny pink balls on the pointed tips; remove every wide pink collar area. Correct her eyes to simple black teardrop/oval eyes with exactly two short curved eyelashes at each outer edge as in the canonical images. Keep recognizable pink skull emblem, black two-point hood and white body. Preserve the existing historical scene, all human figures, setting, objects, poses, framing, lighting and colors. Preserve Jani exactly including her asymmetric facial markings, blue eyes, four paws and fluffy tail. Do not add props, writing or change expressions unnecessarily. The correction must blend with the illustration's existing drawn style. Preserve concerned or serious facial expressions in scenes of hardship, violence or loss; do not introduce a cheerful smile. Kuromi's two jester HOOD-tip balls are DARK CHARCOAL, not pink; only the FOUR COLLAR-tip balls are pink. ", "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [], "canonicalKuromi": true }, "generationPrompt": "Use case: historical-scene. Create a wide 1536x1024 opaque full-color hand-drawn historical educational narrative illustration. Fine clean outlines, coherent drawn human and animal figures, natural daylight and considered earth colors, delicate painted textures. One continuous scene, no panels. The attached images are CHARACTER IDENTITY REFERENCES ONLY, not poses, props or backgrounds. Include recognizable Kuromi with black two-point jester hood, pink skull emblem, white body and pink collar; no magnifying glass or book unless specified. Include Jani, a FEMALE fluffy cream-white ragdoll CAT with blue eyes, pink nose, dark brown bushy tail, natural four-legged feline anatomy and paws. Jani's facial markings are ASYMMETRICAL: a large DARK BROWN eye patch on the VIEWER'S LEFT, a much smaller lighter taupe patch on the VIEWER'S RIGHT, an irregular central white blaze. No clothing, no bow tie, no human hands for Jani. Both clearly visible as small observers within the scene, never impersonate historical people. Keep the full setting and all people in the same gentle illustration style as the characters. Historically restrained clothing and objects; no movie/game/fantasy armor, theatrical backlight, gigantic battle, decorative out-of-period icons. No readable writing, labels, dates, charts, watermark, modern flags, or modern equipment. Keep Kuromi and Jani as TWO SEPARATE complete bodies with a clear gap between their silhouettes; do not merge their limbs, fur, heads or tails. The third reference is the real Jani photo for face identity only; preserve illustrated style, never use its modern room. Jani should face front: the patch on the LEFT SIDE OF THE PICTURE is larger, DARK chocolate, extending onto cheek; the patch on the RIGHT SIDE OF THE PICTURE is much smaller PALE taupe. The public preaching of the crusading appeal near Clermont in late 1095. A modest raised wooden platform beside a ROUND-ARCH Romanesque church holds a senior Latin cleric in period vestments and a simple single-pointed mitre, addressing a mixed gathering of townspeople, a few cloaked landholders and pilgrims with walking staffs. Listeners react differently: a thoughtful woman, a concerned older craftsman, an attentive young noble, no mass cheering or weapons raised. A local cleric at the crowd's edge quietly repeats the message to people farther away, making channels of mobilization visible. No legendary exact speech, no readable banners, triple papal tiara, Gothic cathedral, uniform crusader army or theatrical shaft of light. Kuromi and Jani stand separately in the side foreground near a travel bundle, subdued and reflective, front-facing asymmetric cat. Wide oblique view across crowd toward platform, autumn landscape, historically restrained rather than heroic.", "canonicalCorrectionPrompt": "TARGETED CHARACTER CORRECTION: Use image 1 as the scene to preserve. Use subsequent canonical Kuromi references to correct ONLY Kuromi. Make her collar dark charcoal gray/black, with only four tiny pink balls on the pointed tips; remove every wide pink collar area. Correct her eyes to simple black teardrop/oval eyes with exactly two short curved eyelashes at each outer edge as in the canonical images. Keep recognizable pink skull emblem, black two-point hood and white body. Preserve the existing historical scene, all human figures, setting, objects, poses, framing, lighting and colors. Preserve Jani exactly including her asymmetric facial markings, blue eyes, four paws and fluffy tail. Do not add props, writing or change expressions unnecessarily. The correction must blend with the illustration's existing drawn style. Preserve concerned or serious facial expressions in scenes of hardship, violence or loss; do not introduce a cheerful smile. Kuromi's two jester HOOD-tip balls are DARK CHARCOAL, not pink; only the FOUR COLLAR-tip balls are pink. ", "canonicalCorrectionPrompts": [ "TARGETED CHARACTER CORRECTION: Use image 1 as the scene to preserve. Use subsequent canonical Kuromi references to correct ONLY Kuromi. Make her collar dark charcoal gray/black, with only four tiny pink balls on the pointed tips; remove every wide pink collar area. Correct her eyes to simple black teardrop/oval eyes with exactly two short curved eyelashes at each outer edge as in the canonical images. Keep recognizable pink skull emblem, black two-point hood and white body. Preserve the existing historical scene, all human figures, setting, objects, poses, framing, lighting and colors. Preserve Jani exactly including her asymmetric facial markings, blue eyes, four paws and fluffy tail. Do not add props, writing or change expressions unnecessarily. The correction must blend with the illustration's existing drawn style. Preserve concerned or serious facial expressions in scenes of hardship, violence or loss; do not introduce a cheerful smile. Kuromi's two jester HOOD-tip balls are DARK CHARCOAL, not pink; only the FOUR COLLAR-tip balls are pink. " ], "revisions": [ { "kind": "canonical-kuromi", "prompt": "TARGETED CHARACTER CORRECTION: Use image 1 as the scene to preserve. Use subsequent canonical Kuromi references to correct ONLY Kuromi. Make her collar dark charcoal gray/black, with only four tiny pink balls on the pointed tips; remove every wide pink collar area. Correct her eyes to simple black teardrop/oval eyes with exactly two short curved eyelashes at each outer edge as in the canonical images. Keep recognizable pink skull emblem, black two-point hood and white body. Preserve the existing historical scene, all human figures, setting, objects, poses, framing, lighting and colors. Preserve Jani exactly including her asymmetric facial markings, blue eyes, four paws and fluffy tail. Do not add props, writing or change expressions unnecessarily. The correction must blend with the illustration's existing drawn style. Preserve concerned or serious facial expressions in scenes of hardship, violence or loss; do not introduce a cheerful smile. Kuromi's two jester HOOD-tip balls are DARK CHARCOAL, not pink; only the FOUR COLLAR-tip balls are pink. ", "visuallyReviewed": true } ], "src": "assets/lesson-scenes/w13-03.webp", "sha256": "3bfd05dbd7e68cc9fa0a720733747853e5f3f5871a6b623ed58b2d76f8728532", "bytes": 361562, "thumbnailSrc": "assets/lesson-scenes/w13-03-preview.webp", "thumbnailSha256": "3b4a542467c686d176ca9f9247385826ebb5bfc00961d1d218ace6ac3487ee18", "thumbnailBytes": 130596 }, { "unitId": "w13-04", "title": "Civilek a kifosztott Konstantinápoly rakpartján", "alt": "Kuromi és Jani komolyan figyelik, ahogy egy család kis csónakba száll a sérült konstantinápolyi rakpartnál.", "caption": "Konstantinápoly 1204-es keresztes kifosztása súlyos veszteséget okozott a város lakóinak. Az adósság, a velencei érdek és a dinasztikus küzdelem a hadjáratot keresztény város ellen fordította, mélyítve a bizalmatlanságot.", "scene": "Civilian aftermath of the sack of Constantinople in April 1204, at a small sheltered quay below Byzantine brick-and-stone walls. A Greek family with a child and an elderly woman carefully board a small wooden boat with only cloth bundles; a local boatman steadies the plank and a neighbor offers water. Behind them a damaged household doorway, scattered broken roof tiles and distant thin smoke convey loss without depicting killing, bodies, blood or active looting. The Hagia Sophia's sixth-century broad dome may appear far in background WITHOUT any Ottoman minarets. No heroic crusader focus, no celebratory flags, no fantasy burning city. Human figures in modest early thirteenth-century Byzantine garments, dignified tired expressions. Kuromi and Jani are quiet concerned observers at one side, small separate complete figures, neither smiling nor playing, cat front-facing with asymmetric markings. Muted daylight, grounded humane composition centered on civilian displacement.", "period": "1096–13. század", "setting": "Konstantinápoly, 1204 áprilisa, polgári rakpart", "historicalDetails": [ "Bizánci tégla-kő városfal", "Kis fa csónak és úti batyuk", "Sérült háztető és visszafogott füst", "Minaret nélküli bizánci városi háttér" ], "sourceBasis": [ { "book": "v1", "pdfPages": [ 573, 583 ], "chapter": "13.4 The Crusading Movement" }, { "book": "v1", "pdfPages": [ 579, 580 ], "chapter": "13.4 The Crusading Movement" } ], "placement": { "area": "base", "sectionIndex": 3 }, "prompt": "TARGETED CHARACTER CORRECTION: Use image 1 as the scene to preserve. Use subsequent canonical Kuromi references to correct ONLY Kuromi. Make her collar dark charcoal gray/black, with only four tiny pink balls on the pointed tips; remove every wide pink collar area. Correct her eyes to simple black teardrop/oval eyes with exactly two short curved eyelashes at each outer edge as in the canonical images. Keep recognizable pink skull emblem, black two-point hood and white body. Preserve the existing historical scene, all human figures, setting, objects, poses, framing, lighting and colors. Preserve Jani exactly including her asymmetric facial markings, blue eyes, four paws and fluffy tail. Do not add props, writing or change expressions unnecessarily. The correction must blend with the illustration's existing drawn style. Preserve concerned or serious facial expressions in scenes of hardship, violence or loss; do not introduce a cheerful smile. Kuromi's two jester HOOD-tip balls are DARK CHARCOAL, not pink; only the FOUR COLLAR-tip balls are pink. ", "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [], "canonicalKuromi": true }, "generationPrompt": "Use case: historical-scene. Create a wide 1536x1024 opaque full-color hand-drawn historical educational narrative illustration. Fine clean outlines, coherent drawn human and animal figures, natural daylight and considered earth colors, delicate painted textures. One continuous scene, no panels. The attached images are CHARACTER IDENTITY REFERENCES ONLY, not poses, props or backgrounds. Include recognizable Kuromi with black two-point jester hood, pink skull emblem, white body and pink collar; no magnifying glass or book unless specified. Include Jani, a FEMALE fluffy cream-white ragdoll CAT with blue eyes, pink nose, dark brown bushy tail, natural four-legged feline anatomy and paws. Jani's facial markings are ASYMMETRICAL: a large DARK BROWN eye patch on the VIEWER'S LEFT, a much smaller lighter taupe patch on the VIEWER'S RIGHT, an irregular central white blaze. No clothing, no bow tie, no human hands for Jani. Both clearly visible as small observers within the scene, never impersonate historical people. Keep the full setting and all people in the same gentle illustration style as the characters. Historically restrained clothing and objects; no movie/game/fantasy armor, theatrical backlight, gigantic battle, decorative out-of-period icons. No readable writing, labels, dates, charts, watermark, modern flags, or modern equipment. Keep Kuromi and Jani as TWO SEPARATE complete bodies with a clear gap between their silhouettes; do not merge their limbs, fur, heads or tails. The third reference is the real Jani photo for face identity only; preserve illustrated style, never use its modern room. Jani should face front: the patch on the LEFT SIDE OF THE PICTURE is larger, DARK chocolate, extending onto cheek; the patch on the RIGHT SIDE OF THE PICTURE is much smaller PALE taupe. Civilian aftermath of the sack of Constantinople in April 1204, at a small sheltered quay below Byzantine brick-and-stone walls. A Greek family with a child and an elderly woman carefully board a small wooden boat with only cloth bundles; a local boatman steadies the plank and a neighbor offers water. Behind them a damaged household doorway, scattered broken roof tiles and distant thin smoke convey loss without depicting killing, bodies, blood or active looting. The Hagia Sophia's sixth-century broad dome may appear far in background WITHOUT any Ottoman minarets. No heroic crusader focus, no celebratory flags, no fantasy burning city. Human figures in modest early thirteenth-century Byzantine garments, dignified tired expressions. Kuromi and Jani are quiet concerned observers at one side, small separate complete figures, neither smiling nor playing, cat front-facing with asymmetric markings. Muted daylight, grounded humane composition centered on civilian displacement.", "canonicalCorrectionPrompt": "TARGETED CHARACTER CORRECTION: Use image 1 as the scene to preserve. Use subsequent canonical Kuromi references to correct ONLY Kuromi. Make her collar dark charcoal gray/black, with only four tiny pink balls on the pointed tips; remove every wide pink collar area. Correct her eyes to simple black teardrop/oval eyes with exactly two short curved eyelashes at each outer edge as in the canonical images. Keep recognizable pink skull emblem, black two-point hood and white body. Preserve the existing historical scene, all human figures, setting, objects, poses, framing, lighting and colors. Preserve Jani exactly including her asymmetric facial markings, blue eyes, four paws and fluffy tail. Do not add props, writing or change expressions unnecessarily. The correction must blend with the illustration's existing drawn style. Preserve concerned or serious facial expressions in scenes of hardship, violence or loss; do not introduce a cheerful smile. Kuromi's two jester HOOD-tip balls are DARK CHARCOAL, not pink; only the FOUR COLLAR-tip balls are pink. ", "canonicalCorrectionPrompts": [ "TARGETED CHARACTER CORRECTION: Use image 1 as the scene to preserve. Use subsequent canonical Kuromi references to correct ONLY Kuromi. Make her collar dark charcoal gray/black, with only four tiny pink balls on the pointed tips; remove every wide pink collar area. Correct her eyes to simple black teardrop/oval eyes with exactly two short curved eyelashes at each outer edge as in the canonical images. Keep recognizable pink skull emblem, black two-point hood and white body. Preserve the existing historical scene, all human figures, setting, objects, poses, framing, lighting and colors. Preserve Jani exactly including her asymmetric facial markings, blue eyes, four paws and fluffy tail. Do not add props, writing or change expressions unnecessarily. The correction must blend with the illustration's existing drawn style. Preserve concerned or serious facial expressions in scenes of hardship, violence or loss; do not introduce a cheerful smile. Kuromi's two jester HOOD-tip balls are DARK CHARCOAL, not pink; only the FOUR COLLAR-tip balls are pink. " ], "revisions": [ { "kind": "canonical-kuromi", "prompt": "TARGETED CHARACTER CORRECTION: Use image 1 as the scene to preserve. Use subsequent canonical Kuromi references to correct ONLY Kuromi. Make her collar dark charcoal gray/black, with only four tiny pink balls on the pointed tips; remove every wide pink collar area. Correct her eyes to simple black teardrop/oval eyes with exactly two short curved eyelashes at each outer edge as in the canonical images. Keep recognizable pink skull emblem, black two-point hood and white body. Preserve the existing historical scene, all human figures, setting, objects, poses, framing, lighting and colors. Preserve Jani exactly including her asymmetric facial markings, blue eyes, four paws and fluffy tail. Do not add props, writing or change expressions unnecessarily. The correction must blend with the illustration's existing drawn style. Preserve concerned or serious facial expressions in scenes of hardship, violence or loss; do not introduce a cheerful smile. Kuromi's two jester HOOD-tip balls are DARK CHARCOAL, not pink; only the FOUR COLLAR-tip balls are pink. ", "visuallyReviewed": true } ], "src": "assets/lesson-scenes/w13-04.webp", "sha256": "e57fd636691621416ff8df36d41f471c0edba3c1a069162424f6046e80f446aa", "bytes": 392524, "thumbnailSrc": "assets/lesson-scenes/w13-04-preview.webp", "thumbnailSha256": "b8816395d4351496175df08e97de7788bf8e5f0d8e2080bbcdd87cb94988b091", "thumbnailBytes": 135398 }, { "unitId": "w14-01", "title": "Dúcnyomtatás egy Song-kori városi műhelyben", "alt": "Kuromi és Jani egy kaifengi nyomtatóműhelyben figyelik a papírlapot fadúcra simító mestert és a lapokat rendező asszonyt.", "caption": "A 11–12. századi Song-városok kézműves és kereskedelmi hálózata a mezőgazdasági többletre és a szállításra támaszkodott. A nyomtatott könyvek iránti kereslet a műveltséghez és a hivatalnoki tanuláshoz is kapcsolódott.", "scene": "A Song-dynasty commercial printing workshop in Kaifeng around 1100 CE. In the foreground a printer lays a thin sheet of paper onto an inked wooden relief block and rubs the back with a hand pad; the block and printed face are turned away, so no readable writing. A woman gathers drying sheets into book sections, a boy carries a fresh paper stack, and a scholar in a simple Song cap checks a stitched booklet at the doorway. Through the open shopfront, the dense timber-framed canal-side market, grain deliveries and modest ceramic wares link craft demand to a prosperous urban network. Historically plausible cross-collar robes, hair buns, cloth shoes, wooden racks, ink brush; no European screw press, metal letterpress, modern signage or Qing pigtails. Kuromi observes the paper-rubbing action and Jani sits separately beside a drying rack, front-facing dark left patch and pale right. Lively yet orderly horizontal workshop composition, not an imperial palace.", "period": "10–12. század", "setting": "Kaifeng, nyomtatóműhely, 1100 körül", "historicalDetails": [ "Fadúcos kézi nyomtatás", "Vékony papír és kézi dörzsölőpárna", "Lapokat szárító faállvány", "Csatornaparti faépítésű városi üzletek" ], "sourceBasis": [ { "book": "v1", "pdfPages": [ 591, 599 ], "chapter": "14.1 Song China and the Steppe Peoples" }, { "book": "v1", "pdfPages": [ 594, 597 ], "chapter": "14.1 Song China and the Steppe Peoples" } ], "placement": { "area": "base", "sectionIndex": 1 }, "prompt": "TARGETED CHARACTER CORRECTION: Use image 1 as the scene to preserve. Use subsequent canonical Kuromi references to correct ONLY Kuromi. Make her collar dark charcoal gray/black, with only four tiny pink balls on the pointed tips; remove every wide pink collar area. Correct her eyes to simple black teardrop/oval eyes with exactly two short curved eyelashes at each outer edge as in the canonical images. Keep recognizable pink skull emblem, black two-point hood and white body. Preserve the existing historical scene, all human figures, setting, objects, poses, framing, lighting and colors. Preserve Jani exactly including her asymmetric facial markings, blue eyes, four paws and fluffy tail. Do not add props, writing or change expressions unnecessarily. The correction must blend with the illustration's existing drawn style. Preserve concerned or serious facial expressions in scenes of hardship, violence or loss; do not introduce a cheerful smile. Kuromi's two jester HOOD-tip balls are DARK CHARCOAL, not pink; only the FOUR COLLAR-tip balls are pink. ", "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [], "canonicalKuromi": true }, "generationPrompt": "Use case: historical-scene. Create a wide 1536x1024 opaque full-color hand-drawn historical educational narrative illustration. Fine clean outlines, coherent drawn human and animal figures, natural daylight and considered earth colors, delicate painted textures. One continuous scene, no panels. The attached images are CHARACTER IDENTITY REFERENCES ONLY, not poses, props or backgrounds. Include recognizable Kuromi with black two-point jester hood, pink skull emblem, white body and pink collar; no magnifying glass or book unless specified. Include Jani, a FEMALE fluffy cream-white ragdoll CAT with blue eyes, pink nose, dark brown bushy tail, natural four-legged feline anatomy and paws. Jani's facial markings are ASYMMETRICAL: a large DARK BROWN eye patch on the VIEWER'S LEFT, a much smaller lighter taupe patch on the VIEWER'S RIGHT, an irregular central white blaze. No clothing, no bow tie, no human hands for Jani. Both clearly visible as small observers within the scene, never impersonate historical people. Keep the full setting and all people in the same gentle illustration style as the characters. Historically restrained clothing and objects; no movie/game/fantasy armor, theatrical backlight, gigantic battle, decorative out-of-period icons. No readable writing, labels, dates, charts, watermark, modern flags, or modern equipment. Keep Kuromi and Jani as TWO SEPARATE complete bodies with a clear gap between their silhouettes; do not merge their limbs, fur, heads or tails. The third reference is the real Jani photo for face identity only; preserve illustrated style, never use its modern room. Jani should face front: the patch on the LEFT SIDE OF THE PICTURE is larger, DARK chocolate, extending onto cheek; the patch on the RIGHT SIDE OF THE PICTURE is much smaller PALE taupe. A Song-dynasty commercial printing workshop in Kaifeng around 1100 CE. In the foreground a printer lays a thin sheet of paper onto an inked wooden relief block and rubs the back with a hand pad; the block and printed face are turned away, so no readable writing. A woman gathers drying sheets into book sections, a boy carries a fresh paper stack, and a scholar in a simple Song cap checks a stitched booklet at the doorway. Through the open shopfront, the dense timber-framed canal-side market, grain deliveries and modest ceramic wares link craft demand to a prosperous urban network. Historically plausible cross-collar robes, hair buns, cloth shoes, wooden racks, ink brush; no European screw press, metal letterpress, modern signage or Qing pigtails. Kuromi observes the paper-rubbing action and Jani sits separately beside a drying rack, front-facing dark left patch and pale right. Lively yet orderly horizontal workshop composition, not an imperial palace.", "canonicalCorrectionPrompt": "TARGETED CHARACTER CORRECTION: Use image 1 as the scene to preserve. Use subsequent canonical Kuromi references to correct ONLY Kuromi. Make her collar dark charcoal gray/black, with only four tiny pink balls on the pointed tips; remove every wide pink collar area. Correct her eyes to simple black teardrop/oval eyes with exactly two short curved eyelashes at each outer edge as in the canonical images. Keep recognizable pink skull emblem, black two-point hood and white body. Preserve the existing historical scene, all human figures, setting, objects, poses, framing, lighting and colors. Preserve Jani exactly including her asymmetric facial markings, blue eyes, four paws and fluffy tail. Do not add props, writing or change expressions unnecessarily. The correction must blend with the illustration's existing drawn style. Preserve concerned or serious facial expressions in scenes of hardship, violence or loss; do not introduce a cheerful smile. Kuromi's two jester HOOD-tip balls are DARK CHARCOAL, not pink; only the FOUR COLLAR-tip balls are pink. ", "canonicalCorrectionPrompts": [ "TARGETED CHARACTER CORRECTION: Use image 1 as the scene to preserve. Use subsequent canonical Kuromi references to correct ONLY Kuromi. Make her collar dark charcoal gray/black, with only four tiny pink balls on the pointed tips; remove every wide pink collar area. Correct her eyes to simple black teardrop/oval eyes with exactly two short curved eyelashes at each outer edge as in the canonical images. Keep recognizable pink skull emblem, black two-point hood and white body. Preserve the existing historical scene, all human figures, setting, objects, poses, framing, lighting and colors. Preserve Jani exactly including her asymmetric facial markings, blue eyes, four paws and fluffy tail. Do not add props, writing or change expressions unnecessarily. The correction must blend with the illustration's existing drawn style. Preserve concerned or serious facial expressions in scenes of hardship, violence or loss; do not introduce a cheerful smile. Kuromi's two jester HOOD-tip balls are DARK CHARCOAL, not pink; only the FOUR COLLAR-tip balls are pink. " ], "revisions": [ { "kind": "canonical-kuromi", "prompt": "TARGETED CHARACTER CORRECTION: Use image 1 as the scene to preserve. Use subsequent canonical Kuromi references to correct ONLY Kuromi. Make her collar dark charcoal gray/black, with only four tiny pink balls on the pointed tips; remove every wide pink collar area. Correct her eyes to simple black teardrop/oval eyes with exactly two short curved eyelashes at each outer edge as in the canonical images. Keep recognizable pink skull emblem, black two-point hood and white body. Preserve the existing historical scene, all human figures, setting, objects, poses, framing, lighting and colors. Preserve Jani exactly including her asymmetric facial markings, blue eyes, four paws and fluffy tail. Do not add props, writing or change expressions unnecessarily. The correction must blend with the illustration's existing drawn style. Preserve concerned or serious facial expressions in scenes of hardship, violence or loss; do not introduce a cheerful smile. Kuromi's two jester HOOD-tip balls are DARK CHARCOAL, not pink; only the FOUR COLLAR-tip balls are pink. ", "visuallyReviewed": true } ], "src": "assets/lesson-scenes/w14-01.webp", "sha256": "8a124846931189fa17a1c1752af60dd291bb9aa4d28cf456e8b766c4b5a4024e", "bytes": 346952, "thumbnailSrc": "assets/lesson-scenes/w14-01-preview.webp", "thumbnailSha256": "ec8a3416587cc849edba8c8e2c49351fc0b61258c5500a8761ef691f58d2bf8c", "thumbnailBytes": 119634 }, { "unitId": "w14-02", "title": "Lócsere a mongol hírvivőállomáson", "alt": "Kuromi és Jani egy sztyeppei állomáson figyelik, ahogy a futár pihent lóra cseréli fáradt hátasát.", "caption": "A 13. századi mongol hatalom mozgását nemcsak a lovas tudás, hanem ellátás és hírtovábbítás is segítette. Az Ögödej-kori állomáshálózat a tartalék lovakat, jogosultságokat és helyi szolgáltatásokat szervezte össze.", "scene": "A Mongol imperial relay stop on the open steppe during Ogedei's rule around 1235 CE. A tired courier dismounts from a small sturdy horse while a station attendant brings a fresh saddled mount; another attendant checks a plain metal travel tablet and a tied message pouch, no readable script. Felt round tents, tethered remounts, wooden water trough, leather saddle, composite bow in a closed bowcase and supply sacks make organization and long-distance communication concrete. Adults wear practical Mongol deels, belts, trousers, boots and simple felt hats, no fantasy fur armor or giant khan throne. A woman manages the station provisions. Kuromi stands by the trough watching the transfer and Jani sits separately near a felt tent, frontal asymmetric face, serious attentive expressions. Wide windswept but naturally lit steppe scene with multiple small horses, no battle, no triumphal glorification of conquest.", "period": "12. század vége–1259", "setting": "Mongol sztyeppei postaállomás, 1235 körül", "historicalDetails": [ "Tartalék lovak és nyeregcsere", "Feltépítésű kerek sátrak", "Fém utazási jogosító tábla és lezárt üzenettáska", "Fa itatóvályú és ellátmányzsákok" ], "sourceBasis": [ { "book": "v1", "pdfPages": [ 600, 607 ], "chapter": "14.2 Chinggis Khan and the Early Mongol Empire" }, { "book": "v1", "pdfPages": [ 599, 600 ], "chapter": "14.1 Song China and the Steppe Peoples" }, { "book": "v1", "pdfPages": [ 605, 606 ], "chapter": "14.2 Chinggis Khan and the Early Mongol Empire" } ], "placement": { "area": "base", "sectionIndex": 3 }, "prompt": "TARGETED CHARACTER CORRECTION: Use image 1 as the scene to preserve. Use subsequent canonical Kuromi references to correct ONLY Kuromi. Make her collar dark charcoal gray/black, with only four tiny pink balls on the pointed tips; remove every wide pink collar area. Correct her eyes to simple black teardrop/oval eyes with exactly two short curved eyelashes at each outer edge as in the canonical images. Keep recognizable pink skull emblem, black two-point hood and white body. Preserve the existing historical scene, all human figures, setting, objects, poses, framing, lighting and colors. Preserve Jani exactly including her asymmetric facial markings, blue eyes, four paws and fluffy tail. Do not add props, writing or change expressions unnecessarily. The correction must blend with the illustration's existing drawn style.", "generationPrompt": "Use case: historical-scene. Create a wide 1536x1024 opaque full-color hand-drawn historical educational narrative illustration. Fine clean outlines, coherent drawn human and animal figures, natural daylight and considered earth colors, delicate painted textures. One continuous scene, no panels. The attached images are CHARACTER IDENTITY REFERENCES ONLY, not poses, props or backgrounds. Include recognizable Kuromi with black two-point jester hood, pink skull emblem, white body and pink collar; no magnifying glass or book unless specified. Include Jani, a FEMALE fluffy cream-white ragdoll CAT with blue eyes, pink nose, dark brown bushy tail, natural four-legged feline anatomy and paws. Jani's facial markings are ASYMMETRICAL: a large DARK BROWN eye patch on the VIEWER'S LEFT, a much smaller lighter taupe patch on the VIEWER'S RIGHT, an irregular central white blaze. No clothing, no bow tie, no human hands for Jani. Both clearly visible as small observers within the scene, never impersonate historical people. Keep the full setting and all people in the same gentle illustration style as the characters. Historically restrained clothing and objects; no movie/game/fantasy armor, theatrical backlight, gigantic battle, decorative out-of-period icons. No readable writing, labels, dates, charts, watermark, modern flags, or modern equipment. Keep Kuromi and Jani as TWO SEPARATE complete bodies with a clear gap between their silhouettes; do not merge their limbs, fur, heads or tails. The third reference is the real Jani photo for face identity only; preserve illustrated style, never use its modern room. Jani should face front: the patch on the LEFT SIDE OF THE PICTURE is larger, DARK chocolate, extending onto cheek; the patch on the RIGHT SIDE OF THE PICTURE is much smaller PALE taupe. A Mongol imperial relay stop on the open steppe during Ogedei's rule around 1235 CE. A tired courier dismounts from a small sturdy horse while a station attendant brings a fresh saddled mount; another attendant checks a plain metal travel tablet and a tied message pouch, no readable script. Felt round tents, tethered remounts, wooden water trough, leather saddle, composite bow in a closed bowcase and supply sacks make organization and long-distance communication concrete. Adults wear practical Mongol deels, belts, trousers, boots and simple felt hats, no fantasy fur armor or giant khan throne. A woman manages the station provisions. Kuromi stands by the trough watching the transfer and Jani sits separately near a felt tent, frontal asymmetric face, serious attentive expressions. Wide windswept but naturally lit steppe scene with multiple small horses, no battle, no triumphal glorification of conquest.", "canonicalCorrectionPrompt": "TARGETED CHARACTER CORRECTION: Use image 1 as the scene to preserve. Use subsequent canonical Kuromi references to correct ONLY Kuromi. Make her collar dark charcoal gray/black, with only four tiny pink balls on the pointed tips; remove every wide pink collar area. Correct her eyes to simple black teardrop/oval eyes with exactly two short curved eyelashes at each outer edge as in the canonical images. Keep recognizable pink skull emblem, black two-point hood and white body. Preserve the existing historical scene, all human figures, setting, objects, poses, framing, lighting and colors. Preserve Jani exactly including her asymmetric facial markings, blue eyes, four paws and fluffy tail. Do not add props, writing or change expressions unnecessarily. The correction must blend with the illustration's existing drawn style.", "width": 1536, "height": 1024, "review": { "characters": true, "canonicalKuromi": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [] }, "src": "assets/lesson-scenes/w14-02.webp", "sha256": "2f36194fc8556b0d907b9e466989fdbb305bc6dc389feedd54ac62a41f9a78f2", "bytes": 366822, "thumbnailSrc": "assets/lesson-scenes/w14-02-preview.webp", "thumbnailSha256": "c2df77634b033dc8d7cebc6ba39851e98030c76b581a3ce72338301f5fc3c90e", "thumbnailBytes": 128522 }, { "unitId": "w14-03", "title": "Hajóépítő tudás a Jüan-hódítás szolgálatában", "alt": "Kuromi és Jani egy Jangce menti hajóépítő telepen figyelik a kínai mestereket és a mongol tiszttel egyeztető szakembert.", "caption": "Kubiláj déli háborújában a lovasság önmagában nem volt elegendő: folyami szállítás és hajóépítő tudás kellett. A Jüan-cím 1271-es felvétele és a Song végső, 1279-es veresége közötti időben az alkalmazkodás helyi mesterek munkájára támaszkodott.", "scene": "A Yuan-period river shipyard along the lower Yangtze around 1275 CE, during the Mongol campaign against the Southern Song. Chinese shipwrights fit heavy planks and watertight transverse bulkheads into a wooden river vessel under construction; a Mongol officer in a practical deel and a Chinese specialist discuss the ship's shape with a simple wooden model, no readable diagrams. Laborers carry timber and caulking fiber, mature local craft knowledge is the central subject. A broad river and a modest walled town lie behind. Show adaptation from cavalry conquest to river logistics without a battle, destruction or triumphal poses. No sixteenth-century European rigging, no cannons, Qing queues or movie armor. Kuromi watches a curved ship rib at the lower left; Jani stands separately nearby, facing front with her clearly unequal patches. Strong diagonal composition along the open hull, natural daylight.", "period": "1259–14. század", "setting": "Alsó-Jangce, hajóépítő telep, 1275 körül", "historicalDetails": [ "Fa hajóbordák és palánkozás", "Keresztirányú vízzáró válaszfalak", "Kenderes tömítőanyag és kéziszerszámok", "Mongol tiszt és kínai hajóépítő szakember egyeztetése" ], "sourceBasis": [ { "book": "v1", "pdfPages": [ 608, 614 ], "chapter": "14.3 The Mongol Empire Fragments" }, { "book": "v1", "pdfPages": [ 612, 612 ], "chapter": "14.3 The Mongol Empire Fragments" }, { "book": "v1", "pdfPages": [ 614, 615 ], "chapter": "14.3 The Mongol Empire Fragments" } ], "placement": { "area": "base", "sectionIndex": 2 }, "prompt": "Use case: historical-scene. Create a wide 1536x1024 opaque full-color hand-drawn historical educational narrative illustration. Fine clean outlines, coherent drawn human and animal figures, natural daylight and considered earth colors, delicate painted textures. One continuous scene, no panels. The attached images are CHARACTER IDENTITY REFERENCES ONLY, not poses, props or backgrounds. Include recognizable Kuromi with black two-point jester hood, pink skull emblem, white body and dark charcoal collar with only four tiny pink balls on its pointed tips, NEVER a broad pink collar area; no magnifying glass or book unless specified. Include Jani, a FEMALE fluffy cream-white ragdoll CAT with blue eyes, pink nose, dark brown bushy tail, natural four-legged feline anatomy and paws. Jani's facial markings are ASYMMETRICAL: a large DARK BROWN eye patch on the VIEWER'S LEFT, a much smaller lighter taupe patch on the VIEWER'S RIGHT, an irregular central white blaze. No clothing, no bow tie, no human hands for Jani. Both clearly visible as small observers within the scene, never impersonate historical people. Keep the full setting and all people in the same gentle illustration style as the characters. Historically restrained clothing and objects; no movie/game/fantasy armor, theatrical backlight, gigantic battle, decorative out-of-period icons. No readable writing, labels, dates, charts, watermark, modern flags, or modern equipment. Keep Kuromi and Jani as TWO SEPARATE complete bodies with a clear gap between their silhouettes; do not merge their limbs, fur, heads or tails. The fourth reference is the real Jani photo for face identity only; preserve illustrated style, never use its modern room. Jani should face front: the patch on the LEFT SIDE OF THE PICTURE is larger, DARK chocolate, extending onto cheek; the patch on the RIGHT SIDE OF THE PICTURE is much smaller PALE taupe. Kuromi's eyes must be black oval/teardrop shapes, each with exactly two short curved outward eyelashes as in the canonical reference. Her collar is DARK CHARCOAL, with only four tiny pink balls at pointed tips. This is a vital user correction. A Yuan-period river shipyard along the lower Yangtze around 1275 CE, during the Mongol campaign against the Southern Song. Chinese shipwrights fit heavy planks and watertight transverse bulkheads into a wooden river vessel under construction; a Mongol officer in a practical deel and a Chinese specialist discuss the ship's shape with a simple wooden model, no readable diagrams. Laborers carry timber and caulking fiber, mature local craft knowledge is the central subject. A broad river and a modest walled town lie behind. Show adaptation from cavalry conquest to river logistics without a battle, destruction or triumphal poses. No sixteenth-century European rigging, no cannons, Qing queues or movie armor. Kuromi watches a curved ship rib at the lower left; Jani stands separately nearby, facing front with her clearly unequal patches. Strong diagonal composition along the open hull, natural daylight.", "generationPrompt": "Use case: historical-scene. Create a wide 1536x1024 opaque full-color hand-drawn historical educational narrative illustration. Fine clean outlines, coherent drawn human and animal figures, natural daylight and considered earth colors, delicate painted textures. One continuous scene, no panels. The attached images are CHARACTER IDENTITY REFERENCES ONLY, not poses, props or backgrounds. Include recognizable Kuromi with black two-point jester hood, pink skull emblem, white body and dark charcoal collar with only four tiny pink balls on its pointed tips, NEVER a broad pink collar area; no magnifying glass or book unless specified. Include Jani, a FEMALE fluffy cream-white ragdoll CAT with blue eyes, pink nose, dark brown bushy tail, natural four-legged feline anatomy and paws. Jani's facial markings are ASYMMETRICAL: a large DARK BROWN eye patch on the VIEWER'S LEFT, a much smaller lighter taupe patch on the VIEWER'S RIGHT, an irregular central white blaze. No clothing, no bow tie, no human hands for Jani. Both clearly visible as small observers within the scene, never impersonate historical people. Keep the full setting and all people in the same gentle illustration style as the characters. Historically restrained clothing and objects; no movie/game/fantasy armor, theatrical backlight, gigantic battle, decorative out-of-period icons. No readable writing, labels, dates, charts, watermark, modern flags, or modern equipment. Keep Kuromi and Jani as TWO SEPARATE complete bodies with a clear gap between their silhouettes; do not merge their limbs, fur, heads or tails. The fourth reference is the real Jani photo for face identity only; preserve illustrated style, never use its modern room. Jani should face front: the patch on the LEFT SIDE OF THE PICTURE is larger, DARK chocolate, extending onto cheek; the patch on the RIGHT SIDE OF THE PICTURE is much smaller PALE taupe. Kuromi's eyes must be black oval/teardrop shapes, each with exactly two short curved outward eyelashes as in the canonical reference. Her collar is DARK CHARCOAL, with only four tiny pink balls at pointed tips. This is a vital user correction. A Yuan-period river shipyard along the lower Yangtze around 1275 CE, during the Mongol campaign against the Southern Song. Chinese shipwrights fit heavy planks and watertight transverse bulkheads into a wooden river vessel under construction; a Mongol officer in a practical deel and a Chinese specialist discuss the ship's shape with a simple wooden model, no readable diagrams. Laborers carry timber and caulking fiber, mature local craft knowledge is the central subject. A broad river and a modest walled town lie behind. Show adaptation from cavalry conquest to river logistics without a battle, destruction or triumphal poses. No sixteenth-century European rigging, no cannons, Qing queues or movie armor. Kuromi watches a curved ship rib at the lower left; Jani stands separately nearby, facing front with her clearly unequal patches. Strong diagonal composition along the open hull, natural daylight.", "canonicalCorrectionPrompt": null, "width": 1536, "height": 1024, "review": { "characters": true, "canonicalKuromi": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [] }, "src": "assets/lesson-scenes/w14-03.webp", "sha256": "d17db49648abbec48d22eae7ff9998cd72ee309056e3837967925f98ab4f79a8", "bytes": 396398, "thumbnailSrc": "assets/lesson-scenes/w14-03-preview.webp", "thumbnailSha256": "ed63a03d88a181f7dce53eba03518283f7ad4ce6a7600ca8231803a314eaf6c6", "thumbnailBytes": 125646 }, { "unitId": "w14-04", "title": "Razija szultánnő meghallgatást tart Delhiben", "alt": "Kuromi és Jani egy delhi udvar széléről figyelik, ahogy Razija egy városi asszony kérését hallgatja meg katonai előkelők jelenlétében.", "caption": "Razija 1236–1240 között a Delhi Szultanátus uralkodójaként lépett fel. Városi támogatása mellett a katonai előkelők és családi riválisok ellenállása is alakította mozgásterét; a jelenet e támogatások közvetítését szemlélteti.", "scene": "A public petition hearing under Sultan Raziyya in Delhi around 1237 CE. A capable adult woman ruler in a restrained long riding coat, trousers and simple turban sits on a low plain raised seat in a shaded early Sultanate stone courtyard, listening directly to a female market representative. A local clerk with a closed register and two military household officers stand to the side with differing watchful expressions, demonstrating the ruler's need for both urban support and elite cooperation. Early Delhi carved stone columns and a plain pointed arcade, modest sandstone and lime plaster, no Taj Mahal, Mughal jali palace, Ottoman domes, jeweled fantasy throne or modern flag. No claim of exact portrait likeness. Kuromi and Jani observe from the courtyard edge, both small separate complete figures and attentive, Jani frontal asymmetry. The petitioning woman's gesture and ruler's response anchor a dignified social scene rather than royal glamour.", "period": "13. század", "setting": "Delhi, uralkodói meghallgatás, 1237 körül", "historicalDetails": [ "Korai delhi kőoszlopos udvar", "Visszafogott lovaglókaftán és turbán", "Városi kérvényező és helyi írnok", "Katonai szolgálati előkelők jelenléte" ], "sourceBasis": [ { "book": "v1", "pdfPages": [ 615, 624 ], "chapter": "14.4 Christianity and Islam outside Central Asia" }, { "book": "v1", "pdfPages": [ 619, 623 ], "chapter": "14.4 Christianity and Islam outside Central Asia" } ], "placement": { "area": "base", "sectionIndex": 2 }, "prompt": "Use case: historical-scene. Create a wide 1536x1024 opaque full-color hand-drawn historical educational narrative illustration. Fine clean outlines, coherent drawn human and animal figures, natural daylight and considered earth colors, delicate painted textures. One continuous scene, no panels. The attached images are CHARACTER IDENTITY REFERENCES ONLY, not poses, props or backgrounds. Include recognizable Kuromi with black two-point jester hood, pink skull emblem, white body and dark charcoal collar with only four tiny pink balls on its pointed tips, NEVER a broad pink collar area; no magnifying glass or book unless specified. Include Jani, a FEMALE fluffy cream-white ragdoll CAT with blue eyes, pink nose, dark brown bushy tail, natural four-legged feline anatomy and paws. Jani's facial markings are ASYMMETRICAL: a large DARK BROWN eye patch on the VIEWER'S LEFT, a much smaller lighter taupe patch on the VIEWER'S RIGHT, an irregular central white blaze. No clothing, no bow tie, no human hands for Jani. Both clearly visible as small observers within the scene, never impersonate historical people. Keep the full setting and all people in the same gentle illustration style as the characters. Historically restrained clothing and objects; no movie/game/fantasy armor, theatrical backlight, gigantic battle, decorative out-of-period icons. No readable writing, labels, dates, charts, watermark, modern flags, or modern equipment. Keep Kuromi and Jani as TWO SEPARATE complete bodies with a clear gap between their silhouettes; do not merge their limbs, fur, heads or tails. The fourth reference is the real Jani photo for face identity only; preserve illustrated style, never use its modern room. Jani should face front: the patch on the LEFT SIDE OF THE PICTURE is larger, DARK chocolate, extending onto cheek; the patch on the RIGHT SIDE OF THE PICTURE is much smaller PALE taupe. Kuromi's eyes must be black oval/teardrop shapes, each with exactly two short curved outward eyelashes as in the canonical reference. Her collar is DARK CHARCOAL, with only four tiny pink balls at pointed tips. This is a vital user correction. A public petition hearing under Sultan Raziyya in Delhi around 1237 CE. A capable adult woman ruler in a restrained long riding coat, trousers and simple turban sits on a low plain raised seat in a shaded early Sultanate stone courtyard, listening directly to a female market representative. A local clerk with a closed register and two military household officers stand to the side with differing watchful expressions, demonstrating the ruler's need for both urban support and elite cooperation. Early Delhi carved stone columns and a plain pointed arcade, modest sandstone and lime plaster, no Taj Mahal, Mughal jali palace, Ottoman domes, jeweled fantasy throne or modern flag. No claim of exact portrait likeness. Kuromi and Jani observe from the courtyard edge, both small separate complete figures and attentive, Jani frontal asymmetry. The petitioning woman's gesture and ruler's response anchor a dignified social scene rather than royal glamour.", "generationPrompt": "Use case: historical-scene. Create a wide 1536x1024 opaque full-color hand-drawn historical educational narrative illustration. Fine clean outlines, coherent drawn human and animal figures, natural daylight and considered earth colors, delicate painted textures. One continuous scene, no panels. The attached images are CHARACTER IDENTITY REFERENCES ONLY, not poses, props or backgrounds. Include recognizable Kuromi with black two-point jester hood, pink skull emblem, white body and dark charcoal collar with only four tiny pink balls on its pointed tips, NEVER a broad pink collar area; no magnifying glass or book unless specified. Include Jani, a FEMALE fluffy cream-white ragdoll CAT with blue eyes, pink nose, dark brown bushy tail, natural four-legged feline anatomy and paws. Jani's facial markings are ASYMMETRICAL: a large DARK BROWN eye patch on the VIEWER'S LEFT, a much smaller lighter taupe patch on the VIEWER'S RIGHT, an irregular central white blaze. No clothing, no bow tie, no human hands for Jani. Both clearly visible as small observers within the scene, never impersonate historical people. Keep the full setting and all people in the same gentle illustration style as the characters. Historically restrained clothing and objects; no movie/game/fantasy armor, theatrical backlight, gigantic battle, decorative out-of-period icons. No readable writing, labels, dates, charts, watermark, modern flags, or modern equipment. Keep Kuromi and Jani as TWO SEPARATE complete bodies with a clear gap between their silhouettes; do not merge their limbs, fur, heads or tails. The fourth reference is the real Jani photo for face identity only; preserve illustrated style, never use its modern room. Jani should face front: the patch on the LEFT SIDE OF THE PICTURE is larger, DARK chocolate, extending onto cheek; the patch on the RIGHT SIDE OF THE PICTURE is much smaller PALE taupe. Kuromi's eyes must be black oval/teardrop shapes, each with exactly two short curved outward eyelashes as in the canonical reference. Her collar is DARK CHARCOAL, with only four tiny pink balls at pointed tips. This is a vital user correction. A public petition hearing under Sultan Raziyya in Delhi around 1237 CE. A capable adult woman ruler in a restrained long riding coat, trousers and simple turban sits on a low plain raised seat in a shaded early Sultanate stone courtyard, listening directly to a female market representative. A local clerk with a closed register and two military household officers stand to the side with differing watchful expressions, demonstrating the ruler's need for both urban support and elite cooperation. Early Delhi carved stone columns and a plain pointed arcade, modest sandstone and lime plaster, no Taj Mahal, Mughal jali palace, Ottoman domes, jeweled fantasy throne or modern flag. No claim of exact portrait likeness. Kuromi and Jani observe from the courtyard edge, both small separate complete figures and attentive, Jani frontal asymmetry. The petitioning woman's gesture and ruler's response anchor a dignified social scene rather than royal glamour.", "canonicalCorrectionPrompt": null, "width": 1536, "height": 1024, "review": { "characters": true, "canonicalKuromi": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [] }, "src": "assets/lesson-scenes/w14-04.webp", "sha256": "7a61512328884f20da4f397ce0d2eb620fb4c6eb20d6f1f90caefaaf16423b5d", "bytes": 369308, "thumbnailSrc": "assets/lesson-scenes/w14-04-preview.webp", "thumbnailSha256": "c940fd5216f2250f354ecd7cf39673a6ee271808429be0bcbd3c58efb6ebc575", "thumbnailBytes": 123876 }, { "unitId": "w15-01", "title": "Helyi tanulók és kéziratok Timbuktuban", "alt": "Kuromi és Jani egy timbuktui vályogudvarban figyelik a kéziratot magyarázó tanítót és köré gyűlt tanulókat.", "caption": "A 14. századi Timbuktu tudós tekintélyét helyi tanárok, támogatók és kéziratok tartották fenn. Az iszlám kapcsolathálója saját afrikai intézményi és nyelvi környezetben formálódott tovább.", "scene": "A local teaching circle in Timbuktu around 1370 CE, shaded by a simple timber-and-mat canopy in an earthen courtyard. A West African scholar in a plain robe and headwrap explains a bound manuscript to several adult and younger learners seated on woven mats; a local patron brings a small wrapped stack of manuscripts, and an apprentice prepares ink with a reed pen. The manuscript pages are angled away or closed, no legible text. Plain sun-dried mudbrick walls with timber lintels and a storage niche, not a copied modern monumental mosque facade. Show African local teachers and sponsors actively building learning institutions, rather than receiving knowledge passively from outsiders. No modern bookshelves, pencils, flags, Moroccan tiled palace or European furniture. Kuromi sits attentively near the mat edge, Jani sits separately in the shade facing viewer, clear dark left patch and pale right. Quiet intimate courtyard composition, warm dust colors and soft daylight.", "period": "3–14. század", "setting": "Timbuktu, tanulóudvar, 1370 körül", "historicalDetails": [ "Kéziratos kötetek és nádtoll", "Gyékényen ülő helyi tanulócsoport", "Sártéglafal és gerendás árnyékoló", "Helyi patrónus kéziratadománya" ], "sourceBasis": [ { "book": "v1", "pdfPages": [ 633, 643 ], "chapter": "15.1 Culture and Society in Medieval Africa" }, { "book": "v1", "pdfPages": [ 638, 640 ], "chapter": "15.1 Culture and Society in Medieval Africa" } ], "placement": { "area": "base", "sectionIndex": 2 }, "prompt": "Use case: historical-scene. Create a wide 1536x1024 opaque full-color hand-drawn historical educational narrative illustration. Fine clean outlines, coherent drawn human and animal figures, natural daylight and considered earth colors, delicate painted textures. One continuous scene, no panels. The attached images are CHARACTER IDENTITY REFERENCES ONLY, not poses, props or backgrounds. Include recognizable Kuromi with black two-point jester hood, pink skull emblem, white body and dark charcoal collar with only four tiny pink balls on its pointed tips, NEVER a broad pink collar area; no magnifying glass or book unless specified. Include Jani, a FEMALE fluffy cream-white ragdoll CAT with blue eyes, pink nose, dark brown bushy tail, natural four-legged feline anatomy and paws. Jani's facial markings are ASYMMETRICAL: a large DARK BROWN eye patch on the VIEWER'S LEFT, a much smaller lighter taupe patch on the VIEWER'S RIGHT, an irregular central white blaze. No clothing, no bow tie, no human hands for Jani. Both clearly visible as small observers within the scene, never impersonate historical people. Keep the full setting and all people in the same gentle illustration style as the characters. Historically restrained clothing and objects; no movie/game/fantasy armor, theatrical backlight, gigantic battle, decorative out-of-period icons. No readable writing, labels, dates, charts, watermark, modern flags, or modern equipment. Keep Kuromi and Jani as TWO SEPARATE complete bodies with a clear gap between their silhouettes; do not merge their limbs, fur, heads or tails. The fourth reference is the real Jani photo for face identity only; preserve illustrated style, never use its modern room. Jani should face front: the patch on the LEFT SIDE OF THE PICTURE is larger, DARK chocolate, extending onto cheek; the patch on the RIGHT SIDE OF THE PICTURE is much smaller PALE taupe. Kuromi's eyes must be black oval/teardrop shapes, each with exactly two short curved outward eyelashes as in the canonical reference. Her collar is DARK CHARCOAL, with only four tiny pink balls at pointed tips. This is a vital user correction. A local teaching circle in Timbuktu around 1370 CE, shaded by a simple timber-and-mat canopy in an earthen courtyard. A West African scholar in a plain robe and headwrap explains a bound manuscript to several adult and younger learners seated on woven mats; a local patron brings a small wrapped stack of manuscripts, and an apprentice prepares ink with a reed pen. The manuscript pages are angled away or closed, no legible text. Plain sun-dried mudbrick walls with timber lintels and a storage niche, not a copied modern monumental mosque facade. Show African local teachers and sponsors actively building learning institutions, rather than receiving knowledge passively from outsiders. No modern bookshelves, pencils, flags, Moroccan tiled palace or European furniture. Kuromi sits attentively near the mat edge, Jani sits separately in the shade facing viewer, clear dark left patch and pale right. Quiet intimate courtyard composition, warm dust colors and soft daylight.", "generationPrompt": "Use case: historical-scene. Create a wide 1536x1024 opaque full-color hand-drawn historical educational narrative illustration. Fine clean outlines, coherent drawn human and animal figures, natural daylight and considered earth colors, delicate painted textures. One continuous scene, no panels. The attached images are CHARACTER IDENTITY REFERENCES ONLY, not poses, props or backgrounds. Include recognizable Kuromi with black two-point jester hood, pink skull emblem, white body and dark charcoal collar with only four tiny pink balls on its pointed tips, NEVER a broad pink collar area; no magnifying glass or book unless specified. Include Jani, a FEMALE fluffy cream-white ragdoll CAT with blue eyes, pink nose, dark brown bushy tail, natural four-legged feline anatomy and paws. Jani's facial markings are ASYMMETRICAL: a large DARK BROWN eye patch on the VIEWER'S LEFT, a much smaller lighter taupe patch on the VIEWER'S RIGHT, an irregular central white blaze. No clothing, no bow tie, no human hands for Jani. Both clearly visible as small observers within the scene, never impersonate historical people. Keep the full setting and all people in the same gentle illustration style as the characters. Historically restrained clothing and objects; no movie/game/fantasy armor, theatrical backlight, gigantic battle, decorative out-of-period icons. No readable writing, labels, dates, charts, watermark, modern flags, or modern equipment. Keep Kuromi and Jani as TWO SEPARATE complete bodies with a clear gap between their silhouettes; do not merge their limbs, fur, heads or tails. The fourth reference is the real Jani photo for face identity only; preserve illustrated style, never use its modern room. Jani should face front: the patch on the LEFT SIDE OF THE PICTURE is larger, DARK chocolate, extending onto cheek; the patch on the RIGHT SIDE OF THE PICTURE is much smaller PALE taupe. Kuromi's eyes must be black oval/teardrop shapes, each with exactly two short curved outward eyelashes as in the canonical reference. Her collar is DARK CHARCOAL, with only four tiny pink balls at pointed tips. This is a vital user correction. A local teaching circle in Timbuktu around 1370 CE, shaded by a simple timber-and-mat canopy in an earthen courtyard. A West African scholar in a plain robe and headwrap explains a bound manuscript to several adult and younger learners seated on woven mats; a local patron brings a small wrapped stack of manuscripts, and an apprentice prepares ink with a reed pen. The manuscript pages are angled away or closed, no legible text. Plain sun-dried mudbrick walls with timber lintels and a storage niche, not a copied modern monumental mosque facade. Show African local teachers and sponsors actively building learning institutions, rather than receiving knowledge passively from outsiders. No modern bookshelves, pencils, flags, Moroccan tiled palace or European furniture. Kuromi sits attentively near the mat edge, Jani sits separately in the shade facing viewer, clear dark left patch and pale right. Quiet intimate courtyard composition, warm dust colors and soft daylight.", "canonicalCorrectionPrompt": null, "width": 1536, "height": 1024, "review": { "characters": true, "canonicalKuromi": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [] }, "src": "assets/lesson-scenes/w15-01.webp", "sha256": "5cf71c19838317afed0e3a87e6ffcb350543ef0a624f71d55ae5430e63282211", "bytes": 382482, "thumbnailSrc": "assets/lesson-scenes/w15-01-preview.webp", "thumbnailSha256": "43500c05286ad53cc94bdf9e44ec63d147f7a7204d128754b6a94678053e7d3f", "thumbnailBytes": 127000 }, { "unitId": "w15-02", "title": "Gránitfal építése Nagy-Zimbabwéban", "alt": "Kuromi és Jani Nagy-Zimbabwe ívelt falánál figyelik a habarcs nélkül gránitköveket rakó helyi mestereket.", "caption": "A 14. századi Nagy-Zimbabwe kőépítményei helyi afrikai tudásról és jelentős munkaszervezésről tanúskodnak. Az állattartás, földművelés és csere támogatta a központot, miközben az egyes falak pontos használata nem mindenütt bizonyos.", "scene": "Great Zimbabwe on the southern African highveld around 1350 CE, seen at close working height beside the rising CURVED dry-stone wall of the Great Enclosure. Local African stonemasons place carefully shaped rectangular granite blocks WITHOUT mortar in neat horizontal courses, a colleague carries a woven basket of stone chips, and a woman brings food in a plain clay pot; behind, round earthen houses with thatched roofs, cattle and a small field of sorghum with branched grain seedheads, definitely NO maize, potatoes or tomatoes. The curved massive wall shows skilled coordinated labor but do not invent an exact temple ritual or military function. No Egyptian symbols, European castles, metal scaffolding, crown or outside master builders. Kuromi watches a loose granite block with interest; Jani stands separately beside her, natural four paws, front-facing asymmetric face. Strong sweeping wall arc leads into a green rocky landscape, thoughtful natural colors.", "period": "6–15. század", "setting": "Nagy-Zimbabwe, magasföld, 1350 körül", "historicalDetails": [ "Habarcs nélküli szabályos gránitfalazás", "A Nagy Kerítés ívelt falszakasza", "Kerek agyagépületek nádtetővel", "Szarvasmarhák és elágazó bugájú cirok" ], "sourceBasis": [ { "book": "v1", "pdfPages": [ 644, 656 ], "chapter": "15.2 Medieval Sub-Saharan Africa" }, { "book": "v1", "pdfPages": [ 646, 646 ], "chapter": "15.2 Medieval Sub-Saharan Africa" }, { "book": "v1", "pdfPages": [ 650, 653 ], "chapter": "15.2 Medieval Sub-Saharan Africa" } ], "placement": { "area": "base", "sectionIndex": 2 }, "prompt": "Use case: historical-scene. Create a wide 1536x1024 opaque full-color hand-drawn historical educational narrative illustration. Fine clean outlines, coherent drawn human and animal figures, natural daylight and considered earth colors, delicate painted textures. One continuous scene, no panels. The attached images are CHARACTER IDENTITY REFERENCES ONLY, not poses, props or backgrounds. Include recognizable Kuromi with black two-point jester hood, pink skull emblem, white body and dark charcoal collar with only four tiny pink balls on its pointed tips, NEVER a broad pink collar area; no magnifying glass or book unless specified. Include Jani, a FEMALE fluffy cream-white ragdoll CAT with blue eyes, pink nose, dark brown bushy tail, natural four-legged feline anatomy and paws. Jani's facial markings are ASYMMETRICAL: a large DARK BROWN eye patch on the VIEWER'S LEFT, a much smaller lighter taupe patch on the VIEWER'S RIGHT, an irregular central white blaze. No clothing, no bow tie, no human hands for Jani. Both clearly visible as small observers within the scene, never impersonate historical people. Keep the full setting and all people in the same gentle illustration style as the characters. Historically restrained clothing and objects; no movie/game/fantasy armor, theatrical backlight, gigantic battle, decorative out-of-period icons. No readable writing, labels, dates, charts, watermark, modern flags, or modern equipment. Keep Kuromi and Jani as TWO SEPARATE complete bodies with a clear gap between their silhouettes; do not merge their limbs, fur, heads or tails. The fourth reference is the real Jani photo for face identity only; preserve illustrated style, never use its modern room. Jani should face front: the patch on the LEFT SIDE OF THE PICTURE is larger, DARK chocolate, extending onto cheek; the patch on the RIGHT SIDE OF THE PICTURE is much smaller PALE taupe. Kuromi's eyes must be black oval/teardrop shapes, each with exactly two short curved outward eyelashes as in the canonical reference. Her collar is DARK CHARCOAL, with only four tiny pink balls at pointed tips. This is a vital user correction. Great Zimbabwe on the southern African highveld around 1350 CE, seen at close working height beside the rising CURVED dry-stone wall of the Great Enclosure. Local African stonemasons place carefully shaped rectangular granite blocks WITHOUT mortar in neat horizontal courses, a colleague carries a woven basket of stone chips, and a woman brings food in a plain clay pot; behind, round earthen houses with thatched roofs, cattle and a small field of sorghum with branched grain seedheads, definitely NO maize, potatoes or tomatoes. The curved massive wall shows skilled coordinated labor but do not invent an exact temple ritual or military function. No Egyptian symbols, European castles, metal scaffolding, crown or outside master builders. Kuromi watches a loose granite block with interest; Jani stands separately beside her, natural four paws, front-facing asymmetric face. Strong sweeping wall arc leads into a green rocky landscape, thoughtful natural colors.", "generationPrompt": "Use case: historical-scene. Create a wide 1536x1024 opaque full-color hand-drawn historical educational narrative illustration. Fine clean outlines, coherent drawn human and animal figures, natural daylight and considered earth colors, delicate painted textures. One continuous scene, no panels. The attached images are CHARACTER IDENTITY REFERENCES ONLY, not poses, props or backgrounds. Include recognizable Kuromi with black two-point jester hood, pink skull emblem, white body and dark charcoal collar with only four tiny pink balls on its pointed tips, NEVER a broad pink collar area; no magnifying glass or book unless specified. Include Jani, a FEMALE fluffy cream-white ragdoll CAT with blue eyes, pink nose, dark brown bushy tail, natural four-legged feline anatomy and paws. Jani's facial markings are ASYMMETRICAL: a large DARK BROWN eye patch on the VIEWER'S LEFT, a much smaller lighter taupe patch on the VIEWER'S RIGHT, an irregular central white blaze. No clothing, no bow tie, no human hands for Jani. Both clearly visible as small observers within the scene, never impersonate historical people. Keep the full setting and all people in the same gentle illustration style as the characters. Historically restrained clothing and objects; no movie/game/fantasy armor, theatrical backlight, gigantic battle, decorative out-of-period icons. No readable writing, labels, dates, charts, watermark, modern flags, or modern equipment. Keep Kuromi and Jani as TWO SEPARATE complete bodies with a clear gap between their silhouettes; do not merge their limbs, fur, heads or tails. The fourth reference is the real Jani photo for face identity only; preserve illustrated style, never use its modern room. Jani should face front: the patch on the LEFT SIDE OF THE PICTURE is larger, DARK chocolate, extending onto cheek; the patch on the RIGHT SIDE OF THE PICTURE is much smaller PALE taupe. Kuromi's eyes must be black oval/teardrop shapes, each with exactly two short curved outward eyelashes as in the canonical reference. Her collar is DARK CHARCOAL, with only four tiny pink balls at pointed tips. This is a vital user correction. Great Zimbabwe on the southern African highveld around 1350 CE, seen at close working height beside the rising CURVED dry-stone wall of the Great Enclosure. Local African stonemasons place carefully shaped rectangular granite blocks WITHOUT mortar in neat horizontal courses, a colleague carries a woven basket of stone chips, and a woman brings food in a plain clay pot; behind, round earthen houses with thatched roofs, cattle and a small field of sorghum with branched grain seedheads, definitely NO maize, potatoes or tomatoes. The curved massive wall shows skilled coordinated labor but do not invent an exact temple ritual or military function. No Egyptian symbols, European castles, metal scaffolding, crown or outside master builders. Kuromi watches a loose granite block with interest; Jani stands separately beside her, natural four paws, front-facing asymmetric face. Strong sweeping wall arc leads into a green rocky landscape, thoughtful natural colors.", "canonicalCorrectionPrompt": null, "width": 1536, "height": 1024, "review": { "characters": true, "canonicalKuromi": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [] }, "src": "assets/lesson-scenes/w15-02.webp", "sha256": "0c3e1ae129119b035af8a16ce4c9ef8c7341c54805aa07ebc77797cedf8c8c8a", "bytes": 529162, "thumbnailSrc": "assets/lesson-scenes/w15-02-preview.webp", "thumbnailSha256": "0673a7b37dc88dcfba32163fc5ab2897aca394786f525455355f871204f15e68", "thumbnailBytes": 168538 }, { "unitId": "w15-03", "title": "Gao ellátása a Niger folyó felől", "alt": "Kuromi és Jani Gao folyami rakodójánál figyelik a halat kirakó családokat és a kölest szállító földműveseket.", "caption": "A 15. századi szonghai központok erejét nemcsak a sivatagi kereskedelem, hanem a Niger-vidék halászata és földművelése is biztosította. A folyami és szárazföldi ellátás összehangolása tette mozgósíthatóvá a helyi erőforrásokat.", "scene": "Gao on the Niger River around 1470 CE under expanding Songhai power. A shallow river landing links local food production to the city: fishing families unload woven baskets of fresh fish from long narrow wooden pirogues, and nearby farmers transfer sacks of small-grained millet with brush-like seedheads into a shaded riverside store. A local organizer directs boats and pack donkeys at separate landing places, demonstrating coordination of river and land supply rather than a generic gold treasure market. Low mudbrick houses, reed mats, river floodplain and modest watercraft, no ocean sails, modern Askia tomb copied from later reconstruction, European colonial buildings or American maize. Kuromi stands at a safe dry step observing the pirogue unloading; Jani crouches separately nearby with natural four paws and frontal asymmetric face. Panoramic low river viewpoint with the curve of boats leading toward Gao, ordinary dignified human work.", "period": "9–15. század", "setting": "Gao, Niger-part, 1470 körül", "historicalDetails": [ "Keskeny fa pirogák", "Fonott halaskosarak", "Kölesszállítmány és málhás szamarak", "Vályog rakodóraktár és folyami ártér" ], "sourceBasis": [ { "book": "v1", "pdfPages": [ 657, 665 ], "chapter": "15.3 The People of the Sahel" }, { "book": "v1", "pdfPages": [ 660, 664 ], "chapter": "15.3 The People of the Sahel" } ], "placement": { "area": "base", "sectionIndex": 0 }, "prompt": "Use case: historical-scene. Create a wide 1536x1024 opaque full-color hand-drawn historical educational narrative illustration. Fine clean outlines, coherent drawn human and animal figures, natural daylight and considered earth colors, delicate painted textures. One continuous scene, no panels. The attached images are CHARACTER IDENTITY REFERENCES ONLY, not poses, props or backgrounds. Include recognizable Kuromi with black two-point jester hood, pink skull emblem, white body and dark charcoal collar with only four tiny pink balls on its pointed tips, NEVER a broad pink collar area; no magnifying glass or book unless specified. Include Jani, a FEMALE fluffy cream-white ragdoll CAT with blue eyes, pink nose, dark brown bushy tail, natural four-legged feline anatomy and paws. Jani's facial markings are ASYMMETRICAL: a large DARK BROWN eye patch on the VIEWER'S LEFT, a much smaller lighter taupe patch on the VIEWER'S RIGHT, an irregular central white blaze. No clothing, no bow tie, no human hands for Jani. Both clearly visible as small observers within the scene, never impersonate historical people. Keep the full setting and all people in the same gentle illustration style as the characters. Historically restrained clothing and objects; no movie/game/fantasy armor, theatrical backlight, gigantic battle, decorative out-of-period icons. No readable writing, labels, dates, charts, watermark, modern flags, or modern equipment. Keep Kuromi and Jani as TWO SEPARATE complete bodies with a clear gap between their silhouettes; do not merge their limbs, fur, heads or tails. The fourth reference is the real Jani photo for face identity only; preserve illustrated style, never use its modern room. Jani should face front: the patch on the LEFT SIDE OF THE PICTURE is larger, DARK chocolate, extending onto cheek; the patch on the RIGHT SIDE OF THE PICTURE is much smaller PALE taupe. Kuromi's eyes must be black oval/teardrop shapes, each with exactly two short curved outward eyelashes as in the canonical reference. Her collar is DARK CHARCOAL, with only four tiny pink balls at pointed tips. This is a vital user correction. Gao on the Niger River around 1470 CE under expanding Songhai power. A shallow river landing links local food production to the city: fishing families unload woven baskets of fresh fish from long narrow wooden pirogues, and nearby farmers transfer sacks of small-grained millet with brush-like seedheads into a shaded riverside store. A local organizer directs boats and pack donkeys at separate landing places, demonstrating coordination of river and land supply rather than a generic gold treasure market. Low mudbrick houses, reed mats, river floodplain and modest watercraft, no ocean sails, modern Askia tomb copied from later reconstruction, European colonial buildings or American maize. Kuromi stands at a safe dry step observing the pirogue unloading; Jani crouches separately nearby with natural four paws and frontal asymmetric face. Panoramic low river viewpoint with the curve of boats leading toward Gao, ordinary dignified human work.\nTARGETED HISTORICAL REPAIR: remove ONLY the monumental mosque-like building and tall pointed towers in the distant city background. They resemble the modern rebuilt Great Mosque of Djenne and do not belong in this Gao reconstruction. Replace distant skyline with simple low flat-roofed mudbrick homes, plain storage buildings, a few palm trees and earthen enclosure walls. No tall monumental religious facade at all. Preserve all foreground people, boats, fish, millet, Kuromi and Jani, their markings, lighting, colors and exact composition.", "generationPrompt": "Use case: historical-scene. Create a wide 1536x1024 opaque full-color hand-drawn historical educational narrative illustration. Fine clean outlines, coherent drawn human and animal figures, natural daylight and considered earth colors, delicate painted textures. One continuous scene, no panels. The attached images are CHARACTER IDENTITY REFERENCES ONLY, not poses, props or backgrounds. Include recognizable Kuromi with black two-point jester hood, pink skull emblem, white body and dark charcoal collar with only four tiny pink balls on its pointed tips, NEVER a broad pink collar area; no magnifying glass or book unless specified. Include Jani, a FEMALE fluffy cream-white ragdoll CAT with blue eyes, pink nose, dark brown bushy tail, natural four-legged feline anatomy and paws. Jani's facial markings are ASYMMETRICAL: a large DARK BROWN eye patch on the VIEWER'S LEFT, a much smaller lighter taupe patch on the VIEWER'S RIGHT, an irregular central white blaze. No clothing, no bow tie, no human hands for Jani. Both clearly visible as small observers within the scene, never impersonate historical people. Keep the full setting and all people in the same gentle illustration style as the characters. Historically restrained clothing and objects; no movie/game/fantasy armor, theatrical backlight, gigantic battle, decorative out-of-period icons. No readable writing, labels, dates, charts, watermark, modern flags, or modern equipment. Keep Kuromi and Jani as TWO SEPARATE complete bodies with a clear gap between their silhouettes; do not merge their limbs, fur, heads or tails. The fourth reference is the real Jani photo for face identity only; preserve illustrated style, never use its modern room. Jani should face front: the patch on the LEFT SIDE OF THE PICTURE is larger, DARK chocolate, extending onto cheek; the patch on the RIGHT SIDE OF THE PICTURE is much smaller PALE taupe. Kuromi's eyes must be black oval/teardrop shapes, each with exactly two short curved outward eyelashes as in the canonical reference. Her collar is DARK CHARCOAL, with only four tiny pink balls at pointed tips. This is a vital user correction. Gao on the Niger River around 1470 CE under expanding Songhai power. A shallow river landing links local food production to the city: fishing families unload woven baskets of fresh fish from long narrow wooden pirogues, and nearby farmers transfer sacks of small-grained millet with brush-like seedheads into a shaded riverside store. A local organizer directs boats and pack donkeys at separate landing places, demonstrating coordination of river and land supply rather than a generic gold treasure market. Low mudbrick houses, reed mats, river floodplain and modest watercraft, no ocean sails, modern Askia tomb copied from later reconstruction, European colonial buildings or American maize. Kuromi stands at a safe dry step observing the pirogue unloading; Jani crouches separately nearby with natural four paws and frontal asymmetric face. Panoramic low river viewpoint with the curve of boats leading toward Gao, ordinary dignified human work.\nTARGETED HISTORICAL REPAIR: remove ONLY the monumental mosque-like building and tall pointed towers in the distant city background. They resemble the modern rebuilt Great Mosque of Djenne and do not belong in this Gao reconstruction. Replace distant skyline with simple low flat-roofed mudbrick homes, plain storage buildings, a few palm trees and earthen enclosure walls. No tall monumental religious facade at all. Preserve all foreground people, boats, fish, millet, Kuromi and Jani, their markings, lighting, colors and exact composition.", "canonicalCorrectionPrompt": null, "width": 1536, "height": 1024, "review": { "characters": true, "canonicalKuromi": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [] }, "src": "assets/lesson-scenes/w15-03.webp", "sha256": "8c98f7571f640cbce030d8686720bdd27ac31e22e7d89bfc0a97ca2326c1e398", "bytes": 456602, "thumbnailSrc": "assets/lesson-scenes/w15-03-preview.webp", "thumbnailSha256": "681123e51065c36c34f2426c1bd77e0126d915f926d184d9b902c105ff8ee3a4", "thumbnailBytes": 145240 }, { "unitId": "w16-01", "title": "Öntözőcsatorna helyreállítása az Ilhánok Iránjában", "alt": "Kuromi és Jani egy iráni falunál figyelik az öntözőcsatornát javító földműveseket és velük egyeztető tisztviselőket.", "caption": "Gázán ilhán 1295 utáni alkalmazkodása a mezőgazdasági létesítmények támogatására is kiterjedt. A termelés helyreállítása a paraszti megélhetés és a tartós adóbevétel közös feltétele lehetett, de az utódlási gondokat nem szüntette meg.", "scene": "A rural irrigation repair in Ilkhanid Iran near Tabriz around 1300 CE during Ghazan's reforms. Farmers and a local water manager repair a low stone-and-earth diversion channel carrying water into wheat plots; a Persian-speaking clerk and a Mongol household official in a practical long coat listen to farmers beside a modest wooden measuring rod and a closed register. The scene makes the state's need to restore production and regular revenue visible through cooperation and labor. Mudbrick village, rocky Iranian foothills, simple water sluice made of timber, wheat and orchards; no turquoise monumental skyline, spectacular palace, Ottoman minarets, American crops or modern engineering. Kuromi stands on a dry flat stone watching flowing water; Jani sits separately facing viewer with clear larger dark patch on picture left and small pale right. Elevated diagonal view following the channel from workers to fields, calm practical faces, no heroic ruler portrait.", "period": "1295–1417", "setting": "Tebriz környéki iráni falu, 1300 körül", "historicalDetails": [ "Kő-föld vízelvezető csatorna", "Fa vízszabályozó zsilip", "Helyi vízkezelő és igazgatási közvetítők", "Búzaföld és hegyperemi vályogfalu" ], "sourceBasis": [ { "book": "v1", "pdfPages": [ 672, 682 ], "chapter": "16.1 Asia, North Africa, and Europe in the Early Fourteenth Century" }, { "book": "v1", "pdfPages": [ 678, 682 ], "chapter": "16.1 Asia, North Africa, and Europe in the Early Fourteenth Century" } ], "placement": { "area": "base", "sectionIndex": 1 }, "prompt": "Use case: historical-scene. Create a wide 1536x1024 opaque full-color hand-drawn historical educational narrative illustration. Fine clean outlines, coherent drawn human and animal figures, natural daylight and considered earth colors, delicate painted textures. One continuous scene, no panels. The attached images are CHARACTER IDENTITY REFERENCES ONLY, not poses, props or backgrounds. Include recognizable Kuromi with black two-point jester hood, pink skull emblem, white body and dark charcoal collar with only four tiny pink balls on its pointed tips, NEVER a broad pink collar area; no magnifying glass or book unless specified. Include Jani, a FEMALE fluffy cream-white ragdoll CAT with blue eyes, pink nose, dark brown bushy tail, natural four-legged feline anatomy and paws. Jani's facial markings are ASYMMETRICAL: a large DARK BROWN eye patch on the VIEWER'S LEFT, a much smaller lighter taupe patch on the VIEWER'S RIGHT, an irregular central white blaze. No clothing, no bow tie, no human hands for Jani. Both clearly visible as small observers within the scene, never impersonate historical people. Keep the full setting and all people in the same gentle illustration style as the characters. Historically restrained clothing and objects; no movie/game/fantasy armor, theatrical backlight, gigantic battle, decorative out-of-period icons. No readable writing, labels, dates, charts, watermark, modern flags, or modern equipment. Keep Kuromi and Jani as TWO SEPARATE complete bodies with a clear gap between their silhouettes; do not merge their limbs, fur, heads or tails. The fourth reference is the real Jani photo for face identity only; preserve illustrated style, never use its modern room. Jani should face front: the patch on the LEFT SIDE OF THE PICTURE is larger, DARK chocolate, extending onto cheek; the patch on the RIGHT SIDE OF THE PICTURE is much smaller PALE taupe. Kuromi's eyes must be black oval/teardrop shapes, each with exactly two short curved outward eyelashes as in the canonical reference. Her collar is DARK CHARCOAL, with only four tiny pink balls at pointed tips. This is a vital user correction. A rural irrigation repair in Ilkhanid Iran near Tabriz around 1300 CE during Ghazan's reforms. Farmers and a local water manager repair a low stone-and-earth diversion channel carrying water into wheat plots; a Persian-speaking clerk and a Mongol household official in a practical long coat listen to farmers beside a modest wooden measuring rod and a closed register. The scene makes the state's need to restore production and regular revenue visible through cooperation and labor. Mudbrick village, rocky Iranian foothills, simple water sluice made of timber, wheat and orchards; no turquoise monumental skyline, spectacular palace, Ottoman minarets, American crops or modern engineering. Kuromi stands on a dry flat stone watching flowing water; Jani sits separately facing viewer with clear larger dark patch on picture left and small pale right. Elevated diagonal view following the channel from workers to fields, calm practical faces, no heroic ruler portrait.", "generationPrompt": "Use case: historical-scene. Create a wide 1536x1024 opaque full-color hand-drawn historical educational narrative illustration. Fine clean outlines, coherent drawn human and animal figures, natural daylight and considered earth colors, delicate painted textures. One continuous scene, no panels. The attached images are CHARACTER IDENTITY REFERENCES ONLY, not poses, props or backgrounds. Include recognizable Kuromi with black two-point jester hood, pink skull emblem, white body and dark charcoal collar with only four tiny pink balls on its pointed tips, NEVER a broad pink collar area; no magnifying glass or book unless specified. Include Jani, a FEMALE fluffy cream-white ragdoll CAT with blue eyes, pink nose, dark brown bushy tail, natural four-legged feline anatomy and paws. Jani's facial markings are ASYMMETRICAL: a large DARK BROWN eye patch on the VIEWER'S LEFT, a much smaller lighter taupe patch on the VIEWER'S RIGHT, an irregular central white blaze. No clothing, no bow tie, no human hands for Jani. Both clearly visible as small observers within the scene, never impersonate historical people. Keep the full setting and all people in the same gentle illustration style as the characters. Historically restrained clothing and objects; no movie/game/fantasy armor, theatrical backlight, gigantic battle, decorative out-of-period icons. No readable writing, labels, dates, charts, watermark, modern flags, or modern equipment. Keep Kuromi and Jani as TWO SEPARATE complete bodies with a clear gap between their silhouettes; do not merge their limbs, fur, heads or tails. The fourth reference is the real Jani photo for face identity only; preserve illustrated style, never use its modern room. Jani should face front: the patch on the LEFT SIDE OF THE PICTURE is larger, DARK chocolate, extending onto cheek; the patch on the RIGHT SIDE OF THE PICTURE is much smaller PALE taupe. Kuromi's eyes must be black oval/teardrop shapes, each with exactly two short curved outward eyelashes as in the canonical reference. Her collar is DARK CHARCOAL, with only four tiny pink balls at pointed tips. This is a vital user correction. A rural irrigation repair in Ilkhanid Iran near Tabriz around 1300 CE during Ghazan's reforms. Farmers and a local water manager repair a low stone-and-earth diversion channel carrying water into wheat plots; a Persian-speaking clerk and a Mongol household official in a practical long coat listen to farmers beside a modest wooden measuring rod and a closed register. The scene makes the state's need to restore production and regular revenue visible through cooperation and labor. Mudbrick village, rocky Iranian foothills, simple water sluice made of timber, wheat and orchards; no turquoise monumental skyline, spectacular palace, Ottoman minarets, American crops or modern engineering. Kuromi stands on a dry flat stone watching flowing water; Jani sits separately facing viewer with clear larger dark patch on picture left and small pale right. Elevated diagonal view following the channel from workers to fields, calm practical faces, no heroic ruler portrait.", "canonicalCorrectionPrompt": null, "width": 1536, "height": 1024, "review": { "characters": true, "canonicalKuromi": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [] }, "src": "assets/lesson-scenes/w16-01.webp", "sha256": "77768d5b50699c6ea58b57cbb840acebf0fa1b48685e87c56219a2013b20ac9f", "bytes": 642172, "thumbnailSrc": "assets/lesson-scenes/w16-01-preview.webp", "thumbnailSha256": "2e8e32a4d08e8eb8f60a613acdd666d560fe6d0fb2b98284822f2127264dfd04", "thumbnailBytes": 180906 }, { "unitId": "w16-02", "title": "Kevés pénz, kevés gabona az 1316-os piacon", "alt": "Kuromi és Jani egy esős angol piacon figyelik a néhány pénzérmét számoló anyát és a kis gabonamértéket mutató árust.", "caption": "Az 1315–1317-es nagy éhínség idején az elhúzódó esőzés a termést és a tárolást is károsította. A dráguló élelemhez való hozzáférést a vásárlóerő és a helyi segítség lehetősége is meghatározta.", "scene": "An English market town during the Great Famine in 1316, in prolonged gray wet daylight. Under a leaking timber stall, a poor mother with a child counts a few small coins in her palm while a grain seller shows how little barley fits in a small wooden measure; almost empty sacks and damp stained sheaves make scarcity concrete. Farther back a better-dressed household buys a larger sack, and a parish helper offers a small bowl of food to an elderly person. Mud, pooled rainwater, wool cloaks, linen coifs, simple leather shoes and narrow timber-and-plaster buildings. No emaciated spectacle, bodies, violence, modern money, printed price signs, American potatoes, pumpkins or maize. Kuromi and Jani watch quietly from a dry bench edge, visibly concerned, no smile or playful pose. Jani front-facing with larger dark left patch and smaller pale right. Low eye-level composition centers purchasing power and unequal access rather than an empty landscape alone.", "period": "13–14. század", "setting": "Angol kisvárosi gabonapiac, 1316", "historicalDetails": [ "Ázott gabonakévék és csaknem üres zsákok", "Fa gabonamérték", "Kis pénzérmék és eltérő vásárlóerő", "Esőáztatta fa-vakolat piacépületek" ], "sourceBasis": [ { "book": "v1", "pdfPages": [ 682, 689 ], "chapter": "16.2 Famine, Climate Change, and Migration" }, { "book": "v1", "pdfPages": [ 683, 687 ], "chapter": "16.2 Famine, Climate Change, and Migration" } ], "placement": { "area": "base", "sectionIndex": 1 }, "prompt": "Use case: historical-scene. Create a wide 1536x1024 opaque full-color hand-drawn historical educational narrative illustration. Fine clean outlines, coherent drawn human and animal figures, natural daylight and considered earth colors, delicate painted textures. One continuous scene, no panels. The attached images are CHARACTER IDENTITY REFERENCES ONLY, not poses, props or backgrounds. Include recognizable Kuromi with black two-point jester hood, pink skull emblem, white body and dark charcoal collar with only four tiny pink balls on its pointed tips, NEVER a broad pink collar area; no magnifying glass or book unless specified. Include Jani, a FEMALE fluffy cream-white ragdoll CAT with blue eyes, pink nose, dark brown bushy tail, natural four-legged feline anatomy and paws. Jani's facial markings are ASYMMETRICAL: a large DARK BROWN eye patch on the VIEWER'S LEFT, a much smaller lighter taupe patch on the VIEWER'S RIGHT, an irregular central white blaze. No clothing, no bow tie, no human hands for Jani. Both clearly visible as small observers within the scene, never impersonate historical people. Keep the full setting and all people in the same gentle illustration style as the characters. Historically restrained clothing and objects; no movie/game/fantasy armor, theatrical backlight, gigantic battle, decorative out-of-period icons. No readable writing, labels, dates, charts, watermark, modern flags, or modern equipment. Keep Kuromi and Jani as TWO SEPARATE complete bodies with a clear gap between their silhouettes; do not merge their limbs, fur, heads or tails. The fourth reference is the real Jani photo for face identity only; preserve illustrated style, never use its modern room. Jani should face front: the patch on the LEFT SIDE OF THE PICTURE is larger, DARK chocolate, extending onto cheek; the patch on the RIGHT SIDE OF THE PICTURE is much smaller PALE taupe. Kuromi's eyes must be black oval/teardrop shapes, each with exactly two short curved outward eyelashes as in the canonical reference. Her collar is DARK CHARCOAL, with only four tiny pink balls at pointed tips. This is a vital user correction. An English market town during the Great Famine in 1316, in prolonged gray wet daylight. Under a leaking timber stall, a poor mother with a child counts a few small coins in her palm while a grain seller shows how little barley fits in a small wooden measure; almost empty sacks and damp stained sheaves make scarcity concrete. Farther back a better-dressed household buys a larger sack, and a parish helper offers a small bowl of food to an elderly person. Mud, pooled rainwater, wool cloaks, linen coifs, simple leather shoes and narrow timber-and-plaster buildings. No emaciated spectacle, bodies, violence, modern money, printed price signs, American potatoes, pumpkins or maize. Kuromi and Jani watch quietly from a dry bench edge, visibly concerned, no smile or playful pose. Jani front-facing with larger dark left patch and smaller pale right. Low eye-level composition centers purchasing power and unequal access rather than an empty landscape alone.", "generationPrompt": "Use case: historical-scene. Create a wide 1536x1024 opaque full-color hand-drawn historical educational narrative illustration. Fine clean outlines, coherent drawn human and animal figures, natural daylight and considered earth colors, delicate painted textures. One continuous scene, no panels. The attached images are CHARACTER IDENTITY REFERENCES ONLY, not poses, props or backgrounds. Include recognizable Kuromi with black two-point jester hood, pink skull emblem, white body and dark charcoal collar with only four tiny pink balls on its pointed tips, NEVER a broad pink collar area; no magnifying glass or book unless specified. Include Jani, a FEMALE fluffy cream-white ragdoll CAT with blue eyes, pink nose, dark brown bushy tail, natural four-legged feline anatomy and paws. Jani's facial markings are ASYMMETRICAL: a large DARK BROWN eye patch on the VIEWER'S LEFT, a much smaller lighter taupe patch on the VIEWER'S RIGHT, an irregular central white blaze. No clothing, no bow tie, no human hands for Jani. Both clearly visible as small observers within the scene, never impersonate historical people. Keep the full setting and all people in the same gentle illustration style as the characters. Historically restrained clothing and objects; no movie/game/fantasy armor, theatrical backlight, gigantic battle, decorative out-of-period icons. No readable writing, labels, dates, charts, watermark, modern flags, or modern equipment. Keep Kuromi and Jani as TWO SEPARATE complete bodies with a clear gap between their silhouettes; do not merge their limbs, fur, heads or tails. The fourth reference is the real Jani photo for face identity only; preserve illustrated style, never use its modern room. Jani should face front: the patch on the LEFT SIDE OF THE PICTURE is larger, DARK chocolate, extending onto cheek; the patch on the RIGHT SIDE OF THE PICTURE is much smaller PALE taupe. Kuromi's eyes must be black oval/teardrop shapes, each with exactly two short curved outward eyelashes as in the canonical reference. Her collar is DARK CHARCOAL, with only four tiny pink balls at pointed tips. This is a vital user correction. An English market town during the Great Famine in 1316, in prolonged gray wet daylight. Under a leaking timber stall, a poor mother with a child counts a few small coins in her palm while a grain seller shows how little barley fits in a small wooden measure; almost empty sacks and damp stained sheaves make scarcity concrete. Farther back a better-dressed household buys a larger sack, and a parish helper offers a small bowl of food to an elderly person. Mud, pooled rainwater, wool cloaks, linen coifs, simple leather shoes and narrow timber-and-plaster buildings. No emaciated spectacle, bodies, violence, modern money, printed price signs, American potatoes, pumpkins or maize. Kuromi and Jani watch quietly from a dry bench edge, visibly concerned, no smile or playful pose. Jani front-facing with larger dark left patch and smaller pale right. Low eye-level composition centers purchasing power and unequal access rather than an empty landscape alone.", "canonicalCorrectionPrompt": null, "width": 1536, "height": 1024, "review": { "characters": true, "canonicalKuromi": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [] }, "src": "assets/lesson-scenes/w16-02.webp", "sha256": "44c792446717598dcd9f93ec80e8089c7abd9599f4e81ebd7afe46a686c7f692", "bytes": 501642, "thumbnailSrc": "assets/lesson-scenes/w16-02-preview.webp", "thumbnailSha256": "655b9a77f893a991d6f0b10786d110312acaaa2ecce9b219a501d5084acb69d3", "thumbnailBytes": 144282 }, { "unitId": "w16-03", "title": "Betegápolás és bizonytalanság 1348-ban", "alt": "Kuromi és Jani egy sienai ápolóhely bejáratánál figyelik a vizet kínáló gondozót és a látogatókat visszatartó városi segítőt.", "caption": "A 14. századi pestis idején a kortársak nem ismerték a kórokozó szerepét, mégis próbáltak ápolással és a mozgás szabályozásával válaszolni. A gondozók és az ellátásban dolgozók munkája kockázattal járt, a lehetőségek pedig társadalmi helyzet szerint is különböztek.", "scene": "A modest charitable infirmary in Siena during the plague of 1348, a quiet stone room lit by a narrow high window. A female caregiver in a plain linen veil offers a clay cup of water to a fully clothed weary adult patient reclining under a woven blanket; a second helper brings clean folded linen and a small food bowl. A friar listens gently to a worried family member at the doorway, while a municipal attendant outside keeps visitors waiting to limit crowding. No blood, corpses, visible gruesome symptoms or pile of coffins; no seventeenth-century beaked plague doctor mask, modern masks, syringes, modern beds or sanitizer. The image conveys care, uncertainty and the social burden of epidemic response, not a false cure. Kuromi and Jani watch quietly from a respectful distance near the entrance, concerned and non-smiling, separate complete characters; Jani frontal asymmetric face. Grounded muted daylight, no theatrical horror.", "period": "1330-as–1350-es évek", "setting": "Siena, szerény betegápolóhely, 1348", "historicalDetails": [ "Agyag ivópohár és tiszta vászon", "Fa fekhely szövött takaróval", "Vallási és világi segítők együttes jelenléte", "Látogatók korlátozása a bejáratnál" ], "sourceBasis": [ { "book": "v1", "pdfPages": [ 689, 697 ], "chapter": "16.3 The Black Death from East to West" }, { "book": "v1", "pdfPages": [ 694, 697 ], "chapter": "16.3 The Black Death from East to West" } ], "placement": { "area": "base", "sectionIndex": 2 }, "prompt": "Use case: historical-scene. Create a wide 1536x1024 opaque full-color hand-drawn historical educational narrative illustration. Fine clean outlines, coherent drawn human and animal figures, natural daylight and considered earth colors, delicate painted textures. One continuous scene, no panels. The attached images are CHARACTER IDENTITY REFERENCES ONLY, not poses, props or backgrounds. Include recognizable Kuromi with black two-point jester hood, pink skull emblem, white body and dark charcoal collar with only four tiny pink balls on its pointed tips, NEVER a broad pink collar area; no magnifying glass or book unless specified. Include Jani, a FEMALE fluffy cream-white ragdoll CAT with blue eyes, pink nose, dark brown bushy tail, natural four-legged feline anatomy and paws. Jani's facial markings are ASYMMETRICAL: a large DARK BROWN eye patch on the VIEWER'S LEFT, a much smaller lighter taupe patch on the VIEWER'S RIGHT, an irregular central white blaze. No clothing, no bow tie, no human hands for Jani. Both clearly visible as small observers within the scene, never impersonate historical people. Keep the full setting and all people in the same gentle illustration style as the characters. Historically restrained clothing and objects; no movie/game/fantasy armor, theatrical backlight, gigantic battle, decorative out-of-period icons. No readable writing, labels, dates, charts, watermark, modern flags, or modern equipment. Keep Kuromi and Jani as TWO SEPARATE complete bodies with a clear gap between their silhouettes; do not merge their limbs, fur, heads or tails. The fourth reference is the real Jani photo for face identity only; preserve illustrated style, never use its modern room. Jani should face front: the patch on the LEFT SIDE OF THE PICTURE is larger, DARK chocolate, extending onto cheek; the patch on the RIGHT SIDE OF THE PICTURE is much smaller PALE taupe. Kuromi's eyes must be black oval/teardrop shapes, each with exactly two short curved outward eyelashes as in the canonical reference. Her collar is DARK CHARCOAL, with only four tiny pink balls at pointed tips. This is a vital user correction. A modest charitable infirmary in Siena during the plague of 1348, a quiet stone room lit by a narrow high window. A female caregiver in a plain linen veil offers a clay cup of water to a fully clothed weary adult patient reclining under a woven blanket; a second helper brings clean folded linen and a small food bowl. A friar listens gently to a worried family member at the doorway, while a municipal attendant outside keeps visitors waiting to limit crowding. No blood, corpses, visible gruesome symptoms or pile of coffins; no seventeenth-century beaked plague doctor mask, modern masks, syringes, modern beds or sanitizer. The image conveys care, uncertainty and the social burden of epidemic response, not a false cure. Kuromi and Jani watch quietly from a respectful distance near the entrance, concerned and non-smiling, separate complete characters; Jani frontal asymmetric face. Grounded muted daylight, no theatrical horror.", "generationPrompt": "Use case: historical-scene. Create a wide 1536x1024 opaque full-color hand-drawn historical educational narrative illustration. Fine clean outlines, coherent drawn human and animal figures, natural daylight and considered earth colors, delicate painted textures. One continuous scene, no panels. The attached images are CHARACTER IDENTITY REFERENCES ONLY, not poses, props or backgrounds. Include recognizable Kuromi with black two-point jester hood, pink skull emblem, white body and dark charcoal collar with only four tiny pink balls on its pointed tips, NEVER a broad pink collar area; no magnifying glass or book unless specified. Include Jani, a FEMALE fluffy cream-white ragdoll CAT with blue eyes, pink nose, dark brown bushy tail, natural four-legged feline anatomy and paws. Jani's facial markings are ASYMMETRICAL: a large DARK BROWN eye patch on the VIEWER'S LEFT, a much smaller lighter taupe patch on the VIEWER'S RIGHT, an irregular central white blaze. No clothing, no bow tie, no human hands for Jani. Both clearly visible as small observers within the scene, never impersonate historical people. Keep the full setting and all people in the same gentle illustration style as the characters. Historically restrained clothing and objects; no movie/game/fantasy armor, theatrical backlight, gigantic battle, decorative out-of-period icons. No readable writing, labels, dates, charts, watermark, modern flags, or modern equipment. Keep Kuromi and Jani as TWO SEPARATE complete bodies with a clear gap between their silhouettes; do not merge their limbs, fur, heads or tails. The fourth reference is the real Jani photo for face identity only; preserve illustrated style, never use its modern room. Jani should face front: the patch on the LEFT SIDE OF THE PICTURE is larger, DARK chocolate, extending onto cheek; the patch on the RIGHT SIDE OF THE PICTURE is much smaller PALE taupe. Kuromi's eyes must be black oval/teardrop shapes, each with exactly two short curved outward eyelashes as in the canonical reference. Her collar is DARK CHARCOAL, with only four tiny pink balls at pointed tips. This is a vital user correction. A modest charitable infirmary in Siena during the plague of 1348, a quiet stone room lit by a narrow high window. A female caregiver in a plain linen veil offers a clay cup of water to a fully clothed weary adult patient reclining under a woven blanket; a second helper brings clean folded linen and a small food bowl. A friar listens gently to a worried family member at the doorway, while a municipal attendant outside keeps visitors waiting to limit crowding. No blood, corpses, visible gruesome symptoms or pile of coffins; no seventeenth-century beaked plague doctor mask, modern masks, syringes, modern beds or sanitizer. The image conveys care, uncertainty and the social burden of epidemic response, not a false cure. Kuromi and Jani watch quietly from a respectful distance near the entrance, concerned and non-smiling, separate complete characters; Jani frontal asymmetric face. Grounded muted daylight, no theatrical horror.", "canonicalCorrectionPrompt": null, "width": 1536, "height": 1024, "review": { "characters": true, "canonicalKuromi": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [] }, "src": "assets/lesson-scenes/w16-03.webp", "sha256": "139b1384341e8f901886927da28ef9b1d6bfa05a70274c7e20ff0f19bf01ef65", "bytes": 359408, "thumbnailSrc": "assets/lesson-scenes/w16-03-preview.webp", "thumbnailSha256": "354a82caa433350a9b25249fd77dc1b4fc206ea5718ab586609cb0a542d815ef", "thumbnailBytes": 113798 }, { "unitId": "w16-04", "title": "Béralku a pestis utáni aratásnál", "alt": "Kuromi és Jani egy angol búzaföld kapujánál figyelik a földművesek és a birtoki tiszt pénzről folyó egyeztetését.", "caption": "A pestis utáni munkaerőhiány egyes dolgozók alkupozícióját erősítette, de az angol 1351-es munkástörvény a béreket korlátozni próbálta. A megélhetési előnyt ezért a helyi erőviszonyok és a jog végrehajtása is befolyásolta.", "scene": "A wage negotiation at an English harvest field around 1355, several years after the Black Death. A small group of experienced farm workers, including a woman holding a sickle downward safely and a man with a wooden rake, discuss offered coins with an estate steward at the field gate. The steward has a closed rolled legal order tucked in his belt and looks concerned; workers stand thoughtfully and confidently without celebrating the epidemic. Behind them ripe wheat remains partly uncut and only a few laborers work, making labor scarcity concrete; a modest manor barn and abandoned weeded strip in distance. Fourteenth-century wool clothing, linen head coverings, leather belts, sickles and hand rakes; no modern scythes, mechanized tools, printed signs or dramatic uprising. Kuromi and Jani observe separately beside the gate, sober attentive faces, Jani frontal asymmetry. Wide low perspective connects the conversation to the unharvested field and the tension between bargaining and legal restriction.", "period": "1348–15. század", "setting": "Angol uradalmi aratás, 1355 körül", "historicalDetails": [ "Kézi sarló és fa gereblye", "Részben levágatlan búzatábla", "Bért jelző kis pénzérmék", "Birtoki tiszt és jogi rendelkezést jelző lezárt tekercs" ], "sourceBasis": [ { "book": "v1", "pdfPages": [ 697, 701 ], "chapter": "16.4 The Long-Term Effects of Global Transformation" }, { "book": "v1", "pdfPages": [ 698, 698 ], "chapter": "16.4 The Long-Term Effects of Global Transformation" }, { "book": "v1", "pdfPages": [ 681, 681 ], "chapter": "16.1 Asia, North Africa, and Europe in the Early Fourteenth Century" }, { "book": "v1", "pdfPages": [ 701, 701 ], "chapter": "16.4 The Long-Term Effects of Global Transformation" } ], "placement": { "area": "base", "sectionIndex": 0 }, "prompt": "Use case: historical-scene. Create a wide 1536x1024 opaque full-color hand-drawn historical educational narrative illustration. Fine clean outlines, coherent drawn human and animal figures, natural daylight and considered earth colors, delicate painted textures. One continuous scene, no panels. The attached images are CHARACTER IDENTITY REFERENCES ONLY, not poses, props or backgrounds. Include recognizable Kuromi with black two-point jester hood, pink skull emblem, white body and dark charcoal collar with only four tiny pink balls on its pointed tips, NEVER a broad pink collar area; no magnifying glass or book unless specified. Include Jani, a FEMALE fluffy cream-white ragdoll CAT with blue eyes, pink nose, dark brown bushy tail, natural four-legged feline anatomy and paws. Jani's facial markings are ASYMMETRICAL: a large DARK BROWN eye patch on the VIEWER'S LEFT, a much smaller lighter taupe patch on the VIEWER'S RIGHT, an irregular central white blaze. No clothing, no bow tie, no human hands for Jani. Both clearly visible as small observers within the scene, never impersonate historical people. Keep the full setting and all people in the same gentle illustration style as the characters. Historically restrained clothing and objects; no movie/game/fantasy armor, theatrical backlight, gigantic battle, decorative out-of-period icons. No readable writing, labels, dates, charts, watermark, modern flags, or modern equipment. Keep Kuromi and Jani as TWO SEPARATE complete bodies with a clear gap between their silhouettes; do not merge their limbs, fur, heads or tails. The fourth reference is the real Jani photo for face identity only; preserve illustrated style, never use its modern room. Jani should face front: the patch on the LEFT SIDE OF THE PICTURE is larger, DARK chocolate, extending onto cheek; the patch on the RIGHT SIDE OF THE PICTURE is much smaller PALE taupe. Kuromi's eyes must be black oval/teardrop shapes, each with exactly two short curved outward eyelashes as in the canonical reference. Her collar is DARK CHARCOAL, with only four tiny pink balls at pointed tips. This is a vital user correction. A wage negotiation at an English harvest field around 1355, several years after the Black Death. A small group of experienced farm workers, including a woman holding a sickle downward safely and a man with a wooden rake, discuss offered coins with an estate steward at the field gate. The steward has a closed rolled legal order tucked in his belt and looks concerned; workers stand thoughtfully and confidently without celebrating the epidemic. Behind them ripe wheat remains partly uncut and only a few laborers work, making labor scarcity concrete; a modest manor barn and abandoned weeded strip in distance. Fourteenth-century wool clothing, linen head coverings, leather belts, sickles and hand rakes; no modern scythes, mechanized tools, printed signs or dramatic uprising. Kuromi and Jani observe separately beside the gate, sober attentive faces, Jani frontal asymmetry. Wide low perspective connects the conversation to the unharvested field and the tension between bargaining and legal restriction.", "generationPrompt": "Use case: historical-scene. Create a wide 1536x1024 opaque full-color hand-drawn historical educational narrative illustration. Fine clean outlines, coherent drawn human and animal figures, natural daylight and considered earth colors, delicate painted textures. One continuous scene, no panels. The attached images are CHARACTER IDENTITY REFERENCES ONLY, not poses, props or backgrounds. Include recognizable Kuromi with black two-point jester hood, pink skull emblem, white body and dark charcoal collar with only four tiny pink balls on its pointed tips, NEVER a broad pink collar area; no magnifying glass or book unless specified. Include Jani, a FEMALE fluffy cream-white ragdoll CAT with blue eyes, pink nose, dark brown bushy tail, natural four-legged feline anatomy and paws. Jani's facial markings are ASYMMETRICAL: a large DARK BROWN eye patch on the VIEWER'S LEFT, a much smaller lighter taupe patch on the VIEWER'S RIGHT, an irregular central white blaze. No clothing, no bow tie, no human hands for Jani. Both clearly visible as small observers within the scene, never impersonate historical people. Keep the full setting and all people in the same gentle illustration style as the characters. Historically restrained clothing and objects; no movie/game/fantasy armor, theatrical backlight, gigantic battle, decorative out-of-period icons. No readable writing, labels, dates, charts, watermark, modern flags, or modern equipment. Keep Kuromi and Jani as TWO SEPARATE complete bodies with a clear gap between their silhouettes; do not merge their limbs, fur, heads or tails. The fourth reference is the real Jani photo for face identity only; preserve illustrated style, never use its modern room. Jani should face front: the patch on the LEFT SIDE OF THE PICTURE is larger, DARK chocolate, extending onto cheek; the patch on the RIGHT SIDE OF THE PICTURE is much smaller PALE taupe. Kuromi's eyes must be black oval/teardrop shapes, each with exactly two short curved outward eyelashes as in the canonical reference. Her collar is DARK CHARCOAL, with only four tiny pink balls at pointed tips. This is a vital user correction. A wage negotiation at an English harvest field around 1355, several years after the Black Death. A small group of experienced farm workers, including a woman holding a sickle downward safely and a man with a wooden rake, discuss offered coins with an estate steward at the field gate. The steward has a closed rolled legal order tucked in his belt and looks concerned; workers stand thoughtfully and confidently without celebrating the epidemic. Behind them ripe wheat remains partly uncut and only a few laborers work, making labor scarcity concrete; a modest manor barn and abandoned weeded strip in distance. Fourteenth-century wool clothing, linen head coverings, leather belts, sickles and hand rakes; no modern scythes, mechanized tools, printed signs or dramatic uprising. Kuromi and Jani observe separately beside the gate, sober attentive faces, Jani frontal asymmetry. Wide low perspective connects the conversation to the unharvested field and the tension between bargaining and legal restriction.", "canonicalCorrectionPrompt": null, "width": 1536, "height": 1024, "review": { "characters": true, "canonicalKuromi": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [] }, "src": "assets/lesson-scenes/w16-04.webp", "sha256": "eb3d68193a4598f18f4ea93cad2b8aee5a54161ebfaae9b6ac89b40853c39ff4", "bytes": 507344, "thumbnailSrc": "assets/lesson-scenes/w16-04-preview.webp", "thumbnailSha256": "ea24e5e336c02364a668c808e702d77c43ae2d72b26b03c1ae06929a95a564f8", "thumbnailBytes": 153790 }, { "unitId": "w17-01a", "title": "Lovak és ellátmány átkelése Gallipolinál", "alt": "Kuromi és Jani a Dardanellák partján figyelik a lovakat és gabonazsákokat szállító komp előkészítését.", "caption": "Az 1354-ben megszerzett gallipoli támaszpont az anatóliai és balkáni területeket kapcsolta össze. Az átkelő jelentőségét az emberek, lovak és ellátmány rendszeres szállítása tette katonailag használhatóvá.", "scene": "The Dardanelles crossing at Gallipoli around 1355, shortly after the Ottomans established their foothold. From the shore look diagonally along a broad wooden transport boat as handlers calmly guide two small horses over a sturdy plank and laborers load grain sacks and water barrels; an Ottoman organizer in an early fourteenth-century long tunic and wrapped cap coordinates with a local Greek boatman. Modest repaired Byzantine stone fortifications on shore, low houses and the opposite coast across the strait establish the strategic crossing. The human story is sustained transport of people, animals and supplies, no battle or conquest celebration. No later Janissary uniforms, fez hats, giant red crescent flags, sixteenth-century mosque skyline or modern harbor. Kuromi and Jani watch separately beside a coil of rope on a dry quay step, Jani frontal asymmetry and natural paws. Airy maritime daylight and credible small-scale logistics.", "period": "13. század vége–1396", "setting": "Gallipoli, Dardanellák, 1355 körül", "historicalDetails": [ "Fa szállítóhajó erős rakodópallóval", "Lovak és gabonazsákok átszállítása", "Helyi hajós és oszmán szervező együttműködése", "Korábbi bizánci kőerődítések" ], "sourceBasis": [ { "book": "v1", "pdfPages": [ 709, 719 ], "chapter": "17.1 The Ottomans and the Mongols" }, { "book": "v1", "pdfPages": [ 711, 713 ], "chapter": "17.1 The Ottomans and the Mongols" } ], "placement": { "area": "base", "sectionIndex": 2 }, "prompt": "Use case: historical-scene. Create a wide 1536x1024 opaque full-color hand-drawn historical educational narrative illustration. Fine clean outlines, coherent drawn human and animal figures, natural daylight and considered earth colors, delicate painted textures. One continuous scene, no panels. The attached images are CHARACTER IDENTITY REFERENCES ONLY, not poses, props or backgrounds. Include recognizable Kuromi with black two-point jester hood, pink skull emblem, white body and dark charcoal collar with only four tiny pink balls on its pointed tips, NEVER a broad pink collar area; no magnifying glass or book unless specified. Include Jani, a FEMALE fluffy cream-white ragdoll CAT with blue eyes, pink nose, dark brown bushy tail, natural four-legged feline anatomy and paws. Jani's facial markings are ASYMMETRICAL: a large DARK BROWN eye patch on the VIEWER'S LEFT, a much smaller lighter taupe patch on the VIEWER'S RIGHT, an irregular central white blaze. No clothing, no bow tie, no human hands for Jani. Both clearly visible as small observers within the scene, never impersonate historical people. Keep the full setting and all people in the same gentle illustration style as the characters. Historically restrained clothing and objects; no movie/game/fantasy armor, theatrical backlight, gigantic battle, decorative out-of-period icons. No readable writing, labels, dates, charts, watermark, modern flags, or modern equipment. Keep Kuromi and Jani as TWO SEPARATE complete bodies with a clear gap between their silhouettes; do not merge their limbs, fur, heads or tails. The fourth reference is the real Jani photo for face identity only; preserve illustrated style, never use its modern room. Jani should face front: the patch on the LEFT SIDE OF THE PICTURE is larger, DARK chocolate, extending onto cheek; the patch on the RIGHT SIDE OF THE PICTURE is much smaller PALE taupe. Kuromi's eyes must be black oval/teardrop shapes, each with exactly two short curved outward eyelashes as in the canonical reference. Her collar is DARK CHARCOAL, with only four tiny pink balls at pointed tips. This is a vital user correction. The Dardanelles crossing at Gallipoli around 1355, shortly after the Ottomans established their foothold. From the shore look diagonally along a broad wooden transport boat as handlers calmly guide two small horses over a sturdy plank and laborers load grain sacks and water barrels; an Ottoman organizer in an early fourteenth-century long tunic and wrapped cap coordinates with a local Greek boatman. Modest repaired Byzantine stone fortifications on shore, low houses and the opposite coast across the strait establish the strategic crossing. The human story is sustained transport of people, animals and supplies, no battle or conquest celebration. No later Janissary uniforms, fez hats, giant red crescent flags, sixteenth-century mosque skyline or modern harbor. Kuromi and Jani watch separately beside a coil of rope on a dry quay step, Jani frontal asymmetry and natural paws. Airy maritime daylight and credible small-scale logistics.", "generationPrompt": "Use case: historical-scene. Create a wide 1536x1024 opaque full-color hand-drawn historical educational narrative illustration. Fine clean outlines, coherent drawn human and animal figures, natural daylight and considered earth colors, delicate painted textures. One continuous scene, no panels. The attached images are CHARACTER IDENTITY REFERENCES ONLY, not poses, props or backgrounds. Include recognizable Kuromi with black two-point jester hood, pink skull emblem, white body and dark charcoal collar with only four tiny pink balls on its pointed tips, NEVER a broad pink collar area; no magnifying glass or book unless specified. Include Jani, a FEMALE fluffy cream-white ragdoll CAT with blue eyes, pink nose, dark brown bushy tail, natural four-legged feline anatomy and paws. Jani's facial markings are ASYMMETRICAL: a large DARK BROWN eye patch on the VIEWER'S LEFT, a much smaller lighter taupe patch on the VIEWER'S RIGHT, an irregular central white blaze. No clothing, no bow tie, no human hands for Jani. Both clearly visible as small observers within the scene, never impersonate historical people. Keep the full setting and all people in the same gentle illustration style as the characters. Historically restrained clothing and objects; no movie/game/fantasy armor, theatrical backlight, gigantic battle, decorative out-of-period icons. No readable writing, labels, dates, charts, watermark, modern flags, or modern equipment. Keep Kuromi and Jani as TWO SEPARATE complete bodies with a clear gap between their silhouettes; do not merge their limbs, fur, heads or tails. The fourth reference is the real Jani photo for face identity only; preserve illustrated style, never use its modern room. Jani should face front: the patch on the LEFT SIDE OF THE PICTURE is larger, DARK chocolate, extending onto cheek; the patch on the RIGHT SIDE OF THE PICTURE is much smaller PALE taupe. Kuromi's eyes must be black oval/teardrop shapes, each with exactly two short curved outward eyelashes as in the canonical reference. Her collar is DARK CHARCOAL, with only four tiny pink balls at pointed tips. This is a vital user correction. The Dardanelles crossing at Gallipoli around 1355, shortly after the Ottomans established their foothold. From the shore look diagonally along a broad wooden transport boat as handlers calmly guide two small horses over a sturdy plank and laborers load grain sacks and water barrels; an Ottoman organizer in an early fourteenth-century long tunic and wrapped cap coordinates with a local Greek boatman. Modest repaired Byzantine stone fortifications on shore, low houses and the opposite coast across the strait establish the strategic crossing. The human story is sustained transport of people, animals and supplies, no battle or conquest celebration. No later Janissary uniforms, fez hats, giant red crescent flags, sixteenth-century mosque skyline or modern harbor. Kuromi and Jani watch separately beside a coil of rope on a dry quay step, Jani frontal asymmetry and natural paws. Airy maritime daylight and credible small-scale logistics.", "canonicalCorrectionPrompt": null, "width": 1536, "height": 1024, "review": { "characters": true, "canonicalKuromi": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [] }, "src": "assets/lesson-scenes/w17-01a.webp", "sha256": "1244f98636ce5710ef582df85e55c8e7b281fc6974c416560dda76e10a1b670b", "bytes": 471706, "thumbnailSrc": "assets/lesson-scenes/w17-01a-preview.webp", "thumbnailSha256": "0aabda94db1c38f39ae28930accae9be0093c764d8c2279ae6d5ae8d2e29d432", "thumbnailBytes": 143022 }, { "unitId": "w17-01b", "title": "Áttelepített mesterek Timur Szamarkandjában", "alt": "Kuromi és Jani komolyan figyelik a szamarkandi csempeműhely mestereit, akik mellett úti batyuk és egy őrzött bejárat látható.", "caption": "Timur a meghódított városok mestereit és javait Szamarkand építésére is összpontosította. A 1400 körüli műhelyjelenet az alkotói tudás mellett a kényszerű áttelepítés és az erőforrás-elvonás társadalmi árát szemlélteti.", "scene": "A tile-making workshop at Samarkand around 1400 during Timur's building program. Skilled artisans from different conquered regions work side by side: an older Iranian master carefully fits turquoise, cobalt and white glazed geometric tile pieces, while another worker carries fired bricks from a small kiln. Their travel bundles remain beside a guarded doorway and their expressions are reserved and homesick, acknowledging coerced relocation rather than a cheerful craft festival. Through the open courtyard show an unfinished brick portal with scaffolding, not a copied later Registan ensemble. No readable Arabic calligraphy, no giant throne, battle, chains, gore or fantasy palace; focus on material skill and the human cost of concentrating resources in the capital. Kuromi and Jani watch quietly from a separate low bench, non-smiling and respectful, Jani frontal asymmetric patches. Oblique composition follows tile fragments toward unfinished architecture, natural daylight, rich but restrained blue earth colors.", "period": "1370-es évek–15. század vége", "setting": "Szamarkand, timurida csempeműhely, 1400 körül", "historicalDetails": [ "Mázas geometrikus csempedarabok", "Téglaégető kemence és építési állványzat", "Befejezetlen téglaportal", "Utazócsomagok és őrzött műhelybejárat" ], "sourceBasis": [ { "book": "v1", "pdfPages": [ 713, 726 ], "chapter": "17.1 The Ottomans and the Mongols" }, { "book": "v1", "pdfPages": [ 713, 718 ], "chapter": "17.1 The Ottomans and the Mongols" }, { "book": "v1", "pdfPages": [ 723, 725 ], "chapter": "17.1 The Ottomans and the Mongols" } ], "placement": { "area": "base", "sectionIndex": 0 }, "prompt": "Use case: historical-scene. Create a wide 1536x1024 opaque full-color hand-drawn historical educational narrative illustration. Fine clean outlines, coherent drawn human and animal figures, natural daylight and considered earth colors, delicate painted textures. One continuous scene, no panels. The attached images are CHARACTER IDENTITY REFERENCES ONLY, not poses, props or backgrounds. Include recognizable Kuromi with black two-point jester hood, pink skull emblem, white body and dark charcoal collar with only four tiny pink balls on its pointed tips, NEVER a broad pink collar area; no magnifying glass or book unless specified. Include Jani, a FEMALE fluffy cream-white ragdoll CAT with blue eyes, pink nose, dark brown bushy tail, natural four-legged feline anatomy and paws. Jani's facial markings are ASYMMETRICAL: a large DARK BROWN eye patch on the VIEWER'S LEFT, a much smaller lighter taupe patch on the VIEWER'S RIGHT, an irregular central white blaze. No clothing, no bow tie, no human hands for Jani. Both clearly visible as small observers within the scene, never impersonate historical people. Keep the full setting and all people in the same gentle illustration style as the characters. Historically restrained clothing and objects; no movie/game/fantasy armor, theatrical backlight, gigantic battle, decorative out-of-period icons. No readable writing, labels, dates, charts, watermark, modern flags, or modern equipment. Keep Kuromi and Jani as TWO SEPARATE complete bodies with a clear gap between their silhouettes; do not merge their limbs, fur, heads or tails. The fourth reference is the real Jani photo for face identity only; preserve illustrated style, never use its modern room. Jani should face front: the patch on the LEFT SIDE OF THE PICTURE is larger, DARK chocolate, extending onto cheek; the patch on the RIGHT SIDE OF THE PICTURE is much smaller PALE taupe. Kuromi's eyes must be black oval/teardrop shapes, each with exactly two short curved outward eyelashes as in the canonical reference. Her collar is DARK CHARCOAL, with only four tiny pink balls at pointed tips. This is a vital user correction. A tile-making workshop at Samarkand around 1400 during Timur's building program. Skilled artisans from different conquered regions work side by side: an older Iranian master carefully fits turquoise, cobalt and white glazed geometric tile pieces, while another worker carries fired bricks from a small kiln. Their travel bundles remain beside a guarded doorway and their expressions are reserved and homesick, acknowledging coerced relocation rather than a cheerful craft festival. Through the open courtyard show an unfinished brick portal with scaffolding, not a copied later Registan ensemble. No readable Arabic calligraphy, no giant throne, battle, chains, gore or fantasy palace; focus on material skill and the human cost of concentrating resources in the capital. Kuromi and Jani watch quietly from a separate low bench, non-smiling and respectful, Jani frontal asymmetric patches. Oblique composition follows tile fragments toward unfinished architecture, natural daylight, rich but restrained blue earth colors.", "generationPrompt": "Use case: historical-scene. Create a wide 1536x1024 opaque full-color hand-drawn historical educational narrative illustration. Fine clean outlines, coherent drawn human and animal figures, natural daylight and considered earth colors, delicate painted textures. One continuous scene, no panels. The attached images are CHARACTER IDENTITY REFERENCES ONLY, not poses, props or backgrounds. Include recognizable Kuromi with black two-point jester hood, pink skull emblem, white body and dark charcoal collar with only four tiny pink balls on its pointed tips, NEVER a broad pink collar area; no magnifying glass or book unless specified. Include Jani, a FEMALE fluffy cream-white ragdoll CAT with blue eyes, pink nose, dark brown bushy tail, natural four-legged feline anatomy and paws. Jani's facial markings are ASYMMETRICAL: a large DARK BROWN eye patch on the VIEWER'S LEFT, a much smaller lighter taupe patch on the VIEWER'S RIGHT, an irregular central white blaze. No clothing, no bow tie, no human hands for Jani. Both clearly visible as small observers within the scene, never impersonate historical people. Keep the full setting and all people in the same gentle illustration style as the characters. Historically restrained clothing and objects; no movie/game/fantasy armor, theatrical backlight, gigantic battle, decorative out-of-period icons. No readable writing, labels, dates, charts, watermark, modern flags, or modern equipment. Keep Kuromi and Jani as TWO SEPARATE complete bodies with a clear gap between their silhouettes; do not merge their limbs, fur, heads or tails. The fourth reference is the real Jani photo for face identity only; preserve illustrated style, never use its modern room. Jani should face front: the patch on the LEFT SIDE OF THE PICTURE is larger, DARK chocolate, extending onto cheek; the patch on the RIGHT SIDE OF THE PICTURE is much smaller PALE taupe. Kuromi's eyes must be black oval/teardrop shapes, each with exactly two short curved outward eyelashes as in the canonical reference. Her collar is DARK CHARCOAL, with only four tiny pink balls at pointed tips. This is a vital user correction. A tile-making workshop at Samarkand around 1400 during Timur's building program. Skilled artisans from different conquered regions work side by side: an older Iranian master carefully fits turquoise, cobalt and white glazed geometric tile pieces, while another worker carries fired bricks from a small kiln. Their travel bundles remain beside a guarded doorway and their expressions are reserved and homesick, acknowledging coerced relocation rather than a cheerful craft festival. Through the open courtyard show an unfinished brick portal with scaffolding, not a copied later Registan ensemble. No readable Arabic calligraphy, no giant throne, battle, chains, gore or fantasy palace; focus on material skill and the human cost of concentrating resources in the capital. Kuromi and Jani watch quietly from a separate low bench, non-smiling and respectful, Jani frontal asymmetric patches. Oblique composition follows tile fragments toward unfinished architecture, natural daylight, rich but restrained blue earth colors.", "canonicalCorrectionPrompt": null, "width": 1536, "height": 1024, "review": { "characters": true, "canonicalKuromi": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [] }, "src": "assets/lesson-scenes/w17-01b.webp", "sha256": "2d038c898f5cf38cf73856ca5fedfe6d890a37df91ad6c13cd6ed5572f091580", "bytes": 476032, "thumbnailSrc": "assets/lesson-scenes/w17-01b-preview.webp", "thumbnailSha256": "debeffad8c3545d893a3c6be2eed5009b252f6f3277656811020182510a32253", "thumbnailBytes": 143130 }, { "unitId": "w17-02a", "title": "Közkút és iskola a mamlúk Kairóban", "alt": "Kuromi és Jani egy kairói közkútnál figyelik a vizet osztó gondnokot és az iskolába induló tanulókat.", "caption": "A 14. századi mamlúk központban a közkút, iskola és más adományozott intézmény közösségi szükségletet is szolgált. A katonai elit így a helyi társadalom és vallási tekintély közvetítésével is igazolta uralmát.", "scene": "A public water station beside a Mamluk-sponsored charitable complex in Cairo around 1320 CE. A water attendant fills a traveler's plain clay cup from a stone basin, a woman and child wait with a ceramic jar, and a teacher leads two pupils past an adjoining small school doorway; an official with a sheathed sword speaks to the local caretaker rather than posing heroically. Show how military rulers' patronage connects public services, religious learning and legitimacy. Early-fourteenth-century Cairene stone masonry with restrained pointed arch, carved wooden lattice, shaded courtyard, narrow street with donkeys; avoid a copied modern mosque facade, grand Ottoman dome, later sabil-kuttab facade or modern taps. No readable inscriptions or flags. Kuromi and Jani watch separately from a stone step beside a filled jar, attentive and calm, front-facing asymmetric cat. Street-level composition linking basin, users and school entrance, natural diffuse desert light.", "period": "1250–1517", "setting": "Kairó, közösségi vízosztó és iskola, 1320 körül", "historicalDetails": [ "Kőmedence és agyag ivóedények", "Iskolai bejárat és tanulók", "Visszafogott mamlúk kőépítészet", "Katonai és helyi intézményi közvetítők" ], "sourceBasis": [ { "book": "v1", "pdfPages": [ 730, 737 ], "chapter": "17.2 From the Mamluks to Ming China" }, { "book": "v1", "pdfPages": [ 730, 734 ], "chapter": "17.2 From the Mamluks to Ming China" }, { "book": "v1", "pdfPages": [ 737, 737 ], "chapter": "17.2 From the Mamluks to Ming China" } ], "placement": { "area": "base", "sectionIndex": 2 }, "prompt": "Use case: historical-scene. Create a wide 1536x1024 opaque full-color hand-drawn historical educational narrative illustration. Fine clean outlines, coherent drawn human and animal figures, natural daylight and considered earth colors, delicate painted textures. One continuous scene, no panels. The attached images are CHARACTER IDENTITY REFERENCES ONLY, not poses, props or backgrounds. Include recognizable Kuromi with black two-point jester hood, pink skull emblem, white body and dark charcoal collar with only four tiny pink balls on its pointed tips, NEVER a broad pink collar area; no magnifying glass or book unless specified. Include Jani, a FEMALE fluffy cream-white ragdoll CAT with blue eyes, pink nose, dark brown bushy tail, natural four-legged feline anatomy and paws. Jani's facial markings are ASYMMETRICAL: a large DARK BROWN eye patch on the VIEWER'S LEFT, a much smaller lighter taupe patch on the VIEWER'S RIGHT, an irregular central white blaze. No clothing, no bow tie, no human hands for Jani. Both clearly visible as small observers within the scene, never impersonate historical people. Keep the full setting and all people in the same gentle illustration style as the characters. Historically restrained clothing and objects; no movie/game/fantasy armor, theatrical backlight, gigantic battle, decorative out-of-period icons. No readable writing, labels, dates, charts, watermark, modern flags, or modern equipment. Keep Kuromi and Jani as TWO SEPARATE complete bodies with a clear gap between their silhouettes; do not merge their limbs, fur, heads or tails. The fourth reference is the real Jani photo for face identity only; preserve illustrated style, never use its modern room. Jani should face front: the patch on the LEFT SIDE OF THE PICTURE is larger, DARK chocolate, extending onto cheek; the patch on the RIGHT SIDE OF THE PICTURE is much smaller PALE taupe. Kuromi's eyes must be black oval/teardrop shapes, each with exactly two short curved outward eyelashes as in the canonical reference. Her collar is DARK CHARCOAL, with only four tiny pink balls at pointed tips. This is a vital user correction. A public water station beside a Mamluk-sponsored charitable complex in Cairo around 1320 CE. A water attendant fills a traveler's plain clay cup from a stone basin, a woman and child wait with a ceramic jar, and a teacher leads two pupils past an adjoining small school doorway; an official with a sheathed sword speaks to the local caretaker rather than posing heroically. Show how military rulers' patronage connects public services, religious learning and legitimacy. Early-fourteenth-century Cairene stone masonry with restrained pointed arch, carved wooden lattice, shaded courtyard, narrow street with donkeys; avoid a copied modern mosque facade, grand Ottoman dome, later sabil-kuttab facade or modern taps. No readable inscriptions or flags. Kuromi and Jani watch separately from a stone step beside a filled jar, attentive and calm, front-facing asymmetric cat. Street-level composition linking basin, users and school entrance, natural diffuse desert light.", "generationPrompt": "Use case: historical-scene. Create a wide 1536x1024 opaque full-color hand-drawn historical educational narrative illustration. Fine clean outlines, coherent drawn human and animal figures, natural daylight and considered earth colors, delicate painted textures. One continuous scene, no panels. The attached images are CHARACTER IDENTITY REFERENCES ONLY, not poses, props or backgrounds. Include recognizable Kuromi with black two-point jester hood, pink skull emblem, white body and dark charcoal collar with only four tiny pink balls on its pointed tips, NEVER a broad pink collar area; no magnifying glass or book unless specified. Include Jani, a FEMALE fluffy cream-white ragdoll CAT with blue eyes, pink nose, dark brown bushy tail, natural four-legged feline anatomy and paws. Jani's facial markings are ASYMMETRICAL: a large DARK BROWN eye patch on the VIEWER'S LEFT, a much smaller lighter taupe patch on the VIEWER'S RIGHT, an irregular central white blaze. No clothing, no bow tie, no human hands for Jani. Both clearly visible as small observers within the scene, never impersonate historical people. Keep the full setting and all people in the same gentle illustration style as the characters. Historically restrained clothing and objects; no movie/game/fantasy armor, theatrical backlight, gigantic battle, decorative out-of-period icons. No readable writing, labels, dates, charts, watermark, modern flags, or modern equipment. Keep Kuromi and Jani as TWO SEPARATE complete bodies with a clear gap between their silhouettes; do not merge their limbs, fur, heads or tails. The fourth reference is the real Jani photo for face identity only; preserve illustrated style, never use its modern room. Jani should face front: the patch on the LEFT SIDE OF THE PICTURE is larger, DARK chocolate, extending onto cheek; the patch on the RIGHT SIDE OF THE PICTURE is much smaller PALE taupe. Kuromi's eyes must be black oval/teardrop shapes, each with exactly two short curved outward eyelashes as in the canonical reference. Her collar is DARK CHARCOAL, with only four tiny pink balls at pointed tips. This is a vital user correction. A public water station beside a Mamluk-sponsored charitable complex in Cairo around 1320 CE. A water attendant fills a traveler's plain clay cup from a stone basin, a woman and child wait with a ceramic jar, and a teacher leads two pupils past an adjoining small school doorway; an official with a sheathed sword speaks to the local caretaker rather than posing heroically. Show how military rulers' patronage connects public services, religious learning and legitimacy. Early-fourteenth-century Cairene stone masonry with restrained pointed arch, carved wooden lattice, shaded courtyard, narrow street with donkeys; avoid a copied modern mosque facade, grand Ottoman dome, later sabil-kuttab facade or modern taps. No readable inscriptions or flags. Kuromi and Jani watch separately from a stone step beside a filled jar, attentive and calm, front-facing asymmetric cat. Street-level composition linking basin, users and school entrance, natural diffuse desert light.", "canonicalCorrectionPrompt": null, "width": 1536, "height": 1024, "review": { "characters": true, "canonicalKuromi": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [] }, "src": "assets/lesson-scenes/w17-02a.webp", "sha256": "4b286a386ab4e5dc6e20f4f2ce854cae60208f6c33f856d79f194e399ca821f7", "bytes": 456616, "thumbnailSrc": "assets/lesson-scenes/w17-02a-preview.webp", "thumbnailSha256": "317add810341bccdeb55cccc8b578efef12855562abb983b0c5e4019c95bdced", "thumbnailBytes": 135646 }, { "unitId": "w17-02b", "title": "Ming-követek és helyi partnerek Kálikutban", "alt": "Kuromi és Jani egy malabári rakparton figyelik a kínai követ és a helyi kikötői képviselő tolmáccsal közvetített ajándékcseréjét.", "caption": "Cseng Ho flottái 1405 és 1433 között kereskedelmi és diplomáciai kapcsolatokat építettek az Indiai-óceán térségében. Az ajándékcsere a Ming-udvar rangigényét közvetítette, de a fogadó kikötők helyi uralkodói és kereskedői is saját célokat követtek.", "scene": "A meeting between Ming maritime envoys and local merchants at Calicut on the Malabar coast around 1407 during Zheng He's early expeditions. On a simple timber quay a Chinese envoy in early Ming cross-collar robe and black official cap offers a wrapped silk bolt and a plain blue-white porcelain bowl to a South Indian port representative; a multilingual interpreter mediates while sailors record cargo with a closed register. In the distance show several credible moderate-sized Chinese wooden ocean-going junks with battened sails and South Indian coastal craft, not a speculative gigantic treasure ship. Coconut palms, tile-roof warehouses, coir ropes, pepper sacks and local workers establish a functioning pre-existing port. No European fort, modern flags, Qing queues or claims of Chinese territorial rule. Kuromi and Jani observe separately beside a mooring post, cat facing front with asymmetric patches. Calm reciprocal diplomatic encounter in natural maritime light.", "period": "1351–15. század közepe", "setting": "Kálikut, Malabár-part, 1407 körül", "historicalDetails": [ "Kora Ming-kori hivatalnoki öltözet", "Selyem és kék-fehér porcelán ajándéka", "Tolmács közvetítette kikötői egyeztetés", "Bordázott vitorlájú kínai hajók és helyi vízijárművek" ], "sourceBasis": [ { "book": "v1", "pdfPages": [ 737, 743 ], "chapter": "17.2 From the Mamluks to Ming China" }, { "book": "v1", "pdfPages": [ 741, 743 ], "chapter": "17.2 From the Mamluks to Ming China" } ], "placement": { "area": "base", "sectionIndex": 2 }, "prompt": "Use case: historical-scene. Create a wide 1536x1024 opaque full-color hand-drawn historical educational narrative illustration. Fine clean outlines, coherent drawn human and animal figures, natural daylight and considered earth colors, delicate painted textures. One continuous scene, no panels. The attached images are CHARACTER IDENTITY REFERENCES ONLY, not poses, props or backgrounds. Include recognizable Kuromi with black two-point jester hood, pink skull emblem, white body and dark charcoal collar with only four tiny pink balls on its pointed tips, NEVER a broad pink collar area; no magnifying glass or book unless specified. Include Jani, a FEMALE fluffy cream-white ragdoll CAT with blue eyes, pink nose, dark brown bushy tail, natural four-legged feline anatomy and paws. Jani's facial markings are ASYMMETRICAL: a large DARK BROWN eye patch on the VIEWER'S LEFT, a much smaller lighter taupe patch on the VIEWER'S RIGHT, an irregular central white blaze. No clothing, no bow tie, no human hands for Jani. Both clearly visible as small observers within the scene, never impersonate historical people. Keep the full setting and all people in the same gentle illustration style as the characters. Historically restrained clothing and objects; no movie/game/fantasy armor, theatrical backlight, gigantic battle, decorative out-of-period icons. No readable writing, labels, dates, charts, watermark, modern flags, or modern equipment. Keep Kuromi and Jani as TWO SEPARATE complete bodies with a clear gap between their silhouettes; do not merge their limbs, fur, heads or tails. The fourth reference is the real Jani photo for face identity only; preserve illustrated style, never use its modern room. Jani should face front: the patch on the LEFT SIDE OF THE PICTURE is larger, DARK chocolate, extending onto cheek; the patch on the RIGHT SIDE OF THE PICTURE is much smaller PALE taupe. Kuromi's eyes must be black oval/teardrop shapes, each with exactly two short curved outward eyelashes as in the canonical reference. Her collar is DARK CHARCOAL, with only four tiny pink balls at pointed tips. This is a vital user correction. A meeting between Ming maritime envoys and local merchants at Calicut on the Malabar coast around 1407 during Zheng He's early expeditions. On a simple timber quay a Chinese envoy in early Ming cross-collar robe and black official cap offers a wrapped silk bolt and a plain blue-white porcelain bowl to a South Indian port representative; a multilingual interpreter mediates while sailors record cargo with a closed register. In the distance show several credible moderate-sized Chinese wooden ocean-going junks with battened sails and South Indian coastal craft, not a speculative gigantic treasure ship. Coconut palms, tile-roof warehouses, coir ropes, pepper sacks and local workers establish a functioning pre-existing port. No European fort, modern flags, Qing queues or claims of Chinese territorial rule. Kuromi and Jani observe separately beside a mooring post, cat facing front with asymmetric patches. Calm reciprocal diplomatic encounter in natural maritime light.", "generationPrompt": "Use case: historical-scene. Create a wide 1536x1024 opaque full-color hand-drawn historical educational narrative illustration. Fine clean outlines, coherent drawn human and animal figures, natural daylight and considered earth colors, delicate painted textures. One continuous scene, no panels. The attached images are CHARACTER IDENTITY REFERENCES ONLY, not poses, props or backgrounds. Include recognizable Kuromi with black two-point jester hood, pink skull emblem, white body and dark charcoal collar with only four tiny pink balls on its pointed tips, NEVER a broad pink collar area; no magnifying glass or book unless specified. Include Jani, a FEMALE fluffy cream-white ragdoll CAT with blue eyes, pink nose, dark brown bushy tail, natural four-legged feline anatomy and paws. Jani's facial markings are ASYMMETRICAL: a large DARK BROWN eye patch on the VIEWER'S LEFT, a much smaller lighter taupe patch on the VIEWER'S RIGHT, an irregular central white blaze. No clothing, no bow tie, no human hands for Jani. Both clearly visible as small observers within the scene, never impersonate historical people. Keep the full setting and all people in the same gentle illustration style as the characters. Historically restrained clothing and objects; no movie/game/fantasy armor, theatrical backlight, gigantic battle, decorative out-of-period icons. No readable writing, labels, dates, charts, watermark, modern flags, or modern equipment. Keep Kuromi and Jani as TWO SEPARATE complete bodies with a clear gap between their silhouettes; do not merge their limbs, fur, heads or tails. The fourth reference is the real Jani photo for face identity only; preserve illustrated style, never use its modern room. Jani should face front: the patch on the LEFT SIDE OF THE PICTURE is larger, DARK chocolate, extending onto cheek; the patch on the RIGHT SIDE OF THE PICTURE is much smaller PALE taupe. Kuromi's eyes must be black oval/teardrop shapes, each with exactly two short curved outward eyelashes as in the canonical reference. Her collar is DARK CHARCOAL, with only four tiny pink balls at pointed tips. This is a vital user correction. A meeting between Ming maritime envoys and local merchants at Calicut on the Malabar coast around 1407 during Zheng He's early expeditions. On a simple timber quay a Chinese envoy in early Ming cross-collar robe and black official cap offers a wrapped silk bolt and a plain blue-white porcelain bowl to a South Indian port representative; a multilingual interpreter mediates while sailors record cargo with a closed register. In the distance show several credible moderate-sized Chinese wooden ocean-going junks with battened sails and South Indian coastal craft, not a speculative gigantic treasure ship. Coconut palms, tile-roof warehouses, coir ropes, pepper sacks and local workers establish a functioning pre-existing port. No European fort, modern flags, Qing queues or claims of Chinese territorial rule. Kuromi and Jani observe separately beside a mooring post, cat facing front with asymmetric patches. Calm reciprocal diplomatic encounter in natural maritime light.", "canonicalCorrectionPrompt": null, "width": 1536, "height": 1024, "review": { "characters": true, "canonicalKuromi": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [] }, "src": "assets/lesson-scenes/w17-02b.webp", "sha256": "aa0bdd0664b15f6fc5f5cf0896a6a4ee3cd119a40ba7bf966728a66f13fd8394", "bytes": 465210, "thumbnailSrc": "assets/lesson-scenes/w17-02b-preview.webp", "thumbnailSha256": "b8da63c6c3e71b7f1b8205770568f419ac2e1c3679dff8a6b570f1fbf783d982", "thumbnailBytes": 144896 }, { "unitId": "w17-03", "title": "Az ostromágyú mozgatásának munkája", "alt": "Kuromi és Jani egy oszmán műhelyudvarban figyelik a bronzágyút fa szállítóágyra rögzítő munkásokat és az előkészített igásállatokat.", "caption": "Konstantinápoly 1453-as ostroma előtt a tüzérség előállítása és szállítása külön szervezőmunkát igényelt. Fém, szakemberek, állatok, utak és ellátás együtt tették használhatóvá a fegyvert; technikai létezése önmagában nem adott győzelmet.", "scene": "An Ottoman artillery transport preparation outside Edirne in early 1453. In a practical foundry yard, a crew uses timber levers, rollers and thick ropes to secure a large but credible bronze bombard barrel onto a low reinforced wooden transport bed; oxen wait nearby and workers stack a few stone cannonballs and repair a rough road section. A master founder and a supply official confer beside a closed purse, demonstrating the cost and organization behind the weapon. The cannon is NOT firing, no explosion, no recipe, no modern carriage or machinery, no fantasy gigantic barrel, no battle or heroic sultan. Workers in period long tunics, simple headwraps, leather aprons, no fez or modern uniform. Kuromi observes the timber rollers from a safe side position and Jani sits separately with front-facing asymmetric patches, natural paws. Low three-quarter composition follows rope tension and human labor, daytime grounded educational tone.", "period": "10–16. század", "setting": "Edirne környéki tüzérségi műhelyudvar, 1453 eleje", "historicalDetails": [ "Bronz ostromágyú tüzelés nélkül", "Fa görgők, emelők és vastag kötelek", "Megerősített alacsony szállítóágy", "Kőgolyók és várakozó ökrök" ], "sourceBasis": [ { "book": "v1", "pdfPages": [ 743, 751 ], "chapter": "17.3 Gunpowder and Nomads in a Transitional Age" }, { "book": "v1", "pdfPages": [ 743, 748 ], "chapter": "17.3 Gunpowder and Nomads in a Transitional Age" } ], "placement": { "area": "base", "sectionIndex": 1 }, "prompt": "Use case: historical-scene. Create a wide 1536x1024 opaque full-color hand-drawn historical educational narrative illustration. Fine clean outlines, coherent drawn human and animal figures, natural daylight and considered earth colors, delicate painted textures. One continuous scene, no panels. The attached images are CHARACTER IDENTITY REFERENCES ONLY, not poses, props or backgrounds. Include recognizable Kuromi with black two-point jester hood, pink skull emblem, white body and dark charcoal collar with only four tiny pink balls on its pointed tips, NEVER a broad pink collar area; no magnifying glass or book unless specified. Include Jani, a FEMALE fluffy cream-white ragdoll CAT with blue eyes, pink nose, dark brown bushy tail, natural four-legged feline anatomy and paws. Jani's facial markings are ASYMMETRICAL: a large DARK BROWN eye patch on the VIEWER'S LEFT, a much smaller lighter taupe patch on the VIEWER'S RIGHT, an irregular central white blaze. No clothing, no bow tie, no human hands for Jani. Both clearly visible as small observers within the scene, never impersonate historical people. Keep the full setting and all people in the same gentle illustration style as the characters. Historically restrained clothing and objects; no movie/game/fantasy armor, theatrical backlight, gigantic battle, decorative out-of-period icons. No readable writing, labels, dates, charts, watermark, modern flags, or modern equipment. Keep Kuromi and Jani as TWO SEPARATE complete bodies with a clear gap between their silhouettes; do not merge their limbs, fur, heads or tails. The fourth reference is the real Jani photo for face identity only; preserve illustrated style, never use its modern room. Jani should face front: the patch on the LEFT SIDE OF THE PICTURE is larger, DARK chocolate, extending onto cheek; the patch on the RIGHT SIDE OF THE PICTURE is much smaller PALE taupe. Kuromi's eyes must be black oval/teardrop shapes, each with exactly two short curved outward eyelashes as in the canonical reference. Her collar is DARK CHARCOAL, with only four tiny pink balls at pointed tips. This is a vital user correction. An Ottoman artillery transport preparation outside Edirne in early 1453. In a practical foundry yard, a crew uses timber levers, rollers and thick ropes to secure a large but credible bronze bombard barrel onto a low reinforced wooden transport bed; oxen wait nearby and workers stack a few stone cannonballs and repair a rough road section. A master founder and a supply official confer beside a closed purse, demonstrating the cost and organization behind the weapon. The cannon is NOT firing, no explosion, no recipe, no modern carriage or machinery, no fantasy gigantic barrel, no battle or heroic sultan. Workers in period long tunics, simple headwraps, leather aprons, no fez or modern uniform. Kuromi observes the timber rollers from a safe side position and Jani sits separately with front-facing asymmetric patches, natural paws. Low three-quarter composition follows rope tension and human labor, daytime grounded educational tone.\nTARGETED HISTORICAL REPAIR: correct ONLY the far background beyond the wall. Remove the late sixteenth-century Selimiye-like mosque and all tall slender minarets; this is early 1453. Replace with modest low tiled-roof houses and trees behind the plain stone wall, no monumental mosque skyline. Add a small pair of waiting oxen on the distant yard road to make transport resources visible. Preserve foreground cannon, workers, rollers, crane, Kuromi, Jani and their exact identities, composition and lighting.", "generationPrompt": "Use case: historical-scene. Create a wide 1536x1024 opaque full-color hand-drawn historical educational narrative illustration. Fine clean outlines, coherent drawn human and animal figures, natural daylight and considered earth colors, delicate painted textures. One continuous scene, no panels. The attached images are CHARACTER IDENTITY REFERENCES ONLY, not poses, props or backgrounds. Include recognizable Kuromi with black two-point jester hood, pink skull emblem, white body and dark charcoal collar with only four tiny pink balls on its pointed tips, NEVER a broad pink collar area; no magnifying glass or book unless specified. Include Jani, a FEMALE fluffy cream-white ragdoll CAT with blue eyes, pink nose, dark brown bushy tail, natural four-legged feline anatomy and paws. Jani's facial markings are ASYMMETRICAL: a large DARK BROWN eye patch on the VIEWER'S LEFT, a much smaller lighter taupe patch on the VIEWER'S RIGHT, an irregular central white blaze. No clothing, no bow tie, no human hands for Jani. Both clearly visible as small observers within the scene, never impersonate historical people. Keep the full setting and all people in the same gentle illustration style as the characters. Historically restrained clothing and objects; no movie/game/fantasy armor, theatrical backlight, gigantic battle, decorative out-of-period icons. No readable writing, labels, dates, charts, watermark, modern flags, or modern equipment. Keep Kuromi and Jani as TWO SEPARATE complete bodies with a clear gap between their silhouettes; do not merge their limbs, fur, heads or tails. The fourth reference is the real Jani photo for face identity only; preserve illustrated style, never use its modern room. Jani should face front: the patch on the LEFT SIDE OF THE PICTURE is larger, DARK chocolate, extending onto cheek; the patch on the RIGHT SIDE OF THE PICTURE is much smaller PALE taupe. Kuromi's eyes must be black oval/teardrop shapes, each with exactly two short curved outward eyelashes as in the canonical reference. Her collar is DARK CHARCOAL, with only four tiny pink balls at pointed tips. This is a vital user correction. An Ottoman artillery transport preparation outside Edirne in early 1453. In a practical foundry yard, a crew uses timber levers, rollers and thick ropes to secure a large but credible bronze bombard barrel onto a low reinforced wooden transport bed; oxen wait nearby and workers stack a few stone cannonballs and repair a rough road section. A master founder and a supply official confer beside a closed purse, demonstrating the cost and organization behind the weapon. The cannon is NOT firing, no explosion, no recipe, no modern carriage or machinery, no fantasy gigantic barrel, no battle or heroic sultan. Workers in period long tunics, simple headwraps, leather aprons, no fez or modern uniform. Kuromi observes the timber rollers from a safe side position and Jani sits separately with front-facing asymmetric patches, natural paws. Low three-quarter composition follows rope tension and human labor, daytime grounded educational tone.\nTARGETED HISTORICAL REPAIR: correct ONLY the far background beyond the wall. Remove the late sixteenth-century Selimiye-like mosque and all tall slender minarets; this is early 1453. Replace with modest low tiled-roof houses and trees behind the plain stone wall, no monumental mosque skyline. Add a small pair of waiting oxen on the distant yard road to make transport resources visible. Preserve foreground cannon, workers, rollers, crane, Kuromi, Jani and their exact identities, composition and lighting.", "canonicalCorrectionPrompt": null, "width": 1536, "height": 1024, "review": { "characters": true, "canonicalKuromi": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [] }, "src": "assets/lesson-scenes/w17-03.webp", "sha256": "268c5bae210459eec5d887a6c49a8af28a2cbb110815628eb881f5a18f3a45fb", "bytes": 506648, "thumbnailSrc": "assets/lesson-scenes/w17-03-preview.webp", "thumbnailSha256": "8a0d97c9d5936d7e3ea4d55240cb627bbcf21129fb9c9081cba37ccc0df86931", "thumbnailBytes": 154618 }, { "unitId": "w18-01", "title": "Női befektető és textilkereskedők Szúratban", "alt": "Kuromi és Jani egy szúrati raktár verandáján figyelik a textilt vizsgáló kereskedőt és az ügynökével egyeztető mogul kori befektetőnőt.", "caption": "A 17. század eleji Gudzsarát kikötőiben a textilkereskedelmet helyi szakértelem és távoli partnerkapcsolatok tartották fenn. Vagyonos mogul nők is fektethettek bevételeket kereskedelembe; a jelenet e gazdasági szerepet szemlélteti, konkrét személy portréja nélkül.", "scene": "A textile trading account meeting in Surat, Gujarat, around 1610 under Mughal rule. On a shaded warehouse veranda, an affluent adult Mughal woman investor in a modest long jama, trousers and light dupatta over her hair gives instructions to a trusted commercial agent while a Gujarati textile specialist opens folded cotton cloth to check weave and dye quality; a clerk counts a small silver payment with a balance and a closed ledger. The lady's activity shows economic agency without claiming a specific named historical portrait. Behind a carved wooden screen and open doorway, porters carry bound textile bales toward an Indian Ocean vessel in the river anchorage. Historically grounded Mughal and Gujarati garments, cotton bolts, silver coins and coir ties; no Taj Mahal view, modern currency, English colonial uniforms, industrial machines or glamorous harem. Kuromi and Jani observe separately beside cloth bales, Jani frontal asymmetry. Diagonal veranda-to-river composition, thoughtful professional mood, natural light.", "period": "1526–1757", "setting": "Szúrat, Gudzsarát, textilraktár, 1610 körül", "historicalDetails": [ "Pamuttextilek minőségellenőrzése", "Mogul kori női viselet dupattával", "Ezüstpénz, elszámolás és kereskedelmi ügynök", "Kikötő felé szállított textilbálák" ], "sourceBasis": [ { "book": "v2", "pdfPages": [ 45, 60 ], "chapter": "2.1 India and International Connections" }, { "book": "v2", "pdfPages": [ 46, 51 ], "chapter": "2.1 India and International Connections: imperial culture and Gujarat" } ], "placement": { "area": "base", "sectionIndex": 1 }, "prompt": "Use case: historical-scene. Create a wide 1536x1024 opaque full-color hand-drawn historical educational narrative illustration. Fine clean outlines, coherent drawn human and animal figures, natural daylight and considered earth colors, delicate painted textures. One continuous scene, no panels. The attached images are CHARACTER IDENTITY REFERENCES ONLY, not poses, props or backgrounds. Include recognizable Kuromi with black two-point jester hood, pink skull emblem, white body and dark charcoal collar with only four tiny pink balls on its pointed tips, NEVER a broad pink collar area; no magnifying glass or book unless specified. Include Jani, a FEMALE fluffy cream-white ragdoll CAT with blue eyes, pink nose, dark brown bushy tail, natural four-legged feline anatomy and paws. Jani's facial markings are ASYMMETRICAL: a large DARK BROWN eye patch on the VIEWER'S LEFT, a much smaller lighter taupe patch on the VIEWER'S RIGHT, an irregular central white blaze. No clothing, no bow tie, no human hands for Jani. Both clearly visible as small observers within the scene, never impersonate historical people. Keep the full setting and all people in the same gentle illustration style as the characters. Historically restrained clothing and objects; no movie/game/fantasy armor, theatrical backlight, gigantic battle, decorative out-of-period icons. No readable writing, labels, dates, charts, watermark, modern flags, or modern equipment. Keep Kuromi and Jani as TWO SEPARATE complete bodies with a clear gap between their silhouettes; do not merge their limbs, fur, heads or tails. The fourth reference is the real Jani photo for face identity only; preserve illustrated style, never use its modern room. Jani should face front: the patch on the LEFT SIDE OF THE PICTURE is larger, DARK chocolate, extending onto cheek; the patch on the RIGHT SIDE OF THE PICTURE is much smaller PALE taupe. Kuromi's eyes must be black oval/teardrop shapes, each with exactly two short curved outward eyelashes as in the canonical reference. Her collar is DARK CHARCOAL, with only four tiny pink balls at pointed tips. This is a vital user correction. A textile trading account meeting in Surat, Gujarat, around 1610 under Mughal rule. On a shaded warehouse veranda, an affluent adult Mughal woman investor in a modest long jama, trousers and light dupatta over her hair gives instructions to a trusted commercial agent while a Gujarati textile specialist opens folded cotton cloth to check weave and dye quality; a clerk counts a small silver payment with a balance and a closed ledger. The lady's activity shows economic agency without claiming a specific named historical portrait. Behind a carved wooden screen and open doorway, porters carry bound textile bales toward an Indian Ocean vessel in the river anchorage. Historically grounded Mughal and Gujarati garments, cotton bolts, silver coins and coir ties; no Taj Mahal view, modern currency, English colonial uniforms, industrial machines or glamorous harem. Kuromi and Jani observe separately beside cloth bales, Jani frontal asymmetry. Diagonal veranda-to-river composition, thoughtful professional mood, natural light.\nTARGETED HISTORICAL REPAIR: remove ONLY the distant white domed complex and minarets across the river because it resembles the later Taj Mahal and is not Surat in 1610. Replace that tiny distant skyline with low Gujarati port warehouses, tiled-roof houses and trees, no major monuments or domes. Preserve textile discussion, woman investor, all foreground people, ships, bales, coins, Kuromi and Jani exactly, including facial markings and canonical dark collar.", "generationPrompt": "Use case: historical-scene. Create a wide 1536x1024 opaque full-color hand-drawn historical educational narrative illustration. Fine clean outlines, coherent drawn human and animal figures, natural daylight and considered earth colors, delicate painted textures. One continuous scene, no panels. The attached images are CHARACTER IDENTITY REFERENCES ONLY, not poses, props or backgrounds. Include recognizable Kuromi with black two-point jester hood, pink skull emblem, white body and dark charcoal collar with only four tiny pink balls on its pointed tips, NEVER a broad pink collar area; no magnifying glass or book unless specified. Include Jani, a FEMALE fluffy cream-white ragdoll CAT with blue eyes, pink nose, dark brown bushy tail, natural four-legged feline anatomy and paws. Jani's facial markings are ASYMMETRICAL: a large DARK BROWN eye patch on the VIEWER'S LEFT, a much smaller lighter taupe patch on the VIEWER'S RIGHT, an irregular central white blaze. No clothing, no bow tie, no human hands for Jani. Both clearly visible as small observers within the scene, never impersonate historical people. Keep the full setting and all people in the same gentle illustration style as the characters. Historically restrained clothing and objects; no movie/game/fantasy armor, theatrical backlight, gigantic battle, decorative out-of-period icons. No readable writing, labels, dates, charts, watermark, modern flags, or modern equipment. Keep Kuromi and Jani as TWO SEPARATE complete bodies with a clear gap between their silhouettes; do not merge their limbs, fur, heads or tails. The fourth reference is the real Jani photo for face identity only; preserve illustrated style, never use its modern room. Jani should face front: the patch on the LEFT SIDE OF THE PICTURE is larger, DARK chocolate, extending onto cheek; the patch on the RIGHT SIDE OF THE PICTURE is much smaller PALE taupe. Kuromi's eyes must be black oval/teardrop shapes, each with exactly two short curved outward eyelashes as in the canonical reference. Her collar is DARK CHARCOAL, with only four tiny pink balls at pointed tips. This is a vital user correction. A textile trading account meeting in Surat, Gujarat, around 1610 under Mughal rule. On a shaded warehouse veranda, an affluent adult Mughal woman investor in a modest long jama, trousers and light dupatta over her hair gives instructions to a trusted commercial agent while a Gujarati textile specialist opens folded cotton cloth to check weave and dye quality; a clerk counts a small silver payment with a balance and a closed ledger. The lady's activity shows economic agency without claiming a specific named historical portrait. Behind a carved wooden screen and open doorway, porters carry bound textile bales toward an Indian Ocean vessel in the river anchorage. Historically grounded Mughal and Gujarati garments, cotton bolts, silver coins and coir ties; no Taj Mahal view, modern currency, English colonial uniforms, industrial machines or glamorous harem. Kuromi and Jani observe separately beside cloth bales, Jani frontal asymmetry. Diagonal veranda-to-river composition, thoughtful professional mood, natural light.\nTARGETED HISTORICAL REPAIR: remove ONLY the distant white domed complex and minarets across the river because it resembles the later Taj Mahal and is not Surat in 1610. Replace that tiny distant skyline with low Gujarati port warehouses, tiled-roof houses and trees, no major monuments or domes. Preserve textile discussion, woman investor, all foreground people, ships, bales, coins, Kuromi and Jani exactly, including facial markings and canonical dark collar.", "canonicalCorrectionPrompt": null, "width": 1536, "height": 1024, "review": { "characters": true, "canonicalKuromi": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [] }, "src": "assets/lesson-scenes/w18-01.webp", "sha256": "e6d692193547337fa7068dab2a52d71541e3e62a44ab7eeaa06ef244d16fb3df", "bytes": 434186, "thumbnailSrc": "assets/lesson-scenes/w18-01-preview.webp", "thumbnailSha256": "e3f1401fda84422d69fae05b7752a4c2380a60b3948dab7b019fe4004d9acab9", "thumbnailBytes": 140362 }, { "unitId": "w18-02", "title": "Kikötői vita rendezése a malakkai sáhbandár előtt", "alt": "Kuromi és Jani egy malakkai fa kikötőpavilonban figyelik a sérült rakomány ügyében közvetítő sáhbandárt és a kereskedőket.", "caption": "A 15. századi Malakkában a sáhbandárok különböző kereskedőcsoportok ügyeit közvetítették és vámokat gyűjtöttek. A helyi hajósok tudása és a kiszámítható szabályok együtt tették vonzóvá a szoros kikötőjét.", "scene": "A port dispute hearing by a shahbandar in Malacca around 1470 before Portuguese conquest. Under an open-sided timber pavilion on stilts beside the shore, a Malay harbor official in a simple long tunic, wrapped waist cloth and period headcloth listens to a Tamil-speaking merchant and a Chinese merchant, with an interpreter between them. They calmly examine one cracked porcelain bowl and a damaged coir-lashed cargo basket to settle responsibility for transport; a clerk holds a closed ledger, no readable writing. Behind them local orang laut boatmen guide a small shallow craft into the anchorage, with moderate Southeast Asian and Chinese merchant vessels and palm-lined timber houses. Show predictable rules, mediation and local maritime knowledge, no Portuguese fortress, A Famosa, later colonial clock tower, bulbous modern mosque, giant treasure ship or modern flag. Kuromi and Jani sit separately at the pavilion edge, attentive frontal asymmetric cat. Oblique close composition connects the dispute objects to the working harbor.", "period": "1400 körül–1621", "setting": "Malakka, kikötői közvetítőpavilon, 1470 körül", "historicalDetails": [ "Cölöpökön álló fa kikötőpavilon", "Sáhbandár és többnyelvű tolmácsolás", "Sérült porcelán és kókuszrosttal kötött rakomány", "Orang laut hajósok sekély vízi járművön" ], "sourceBasis": [ { "book": "v2", "pdfPages": [ 60, 66 ], "chapter": "2.2 The Malacca Sultanate" }, { "book": "v2", "pdfPages": [ 61, 63 ], "chapter": "2.2 The Malacca Sultanate: law, language and European Malacca" } ], "placement": { "area": "base", "sectionIndex": 1 }, "prompt": "Use case: historical-scene. Create a wide 1536x1024 opaque full-color hand-drawn historical educational narrative illustration. Fine clean outlines, coherent drawn human and animal figures, natural daylight and considered earth colors, delicate painted textures. One continuous scene, no panels. The attached images are CHARACTER IDENTITY REFERENCES ONLY, not poses, props or backgrounds. Include recognizable Kuromi with black two-point jester hood, pink skull emblem, white body and dark charcoal collar with only four tiny pink balls on its pointed tips, NEVER a broad pink collar area; no magnifying glass or book unless specified. Include Jani, a FEMALE fluffy cream-white ragdoll CAT with blue eyes, pink nose, dark brown bushy tail, natural four-legged feline anatomy and paws. Jani's facial markings are ASYMMETRICAL: a large DARK BROWN eye patch on the VIEWER'S LEFT, a much smaller lighter taupe patch on the VIEWER'S RIGHT, an irregular central white blaze. No clothing, no bow tie, no human hands for Jani. Both clearly visible as small observers within the scene, never impersonate historical people. Keep the full setting and all people in the same gentle illustration style as the characters. Historically restrained clothing and objects; no movie/game/fantasy armor, theatrical backlight, gigantic battle, decorative out-of-period icons. No readable writing, labels, dates, charts, watermark, modern flags, or modern equipment. Keep Kuromi and Jani as TWO SEPARATE complete bodies with a clear gap between their silhouettes; do not merge their limbs, fur, heads or tails. The fourth reference is the real Jani photo for face identity only; preserve illustrated style, never use its modern room. Jani should face front: the patch on the LEFT SIDE OF THE PICTURE is larger, DARK chocolate, extending onto cheek; the patch on the RIGHT SIDE OF THE PICTURE is much smaller PALE taupe. Kuromi's eyes must be black oval/teardrop shapes, each with exactly two short curved outward eyelashes as in the canonical reference. Her collar is DARK CHARCOAL, with only four tiny pink balls at pointed tips. This is a vital user correction. A port dispute hearing by a shahbandar in Malacca around 1470 before Portuguese conquest. Under an open-sided timber pavilion on stilts beside the shore, a Malay harbor official in a simple long tunic, wrapped waist cloth and period headcloth listens to a Tamil-speaking merchant and a Chinese merchant, with an interpreter between them. They calmly examine one cracked porcelain bowl and a damaged coir-lashed cargo basket to settle responsibility for transport; a clerk holds a closed ledger, no readable writing. Behind them local orang laut boatmen guide a small shallow craft into the anchorage, with moderate Southeast Asian and Chinese merchant vessels and palm-lined timber houses. Show predictable rules, mediation and local maritime knowledge, no Portuguese fortress, A Famosa, later colonial clock tower, bulbous modern mosque, giant treasure ship or modern flag. Kuromi and Jani sit separately at the pavilion edge, attentive frontal asymmetric cat. Oblique close composition connects the dispute objects to the working harbor.", "generationPrompt": "Use case: historical-scene. Create a wide 1536x1024 opaque full-color hand-drawn historical educational narrative illustration. Fine clean outlines, coherent drawn human and animal figures, natural daylight and considered earth colors, delicate painted textures. One continuous scene, no panels. The attached images are CHARACTER IDENTITY REFERENCES ONLY, not poses, props or backgrounds. Include recognizable Kuromi with black two-point jester hood, pink skull emblem, white body and dark charcoal collar with only four tiny pink balls on its pointed tips, NEVER a broad pink collar area; no magnifying glass or book unless specified. Include Jani, a FEMALE fluffy cream-white ragdoll CAT with blue eyes, pink nose, dark brown bushy tail, natural four-legged feline anatomy and paws. Jani's facial markings are ASYMMETRICAL: a large DARK BROWN eye patch on the VIEWER'S LEFT, a much smaller lighter taupe patch on the VIEWER'S RIGHT, an irregular central white blaze. No clothing, no bow tie, no human hands for Jani. Both clearly visible as small observers within the scene, never impersonate historical people. Keep the full setting and all people in the same gentle illustration style as the characters. Historically restrained clothing and objects; no movie/game/fantasy armor, theatrical backlight, gigantic battle, decorative out-of-period icons. No readable writing, labels, dates, charts, watermark, modern flags, or modern equipment. Keep Kuromi and Jani as TWO SEPARATE complete bodies with a clear gap between their silhouettes; do not merge their limbs, fur, heads or tails. The fourth reference is the real Jani photo for face identity only; preserve illustrated style, never use its modern room. Jani should face front: the patch on the LEFT SIDE OF THE PICTURE is larger, DARK chocolate, extending onto cheek; the patch on the RIGHT SIDE OF THE PICTURE is much smaller PALE taupe. Kuromi's eyes must be black oval/teardrop shapes, each with exactly two short curved outward eyelashes as in the canonical reference. Her collar is DARK CHARCOAL, with only four tiny pink balls at pointed tips. This is a vital user correction. A port dispute hearing by a shahbandar in Malacca around 1470 before Portuguese conquest. Under an open-sided timber pavilion on stilts beside the shore, a Malay harbor official in a simple long tunic, wrapped waist cloth and period headcloth listens to a Tamil-speaking merchant and a Chinese merchant, with an interpreter between them. They calmly examine one cracked porcelain bowl and a damaged coir-lashed cargo basket to settle responsibility for transport; a clerk holds a closed ledger, no readable writing. Behind them local orang laut boatmen guide a small shallow craft into the anchorage, with moderate Southeast Asian and Chinese merchant vessels and palm-lined timber houses. Show predictable rules, mediation and local maritime knowledge, no Portuguese fortress, A Famosa, later colonial clock tower, bulbous modern mosque, giant treasure ship or modern flag. Kuromi and Jani sit separately at the pavilion edge, attentive frontal asymmetric cat. Oblique close composition connects the dispute objects to the working harbor.", "canonicalCorrectionPrompt": null, "width": 1536, "height": 1024, "review": { "characters": true, "canonicalKuromi": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [] }, "src": "assets/lesson-scenes/w18-02.webp", "sha256": "d39652a33cf4761334c5d853a96a8c8129da91b830f1323473d95869de2025c3", "bytes": 452244, "thumbnailSrc": "assets/lesson-scenes/w18-02-preview.webp", "thumbnailSha256": "845b1f8bb16da7880cf16aadce5a8cfd9cc1f3adec3dcbf740948aaf134b301a", "thumbnailBytes": 139632 }, { "unitId": "w18-03", "title": "Ellenőrzött árucsere Dejima kapujánál", "alt": "Kuromi és Jani figyeli a holland áruk ellenőrzését a nagaszaki Dejima kereskedőtelepén.", "caption": "Nagaszaki, a 17. század vége: a holland kereskedelem közvetítők és sóguni tisztviselők ellenőrzése mellett folyt. A külkapcsolatok szabályozása ezért nem jelentett teljes elszigetelődést.", "scene": "Nagasaki, Dejima controlled trading compound, circa 1680. At the wooden gateway beside a small stone quay, a Japanese official in restrained Edo-period kosode and hakama checks ceramic porcelain bowls and folded silk unloaded from a wooden chest by a Dutch merchant in a plain seventeenth-century coat. An interpreter mediates between them; a shut gate and official supervision make regulated access visible. Low tiled-roof timber warehouses, a small arched bridge and a modest Dutch sailing vessel beyond the enclosure, no later modern buildings. Kuromi stands to the near left watching the inspection; female Jani sits beside her, face toward viewer. Low eye-level diagonal view across the quay, calm practical work.", "prompt": "Use case: historical-scene. Wide 1536x1024 opaque full-color hand-drawn narrative educational illustration, fine warm contours, coherent illustrated human figures, natural daylight and thoughtful period colors. One scene, no panels, text, labels, dates, watermark or modern flags. Historically grounded everyday materials and architecture; no Hollywood/game/fantasy clichés, no cinematic lighting or generic battle. Input 1 is female Jani identity reference, input 2 is Kuromi identity reference ONLY: do not copy reference props or background. Both are visibly present as curious observers and never replace historical people. Kuromi canonical black two-point jester hood, pink skull and collar, white small body; no obligatory magnifier/book. Jani is a female fluffy cream-white ragdoll cat, blue eyes, pink nose, large fluffy dark-brown tail; natural four-leg feline anatomy and paws, no human hands, bowtie or clothing. Jani's face MUST be asymmetric: VIEWER LEFT large DARK-BROWN eye patch; VIEWER RIGHT SMALLER LIGHTER patch, irregular white central blaze. Keep face clearly visible so patches can be inspected. Characters integrated in same drawing medium as setting, occupy about a quarter of image together. Nagasaki, Dejima controlled trading compound, circa 1680. At the wooden gateway beside a small stone quay, a Japanese official in restrained Edo-period kosode and hakama checks ceramic porcelain bowls and folded silk unloaded from a wooden chest by a Dutch merchant in a plain seventeenth-century coat. An interpreter mediates between them; a shut gate and official supervision make regulated access visible. Low tiled-roof timber warehouses, a small arched bridge and a modest Dutch sailing vessel beyond the enclosure, no later modern buildings. Kuromi stands to the near left watching the inspection; female Jani sits beside her, face toward viewer. Low eye-level diagonal view across the quay, calm practical work.\n\nCanonical Kuromi correction after visual review:\nPrecise character correction ONLY. Image 1 is the finished historical scene to preserve; image 2 is the canonical Kuromi identity reference. Edit only the EXISTING Kuromi in image 1, keeping her position, size, pose, objects held, and the same emotional expression appropriate to this scene. Replace her collar with solid DARK CHARCOAL fabric and ONLY FOUR TINY PINK BALLS at its tips. Remove ALL broad pink trim or pink collar fabric. Correct both eyes to solid black vertical teardrop/oval shapes with TWO SHORT CURVED OUTER EYELASHES on each eye, exactly matching image 2. Keep black two-point hood, pink skull and white body. Blend changes into the existing hand-drawn medium. Keep Jani the female ragdoll cat completely unchanged including asymmetric brown face patches, blue eyes, anatomy and tail. Preserve all historical people, architecture, period objects, lighting, framing and colors exactly. No new objects, no text, no other changes. Do not mirror the picture.", "period": "1680 körül", "setting": "Dejima kereskedőtelepe, Nagaszaki", "historicalDetails": [ "Edo-kori koszode és hakama", "holland kereskedő 17. századi kabátban", "fából ácsolt, cseréptetős raktárak", "porcelán és selyem hatósági ellenőrzése" ], "sourceBasis": [ { "book": "v2", "pdfPages": [ 66, 79 ], "chapter": "2.3 Exchange in East Asia" }, { "book": "v2", "pdfPages": [ 70, 79 ], "chapter": "2.3 Exchange in East Asia: urban culture, moral debates and Korea" } ], "width": 1536, "height": 1024, "placement": { "area": "base", "sectionIndex": 1 }, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [], "canonicalKuromi": true }, "initialPrompt": "Use case: historical-scene. Wide 1536x1024 opaque full-color hand-drawn narrative educational illustration, fine warm contours, coherent illustrated human figures, natural daylight and thoughtful period colors. One scene, no panels, text, labels, dates, watermark or modern flags. Historically grounded everyday materials and architecture; no Hollywood/game/fantasy clichés, no cinematic lighting or generic battle. Input 1 is female Jani identity reference, input 2 is Kuromi identity reference ONLY: do not copy reference props or background. Both are visibly present as curious observers and never replace historical people. Kuromi canonical black two-point jester hood, pink skull and collar, white small body; no obligatory magnifier/book. Jani is a female fluffy cream-white ragdoll cat, blue eyes, pink nose, large fluffy dark-brown tail; natural four-leg feline anatomy and paws, no human hands, bowtie or clothing. Jani's face MUST be asymmetric: VIEWER LEFT large DARK-BROWN eye patch; VIEWER RIGHT SMALLER LIGHTER patch, irregular white central blaze. Keep face clearly visible so patches can be inspected. Characters integrated in same drawing medium as setting, occupy about a quarter of image together. Nagasaki, Dejima controlled trading compound, circa 1680. At the wooden gateway beside a small stone quay, a Japanese official in restrained Edo-period kosode and hakama checks ceramic porcelain bowls and folded silk unloaded from a wooden chest by a Dutch merchant in a plain seventeenth-century coat. An interpreter mediates between them; a shut gate and official supervision make regulated access visible. Low tiled-roof timber warehouses, a small arched bridge and a modest Dutch sailing vessel beyond the enclosure, no later modern buildings. Kuromi stands to the near left watching the inspection; female Jani sits beside her, face toward viewer. Low eye-level diagonal view across the quay, calm practical work.", "generationHistory": [ { "kind": "initial-generation", "prompt": "Use case: historical-scene. Wide 1536x1024 opaque full-color hand-drawn narrative educational illustration, fine warm contours, coherent illustrated human figures, natural daylight and thoughtful period colors. One scene, no panels, text, labels, dates, watermark or modern flags. Historically grounded everyday materials and architecture; no Hollywood/game/fantasy clichés, no cinematic lighting or generic battle. Input 1 is female Jani identity reference, input 2 is Kuromi identity reference ONLY: do not copy reference props or background. Both are visibly present as curious observers and never replace historical people. Kuromi canonical black two-point jester hood, pink skull and collar, white small body; no obligatory magnifier/book. Jani is a female fluffy cream-white ragdoll cat, blue eyes, pink nose, large fluffy dark-brown tail; natural four-leg feline anatomy and paws, no human hands, bowtie or clothing. Jani's face MUST be asymmetric: VIEWER LEFT large DARK-BROWN eye patch; VIEWER RIGHT SMALLER LIGHTER patch, irregular white central blaze. Keep face clearly visible so patches can be inspected. Characters integrated in same drawing medium as setting, occupy about a quarter of image together. Nagasaki, Dejima controlled trading compound, circa 1680. At the wooden gateway beside a small stone quay, a Japanese official in restrained Edo-period kosode and hakama checks ceramic porcelain bowls and folded silk unloaded from a wooden chest by a Dutch merchant in a plain seventeenth-century coat. An interpreter mediates between them; a shut gate and official supervision make regulated access visible. Low tiled-roof timber warehouses, a small arched bridge and a modest Dutch sailing vessel beyond the enclosure, no later modern buildings. Kuromi stands to the near left watching the inspection; female Jani sits beside her, face toward viewer. Low eye-level diagonal view across the quay, calm practical work." }, { "kind": "canonical-kuromi-correction", "prompt": "Precise character correction ONLY. Image 1 is the finished historical scene to preserve; image 2 is the canonical Kuromi identity reference. Edit only the EXISTING Kuromi in image 1, keeping her position, size, pose, objects held, and the same emotional expression appropriate to this scene. Replace her collar with solid DARK CHARCOAL fabric and ONLY FOUR TINY PINK BALLS at its tips. Remove ALL broad pink trim or pink collar fabric. Correct both eyes to solid black vertical teardrop/oval shapes with TWO SHORT CURVED OUTER EYELASHES on each eye, exactly matching image 2. Keep black two-point hood, pink skull and white body. Blend changes into the existing hand-drawn medium. Keep Jani the female ragdoll cat completely unchanged including asymmetric brown face patches, blue eyes, anatomy and tail. Preserve all historical people, architecture, period objects, lighting, framing and colors exactly. No new objects, no text, no other changes. Do not mirror the picture." } ], "src": "assets/lesson-scenes/w18-03.webp", "sha256": "05de015abd190bc63a081256cbc4d9154538a044ee74567158547e0c30aced2e", "bytes": 358146, "thumbnailSrc": "assets/lesson-scenes/w18-03-preview.webp", "thumbnailSha256": "41ffcd42fa5b46b903f7b6f8144ba4c12b367e243b719da91936a31d42e284c4", "thumbnailBytes": 124618 }, { "unitId": "w19-01", "title": "Só, arany és vízkészlet a timbuktui karavánpiacon", "alt": "Kuromi víztömlőt vizsgál, miközben Jani előtt sótömböket és aranyport mérnek a timbuktui kereskedők.", "caption": "Timbuktu, a 14. század közepe: a szaharai karavánok sót, a déli kapcsolatok aranyat hoztak a közvetítővárosba. A vízellátás és az adóztatott csere együtt tette működőképessé a hálózatot.", "period": "1350 körül", "setting": "Timbuktu karavánpiaca, Mali", "historicalDetails": [ "mérlegen kimért aranypor", "nagy szaharai sótömbök", "bőrtömlő és datolya az úti ellátáshoz", "málhás teve és vályogépítészet" ], "placement": { "area": "base", "sectionIndex": 0 }, "scene": "Mali's trading network, Timbuktu caravan-edge market circa 1350. A West African merchant in an undyed cotton robe weighs small gold dust on a delicate balance while a Saharan caravan trader in wrapped indigo clothing indicates two heavy rectangular salt slabs just unloaded from a camel. A local collector supervises the taxable exchange without royal spectacle. Mud-brick courtyard walls, leather water bags, woven date basket, tied camel resting beside a modest shade awning; nearby transport workers move grain sacks from Niger-side hinterland. Focus on expensive desert logistics meeting town regulation, not empty sand dunes or modern mosque facade. Kuromi crouches to inspect the camel's water bag at foreground right; Jani sits beside a basket, face front, both watching calmly. Three-quarter elevated view of practical market exchange.", "prompt": "Use case: historical-scene. Wide 1536x1024 opaque full-color hand-drawn narrative educational illustration, fine warm contours, coherent illustrated human figures, natural daylight and thoughtful period colors. One scene, no panels, text, labels, dates, watermark or modern flags. Historically grounded everyday materials and architecture; no Hollywood/game/fantasy clichés, no cinematic lighting or generic battle. Input 1 is female Jani identity reference, input 2 is Kuromi identity reference ONLY: do not copy reference props or background. Both are visibly present as curious observers and never replace historical people. Kuromi canonical black two-point jester hood, pink skull and collar, white small body; no obligatory magnifier/book. Jani is a female fluffy cream-white ragdoll cat, blue eyes, pink nose, large fluffy dark-brown tail; natural four-leg feline anatomy and paws, no human hands, bowtie or clothing. Jani's face MUST be asymmetric: VIEWER LEFT large DARK-BROWN eye patch; VIEWER RIGHT SMALLER LIGHTER patch, irregular white central blaze. Keep face clearly visible so patches can be inspected. Characters integrated in same drawing medium as setting, occupy about a quarter of image together. Mali's trading network, Timbuktu caravan-edge market circa 1350. A West African merchant in an undyed cotton robe weighs small gold dust on a delicate balance while a Saharan caravan trader in wrapped indigo clothing indicates two heavy rectangular salt slabs just unloaded from a camel. A local collector supervises the taxable exchange without royal spectacle. Mud-brick courtyard walls, leather water bags, woven date basket, tied camel resting beside a modest shade awning; nearby transport workers move grain sacks from Niger-side hinterland. Focus on expensive desert logistics meeting town regulation, not empty sand dunes or modern mosque facade. Kuromi crouches to inspect the camel's water bag at foreground right; Jani sits beside a basket, face front, both watching calmly. Three-quarter elevated view of practical market exchange.\n\nImage correction after visual review:\nPrecise historical background correction ONLY. Preserve the entire Timbuktu caravan marketplace, every human, salt slabs, gold balance, camel, leather water bag, female Jani and the already corrected canonical Kuromi exactly. In the far upper background ONLY, remove the recognizable tall narrow three-towered mud-mosque silhouette. Replace this distant skyline with LOW SIMPLE FLAT-ROOFED mud-brick houses and plain courtyard walls of a plausible fourteenth-century Timbuktu neighborhood. No large mosque, tall towers, modern Djenne mosque facade or landmark. The buildings should be modest, lower than the surrounding tree tops. Do not change anything else, do not mirror, no text.", "sourceBasis": [ { "book": "v2", "pdfPages": [ 87, 94 ], "chapter": "3.1 The Roots of African Trade" }, { "book": "v2", "pdfPages": [ 88, 94 ], "chapter": "3.1 The Roots of African Trade: trust, scholarship and historical remains" } ], "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [], "canonicalKuromi": true }, "initialPrompt": "Use case: historical-scene. Wide 1536x1024 opaque full-color hand-drawn narrative educational illustration, fine warm contours, coherent illustrated human figures, natural daylight and thoughtful period colors. One scene, no panels, text, labels, dates, watermark or modern flags. Historically grounded everyday materials and architecture; no Hollywood/game/fantasy clichés, no cinematic lighting or generic battle. Input 1 is female Jani identity reference, input 2 is Kuromi identity reference ONLY: do not copy reference props or background. Both are visibly present as curious observers and never replace historical people. Kuromi canonical black two-point jester hood, pink skull and collar, white small body; no obligatory magnifier/book. Jani is a female fluffy cream-white ragdoll cat, blue eyes, pink nose, large fluffy dark-brown tail; natural four-leg feline anatomy and paws, no human hands, bowtie or clothing. Jani's face MUST be asymmetric: VIEWER LEFT large DARK-BROWN eye patch; VIEWER RIGHT SMALLER LIGHTER patch, irregular white central blaze. Keep face clearly visible so patches can be inspected. Characters integrated in same drawing medium as setting, occupy about a quarter of image together. Mali's trading network, Timbuktu caravan-edge market circa 1350. A West African merchant in an undyed cotton robe weighs small gold dust on a delicate balance while a Saharan caravan trader in wrapped indigo clothing indicates two heavy rectangular salt slabs just unloaded from a camel. A local collector supervises the taxable exchange without royal spectacle. Mud-brick courtyard walls, leather water bags, woven date basket, tied camel resting beside a modest shade awning; nearby transport workers move grain sacks from Niger-side hinterland. Focus on expensive desert logistics meeting town regulation, not empty sand dunes or modern mosque facade. Kuromi crouches to inspect the camel's water bag at foreground right; Jani sits beside a basket, face front, both watching calmly. Three-quarter elevated view of practical market exchange.", "generationHistory": [ { "kind": "initial-generation", "prompt": "Use case: historical-scene. Wide 1536x1024 opaque full-color hand-drawn narrative educational illustration, fine warm contours, coherent illustrated human figures, natural daylight and thoughtful period colors. One scene, no panels, text, labels, dates, watermark or modern flags. Historically grounded everyday materials and architecture; no Hollywood/game/fantasy clichés, no cinematic lighting or generic battle. Input 1 is female Jani identity reference, input 2 is Kuromi identity reference ONLY: do not copy reference props or background. Both are visibly present as curious observers and never replace historical people. Kuromi canonical black two-point jester hood, pink skull and collar, white small body; no obligatory magnifier/book. Jani is a female fluffy cream-white ragdoll cat, blue eyes, pink nose, large fluffy dark-brown tail; natural four-leg feline anatomy and paws, no human hands, bowtie or clothing. Jani's face MUST be asymmetric: VIEWER LEFT large DARK-BROWN eye patch; VIEWER RIGHT SMALLER LIGHTER patch, irregular white central blaze. Keep face clearly visible so patches can be inspected. Characters integrated in same drawing medium as setting, occupy about a quarter of image together. Mali's trading network, Timbuktu caravan-edge market circa 1350. A West African merchant in an undyed cotton robe weighs small gold dust on a delicate balance while a Saharan caravan trader in wrapped indigo clothing indicates two heavy rectangular salt slabs just unloaded from a camel. A local collector supervises the taxable exchange without royal spectacle. Mud-brick courtyard walls, leather water bags, woven date basket, tied camel resting beside a modest shade awning; nearby transport workers move grain sacks from Niger-side hinterland. Focus on expensive desert logistics meeting town regulation, not empty sand dunes or modern mosque facade. Kuromi crouches to inspect the camel's water bag at foreground right; Jani sits beside a basket, face front, both watching calmly. Three-quarter elevated view of practical market exchange." }, { "kind": "canonical-kuromi-correction", "prompt": "Precise character correction ONLY. Image 1 is the finished historical scene to preserve; image 2 is the canonical Kuromi identity reference. Edit only the EXISTING Kuromi in image 1, keeping her position, size, pose, objects held, and the same emotional expression appropriate to this scene. Replace her collar with solid DARK CHARCOAL fabric and ONLY FOUR TINY PINK BALLS at its tips. Remove ALL broad pink trim or pink collar fabric. Correct both eyes to solid black vertical teardrop/oval shapes with TWO SHORT CURVED OUTER EYELASHES on each eye, exactly matching image 2. Keep black two-point hood, pink skull and white body. Blend changes into the existing hand-drawn medium. Keep Jani the female ragdoll cat completely unchanged including asymmetric brown face patches, blue eyes, anatomy and tail. Preserve all historical people, architecture, period objects, lighting, framing and colors exactly. No new objects, no text, no other changes. Do not mirror the picture." }, { "kind": "historical-background-correction", "prompt": "Precise historical background correction ONLY. Preserve the entire Timbuktu caravan marketplace, every human, salt slabs, gold balance, camel, leather water bag, female Jani and the already corrected canonical Kuromi exactly. In the far upper background ONLY, remove the recognizable tall narrow three-towered mud-mosque silhouette. Replace this distant skyline with LOW SIMPLE FLAT-ROOFED mud-brick houses and plain courtyard walls of a plausible fourteenth-century Timbuktu neighborhood. No large mosque, tall towers, modern Djenne mosque facade or landmark. The buildings should be modest, lower than the surrounding tree tops. Do not change anything else, do not mirror, no text." } ], "src": "assets/lesson-scenes/w19-01.webp", "sha256": "fe6b726bf29fc88273ffe9f1a82a09f2ed694fccfa83f4e30632b9d7ad04adde", "bytes": 377532, "thumbnailSrc": "assets/lesson-scenes/w19-01-preview.webp", "thumbnailSha256": "bf1da6e0f4d68a4714dafd9acbfdb5a408fcca1dd95e41caec57faf7d728c18c", "thumbnailBytes": 138612 }, { "unitId": "w19-02", "title": "Piaci mértékek ellenőrzése Gao folyópartján", "alt": "Kuromi és Jani egy gabonaűrmérték ellenőrzését figyeli a Niger menti Gao piacán.", "caption": "Gao, 1510 körül: Aszkia Muhammad uralmában a piaci súlyok és mértékek egységesítése a forgalmat és az adóztatást is segítette. A folyami szállítás a termelővidékeket kötötte a birodalmi központokhoz.", "period": "1510 körül", "setting": "Gao gabonapiaca a Niger partján", "historicalDetails": [ "hivatalos fa gabonaűrmérték", "kaurikagyló fizetőeszköz", "hosszú folyami facsónak", "árterületi termelés és vályogépítészet" ], "placement": { "area": "base", "sectionIndex": 2 }, "scene": "Gao, Songhai Empire circa 1510, under Askia Muhammad. A riverside grain market on the Niger: a black West African market inspector in a loose cotton robe compares a merchant's grain container with an official cylindrical measure while a farmer waits beside a full basket and small cowrie shells lie in a shallow bowl. A long narrow wooden riverboat is being unloaded at the earthen bank behind them, with cultivated floodplain fields across the water and low mud-brick town buildings. The economic mechanism is standardized measures supporting both fairer transactions and state taxation, not a king's throne or a battle. Kuromi stands at the edge of the scale of containers pointing with her small paw; Jani, clearly female cat with asymmetric face, sits on a flat woven mat at her side. View from water's edge into bustling working market, airy uncluttered composition.", "prompt": "Use case: historical-scene. Wide 1536x1024 opaque full-color hand-drawn narrative educational illustration, fine warm contours, coherent illustrated human figures, natural daylight and thoughtful period colors. One scene, no panels, text, labels, dates, watermark or modern flags. Historically grounded everyday materials and architecture; no Hollywood/game/fantasy clichés, no cinematic lighting or generic battle. Input 1 is female Jani identity reference, input 2 is Kuromi identity reference ONLY: do not copy reference props or background. Both are visibly present as curious observers and never replace historical people. Kuromi canonical black two-point jester hood, pink skull and collar, white small body; no obligatory magnifier/book. Jani is a female fluffy cream-white ragdoll cat, blue eyes, pink nose, large fluffy dark-brown tail; natural four-leg feline anatomy and paws, no human hands, bowtie or clothing. Jani's face MUST be asymmetric: VIEWER LEFT large DARK-BROWN eye patch; VIEWER RIGHT SMALLER LIGHTER patch, irregular white central blaze. Keep face clearly visible so patches can be inspected. Characters integrated in same drawing medium as setting, occupy about a quarter of image together. Gao, Songhai Empire circa 1510, under Askia Muhammad. A riverside grain market on the Niger: a black West African market inspector in a loose cotton robe compares a merchant's grain container with an official cylindrical measure while a farmer waits beside a full basket and small cowrie shells lie in a shallow bowl. A long narrow wooden riverboat is being unloaded at the earthen bank behind them, with cultivated floodplain fields across the water and low mud-brick town buildings. The economic mechanism is standardized measures supporting both fairer transactions and state taxation, not a king's throne or a battle. Kuromi stands at the edge of the scale of containers pointing with her small paw; Jani, clearly female cat with asymmetric face, sits on a flat woven mat at her side. View from water's edge into bustling working market, airy uncluttered composition.\n\nCanonical Kuromi correction after visual review:\nPrecise character correction ONLY. Image 1 is the finished historical scene to preserve; image 2 is the canonical Kuromi identity reference. Edit only the EXISTING Kuromi in image 1, keeping her position, size, pose, objects held, and the same emotional expression appropriate to this scene. Replace her collar with solid DARK CHARCOAL fabric and ONLY FOUR TINY PINK BALLS at its tips. Remove ALL broad pink trim or pink collar fabric. Correct both eyes to solid black vertical teardrop/oval shapes with TWO SHORT CURVED OUTER EYELASHES on each eye, exactly matching image 2. Keep black two-point hood, pink skull and white body. Blend changes into the existing hand-drawn medium. Keep Jani the female ragdoll cat completely unchanged including asymmetric brown face patches, blue eyes, anatomy and tail. Preserve all historical people, architecture, period objects, lighting, framing and colors exactly. No new objects, no text, no other changes. Do not mirror the picture.", "sourceBasis": [ { "book": "v2", "pdfPages": [ 94, 101 ], "chapter": "3.2 The Songhai Empire" }, { "book": "v2", "pdfPages": [ 97, 100 ], "chapter": "3.2 The Songhai Empire: the Epic of Askia Muhammad and Leo Africanus" } ], "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [], "canonicalKuromi": true }, "initialPrompt": "Use case: historical-scene. Wide 1536x1024 opaque full-color hand-drawn narrative educational illustration, fine warm contours, coherent illustrated human figures, natural daylight and thoughtful period colors. One scene, no panels, text, labels, dates, watermark or modern flags. Historically grounded everyday materials and architecture; no Hollywood/game/fantasy clichés, no cinematic lighting or generic battle. Input 1 is female Jani identity reference, input 2 is Kuromi identity reference ONLY: do not copy reference props or background. Both are visibly present as curious observers and never replace historical people. Kuromi canonical black two-point jester hood, pink skull and collar, white small body; no obligatory magnifier/book. Jani is a female fluffy cream-white ragdoll cat, blue eyes, pink nose, large fluffy dark-brown tail; natural four-leg feline anatomy and paws, no human hands, bowtie or clothing. Jani's face MUST be asymmetric: VIEWER LEFT large DARK-BROWN eye patch; VIEWER RIGHT SMALLER LIGHTER patch, irregular white central blaze. Keep face clearly visible so patches can be inspected. Characters integrated in same drawing medium as setting, occupy about a quarter of image together. Gao, Songhai Empire circa 1510, under Askia Muhammad. A riverside grain market on the Niger: a black West African market inspector in a loose cotton robe compares a merchant's grain container with an official cylindrical measure while a farmer waits beside a full basket and small cowrie shells lie in a shallow bowl. A long narrow wooden riverboat is being unloaded at the earthen bank behind them, with cultivated floodplain fields across the water and low mud-brick town buildings. The economic mechanism is standardized measures supporting both fairer transactions and state taxation, not a king's throne or a battle. Kuromi stands at the edge of the scale of containers pointing with her small paw; Jani, clearly female cat with asymmetric face, sits on a flat woven mat at her side. View from water's edge into bustling working market, airy uncluttered composition.", "generationHistory": [ { "kind": "initial-generation", "prompt": "Use case: historical-scene. Wide 1536x1024 opaque full-color hand-drawn narrative educational illustration, fine warm contours, coherent illustrated human figures, natural daylight and thoughtful period colors. One scene, no panels, text, labels, dates, watermark or modern flags. Historically grounded everyday materials and architecture; no Hollywood/game/fantasy clichés, no cinematic lighting or generic battle. Input 1 is female Jani identity reference, input 2 is Kuromi identity reference ONLY: do not copy reference props or background. Both are visibly present as curious observers and never replace historical people. Kuromi canonical black two-point jester hood, pink skull and collar, white small body; no obligatory magnifier/book. Jani is a female fluffy cream-white ragdoll cat, blue eyes, pink nose, large fluffy dark-brown tail; natural four-leg feline anatomy and paws, no human hands, bowtie or clothing. Jani's face MUST be asymmetric: VIEWER LEFT large DARK-BROWN eye patch; VIEWER RIGHT SMALLER LIGHTER patch, irregular white central blaze. Keep face clearly visible so patches can be inspected. Characters integrated in same drawing medium as setting, occupy about a quarter of image together. Gao, Songhai Empire circa 1510, under Askia Muhammad. A riverside grain market on the Niger: a black West African market inspector in a loose cotton robe compares a merchant's grain container with an official cylindrical measure while a farmer waits beside a full basket and small cowrie shells lie in a shallow bowl. A long narrow wooden riverboat is being unloaded at the earthen bank behind them, with cultivated floodplain fields across the water and low mud-brick town buildings. The economic mechanism is standardized measures supporting both fairer transactions and state taxation, not a king's throne or a battle. Kuromi stands at the edge of the scale of containers pointing with her small paw; Jani, clearly female cat with asymmetric face, sits on a flat woven mat at her side. View from water's edge into bustling working market, airy uncluttered composition." }, { "kind": "canonical-kuromi-correction", "prompt": "Precise character correction ONLY. Image 1 is the finished historical scene to preserve; image 2 is the canonical Kuromi identity reference. Edit only the EXISTING Kuromi in image 1, keeping her position, size, pose, objects held, and the same emotional expression appropriate to this scene. Replace her collar with solid DARK CHARCOAL fabric and ONLY FOUR TINY PINK BALLS at its tips. Remove ALL broad pink trim or pink collar fabric. Correct both eyes to solid black vertical teardrop/oval shapes with TWO SHORT CURVED OUTER EYELASHES on each eye, exactly matching image 2. Keep black two-point hood, pink skull and white body. Blend changes into the existing hand-drawn medium. Keep Jani the female ragdoll cat completely unchanged including asymmetric brown face patches, blue eyes, anatomy and tail. Preserve all historical people, architecture, period objects, lighting, framing and colors exactly. No new objects, no text, no other changes. Do not mirror the picture." } ], "src": "assets/lesson-scenes/w19-02.webp", "sha256": "5aa91a473fd08d000a4816f318685e7d4ddeb7e8e31d6ead486d92e3cae31bd9", "bytes": 424968, "thumbnailSrc": "assets/lesson-scenes/w19-02-preview.webp", "thumbnailSha256": "e5c0bc85457517d6e5b203bd552b3a9a2aeaac2b09fa3ee30b2635f9f3a71f58", "thumbnailBytes": 144128 }, { "unitId": "w19-03", "title": "Háztartási termelés és óceáni árucsere Kilwában", "alt": "Kuromi és Jani egy kilwai udvaron figyeli a fonást, az áruátadást és az importporcelán vizsgálatát.", "caption": "Kilwa, a 15. század közepe: a szuahéli kikötő helyi termelést és afrikai hátországi kapcsolatokat kapcsolt az Indiai-óceán kereskedelméhez. A városi gazdagságot a nők munkája és üzleti részvétele is alakította.", "period": "1450 körül", "setting": "Kereskedőház udvara Kilwában", "historicalDetails": [ "korallkőből épített udvar", "pamutfonás egyszerű orsóval", "importált kínai porcelán", "háromszögvitorlás dau" ], "placement": { "area": "base", "sectionIndex": 1 }, "scene": "Kilwa, East African Swahili port circa 1450. View through an open coral-rag stone house courtyard toward a small dhow with triangular lateen sail at the shore. A locally dressed African woman merchant inspects imported blue-and-white ceramic bowls while another woman winds locally produced cotton yarn beside a simple loom; an African inland porter delivers a tied wooden bundle to a resident coastal trader. Brass balance, woven palm mat and pottery connect household work, inland produce and Indian Ocean imports. Modest plastered coral masonry, carved timber door, coastal vegetation, no European fortress, no Arab-only population. Kuromi stands by the stacked goods in middle foreground and Jani sits on the sunlit doorstep facing viewer, both attentive, human traders remain central. Lateral courtyard composition, soft coastal daylight.", "prompt": "Use case: historical-scene. Wide 1536x1024 opaque full-color hand-drawn narrative educational illustration, fine warm contours, coherent illustrated human figures, natural daylight and thoughtful period colors. One scene, no panels, text, labels, dates, watermark or modern flags. Historically grounded everyday materials and architecture; no Hollywood/game/fantasy clichés, no cinematic lighting or generic battle. Input 1 is female Jani identity reference, input 2 is Kuromi identity reference ONLY: do not copy reference props or background. Both are visibly present as curious observers and never replace historical people. Kuromi canonical black two-point jester hood, pink skull and collar, white small body; no obligatory magnifier/book. Jani is a female fluffy cream-white ragdoll cat, blue eyes, pink nose, large fluffy dark-brown tail; natural four-leg feline anatomy and paws, no human hands, bowtie or clothing. Jani's face MUST be asymmetric: VIEWER LEFT large DARK-BROWN eye patch; VIEWER RIGHT SMALLER LIGHTER patch, irregular white central blaze. Keep face clearly visible so patches can be inspected. Characters integrated in same drawing medium as setting, occupy about a quarter of image together. Kilwa, East African Swahili port circa 1450. View through an open coral-rag stone house courtyard toward a small dhow with triangular lateen sail at the shore. A locally dressed African woman merchant inspects imported blue-and-white ceramic bowls while another woman winds locally produced cotton yarn beside a simple loom; an African inland porter delivers a tied wooden bundle to a resident coastal trader. Brass balance, woven palm mat and pottery connect household work, inland produce and Indian Ocean imports. Modest plastered coral masonry, carved timber door, coastal vegetation, no European fortress, no Arab-only population. Kuromi stands by the stacked goods in middle foreground and Jani sits on the sunlit doorstep facing viewer, both attentive, human traders remain central. Lateral courtyard composition, soft coastal daylight.\n\nImage correction after visual review:\nPrecise final Kuromi eye correction ONLY. In this finished Kilwa illustration, remove the small white highlights still visible inside Kuromi's viewer-right eye. BOTH her eyes must be entirely SOLID FLAT BLACK teardrop/oval shapes, no white dots, no iris or glints. Each eye has only two short curved outer eyelashes, as the second reference. Preserve the dark charcoal collar and four tiny pink balls, hood, skull, pose, all human figures, female Jani, now-correct plain green vine without flowers, courtyard, loom, goods and boat exactly. No other changes.", "sourceBasis": [ { "book": "v2", "pdfPages": [ 101, 108 ], "chapter": "3.3 The Swahili Coast" }, { "book": "v2", "pdfPages": [ 102, 107 ], "chapter": "3.3 The Swahili Coast: households, Sofala images and competing alliances" } ], "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [], "canonicalKuromi": true }, "initialPrompt": "Use case: historical-scene. Wide 1536x1024 opaque full-color hand-drawn narrative educational illustration, fine warm contours, coherent illustrated human figures, natural daylight and thoughtful period colors. One scene, no panels, text, labels, dates, watermark or modern flags. Historically grounded everyday materials and architecture; no Hollywood/game/fantasy clichés, no cinematic lighting or generic battle. Input 1 is female Jani identity reference, input 2 is Kuromi identity reference ONLY: do not copy reference props or background. Both are visibly present as curious observers and never replace historical people. Kuromi canonical black two-point jester hood, pink skull and collar, white small body; no obligatory magnifier/book. Jani is a female fluffy cream-white ragdoll cat, blue eyes, pink nose, large fluffy dark-brown tail; natural four-leg feline anatomy and paws, no human hands, bowtie or clothing. Jani's face MUST be asymmetric: VIEWER LEFT large DARK-BROWN eye patch; VIEWER RIGHT SMALLER LIGHTER patch, irregular white central blaze. Keep face clearly visible so patches can be inspected. Characters integrated in same drawing medium as setting, occupy about a quarter of image together. Kilwa, East African Swahili port circa 1450. View through an open coral-rag stone house courtyard toward a small dhow with triangular lateen sail at the shore. A locally dressed African woman merchant inspects imported blue-and-white ceramic bowls while another woman winds locally produced cotton yarn beside a simple loom; an African inland porter delivers a tied wooden bundle to a resident coastal trader. Brass balance, woven palm mat and pottery connect household work, inland produce and Indian Ocean imports. Modest plastered coral masonry, carved timber door, coastal vegetation, no European fortress, no Arab-only population. Kuromi stands by the stacked goods in middle foreground and Jani sits on the sunlit doorstep facing viewer, both attentive, human traders remain central. Lateral courtyard composition, soft coastal daylight.", "generationHistory": [ { "kind": "initial-generation", "prompt": "Use case: historical-scene. Wide 1536x1024 opaque full-color hand-drawn narrative educational illustration, fine warm contours, coherent illustrated human figures, natural daylight and thoughtful period colors. One scene, no panels, text, labels, dates, watermark or modern flags. Historically grounded everyday materials and architecture; no Hollywood/game/fantasy clichés, no cinematic lighting or generic battle. Input 1 is female Jani identity reference, input 2 is Kuromi identity reference ONLY: do not copy reference props or background. Both are visibly present as curious observers and never replace historical people. Kuromi canonical black two-point jester hood, pink skull and collar, white small body; no obligatory magnifier/book. Jani is a female fluffy cream-white ragdoll cat, blue eyes, pink nose, large fluffy dark-brown tail; natural four-leg feline anatomy and paws, no human hands, bowtie or clothing. Jani's face MUST be asymmetric: VIEWER LEFT large DARK-BROWN eye patch; VIEWER RIGHT SMALLER LIGHTER patch, irregular white central blaze. Keep face clearly visible so patches can be inspected. Characters integrated in same drawing medium as setting, occupy about a quarter of image together. Kilwa, East African Swahili port circa 1450. View through an open coral-rag stone house courtyard toward a small dhow with triangular lateen sail at the shore. A locally dressed African woman merchant inspects imported blue-and-white ceramic bowls while another woman winds locally produced cotton yarn beside a simple loom; an African inland porter delivers a tied wooden bundle to a resident coastal trader. Brass balance, woven palm mat and pottery connect household work, inland produce and Indian Ocean imports. Modest plastered coral masonry, carved timber door, coastal vegetation, no European fortress, no Arab-only population. Kuromi stands by the stacked goods in middle foreground and Jani sits on the sunlit doorstep facing viewer, both attentive, human traders remain central. Lateral courtyard composition, soft coastal daylight." }, { "kind": "canonical-kuromi-correction", "prompt": "Precise character correction ONLY. Image 1 is the finished historical scene to preserve; image 2 is the canonical Kuromi identity reference. Edit only the EXISTING Kuromi in image 1, keeping her position, size, pose, objects held, and the same emotional expression appropriate to this scene. Replace her collar with solid DARK CHARCOAL fabric and ONLY FOUR TINY PINK BALLS at its tips. Remove ALL broad pink trim or pink collar fabric. Correct both eyes to solid black vertical teardrop/oval shapes with TWO SHORT CURVED OUTER EYELASHES on each eye, exactly matching image 2. Keep black two-point hood, pink skull and white body. Blend changes into the existing hand-drawn medium. Keep Jani the female ragdoll cat completely unchanged including asymmetric brown face patches, blue eyes, anatomy and tail. Preserve all historical people, architecture, period objects, lighting, framing and colors exactly. No new objects, no text, no other changes. Do not mirror the picture." }, { "kind": "historical-background-correction", "prompt": "Precise tiny botanical historical correction ONLY. Preserve every person, all architecture, textiles, loom, porcelain, boat, female Jani and already canonical Kuromi exactly. On the far upper-left courtyard wall replace ONLY the bright magenta flowering bougainvillea-like vine with plain green leafy tropical climbing foliage without flowers. A South American bougainvillea ornamental must not appear in a fifteenth-century East African Kilwa courtyard. Keep the wall and sunlight unchanged, no other changes." }, { "kind": "canonical-kuromi-eye-refinement", "prompt": "Precise final Kuromi eye correction ONLY. In this finished Kilwa illustration, remove the small white highlights still visible inside Kuromi's viewer-right eye. BOTH her eyes must be entirely SOLID FLAT BLACK teardrop/oval shapes, no white dots, no iris or glints. Each eye has only two short curved outer eyelashes, as the second reference. Preserve the dark charcoal collar and four tiny pink balls, hood, skull, pose, all human figures, female Jani, now-correct plain green vine without flowers, courtyard, loom, goods and boat exactly. No other changes." } ], "src": "assets/lesson-scenes/w19-03.webp", "sha256": "d0a584da8cc2e99a61306fad570abc4e6abc435e083c46691141bab04392c556", "bytes": 445176, "thumbnailSrc": "assets/lesson-scenes/w19-03-preview.webp", "thumbnailSha256": "4ccdc464cb7a575e2ee8c32313b5f7eb55ca2ca4b9c0bb29230b02aeb3353108", "thumbnailBytes": 154230 }, { "unitId": "w19-04", "title": "Falusi védekezés az emberrablás fenyegetése ellen", "alt": "Egy nyugat-afrikai család csomagot készít és figyeli a kaput, mellettük Kuromi víztököt tart, Jani csendben ül.", "caption": "A 18. századi nyugat-afrikai emberkereskedelem a falvak biztonságát és családi kapcsolatait is fenyegette. Equiano visszaemlékezése a félelmet és a közösségi védekezés mindennapjait is érzékelteti.", "period": "1750 körül", "setting": "Falusi lakóudvar a Benini-öböl hátországában", "historicalDetails": [ "vályog és növényi anyagokból épített lakóudvar", "vesszőből font gabonatároló", "víztök és agyagedény", "egyszerű pamutleplek és úti csomag" ], "placement": { "area": "base", "sectionIndex": 3 }, "scene": "West African village inland from the Bight of Benin, circa 1750. A restrained serious civilian scene showing insecurity produced by slave raiding, no violence depicted. At a modest mud-and-thatch compound gateway a mother holds her young child's hand close, an elder quietly coordinates lookout duty with two adult villagers, another family gathers a small bundle and water pot for possible departure. The adults are clearly African and wear simple woven cotton wrap garments, no sensational exotic costumes. A footpath toward the distant coast and watchful adults make threat to family security visible, no chains, no sale, no triumphant soldiers. Kuromi offers a small plain water gourd near the family with serious expression; female Jani sits calmly beside her, facing viewer. Clay granary, woven mats, basket of provisions, timber gate, low rural horizon. Humane dignified depiction, muted daylight, no laughing or celebration.", "prompt": "Use case: historical-scene. Wide 1536x1024 opaque full-color hand-drawn narrative educational illustration, fine warm contours, coherent illustrated human figures, natural daylight and thoughtful period colors. One scene, no panels, text, labels, dates, watermark or modern flags. Historically grounded everyday materials and architecture; no Hollywood/game/fantasy clichés, no cinematic lighting or generic battle. Input 1 is female Jani identity reference, input 2 is Kuromi identity reference ONLY: do not copy reference props or background. Both are visibly present as curious observers and never replace historical people. Kuromi canonical black two-point jester hood, pink skull and collar, white small body; no obligatory magnifier/book. Jani is a female fluffy cream-white ragdoll cat, blue eyes, pink nose, large fluffy dark-brown tail; natural four-leg feline anatomy and paws, no human hands, bowtie or clothing. Jani's face MUST be asymmetric: VIEWER LEFT large DARK-BROWN eye patch; VIEWER RIGHT SMALLER LIGHTER patch, irregular white central blaze. Keep face clearly visible so patches can be inspected. Characters integrated in same drawing medium as setting, occupy about a quarter of image together. West African village inland from the Bight of Benin, circa 1750. A restrained serious civilian scene showing insecurity produced by slave raiding, no violence depicted. At a modest mud-and-thatch compound gateway a mother holds her young child's hand close, an elder quietly coordinates lookout duty with two adult villagers, another family gathers a small bundle and water pot for possible departure. The adults are clearly African and wear simple woven cotton wrap garments, no sensational exotic costumes. A footpath toward the distant coast and watchful adults make threat to family security visible, no chains, no sale, no triumphant soldiers. Kuromi offers a small plain water gourd near the family with serious expression; female Jani sits calmly beside her, facing viewer. Clay granary, woven mats, basket of provisions, timber gate, low rural horizon. Humane dignified depiction, muted daylight, no laughing or celebration.\n\nCanonical Kuromi correction after visual review:\nPrecise character correction ONLY. Image 1 is the finished historical scene to preserve; image 2 is the canonical Kuromi identity reference. Edit only the EXISTING Kuromi in image 1, keeping her position, size, pose, objects held, and the same emotional expression appropriate to this scene. Replace her collar with solid DARK CHARCOAL fabric and ONLY FOUR TINY PINK BALLS at its tips. Remove ALL broad pink trim or pink collar fabric. Correct both eyes to solid black vertical teardrop/oval shapes with TWO SHORT CURVED OUTER EYELASHES on each eye, exactly matching image 2. Keep black two-point hood, pink skull and white body. Blend changes into the existing hand-drawn medium. Keep Jani the female ragdoll cat completely unchanged including asymmetric brown face patches, blue eyes, anatomy and tail. Preserve all historical people, architecture, period objects, lighting, framing and colors exactly. No new objects, no text, no other changes. Do not mirror the picture.", "sourceBasis": [ { "book": "v2", "pdfPages": [ 108, 116 ], "chapter": "3.4 The Trans-Saharan Slave Trade" }, { "book": "v2", "pdfPages": [ 111, 116 ], "chapter": "3.4 The Trans-Saharan Slave Trade: intermediaries, Whydah, Segou and Equiano" } ], "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [], "canonicalKuromi": true }, "initialPrompt": "Use case: historical-scene. Wide 1536x1024 opaque full-color hand-drawn narrative educational illustration, fine warm contours, coherent illustrated human figures, natural daylight and thoughtful period colors. One scene, no panels, text, labels, dates, watermark or modern flags. Historically grounded everyday materials and architecture; no Hollywood/game/fantasy clichés, no cinematic lighting or generic battle. Input 1 is female Jani identity reference, input 2 is Kuromi identity reference ONLY: do not copy reference props or background. Both are visibly present as curious observers and never replace historical people. Kuromi canonical black two-point jester hood, pink skull and collar, white small body; no obligatory magnifier/book. Jani is a female fluffy cream-white ragdoll cat, blue eyes, pink nose, large fluffy dark-brown tail; natural four-leg feline anatomy and paws, no human hands, bowtie or clothing. Jani's face MUST be asymmetric: VIEWER LEFT large DARK-BROWN eye patch; VIEWER RIGHT SMALLER LIGHTER patch, irregular white central blaze. Keep face clearly visible so patches can be inspected. Characters integrated in same drawing medium as setting, occupy about a quarter of image together. West African village inland from the Bight of Benin, circa 1750. A restrained serious civilian scene showing insecurity produced by slave raiding, no violence depicted. At a modest mud-and-thatch compound gateway a mother holds her young child's hand close, an elder quietly coordinates lookout duty with two adult villagers, another family gathers a small bundle and water pot for possible departure. The adults are clearly African and wear simple woven cotton wrap garments, no sensational exotic costumes. A footpath toward the distant coast and watchful adults make threat to family security visible, no chains, no sale, no triumphant soldiers. Kuromi offers a small plain water gourd near the family with serious expression; female Jani sits calmly beside her, facing viewer. Clay granary, woven mats, basket of provisions, timber gate, low rural horizon. Humane dignified depiction, muted daylight, no laughing or celebration.", "generationHistory": [ { "kind": "initial-generation", "prompt": "Use case: historical-scene. Wide 1536x1024 opaque full-color hand-drawn narrative educational illustration, fine warm contours, coherent illustrated human figures, natural daylight and thoughtful period colors. One scene, no panels, text, labels, dates, watermark or modern flags. Historically grounded everyday materials and architecture; no Hollywood/game/fantasy clichés, no cinematic lighting or generic battle. Input 1 is female Jani identity reference, input 2 is Kuromi identity reference ONLY: do not copy reference props or background. Both are visibly present as curious observers and never replace historical people. Kuromi canonical black two-point jester hood, pink skull and collar, white small body; no obligatory magnifier/book. Jani is a female fluffy cream-white ragdoll cat, blue eyes, pink nose, large fluffy dark-brown tail; natural four-leg feline anatomy and paws, no human hands, bowtie or clothing. Jani's face MUST be asymmetric: VIEWER LEFT large DARK-BROWN eye patch; VIEWER RIGHT SMALLER LIGHTER patch, irregular white central blaze. Keep face clearly visible so patches can be inspected. Characters integrated in same drawing medium as setting, occupy about a quarter of image together. West African village inland from the Bight of Benin, circa 1750. A restrained serious civilian scene showing insecurity produced by slave raiding, no violence depicted. At a modest mud-and-thatch compound gateway a mother holds her young child's hand close, an elder quietly coordinates lookout duty with two adult villagers, another family gathers a small bundle and water pot for possible departure. The adults are clearly African and wear simple woven cotton wrap garments, no sensational exotic costumes. A footpath toward the distant coast and watchful adults make threat to family security visible, no chains, no sale, no triumphant soldiers. Kuromi offers a small plain water gourd near the family with serious expression; female Jani sits calmly beside her, facing viewer. Clay granary, woven mats, basket of provisions, timber gate, low rural horizon. Humane dignified depiction, muted daylight, no laughing or celebration." }, { "kind": "canonical-kuromi-correction", "prompt": "Precise character correction ONLY. Image 1 is the finished historical scene to preserve; image 2 is the canonical Kuromi identity reference. Edit only the EXISTING Kuromi in image 1, keeping her position, size, pose, objects held, and the same emotional expression appropriate to this scene. Replace her collar with solid DARK CHARCOAL fabric and ONLY FOUR TINY PINK BALLS at its tips. Remove ALL broad pink trim or pink collar fabric. Correct both eyes to solid black vertical teardrop/oval shapes with TWO SHORT CURVED OUTER EYELASHES on each eye, exactly matching image 2. Keep black two-point hood, pink skull and white body. Blend changes into the existing hand-drawn medium. Keep Jani the female ragdoll cat completely unchanged including asymmetric brown face patches, blue eyes, anatomy and tail. Preserve all historical people, architecture, period objects, lighting, framing and colors exactly. No new objects, no text, no other changes. Do not mirror the picture." } ], "src": "assets/lesson-scenes/w19-04.webp", "sha256": "c61bc03c07e3b4efa1c34d75b421037f3fd210647e68b1348b9dd1de56984bdd", "bytes": 467556, "thumbnailSrc": "assets/lesson-scenes/w19-04-preview.webp", "thumbnailSha256": "625118956d844b6981c265c64ee0ee365fc0b155952f0475826373c899d9475e", "thumbnailBytes": 151662 }, { "unitId": "w20-01", "title": "Szerződések és közvetítők egy iráni karavánszerájban", "alt": "Muszlim és örmény kereskedő vitájában közvetítő mutat fel lepecsételt iratokat, miközben Kuromi és Jani figyel.", "caption": "Irán, a 16. század közepe: az írásos megállapodás, a tanúk és a jogi közvetítés a távoli kereskedelem bizalmát erősítette. A különböző vallású partnerek együttműködését eltérő jogállás kísérhette.", "period": "1550 körül", "setting": "Iráni út menti karavánszeráj", "historicalDetails": [ "téglaboltozatos karavánudvar", "lepecsételt kereskedelmi iratok", "selyembálák és tevemálhák", "perzsa és örmény 16. századi ruházat" ], "placement": { "area": "base", "sectionIndex": 1 }, "scene": "An Iranian caravanserai on a commercial route circa 1550, a modest brick arched courtyard rather than a copied modern monument. A Persian-speaking Muslim merchant, an Armenian Christian silk trader and a local legal mediator in sixteenth-century clothing settle a delivery dispute beside packed silk bales. The mediator compares two sealed folded documents with marks not legible as text; witnesses gesture calmly. Camels are cared for in the background, travelers share the shade, water trough and timber chest show practical infrastructure. Show cross-community trade and institutional trust without implying equality of all legal statuses. Kuromi stands watching near the brick arch; Jani reclines on a low travel rug facing viewer with paws visible. Off-center medium-wide courtyard scene, warm quiet daylight, no ornate fantasy palace.", "prompt": "Use case: historical-scene. Wide 1536x1024 opaque full-color hand-drawn narrative educational illustration, fine warm contours, coherent illustrated human figures, natural daylight and thoughtful period colors. One scene, no panels, text, labels, dates, watermark or modern flags. Historically grounded everyday materials and architecture; no Hollywood/game/fantasy clichés, no cinematic lighting or generic battle. Input 1 is female Jani identity reference, input 2 is Kuromi identity reference ONLY: do not copy reference props or background. Both are visibly present as curious observers and never replace historical people. Kuromi canonical black two-point jester hood, pink skull and collar, white small body; no obligatory magnifier/book. Jani is a female fluffy cream-white ragdoll cat, blue eyes, pink nose, large fluffy dark-brown tail; natural four-leg feline anatomy and paws, no human hands, bowtie or clothing. Jani's face MUST be asymmetric: VIEWER LEFT large DARK-BROWN eye patch; VIEWER RIGHT SMALLER LIGHTER patch, irregular white central blaze. Keep face clearly visible so patches can be inspected. Characters integrated in same drawing medium as setting, occupy about a quarter of image together. An Iranian caravanserai on a commercial route circa 1550, a modest brick arched courtyard rather than a copied modern monument. A Persian-speaking Muslim merchant, an Armenian Christian silk trader and a local legal mediator in sixteenth-century clothing settle a delivery dispute beside packed silk bales. The mediator compares two sealed folded documents with marks not legible as text; witnesses gesture calmly. Camels are cared for in the background, travelers share the shade, water trough and timber chest show practical infrastructure. Show cross-community trade and institutional trust without implying equality of all legal statuses. Kuromi stands watching near the brick arch; Jani reclines on a low travel rug facing viewer with paws visible. Off-center medium-wide courtyard scene, warm quiet daylight, no ornate fantasy palace.\n\nCanonical Kuromi correction after visual review:\nPrecise character correction ONLY. Image 1 is the finished historical scene to preserve; image 2 is the canonical Kuromi identity reference. Edit only the EXISTING Kuromi in image 1, keeping her position, size, pose, objects held, and the same emotional expression appropriate to this scene. Replace her collar with solid DARK CHARCOAL fabric and ONLY FOUR TINY PINK BALLS at its tips. Remove ALL broad pink trim or pink collar fabric. Correct both eyes to solid black vertical teardrop/oval shapes with TWO SHORT CURVED OUTER EYELASHES on each eye, exactly matching image 2. Keep black two-point hood, pink skull and white body. Blend changes into the existing hand-drawn medium. Keep Jani the female ragdoll cat completely unchanged including asymmetric brown face patches, blue eyes, anatomy and tail. Preserve all historical people, architecture, period objects, lighting, framing and colors exactly. No new objects, no text, no other changes. Do not mirror the picture.", "sourceBasis": [ { "book": "v2", "pdfPages": [ 123, 133 ], "chapter": "4.1 A Connected Islamic World" }, { "book": "v2", "pdfPages": [ 128, 133 ], "chapter": "4.1 A Connected Islamic World: scientific practices and perspectives on trade" } ], "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [], "canonicalKuromi": true }, "initialPrompt": "Use case: historical-scene. Wide 1536x1024 opaque full-color hand-drawn narrative educational illustration, fine warm contours, coherent illustrated human figures, natural daylight and thoughtful period colors. One scene, no panels, text, labels, dates, watermark or modern flags. Historically grounded everyday materials and architecture; no Hollywood/game/fantasy clichés, no cinematic lighting or generic battle. Input 1 is female Jani identity reference, input 2 is Kuromi identity reference ONLY: do not copy reference props or background. Both are visibly present as curious observers and never replace historical people. Kuromi canonical black two-point jester hood, pink skull and collar, white small body; no obligatory magnifier/book. Jani is a female fluffy cream-white ragdoll cat, blue eyes, pink nose, large fluffy dark-brown tail; natural four-leg feline anatomy and paws, no human hands, bowtie or clothing. Jani's face MUST be asymmetric: VIEWER LEFT large DARK-BROWN eye patch; VIEWER RIGHT SMALLER LIGHTER patch, irregular white central blaze. Keep face clearly visible so patches can be inspected. Characters integrated in same drawing medium as setting, occupy about a quarter of image together. An Iranian caravanserai on a commercial route circa 1550, a modest brick arched courtyard rather than a copied modern monument. A Persian-speaking Muslim merchant, an Armenian Christian silk trader and a local legal mediator in sixteenth-century clothing settle a delivery dispute beside packed silk bales. The mediator compares two sealed folded documents with marks not legible as text; witnesses gesture calmly. Camels are cared for in the background, travelers share the shade, water trough and timber chest show practical infrastructure. Show cross-community trade and institutional trust without implying equality of all legal statuses. Kuromi stands watching near the brick arch; Jani reclines on a low travel rug facing viewer with paws visible. Off-center medium-wide courtyard scene, warm quiet daylight, no ornate fantasy palace.", "generationHistory": [ { "kind": "initial-generation", "prompt": "Use case: historical-scene. Wide 1536x1024 opaque full-color hand-drawn narrative educational illustration, fine warm contours, coherent illustrated human figures, natural daylight and thoughtful period colors. One scene, no panels, text, labels, dates, watermark or modern flags. Historically grounded everyday materials and architecture; no Hollywood/game/fantasy clichés, no cinematic lighting or generic battle. Input 1 is female Jani identity reference, input 2 is Kuromi identity reference ONLY: do not copy reference props or background. Both are visibly present as curious observers and never replace historical people. Kuromi canonical black two-point jester hood, pink skull and collar, white small body; no obligatory magnifier/book. Jani is a female fluffy cream-white ragdoll cat, blue eyes, pink nose, large fluffy dark-brown tail; natural four-leg feline anatomy and paws, no human hands, bowtie or clothing. Jani's face MUST be asymmetric: VIEWER LEFT large DARK-BROWN eye patch; VIEWER RIGHT SMALLER LIGHTER patch, irregular white central blaze. Keep face clearly visible so patches can be inspected. Characters integrated in same drawing medium as setting, occupy about a quarter of image together. An Iranian caravanserai on a commercial route circa 1550, a modest brick arched courtyard rather than a copied modern monument. A Persian-speaking Muslim merchant, an Armenian Christian silk trader and a local legal mediator in sixteenth-century clothing settle a delivery dispute beside packed silk bales. The mediator compares two sealed folded documents with marks not legible as text; witnesses gesture calmly. Camels are cared for in the background, travelers share the shade, water trough and timber chest show practical infrastructure. Show cross-community trade and institutional trust without implying equality of all legal statuses. Kuromi stands watching near the brick arch; Jani reclines on a low travel rug facing viewer with paws visible. Off-center medium-wide courtyard scene, warm quiet daylight, no ornate fantasy palace." }, { "kind": "canonical-kuromi-correction", "prompt": "Precise character correction ONLY. Image 1 is the finished historical scene to preserve; image 2 is the canonical Kuromi identity reference. Edit only the EXISTING Kuromi in image 1, keeping her position, size, pose, objects held, and the same emotional expression appropriate to this scene. Replace her collar with solid DARK CHARCOAL fabric and ONLY FOUR TINY PINK BALLS at its tips. Remove ALL broad pink trim or pink collar fabric. Correct both eyes to solid black vertical teardrop/oval shapes with TWO SHORT CURVED OUTER EYELASHES on each eye, exactly matching image 2. Keep black two-point hood, pink skull and white body. Blend changes into the existing hand-drawn medium. Keep Jani the female ragdoll cat completely unchanged including asymmetric brown face patches, blue eyes, anatomy and tail. Preserve all historical people, architecture, period objects, lighting, framing and colors exactly. No new objects, no text, no other changes. Do not mirror the picture." } ], "src": "assets/lesson-scenes/w20-01.webp", "sha256": "3f40ae1989e003c8ee2c4ed724687852211b2eb1e444bc4d92c67f3ffaf050e5", "bytes": 443596, "thumbnailSrc": "assets/lesson-scenes/w20-01-preview.webp", "thumbnailSha256": "0e2b733fa0aa87c7fbfdb9c133f1f58cde12b9f3565f0004085c80a1960a4978", "thumbnailBytes": 145214 }, { "unitId": "w20-02", "title": "Alapítványi népkonyha a 16. századi Isztambulban", "alt": "Kuromi tálat visz, Jani kenyérkosár mellett ül, miközben egy oszmán népkonyha szakácsa levest oszt.", "caption": "Isztambul, 1560 körül: az alapítványi konyhák a városi ellátás részei voltak. Az udvari nők támogatása közszolgáltatást és politikai tekintélyt is teremtett.", "period": "1560 körül", "setting": "Oszmán alapítványi imaret konyhája", "historicalDetails": [ "réz főzőüst és merőkanál", "alapítványi gabonaszállítmány", "oszmán kaftánok és turbánok", "kupolás kőkonyha és kerámiatálak" ], "placement": { "area": "base", "sectionIndex": 2 }, "scene": "Istanbul circa 1560, an Ottoman charitable imaret soup kitchen supported by an elite woman's charitable foundation. In a modest domed stone kitchen opening onto a courtyard, cooks ladle soup from a broad copper cauldron into simple ceramic bowls for a patient queue of townspeople of different ages. An administrator checks the delivered sacks of grain and flat round loaves, showing the endowed institution's resources, not the sultan at war. Humans wear plausible sixteenth-century kaftans, turbans, plain headcloths and long garments, no modern fez or later military uniform. Kuromi carries one empty bowl carefully toward a serving shelf, while female Jani sits beside the bread basket in foreground with visible asymmetric face. Serious kind concentration, no cheering crowd, soft window and courtyard daylight, medium-wide diagonal kitchen view.", "prompt": "Use case: historical-scene. Wide 1536x1024 opaque full-color hand-drawn narrative educational illustration, fine warm contours, coherent illustrated human figures, natural daylight and thoughtful period colors. One scene, no panels, text, labels, dates, watermark or modern flags. Historically grounded everyday materials and architecture; no Hollywood/game/fantasy clichés, no cinematic lighting or generic battle. Input 1 is female Jani identity reference, input 2 is Kuromi identity reference ONLY: do not copy reference props or background. Both are visibly present as curious observers and never replace historical people. Kuromi canonical black two-point jester hood, pink skull and collar, white small body; no obligatory magnifier/book. Jani is a female fluffy cream-white ragdoll cat, blue eyes, pink nose, large fluffy dark-brown tail; natural four-leg feline anatomy and paws, no human hands, bowtie or clothing. Jani's face MUST be asymmetric: VIEWER LEFT large DARK-BROWN eye patch; VIEWER RIGHT SMALLER LIGHTER patch, irregular white central blaze. Keep face clearly visible so patches can be inspected. Characters integrated in same drawing medium as setting, occupy about a quarter of image together. Istanbul circa 1560, an Ottoman charitable imaret soup kitchen supported by an elite woman's charitable foundation. In a modest domed stone kitchen opening onto a courtyard, cooks ladle soup from a broad copper cauldron into simple ceramic bowls for a patient queue of townspeople of different ages. An administrator checks the delivered sacks of grain and flat round loaves, showing the endowed institution's resources, not the sultan at war. Humans wear plausible sixteenth-century kaftans, turbans, plain headcloths and long garments, no modern fez or later military uniform. Kuromi carries one empty bowl carefully toward a serving shelf, while female Jani sits beside the bread basket in foreground with visible asymmetric face. Serious kind concentration, no cheering crowd, soft window and courtyard daylight, medium-wide diagonal kitchen view.\n\nCanonical Kuromi correction after visual review:\nPrecise character correction ONLY. Image 1 is the finished historical scene to preserve; image 2 is the canonical Kuromi identity reference. Edit only the EXISTING Kuromi in image 1, keeping her position, size, pose, objects held, and the same emotional expression appropriate to this scene. Replace her collar with solid DARK CHARCOAL fabric and ONLY FOUR TINY PINK BALLS at its tips. Remove ALL broad pink trim or pink collar fabric. Correct both eyes to solid black vertical teardrop/oval shapes with TWO SHORT CURVED OUTER EYELASHES on each eye, exactly matching image 2. Keep black two-point hood, pink skull and white body. Blend changes into the existing hand-drawn medium. Keep Jani the female ragdoll cat completely unchanged including asymmetric brown face patches, blue eyes, anatomy and tail. Preserve all historical people, architecture, period objects, lighting, framing and colors exactly. No new objects, no text, no other changes. Do not mirror the picture.", "sourceBasis": [ { "book": "v2", "pdfPages": [ 133, 146 ], "chapter": "4.2 The Ottoman Empire" }, { "book": "v2", "pdfPages": [ 137, 145 ], "chapter": "4.2 The Ottoman Empire: education, cuisine, patronage and institutions" } ], "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [], "canonicalKuromi": true }, "initialPrompt": "Use case: historical-scene. Wide 1536x1024 opaque full-color hand-drawn narrative educational illustration, fine warm contours, coherent illustrated human figures, natural daylight and thoughtful period colors. One scene, no panels, text, labels, dates, watermark or modern flags. Historically grounded everyday materials and architecture; no Hollywood/game/fantasy clichés, no cinematic lighting or generic battle. Input 1 is female Jani identity reference, input 2 is Kuromi identity reference ONLY: do not copy reference props or background. Both are visibly present as curious observers and never replace historical people. Kuromi canonical black two-point jester hood, pink skull and collar, white small body; no obligatory magnifier/book. Jani is a female fluffy cream-white ragdoll cat, blue eyes, pink nose, large fluffy dark-brown tail; natural four-leg feline anatomy and paws, no human hands, bowtie or clothing. Jani's face MUST be asymmetric: VIEWER LEFT large DARK-BROWN eye patch; VIEWER RIGHT SMALLER LIGHTER patch, irregular white central blaze. Keep face clearly visible so patches can be inspected. Characters integrated in same drawing medium as setting, occupy about a quarter of image together. Istanbul circa 1560, an Ottoman charitable imaret soup kitchen supported by an elite woman's charitable foundation. In a modest domed stone kitchen opening onto a courtyard, cooks ladle soup from a broad copper cauldron into simple ceramic bowls for a patient queue of townspeople of different ages. An administrator checks the delivered sacks of grain and flat round loaves, showing the endowed institution's resources, not the sultan at war. Humans wear plausible sixteenth-century kaftans, turbans, plain headcloths and long garments, no modern fez or later military uniform. Kuromi carries one empty bowl carefully toward a serving shelf, while female Jani sits beside the bread basket in foreground with visible asymmetric face. Serious kind concentration, no cheering crowd, soft window and courtyard daylight, medium-wide diagonal kitchen view.", "generationHistory": [ { "kind": "initial-generation", "prompt": "Use case: historical-scene. Wide 1536x1024 opaque full-color hand-drawn narrative educational illustration, fine warm contours, coherent illustrated human figures, natural daylight and thoughtful period colors. One scene, no panels, text, labels, dates, watermark or modern flags. Historically grounded everyday materials and architecture; no Hollywood/game/fantasy clichés, no cinematic lighting or generic battle. Input 1 is female Jani identity reference, input 2 is Kuromi identity reference ONLY: do not copy reference props or background. Both are visibly present as curious observers and never replace historical people. Kuromi canonical black two-point jester hood, pink skull and collar, white small body; no obligatory magnifier/book. Jani is a female fluffy cream-white ragdoll cat, blue eyes, pink nose, large fluffy dark-brown tail; natural four-leg feline anatomy and paws, no human hands, bowtie or clothing. Jani's face MUST be asymmetric: VIEWER LEFT large DARK-BROWN eye patch; VIEWER RIGHT SMALLER LIGHTER patch, irregular white central blaze. Keep face clearly visible so patches can be inspected. Characters integrated in same drawing medium as setting, occupy about a quarter of image together. Istanbul circa 1560, an Ottoman charitable imaret soup kitchen supported by an elite woman's charitable foundation. In a modest domed stone kitchen opening onto a courtyard, cooks ladle soup from a broad copper cauldron into simple ceramic bowls for a patient queue of townspeople of different ages. An administrator checks the delivered sacks of grain and flat round loaves, showing the endowed institution's resources, not the sultan at war. Humans wear plausible sixteenth-century kaftans, turbans, plain headcloths and long garments, no modern fez or later military uniform. Kuromi carries one empty bowl carefully toward a serving shelf, while female Jani sits beside the bread basket in foreground with visible asymmetric face. Serious kind concentration, no cheering crowd, soft window and courtyard daylight, medium-wide diagonal kitchen view." }, { "kind": "canonical-kuromi-correction", "prompt": "Precise character correction ONLY. Image 1 is the finished historical scene to preserve; image 2 is the canonical Kuromi identity reference. Edit only the EXISTING Kuromi in image 1, keeping her position, size, pose, objects held, and the same emotional expression appropriate to this scene. Replace her collar with solid DARK CHARCOAL fabric and ONLY FOUR TINY PINK BALLS at its tips. Remove ALL broad pink trim or pink collar fabric. Correct both eyes to solid black vertical teardrop/oval shapes with TWO SHORT CURVED OUTER EYELASHES on each eye, exactly matching image 2. Keep black two-point hood, pink skull and white body. Blend changes into the existing hand-drawn medium. Keep Jani the female ragdoll cat completely unchanged including asymmetric brown face patches, blue eyes, anatomy and tail. Preserve all historical people, architecture, period objects, lighting, framing and colors exactly. No new objects, no text, no other changes. Do not mirror the picture." } ], "src": "assets/lesson-scenes/w20-02.webp", "sha256": "81bd5a44d2709725848e558427670c0132c706e03d21a6094b1ecb705ac623e5", "bytes": 361172, "thumbnailSrc": "assets/lesson-scenes/w20-02-preview.webp", "thumbnailSha256": "2264a06d1dce3191a3aa54a2192dde5bdf233cfc275a247f65933c2d14f90873", "thumbnailBytes": 120056 }, { "unitId": "w20-03", "title": "A szafavida kézirat műhelye Iszfahánban", "alt": "Kuromi a festékőrlést, Jani az ablak mellől egy perzsa kézirat készítését figyeli.", "caption": "Iszfahán, 1620 körül: a kéziratművészet mestereket, tanoncokat, költséges anyagokat és pártfogókat kapcsolt össze. A szafavida kulturális virágzás gazdasági és udvari erőforrásokra épült.", "period": "1620 körül", "setting": "Szafavida kéziratkészítő műhely Iszfahánban", "historicalDetails": [ "ásványi pigmentek mozsaras őrlése", "aranyfüst és finom ecset", "kézzel simított papír és díszkötés", "perzsa kerti miniatúra" ], "placement": { "area": "advanced", "sectionIndex": 1 }, "scene": "Isfahan circa 1620, Safavid manuscript-making workshop in a low plastered room with a small courtyard window. A Persian master painter carefully applies a tiny brush to a nearly finished illuminated folio with a small historically Persian garden picture, no readable lettering. Beside him an apprentice grinds mineral pigment in shallow ceramic dishes, another craftsperson smooths paper; a patron's steward inspects finished bindings and a folded silk payment cloth. Show specialization, expensive materials and courtly patronage underpinning cultural production. Painted tile dado restrained, reed pens, pigment stones and gold leaf pieces, period long robes and wrapped headwear. Kuromi observes the pigment preparation at a safe distance, Jani sits under the window facing forward. Closer horizontal composition at craftsperson eye level, diffuse daylight, no palace throne and no fantasy motifs.", "prompt": "Use case: historical-scene. Wide 1536x1024 opaque full-color hand-drawn narrative educational illustration, fine warm contours, coherent illustrated human figures, natural daylight and thoughtful period colors. One scene, no panels, text, labels, dates, watermark or modern flags. Historically grounded everyday materials and architecture; no Hollywood/game/fantasy clichés, no cinematic lighting or generic battle. Input 1 is female Jani identity reference, input 2 is Kuromi identity reference ONLY: do not copy reference props or background. Both are visibly present as curious observers and never replace historical people. Kuromi canonical black two-point jester hood, pink skull and collar, white small body; no obligatory magnifier/book. Jani is a female fluffy cream-white ragdoll cat, blue eyes, pink nose, large fluffy dark-brown tail; natural four-leg feline anatomy and paws, no human hands, bowtie or clothing. Jani's face MUST be asymmetric: VIEWER LEFT large DARK-BROWN eye patch; VIEWER RIGHT SMALLER LIGHTER patch, irregular white central blaze. Keep face clearly visible so patches can be inspected. Characters integrated in same drawing medium as setting, occupy about a quarter of image together. Isfahan circa 1620, Safavid manuscript-making workshop in a low plastered room with a small courtyard window. A Persian master painter carefully applies a tiny brush to a nearly finished illuminated folio with a small historically Persian garden picture, no readable lettering. Beside him an apprentice grinds mineral pigment in shallow ceramic dishes, another craftsperson smooths paper; a patron's steward inspects finished bindings and a folded silk payment cloth. Show specialization, expensive materials and courtly patronage underpinning cultural production. Painted tile dado restrained, reed pens, pigment stones and gold leaf pieces, period long robes and wrapped headwear. Kuromi observes the pigment preparation at a safe distance, Jani sits under the window facing forward. Closer horizontal composition at craftsperson eye level, diffuse daylight, no palace throne and no fantasy motifs.\n\nCanonical Kuromi correction after visual review:\nPrecise character correction ONLY. Image 1 is the finished historical scene to preserve; image 2 is the canonical Kuromi identity reference. Edit only the EXISTING Kuromi in image 1, keeping her position, size, pose, objects held, and the same emotional expression appropriate to this scene. Replace her collar with solid DARK CHARCOAL fabric and ONLY FOUR TINY PINK BALLS at its tips. Remove ALL broad pink trim or pink collar fabric. Correct both eyes to solid black vertical teardrop/oval shapes with TWO SHORT CURVED OUTER EYELASHES on each eye, exactly matching image 2. Keep black two-point hood, pink skull and white body. Blend changes into the existing hand-drawn medium. Keep Jani the female ragdoll cat completely unchanged including asymmetric brown face patches, blue eyes, anatomy and tail. Preserve all historical people, architecture, period objects, lighting, framing and colors exactly. No new objects, no text, no other changes. Do not mirror the picture.", "sourceBasis": [ { "book": "v2", "pdfPages": [ 148, 159 ], "chapter": "4.3 The Safavid Empire" }, { "book": "v2", "pdfPages": [ 155, 159 ], "chapter": "4.3 The Safavid Empire: religious institutions, workshops and manuscript art" } ], "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [], "canonicalKuromi": true }, "initialPrompt": "Use case: historical-scene. Wide 1536x1024 opaque full-color hand-drawn narrative educational illustration, fine warm contours, coherent illustrated human figures, natural daylight and thoughtful period colors. One scene, no panels, text, labels, dates, watermark or modern flags. Historically grounded everyday materials and architecture; no Hollywood/game/fantasy clichés, no cinematic lighting or generic battle. Input 1 is female Jani identity reference, input 2 is Kuromi identity reference ONLY: do not copy reference props or background. Both are visibly present as curious observers and never replace historical people. Kuromi canonical black two-point jester hood, pink skull and collar, white small body; no obligatory magnifier/book. Jani is a female fluffy cream-white ragdoll cat, blue eyes, pink nose, large fluffy dark-brown tail; natural four-leg feline anatomy and paws, no human hands, bowtie or clothing. Jani's face MUST be asymmetric: VIEWER LEFT large DARK-BROWN eye patch; VIEWER RIGHT SMALLER LIGHTER patch, irregular white central blaze. Keep face clearly visible so patches can be inspected. Characters integrated in same drawing medium as setting, occupy about a quarter of image together. Isfahan circa 1620, Safavid manuscript-making workshop in a low plastered room with a small courtyard window. A Persian master painter carefully applies a tiny brush to a nearly finished illuminated folio with a small historically Persian garden picture, no readable lettering. Beside him an apprentice grinds mineral pigment in shallow ceramic dishes, another craftsperson smooths paper; a patron's steward inspects finished bindings and a folded silk payment cloth. Show specialization, expensive materials and courtly patronage underpinning cultural production. Painted tile dado restrained, reed pens, pigment stones and gold leaf pieces, period long robes and wrapped headwear. Kuromi observes the pigment preparation at a safe distance, Jani sits under the window facing forward. Closer horizontal composition at craftsperson eye level, diffuse daylight, no palace throne and no fantasy motifs.", "generationHistory": [ { "kind": "initial-generation", "prompt": "Use case: historical-scene. Wide 1536x1024 opaque full-color hand-drawn narrative educational illustration, fine warm contours, coherent illustrated human figures, natural daylight and thoughtful period colors. One scene, no panels, text, labels, dates, watermark or modern flags. Historically grounded everyday materials and architecture; no Hollywood/game/fantasy clichés, no cinematic lighting or generic battle. Input 1 is female Jani identity reference, input 2 is Kuromi identity reference ONLY: do not copy reference props or background. Both are visibly present as curious observers and never replace historical people. Kuromi canonical black two-point jester hood, pink skull and collar, white small body; no obligatory magnifier/book. Jani is a female fluffy cream-white ragdoll cat, blue eyes, pink nose, large fluffy dark-brown tail; natural four-leg feline anatomy and paws, no human hands, bowtie or clothing. Jani's face MUST be asymmetric: VIEWER LEFT large DARK-BROWN eye patch; VIEWER RIGHT SMALLER LIGHTER patch, irregular white central blaze. Keep face clearly visible so patches can be inspected. Characters integrated in same drawing medium as setting, occupy about a quarter of image together. Isfahan circa 1620, Safavid manuscript-making workshop in a low plastered room with a small courtyard window. A Persian master painter carefully applies a tiny brush to a nearly finished illuminated folio with a small historically Persian garden picture, no readable lettering. Beside him an apprentice grinds mineral pigment in shallow ceramic dishes, another craftsperson smooths paper; a patron's steward inspects finished bindings and a folded silk payment cloth. Show specialization, expensive materials and courtly patronage underpinning cultural production. Painted tile dado restrained, reed pens, pigment stones and gold leaf pieces, period long robes and wrapped headwear. Kuromi observes the pigment preparation at a safe distance, Jani sits under the window facing forward. Closer horizontal composition at craftsperson eye level, diffuse daylight, no palace throne and no fantasy motifs." }, { "kind": "canonical-kuromi-correction", "prompt": "Precise character correction ONLY. Image 1 is the finished historical scene to preserve; image 2 is the canonical Kuromi identity reference. Edit only the EXISTING Kuromi in image 1, keeping her position, size, pose, objects held, and the same emotional expression appropriate to this scene. Replace her collar with solid DARK CHARCOAL fabric and ONLY FOUR TINY PINK BALLS at its tips. Remove ALL broad pink trim or pink collar fabric. Correct both eyes to solid black vertical teardrop/oval shapes with TWO SHORT CURVED OUTER EYELASHES on each eye, exactly matching image 2. Keep black two-point hood, pink skull and white body. Blend changes into the existing hand-drawn medium. Keep Jani the female ragdoll cat completely unchanged including asymmetric brown face patches, blue eyes, anatomy and tail. Preserve all historical people, architecture, period objects, lighting, framing and colors exactly. No new objects, no text, no other changes. Do not mirror the picture." } ], "src": "assets/lesson-scenes/w20-03.webp", "sha256": "ccba17a1b697bfd5c812dcbd94a7f95fd55296a4449b70ee413705b3127afd91", "bytes": 432980, "thumbnailSrc": "assets/lesson-scenes/w20-03-preview.webp", "thumbnailSha256": "998ee493477f488263c75b248d957c9f8c836742e8c40e51469be394474b01b4", "thumbnailBytes": 143704 }, { "unitId": "w21-01a", "title": "A reformáció vitairata a nyomdától a hallgatókig", "alt": "Wittenbergi nyomdászok betűt szednek és nyomtatnak, az ajtónál felolvasó szól hallgatóihoz Kuromi és Jani közelében.", "caption": "Wittenberg, 1522 körül: a mozgatható betűs nyomda üzleti és kézműves munkája szélesebb közönséghez juttatta a vallási vitákat. A felolvasás az olvasni nem tudókat is elérhette.", "period": "1522 körül", "setting": "Wittenbergi könyvnyomtató műhely", "historicalDetails": [ "fából készült csavaros prés", "fém nyomdabetű és szedőszekrény", "bőr festékező labdacsok", "száradó röplapok és utcai felolvasás" ], "placement": { "area": "base", "sectionIndex": 1 }, "scene": "Wittenberg printing workshop circa 1522. A printer operates a heavy wooden screw press while an assistant inks metal type with two leather ink balls and a compositor arranges individual metal letters in a composing stick. At the open doorway a modestly dressed reader in an early sixteenth-century doublet reads a fresh pamphlet aloud to a woman and artisan, connecting workshop business to wider religious debate. Keep all page marks indistinct, no readable words or nailed church-door myth. Rough timber ceiling, lead type case, drying sheets and stacks of small pamphlets. Kuromi studies a type tray from a low stool without touching it; female Jani sits on the clean floor nearby, front face clearly visible. Warm window daylight and matte paper, active side-on composition, entirely drawn.", "prompt": "Use case: historical-scene. Wide 1536x1024 opaque full-color hand-drawn narrative educational illustration, fine warm contours, coherent illustrated human figures, natural daylight and thoughtful period colors. One scene, no panels, text, labels, dates, watermark or modern flags. Historically grounded everyday materials and architecture; no Hollywood/game/fantasy clichés, no cinematic lighting or generic battle. Input 1 is female Jani identity reference, input 2 is Kuromi identity reference ONLY: do not copy reference props or background. Both are visibly present as curious observers and never replace historical people. Kuromi canonical black two-point jester hood, pink skull and collar, white small body; no obligatory magnifier/book. Jani is a female fluffy cream-white ragdoll cat, blue eyes, pink nose, large fluffy dark-brown tail; natural four-leg feline anatomy and paws, no human hands, bowtie or clothing. Jani's face MUST be asymmetric: VIEWER LEFT large DARK-BROWN eye patch; VIEWER RIGHT SMALLER LIGHTER patch, irregular white central blaze. Keep face clearly visible so patches can be inspected. Characters integrated in same drawing medium as setting, occupy about a quarter of image together. Wittenberg printing workshop circa 1522. A printer operates a heavy wooden screw press while an assistant inks metal type with two leather ink balls and a compositor arranges individual metal letters in a composing stick. At the open doorway a modestly dressed reader in an early sixteenth-century doublet reads a fresh pamphlet aloud to a woman and artisan, connecting workshop business to wider religious debate. Keep all page marks indistinct, no readable words or nailed church-door myth. Rough timber ceiling, lead type case, drying sheets and stacks of small pamphlets. Kuromi studies a type tray from a low stool without touching it; female Jani sits on the clean floor nearby, front face clearly visible. Warm window daylight and matte paper, active side-on composition, entirely drawn.\n\nCanonical Kuromi correction after visual review:\nEdit ONLY Kuromi's eyes in this finished illustration. Preserve everything else exactly, including her already correct dark charcoal collar with tiny pink tip balls, her expression, pose, all people, Jani, print shop and framing. Remove every white glint or highlight and any brown inner eye shading. Each eye must be a single SOLID FLAT BLACK vertical teardrop/oval silhouette, with TWO SHORT CURVED OUTER EYELASHES, as in reference image 2. No separate iris, pupil, shine, star or white dots. Do not change any other pixels or objects.", "sourceBasis": [ { "book": "v2", "pdfPages": [ 167, 170 ], "chapter": "5.1 The Protestant Reformation" }, { "book": "v2", "pdfPages": [ 168, 170 ], "chapter": "5.1 The Protestant Reformation" }, { "book": "oh", "pdfPages": [ 89, 89 ], "chapter": "3.2 A reformáció és a katolikus megújulás" } ], "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [], "canonicalKuromi": true }, "initialPrompt": "Use case: historical-scene. Wide 1536x1024 opaque full-color hand-drawn narrative educational illustration, fine warm contours, coherent illustrated human figures, natural daylight and thoughtful period colors. One scene, no panels, text, labels, dates, watermark or modern flags. Historically grounded everyday materials and architecture; no Hollywood/game/fantasy clichés, no cinematic lighting or generic battle. Input 1 is female Jani identity reference, input 2 is Kuromi identity reference ONLY: do not copy reference props or background. Both are visibly present as curious observers and never replace historical people. Kuromi canonical black two-point jester hood, pink skull and collar, white small body; no obligatory magnifier/book. Jani is a female fluffy cream-white ragdoll cat, blue eyes, pink nose, large fluffy dark-brown tail; natural four-leg feline anatomy and paws, no human hands, bowtie or clothing. Jani's face MUST be asymmetric: VIEWER LEFT large DARK-BROWN eye patch; VIEWER RIGHT SMALLER LIGHTER patch, irregular white central blaze. Keep face clearly visible so patches can be inspected. Characters integrated in same drawing medium as setting, occupy about a quarter of image together. Wittenberg printing workshop circa 1522. A printer operates a heavy wooden screw press while an assistant inks metal type with two leather ink balls and a compositor arranges individual metal letters in a composing stick. At the open doorway a modestly dressed reader in an early sixteenth-century doublet reads a fresh pamphlet aloud to a woman and artisan, connecting workshop business to wider religious debate. Keep all page marks indistinct, no readable words or nailed church-door myth. Rough timber ceiling, lead type case, drying sheets and stacks of small pamphlets. Kuromi studies a type tray from a low stool without touching it; female Jani sits on the clean floor nearby, front face clearly visible. Warm window daylight and matte paper, active side-on composition, entirely drawn.", "generationHistory": [ { "kind": "initial-generation", "prompt": "Use case: historical-scene. Wide 1536x1024 opaque full-color hand-drawn narrative educational illustration, fine warm contours, coherent illustrated human figures, natural daylight and thoughtful period colors. One scene, no panels, text, labels, dates, watermark or modern flags. Historically grounded everyday materials and architecture; no Hollywood/game/fantasy clichés, no cinematic lighting or generic battle. Input 1 is female Jani identity reference, input 2 is Kuromi identity reference ONLY: do not copy reference props or background. Both are visibly present as curious observers and never replace historical people. Kuromi canonical black two-point jester hood, pink skull and collar, white small body; no obligatory magnifier/book. Jani is a female fluffy cream-white ragdoll cat, blue eyes, pink nose, large fluffy dark-brown tail; natural four-leg feline anatomy and paws, no human hands, bowtie or clothing. Jani's face MUST be asymmetric: VIEWER LEFT large DARK-BROWN eye patch; VIEWER RIGHT SMALLER LIGHTER patch, irregular white central blaze. Keep face clearly visible so patches can be inspected. Characters integrated in same drawing medium as setting, occupy about a quarter of image together. Wittenberg printing workshop circa 1522. A printer operates a heavy wooden screw press while an assistant inks metal type with two leather ink balls and a compositor arranges individual metal letters in a composing stick. At the open doorway a modestly dressed reader in an early sixteenth-century doublet reads a fresh pamphlet aloud to a woman and artisan, connecting workshop business to wider religious debate. Keep all page marks indistinct, no readable words or nailed church-door myth. Rough timber ceiling, lead type case, drying sheets and stacks of small pamphlets. Kuromi studies a type tray from a low stool without touching it; female Jani sits on the clean floor nearby, front face clearly visible. Warm window daylight and matte paper, active side-on composition, entirely drawn." }, { "kind": "canonical-kuromi-correction", "prompt": "Precise character correction ONLY. Image 1 is the finished historical scene to preserve; image 2 is the canonical Kuromi identity reference. Edit only the EXISTING Kuromi in image 1, keeping her position, size, pose, objects held, and the same emotional expression appropriate to this scene. Replace her collar with solid DARK CHARCOAL fabric and ONLY FOUR TINY PINK BALLS at its tips. Remove ALL broad pink trim or pink collar fabric. Correct both eyes to solid black vertical teardrop/oval shapes with TWO SHORT CURVED OUTER EYELASHES on each eye, exactly matching image 2. Keep black two-point hood, pink skull and white body. Blend changes into the existing hand-drawn medium. Keep Jani the female ragdoll cat completely unchanged including asymmetric brown face patches, blue eyes, anatomy and tail. Preserve all historical people, architecture, period objects, lighting, framing and colors exactly. No new objects, no text, no other changes. Do not mirror the picture." }, { "kind": "canonical-kuromi-correction", "prompt": "Edit ONLY Kuromi's eyes in this finished illustration. Preserve everything else exactly, including her already correct dark charcoal collar with tiny pink tip balls, her expression, pose, all people, Jani, print shop and framing. Remove every white glint or highlight and any brown inner eye shading. Each eye must be a single SOLID FLAT BLACK vertical teardrop/oval silhouette, with TWO SHORT CURVED OUTER EYELASHES, as in reference image 2. No separate iris, pupil, shine, star or white dots. Do not change any other pixels or objects." } ], "src": "assets/lesson-scenes/w21-01a.webp", "sha256": "8f55be3175496dcda20cfe6f5ed5ca34c2d0862652ae6101679726eb29795ae8", "bytes": 344948, "thumbnailSrc": "assets/lesson-scenes/w21-01a-preview.webp", "thumbnailSha256": "9a5f81e314a7029957e727bb34163d43a81223bf37f441b0344af1eac68c135c", "thumbnailBytes": 119110 }, { "unitId": "w21-01b", "title": "Lányok oktatása a katolikus megújulás idején", "alt": "Egy orsolyita tanító olvasó lányt segít, társa írni gyakorol, Kuromi és Jani a pad mellett figyel.", "caption": "Észak-Itália, 1580 körül: az orsolyita közösségek a lányok tanításában kaptak szerepet. Az oktatás a katolikus megújulás intézményi és felekezeti programját is szolgálta.", "period": "1580 körül", "setting": "Észak-itáliai orsolyita leányiskola", "historicalDetails": [ "kézi toll és tintatartó", "korabeli kis olvasókönyv", "fa iskolapad és ólomüveges ablak", "16. századi len és gyapjú ruházat" ], "placement": { "area": "base", "sectionIndex": 2 }, "scene": "Northern Italy circa 1580, a small Ursuline girls' classroom during Catholic renewal after the Council of Trent. A female religious teacher in simple dark sixteenth-century dress with white head covering guides a young girl sounding out a small primer, while a second pupil practices letters with a quill on paper and other girls wait at a wooden bench. Teacher points between a small book and the pupil's work, showing organized education and confessional formation. Page marks are tiny indistinct shapes, no readable text. Plain plaster wall, modest devotional crucifix, horn inkpot, wooden benches, period wool and linen garments, no later blackboard, modern school desks or twentieth-century nun habit. Kuromi sits on a low bench beside pupils watching attentively; Jani sits naturally at its foot facing viewer. Intimate horizontal view from doorway, gentle daylight.", "prompt": "Use case: historical-scene. Wide 1536x1024 opaque full-color hand-drawn narrative educational illustration, fine warm contours, coherent illustrated human figures, natural daylight and thoughtful period colors. One scene, no panels, text, labels, dates, watermark or modern flags. Historically grounded everyday materials and architecture; no Hollywood/game/fantasy clichés, no cinematic lighting or generic battle. Input 1 is female Jani identity reference, input 2 is Kuromi identity reference ONLY: do not copy reference props or background. Both are visibly present as curious observers and never replace historical people. Kuromi canonical black two-point jester hood, pink skull and collar, white small body; no obligatory magnifier/book. Jani is a female fluffy cream-white ragdoll cat, blue eyes, pink nose, large fluffy dark-brown tail; natural four-leg feline anatomy and paws, no human hands, bowtie or clothing. Jani's face MUST be asymmetric: VIEWER LEFT large DARK-BROWN eye patch; VIEWER RIGHT SMALLER LIGHTER patch, irregular white central blaze. Keep face clearly visible so patches can be inspected. Characters integrated in same drawing medium as setting, occupy about a quarter of image together. Northern Italy circa 1580, a small Ursuline girls' classroom during Catholic renewal after the Council of Trent. A female religious teacher in simple dark sixteenth-century dress with white head covering guides a young girl sounding out a small primer, while a second pupil practices letters with a quill on paper and other girls wait at a wooden bench. Teacher points between a small book and the pupil's work, showing organized education and confessional formation. Page marks are tiny indistinct shapes, no readable text. Plain plaster wall, modest devotional crucifix, horn inkpot, wooden benches, period wool and linen garments, no later blackboard, modern school desks or twentieth-century nun habit. Kuromi sits on a low bench beside pupils watching attentively; Jani sits naturally at its foot facing viewer. Intimate horizontal view from doorway, gentle daylight.\n\nCanonical Kuromi correction after visual review:\nPrecise character correction ONLY. Image 1 is the finished historical scene to preserve; image 2 is the canonical Kuromi identity reference. Edit only the EXISTING Kuromi in image 1, keeping her position, size, pose, objects held, and the same emotional expression appropriate to this scene. Replace her collar with solid DARK CHARCOAL fabric and ONLY FOUR TINY PINK BALLS at its tips. Remove ALL broad pink trim or pink collar fabric. Correct both eyes to solid black vertical teardrop/oval shapes with TWO SHORT CURVED OUTER EYELASHES on each eye, exactly matching image 2. Eyes must be SOLID FLAT BLACK silhouettes with NO white glints, highlights, inner irises, pupils or brown shading. Keep black two-point hood, pink skull and white body. Blend changes into the existing hand-drawn medium. Keep Jani the female ragdoll cat completely unchanged including asymmetric brown face patches, blue eyes, anatomy and tail. Preserve all historical people, architecture, period objects, lighting, framing and colors exactly. No new objects, no text, no other changes. Do not mirror the picture.", "sourceBasis": [ { "book": "v2", "pdfPages": [ 170, 174 ], "chapter": "5.1 The Protestant Reformation" }, { "book": "obp", "pdfPages": [ 716, 720 ], "chapter": "6.1.1 Religions in Early Modern History (ca. 1500–1800)" } ], "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [], "canonicalKuromi": true }, "initialPrompt": "Use case: historical-scene. Wide 1536x1024 opaque full-color hand-drawn narrative educational illustration, fine warm contours, coherent illustrated human figures, natural daylight and thoughtful period colors. One scene, no panels, text, labels, dates, watermark or modern flags. Historically grounded everyday materials and architecture; no Hollywood/game/fantasy clichés, no cinematic lighting or generic battle. Input 1 is female Jani identity reference, input 2 is Kuromi identity reference ONLY: do not copy reference props or background. Both are visibly present as curious observers and never replace historical people. Kuromi canonical black two-point jester hood, pink skull and collar, white small body; no obligatory magnifier/book. Jani is a female fluffy cream-white ragdoll cat, blue eyes, pink nose, large fluffy dark-brown tail; natural four-leg feline anatomy and paws, no human hands, bowtie or clothing. Jani's face MUST be asymmetric: VIEWER LEFT large DARK-BROWN eye patch; VIEWER RIGHT SMALLER LIGHTER patch, irregular white central blaze. Keep face clearly visible so patches can be inspected. Characters integrated in same drawing medium as setting, occupy about a quarter of image together. Northern Italy circa 1580, a small Ursuline girls' classroom during Catholic renewal after the Council of Trent. A female religious teacher in simple dark sixteenth-century dress with white head covering guides a young girl sounding out a small primer, while a second pupil practices letters with a quill on paper and other girls wait at a wooden bench. Teacher points between a small book and the pupil's work, showing organized education and confessional formation. Page marks are tiny indistinct shapes, no readable text. Plain plaster wall, modest devotional crucifix, horn inkpot, wooden benches, period wool and linen garments, no later blackboard, modern school desks or twentieth-century nun habit. Kuromi sits on a low bench beside pupils watching attentively; Jani sits naturally at its foot facing viewer. Intimate horizontal view from doorway, gentle daylight.", "generationHistory": [ { "kind": "initial-generation", "prompt": "Use case: historical-scene. Wide 1536x1024 opaque full-color hand-drawn narrative educational illustration, fine warm contours, coherent illustrated human figures, natural daylight and thoughtful period colors. One scene, no panels, text, labels, dates, watermark or modern flags. Historically grounded everyday materials and architecture; no Hollywood/game/fantasy clichés, no cinematic lighting or generic battle. Input 1 is female Jani identity reference, input 2 is Kuromi identity reference ONLY: do not copy reference props or background. Both are visibly present as curious observers and never replace historical people. Kuromi canonical black two-point jester hood, pink skull and collar, white small body; no obligatory magnifier/book. Jani is a female fluffy cream-white ragdoll cat, blue eyes, pink nose, large fluffy dark-brown tail; natural four-leg feline anatomy and paws, no human hands, bowtie or clothing. Jani's face MUST be asymmetric: VIEWER LEFT large DARK-BROWN eye patch; VIEWER RIGHT SMALLER LIGHTER patch, irregular white central blaze. Keep face clearly visible so patches can be inspected. Characters integrated in same drawing medium as setting, occupy about a quarter of image together. Northern Italy circa 1580, a small Ursuline girls' classroom during Catholic renewal after the Council of Trent. A female religious teacher in simple dark sixteenth-century dress with white head covering guides a young girl sounding out a small primer, while a second pupil practices letters with a quill on paper and other girls wait at a wooden bench. Teacher points between a small book and the pupil's work, showing organized education and confessional formation. Page marks are tiny indistinct shapes, no readable text. Plain plaster wall, modest devotional crucifix, horn inkpot, wooden benches, period wool and linen garments, no later blackboard, modern school desks or twentieth-century nun habit. Kuromi sits on a low bench beside pupils watching attentively; Jani sits naturally at its foot facing viewer. Intimate horizontal view from doorway, gentle daylight." }, { "kind": "canonical-kuromi-correction", "prompt": "Precise character correction ONLY. Image 1 is the finished historical scene to preserve; image 2 is the canonical Kuromi identity reference. Edit only the EXISTING Kuromi in image 1, keeping her position, size, pose, objects held, and the same emotional expression appropriate to this scene. Replace her collar with solid DARK CHARCOAL fabric and ONLY FOUR TINY PINK BALLS at its tips. Remove ALL broad pink trim or pink collar fabric. Correct both eyes to solid black vertical teardrop/oval shapes with TWO SHORT CURVED OUTER EYELASHES on each eye, exactly matching image 2. Eyes must be SOLID FLAT BLACK silhouettes with NO white glints, highlights, inner irises, pupils or brown shading. Keep black two-point hood, pink skull and white body. Blend changes into the existing hand-drawn medium. Keep Jani the female ragdoll cat completely unchanged including asymmetric brown face patches, blue eyes, anatomy and tail. Preserve all historical people, architecture, period objects, lighting, framing and colors exactly. No new objects, no text, no other changes. Do not mirror the picture." } ], "src": "assets/lesson-scenes/w21-01b.webp", "sha256": "d2af56f901632dd99f0f395bb9bd37639256f9ccf9f89a03c0539d7175321c36", "bytes": 261720, "thumbnailSrc": "assets/lesson-scenes/w21-01b-preview.webp", "thumbnailSha256": "18115165f3d63fbeba0371f4b7b5e96c1d72ab6c1ffa7047f580fa90119956ff", "thumbnailBytes": 87936 }, { "unitId": "w21-01c", "title": "Hadiellátás egy német falu gabonájából", "alt": "Egy katona és írnok gabonát követel a falusi családtól, míg Kuromi és Jani komolyan figyeli a jelenetet.", "caption": "Német terület, 1635 körül: a hadseregek ellátását hadiadó és elszállásolás terhelte a lakosságra. A gabona elvonása csata nélkül is veszélyeztette a következő vetést és a családok megélhetését.", "period": "1635 körül", "setting": "Közép-német falusi gazdaság", "historicalDetails": [ "hadiellátmányt szállító faszekér", "gabona és vetőmag külön készlete", "17. századi bőrkabát és széles karimájú kalap", "favázas lakóház és csűr" ], "placement": { "area": "base", "sectionIndex": 2 }, "scene": "A central German village circa 1635 in the Thirty Years' War. At a farmhouse barn an army quartermaster in plain buff coat and broad hat calmly but firmly requires a grain sack from an exhausted farming household. A village clerk makes a tally on a small paper ledger, a nearly empty grain bin and a waiting wooden supply cart show how requisitioning drains civilian food. Family members preserve a small seed basket beside an unploughed strip in the background. No fighting, weapons brandished, gore or burning town. Period timber-framed farmhouse, wooden wheelbarrow, coarse linen and wool, simple seventeenth-century soldier clothing, no fantasy armor. Kuromi and Jani stand together beside a water pail at foreground right, sober sympathetic observers, female cat face forward. Grounded medium-wide rural scene, overcast daylight, respectful human dignity.", "prompt": "Use case: historical-scene. Wide 1536x1024 opaque full-color hand-drawn narrative educational illustration, fine warm contours, coherent illustrated human figures, natural daylight and thoughtful period colors. One scene, no panels, text, labels, dates, watermark or modern flags. Historically grounded everyday materials and architecture; no Hollywood/game/fantasy clichés, no cinematic lighting or generic battle. Input 1 is female Jani identity reference, input 2 is Kuromi identity reference ONLY: do not copy reference props or background. Both are visibly present as curious observers and never replace historical people. Kuromi canonical black two-point jester hood, pink skull and collar, white small body; no obligatory magnifier/book. Jani is a female fluffy cream-white ragdoll cat, blue eyes, pink nose, large fluffy dark-brown tail; natural four-leg feline anatomy and paws, no human hands, bowtie or clothing. Jani's face MUST be asymmetric: VIEWER LEFT large DARK-BROWN eye patch; VIEWER RIGHT SMALLER LIGHTER patch, irregular white central blaze. Keep face clearly visible so patches can be inspected. Characters integrated in same drawing medium as setting, occupy about a quarter of image together. A central German village circa 1635 in the Thirty Years' War. At a farmhouse barn an army quartermaster in plain buff coat and broad hat calmly but firmly requires a grain sack from an exhausted farming household. A village clerk makes a tally on a small paper ledger, a nearly empty grain bin and a waiting wooden supply cart show how requisitioning drains civilian food. Family members preserve a small seed basket beside an unploughed strip in the background. No fighting, weapons brandished, gore or burning town. Period timber-framed farmhouse, wooden wheelbarrow, coarse linen and wool, simple seventeenth-century soldier clothing, no fantasy armor. Kuromi and Jani stand together beside a water pail at foreground right, sober sympathetic observers, female cat face forward. Grounded medium-wide rural scene, overcast daylight, respectful human dignity.\n\nCanonical Kuromi correction after visual review:\nPrecise character correction ONLY. Image 1 is the finished historical scene to preserve; image 2 is the canonical Kuromi identity reference. Edit only the EXISTING Kuromi in image 1, keeping her position, size, pose, objects held, and the same emotional expression appropriate to this scene. Replace her collar with solid DARK CHARCOAL fabric and ONLY FOUR TINY PINK BALLS at its tips. Remove ALL broad pink trim or pink collar fabric. Correct both eyes to solid black vertical teardrop/oval shapes with TWO SHORT CURVED OUTER EYELASHES on each eye, exactly matching image 2. Eyes must be SOLID FLAT BLACK silhouettes with NO white glints, highlights, inner irises, pupils or brown shading. Keep black two-point hood, pink skull and white body. Blend changes into the existing hand-drawn medium. Keep Jani the female ragdoll cat completely unchanged including asymmetric brown face patches, blue eyes, anatomy and tail. Preserve all historical people, architecture, period objects, lighting, framing and colors exactly. No new objects, no text, no other changes. Do not mirror the picture.", "sourceBasis": [ { "book": "v2", "pdfPages": [ 174, 174 ], "chapter": "5.1 The Protestant Reformation" }, { "book": "obp", "pdfPages": [ 388, 389 ], "chapter": "3.4.1 Peace and Conflict in Early Modern History; Roberto Quirós Rosado és Devin Vartija" }, { "book": "obp", "pdfPages": [ 387, 390 ], "chapter": "3.4.1 Peace and Conflict in Early Modern History" } ], "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [], "canonicalKuromi": true }, "initialPrompt": "Use case: historical-scene. Wide 1536x1024 opaque full-color hand-drawn narrative educational illustration, fine warm contours, coherent illustrated human figures, natural daylight and thoughtful period colors. One scene, no panels, text, labels, dates, watermark or modern flags. Historically grounded everyday materials and architecture; no Hollywood/game/fantasy clichés, no cinematic lighting or generic battle. Input 1 is female Jani identity reference, input 2 is Kuromi identity reference ONLY: do not copy reference props or background. Both are visibly present as curious observers and never replace historical people. Kuromi canonical black two-point jester hood, pink skull and collar, white small body; no obligatory magnifier/book. Jani is a female fluffy cream-white ragdoll cat, blue eyes, pink nose, large fluffy dark-brown tail; natural four-leg feline anatomy and paws, no human hands, bowtie or clothing. Jani's face MUST be asymmetric: VIEWER LEFT large DARK-BROWN eye patch; VIEWER RIGHT SMALLER LIGHTER patch, irregular white central blaze. Keep face clearly visible so patches can be inspected. Characters integrated in same drawing medium as setting, occupy about a quarter of image together. A central German village circa 1635 in the Thirty Years' War. At a farmhouse barn an army quartermaster in plain buff coat and broad hat calmly but firmly requires a grain sack from an exhausted farming household. A village clerk makes a tally on a small paper ledger, a nearly empty grain bin and a waiting wooden supply cart show how requisitioning drains civilian food. Family members preserve a small seed basket beside an unploughed strip in the background. No fighting, weapons brandished, gore or burning town. Period timber-framed farmhouse, wooden wheelbarrow, coarse linen and wool, simple seventeenth-century soldier clothing, no fantasy armor. Kuromi and Jani stand together beside a water pail at foreground right, sober sympathetic observers, female cat face forward. Grounded medium-wide rural scene, overcast daylight, respectful human dignity.", "generationHistory": [ { "kind": "initial-generation", "prompt": "Use case: historical-scene. Wide 1536x1024 opaque full-color hand-drawn narrative educational illustration, fine warm contours, coherent illustrated human figures, natural daylight and thoughtful period colors. One scene, no panels, text, labels, dates, watermark or modern flags. Historically grounded everyday materials and architecture; no Hollywood/game/fantasy clichés, no cinematic lighting or generic battle. Input 1 is female Jani identity reference, input 2 is Kuromi identity reference ONLY: do not copy reference props or background. Both are visibly present as curious observers and never replace historical people. Kuromi canonical black two-point jester hood, pink skull and collar, white small body; no obligatory magnifier/book. Jani is a female fluffy cream-white ragdoll cat, blue eyes, pink nose, large fluffy dark-brown tail; natural four-leg feline anatomy and paws, no human hands, bowtie or clothing. Jani's face MUST be asymmetric: VIEWER LEFT large DARK-BROWN eye patch; VIEWER RIGHT SMALLER LIGHTER patch, irregular white central blaze. Keep face clearly visible so patches can be inspected. Characters integrated in same drawing medium as setting, occupy about a quarter of image together. A central German village circa 1635 in the Thirty Years' War. At a farmhouse barn an army quartermaster in plain buff coat and broad hat calmly but firmly requires a grain sack from an exhausted farming household. A village clerk makes a tally on a small paper ledger, a nearly empty grain bin and a waiting wooden supply cart show how requisitioning drains civilian food. Family members preserve a small seed basket beside an unploughed strip in the background. No fighting, weapons brandished, gore or burning town. Period timber-framed farmhouse, wooden wheelbarrow, coarse linen and wool, simple seventeenth-century soldier clothing, no fantasy armor. Kuromi and Jani stand together beside a water pail at foreground right, sober sympathetic observers, female cat face forward. Grounded medium-wide rural scene, overcast daylight, respectful human dignity." }, { "kind": "canonical-kuromi-correction", "prompt": "Precise character correction ONLY. Image 1 is the finished historical scene to preserve; image 2 is the canonical Kuromi identity reference. Edit only the EXISTING Kuromi in image 1, keeping her position, size, pose, objects held, and the same emotional expression appropriate to this scene. Replace her collar with solid DARK CHARCOAL fabric and ONLY FOUR TINY PINK BALLS at its tips. Remove ALL broad pink trim or pink collar fabric. Correct both eyes to solid black vertical teardrop/oval shapes with TWO SHORT CURVED OUTER EYELASHES on each eye, exactly matching image 2. Eyes must be SOLID FLAT BLACK silhouettes with NO white glints, highlights, inner irises, pupils or brown shading. Keep black two-point hood, pink skull and white body. Blend changes into the existing hand-drawn medium. Keep Jani the female ragdoll cat completely unchanged including asymmetric brown face patches, blue eyes, anatomy and tail. Preserve all historical people, architecture, period objects, lighting, framing and colors exactly. No new objects, no text, no other changes. Do not mirror the picture." } ], "src": "assets/lesson-scenes/w21-01c.webp", "sha256": "c540661065f518f189ef52f1869c0dfd9811ae6f6f64bfc04ef18f895083962f", "bytes": 413706, "thumbnailSrc": "assets/lesson-scenes/w21-01c-preview.webp", "thumbnailSha256": "a6277f68c60306f1fbe11410d9ea9fceb32a6a0c26a2935cb984cd08f5fb99ba", "thumbnailBytes": 137176 }, { "unitId": "w21-02", "title": "Új állatok és őslakos termőföldek találkozása", "alt": "Egy mexikói őslakos család megrongált kukoricás kerítését javítja, mellettük Kuromi és Jani figyel, kívül szarvasmarhát tartanak vissza.", "caption": "Közép-Mexikó, a 16. század: az Európából behozott szarvasmarha a helyi termőföldet is károsíthatta. A kolumbusi csere az új növények és állatok terjedése mellett eltérő társadalmi költségekkel járt.", "period": "16. század", "setting": "Gyarmati kori közép-mexikói gazdaság", "historicalDetails": [ "kukoricatermesztés és búzaföld", "behurcolt szarvasmarha", "vesszőből font mezsgyekerítés", "helyi pamutruházat és vályogház" ], "placement": { "area": "base", "sectionIndex": 3 }, "scene": "Central Mexico circa 1540, colonial countryside after the Columbian exchange. An Indigenous farming couple in locally woven cotton tunic and long skirt carefully repairs a woven stick boundary around maize plants while a Spanish livestock keeper restrains an introduced cow outside it. One row of maize leaves is trampled, making conflict over new livestock and native cultivation tangible without violence. Beyond them a small new wheat plot contrasts with a mature maize field and modest adobe house; the surviving local household is active and knowledgeable. No Aztec pyramid spectacle, no feathers or fantasy armor, no modern fencing. Kuromi kneels near damaged stalks with concerned expression; female Jani stands on four natural paws by an intact maize basket, face toward viewer. Low diagonal view along the field boundary, quiet natural daylight, dignified and analytical.", "prompt": "Use case: historical-scene. Wide 1536x1024 opaque full-color hand-drawn narrative educational illustration, fine warm contours, coherent illustrated human figures, natural daylight and thoughtful period colors. One scene, no panels, text, labels, dates, watermark or modern flags. Historically grounded everyday materials and architecture; no Hollywood/game/fantasy clichés, no cinematic lighting or generic battle. Input 1 is female Jani identity reference, input 2 is Kuromi identity reference ONLY: do not copy reference props or background. Both are visibly present as curious observers and never replace historical people. Kuromi canonical black two-point jester hood, pink skull and collar, white small body; no obligatory magnifier/book. Jani is a female fluffy cream-white ragdoll cat, blue eyes, pink nose, large fluffy dark-brown tail; natural four-leg feline anatomy and paws, no human hands, bowtie or clothing. Jani's face MUST be asymmetric: VIEWER LEFT large DARK-BROWN eye patch; VIEWER RIGHT SMALLER LIGHTER patch, irregular white central blaze. Keep face clearly visible so patches can be inspected. Characters integrated in same drawing medium as setting, occupy about a quarter of image together. Central Mexico circa 1540, colonial countryside after the Columbian exchange. An Indigenous farming couple in locally woven cotton tunic and long skirt carefully repairs a woven stick boundary around maize plants while a Spanish livestock keeper restrains an introduced cow outside it. One row of maize leaves is trampled, making conflict over new livestock and native cultivation tangible without violence. Beyond them a small new wheat plot contrasts with a mature maize field and modest adobe house; the surviving local household is active and knowledgeable. No Aztec pyramid spectacle, no feathers or fantasy armor, no modern fencing. Kuromi kneels near damaged stalks with concerned expression; female Jani stands on four natural paws by an intact maize basket, face toward viewer. Low diagonal view along the field boundary, quiet natural daylight, dignified and analytical.\n\nImage correction after visual review:\nPrecise distant architectural historical correction ONLY. Preserve the entire foreground maize field, damaged plants, woven fence, farmers, cow, wheat field, female Jani and canonical Kuromi exactly. In the far upper-right distance replace ONLY the large two-towered domed church with a very modest low adobe chapel with a plain tiled gable roof and one small simple wooden cross, appropriate to early sixteenth-century colonial rural Mexico. No domes, Baroque facade, tall bell towers or later cathedral. Retain the hills, trees and rural houses. No other changes, no text.", "sourceBasis": [ { "book": "v2", "pdfPages": [ 175, 189 ], "chapter": "5.2 Crossing the Atlantic" }, { "book": "v2", "pdfPages": [ 177, 180 ], "chapter": "5.2 Crossing the Atlantic" } ], "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [], "canonicalKuromi": true }, "initialPrompt": "Use case: historical-scene. Wide 1536x1024 opaque full-color hand-drawn narrative educational illustration, fine warm contours, coherent illustrated human figures, natural daylight and thoughtful period colors. One scene, no panels, text, labels, dates, watermark or modern flags. Historically grounded everyday materials and architecture; no Hollywood/game/fantasy clichés, no cinematic lighting or generic battle. Input 1 is female Jani identity reference, input 2 is Kuromi identity reference ONLY: do not copy reference props or background. Both are visibly present as curious observers and never replace historical people. Kuromi canonical black two-point jester hood, pink skull and collar, white small body; no obligatory magnifier/book. Jani is a female fluffy cream-white ragdoll cat, blue eyes, pink nose, large fluffy dark-brown tail; natural four-leg feline anatomy and paws, no human hands, bowtie or clothing. Jani's face MUST be asymmetric: VIEWER LEFT large DARK-BROWN eye patch; VIEWER RIGHT SMALLER LIGHTER patch, irregular white central blaze. Keep face clearly visible so patches can be inspected. Characters integrated in same drawing medium as setting, occupy about a quarter of image together. Central Mexico circa 1540, colonial countryside after the Columbian exchange. An Indigenous farming couple in locally woven cotton tunic and long skirt carefully repairs a woven stick boundary around maize plants while a Spanish livestock keeper restrains an introduced cow outside it. One row of maize leaves is trampled, making conflict over new livestock and native cultivation tangible without violence. Beyond them a small new wheat plot contrasts with a mature maize field and modest adobe house; the surviving local household is active and knowledgeable. No Aztec pyramid spectacle, no feathers or fantasy armor, no modern fencing. Kuromi kneels near damaged stalks with concerned expression; female Jani stands on four natural paws by an intact maize basket, face toward viewer. Low diagonal view along the field boundary, quiet natural daylight, dignified and analytical.", "generationHistory": [ { "kind": "initial-generation", "prompt": "Use case: historical-scene. Wide 1536x1024 opaque full-color hand-drawn narrative educational illustration, fine warm contours, coherent illustrated human figures, natural daylight and thoughtful period colors. One scene, no panels, text, labels, dates, watermark or modern flags. Historically grounded everyday materials and architecture; no Hollywood/game/fantasy clichés, no cinematic lighting or generic battle. Input 1 is female Jani identity reference, input 2 is Kuromi identity reference ONLY: do not copy reference props or background. Both are visibly present as curious observers and never replace historical people. Kuromi canonical black two-point jester hood, pink skull and collar, white small body; no obligatory magnifier/book. Jani is a female fluffy cream-white ragdoll cat, blue eyes, pink nose, large fluffy dark-brown tail; natural four-leg feline anatomy and paws, no human hands, bowtie or clothing. Jani's face MUST be asymmetric: VIEWER LEFT large DARK-BROWN eye patch; VIEWER RIGHT SMALLER LIGHTER patch, irregular white central blaze. Keep face clearly visible so patches can be inspected. Characters integrated in same drawing medium as setting, occupy about a quarter of image together. Central Mexico circa 1540, colonial countryside after the Columbian exchange. An Indigenous farming couple in locally woven cotton tunic and long skirt carefully repairs a woven stick boundary around maize plants while a Spanish livestock keeper restrains an introduced cow outside it. One row of maize leaves is trampled, making conflict over new livestock and native cultivation tangible without violence. Beyond them a small new wheat plot contrasts with a mature maize field and modest adobe house; the surviving local household is active and knowledgeable. No Aztec pyramid spectacle, no feathers or fantasy armor, no modern fencing. Kuromi kneels near damaged stalks with concerned expression; female Jani stands on four natural paws by an intact maize basket, face toward viewer. Low diagonal view along the field boundary, quiet natural daylight, dignified and analytical." }, { "kind": "canonical-kuromi-correction", "prompt": "Precise character correction ONLY. Image 1 is the finished historical scene to preserve; image 2 is the canonical Kuromi identity reference. Edit only the EXISTING Kuromi in image 1, keeping her position, size, pose, objects held, and the same emotional expression appropriate to this scene. Replace her collar with solid DARK CHARCOAL fabric and ONLY FOUR TINY PINK BALLS at its tips. Remove ALL broad pink trim or pink collar fabric. Correct both eyes to solid black vertical teardrop/oval shapes with TWO SHORT CURVED OUTER EYELASHES on each eye, exactly matching image 2. Eyes must be SOLID FLAT BLACK silhouettes with NO white glints, highlights, inner irises, pupils or brown shading. Keep black two-point hood, pink skull and white body. Blend changes into the existing hand-drawn medium. Keep Jani the female ragdoll cat completely unchanged including asymmetric brown face patches, blue eyes, anatomy and tail. Preserve all historical people, architecture, period objects, lighting, framing and colors exactly. No new objects, no text, no other changes. Do not mirror the picture." }, { "kind": "historical-background-correction", "prompt": "Precise distant architectural historical correction ONLY. Preserve the entire foreground maize field, damaged plants, woven fence, farmers, cow, wheat field, female Jani and canonical Kuromi exactly. In the far upper-right distance replace ONLY the large two-towered domed church with a very modest low adobe chapel with a plain tiled gable roof and one small simple wooden cross, appropriate to early sixteenth-century colonial rural Mexico. No domes, Baroque facade, tall bell towers or later cathedral. Retain the hills, trees and rural houses. No other changes, no text." } ], "src": "assets/lesson-scenes/w21-02.webp", "sha256": "4d0197fe683cbd83aee0d462405e852aa6a380a08af6c7fb962c86a4d9fc1502", "bytes": 481090, "thumbnailSrc": "assets/lesson-scenes/w21-02-preview.webp", "thumbnailSha256": "3eb2f22a67270f88c0b95539765d9d290dd9a4a0345677897b2f8dd4efb2c8f1", "thumbnailBytes": 165978 }, { "unitId": "w21-03", "title": "Királyi minőségellenőrzés egy francia selyemmanufaktúrában", "alt": "Kuromi és Jani a szövőműhelyben nézi, amint egy ellenőr farúddal megméri a kész selymet.", "caption": "Franciaország, 1670 körül: Colbert gazdaságpolitikája a támogatott termelést részletes minőségi szabályokhoz kötötte. Az exportképes luxuscikk növelhette az állami bevételt, a szabályozás pedig kiváltságot és kötelezettséget is jelentett.", "period": "1670 körül", "setting": "Királyi támogatású francia textilmanufaktúra", "historicalDetails": [ "kézi szövőszék", "fa mérőrúd", "ólom posztópecsét és vetélő", "különválasztott hibás szövet" ], "placement": { "area": "base", "sectionIndex": 1 }, "scene": "France circa 1670, a royal-supported textile manufactory during Colbert's economic policy. A government quality inspector wearing a sober seventeenth-century coat and long hair measures the width of a richly woven silk cloth with a wooden measuring rod while a master weaver in work apron shows the selvedge and workers continue at large wooden handlooms. Rejected uneven cloth is folded separately, illustrating detailed regulation, privileged production and quality for export. Lead cloth seals, dyed yarn hanks, shuttle and timber loom mechanisms, no industrial power machinery or modern factory roof. A rolled shipping bundle by a doorway hints export without a map. Kuromi looks along the measuring rod from below the workbench; Jani sits beside neatly tied yarn facing viewer. Broad sideways composition through the loom room, natural window daylight.", "prompt": "Use case: historical-scene. Wide 1536x1024 opaque full-color hand-drawn narrative educational illustration, fine warm contours, coherent illustrated human figures, natural daylight and thoughtful period colors. One scene, no panels, text, labels, dates, watermark or modern flags. Historically grounded everyday materials and architecture; no Hollywood/game/fantasy clichés, no cinematic lighting or generic battle. Input 1 is female Jani identity reference, input 2 is Kuromi identity reference ONLY: do not copy reference props or background. Both are visibly present as curious observers and never replace historical people. Kuromi canonical black two-point jester hood, pink skull and collar, white small body; no obligatory magnifier/book. Jani is a female fluffy cream-white ragdoll cat, blue eyes, pink nose, large fluffy dark-brown tail; natural four-leg feline anatomy and paws, no human hands, bowtie or clothing. Jani's face MUST be asymmetric: VIEWER LEFT large DARK-BROWN eye patch; VIEWER RIGHT SMALLER LIGHTER patch, irregular white central blaze. Keep face clearly visible so patches can be inspected. Characters integrated in same drawing medium as setting, occupy about a quarter of image together. France circa 1670, a royal-supported textile manufactory during Colbert's economic policy. A government quality inspector wearing a sober seventeenth-century coat and long hair measures the width of a richly woven silk cloth with a wooden measuring rod while a master weaver in work apron shows the selvedge and workers continue at large wooden handlooms. Rejected uneven cloth is folded separately, illustrating detailed regulation, privileged production and quality for export. Lead cloth seals, dyed yarn hanks, shuttle and timber loom mechanisms, no industrial power machinery or modern factory roof. A rolled shipping bundle by a doorway hints export without a map. Kuromi looks along the measuring rod from below the workbench; Jani sits beside neatly tied yarn facing viewer. Broad sideways composition through the loom room, natural window daylight.\n\nImage correction after visual review:\nPrecise character correction ONLY. Image 1 is the finished historical scene to preserve; image 2 is the canonical Kuromi identity reference. Edit only the EXISTING Kuromi in image 1, keeping her position, size, pose, objects held, and the same emotional expression appropriate to this scene. Replace her collar with solid DARK CHARCOAL fabric and ONLY FOUR TINY PINK BALLS at its tips. Remove ALL broad pink trim or pink collar fabric. Correct both eyes to solid black vertical teardrop/oval shapes with TWO SHORT CURVED OUTER EYELASHES on each eye, exactly matching image 2. Eyes must be SOLID FLAT BLACK silhouettes with NO white glints, highlights, inner irises, pupils or brown shading. Keep black two-point hood, pink skull and white body. Blend changes into the existing hand-drawn medium. Keep Jani the female ragdoll cat completely unchanged including asymmetric brown face patches, blue eyes, anatomy and tail. Preserve all historical people, architecture, period objects, lighting, framing and colors exactly. No new objects, no text, no other changes. Do not mirror the picture.", "sourceBasis": [ { "book": "v2", "pdfPages": [ 190, 197 ], "chapter": "5.3 The Mercantilist Economy" }, { "book": "v2", "pdfPages": [ 193, 196 ], "chapter": "5.3 The Mercantilist Economy" } ], "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [], "canonicalKuromi": true }, "initialPrompt": "Use case: historical-scene. Wide 1536x1024 opaque full-color hand-drawn narrative educational illustration, fine warm contours, coherent illustrated human figures, natural daylight and thoughtful period colors. One scene, no panels, text, labels, dates, watermark or modern flags. Historically grounded everyday materials and architecture; no Hollywood/game/fantasy clichés, no cinematic lighting or generic battle. Input 1 is female Jani identity reference, input 2 is Kuromi identity reference ONLY: do not copy reference props or background. Both are visibly present as curious observers and never replace historical people. Kuromi canonical black two-point jester hood, pink skull and collar, white small body; no obligatory magnifier/book. Jani is a female fluffy cream-white ragdoll cat, blue eyes, pink nose, large fluffy dark-brown tail; natural four-leg feline anatomy and paws, no human hands, bowtie or clothing. Jani's face MUST be asymmetric: VIEWER LEFT large DARK-BROWN eye patch; VIEWER RIGHT SMALLER LIGHTER patch, irregular white central blaze. Keep face clearly visible so patches can be inspected. Characters integrated in same drawing medium as setting, occupy about a quarter of image together. France circa 1670, a royal-supported textile manufactory during Colbert's economic policy. A government quality inspector wearing a sober seventeenth-century coat and long hair measures the width of a richly woven silk cloth with a wooden measuring rod while a master weaver in work apron shows the selvedge and workers continue at large wooden handlooms. Rejected uneven cloth is folded separately, illustrating detailed regulation, privileged production and quality for export. Lead cloth seals, dyed yarn hanks, shuttle and timber loom mechanisms, no industrial power machinery or modern factory roof. A rolled shipping bundle by a doorway hints export without a map. Kuromi looks along the measuring rod from below the workbench; Jani sits beside neatly tied yarn facing viewer. Broad sideways composition through the loom room, natural window daylight.", "generationHistory": [ { "kind": "initial-generation", "prompt": "Use case: historical-scene. Wide 1536x1024 opaque full-color hand-drawn narrative educational illustration, fine warm contours, coherent illustrated human figures, natural daylight and thoughtful period colors. One scene, no panels, text, labels, dates, watermark or modern flags. Historically grounded everyday materials and architecture; no Hollywood/game/fantasy clichés, no cinematic lighting or generic battle. Input 1 is female Jani identity reference, input 2 is Kuromi identity reference ONLY: do not copy reference props or background. Both are visibly present as curious observers and never replace historical people. Kuromi canonical black two-point jester hood, pink skull and collar, white small body; no obligatory magnifier/book. Jani is a female fluffy cream-white ragdoll cat, blue eyes, pink nose, large fluffy dark-brown tail; natural four-leg feline anatomy and paws, no human hands, bowtie or clothing. Jani's face MUST be asymmetric: VIEWER LEFT large DARK-BROWN eye patch; VIEWER RIGHT SMALLER LIGHTER patch, irregular white central blaze. Keep face clearly visible so patches can be inspected. Characters integrated in same drawing medium as setting, occupy about a quarter of image together. France circa 1670, a royal-supported textile manufactory during Colbert's economic policy. A government quality inspector wearing a sober seventeenth-century coat and long hair measures the width of a richly woven silk cloth with a wooden measuring rod while a master weaver in work apron shows the selvedge and workers continue at large wooden handlooms. Rejected uneven cloth is folded separately, illustrating detailed regulation, privileged production and quality for export. Lead cloth seals, dyed yarn hanks, shuttle and timber loom mechanisms, no industrial power machinery or modern factory roof. A rolled shipping bundle by a doorway hints export without a map. Kuromi looks along the measuring rod from below the workbench; Jani sits beside neatly tied yarn facing viewer. Broad sideways composition through the loom room, natural window daylight." }, { "kind": "canonical-kuromi-correction", "prompt": "Precise character correction ONLY. Image 1 is the finished historical scene to preserve; image 2 is the canonical Kuromi identity reference. Edit only the EXISTING Kuromi in image 1, keeping her position, size, pose, objects held, and the same emotional expression appropriate to this scene. Replace her collar with solid DARK CHARCOAL fabric and ONLY FOUR TINY PINK BALLS at its tips. Remove ALL broad pink trim or pink collar fabric. Correct both eyes to solid black vertical teardrop/oval shapes with TWO SHORT CURVED OUTER EYELASHES on each eye, exactly matching image 2. Eyes must be SOLID FLAT BLACK silhouettes with NO white glints, highlights, inner irises, pupils or brown shading. Keep black two-point hood, pink skull and white body. Blend changes into the existing hand-drawn medium. Keep Jani the female ragdoll cat completely unchanged including asymmetric brown face patches, blue eyes, anatomy and tail. Preserve all historical people, architecture, period objects, lighting, framing and colors exactly. No new objects, no text, no other changes. Do not mirror the picture." } ], "src": "assets/lesson-scenes/w21-03.webp", "sha256": "0f7858011aee70ce662b246f7321a23faddbdf60c37327edc8d490b72e710d9d", "bytes": 461166, "thumbnailSrc": "assets/lesson-scenes/w21-03-preview.webp", "thumbnailSha256": "dd14909b8aec4991f0d207cf24ea203c929c6866e8a78a07fe2449a76c025771", "thumbnailBytes": 147540 }, { "unitId": "w21-04", "title": "Önálló megélhetés egy jamaicai maroon menedékközösségben", "alt": "Szökött emberek hegyvidéki közössége élelmet készít és házat javít, Kuromi víztököt tart, Jani mellettük ül.", "caption": "Jamaica, a 18. század eleje: a nehezen elérhető hegyvidék szökött közösségeknek adott menedéket. Saját élelmezésük és védelmük megszervezése a rabszolgasággal szembeni ellenállás része volt.", "period": "1730 körül", "setting": "Jamaicai hegyvidéki maroon település", "historicalDetails": [ "manióka és gumós élelmiszerek", "kicsi önellátó termőparcella", "fa és pálmalevél menedékház", "víztök és helyi kosárfonás" ], "placement": { "area": "base", "sectionIndex": 2 }, "scene": "Jamaican mountain interior circa 1730, a Maroon refuge community formed by people escaping plantation slavery. Dignified African-descended adults organize survival: a woman divides cassava and yams into woven provision baskets while a man strengthens a modest timber-and-thatch shelter and another adult watches a narrow forest path. A child remains close to family, no weapons displayed, no chains, violence, celebration or comic treatment of slavery. A small cultivated food patch and difficult hilly terrain show the material conditions of autonomy and resistance. Simple early eighteenth-century cotton wraps, reused plain cloth, clay cooking pot, wooden mortar and basketry, no tourist paradise or modern houses. Kuromi quietly passes a small water gourd to the provisioning area with serious face; Jani sits beside her with natural cat anatomy, face to viewer. Sheltered eye-level clearing view, soft daylight under native tropical forest.", "prompt": "Use case: historical-scene. Wide 1536x1024 opaque full-color hand-drawn narrative educational illustration, fine warm contours, coherent illustrated human figures, natural daylight and thoughtful period colors. One scene, no panels, text, labels, dates, watermark or modern flags. Historically grounded everyday materials and architecture; no Hollywood/game/fantasy clichés, no cinematic lighting or generic battle. Input 1 is female Jani identity reference, input 2 is Kuromi identity reference ONLY: do not copy reference props or background. Both are visibly present as curious observers and never replace historical people. Kuromi canonical black two-point jester hood, pink skull and collar, white small body; no obligatory magnifier/book. Jani is a female fluffy cream-white ragdoll cat, blue eyes, pink nose, large fluffy dark-brown tail; natural four-leg feline anatomy and paws, no human hands, bowtie or clothing. Jani's face MUST be asymmetric: VIEWER LEFT large DARK-BROWN eye patch; VIEWER RIGHT SMALLER LIGHTER patch, irregular white central blaze. Keep face clearly visible so patches can be inspected. Characters integrated in same drawing medium as setting, occupy about a quarter of image together. Jamaican mountain interior circa 1730, a Maroon refuge community formed by people escaping plantation slavery. Dignified African-descended adults organize survival: a woman divides cassava and yams into woven provision baskets while a man strengthens a modest timber-and-thatch shelter and another adult watches a narrow forest path. A child remains close to family, no weapons displayed, no chains, violence, celebration or comic treatment of slavery. A small cultivated food patch and difficult hilly terrain show the material conditions of autonomy and resistance. Simple early eighteenth-century cotton wraps, reused plain cloth, clay cooking pot, wooden mortar and basketry, no tourist paradise or modern houses. Kuromi quietly passes a small water gourd to the provisioning area with serious face; Jani sits beside her with natural cat anatomy, face to viewer. Sheltered eye-level clearing view, soft daylight under native tropical forest.\n\nImage correction after visual review:\nPrecise character correction ONLY. Image 1 is the finished historical scene to preserve; image 2 is the canonical Kuromi identity reference. Edit only the EXISTING Kuromi in image 1, keeping her position, size, pose, objects held, and the same emotional expression appropriate to this scene. Replace her collar with solid DARK CHARCOAL fabric and ONLY FOUR TINY PINK BALLS at its tips. Remove ALL broad pink trim or pink collar fabric. Correct both eyes to solid black vertical teardrop/oval shapes with TWO SHORT CURVED OUTER EYELASHES on each eye, exactly matching image 2. Eyes must be SOLID FLAT BLACK silhouettes with NO white glints, highlights, inner irises, pupils or brown shading. Keep black two-point hood, pink skull and white body. Blend changes into the existing hand-drawn medium. Keep Jani the female ragdoll cat completely unchanged including asymmetric brown face patches, blue eyes, anatomy and tail. Preserve all historical people, architecture, period objects, lighting, framing and colors exactly. No new objects, no text, no other changes. Do not mirror the picture.", "sourceBasis": [ { "book": "v2", "pdfPages": [ 197, 207 ], "chapter": "5.4 The Atlantic Slave Trade" }, { "book": "v2", "pdfPages": [ 204, 206 ], "chapter": "5.4 The Atlantic Slave Trade" } ], "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [], "canonicalKuromi": true }, "initialPrompt": "Use case: historical-scene. Wide 1536x1024 opaque full-color hand-drawn narrative educational illustration, fine warm contours, coherent illustrated human figures, natural daylight and thoughtful period colors. One scene, no panels, text, labels, dates, watermark or modern flags. Historically grounded everyday materials and architecture; no Hollywood/game/fantasy clichés, no cinematic lighting or generic battle. Input 1 is female Jani identity reference, input 2 is Kuromi identity reference ONLY: do not copy reference props or background. Both are visibly present as curious observers and never replace historical people. Kuromi canonical black two-point jester hood, pink skull and collar, white small body; no obligatory magnifier/book. Jani is a female fluffy cream-white ragdoll cat, blue eyes, pink nose, large fluffy dark-brown tail; natural four-leg feline anatomy and paws, no human hands, bowtie or clothing. Jani's face MUST be asymmetric: VIEWER LEFT large DARK-BROWN eye patch; VIEWER RIGHT SMALLER LIGHTER patch, irregular white central blaze. Keep face clearly visible so patches can be inspected. Characters integrated in same drawing medium as setting, occupy about a quarter of image together. Jamaican mountain interior circa 1730, a Maroon refuge community formed by people escaping plantation slavery. Dignified African-descended adults organize survival: a woman divides cassava and yams into woven provision baskets while a man strengthens a modest timber-and-thatch shelter and another adult watches a narrow forest path. A child remains close to family, no weapons displayed, no chains, violence, celebration or comic treatment of slavery. A small cultivated food patch and difficult hilly terrain show the material conditions of autonomy and resistance. Simple early eighteenth-century cotton wraps, reused plain cloth, clay cooking pot, wooden mortar and basketry, no tourist paradise or modern houses. Kuromi quietly passes a small water gourd to the provisioning area with serious face; Jani sits beside her with natural cat anatomy, face to viewer. Sheltered eye-level clearing view, soft daylight under native tropical forest.", "generationHistory": [ { "kind": "initial-generation", "prompt": "Use case: historical-scene. Wide 1536x1024 opaque full-color hand-drawn narrative educational illustration, fine warm contours, coherent illustrated human figures, natural daylight and thoughtful period colors. One scene, no panels, text, labels, dates, watermark or modern flags. Historically grounded everyday materials and architecture; no Hollywood/game/fantasy clichés, no cinematic lighting or generic battle. Input 1 is female Jani identity reference, input 2 is Kuromi identity reference ONLY: do not copy reference props or background. Both are visibly present as curious observers and never replace historical people. Kuromi canonical black two-point jester hood, pink skull and collar, white small body; no obligatory magnifier/book. Jani is a female fluffy cream-white ragdoll cat, blue eyes, pink nose, large fluffy dark-brown tail; natural four-leg feline anatomy and paws, no human hands, bowtie or clothing. Jani's face MUST be asymmetric: VIEWER LEFT large DARK-BROWN eye patch; VIEWER RIGHT SMALLER LIGHTER patch, irregular white central blaze. Keep face clearly visible so patches can be inspected. Characters integrated in same drawing medium as setting, occupy about a quarter of image together. Jamaican mountain interior circa 1730, a Maroon refuge community formed by people escaping plantation slavery. Dignified African-descended adults organize survival: a woman divides cassava and yams into woven provision baskets while a man strengthens a modest timber-and-thatch shelter and another adult watches a narrow forest path. A child remains close to family, no weapons displayed, no chains, violence, celebration or comic treatment of slavery. A small cultivated food patch and difficult hilly terrain show the material conditions of autonomy and resistance. Simple early eighteenth-century cotton wraps, reused plain cloth, clay cooking pot, wooden mortar and basketry, no tourist paradise or modern houses. Kuromi quietly passes a small water gourd to the provisioning area with serious face; Jani sits beside her with natural cat anatomy, face to viewer. Sheltered eye-level clearing view, soft daylight under native tropical forest." }, { "kind": "canonical-kuromi-correction", "prompt": "Precise character correction ONLY. Image 1 is the finished historical scene to preserve; image 2 is the canonical Kuromi identity reference. Edit only the EXISTING Kuromi in image 1, keeping her position, size, pose, objects held, and the same emotional expression appropriate to this scene. Replace her collar with solid DARK CHARCOAL fabric and ONLY FOUR TINY PINK BALLS at its tips. Remove ALL broad pink trim or pink collar fabric. Correct both eyes to solid black vertical teardrop/oval shapes with TWO SHORT CURVED OUTER EYELASHES on each eye, exactly matching image 2. Eyes must be SOLID FLAT BLACK silhouettes with NO white glints, highlights, inner irises, pupils or brown shading. Keep black two-point hood, pink skull and white body. Blend changes into the existing hand-drawn medium. Keep Jani the female ragdoll cat completely unchanged including asymmetric brown face patches, blue eyes, anatomy and tail. Preserve all historical people, architecture, period objects, lighting, framing and colors exactly. No new objects, no text, no other changes. Do not mirror the picture." } ], "src": "assets/lesson-scenes/w21-04.webp", "sha256": "e42f62c593af7bee917dae2236b9c3cf724bf72d7138cc8893de8ecf619a27e5", "bytes": 493500, "thumbnailSrc": "assets/lesson-scenes/w21-04-preview.webp", "thumbnailSha256": "0e4f33bbd430381db2d1f6e9ac93e09259d6847318ed23cbaa5dbc4592e1d1bc", "thumbnailBytes": 157698 }, { "unitId": "w22-01", "title": "Dohányszárítás és munkafegyelem Virginiában", "alt": "Egy foltozott ruhájú munkás dohányleveleket köt fel a szárítóban, felügyelője további munkát jelez, Kuromi és Jani nézi.", "caption": "Virginia, 1625 körül: a dohánykivitel fenntarthatóbbá tette a telepet, de föld és ellenőrzött munka iránti igényt növelt. A szerződéses európai szolgálat mellett afrikaiak is dolgoztak; az örökíthető rabszolgaság jogi rendszere fokozatosan szilárdult meg.", "period": "1625 körül", "setting": "Jamestown környéki dohányszárító", "historicalDetails": [ "farudakra kötött dohánylevél", "hogshead szállítóhordó", "egyszerű faszerkezetű szárító", "17. századi vászon munkaruha és dublett" ], "placement": { "area": "base", "sectionIndex": 1 }, "scene": "Virginia near Jamestown circa 1625, a tobacco farm and drying shed showing colonial dependence on export crops and bound labor. An exhausted European indentured servant in plain patched linen shirt ties broad tobacco leaves onto a wooden drying pole; another worker stacks leaves under the open timber shed. A better-dressed overseer in a simple early-seventeenth-century doublet indicates more work and a waiting hogshead barrel, without violence or triumph. Behind them modest fenced tobacco rows replace woodland, the river carries a small freight boat. No manor mansion, no grand plantation colonnade, no later architecture, no modern machinery. Kuromi watches with concern from beside the shed entrance; female Jani sits next to a wooden basket facing viewer, four feline paws. Broad side-on composition through the drying shed, subdued ordinary daylight, make workers and work rhythm central.", "prompt": "Use case: historical-scene. Wide 1536x1024 opaque full-color hand-drawn narrative educational illustration, fine warm contours, coherent illustrated human figures, natural daylight and thoughtful period colors. One scene, no panels, text, labels, dates, watermark or modern flags. Historically grounded everyday materials and architecture; no Hollywood/game/fantasy clichés, no cinematic lighting or generic battle. Input 1 is female Jani identity reference, input 2 is Kuromi identity reference ONLY: do not copy reference props or background. Both are visibly present as curious observers and never replace historical people. Kuromi canonical black two-point jester hood, pink skull and collar, white small body; no obligatory magnifier/book. Jani is a female fluffy cream-white ragdoll cat, blue eyes, pink nose, large fluffy dark-brown tail; natural four-leg feline anatomy and paws, no human hands, bowtie or clothing. Jani's face MUST be asymmetric: VIEWER LEFT large DARK-BROWN eye patch; VIEWER RIGHT SMALLER LIGHTER patch, irregular white central blaze. Keep face clearly visible so patches can be inspected. Characters integrated in same drawing medium as setting, occupy about a quarter of image together. Virginia near Jamestown circa 1625, a tobacco farm and drying shed showing colonial dependence on export crops and bound labor. An exhausted European indentured servant in plain patched linen shirt ties broad tobacco leaves onto a wooden drying pole; another worker stacks leaves under the open timber shed. A better-dressed overseer in a simple early-seventeenth-century doublet indicates more work and a waiting hogshead barrel, without violence or triumph. Behind them modest fenced tobacco rows replace woodland, the river carries a small freight boat. No manor mansion, no grand plantation colonnade, no later architecture, no modern machinery. Kuromi watches with concern from beside the shed entrance; female Jani sits next to a wooden basket facing viewer, four feline paws. Broad side-on composition through the drying shed, subdued ordinary daylight, make workers and work rhythm central.\n\nImage correction after visual review:\nPrecise character correction ONLY. Image 1 is the finished historical scene to preserve; image 2 is the canonical Kuromi identity reference. Edit only the EXISTING Kuromi in image 1, keeping her position, size, pose, objects held, and the same emotional expression appropriate to this scene. Replace her collar with solid DARK CHARCOAL fabric and ONLY FOUR TINY PINK BALLS at its tips. Remove ALL broad pink trim or pink collar fabric. Correct both eyes to solid black vertical teardrop/oval shapes with TWO SHORT CURVED OUTER EYELASHES on each eye, exactly matching image 2. Eyes must be SOLID FLAT BLACK silhouettes with NO white glints, highlights, inner irises, pupils or brown shading. Keep black two-point hood, pink skull and white body. Blend changes into the existing hand-drawn medium. Keep Jani the female ragdoll cat completely unchanged including asymmetric brown face patches, blue eyes, anatomy and tail. Preserve all historical people, architecture, period objects, lighting, framing and colors exactly. No new objects, no text, no other changes. Do not mirror the picture.", "sourceBasis": [ { "book": "v2", "pdfPages": [ 216, 227 ], "chapter": "6.1 European Colonization in the Americas" }, { "book": "v2", "pdfPages": [ 217, 220 ], "chapter": "6.1 European Colonization in the Americas" }, { "book": "oh", "pdfPages": [ 85, 86 ], "chapter": "3.1 A földrajzi felfedezések és következményeik" } ], "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [], "canonicalKuromi": true }, "initialPrompt": "Use case: historical-scene. Wide 1536x1024 opaque full-color hand-drawn narrative educational illustration, fine warm contours, coherent illustrated human figures, natural daylight and thoughtful period colors. One scene, no panels, text, labels, dates, watermark or modern flags. Historically grounded everyday materials and architecture; no Hollywood/game/fantasy clichés, no cinematic lighting or generic battle. Input 1 is female Jani identity reference, input 2 is Kuromi identity reference ONLY: do not copy reference props or background. Both are visibly present as curious observers and never replace historical people. Kuromi canonical black two-point jester hood, pink skull and collar, white small body; no obligatory magnifier/book. Jani is a female fluffy cream-white ragdoll cat, blue eyes, pink nose, large fluffy dark-brown tail; natural four-leg feline anatomy and paws, no human hands, bowtie or clothing. Jani's face MUST be asymmetric: VIEWER LEFT large DARK-BROWN eye patch; VIEWER RIGHT SMALLER LIGHTER patch, irregular white central blaze. Keep face clearly visible so patches can be inspected. Characters integrated in same drawing medium as setting, occupy about a quarter of image together. Virginia near Jamestown circa 1625, a tobacco farm and drying shed showing colonial dependence on export crops and bound labor. An exhausted European indentured servant in plain patched linen shirt ties broad tobacco leaves onto a wooden drying pole; another worker stacks leaves under the open timber shed. A better-dressed overseer in a simple early-seventeenth-century doublet indicates more work and a waiting hogshead barrel, without violence or triumph. Behind them modest fenced tobacco rows replace woodland, the river carries a small freight boat. No manor mansion, no grand plantation colonnade, no later architecture, no modern machinery. Kuromi watches with concern from beside the shed entrance; female Jani sits next to a wooden basket facing viewer, four feline paws. Broad side-on composition through the drying shed, subdued ordinary daylight, make workers and work rhythm central.", "generationHistory": [ { "kind": "initial-generation", "prompt": "Use case: historical-scene. Wide 1536x1024 opaque full-color hand-drawn narrative educational illustration, fine warm contours, coherent illustrated human figures, natural daylight and thoughtful period colors. One scene, no panels, text, labels, dates, watermark or modern flags. Historically grounded everyday materials and architecture; no Hollywood/game/fantasy clichés, no cinematic lighting or generic battle. Input 1 is female Jani identity reference, input 2 is Kuromi identity reference ONLY: do not copy reference props or background. Both are visibly present as curious observers and never replace historical people. Kuromi canonical black two-point jester hood, pink skull and collar, white small body; no obligatory magnifier/book. Jani is a female fluffy cream-white ragdoll cat, blue eyes, pink nose, large fluffy dark-brown tail; natural four-leg feline anatomy and paws, no human hands, bowtie or clothing. Jani's face MUST be asymmetric: VIEWER LEFT large DARK-BROWN eye patch; VIEWER RIGHT SMALLER LIGHTER patch, irregular white central blaze. Keep face clearly visible so patches can be inspected. Characters integrated in same drawing medium as setting, occupy about a quarter of image together. Virginia near Jamestown circa 1625, a tobacco farm and drying shed showing colonial dependence on export crops and bound labor. An exhausted European indentured servant in plain patched linen shirt ties broad tobacco leaves onto a wooden drying pole; another worker stacks leaves under the open timber shed. A better-dressed overseer in a simple early-seventeenth-century doublet indicates more work and a waiting hogshead barrel, without violence or triumph. Behind them modest fenced tobacco rows replace woodland, the river carries a small freight boat. No manor mansion, no grand plantation colonnade, no later architecture, no modern machinery. Kuromi watches with concern from beside the shed entrance; female Jani sits next to a wooden basket facing viewer, four feline paws. Broad side-on composition through the drying shed, subdued ordinary daylight, make workers and work rhythm central." }, { "kind": "canonical-kuromi-correction", "prompt": "Precise character correction ONLY. Image 1 is the finished historical scene to preserve; image 2 is the canonical Kuromi identity reference. Edit only the EXISTING Kuromi in image 1, keeping her position, size, pose, objects held, and the same emotional expression appropriate to this scene. Replace her collar with solid DARK CHARCOAL fabric and ONLY FOUR TINY PINK BALLS at its tips. Remove ALL broad pink trim or pink collar fabric. Correct both eyes to solid black vertical teardrop/oval shapes with TWO SHORT CURVED OUTER EYELASHES on each eye, exactly matching image 2. Eyes must be SOLID FLAT BLACK silhouettes with NO white glints, highlights, inner irises, pupils or brown shading. Keep black two-point hood, pink skull and white body. Blend changes into the existing hand-drawn medium. Keep Jani the female ragdoll cat completely unchanged including asymmetric brown face patches, blue eyes, anatomy and tail. Preserve all historical people, architecture, period objects, lighting, framing and colors exactly. No new objects, no text, no other changes. Do not mirror the picture." } ], "src": "assets/lesson-scenes/w22-01.webp", "sha256": "d9b5735516b3888f4290915b9dd7c5767efbc0978aa020bc9591823f3b3d9fe6", "bytes": 490580, "thumbnailSrc": "assets/lesson-scenes/w22-01-preview.webp", "thumbnailSha256": "1354c662dfaed2aee6101353eee78f03ff25305edac3a0ec24c259494cac0568", "thumbnailBytes": 150132 }, { "unitId": "w22-02", "title": "Bengáli adóbevétel a kereskedőtársaság szolgálatában", "alt": "Bengáli földműves adót fizet egy helyi közvetítőnek brit társasági felügyelet alatt, Kuromi és Jani a szekér mellett figyel.", "caption": "Bengál, 1768 körül: az 1765-ben megszerzett adóbeszedési jog a Brit Kelet-indiai Társaságot területi kormányzó hatalommá tette. Az elvonás helyi közvetítők munkáján keresztül finanszírozhatta a társaság haderejét.", "period": "1768 körül", "setting": "Bengáli adószedőház verandája", "historicalDetails": [ "helyi adóközvetítő és főkönyv", "érmék és rézmérleg", "rizskévéket szállító ökrös szekér", "korai társasági szipoj turbánban" ], "placement": { "area": "base", "sectionIndex": 1 }, "scene": "Bengal circa 1768, after the East India Company acquired revenue rights in 1765. Under the veranda of a modest revenue collection house, a Bengali cultivator delivers a small pouch of coins to a local Indian revenue intermediary seated with scales and a paper ledger. A British company official in a plain eighteenth-century coat observes beside an Indian sepoy in an early Company-era simple coat and turban, no Victorian pith helmet. A family waits beside rice sheaves and a bullock cart; river cultivation beyond the building connects tax to local production. Show unequal company rule mediated by local officials, no courtly surrender or generic conquest. Kuromi and female Jani watch near the cart wheel with sober faces, Jani front-facing. Broad veranda-to-field composition, humid diffused daylight, period cotton garments and brass balance.", "prompt": "Use case: historical-scene. Wide 1536x1024 opaque full-color hand-drawn narrative educational illustration, fine warm contours, coherent illustrated human figures, natural daylight and thoughtful period colors. One scene, no panels, text, labels, dates, watermark or modern flags. Historically grounded everyday materials and architecture; no Hollywood/game/fantasy clichés, no cinematic lighting or generic battle. Input 1 is female Jani identity reference, input 2 is Kuromi identity reference ONLY: do not copy reference props or background. Both are visibly present as curious observers and never replace historical people. Kuromi canonical black two-point jester hood, pink skull and collar, white small body; no obligatory magnifier/book. Jani is a female fluffy cream-white ragdoll cat, blue eyes, pink nose, large fluffy dark-brown tail; natural four-leg feline anatomy and paws, no human hands, bowtie or clothing. Jani's face MUST be asymmetric: VIEWER LEFT large DARK-BROWN eye patch; VIEWER RIGHT SMALLER LIGHTER patch, irregular white central blaze. Keep face clearly visible so patches can be inspected. Characters integrated in same drawing medium as setting, occupy about a quarter of image together. Bengal circa 1768, after the East India Company acquired revenue rights in 1765. Under the veranda of a modest revenue collection house, a Bengali cultivator delivers a small pouch of coins to a local Indian revenue intermediary seated with scales and a paper ledger. A British company official in a plain eighteenth-century coat observes beside an Indian sepoy in an early Company-era simple coat and turban, no Victorian pith helmet. A family waits beside rice sheaves and a bullock cart; river cultivation beyond the building connects tax to local production. Show unequal company rule mediated by local officials, no courtly surrender or generic conquest. Kuromi and female Jani watch near the cart wheel with sober faces, Jani front-facing. Broad veranda-to-field composition, humid diffused daylight, period cotton garments and brass balance.\n\nImage correction after visual review:\nPrecise character correction ONLY. Image 1 is the finished historical scene to preserve; image 2 is the canonical Kuromi identity reference. Edit only the EXISTING Kuromi in image 1, keeping her position, size, pose, objects held, and the same emotional expression appropriate to this scene. Replace her collar with solid DARK CHARCOAL fabric and ONLY FOUR TINY PINK BALLS at its tips. Remove ALL broad pink trim or pink collar fabric. Correct both eyes to solid black vertical teardrop/oval shapes with TWO SHORT CURVED OUTER EYELASHES on each eye, exactly matching image 2. Eyes must be SOLID FLAT BLACK silhouettes with NO white glints, highlights, inner irises, pupils or brown shading. Keep black two-point hood, pink skull and white body. Blend changes into the existing hand-drawn medium. Keep Jani the female ragdoll cat completely unchanged including asymmetric brown face patches, blue eyes, anatomy and tail. Preserve all historical people, architecture, period objects, lighting, framing and colors exactly. No new objects, no text, no other changes. Do not mirror the picture.", "sourceBasis": [ { "book": "v2", "pdfPages": [ 228, 242 ], "chapter": "6.2 The Rise of a Global Economy" }, { "book": "v2", "pdfPages": [ 228, 231 ], "chapter": "6.2 The Rise of a Global Economy" } ], "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [], "canonicalKuromi": true }, "initialPrompt": "Use case: historical-scene. Wide 1536x1024 opaque full-color hand-drawn narrative educational illustration, fine warm contours, coherent illustrated human figures, natural daylight and thoughtful period colors. One scene, no panels, text, labels, dates, watermark or modern flags. Historically grounded everyday materials and architecture; no Hollywood/game/fantasy clichés, no cinematic lighting or generic battle. Input 1 is female Jani identity reference, input 2 is Kuromi identity reference ONLY: do not copy reference props or background. Both are visibly present as curious observers and never replace historical people. Kuromi canonical black two-point jester hood, pink skull and collar, white small body; no obligatory magnifier/book. Jani is a female fluffy cream-white ragdoll cat, blue eyes, pink nose, large fluffy dark-brown tail; natural four-leg feline anatomy and paws, no human hands, bowtie or clothing. Jani's face MUST be asymmetric: VIEWER LEFT large DARK-BROWN eye patch; VIEWER RIGHT SMALLER LIGHTER patch, irregular white central blaze. Keep face clearly visible so patches can be inspected. Characters integrated in same drawing medium as setting, occupy about a quarter of image together. Bengal circa 1768, after the East India Company acquired revenue rights in 1765. Under the veranda of a modest revenue collection house, a Bengali cultivator delivers a small pouch of coins to a local Indian revenue intermediary seated with scales and a paper ledger. A British company official in a plain eighteenth-century coat observes beside an Indian sepoy in an early Company-era simple coat and turban, no Victorian pith helmet. A family waits beside rice sheaves and a bullock cart; river cultivation beyond the building connects tax to local production. Show unequal company rule mediated by local officials, no courtly surrender or generic conquest. Kuromi and female Jani watch near the cart wheel with sober faces, Jani front-facing. Broad veranda-to-field composition, humid diffused daylight, period cotton garments and brass balance.", "generationHistory": [ { "kind": "initial-generation", "prompt": "Use case: historical-scene. Wide 1536x1024 opaque full-color hand-drawn narrative educational illustration, fine warm contours, coherent illustrated human figures, natural daylight and thoughtful period colors. One scene, no panels, text, labels, dates, watermark or modern flags. Historically grounded everyday materials and architecture; no Hollywood/game/fantasy clichés, no cinematic lighting or generic battle. Input 1 is female Jani identity reference, input 2 is Kuromi identity reference ONLY: do not copy reference props or background. Both are visibly present as curious observers and never replace historical people. Kuromi canonical black two-point jester hood, pink skull and collar, white small body; no obligatory magnifier/book. Jani is a female fluffy cream-white ragdoll cat, blue eyes, pink nose, large fluffy dark-brown tail; natural four-leg feline anatomy and paws, no human hands, bowtie or clothing. Jani's face MUST be asymmetric: VIEWER LEFT large DARK-BROWN eye patch; VIEWER RIGHT SMALLER LIGHTER patch, irregular white central blaze. Keep face clearly visible so patches can be inspected. Characters integrated in same drawing medium as setting, occupy about a quarter of image together. Bengal circa 1768, after the East India Company acquired revenue rights in 1765. Under the veranda of a modest revenue collection house, a Bengali cultivator delivers a small pouch of coins to a local Indian revenue intermediary seated with scales and a paper ledger. A British company official in a plain eighteenth-century coat observes beside an Indian sepoy in an early Company-era simple coat and turban, no Victorian pith helmet. A family waits beside rice sheaves and a bullock cart; river cultivation beyond the building connects tax to local production. Show unequal company rule mediated by local officials, no courtly surrender or generic conquest. Kuromi and female Jani watch near the cart wheel with sober faces, Jani front-facing. Broad veranda-to-field composition, humid diffused daylight, period cotton garments and brass balance." }, { "kind": "canonical-kuromi-correction", "prompt": "Precise character correction ONLY. Image 1 is the finished historical scene to preserve; image 2 is the canonical Kuromi identity reference. Edit only the EXISTING Kuromi in image 1, keeping her position, size, pose, objects held, and the same emotional expression appropriate to this scene. Replace her collar with solid DARK CHARCOAL fabric and ONLY FOUR TINY PINK BALLS at its tips. Remove ALL broad pink trim or pink collar fabric. Correct both eyes to solid black vertical teardrop/oval shapes with TWO SHORT CURVED OUTER EYELASHES on each eye, exactly matching image 2. Eyes must be SOLID FLAT BLACK silhouettes with NO white glints, highlights, inner irises, pupils or brown shading. Keep black two-point hood, pink skull and white body. Blend changes into the existing hand-drawn medium. Keep Jani the female ragdoll cat completely unchanged including asymmetric brown face patches, blue eyes, anatomy and tail. Preserve all historical people, architecture, period objects, lighting, framing and colors exactly. No new objects, no text, no other changes. Do not mirror the picture." } ], "src": "assets/lesson-scenes/w22-02.webp", "sha256": "fb1cbede931c477cf7ec9714855c47e644aa6ca4b2309223691a0775aa20499c", "bytes": 451534, "thumbnailSrc": "assets/lesson-scenes/w22-02-preview.webp", "thumbnailSha256": "d0937eca7f5242fc2b58bb6fd00257858a2901dfda8d19a826945f9e8c38ac8c", "thumbnailBytes": 144108 }, { "unitId": "w22-03", "title": "A gép és az óra diktálta fonodai munkaritmus", "alt": "Gyári munkásnők fonógépeket kezelnek, felügyelőjük zsebórát tart, Kuromi és Jani a gépek közötti úton figyel.", "caption": "Lancashire, 1825 körül: a gyár egy helyre vonta a gépeket és a munkásokat. Az időbeosztást egyre inkább a gépi ritmus, az óra és a felügyelő ellenőrizte.", "period": "1825 körül", "setting": "Lancashire-i gyapotfonoda", "historicalDetails": [ "mechanikus orsós fonógépsor", "felső szíjhajtás", "sokosztatú téglagyári ablak", "zsebóra és fali óra" ], "placement": { "area": "base", "sectionIndex": 2 }, "scene": "Lancashire cotton spinning mill circa 1825. A line of early spinning mules with wooden frames, rows of spindles and simple overhead power shafts fills a brick mill floor. A woman spinner in plain cotton work dress and cap guides threads while an adult assistant gathers a bobbin basket. A supervisor holding a pocket watch signals the work pace; a small wall clock has only tick marks, no numerals. Show centralized machine rhythm and unequal control over time, not a triumphant inventor portrait. High multipane windows, timber floor, cotton dust kept subtle, no electric motors or modern safety equipment, machinery mechanically plausible. Kuromi and Jani observe from the safe clear walkway at the center-right, Jani face clearly visible and paws natural; no characters touching moving machinery. Deep perspective along work rows, subdued diffuse daylight, serious everyday labor.", "prompt": "Use case: historical-scene. Wide 1536x1024 opaque full-color hand-drawn narrative educational illustration, fine warm contours, coherent illustrated human figures, natural daylight and thoughtful period colors. One scene, no panels, text, labels, dates, watermark or modern flags. Historically grounded everyday materials and architecture; no Hollywood/game/fantasy clichés, no cinematic lighting or generic battle. Input 1 is female Jani identity reference, input 2 is Kuromi identity reference ONLY: do not copy reference props or background. Both are visibly present as curious observers and never replace historical people. Kuromi canonical black two-point jester hood, pink skull and collar, white small body; no obligatory magnifier/book. Jani is a female fluffy cream-white ragdoll cat, blue eyes, pink nose, large fluffy dark-brown tail; natural four-leg feline anatomy and paws, no human hands, bowtie or clothing. Jani's face MUST be asymmetric: VIEWER LEFT large DARK-BROWN eye patch; VIEWER RIGHT SMALLER LIGHTER patch, irregular white central blaze. Keep face clearly visible so patches can be inspected. Characters integrated in same drawing medium as setting, occupy about a quarter of image together. Lancashire cotton spinning mill circa 1825. A line of early spinning mules with wooden frames, rows of spindles and simple overhead power shafts fills a brick mill floor. A woman spinner in plain cotton work dress and cap guides threads while an adult assistant gathers a bobbin basket. A supervisor holding a pocket watch signals the work pace; a small wall clock has only tick marks, no numerals. Show centralized machine rhythm and unequal control over time, not a triumphant inventor portrait. High multipane windows, timber floor, cotton dust kept subtle, no electric motors or modern safety equipment, machinery mechanically plausible. Kuromi and Jani observe from the safe clear walkway at the center-right, Jani face clearly visible and paws natural; no characters touching moving machinery. Deep perspective along work rows, subdued diffuse daylight, serious everyday labor.\n\nImage correction after visual review:\nPrecise character correction ONLY. Image 1 is the finished historical scene to preserve; image 2 is the canonical Kuromi identity reference. Edit only the EXISTING Kuromi in image 1, keeping her position, size, pose, objects held, and the same emotional expression appropriate to this scene. Replace her collar with solid DARK CHARCOAL fabric and ONLY FOUR TINY PINK BALLS at its tips. Remove ALL broad pink trim or pink collar fabric. Correct both eyes to solid black vertical teardrop/oval shapes with TWO SHORT CURVED OUTER EYELASHES on each eye, exactly matching image 2. Eyes must be SOLID FLAT BLACK silhouettes with NO white glints, highlights, inner irises, pupils or brown shading. Keep black two-point hood, pink skull and white body. Blend changes into the existing hand-drawn medium. Keep Jani the female ragdoll cat completely unchanged including asymmetric brown face patches, blue eyes, anatomy and tail. Preserve all historical people, architecture, period objects, lighting, framing and colors exactly. No new objects, no text, no other changes. Do not mirror the picture.", "sourceBasis": [ { "book": "v2", "pdfPages": [ 243, 251 ], "chapter": "6.3 Capitalism and the First Industrial Revolution" }, { "book": "v2", "pdfPages": [ 247, 248 ], "chapter": "6.3 Capitalism and the First Industrial Revolution" } ], "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [], "canonicalKuromi": true }, "initialPrompt": "Use case: historical-scene. Wide 1536x1024 opaque full-color hand-drawn narrative educational illustration, fine warm contours, coherent illustrated human figures, natural daylight and thoughtful period colors. One scene, no panels, text, labels, dates, watermark or modern flags. Historically grounded everyday materials and architecture; no Hollywood/game/fantasy clichés, no cinematic lighting or generic battle. Input 1 is female Jani identity reference, input 2 is Kuromi identity reference ONLY: do not copy reference props or background. Both are visibly present as curious observers and never replace historical people. Kuromi canonical black two-point jester hood, pink skull and collar, white small body; no obligatory magnifier/book. Jani is a female fluffy cream-white ragdoll cat, blue eyes, pink nose, large fluffy dark-brown tail; natural four-leg feline anatomy and paws, no human hands, bowtie or clothing. Jani's face MUST be asymmetric: VIEWER LEFT large DARK-BROWN eye patch; VIEWER RIGHT SMALLER LIGHTER patch, irregular white central blaze. Keep face clearly visible so patches can be inspected. Characters integrated in same drawing medium as setting, occupy about a quarter of image together. Lancashire cotton spinning mill circa 1825. A line of early spinning mules with wooden frames, rows of spindles and simple overhead power shafts fills a brick mill floor. A woman spinner in plain cotton work dress and cap guides threads while an adult assistant gathers a bobbin basket. A supervisor holding a pocket watch signals the work pace; a small wall clock has only tick marks, no numerals. Show centralized machine rhythm and unequal control over time, not a triumphant inventor portrait. High multipane windows, timber floor, cotton dust kept subtle, no electric motors or modern safety equipment, machinery mechanically plausible. Kuromi and Jani observe from the safe clear walkway at the center-right, Jani face clearly visible and paws natural; no characters touching moving machinery. Deep perspective along work rows, subdued diffuse daylight, serious everyday labor.", "generationHistory": [ { "kind": "initial-generation", "prompt": "Use case: historical-scene. Wide 1536x1024 opaque full-color hand-drawn narrative educational illustration, fine warm contours, coherent illustrated human figures, natural daylight and thoughtful period colors. One scene, no panels, text, labels, dates, watermark or modern flags. Historically grounded everyday materials and architecture; no Hollywood/game/fantasy clichés, no cinematic lighting or generic battle. Input 1 is female Jani identity reference, input 2 is Kuromi identity reference ONLY: do not copy reference props or background. Both are visibly present as curious observers and never replace historical people. Kuromi canonical black two-point jester hood, pink skull and collar, white small body; no obligatory magnifier/book. Jani is a female fluffy cream-white ragdoll cat, blue eyes, pink nose, large fluffy dark-brown tail; natural four-leg feline anatomy and paws, no human hands, bowtie or clothing. Jani's face MUST be asymmetric: VIEWER LEFT large DARK-BROWN eye patch; VIEWER RIGHT SMALLER LIGHTER patch, irregular white central blaze. Keep face clearly visible so patches can be inspected. Characters integrated in same drawing medium as setting, occupy about a quarter of image together. Lancashire cotton spinning mill circa 1825. A line of early spinning mules with wooden frames, rows of spindles and simple overhead power shafts fills a brick mill floor. A woman spinner in plain cotton work dress and cap guides threads while an adult assistant gathers a bobbin basket. A supervisor holding a pocket watch signals the work pace; a small wall clock has only tick marks, no numerals. Show centralized machine rhythm and unequal control over time, not a triumphant inventor portrait. High multipane windows, timber floor, cotton dust kept subtle, no electric motors or modern safety equipment, machinery mechanically plausible. Kuromi and Jani observe from the safe clear walkway at the center-right, Jani face clearly visible and paws natural; no characters touching moving machinery. Deep perspective along work rows, subdued diffuse daylight, serious everyday labor." }, { "kind": "canonical-kuromi-correction", "prompt": "Precise character correction ONLY. Image 1 is the finished historical scene to preserve; image 2 is the canonical Kuromi identity reference. Edit only the EXISTING Kuromi in image 1, keeping her position, size, pose, objects held, and the same emotional expression appropriate to this scene. Replace her collar with solid DARK CHARCOAL fabric and ONLY FOUR TINY PINK BALLS at its tips. Remove ALL broad pink trim or pink collar fabric. Correct both eyes to solid black vertical teardrop/oval shapes with TWO SHORT CURVED OUTER EYELASHES on each eye, exactly matching image 2. Eyes must be SOLID FLAT BLACK silhouettes with NO white glints, highlights, inner irises, pupils or brown shading. Keep black two-point hood, pink skull and white body. Blend changes into the existing hand-drawn medium. Keep Jani the female ragdoll cat completely unchanged including asymmetric brown face patches, blue eyes, anatomy and tail. Preserve all historical people, architecture, period objects, lighting, framing and colors exactly. No new objects, no text, no other changes. Do not mirror the picture." } ], "src": "assets/lesson-scenes/w22-03.webp", "sha256": "7dafeaa63224192d8e8b6e412b866799b96b61e9b075145533eae83c01a386f4", "bytes": 391096, "thumbnailSrc": "assets/lesson-scenes/w22-03-preview.webp", "thumbnailSha256": "f17d37e3095d8f59a8b84842e06201b21e8df9092fedae5e76eb679d2e922a74", "thumbnailBytes": 133172 }, { "unitId": "w23-00a", "title": "Lencsecsiszolás és a megfigyelés ellenőrizhető eszköze", "alt": "Egy padovai műhelyben lencsét csiszolnak és távcsövet próbálnak, Kuromi a műhelyasztalnál, Jani az ablakban figyel.", "caption": "Padova, 1610 körül: az új megfigyelések lehetőségét az üvegcsiszolók és műszerkészítők munkája is alakította. A műszer megbízhatóságát próbákkal és összehasonlítással kellett igazolni.", "period": "1610 körül", "setting": "Padovai lencsekészítő műhely", "historicalDetails": [ "lencsecsiszoló eszköz", "üveglencse-próbadarabok", "egyszerű hosszú refraktor", "réz körző és műhelykellékek" ], "placement": { "area": "base", "sectionIndex": 2 }, "scene": "Padua circa 1610, a lens-maker's workshop connected to early telescopic observation. A practical artisan in plain doublet polishes a small glass lens on a grinding tool while a scholar in dark early-seventeenth-century clothing adjusts a slender leather-covered wooden refracting telescope on a simple support, aimed out an open window toward a distant roof tower, NEVER at the sun. A third adult checks a second lens beside the first, illustrating skilled manufacture and repeatable testing rather than a lone genius. Small glass blanks, curved polishing bowl, brass dividers, folded correspondence without readable words. Kuromi leans forward beside the polishing station observing carefully; female Jani sits by the window with clear asymmetric face. Intimate lateral composition with strong foreground craft detail, neutral clear daylight, no modern lab, holograms, Newton apple or anachronistic brass observatory.", "prompt": "Use case: historical-scene. Wide 1536x1024 opaque full-color hand-drawn narrative educational illustration, fine warm contours, coherent illustrated human figures, natural daylight and thoughtful period colors. One scene, no panels, text, labels, dates, watermark or modern flags. Historically grounded everyday materials and architecture; no Hollywood/game/fantasy clichés, no cinematic lighting or generic battle. Input 1 is female Jani identity reference, input 2 is Kuromi identity reference ONLY: do not copy reference props or background. Both are visibly present as curious observers and never replace historical people. Kuromi canonical black two-point jester hood, pink skull and collar, white small body; no obligatory magnifier/book. Jani is a female fluffy cream-white ragdoll cat, blue eyes, pink nose, large fluffy dark-brown tail; natural four-leg feline anatomy and paws, no human hands, bowtie or clothing. Jani's face MUST be asymmetric: VIEWER LEFT large DARK-BROWN eye patch; VIEWER RIGHT SMALLER LIGHTER patch, irregular white central blaze. Keep face clearly visible so patches can be inspected. Characters integrated in same drawing medium as setting, occupy about a quarter of image together. Padua circa 1610, a lens-maker's workshop connected to early telescopic observation. A practical artisan in plain doublet polishes a small glass lens on a grinding tool while a scholar in dark early-seventeenth-century clothing adjusts a slender leather-covered wooden refracting telescope on a simple support, aimed out an open window toward a distant roof tower, NEVER at the sun. A third adult checks a second lens beside the first, illustrating skilled manufacture and repeatable testing rather than a lone genius. Small glass blanks, curved polishing bowl, brass dividers, folded correspondence without readable words. Kuromi leans forward beside the polishing station observing carefully; female Jani sits by the window with clear asymmetric face. Intimate lateral composition with strong foreground craft detail, neutral clear daylight, no modern lab, holograms, Newton apple or anachronistic brass observatory.\n\nImage correction after visual review:\nPrecise character correction ONLY. Image 1 is the finished historical scene to preserve; image 2 is the canonical Kuromi identity reference. Edit only the EXISTING Kuromi in image 1, keeping her position, size, pose, objects held, and the same emotional expression appropriate to this scene. Replace her collar with solid DARK CHARCOAL fabric and ONLY FOUR TINY PINK BALLS at its tips. Remove ALL broad pink trim or pink collar fabric. Correct both eyes to solid black vertical teardrop/oval shapes with TWO SHORT CURVED OUTER EYELASHES on each eye, exactly matching image 2. Eyes must be SOLID FLAT BLACK silhouettes with NO white glints, highlights, inner irises, pupils or brown shading. Keep black two-point hood, pink skull and white body. Blend changes into the existing hand-drawn medium. Keep Jani the female ragdoll cat completely unchanged including asymmetric brown face patches, blue eyes, anatomy and tail. Preserve all historical people, architecture, period objects, lighting, framing and colors exactly. No new objects, no text, no other changes. Do not mirror the picture.", "sourceBasis": [ { "book": "v2", "pdfPages": [ 259, 261 ], "chapter": "7.1 The Enlightenment" }, { "book": "obp", "pdfPages": [ 452, 461 ], "chapter": "4.1.1 Science and Technological Change in Early Modern History; Jan Hansen, Jiří Janáč, Lilla Krász és Marco Mostert" }, { "book": "obp", "pdfPages": [ 554, 554 ], "chapter": "4.4.1 Understanding and Controlling the Environment in Early Modern History; Laurent Brassart, Jessica Dijkman, Jan Hansen és Jiří Janáč" }, { "book": "obp", "pdfPages": [ 453, 457 ], "chapter": "4.1.1 Science and Technological Change in Early Modern History" } ], "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [], "canonicalKuromi": true }, "initialPrompt": "Use case: historical-scene. Wide 1536x1024 opaque full-color hand-drawn narrative educational illustration, fine warm contours, coherent illustrated human figures, natural daylight and thoughtful period colors. One scene, no panels, text, labels, dates, watermark or modern flags. Historically grounded everyday materials and architecture; no Hollywood/game/fantasy clichés, no cinematic lighting or generic battle. Input 1 is female Jani identity reference, input 2 is Kuromi identity reference ONLY: do not copy reference props or background. Both are visibly present as curious observers and never replace historical people. Kuromi canonical black two-point jester hood, pink skull and collar, white small body; no obligatory magnifier/book. Jani is a female fluffy cream-white ragdoll cat, blue eyes, pink nose, large fluffy dark-brown tail; natural four-leg feline anatomy and paws, no human hands, bowtie or clothing. Jani's face MUST be asymmetric: VIEWER LEFT large DARK-BROWN eye patch; VIEWER RIGHT SMALLER LIGHTER patch, irregular white central blaze. Keep face clearly visible so patches can be inspected. Characters integrated in same drawing medium as setting, occupy about a quarter of image together. Padua circa 1610, a lens-maker's workshop connected to early telescopic observation. A practical artisan in plain doublet polishes a small glass lens on a grinding tool while a scholar in dark early-seventeenth-century clothing adjusts a slender leather-covered wooden refracting telescope on a simple support, aimed out an open window toward a distant roof tower, NEVER at the sun. A third adult checks a second lens beside the first, illustrating skilled manufacture and repeatable testing rather than a lone genius. Small glass blanks, curved polishing bowl, brass dividers, folded correspondence without readable words. Kuromi leans forward beside the polishing station observing carefully; female Jani sits by the window with clear asymmetric face. Intimate lateral composition with strong foreground craft detail, neutral clear daylight, no modern lab, holograms, Newton apple or anachronistic brass observatory.", "generationHistory": [ { "kind": "initial-generation", "prompt": "Use case: historical-scene. Wide 1536x1024 opaque full-color hand-drawn narrative educational illustration, fine warm contours, coherent illustrated human figures, natural daylight and thoughtful period colors. One scene, no panels, text, labels, dates, watermark or modern flags. Historically grounded everyday materials and architecture; no Hollywood/game/fantasy clichés, no cinematic lighting or generic battle. Input 1 is female Jani identity reference, input 2 is Kuromi identity reference ONLY: do not copy reference props or background. Both are visibly present as curious observers and never replace historical people. Kuromi canonical black two-point jester hood, pink skull and collar, white small body; no obligatory magnifier/book. Jani is a female fluffy cream-white ragdoll cat, blue eyes, pink nose, large fluffy dark-brown tail; natural four-leg feline anatomy and paws, no human hands, bowtie or clothing. Jani's face MUST be asymmetric: VIEWER LEFT large DARK-BROWN eye patch; VIEWER RIGHT SMALLER LIGHTER patch, irregular white central blaze. Keep face clearly visible so patches can be inspected. Characters integrated in same drawing medium as setting, occupy about a quarter of image together. Padua circa 1610, a lens-maker's workshop connected to early telescopic observation. A practical artisan in plain doublet polishes a small glass lens on a grinding tool while a scholar in dark early-seventeenth-century clothing adjusts a slender leather-covered wooden refracting telescope on a simple support, aimed out an open window toward a distant roof tower, NEVER at the sun. A third adult checks a second lens beside the first, illustrating skilled manufacture and repeatable testing rather than a lone genius. Small glass blanks, curved polishing bowl, brass dividers, folded correspondence without readable words. Kuromi leans forward beside the polishing station observing carefully; female Jani sits by the window with clear asymmetric face. Intimate lateral composition with strong foreground craft detail, neutral clear daylight, no modern lab, holograms, Newton apple or anachronistic brass observatory." }, { "kind": "canonical-kuromi-correction", "prompt": "Precise character correction ONLY. Image 1 is the finished historical scene to preserve; image 2 is the canonical Kuromi identity reference. Edit only the EXISTING Kuromi in image 1, keeping her position, size, pose, objects held, and the same emotional expression appropriate to this scene. Replace her collar with solid DARK CHARCOAL fabric and ONLY FOUR TINY PINK BALLS at its tips. Remove ALL broad pink trim or pink collar fabric. Correct both eyes to solid black vertical teardrop/oval shapes with TWO SHORT CURVED OUTER EYELASHES on each eye, exactly matching image 2. Eyes must be SOLID FLAT BLACK silhouettes with NO white glints, highlights, inner irises, pupils or brown shading. Keep black two-point hood, pink skull and white body. Blend changes into the existing hand-drawn medium. Keep Jani the female ragdoll cat completely unchanged including asymmetric brown face patches, blue eyes, anatomy and tail. Preserve all historical people, architecture, period objects, lighting, framing and colors exactly. No new objects, no text, no other changes. Do not mirror the picture." } ], "src": "assets/lesson-scenes/w23-00a.webp", "sha256": "0851f91a34e4e7b35b50731fd7592f410604e13095d17656f7c449598c147c95", "bytes": 338212, "thumbnailSrc": "assets/lesson-scenes/w23-00a-preview.webp", "thumbnailSha256": "fcc07680c33ea036559ff23fbc0fe7185fe5d0a858c9b17882af078931e13bdf", "thumbnailBytes": 111722 }, { "unitId": "w23-00b", "title": "A királyhoz vezető ajtó és az udvari rang", "alt": "Versailles előszobájában egy udvari tiszt beljebb enged egy nemest, a többiek várakoznak Kuromi és Jani mellett.", "caption": "Versailles, 1685 körül: a király megközelítését az etikett és a rang szabályozta. Az elismerésért és hivatalért versengő nemesség befolyása az uralkodói kegyhez kötődött.", "period": "1685 körül", "setting": "Versailles udvari előszobája", "historicalDetails": [ "justaucorps és hosszú paróka", "rang szerint ellenőrzött bejárat", "kérvényt tartó udvari nemes", "parketta és kárpitozott várópad" ], "placement": { "area": "base", "sectionIndex": 1 }, "scene": "Versailles circa 1685 after court moved there in 1682. In a restrained palace antechamber a chamber official controls access through an open doorway: one privileged noble in a richly embroidered justaucorps and long wig is admitted toward the king's distant reception room while other equally dressed nobles wait, one holding a folded petition. The visual mechanism is ranked access and competition for royal favor, not an extravagant party or throne fantasy. Period paneled door, parquet floor, wall sconce and a modest marble pilaster, court swords sheathed, wide lace cuffs, no later Hall-of-Mirrors reconstruction details or modern gilded tourist rope. Kuromi and female Jani stand beside the waiting bench at foreground left, observing who enters; Jani faces viewer. View across doorway and waiting faces, soft tall-window daylight, coherent narrative illustration.", "prompt": "Use case: historical-scene. Wide 1536x1024 opaque full-color hand-drawn narrative educational illustration, fine warm contours, coherent illustrated human figures, natural daylight and thoughtful period colors. One scene, no panels, text, labels, dates, watermark or modern flags. Historically grounded everyday materials and architecture; no Hollywood/game/fantasy clichés, no cinematic lighting or generic battle. Input 1 is female Jani identity reference, input 2 is Kuromi identity reference ONLY: do not copy reference props or background. Both are visibly present as curious observers and never replace historical people. Kuromi canonical black two-point jester hood, pink skull and collar, white small body; no obligatory magnifier/book. Jani is a female fluffy cream-white ragdoll cat, blue eyes, pink nose, large fluffy dark-brown tail; natural four-leg feline anatomy and paws, no human hands, bowtie or clothing. Jani's face MUST be asymmetric: VIEWER LEFT large DARK-BROWN eye patch; VIEWER RIGHT SMALLER LIGHTER patch, irregular white central blaze. Keep face clearly visible so patches can be inspected. Characters integrated in same drawing medium as setting, occupy about a quarter of image together. Versailles circa 1685 after court moved there in 1682. In a restrained palace antechamber a chamber official controls access through an open doorway: one privileged noble in a richly embroidered justaucorps and long wig is admitted toward the king's distant reception room while other equally dressed nobles wait, one holding a folded petition. The visual mechanism is ranked access and competition for royal favor, not an extravagant party or throne fantasy. Period paneled door, parquet floor, wall sconce and a modest marble pilaster, court swords sheathed, wide lace cuffs, no later Hall-of-Mirrors reconstruction details or modern gilded tourist rope. Kuromi and female Jani stand beside the waiting bench at foreground left, observing who enters; Jani faces viewer. View across doorway and waiting faces, soft tall-window daylight, coherent narrative illustration.\n\nImage correction after visual review:\nPrecise character correction ONLY. Image 1 is the finished historical scene to preserve; image 2 is the canonical Kuromi identity reference. Edit only the EXISTING Kuromi in image 1, keeping her position, size, pose, objects held, and the same emotional expression appropriate to this scene. Replace her collar with solid DARK CHARCOAL fabric and ONLY FOUR TINY PINK BALLS at its tips. Remove ALL broad pink trim or pink collar fabric. Correct both eyes to solid black vertical teardrop/oval shapes with TWO SHORT CURVED OUTER EYELASHES on each eye, exactly matching image 2. Eyes must be SOLID FLAT BLACK silhouettes with NO white glints, highlights, inner irises, pupils or brown shading. Keep black two-point hood, pink skull and white body. Blend changes into the existing hand-drawn medium. Keep Jani the female ragdoll cat completely unchanged including asymmetric brown face patches, blue eyes, anatomy and tail. Preserve all historical people, architecture, period objects, lighting, framing and colors exactly. No new objects, no text, no other changes. Do not mirror the picture.", "sourceBasis": [ { "book": "v2", "pdfPages": [ 191, 193 ], "chapter": "5.3 The Mercantilist Economy" }, { "book": "obp", "pdfPages": [ 286, 291 ], "chapter": "3.1.1 State-building and Nationalism in Early Modern History; Stefan B. Kirmse, Maarten Prak és Roberto Quirós Rosado" }, { "book": "obp", "pdfPages": [ 389, 390 ], "chapter": "3.4.1 Peace and Conflict in Early Modern History; Roberto Quirós Rosado és Devin Vartija" }, { "book": "obp", "pdfPages": [ 287, 291 ], "chapter": "3.1.1 State-building and Nationalism in Early Modern History" } ], "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [], "canonicalKuromi": true }, "initialPrompt": "Use case: historical-scene. Wide 1536x1024 opaque full-color hand-drawn narrative educational illustration, fine warm contours, coherent illustrated human figures, natural daylight and thoughtful period colors. One scene, no panels, text, labels, dates, watermark or modern flags. Historically grounded everyday materials and architecture; no Hollywood/game/fantasy clichés, no cinematic lighting or generic battle. Input 1 is female Jani identity reference, input 2 is Kuromi identity reference ONLY: do not copy reference props or background. Both are visibly present as curious observers and never replace historical people. Kuromi canonical black two-point jester hood, pink skull and collar, white small body; no obligatory magnifier/book. Jani is a female fluffy cream-white ragdoll cat, blue eyes, pink nose, large fluffy dark-brown tail; natural four-leg feline anatomy and paws, no human hands, bowtie or clothing. Jani's face MUST be asymmetric: VIEWER LEFT large DARK-BROWN eye patch; VIEWER RIGHT SMALLER LIGHTER patch, irregular white central blaze. Keep face clearly visible so patches can be inspected. Characters integrated in same drawing medium as setting, occupy about a quarter of image together. Versailles circa 1685 after court moved there in 1682. In a restrained palace antechamber a chamber official controls access through an open doorway: one privileged noble in a richly embroidered justaucorps and long wig is admitted toward the king's distant reception room while other equally dressed nobles wait, one holding a folded petition. The visual mechanism is ranked access and competition for royal favor, not an extravagant party or throne fantasy. Period paneled door, parquet floor, wall sconce and a modest marble pilaster, court swords sheathed, wide lace cuffs, no later Hall-of-Mirrors reconstruction details or modern gilded tourist rope. Kuromi and female Jani stand beside the waiting bench at foreground left, observing who enters; Jani faces viewer. View across doorway and waiting faces, soft tall-window daylight, coherent narrative illustration.", "generationHistory": [ { "kind": "initial-generation", "prompt": "Use case: historical-scene. Wide 1536x1024 opaque full-color hand-drawn narrative educational illustration, fine warm contours, coherent illustrated human figures, natural daylight and thoughtful period colors. One scene, no panels, text, labels, dates, watermark or modern flags. Historically grounded everyday materials and architecture; no Hollywood/game/fantasy clichés, no cinematic lighting or generic battle. Input 1 is female Jani identity reference, input 2 is Kuromi identity reference ONLY: do not copy reference props or background. Both are visibly present as curious observers and never replace historical people. Kuromi canonical black two-point jester hood, pink skull and collar, white small body; no obligatory magnifier/book. Jani is a female fluffy cream-white ragdoll cat, blue eyes, pink nose, large fluffy dark-brown tail; natural four-leg feline anatomy and paws, no human hands, bowtie or clothing. Jani's face MUST be asymmetric: VIEWER LEFT large DARK-BROWN eye patch; VIEWER RIGHT SMALLER LIGHTER patch, irregular white central blaze. Keep face clearly visible so patches can be inspected. Characters integrated in same drawing medium as setting, occupy about a quarter of image together. Versailles circa 1685 after court moved there in 1682. In a restrained palace antechamber a chamber official controls access through an open doorway: one privileged noble in a richly embroidered justaucorps and long wig is admitted toward the king's distant reception room while other equally dressed nobles wait, one holding a folded petition. The visual mechanism is ranked access and competition for royal favor, not an extravagant party or throne fantasy. Period paneled door, parquet floor, wall sconce and a modest marble pilaster, court swords sheathed, wide lace cuffs, no later Hall-of-Mirrors reconstruction details or modern gilded tourist rope. Kuromi and female Jani stand beside the waiting bench at foreground left, observing who enters; Jani faces viewer. View across doorway and waiting faces, soft tall-window daylight, coherent narrative illustration." }, { "kind": "canonical-kuromi-correction", "prompt": "Precise character correction ONLY. Image 1 is the finished historical scene to preserve; image 2 is the canonical Kuromi identity reference. Edit only the EXISTING Kuromi in image 1, keeping her position, size, pose, objects held, and the same emotional expression appropriate to this scene. Replace her collar with solid DARK CHARCOAL fabric and ONLY FOUR TINY PINK BALLS at its tips. Remove ALL broad pink trim or pink collar fabric. Correct both eyes to solid black vertical teardrop/oval shapes with TWO SHORT CURVED OUTER EYELASHES on each eye, exactly matching image 2. Eyes must be SOLID FLAT BLACK silhouettes with NO white glints, highlights, inner irises, pupils or brown shading. Keep black two-point hood, pink skull and white body. Blend changes into the existing hand-drawn medium. Keep Jani the female ragdoll cat completely unchanged including asymmetric brown face patches, blue eyes, anatomy and tail. Preserve all historical people, architecture, period objects, lighting, framing and colors exactly. No new objects, no text, no other changes. Do not mirror the picture." } ], "src": "assets/lesson-scenes/w23-00b.webp", "sha256": "b3b16c0326fad6c4785ce4268ec834ee0782a4a7cfea8d947b785c9374e2d569", "bytes": 331444, "thumbnailSrc": "assets/lesson-scenes/w23-00b-preview.webp", "thumbnailSha256": "a60b4eae33b6d35cd9e3cc975096044f07ed3b60697d89f24c75152d622d9516", "thumbnailBytes": 110972 }, { "unitId": "w23-00c", "title": "Petíció szervezése a londoni polgárok között", "alt": "Londoni kézműves petícióhoz írja nevét, a körülötte állók vitáznak, Kuromi és Jani az ajtó mellett figyel.", "caption": "London, 1641 körül: a petíció a parlamenti mandátummal nem rendelkezőknek is részvételi csatornát kínált. A tömeges kérelmek politikai nyomást jeleztek, a választójog azonban továbbra is szűk maradt.", "period": "1641 körül", "setting": "Londoni céhes találkozóhely előtti utca", "historicalDetails": [ "tollal aláírt kérvény", "céhes kézművesek bőrkötényben", "17. századi széles gallér", "favázas üzlethelyiség" ], "placement": { "area": "advanced", "sectionIndex": 0 }, "scene": "London circa 1641 during the constitutional conflict before civil war. Outside a modest guild meeting room a petition organizer in sober broad-collared seventeenth-century clothing places a long folded petition sheet before a city craftsman who adds a mark with quill. Several tradespeople wait and discuss grievances, a woman shopkeeper listens and contributes verbally but nobody is depicted casting a modern ballot. A guild clerk prepares the document to be carried to Parliament. Page writing indistinct, no legible slogans. Timber shopfront, leather apron, ink horn and quill, civic participation through petitions alongside restricted franchise. No Big Ben, modern Westminster palace, Union Jack or barricades. Kuromi studies the queue from beside the doorway, Jani sits naturally on the doorstep facing viewer. Busy but focused street-level composition, ordinary daylight.", "prompt": "Use case: historical-scene. Wide 1536x1024 opaque full-color hand-drawn narrative educational illustration, fine warm contours, coherent illustrated human figures, natural daylight and thoughtful period colors. One scene, no panels, text, labels, dates, watermark or modern flags. Historically grounded everyday materials and architecture; no Hollywood/game/fantasy clichés, no cinematic lighting or generic battle. Input 1 is female Jani identity reference, input 2 is Kuromi identity reference ONLY: do not copy reference props or background. Both are visibly present as curious observers and never replace historical people. Kuromi canonical black two-point jester hood, pink skull and collar, white small body; no obligatory magnifier/book. Jani is a female fluffy cream-white ragdoll cat, blue eyes, pink nose, large fluffy dark-brown tail; natural four-leg feline anatomy and paws, no human hands, bowtie or clothing. Jani's face MUST be asymmetric: VIEWER LEFT large DARK-BROWN eye patch; VIEWER RIGHT SMALLER LIGHTER patch, irregular white central blaze. Keep face clearly visible so patches can be inspected. Characters integrated in same drawing medium as setting, occupy about a quarter of image together. London circa 1641 during the constitutional conflict before civil war. Outside a modest guild meeting room a petition organizer in sober broad-collared seventeenth-century clothing places a long folded petition sheet before a city craftsman who adds a mark with quill. Several tradespeople wait and discuss grievances, a woman shopkeeper listens and contributes verbally but nobody is depicted casting a modern ballot. A guild clerk prepares the document to be carried to Parliament. Page writing indistinct, no legible slogans. Timber shopfront, leather apron, ink horn and quill, civic participation through petitions alongside restricted franchise. No Big Ben, modern Westminster palace, Union Jack or barricades. Kuromi studies the queue from beside the doorway, Jani sits naturally on the doorstep facing viewer. Busy but focused street-level composition, ordinary daylight.\n\nImage correction after visual review:\nPrecise character correction ONLY. Image 1 is the finished historical scene to preserve; image 2 is the canonical Kuromi identity reference. Edit only the EXISTING Kuromi in image 1, keeping her position, size, pose, objects held, and the same emotional expression appropriate to this scene. Replace her collar with solid DARK CHARCOAL fabric and ONLY FOUR TINY PINK BALLS at its tips. Remove ALL broad pink trim or pink collar fabric. Correct both eyes to solid black vertical teardrop/oval shapes with TWO SHORT CURVED OUTER EYELASHES on each eye, exactly matching image 2. Eyes must be SOLID FLAT BLACK silhouettes with NO white glints, highlights, inner irises, pupils or brown shading. Keep black two-point hood, pink skull and white body. Blend changes into the existing hand-drawn medium. Keep Jani the female ragdoll cat completely unchanged including asymmetric brown face patches, blue eyes, anatomy and tail. Preserve all historical people, architecture, period objects, lighting, framing and colors exactly. No new objects, no text, no other changes. Do not mirror the picture.", "sourceBasis": [ { "book": "v2", "pdfPages": [ 264, 265 ], "chapter": "7.1 The Enlightenment: Hobbes és a Leviathan" }, { "book": "obp", "pdfPages": [ 350, 352 ], "chapter": "3.3.1 Revolutions and Civil Wars in Early Modern History; Lars Behrisch, Benjamin Conrad és Laurent Brassart" }, { "book": "obp", "pdfPages": [ 290, 291 ], "chapter": "3.1.1 State-building and Nationalism in Early Modern History; Stefan B. Kirmse, Maarten Prak és Roberto Quirós Rosado" }, { "book": "obp", "pdfPages": [ 290, 291 ], "chapter": "3.1.1 State-building and Nationalism in Early Modern History" }, { "book": "obp", "pdfPages": [ 351, 352 ], "chapter": "3.3.1 Revolutions and Civil Wars in Early Modern History" } ], "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [], "canonicalKuromi": true }, "initialPrompt": "Use case: historical-scene. Wide 1536x1024 opaque full-color hand-drawn narrative educational illustration, fine warm contours, coherent illustrated human figures, natural daylight and thoughtful period colors. One scene, no panels, text, labels, dates, watermark or modern flags. Historically grounded everyday materials and architecture; no Hollywood/game/fantasy clichés, no cinematic lighting or generic battle. Input 1 is female Jani identity reference, input 2 is Kuromi identity reference ONLY: do not copy reference props or background. Both are visibly present as curious observers and never replace historical people. Kuromi canonical black two-point jester hood, pink skull and collar, white small body; no obligatory magnifier/book. Jani is a female fluffy cream-white ragdoll cat, blue eyes, pink nose, large fluffy dark-brown tail; natural four-leg feline anatomy and paws, no human hands, bowtie or clothing. Jani's face MUST be asymmetric: VIEWER LEFT large DARK-BROWN eye patch; VIEWER RIGHT SMALLER LIGHTER patch, irregular white central blaze. Keep face clearly visible so patches can be inspected. Characters integrated in same drawing medium as setting, occupy about a quarter of image together. London circa 1641 during the constitutional conflict before civil war. Outside a modest guild meeting room a petition organizer in sober broad-collared seventeenth-century clothing places a long folded petition sheet before a city craftsman who adds a mark with quill. Several tradespeople wait and discuss grievances, a woman shopkeeper listens and contributes verbally but nobody is depicted casting a modern ballot. A guild clerk prepares the document to be carried to Parliament. Page writing indistinct, no legible slogans. Timber shopfront, leather apron, ink horn and quill, civic participation through petitions alongside restricted franchise. No Big Ben, modern Westminster palace, Union Jack or barricades. Kuromi studies the queue from beside the doorway, Jani sits naturally on the doorstep facing viewer. Busy but focused street-level composition, ordinary daylight.", "generationHistory": [ { "kind": "initial-generation", "prompt": "Use case: historical-scene. Wide 1536x1024 opaque full-color hand-drawn narrative educational illustration, fine warm contours, coherent illustrated human figures, natural daylight and thoughtful period colors. One scene, no panels, text, labels, dates, watermark or modern flags. Historically grounded everyday materials and architecture; no Hollywood/game/fantasy clichés, no cinematic lighting or generic battle. Input 1 is female Jani identity reference, input 2 is Kuromi identity reference ONLY: do not copy reference props or background. Both are visibly present as curious observers and never replace historical people. Kuromi canonical black two-point jester hood, pink skull and collar, white small body; no obligatory magnifier/book. Jani is a female fluffy cream-white ragdoll cat, blue eyes, pink nose, large fluffy dark-brown tail; natural four-leg feline anatomy and paws, no human hands, bowtie or clothing. Jani's face MUST be asymmetric: VIEWER LEFT large DARK-BROWN eye patch; VIEWER RIGHT SMALLER LIGHTER patch, irregular white central blaze. Keep face clearly visible so patches can be inspected. Characters integrated in same drawing medium as setting, occupy about a quarter of image together. London circa 1641 during the constitutional conflict before civil war. Outside a modest guild meeting room a petition organizer in sober broad-collared seventeenth-century clothing places a long folded petition sheet before a city craftsman who adds a mark with quill. Several tradespeople wait and discuss grievances, a woman shopkeeper listens and contributes verbally but nobody is depicted casting a modern ballot. A guild clerk prepares the document to be carried to Parliament. Page writing indistinct, no legible slogans. Timber shopfront, leather apron, ink horn and quill, civic participation through petitions alongside restricted franchise. No Big Ben, modern Westminster palace, Union Jack or barricades. Kuromi studies the queue from beside the doorway, Jani sits naturally on the doorstep facing viewer. Busy but focused street-level composition, ordinary daylight." }, { "kind": "canonical-kuromi-correction", "prompt": "Precise character correction ONLY. Image 1 is the finished historical scene to preserve; image 2 is the canonical Kuromi identity reference. Edit only the EXISTING Kuromi in image 1, keeping her position, size, pose, objects held, and the same emotional expression appropriate to this scene. Replace her collar with solid DARK CHARCOAL fabric and ONLY FOUR TINY PINK BALLS at its tips. Remove ALL broad pink trim or pink collar fabric. Correct both eyes to solid black vertical teardrop/oval shapes with TWO SHORT CURVED OUTER EYELASHES on each eye, exactly matching image 2. Eyes must be SOLID FLAT BLACK silhouettes with NO white glints, highlights, inner irises, pupils or brown shading. Keep black two-point hood, pink skull and white body. Blend changes into the existing hand-drawn medium. Keep Jani the female ragdoll cat completely unchanged including asymmetric brown face patches, blue eyes, anatomy and tail. Preserve all historical people, architecture, period objects, lighting, framing and colors exactly. No new objects, no text, no other changes. Do not mirror the picture." } ], "src": "assets/lesson-scenes/w23-00c.webp", "sha256": "be17ea1fd3c013eb54ba700dbdda17d3a4b567681ec59c97d5116607681281d2", "bytes": 383868, "thumbnailSrc": "assets/lesson-scenes/w23-00c-preview.webp", "thumbnailSha256": "c1ea00387390b7f28646268b3c53af01c5506fa565bd1eafef0144cbd3f6f059", "thumbnailBytes": 128440 }, { "unitId": "w23-01", "title": "Filozófiai vita az uralkodói dolgozószobában", "alt": "Voltaire kéziratot mutat II. Frigyesnek, a király mellett hivatalos irat és titkár vár, Kuromi és Jani figyel.", "caption": "Potsdam, 1751 körül: Voltaire és II. Frigyes kapcsolata az udvari támogatás lehetőségét és korlátját is mutatja. A felvilágosult reform nyelve nem jelentette a politikai hatalom átadását az alattvalóknak.", "period": "1751 körül", "setting": "Porosz udvari dolgozószoba Potsdamban", "historicalDetails": [ "18. századi porosz udvari ruházat", "kézirat és pecsétes uralkodói irat", "porcelán tintatartó és lúdtoll", "uralkodói titkár jelenléte" ], "placement": { "area": "advanced", "sectionIndex": 1 }, "scene": "Potsdam circa 1751, an intimate room at the Prussian court during Voltaire's stay with Frederick II. Voltaire, elderly slim man with long narrow expressive face and simple powdered wig, discusses a small manuscript with the king, younger man in restrained blue eighteenth-century coat and pale waistcoat. The king listens yet keeps his other hand beside a folded official order and a waiting secretary, conveying support for learned reform alongside retained sovereign control. No sword display, no Iron Cross, no modern uniforms, no throne fantasy. Small rococo room, reading lectern, porcelain inkstand, quill, closed books; all writing indistinct, no legible words. Kuromi and female Jani watch from beside a plain upholstered stool at the right edge, both clearly visible. Horizontal conversational composition, soft garden daylight, no tableau of every Enlightenment philosopher.", "prompt": "Use case: historical-scene. Wide 1536x1024 opaque full-color hand-drawn narrative educational illustration, fine warm contours, coherent illustrated human figures, natural daylight and thoughtful period colors. One scene, no panels, text, labels, dates, watermark or modern flags. Historically grounded everyday materials and architecture; no Hollywood/game/fantasy clichés, no cinematic lighting or generic battle. Input 1 is female Jani identity reference, input 2 is Kuromi identity reference ONLY: do not copy reference props or background. Both are visibly present as curious observers and never replace historical people. Kuromi canonical black two-point jester hood, pink skull and collar, white small body; no obligatory magnifier/book. Jani is a female fluffy cream-white ragdoll cat, blue eyes, pink nose, large fluffy dark-brown tail; natural four-leg feline anatomy and paws, no human hands, bowtie or clothing. Jani's face MUST be asymmetric: VIEWER LEFT large DARK-BROWN eye patch; VIEWER RIGHT SMALLER LIGHTER patch, irregular white central blaze. Keep face clearly visible so patches can be inspected. Characters integrated in same drawing medium as setting, occupy about a quarter of image together. Potsdam circa 1751, an intimate room at the Prussian court during Voltaire's stay with Frederick II. Voltaire, elderly slim man with long narrow expressive face and simple powdered wig, discusses a small manuscript with the king, younger man in restrained blue eighteenth-century coat and pale waistcoat. The king listens yet keeps his other hand beside a folded official order and a waiting secretary, conveying support for learned reform alongside retained sovereign control. No sword display, no Iron Cross, no modern uniforms, no throne fantasy. Small rococo room, reading lectern, porcelain inkstand, quill, closed books; all writing indistinct, no legible words. Kuromi and female Jani watch from beside a plain upholstered stool at the right edge, both clearly visible. Horizontal conversational composition, soft garden daylight, no tableau of every Enlightenment philosopher.\n\nTargeted historical correction after visual review:\nEdit this illustration with one precise historical correction only. Preserve the people, their eighteenth-century clothing, positions, the indoor objects, overall style, Kuromi, and female Jani including her asymmetric face. Remove the blue domed building visible beyond the left window; replace that outdoor glimpse entirely with period palace garden foliage and mature trees, no buildings, so no nineteenth-century Potsdam skyline appears in a 1751 scene. No other changes.\n\nImage correction after visual review:\nPrecise character correction ONLY. Image 1 is the finished historical scene to preserve; image 2 is the canonical Kuromi identity reference. Edit only the EXISTING Kuromi in image 1, keeping her position, size, pose, objects held, and the same emotional expression appropriate to this scene. Replace her collar with solid DARK CHARCOAL fabric and ONLY FOUR TINY PINK BALLS at its tips. Remove ALL broad pink trim or pink collar fabric. Correct both eyes to solid black vertical teardrop/oval shapes with TWO SHORT CURVED OUTER EYELASHES on each eye, exactly matching image 2. Eyes must be SOLID FLAT BLACK silhouettes with NO white glints, highlights, inner irises, pupils or brown shading. Keep black two-point hood, pink skull and white body. Blend changes into the existing hand-drawn medium. Keep Jani the female ragdoll cat completely unchanged including asymmetric brown face patches, blue eyes, anatomy and tail. Preserve all historical people, architecture, period objects, lighting, framing and colors exactly. No new objects, no text, no other changes. Do not mirror the picture.", "sourceBasis": [ { "book": "v2", "pdfPages": [ 259, 266 ], "chapter": "7.1 The Enlightenment" }, { "book": "v2", "pdfPages": [ 261, 265 ], "chapter": "7.1 The Enlightenment" } ], "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [], "canonicalKuromi": true }, "initialPrompt": "Use case: historical-scene. Wide 1536x1024 opaque full-color hand-drawn narrative educational illustration, fine warm contours, coherent illustrated human figures, natural daylight and thoughtful period colors. One scene, no panels, text, labels, dates, watermark or modern flags. Historically grounded everyday materials and architecture; no Hollywood/game/fantasy clichés, no cinematic lighting or generic battle. Input 1 is female Jani identity reference, input 2 is Kuromi identity reference ONLY: do not copy reference props or background. Both are visibly present as curious observers and never replace historical people. Kuromi canonical black two-point jester hood, pink skull and collar, white small body; no obligatory magnifier/book. Jani is a female fluffy cream-white ragdoll cat, blue eyes, pink nose, large fluffy dark-brown tail; natural four-leg feline anatomy and paws, no human hands, bowtie or clothing. Jani's face MUST be asymmetric: VIEWER LEFT large DARK-BROWN eye patch; VIEWER RIGHT SMALLER LIGHTER patch, irregular white central blaze. Keep face clearly visible so patches can be inspected. Characters integrated in same drawing medium as setting, occupy about a quarter of image together. Potsdam circa 1751, an intimate room at the Prussian court during Voltaire's stay with Frederick II. Voltaire, elderly slim man with long narrow expressive face and simple powdered wig, discusses a small manuscript with the king, younger man in restrained blue eighteenth-century coat and pale waistcoat. The king listens yet keeps his other hand beside a folded official order and a waiting secretary, conveying support for learned reform alongside retained sovereign control. No sword display, no Iron Cross, no modern uniforms, no throne fantasy. Small rococo room, reading lectern, porcelain inkstand, quill, closed books; all writing indistinct, no legible words. Kuromi and female Jani watch from beside a plain upholstered stool at the right edge, both clearly visible. Horizontal conversational composition, soft garden daylight, no tableau of every Enlightenment philosopher.\n\nTargeted historical correction after visual review:\nEdit this illustration with one precise historical correction only. Preserve the people, their eighteenth-century clothing, positions, the indoor objects, overall style, Kuromi, and female Jani including her asymmetric face. Remove the blue domed building visible beyond the left window; replace that outdoor glimpse entirely with period palace garden foliage and mature trees, no buildings, so no nineteenth-century Potsdam skyline appears in a 1751 scene. No other changes.", "generationHistory": [ { "kind": "initial-generation", "prompt": "Use case: historical-scene. Wide 1536x1024 opaque full-color hand-drawn narrative educational illustration, fine warm contours, coherent illustrated human figures, natural daylight and thoughtful period colors. One scene, no panels, text, labels, dates, watermark or modern flags. Historically grounded everyday materials and architecture; no Hollywood/game/fantasy clichés, no cinematic lighting or generic battle. Input 1 is female Jani identity reference, input 2 is Kuromi identity reference ONLY: do not copy reference props or background. Both are visibly present as curious observers and never replace historical people. Kuromi canonical black two-point jester hood, pink skull and collar, white small body; no obligatory magnifier/book. Jani is a female fluffy cream-white ragdoll cat, blue eyes, pink nose, large fluffy dark-brown tail; natural four-leg feline anatomy and paws, no human hands, bowtie or clothing. Jani's face MUST be asymmetric: VIEWER LEFT large DARK-BROWN eye patch; VIEWER RIGHT SMALLER LIGHTER patch, irregular white central blaze. Keep face clearly visible so patches can be inspected. Characters integrated in same drawing medium as setting, occupy about a quarter of image together. Potsdam circa 1751, an intimate room at the Prussian court during Voltaire's stay with Frederick II. Voltaire, elderly slim man with long narrow expressive face and simple powdered wig, discusses a small manuscript with the king, younger man in restrained blue eighteenth-century coat and pale waistcoat. The king listens yet keeps his other hand beside a folded official order and a waiting secretary, conveying support for learned reform alongside retained sovereign control. No sword display, no Iron Cross, no modern uniforms, no throne fantasy. Small rococo room, reading lectern, porcelain inkstand, quill, closed books; all writing indistinct, no legible words. Kuromi and female Jani watch from beside a plain upholstered stool at the right edge, both clearly visible. Horizontal conversational composition, soft garden daylight, no tableau of every Enlightenment philosopher.\n\nTargeted historical correction after visual review:\nEdit this illustration with one precise historical correction only. Preserve the people, their eighteenth-century clothing, positions, the indoor objects, overall style, Kuromi, and female Jani including her asymmetric face. Remove the blue domed building visible beyond the left window; replace that outdoor glimpse entirely with period palace garden foliage and mature trees, no buildings, so no nineteenth-century Potsdam skyline appears in a 1751 scene. No other changes." }, { "kind": "canonical-kuromi-correction", "prompt": "Precise character correction ONLY. Image 1 is the finished historical scene to preserve; image 2 is the canonical Kuromi identity reference. Edit only the EXISTING Kuromi in image 1, keeping her position, size, pose, objects held, and the same emotional expression appropriate to this scene. Replace her collar with solid DARK CHARCOAL fabric and ONLY FOUR TINY PINK BALLS at its tips. Remove ALL broad pink trim or pink collar fabric. Correct both eyes to solid black vertical teardrop/oval shapes with TWO SHORT CURVED OUTER EYELASHES on each eye, exactly matching image 2. Eyes must be SOLID FLAT BLACK silhouettes with NO white glints, highlights, inner irises, pupils or brown shading. Keep black two-point hood, pink skull and white body. Blend changes into the existing hand-drawn medium. Keep Jani the female ragdoll cat completely unchanged including asymmetric brown face patches, blue eyes, anatomy and tail. Preserve all historical people, architecture, period objects, lighting, framing and colors exactly. No new objects, no text, no other changes. Do not mirror the picture." } ], "src": "assets/lesson-scenes/w23-01.webp", "sha256": "d9074fa2dbec9739f2148e428ea2ddc8dfec3265938122431e6a0075b769f18b", "bytes": 334774, "thumbnailSrc": "assets/lesson-scenes/w23-01-preview.webp", "thumbnailSha256": "e84208c04c7c715202bfdf555dafae6a972f263400a8bef4cfe043dd96bc1191", "thumbnailBytes": 117036 }, { "unitId": "w23-02", "title": "Felolvasott hírek egy londoni kávéházban", "alt": "Egy kávéházi vendég újságot olvas fel a többieknek, Kuromi a padon, Jani mellette hallgatja.", "caption": "London, 1710 körül: a kávéház a kereskedelmi hírek és politikai vita találkozóhelye volt. A közös felolvasás szélesítette az információhoz jutást, de az ár, a szabadidő és a nemi szerepek tovább szűrték a részvételt.", "period": "1710 körül", "setting": "Londoni kávéház", "historicalDetails": [ "közösen olvasott újság", "kis kerámiás kávéscsészék", "fémből készült kávéskanna", "18. század eleji kabátok és nyakkendők" ], "placement": { "area": "base", "sectionIndex": 1 }, "scene": "London coffeehouse circa 1710. A merchant reads a small newspaper aloud at a shared wooden table while an artisan in a plain apron and other male customers listen and debate; a coffeehouse keeper serves dark coffee in small handleless ceramic cups from a metal pot. One customer compares a folded shipping letter, illustrating trade news, oral reading and paid access to information. Pages have only indistinct tiny marks, absolutely no readable headings. Warm paneled modest interior, simple benches, account token and steaming coffee; customers in early-eighteenth-century coats and neckcloths, some simple wigs, no Victorian top hats, newspapers on sticks or espresso machines. Kuromi listens seated at the end of a bench; Jani sits on floor near her with front-facing asymmetric face. Oblique view across two small groups, light from side windows, no famous landmark outside.", "prompt": "Use case: historical-scene. Wide 1536x1024 opaque full-color hand-drawn narrative educational illustration, fine warm contours, coherent illustrated human figures, natural daylight and thoughtful period colors. One scene, no panels, text, labels, dates, watermark or modern flags. Historically grounded everyday materials and architecture; no Hollywood/game/fantasy clichés, no cinematic lighting or generic battle. Input 1 is female Jani identity reference, input 2 is Kuromi identity reference ONLY: do not copy reference props or background. Both are visibly present as curious observers and never replace historical people. Kuromi canonical black two-point jester hood, pink skull and collar, white small body; no obligatory magnifier/book. Jani is a female fluffy cream-white ragdoll cat, blue eyes, pink nose, large fluffy dark-brown tail; natural four-leg feline anatomy and paws, no human hands, bowtie or clothing. Jani's face MUST be asymmetric: VIEWER LEFT large DARK-BROWN eye patch; VIEWER RIGHT SMALLER LIGHTER patch, irregular white central blaze. Keep face clearly visible so patches can be inspected. Characters integrated in same drawing medium as setting, occupy about a quarter of image together. Do not invent famous monuments outside windows or on distant skylines; use native period garden foliage or modest generic vernacular buildings instead. London coffeehouse circa 1710. A merchant reads a small newspaper aloud at a shared wooden table while an artisan in a plain apron and other male customers listen and debate; a coffeehouse keeper serves dark coffee in small handleless ceramic cups from a metal pot. One customer compares a folded shipping letter, illustrating trade news, oral reading and paid access to information. Pages have only indistinct tiny marks, absolutely no readable headings. Warm paneled modest interior, simple benches, account token and steaming coffee; customers in early-eighteenth-century coats and neckcloths, some simple wigs, no Victorian top hats, newspapers on sticks or espresso machines. Kuromi listens seated at the end of a bench; Jani sits on floor near her with front-facing asymmetric face. Oblique view across two small groups, light from side windows, no famous landmark outside.\n\nImage correction after visual review:\nPrecise character correction ONLY. Image 1 is the finished historical scene to preserve; image 2 is the canonical Kuromi identity reference. Edit only the EXISTING Kuromi in image 1, keeping her position, size, pose, objects held, and the same emotional expression appropriate to this scene. Replace her collar with solid DARK CHARCOAL fabric and ONLY FOUR TINY PINK BALLS at its tips. Remove ALL broad pink trim or pink collar fabric. Correct both eyes to solid black vertical teardrop/oval shapes with TWO SHORT CURVED OUTER EYELASHES on each eye, exactly matching image 2. Eyes must be SOLID FLAT BLACK silhouettes with NO white glints, highlights, inner irises, pupils or brown shading. Keep black two-point hood, pink skull and white body. Blend changes into the existing hand-drawn medium. Keep Jani the female ragdoll cat completely unchanged including asymmetric brown face patches, blue eyes, anatomy and tail. Preserve all historical people, architecture, period objects, lighting, framing and colors exactly. No new objects, no text, no other changes. Do not mirror the picture.", "sourceBasis": [ { "book": "v2", "pdfPages": [ 266, 271 ], "chapter": "7.2 The Exchange of Ideas in the Public Sphere" }, { "book": "v2", "pdfPages": [ 268, 271 ], "chapter": "7.2 The Exchange of Ideas in the Public Sphere" } ], "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [], "canonicalKuromi": true }, "initialPrompt": "Use case: historical-scene. Wide 1536x1024 opaque full-color hand-drawn narrative educational illustration, fine warm contours, coherent illustrated human figures, natural daylight and thoughtful period colors. One scene, no panels, text, labels, dates, watermark or modern flags. Historically grounded everyday materials and architecture; no Hollywood/game/fantasy clichés, no cinematic lighting or generic battle. Input 1 is female Jani identity reference, input 2 is Kuromi identity reference ONLY: do not copy reference props or background. Both are visibly present as curious observers and never replace historical people. Kuromi canonical black two-point jester hood, pink skull and collar, white small body; no obligatory magnifier/book. Jani is a female fluffy cream-white ragdoll cat, blue eyes, pink nose, large fluffy dark-brown tail; natural four-leg feline anatomy and paws, no human hands, bowtie or clothing. Jani's face MUST be asymmetric: VIEWER LEFT large DARK-BROWN eye patch; VIEWER RIGHT SMALLER LIGHTER patch, irregular white central blaze. Keep face clearly visible so patches can be inspected. Characters integrated in same drawing medium as setting, occupy about a quarter of image together. Do not invent famous monuments outside windows or on distant skylines; use native period garden foliage or modest generic vernacular buildings instead. London coffeehouse circa 1710. A merchant reads a small newspaper aloud at a shared wooden table while an artisan in a plain apron and other male customers listen and debate; a coffeehouse keeper serves dark coffee in small handleless ceramic cups from a metal pot. One customer compares a folded shipping letter, illustrating trade news, oral reading and paid access to information. Pages have only indistinct tiny marks, absolutely no readable headings. Warm paneled modest interior, simple benches, account token and steaming coffee; customers in early-eighteenth-century coats and neckcloths, some simple wigs, no Victorian top hats, newspapers on sticks or espresso machines. Kuromi listens seated at the end of a bench; Jani sits on floor near her with front-facing asymmetric face. Oblique view across two small groups, light from side windows, no famous landmark outside.", "generationHistory": [ { "kind": "initial-generation", "prompt": "Use case: historical-scene. Wide 1536x1024 opaque full-color hand-drawn narrative educational illustration, fine warm contours, coherent illustrated human figures, natural daylight and thoughtful period colors. One scene, no panels, text, labels, dates, watermark or modern flags. Historically grounded everyday materials and architecture; no Hollywood/game/fantasy clichés, no cinematic lighting or generic battle. Input 1 is female Jani identity reference, input 2 is Kuromi identity reference ONLY: do not copy reference props or background. Both are visibly present as curious observers and never replace historical people. Kuromi canonical black two-point jester hood, pink skull and collar, white small body; no obligatory magnifier/book. Jani is a female fluffy cream-white ragdoll cat, blue eyes, pink nose, large fluffy dark-brown tail; natural four-leg feline anatomy and paws, no human hands, bowtie or clothing. Jani's face MUST be asymmetric: VIEWER LEFT large DARK-BROWN eye patch; VIEWER RIGHT SMALLER LIGHTER patch, irregular white central blaze. Keep face clearly visible so patches can be inspected. Characters integrated in same drawing medium as setting, occupy about a quarter of image together. Do not invent famous monuments outside windows or on distant skylines; use native period garden foliage or modest generic vernacular buildings instead. London coffeehouse circa 1710. A merchant reads a small newspaper aloud at a shared wooden table while an artisan in a plain apron and other male customers listen and debate; a coffeehouse keeper serves dark coffee in small handleless ceramic cups from a metal pot. One customer compares a folded shipping letter, illustrating trade news, oral reading and paid access to information. Pages have only indistinct tiny marks, absolutely no readable headings. Warm paneled modest interior, simple benches, account token and steaming coffee; customers in early-eighteenth-century coats and neckcloths, some simple wigs, no Victorian top hats, newspapers on sticks or espresso machines. Kuromi listens seated at the end of a bench; Jani sits on floor near her with front-facing asymmetric face. Oblique view across two small groups, light from side windows, no famous landmark outside." }, { "kind": "canonical-kuromi-correction", "prompt": "Precise character correction ONLY. Image 1 is the finished historical scene to preserve; image 2 is the canonical Kuromi identity reference. Edit only the EXISTING Kuromi in image 1, keeping her position, size, pose, objects held, and the same emotional expression appropriate to this scene. Replace her collar with solid DARK CHARCOAL fabric and ONLY FOUR TINY PINK BALLS at its tips. Remove ALL broad pink trim or pink collar fabric. Correct both eyes to solid black vertical teardrop/oval shapes with TWO SHORT CURVED OUTER EYELASHES on each eye, exactly matching image 2. Eyes must be SOLID FLAT BLACK silhouettes with NO white glints, highlights, inner irises, pupils or brown shading. Keep black two-point hood, pink skull and white body. Blend changes into the existing hand-drawn medium. Keep Jani the female ragdoll cat completely unchanged including asymmetric brown face patches, blue eyes, anatomy and tail. Preserve all historical people, architecture, period objects, lighting, framing and colors exactly. No new objects, no text, no other changes. Do not mirror the picture." } ], "src": "assets/lesson-scenes/w23-02.webp", "sha256": "58de056af199820d1545463807df716d7907a29b440dc440a9d7af8e2c22b005", "bytes": 335588, "thumbnailSrc": "assets/lesson-scenes/w23-02-preview.webp", "thumbnailSha256": "81b27fba766f59e9e8b8a4c824109648386f1eeb4a7cdaf5821bc084fcd8624b", "thumbnailBytes": 112426 }, { "unitId": "w23-03a", "title": "A bojkott háztartási munkává válik Bostonban", "alt": "Bostoni nők helyi gyapjút fonnak, az ajtónál importszövetet kínáló kereskedővel beszélnek, Kuromi és Jani a gyapjú mellett figyel.", "caption": "Boston, 1768 körül: a brit import bojkottjához a házi fonás és a vásárlás tudatos szervezése is hozzátartozott. A női részvétel a gyarmati tiltakozás gazdasági erejét növelte.", "period": "1768 körül", "setting": "Bostoni házi fonóműhely", "historicalDetails": [ "fa rokka", "kézi gyapjúkártoló", "helyben font gyapjú és importált szövet", "18. századi vászonfőkötő és kötény" ], "placement": { "area": "base", "sectionIndex": 0 }, "scene": "Boston circa 1768, colonial nonimportation boycott in a modest domestic workshop. Two women in late-eighteenth-century simple gowns, aprons and linen caps spin locally prepared wool on a wooden spinning wheel and wind homespun yarn, while a merchant at the doorway sets aside a wrapped bolt of imported cloth and discusses a purchase with another woman. Their deliberate local production and purchasing connect household work to resistance against taxation without representation. Period great wheel with visible spindle, hand carders, wool basket, plain timber interior, no modern sewing machine, flags, slogans or triumphant battle scene. Kuromi observes the carded wool from a small stool without turning the machinery; female Jani sits near the woven basket facing viewer. Horizontal room-to-doorway composition, calm practical determination and clear window daylight.", "prompt": "Use case: historical-scene. Wide 1536x1024 opaque full-color hand-drawn narrative educational illustration, fine warm contours, coherent illustrated human figures, natural daylight and thoughtful period colors. One scene, no panels, text, labels, dates, watermark or modern flags. Historically grounded everyday materials and architecture; no Hollywood/game/fantasy clichés, no cinematic lighting or generic battle. Input 1 is female Jani identity reference, input 2 is Kuromi identity reference ONLY: do not copy reference props or background. Both are visibly present as curious observers and never replace historical people. Kuromi canonical black two-point jester hood, pink skull and collar, white small body; no obligatory magnifier/book. Jani is a female fluffy cream-white ragdoll cat, blue eyes, pink nose, large fluffy dark-brown tail; natural four-leg feline anatomy and paws, no human hands, bowtie or clothing. Jani's face MUST be asymmetric: VIEWER LEFT large DARK-BROWN eye patch; VIEWER RIGHT SMALLER LIGHTER patch, irregular white central blaze. Keep face clearly visible so patches can be inspected. Characters integrated in same drawing medium as setting, occupy about a quarter of image together. Do not invent famous monuments outside windows or on distant skylines; use native period garden foliage or modest generic vernacular buildings instead. Boston circa 1768, colonial nonimportation boycott in a modest domestic workshop. Two women in late-eighteenth-century simple gowns, aprons and linen caps spin locally prepared wool on a wooden spinning wheel and wind homespun yarn, while a merchant at the doorway sets aside a wrapped bolt of imported cloth and discusses a purchase with another woman. Their deliberate local production and purchasing connect household work to resistance against taxation without representation. Period great wheel with visible spindle, hand carders, wool basket, plain timber interior, no modern sewing machine, flags, slogans or triumphant battle scene. Kuromi observes the carded wool from a small stool without turning the machinery; female Jani sits near the woven basket facing viewer. Horizontal room-to-doorway composition, calm practical determination and clear window daylight.\n\nImage correction after visual review:\nPrecise character correction ONLY. Image 1 is the finished historical scene to preserve; image 2 is the canonical Kuromi identity reference. Edit only the EXISTING Kuromi in image 1, keeping her position, size, pose, objects held, and the same emotional expression appropriate to this scene. Replace her collar with solid DARK CHARCOAL fabric and ONLY FOUR TINY PINK BALLS at its tips. Remove ALL broad pink trim or pink collar fabric. Correct both eyes to solid black vertical teardrop/oval shapes with TWO SHORT CURVED OUTER EYELASHES on each eye, exactly matching image 2. Eyes must be SOLID FLAT BLACK silhouettes with NO white glints, highlights, inner irises, pupils or brown shading. Keep black two-point hood, pink skull and white body. Blend changes into the existing hand-drawn medium. Keep Jani the female ragdoll cat completely unchanged including asymmetric brown face patches, blue eyes, anatomy and tail. Preserve all historical people, architecture, period objects, lighting, framing and colors exactly. No new objects, no text, no other changes. Do not mirror the picture.", "sourceBasis": [ { "book": "v2", "pdfPages": [ 273, 275 ], "chapter": "7.3 Revolutions: America, France, and Haiti" }, { "book": "oh", "pdfPages": [ 110, 112 ], "chapter": "3.6 A felvilágosodás: amerikai alkotmány" }, { "book": "v2", "pdfPages": [ 274, 275 ], "chapter": "7.3 Revolutions: America, France, and Haiti" } ], "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [], "canonicalKuromi": true }, "initialPrompt": "Use case: historical-scene. Wide 1536x1024 opaque full-color hand-drawn narrative educational illustration, fine warm contours, coherent illustrated human figures, natural daylight and thoughtful period colors. One scene, no panels, text, labels, dates, watermark or modern flags. Historically grounded everyday materials and architecture; no Hollywood/game/fantasy clichés, no cinematic lighting or generic battle. Input 1 is female Jani identity reference, input 2 is Kuromi identity reference ONLY: do not copy reference props or background. Both are visibly present as curious observers and never replace historical people. Kuromi canonical black two-point jester hood, pink skull and collar, white small body; no obligatory magnifier/book. Jani is a female fluffy cream-white ragdoll cat, blue eyes, pink nose, large fluffy dark-brown tail; natural four-leg feline anatomy and paws, no human hands, bowtie or clothing. Jani's face MUST be asymmetric: VIEWER LEFT large DARK-BROWN eye patch; VIEWER RIGHT SMALLER LIGHTER patch, irregular white central blaze. Keep face clearly visible so patches can be inspected. Characters integrated in same drawing medium as setting, occupy about a quarter of image together. Do not invent famous monuments outside windows or on distant skylines; use native period garden foliage or modest generic vernacular buildings instead. Boston circa 1768, colonial nonimportation boycott in a modest domestic workshop. Two women in late-eighteenth-century simple gowns, aprons and linen caps spin locally prepared wool on a wooden spinning wheel and wind homespun yarn, while a merchant at the doorway sets aside a wrapped bolt of imported cloth and discusses a purchase with another woman. Their deliberate local production and purchasing connect household work to resistance against taxation without representation. Period great wheel with visible spindle, hand carders, wool basket, plain timber interior, no modern sewing machine, flags, slogans or triumphant battle scene. Kuromi observes the carded wool from a small stool without turning the machinery; female Jani sits near the woven basket facing viewer. Horizontal room-to-doorway composition, calm practical determination and clear window daylight.", "generationHistory": [ { "kind": "initial-generation", "prompt": "Use case: historical-scene. Wide 1536x1024 opaque full-color hand-drawn narrative educational illustration, fine warm contours, coherent illustrated human figures, natural daylight and thoughtful period colors. One scene, no panels, text, labels, dates, watermark or modern flags. Historically grounded everyday materials and architecture; no Hollywood/game/fantasy clichés, no cinematic lighting or generic battle. Input 1 is female Jani identity reference, input 2 is Kuromi identity reference ONLY: do not copy reference props or background. Both are visibly present as curious observers and never replace historical people. Kuromi canonical black two-point jester hood, pink skull and collar, white small body; no obligatory magnifier/book. Jani is a female fluffy cream-white ragdoll cat, blue eyes, pink nose, large fluffy dark-brown tail; natural four-leg feline anatomy and paws, no human hands, bowtie or clothing. Jani's face MUST be asymmetric: VIEWER LEFT large DARK-BROWN eye patch; VIEWER RIGHT SMALLER LIGHTER patch, irregular white central blaze. Keep face clearly visible so patches can be inspected. Characters integrated in same drawing medium as setting, occupy about a quarter of image together. Do not invent famous monuments outside windows or on distant skylines; use native period garden foliage or modest generic vernacular buildings instead. Boston circa 1768, colonial nonimportation boycott in a modest domestic workshop. Two women in late-eighteenth-century simple gowns, aprons and linen caps spin locally prepared wool on a wooden spinning wheel and wind homespun yarn, while a merchant at the doorway sets aside a wrapped bolt of imported cloth and discusses a purchase with another woman. Their deliberate local production and purchasing connect household work to resistance against taxation without representation. Period great wheel with visible spindle, hand carders, wool basket, plain timber interior, no modern sewing machine, flags, slogans or triumphant battle scene. Kuromi observes the carded wool from a small stool without turning the machinery; female Jani sits near the woven basket facing viewer. Horizontal room-to-doorway composition, calm practical determination and clear window daylight." }, { "kind": "canonical-kuromi-correction", "prompt": "Precise character correction ONLY. Image 1 is the finished historical scene to preserve; image 2 is the canonical Kuromi identity reference. Edit only the EXISTING Kuromi in image 1, keeping her position, size, pose, objects held, and the same emotional expression appropriate to this scene. Replace her collar with solid DARK CHARCOAL fabric and ONLY FOUR TINY PINK BALLS at its tips. Remove ALL broad pink trim or pink collar fabric. Correct both eyes to solid black vertical teardrop/oval shapes with TWO SHORT CURVED OUTER EYELASHES on each eye, exactly matching image 2. Eyes must be SOLID FLAT BLACK silhouettes with NO white glints, highlights, inner irises, pupils or brown shading. Keep black two-point hood, pink skull and white body. Blend changes into the existing hand-drawn medium. Keep Jani the female ragdoll cat completely unchanged including asymmetric brown face patches, blue eyes, anatomy and tail. Preserve all historical people, architecture, period objects, lighting, framing and colors exactly. No new objects, no text, no other changes. Do not mirror the picture." } ], "src": "assets/lesson-scenes/w23-03a.webp", "sha256": "2bdce8c985bfac98c87811d38f5971b0156d64fb321c839ffc7b37af6fe9e327", "bytes": 376766, "thumbnailSrc": "assets/lesson-scenes/w23-03a-preview.webp", "thumbnailSha256": "5558791cbdc43f6593e9bcfab9cc2bda9af9c7a1da70f16358802527d708e98e", "thumbnailBytes": 123394 }, { "unitId": "w23-03b", "title": "Alkotmányos vállalás a versailles-i labdaházban", "alt": "A labdaházban világi és papi képviselők esküre emelik a kezüket, Kuromi és Jani az oldalajtóból figyel.", "caption": "Versailles, 1789. június 20.: a képviselők a labdaházi esküben alkotmány megalkotásáig közös fellépést vállaltak. A nemzet képviseletét az uralkodói engedélytől független felhatalmazásként kezdték értelmezni.", "period": "1789. június 20.", "setting": "Versailles labdaháza", "historicalDetails": [ "jeu de paume csarnok magas falakkal", "fekete képviselői kabátok", "papi reverenda", "alkotmányos eskü kézmozdulata" ], "placement": { "area": "base", "sectionIndex": 1 }, "scene": "Versailles, 20 June 1789, the Tennis Court Oath viewed from a side entrance rather than copying David's painting. Inside an unadorned indoor jeu de paume hall with high plain walls, roof beams and viewing galleries, deputies in black coats and a few clergymen in simple cassocks gather around a table. A representative raises his hand while others solemnly lift hands or lean toward one another, showing alliance across estates and a pledge to continue until a constitution. Keep the crowd human-scale, no named portrait required, no flags or triumphant battlefield imagery, no royal throne. One folded paper at table has no readable words. Kuromi and female Jani observe quietly just inside the near doorway, Jani front-facing, both substantial and clear. Wide diagonal hall view, even summer daylight, determined serious mood.", "prompt": "Use case: historical-scene. Wide 1536x1024 opaque full-color hand-drawn narrative educational illustration, fine warm contours, coherent illustrated human figures, natural daylight and thoughtful period colors. One scene, no panels, text, labels, dates, watermark or modern flags. Historically grounded everyday materials and architecture; no Hollywood/game/fantasy clichés, no cinematic lighting or generic battle. Input 1 is female Jani identity reference, input 2 is Kuromi identity reference ONLY: do not copy reference props or background. Both are visibly present as curious observers and never replace historical people. Kuromi canonical black two-point jester hood, pink skull and collar, white small body; no obligatory magnifier/book. Jani is a female fluffy cream-white ragdoll cat, blue eyes, pink nose, large fluffy dark-brown tail; natural four-leg feline anatomy and paws, no human hands, bowtie or clothing. Jani's face MUST be asymmetric: VIEWER LEFT large DARK-BROWN eye patch; VIEWER RIGHT SMALLER LIGHTER patch, irregular white central blaze. Keep face clearly visible so patches can be inspected. Characters integrated in same drawing medium as setting, occupy about a quarter of image together. Do not invent famous monuments outside windows or on distant skylines; use native period garden foliage or modest generic vernacular buildings instead. Versailles, 20 June 1789, the Tennis Court Oath viewed from a side entrance rather than copying David's painting. Inside an unadorned indoor jeu de paume hall with high plain walls, roof beams and viewing galleries, deputies in black coats and a few clergymen in simple cassocks gather around a table. A representative raises his hand while others solemnly lift hands or lean toward one another, showing alliance across estates and a pledge to continue until a constitution. Keep the crowd human-scale, no named portrait required, no flags or triumphant battlefield imagery, no royal throne. One folded paper at table has no readable words. Kuromi and female Jani observe quietly just inside the near doorway, Jani front-facing, both substantial and clear. Wide diagonal hall view, even summer daylight, determined serious mood.\n\nImage correction after visual review:\nPrecise character correction ONLY. Image 1 is the finished historical scene to preserve; image 2 is the canonical Kuromi identity reference. Edit only the EXISTING Kuromi in image 1, keeping her position, size, pose, objects held, and the same emotional expression appropriate to this scene. Replace her collar with solid DARK CHARCOAL fabric and ONLY FOUR TINY PINK BALLS at its tips. Remove ALL broad pink trim or pink collar fabric. Correct both eyes to solid black vertical teardrop/oval shapes with TWO SHORT CURVED OUTER EYELASHES on each eye, exactly matching image 2. Eyes must be SOLID FLAT BLACK silhouettes with NO white glints, highlights, inner irises, pupils or brown shading. Keep black two-point hood, pink skull and white body. Blend changes into the existing hand-drawn medium. Keep Jani the female ragdoll cat completely unchanged including asymmetric brown face patches, blue eyes, anatomy and tail. Preserve all historical people, architecture, period objects, lighting, framing and colors exactly. No new objects, no text, no other changes. Do not mirror the picture.", "sourceBasis": [ { "book": "v2", "pdfPages": [ 275, 278 ], "chapter": "7.3 Revolutions: America, France, and Haiti" }, { "book": "obp", "pdfPages": [ 356, 357 ], "chapter": "3.3.1 Revolutions and Civil Wars in Early Modern History (ca. 1500–1800)" }, { "book": "v2", "pdfPages": [ 276, 277 ], "chapter": "7.3 Revolutions: America, France, and Haiti" }, { "book": "oh", "pdfPages": [ 113, 113 ], "chapter": "3.6 A felvilágosodás: jognyilatkozat" } ], "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [], "canonicalKuromi": true }, "initialPrompt": "Use case: historical-scene. Wide 1536x1024 opaque full-color hand-drawn narrative educational illustration, fine warm contours, coherent illustrated human figures, natural daylight and thoughtful period colors. One scene, no panels, text, labels, dates, watermark or modern flags. Historically grounded everyday materials and architecture; no Hollywood/game/fantasy clichés, no cinematic lighting or generic battle. Input 1 is female Jani identity reference, input 2 is Kuromi identity reference ONLY: do not copy reference props or background. Both are visibly present as curious observers and never replace historical people. Kuromi canonical black two-point jester hood, pink skull and collar, white small body; no obligatory magnifier/book. Jani is a female fluffy cream-white ragdoll cat, blue eyes, pink nose, large fluffy dark-brown tail; natural four-leg feline anatomy and paws, no human hands, bowtie or clothing. Jani's face MUST be asymmetric: VIEWER LEFT large DARK-BROWN eye patch; VIEWER RIGHT SMALLER LIGHTER patch, irregular white central blaze. Keep face clearly visible so patches can be inspected. Characters integrated in same drawing medium as setting, occupy about a quarter of image together. Do not invent famous monuments outside windows or on distant skylines; use native period garden foliage or modest generic vernacular buildings instead. Versailles, 20 June 1789, the Tennis Court Oath viewed from a side entrance rather than copying David's painting. Inside an unadorned indoor jeu de paume hall with high plain walls, roof beams and viewing galleries, deputies in black coats and a few clergymen in simple cassocks gather around a table. A representative raises his hand while others solemnly lift hands or lean toward one another, showing alliance across estates and a pledge to continue until a constitution. Keep the crowd human-scale, no named portrait required, no flags or triumphant battlefield imagery, no royal throne. One folded paper at table has no readable words. Kuromi and female Jani observe quietly just inside the near doorway, Jani front-facing, both substantial and clear. Wide diagonal hall view, even summer daylight, determined serious mood.", "generationHistory": [ { "kind": "initial-generation", "prompt": "Use case: historical-scene. Wide 1536x1024 opaque full-color hand-drawn narrative educational illustration, fine warm contours, coherent illustrated human figures, natural daylight and thoughtful period colors. One scene, no panels, text, labels, dates, watermark or modern flags. Historically grounded everyday materials and architecture; no Hollywood/game/fantasy clichés, no cinematic lighting or generic battle. Input 1 is female Jani identity reference, input 2 is Kuromi identity reference ONLY: do not copy reference props or background. Both are visibly present as curious observers and never replace historical people. Kuromi canonical black two-point jester hood, pink skull and collar, white small body; no obligatory magnifier/book. Jani is a female fluffy cream-white ragdoll cat, blue eyes, pink nose, large fluffy dark-brown tail; natural four-leg feline anatomy and paws, no human hands, bowtie or clothing. Jani's face MUST be asymmetric: VIEWER LEFT large DARK-BROWN eye patch; VIEWER RIGHT SMALLER LIGHTER patch, irregular white central blaze. Keep face clearly visible so patches can be inspected. Characters integrated in same drawing medium as setting, occupy about a quarter of image together. Do not invent famous monuments outside windows or on distant skylines; use native period garden foliage or modest generic vernacular buildings instead. Versailles, 20 June 1789, the Tennis Court Oath viewed from a side entrance rather than copying David's painting. Inside an unadorned indoor jeu de paume hall with high plain walls, roof beams and viewing galleries, deputies in black coats and a few clergymen in simple cassocks gather around a table. A representative raises his hand while others solemnly lift hands or lean toward one another, showing alliance across estates and a pledge to continue until a constitution. Keep the crowd human-scale, no named portrait required, no flags or triumphant battlefield imagery, no royal throne. One folded paper at table has no readable words. Kuromi and female Jani observe quietly just inside the near doorway, Jani front-facing, both substantial and clear. Wide diagonal hall view, even summer daylight, determined serious mood." }, { "kind": "canonical-kuromi-correction", "prompt": "Precise character correction ONLY. Image 1 is the finished historical scene to preserve; image 2 is the canonical Kuromi identity reference. Edit only the EXISTING Kuromi in image 1, keeping her position, size, pose, objects held, and the same emotional expression appropriate to this scene. Replace her collar with solid DARK CHARCOAL fabric and ONLY FOUR TINY PINK BALLS at its tips. Remove ALL broad pink trim or pink collar fabric. Correct both eyes to solid black vertical teardrop/oval shapes with TWO SHORT CURVED OUTER EYELASHES on each eye, exactly matching image 2. Eyes must be SOLID FLAT BLACK silhouettes with NO white glints, highlights, inner irises, pupils or brown shading. Keep black two-point hood, pink skull and white body. Blend changes into the existing hand-drawn medium. Keep Jani the female ragdoll cat completely unchanged including asymmetric brown face patches, blue eyes, anatomy and tail. Preserve all historical people, architecture, period objects, lighting, framing and colors exactly. No new objects, no text, no other changes. Do not mirror the picture." } ], "src": "assets/lesson-scenes/w23-03b.webp", "sha256": "913f9e2a56cdfc98c206f8debe73699a790b5b8bba21a24062da84f2412459c9", "bytes": 312988, "thumbnailSrc": "assets/lesson-scenes/w23-03b-preview.webp", "thumbnailSha256": "f340c3c65b664d86dbbaaccdea6fafb0508f40ed9fd09de03ead8ddc3fdaaf60", "thumbnailBytes": 105128 }, { "unitId": "w23-03c", "title": "Kenyérár és hiány a forradalmi Párizsban", "alt": "Párizsi kenyérboltban ellenőr és vásárlók vitáznak a pékkel, Kuromi és Jani a sor mellett figyel.", "caption": "Párizs, 1793 őszén: az ármaximum a drágulást korlátozta, de a termelés és a szállítás gondját önmagában nem oldotta meg. A sans-culotte követelés a politikai szabadságot a mindennapi ellátáshoz kapcsolta.", "period": "1793 ősze", "setting": "Párizsi kerületi kenyérbolt", "historicalDetails": [ "rézmérleg és kenyérár-ellenőrzés", "szűkös lisztkészlet", "sans-culotte hosszú nadrág és szabadságsapka", "18. századi fa boltpult" ], "placement": { "area": "base", "sectionIndex": 2 }, "scene": "Paris autumn 1793, a neighborhood bread shop under the revolutionary price maximum. A worried baker weighs a loaf on a brass balance while a municipal commissioner in plain coat compares a small price sheet with a ledger, its marks unreadable. An artisan in long striped trousers and simple red liberty cap argues urgently for affordable bread; a woman with empty basket waits with other sober customers. Nearly bare shelves and a small remaining flour sack show that fixing a price alone cannot secure supply. No guillotine, execution, violence, cheering or satirical faces. Late-eighteenth-century shop counter, wooden bread peel, round loaves, simple clay floor. Kuromi stands beside the queue with concerned expression; female Jani sits by a basket facing viewer. Tight street-to-shop view, cool daylight, dignity and tense practical negotiation.", "prompt": "Use case: historical-scene. Wide 1536x1024 opaque full-color hand-drawn narrative educational illustration, fine warm contours, coherent illustrated human figures, natural daylight and thoughtful period colors. One scene, no panels, text, labels, dates, watermark or modern flags. Historically grounded everyday materials and architecture; no Hollywood/game/fantasy clichés, no cinematic lighting or generic battle. Input 1 is female Jani identity reference, input 2 is Kuromi identity reference ONLY: do not copy reference props or background. Both are visibly present as curious observers and never replace historical people. Kuromi canonical black two-point jester hood, pink skull and collar, white small body; no obligatory magnifier/book. Jani is a female fluffy cream-white ragdoll cat, blue eyes, pink nose, large fluffy dark-brown tail; natural four-leg feline anatomy and paws, no human hands, bowtie or clothing. Jani's face MUST be asymmetric: VIEWER LEFT large DARK-BROWN eye patch; VIEWER RIGHT SMALLER LIGHTER patch, irregular white central blaze. Keep face clearly visible so patches can be inspected. Characters integrated in same drawing medium as setting, occupy about a quarter of image together. Do not invent famous monuments outside windows or on distant skylines; use native period garden foliage or modest generic vernacular buildings instead. Paris autumn 1793, a neighborhood bread shop under the revolutionary price maximum. A worried baker weighs a loaf on a brass balance while a municipal commissioner in plain coat compares a small price sheet with a ledger, its marks unreadable. An artisan in long striped trousers and simple red liberty cap argues urgently for affordable bread; a woman with empty basket waits with other sober customers. Nearly bare shelves and a small remaining flour sack show that fixing a price alone cannot secure supply. No guillotine, execution, violence, cheering or satirical faces. Late-eighteenth-century shop counter, wooden bread peel, round loaves, simple clay floor. Kuromi stands beside the queue with concerned expression; female Jani sits by a basket facing viewer. Tight street-to-shop view, cool daylight, dignity and tense practical negotiation.\n\nImage correction after visual review:\nPrecise character correction ONLY. Image 1 is the finished historical scene to preserve; image 2 is the canonical Kuromi identity reference. Edit only the EXISTING Kuromi in image 1, keeping her position, size, pose, objects held, and the same emotional expression appropriate to this scene. Replace her collar with solid DARK CHARCOAL fabric and ONLY FOUR TINY PINK BALLS at its tips. Remove ALL broad pink trim or pink collar fabric. Correct both eyes to solid black vertical teardrop/oval shapes with TWO SHORT CURVED OUTER EYELASHES on each eye, exactly matching image 2. Eyes must be SOLID FLAT BLACK silhouettes with NO white glints, highlights, inner irises, pupils or brown shading. Keep black two-point hood, pink skull and white body. Blend changes into the existing hand-drawn medium. Keep Jani the female ragdoll cat completely unchanged including asymmetric brown face patches, blue eyes, anatomy and tail. Preserve all historical people, architecture, period objects, lighting, framing and colors exactly. No new objects, no text, no other changes. Do not mirror the picture.", "sourceBasis": [ { "book": "v2", "pdfPages": [ 277, 278 ], "chapter": "7.3 Revolutions: America, France, and Haiti" }, { "book": "obp", "pdfPages": [ 356, 357 ], "chapter": "3.3.1 Revolutions and Civil Wars in Early Modern History (ca. 1500–1800)" }, { "book": "oh", "pdfPages": [ 113, 115 ], "chapter": "3.6 A felvilágosodás: a jakobinus diktatúra" } ], "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [], "canonicalKuromi": true }, "initialPrompt": "Use case: historical-scene. Wide 1536x1024 opaque full-color hand-drawn narrative educational illustration, fine warm contours, coherent illustrated human figures, natural daylight and thoughtful period colors. One scene, no panels, text, labels, dates, watermark or modern flags. Historically grounded everyday materials and architecture; no Hollywood/game/fantasy clichés, no cinematic lighting or generic battle. Input 1 is female Jani identity reference, input 2 is Kuromi identity reference ONLY: do not copy reference props or background. Both are visibly present as curious observers and never replace historical people. Kuromi canonical black two-point jester hood, pink skull and collar, white small body; no obligatory magnifier/book. Jani is a female fluffy cream-white ragdoll cat, blue eyes, pink nose, large fluffy dark-brown tail; natural four-leg feline anatomy and paws, no human hands, bowtie or clothing. Jani's face MUST be asymmetric: VIEWER LEFT large DARK-BROWN eye patch; VIEWER RIGHT SMALLER LIGHTER patch, irregular white central blaze. Keep face clearly visible so patches can be inspected. Characters integrated in same drawing medium as setting, occupy about a quarter of image together. Do not invent famous monuments outside windows or on distant skylines; use native period garden foliage or modest generic vernacular buildings instead. Paris autumn 1793, a neighborhood bread shop under the revolutionary price maximum. A worried baker weighs a loaf on a brass balance while a municipal commissioner in plain coat compares a small price sheet with a ledger, its marks unreadable. An artisan in long striped trousers and simple red liberty cap argues urgently for affordable bread; a woman with empty basket waits with other sober customers. Nearly bare shelves and a small remaining flour sack show that fixing a price alone cannot secure supply. No guillotine, execution, violence, cheering or satirical faces. Late-eighteenth-century shop counter, wooden bread peel, round loaves, simple clay floor. Kuromi stands beside the queue with concerned expression; female Jani sits by a basket facing viewer. Tight street-to-shop view, cool daylight, dignity and tense practical negotiation.", "generationHistory": [ { "kind": "initial-generation", "prompt": "Use case: historical-scene. Wide 1536x1024 opaque full-color hand-drawn narrative educational illustration, fine warm contours, coherent illustrated human figures, natural daylight and thoughtful period colors. One scene, no panels, text, labels, dates, watermark or modern flags. Historically grounded everyday materials and architecture; no Hollywood/game/fantasy clichés, no cinematic lighting or generic battle. Input 1 is female Jani identity reference, input 2 is Kuromi identity reference ONLY: do not copy reference props or background. Both are visibly present as curious observers and never replace historical people. Kuromi canonical black two-point jester hood, pink skull and collar, white small body; no obligatory magnifier/book. Jani is a female fluffy cream-white ragdoll cat, blue eyes, pink nose, large fluffy dark-brown tail; natural four-leg feline anatomy and paws, no human hands, bowtie or clothing. Jani's face MUST be asymmetric: VIEWER LEFT large DARK-BROWN eye patch; VIEWER RIGHT SMALLER LIGHTER patch, irregular white central blaze. Keep face clearly visible so patches can be inspected. Characters integrated in same drawing medium as setting, occupy about a quarter of image together. Do not invent famous monuments outside windows or on distant skylines; use native period garden foliage or modest generic vernacular buildings instead. Paris autumn 1793, a neighborhood bread shop under the revolutionary price maximum. A worried baker weighs a loaf on a brass balance while a municipal commissioner in plain coat compares a small price sheet with a ledger, its marks unreadable. An artisan in long striped trousers and simple red liberty cap argues urgently for affordable bread; a woman with empty basket waits with other sober customers. Nearly bare shelves and a small remaining flour sack show that fixing a price alone cannot secure supply. No guillotine, execution, violence, cheering or satirical faces. Late-eighteenth-century shop counter, wooden bread peel, round loaves, simple clay floor. Kuromi stands beside the queue with concerned expression; female Jani sits by a basket facing viewer. Tight street-to-shop view, cool daylight, dignity and tense practical negotiation." }, { "kind": "canonical-kuromi-correction", "prompt": "Precise character correction ONLY. Image 1 is the finished historical scene to preserve; image 2 is the canonical Kuromi identity reference. Edit only the EXISTING Kuromi in image 1, keeping her position, size, pose, objects held, and the same emotional expression appropriate to this scene. Replace her collar with solid DARK CHARCOAL fabric and ONLY FOUR TINY PINK BALLS at its tips. Remove ALL broad pink trim or pink collar fabric. Correct both eyes to solid black vertical teardrop/oval shapes with TWO SHORT CURVED OUTER EYELASHES on each eye, exactly matching image 2. Eyes must be SOLID FLAT BLACK silhouettes with NO white glints, highlights, inner irises, pupils or brown shading. Keep black two-point hood, pink skull and white body. Blend changes into the existing hand-drawn medium. Keep Jani the female ragdoll cat completely unchanged including asymmetric brown face patches, blue eyes, anatomy and tail. Preserve all historical people, architecture, period objects, lighting, framing and colors exactly. No new objects, no text, no other changes. Do not mirror the picture." } ], "src": "assets/lesson-scenes/w23-03c.webp", "sha256": "9acc0638e73ff0387d6b2d9e3ad8b5f408152668a00a34764abbdb2c499da3b1", "bytes": 397524, "thumbnailSrc": "assets/lesson-scenes/w23-03c-preview.webp", "thumbnailSha256": "987a27435f7edb2fd65318ca72b08e44aaf0e14f2c7cebd5ff5fc96770bb058f", "thumbnailBytes": 125872 }, { "unitId": "w23-03d", "title": "Egységes polgári jog és egyenlőtlen családi helyzet", "alt": "Francia közjegyző jogi kötetet mutat házaspárnak, Kuromi és Jani a szék mellől figyel.", "caption": "Franciaország, 1805 körül: a Code civil egységesítette a tulajdon, szerződés és öröklés szabályait. A jogi kiszámíthatóság mellett a családjog a férj és apa hatalmát erősítette.", "period": "1805 körül", "setting": "Vidéki francia közjegyzői iroda", "historicalDetails": [ "egységes jogi törvénykönyv", "pecsétes tulajdoni irat", "hivatali iratkötegek", "Empire kori női ruha és férfi frakk" ], "placement": { "area": "base", "sectionIndex": 1 }, "scene": "A provincial French notary's office circa 1805 after the Code civil. A sober notary in early Empire clothing consults a newly bound legal volume while explaining a property and inheritance deed to a husband and wife. The husband is seated at the document, the wife stands close listening intently with her own concerned expression, making standardized property law and unequal family authority visible without caricature. A clerk organizes identical official file bundles in a pigeonhole cabinet. No emperor posing, battlefield, modern tricolor decoration, legible book title or text. Quill, wax seal, legal register, early-nineteenth-century high-waisted dress and dark tailcoat, plain municipal interior. Kuromi with precisely charcoal collar and FOUR tiny pink balls watches beside the document chest; female Jani sits on a low chair at her side facing viewer. Side-on eye-level office view, calm daylight.", "prompt": "Use case: historical-scene. Wide 1536x1024 opaque full-color hand-drawn narrative educational illustration, fine warm contours, coherent illustrated human figures, natural daylight and thoughtful period colors. One scene, no panels, text, labels, dates, watermark or modern flags. Historically grounded everyday materials and architecture; no Hollywood/game/fantasy clichés, no cinematic lighting or generic battle. Input 1 is female Jani identity reference, input 2 is Kuromi identity reference ONLY: do not copy reference props or background. Both are visibly present as curious observers and never replace historical people. Kuromi MUST exactly match canonical Input 2: dark charcoal two-point jester hood with pink skull, DARK CHARCOAL collar with ONLY FOUR SMALL PINK BALLS at its points, no pink collar fabric, black teardrop/oval eyes each with TWO SHORT CURVED OUTER EYELASHES, small white body; no obligatory magnifier/book. Jani is a female fluffy cream-white ragdoll cat, blue eyes, pink nose, large fluffy dark-brown tail; natural four-leg feline anatomy and paws, no human hands, bowtie or clothing. Jani's face MUST be asymmetric: VIEWER LEFT large DARK-BROWN eye patch; VIEWER RIGHT SMALLER LIGHTER patch, irregular white central blaze. Keep face clearly visible so patches can be inspected. Characters integrated in same drawing medium as setting, occupy about a quarter of image together. Do not invent famous monuments outside windows or on distant skylines; use native period garden foliage or modest generic vernacular buildings instead. A provincial French notary's office circa 1805 after the Code civil. A sober notary in early Empire clothing consults a newly bound legal volume while explaining a property and inheritance deed to a husband and wife. The husband is seated at the document, the wife stands close listening intently with her own concerned expression, making standardized property law and unequal family authority visible without caricature. A clerk organizes identical official file bundles in a pigeonhole cabinet. No emperor posing, battlefield, modern tricolor decoration, legible book title or text. Quill, wax seal, legal register, early-nineteenth-century high-waisted dress and dark tailcoat, plain municipal interior. Kuromi with precisely charcoal collar and FOUR tiny pink balls watches beside the document chest; female Jani sits on a low chair at her side facing viewer. Side-on eye-level office view, calm daylight.", "sourceBasis": [ { "book": "v2", "pdfPages": [ 278, 279 ], "chapter": "7.3 Revolutions: America, France, and Haiti" }, { "book": "obp", "pdfPages": [ 66, 68 ], "chapter": "1.2.2 Borders in Modern History (1800–1900)" }, { "book": "obp", "pdfPages": [ 233, 233 ], "chapter": "2.3.2 Household and Family in Modern History (ca. 1800–1900)" }, { "book": "obp", "pdfPages": [ 727, 728 ], "chapter": "6.1.2 Religions in Modern History (ca. 1800–1900)" }, { "book": "obp", "pdfPages": [ 391, 392 ], "chapter": "3.4.1 Peace and Conflict in Early Modern History" }, { "book": "obp", "pdfPages": [ 727, 727 ], "chapter": "6.1.2 Religions in Modern History" }, { "book": "obp", "pdfPages": [ 822, 822 ], "chapter": "6.4.2 Generations and Lifecycles in Modern History" } ], "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "canonicalKuromi": true, "issues": [] }, "src": "assets/lesson-scenes/w23-03d.webp", "sha256": "ad581e8ad582e165350956c94a29f7113139407a824445f0f924a60025e5fbce", "bytes": 347622, "thumbnailSrc": "assets/lesson-scenes/w23-03d-preview.webp", "thumbnailSha256": "fd243bdbe70b454abaf2f1b29e623b29a251c46ebdb996e64dae60308b8e3776", "thumbnailBytes": 99862 }, { "unitId": "w23-03e", "title": "Mit jelent a szabadság az ültetvény határán?", "alt": "Felszabadult Saint-Domingue-i földművesek saját élelmüket mutatva tárgyalnak a munkarendet képviselő tiszttel, Kuromi és Jani mellettük figyel.", "caption": "Saint-Domingue, 1801 körül: a személyi szabadság rögzítése mellett Toussaint kormányzata az exporttermelés fenntartását is követelte. Sok felszabadult ember viszont önálló gazdálkodást és szabad mozgást kívánt.", "period": "1801 körül", "setting": "Élelmezési parcella és cukorültetvény határa Saint-Domingue-ban", "historicalDetails": [ "maniókát adó önálló élelmezési parcella", "cukornádföld és malom", "kora 19. századi helyi igazgatási tiszt", "kézi kapa és munkanyilvántartás" ], "placement": { "area": "base", "sectionIndex": 2 }, "scene": "Saint-Domingue circa 1801 under Toussaint Louverture's government, before Haitian independence. At the edge of a small provision garden, two formerly enslaved African-descended adult cultivators speak firmly with a Black local government labor officer in a simple early-nineteenth-century coat. The cultivators indicate their own cassava and food baskets; the officer holds a folded work register and gestures toward the plantation's distant sugarcane rows and a modest mill roof. Make tension between legal freedom and required plantation production visible with dignified negotiation, no chains, whipping, violence, burning estates, celebration, vodou stereotype or royal ceremony. Plain cotton shirts, wrapped skirts, hoes and woven baskets. Kuromi and female Jani are sober observers beside a shade tree, Jani forward-facing with asymmetric face. Medium-wide landscape composition with humans central, soft tropical daylight.", "prompt": "Use case: historical-scene. Wide 1536x1024 opaque full-color hand-drawn narrative educational illustration, fine warm contours, coherent illustrated human figures, natural daylight and thoughtful period colors. One scene, no panels, text, labels, dates, watermark or modern flags. Historically grounded everyday materials and architecture; no Hollywood/game/fantasy clichés, no cinematic lighting or generic battle. Input 1 is female Jani identity reference, input 2 is Kuromi identity reference ONLY: do not copy reference props or background. Both are visibly present as curious observers and never replace historical people. Kuromi MUST exactly match canonical Input 2: dark charcoal two-point jester hood with pink skull, DARK CHARCOAL collar with ONLY FOUR SMALL PINK BALLS at its points, no pink collar fabric, black teardrop/oval eyes each with TWO SHORT CURVED OUTER EYELASHES, small white body; no obligatory magnifier/book. Jani is a female fluffy cream-white ragdoll cat, blue eyes, pink nose, large fluffy dark-brown tail; natural four-leg feline anatomy and paws, no human hands, bowtie or clothing. Jani's face MUST be asymmetric: VIEWER LEFT large DARK-BROWN eye patch; VIEWER RIGHT SMALLER LIGHTER patch, irregular white central blaze. Keep face clearly visible so patches can be inspected. Characters integrated in same drawing medium as setting, occupy about a quarter of image together. Do not invent famous monuments outside windows or on distant skylines; use native period garden foliage or modest generic vernacular buildings instead. Saint-Domingue circa 1801 under Toussaint Louverture's government, before Haitian independence. At the edge of a small provision garden, two formerly enslaved African-descended adult cultivators speak firmly with a Black local government labor officer in a simple early-nineteenth-century coat. The cultivators indicate their own cassava and food baskets; the officer holds a folded work register and gestures toward the plantation's distant sugarcane rows and a modest mill roof. Make tension between legal freedom and required plantation production visible with dignified negotiation, no chains, whipping, violence, burning estates, celebration, vodou stereotype or royal ceremony. Plain cotton shirts, wrapped skirts, hoes and woven baskets. Kuromi and female Jani are sober observers beside a shade tree, Jani forward-facing with asymmetric face. Medium-wide landscape composition with humans central, soft tropical daylight.", "sourceBasis": [ { "book": "v2", "pdfPages": [ 279, 283 ], "chapter": "7.3 Revolutions: America, France, and Haiti" }, { "book": "v2", "pdfPages": [ 280, 282 ], "chapter": "7.3 Revolutions: America, France, and Haiti" } ], "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "canonicalKuromi": true, "issues": [] }, "src": "assets/lesson-scenes/w23-03e.webp", "sha256": "5816e119846f06b4d91a9abf3ee41fd97f81ae2dfcc96cc3a9aae13946d71773", "bytes": 583600, "thumbnailSrc": "assets/lesson-scenes/w23-03e-preview.webp", "thumbnailSha256": "823469a74e4c74acf9b92885fedf3f5232543457e493184abbdc6bfd3e8a56fb", "thumbnailBytes": 170364 }, { "unitId": "w23-04a", "title": "Az alkotmányos jog és a vagyoni választójog határa", "alt": "Városházi írnok adóigazolást ellenőriz, egy vagyonos férfi és egy munkás vár, Kuromi és Jani a padon figyel.", "caption": "Franciaország, 1831 körül: a vagyoni cenzus az adóhoz és tulajdonhoz kötötte a választójogot. Az alkotmányos szabadság támogatása ezért együtt járhatott a politikai részvétel szűk körével.", "period": "1831 körül", "setting": "Francia városházi választói nyilvántartás", "historicalDetails": [ "adóigazolás ellenőrzése", "kézi választói nyilvántartás", "polgári frakk és korai cilinder", "kézműves munkakötény" ], "placement": { "area": "base", "sectionIndex": 1 }, "scene": "France circa 1831 under a constitutional monarchy, a municipal voter-registration desk demonstrating the property qualification. A well-dressed prosperous male property owner presents a tax certificate to a clerk, while a skilled male worker in a plain apron waits holding a much smaller wage packet and is gently stopped by the clerk's raised palm. A woman shopkeeper watches from the doorway with no registration document, showing differing political access without insult. Two neighbors debate in the background. No readable writing, labels, party emblems, modern ballot boxes or campaign posters. Early-nineteenth-century town hall plaster wall, quill ledger, folded tax papers, dark frock coat, waistcoat and early top hat. Kuromi and female Jani observe beside the waiting bench, Jani face forward. Horizontal room composition, quiet analytical mood and ordinary daylight.", "prompt": "Use case: historical-scene. Wide 1536x1024 opaque full-color hand-drawn narrative educational illustration, fine warm contours, coherent illustrated human figures, natural daylight and thoughtful period colors. One scene, no panels, text, labels, dates, watermark or modern flags. Historically grounded everyday materials and architecture; no Hollywood/game/fantasy clichés, no cinematic lighting or generic battle. Input 1 is female Jani identity reference, input 2 is Kuromi identity reference ONLY: do not copy reference props or background. Both are visibly present as curious observers and never replace historical people. Kuromi MUST exactly match canonical Input 2: dark charcoal two-point jester hood with pink skull, DARK CHARCOAL collar with ONLY FOUR SMALL PINK BALLS at its points, no pink collar fabric, black teardrop/oval eyes each with TWO SHORT CURVED OUTER EYELASHES, small white body; no obligatory magnifier/book. Jani is a female fluffy cream-white ragdoll cat, blue eyes, pink nose, large fluffy dark-brown tail; natural four-leg feline anatomy and paws, no human hands, bowtie or clothing. Jani's face MUST be asymmetric: VIEWER LEFT large DARK-BROWN eye patch; VIEWER RIGHT SMALLER LIGHTER patch, irregular white central blaze. Keep face clearly visible so patches can be inspected. Characters integrated in same drawing medium as setting, occupy about a quarter of image together. Do not invent famous monuments outside windows or on distant skylines; use native period garden foliage or modest generic vernacular buildings instead. France circa 1831 under a constitutional monarchy, a municipal voter-registration desk demonstrating the property qualification. A well-dressed prosperous male property owner presents a tax certificate to a clerk, while a skilled male worker in a plain apron waits holding a much smaller wage packet and is gently stopped by the clerk's raised palm. A woman shopkeeper watches from the doorway with no registration document, showing differing political access without insult. Two neighbors debate in the background. No readable writing, labels, party emblems, modern ballot boxes or campaign posters. Early-nineteenth-century town hall plaster wall, quill ledger, folded tax papers, dark frock coat, waistcoat and early top hat. Kuromi and female Jani observe beside the waiting bench, Jani face forward. Horizontal room composition, quiet analytical mood and ordinary daylight.", "sourceBasis": [ { "book": "v2", "pdfPages": [ 283, 289 ], "chapter": "7.4 Nationalism, Liberalism, Conservatism, and the Political Order" }, { "book": "obp", "pdfPages": [ 758, 762 ], "chapter": "6.2.2 Ideologies in Modern History (ca. 1800–1900)" }, { "book": "oh", "pdfPages": [ 128, 130 ], "chapter": "4.1. Politikai eszmék" }, { "book": "v2", "pdfPages": [ 287, 289 ], "chapter": "7.4 Nationalism, Liberalism, Conservatism, and the Political Order" } ], "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "canonicalKuromi": true, "issues": [] }, "src": "assets/lesson-scenes/w23-04a.webp", "sha256": "0fe4ae4346e3b6e2bdb0eea14835493292478aae2acff5066508d14f10a19bd2", "bytes": 302084, "thumbnailSrc": "assets/lesson-scenes/w23-04a-preview.webp", "thumbnailSha256": "3eae15838e67d5df4e9253f437f8f21b6c61821949668192efa32b94ef3a01ff", "thumbnailBytes": 92698 }, { "unitId": "w23-04b", "title": "A nagyhatalmi egyezség mindennapi tárgyalása", "alt": "Bécsi diplomaták szerződéstervezeteket egyeztetnek, a titkár másolatokat készít, Kuromi és Jani az iratláda mellett figyel.", "caption": "Bécs, 1815 eleje: a nagyhatalmak tárgyalással kerestek tartós biztonsági rendet. Az együttműködés nem szüntette meg az eltérő érdekeket, hanem az alkuknak adott intézményes keretet.", "period": "1815 eleje", "setting": "Bécsi kongresszusi diplomáciai dolgozószoba", "historicalDetails": [ "több példányú szerződéstervezet", "pecsétes diplomáciai iratok", "bőr futárláda", "19. század eleji diplomataöltözet" ], "placement": { "area": "base", "sectionIndex": 1 }, "scene": "Vienna early 1815, a working diplomatic consultation during the Congress, not a ball or copied ceremonial group portrait. Four delegates in dark early-nineteenth-century coats and restrained diplomatic dress debate folded treaty proposals around a small oval table, one gives a document to a secretary who prepares matching copies for several powers. One delegate listens cautiously rather than everyone agreeing, illustrating consultation, compromise and competing state interests. Modest Austrian palace study with green covered table, wax seals, quills and leather dispatch boxes; no readable text, modern flags or decorative battle trophies, no grand map. Kuromi and female Jani observe from beside a low dispatch chest at foreground right, the cat's asymmetric face visible. Window light through plain curtains, quiet horizontal arrangement with open space between speakers, people central.", "prompt": "Use case: historical-scene. Wide 1536x1024 opaque full-color hand-drawn narrative educational illustration, fine warm contours, coherent illustrated human figures, natural daylight and thoughtful period colors. One scene, no panels, text, labels, dates, watermark or modern flags. Historically grounded everyday materials and architecture; no Hollywood/game/fantasy clichés, no cinematic lighting or generic battle. Input 1 is female Jani identity reference, input 2 is Kuromi identity reference ONLY: do not copy reference props or background. Both are visibly present as curious observers and never replace historical people. Kuromi MUST exactly match canonical Input 2: dark charcoal two-point jester hood with pink skull, DARK CHARCOAL collar with ONLY FOUR SMALL PINK BALLS at its points, no pink collar fabric, black teardrop/oval eyes each with TWO SHORT CURVED OUTER EYELASHES, small white body; no obligatory magnifier/book. Jani is a female fluffy cream-white ragdoll cat, blue eyes, pink nose, large fluffy dark-brown tail; natural four-leg feline anatomy and paws, no human hands, bowtie or clothing. Jani's face MUST be asymmetric: VIEWER LEFT large DARK-BROWN eye patch; VIEWER RIGHT SMALLER LIGHTER patch, irregular white central blaze. Keep face clearly visible so patches can be inspected. Characters integrated in same drawing medium as setting, occupy about a quarter of image together. Do not invent famous monuments outside windows or on distant skylines; use native period garden foliage or modest generic vernacular buildings instead. Vienna early 1815, a working diplomatic consultation during the Congress, not a ball or copied ceremonial group portrait. Four delegates in dark early-nineteenth-century coats and restrained diplomatic dress debate folded treaty proposals around a small oval table, one gives a document to a secretary who prepares matching copies for several powers. One delegate listens cautiously rather than everyone agreeing, illustrating consultation, compromise and competing state interests. Modest Austrian palace study with green covered table, wax seals, quills and leather dispatch boxes; no readable text, modern flags or decorative battle trophies, no grand map. Kuromi and female Jani observe from beside a low dispatch chest at foreground right, the cat's asymmetric face visible. Window light through plain curtains, quiet horizontal arrangement with open space between speakers, people central.", "sourceBasis": [ { "book": "v2", "pdfPages": [ 288, 289 ], "chapter": "7.4 Nationalism, Liberalism, Conservatism, and the Political Order" }, { "book": "obp", "pdfPages": [ 361, 363 ], "chapter": "3.3.2 Revolutions and Civil Wars in Modern History (c. 1800–1900)" }, { "book": "obp", "pdfPages": [ 396, 397 ], "chapter": "3.4.2 Peace and Conflict in Modern History (ca. 1800–1900)" }, { "book": "obp", "pdfPages": [ 362, 363 ], "chapter": "3.3.2 Revolutions and Civil Wars in Modern History" }, { "book": "obp", "pdfPages": [ 728, 728 ], "chapter": "6.1.2 Religions in Modern History" } ], "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "canonicalKuromi": true, "issues": [] }, "src": "assets/lesson-scenes/w23-04b.webp", "sha256": "6d1a785d1fbe344979ee14e9cd2c6de49e33531eeabc2f5bbe52a3c449e00374", "bytes": 330404, "thumbnailSrc": "assets/lesson-scenes/w23-04b-preview.webp", "thumbnailSha256": "c8cb32eb6b0a988e989c057bf363230ed96bd82d67d41f6be86d216fed48133c", "thumbnailBytes": 104250 }, { "unitId": "w23-04c", "title": "A jobbágyfelszabadítás híre egy magyar faluban", "alt": "Falusi közösség hallgatja az áprilisi változásokról szóló felolvasást, Kuromi és Jani egy faeke mellett ül.", "caption": "Magyarország, 1848 tavasza: az áprilisi törvények a jobbágyi függés alapvető viszonyait is megváltoztatták. A társadalmi felszabadítás eredménye a politikai és katonai vereség után sem tűnt el mindenestül.", "period": "1848 tavasza", "setting": "Magyar falu a jobbágyfelszabadítás hírének idején", "historicalDetails": [ "ökrös faeke", "korábbi szolgáltatásokat jelölő rovásfa", "kézzel felolvasott hivatali irat", "nádfedeles fehérre meszelt parasztház" ], "placement": { "area": "base", "sectionIndex": 3 }, "scene": "A Hungarian village spring 1848 after the April Laws. Beside a modest village house a clerk in a simple dark coat reads an official sheet to a mixed group of peasant households. A farming couple stands by their wooden plough and draft ox, an older villager holds an old bundle of service tally sticks, indicating the end of seigneurial labor obligations and the importance of emancipation. Their expressions combine attentive hope and uncertainty, no modern electoral celebration or battle. Plausible mid-nineteenth-century rural linen shirts, dark waistcoats, plain skirts and headscarves, whitewashed plaster house with thatched roof, wooden gate, no picturesque costume overload, no flags or legible wording. Kuromi and female Jani sit near the plough in clear foreground, canonical charcoal collar with tiny pink balls, cat face forward. Airy rural lateral composition, spring daylight.", "prompt": "Use case: historical-scene. Wide 1536x1024 opaque full-color hand-drawn narrative educational illustration, fine warm contours, coherent illustrated human figures, natural daylight and thoughtful period colors. One scene, no panels, text, labels, dates, watermark or modern flags. Historically grounded everyday materials and architecture; no Hollywood/game/fantasy clichés, no cinematic lighting or generic battle. Input 1 is female Jani identity reference, input 2 is Kuromi identity reference ONLY: do not copy reference props or background. Both are visibly present as curious observers and never replace historical people. Kuromi MUST exactly match canonical Input 2: dark charcoal two-point jester hood with pink skull, DARK CHARCOAL collar with ONLY FOUR SMALL PINK BALLS at its points, no pink collar fabric, black teardrop/oval eyes each with TWO SHORT CURVED OUTER EYELASHES, small white body; no obligatory magnifier/book. Jani is a female fluffy cream-white ragdoll cat, blue eyes, pink nose, large fluffy dark-brown tail; natural four-leg feline anatomy and paws, no human hands, bowtie or clothing. Jani's face MUST be asymmetric: VIEWER LEFT large DARK-BROWN eye patch; VIEWER RIGHT SMALLER LIGHTER patch, irregular white central blaze. Keep face clearly visible so patches can be inspected. Characters integrated in same drawing medium as setting, occupy about a quarter of image together. Do not invent famous monuments outside windows or on distant skylines; use native period garden foliage or modest generic vernacular buildings instead. A Hungarian village spring 1848 after the April Laws. Beside a modest village house a clerk in a simple dark coat reads an official sheet to a mixed group of peasant households. A farming couple stands by their wooden plough and draft ox, an older villager holds an old bundle of service tally sticks, indicating the end of seigneurial labor obligations and the importance of emancipation. Their expressions combine attentive hope and uncertainty, no modern electoral celebration or battle. Plausible mid-nineteenth-century rural linen shirts, dark waistcoats, plain skirts and headscarves, whitewashed plaster house with thatched roof, wooden gate, no picturesque costume overload, no flags or legible wording. Kuromi and female Jani sit near the plough in clear foreground, canonical charcoal collar with tiny pink balls, cat face forward. Airy rural lateral composition, spring daylight.", "sourceBasis": [ { "book": "v2", "pdfPages": [ 285, 286 ], "chapter": "7.4 Nationalism, Liberalism, Conservatism, and the Political Order" }, { "book": "obp", "pdfPages": [ 363, 367 ], "chapter": "3.3.2 Revolutions and Civil Wars in Modern History (c. 1800–1900)" }, { "book": "oh", "pdfPages": [ 128, 129 ], "chapter": "4.1. Politikai eszmék" }, { "book": "obp", "pdfPages": [ 364, 364 ], "chapter": "3.3.2 Revolutions and Civil Wars in Modern History" } ], "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "canonicalKuromi": true, "issues": [] }, "src": "assets/lesson-scenes/w23-04c.webp", "sha256": "9e81234fa42edca38b8109ea54f9a3ff35eaa92f088af77e773cc2213d69b365", "bytes": 475538, "thumbnailSrc": "assets/lesson-scenes/w23-04c-preview.webp", "thumbnailSha256": "beb0f5deb25f204b9c6a2d4af046aaceb776bafb4f3cb85d4a4cc0c444456f9d", "thumbnailBytes": 147238 }, { "unitId": "w23-04d", "title": "Önkéntes mozgalom és monarchia találkozása Teanónál", "alt": "Garibaldi és II. Viktor Emánuel vidéki úton üdvözli egymást, önkénteseik és reguláris katonák, valamint Kuromi és Jani figyel.", "caption": "Teano térsége, 1860 ősze: Garibaldi elfogadta II. Viktor Emánuel vezetését. Az önkéntes katonai siker és a piemonti monarchia szövetsége az egység érdekében háttérbe szorította a köztársasági célt.", "period": "1860 ősze", "setting": "Vidéki út Teano térségében", "historicalDetails": [ "Garibaldi egyszerű vörös inge", "piemonti katonai egyenruha", "önkéntesek és reguláris katonák külön csoportja", "19. századi lószerszám" ], "placement": { "area": "base", "sectionIndex": 1 }, "scene": "Countryside near Teano autumn 1860, Garibaldi accepting the leadership of Victor Emmanuel II during Italian unification. On an ordinary dirt road Garibaldi, older man with gray beard, simple red shirt and modest neckcloth, and the king, mustached middle-aged man in restrained Piedmontese military coat, greet each other at close human scale beside their horses. A small group of redshirt volunteers waits separately from regular soldiers, making the coalition between volunteer movement and monarchy visible. No crowning ceremony, no invented flag, no giant battle, no movie hero pose or ornate fantasy armor. Low stone wall, road dust, simple leather tack and autumn trees, accurate mid-nineteenth-century clothing. Kuromi and female Jani stand by the wall in foreground, canonically charcoal collar and visible cat facial asymmetry, thoughtful observers. Wide three-quarter view under even daylight.", "prompt": "Use case: historical-scene. Wide 1536x1024 opaque full-color hand-drawn narrative educational illustration, fine warm contours, coherent illustrated human figures, natural daylight and thoughtful period colors. One scene, no panels, text, labels, dates, watermark or modern flags. Historically grounded everyday materials and architecture; no Hollywood/game/fantasy clichés, no cinematic lighting or generic battle. Input 1 is female Jani identity reference, input 2 is Kuromi identity reference ONLY: do not copy reference props or background. Both are visibly present as curious observers and never replace historical people. Kuromi MUST exactly match canonical Input 2: dark charcoal two-point jester hood with pink skull, DARK CHARCOAL collar with ONLY FOUR SMALL PINK BALLS at its points, no pink collar fabric, black teardrop/oval eyes each with TWO SHORT CURVED OUTER EYELASHES, small white body; no obligatory magnifier/book. Jani is a female fluffy cream-white ragdoll cat, blue eyes, pink nose, large fluffy dark-brown tail; natural four-leg feline anatomy and paws, no human hands, bowtie or clothing. Jani's face MUST be asymmetric: VIEWER LEFT large DARK-BROWN eye patch; VIEWER RIGHT SMALLER LIGHTER patch, irregular white central blaze. Keep face clearly visible so patches can be inspected. Characters integrated in same drawing medium as setting, occupy about a quarter of image together. Do not invent famous monuments outside windows or on distant skylines; use native period garden foliage or modest generic vernacular buildings instead. Countryside near Teano autumn 1860, Garibaldi accepting the leadership of Victor Emmanuel II during Italian unification. On an ordinary dirt road Garibaldi, older man with gray beard, simple red shirt and modest neckcloth, and the king, mustached middle-aged man in restrained Piedmontese military coat, greet each other at close human scale beside their horses. A small group of redshirt volunteers waits separately from regular soldiers, making the coalition between volunteer movement and monarchy visible. No crowning ceremony, no invented flag, no giant battle, no movie hero pose or ornate fantasy armor. Low stone wall, road dust, simple leather tack and autumn trees, accurate mid-nineteenth-century clothing. Kuromi and female Jani stand by the wall in foreground, canonically charcoal collar and visible cat facial asymmetry, thoughtful observers. Wide three-quarter view under even daylight.", "sourceBasis": [ { "book": "v2", "pdfPages": [ 284, 286 ], "chapter": "7.4 Nationalism, Liberalism, Conservatism, and the Political Order" }, { "book": "obp", "pdfPages": [ 366, 367 ], "chapter": "3.3.2 Revolutions and Civil Wars in Modern History (c. 1800–1900)" }, { "book": "obp", "pdfPages": [ 366, 367 ], "chapter": "3.3.2 Revolutions and Civil Wars in Modern History" } ], "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "canonicalKuromi": true, "issues": [] }, "src": "assets/lesson-scenes/w23-04d.webp", "sha256": "678eee715cfeb8e8c270d5454943be4084acaa99a91a6250f1b7699bdb107138", "bytes": 539958, "thumbnailSrc": "assets/lesson-scenes/w23-04d-preview.webp", "thumbnailSha256": "d2c68a678f531fc4424d541fa77ef2ed8c7fba6aa6c6df170da0b4b379a66e7f", "thumbnailBytes": 159990 }, { "unitId": "w24-01", "title": "Adósérelmek és eltérő érdekek Új-Granadában", "alt": "Piaci árusok és egy tehetős helyi kereskedő kérvényt ad át a gyarmati adóhivatalnoknak, Kuromi és Jani figyel.", "caption": "Új-Granada, 1781 körül: az adók és monopóliumok elleni közös fellépés különböző társadalmi csoportokat foghatott össze. A Bourbon-reformokkal szembeni sérelem azonban nem jelentett azonos elképzelést a társadalmi egyenlőségről.", "period": "1781 körül", "setting": "Új-granadai piaci jövedéki hivatal", "historicalDetails": [ "dohánymonopólium áruja", "kézzel írt panaszbeadvány", "pecsétes jövedéki nyilvántartás", "18. századi gyarmati kabát és helyi pamutruhák" ], "placement": { "area": "base", "sectionIndex": 1 }, "scene": "New Granada circa 1781, a town market beside a royal excise collection room during resistance to Bourbon fiscal reforms. Local producers and a modestly prosperous American-born merchant present a folded petition to a Spanish colonial tax official. A woman market seller points to a bundle of tobacco that must pass the monopoly counter, while a smallholder holds only a few coins. The official and petitioners negotiate tensely; show different social groups sharing a tax grievance without suggesting identical revolutionary goals. Plain whitewashed courtyard and timber shutter, packed tobacco leaf bundles, stamped wax seals, paper ledger, late-eighteenth-century coats, local cotton shirts and wrapped shawls. No casta diagram, no romantic revolt battle, modern national flag or readable text. Kuromi and female Jani watch beside an empty market basket with serious calm. Diagonal street-courtyard view, natural daylight.", "prompt": "Use case: historical-scene. Wide 1536x1024 opaque full-color hand-drawn narrative educational illustration, fine warm contours, coherent illustrated human figures, natural daylight and thoughtful period colors. One scene, no panels, text, labels, dates, watermark or modern flags. Historically grounded everyday materials and architecture; no Hollywood/game/fantasy clichés, no cinematic lighting or generic battle. Input 1 is female Jani identity reference, input 2 is Kuromi identity reference ONLY: do not copy reference props or background. Both are visibly present as curious observers and never replace historical people. Kuromi MUST exactly match canonical Input 2: dark charcoal two-point jester hood with pink skull, DARK CHARCOAL collar with ONLY FOUR SMALL PINK BALLS at its points, no pink collar fabric, black teardrop/oval eyes each with TWO SHORT CURVED OUTER EYELASHES, small white body; no obligatory magnifier/book. Jani is a female fluffy cream-white ragdoll cat, blue eyes, pink nose, large fluffy dark-brown tail; natural four-leg feline anatomy and paws, no human hands, bowtie or clothing. Jani's face MUST be asymmetric: VIEWER LEFT large DARK-BROWN eye patch; VIEWER RIGHT SMALLER LIGHTER patch, irregular white central blaze. Keep face clearly visible so patches can be inspected. Characters integrated in same drawing medium as setting, occupy about a quarter of image together. Do not invent famous monuments outside windows or on distant skylines; use native period garden foliage or modest generic vernacular buildings instead. New Granada circa 1781, a town market beside a royal excise collection room during resistance to Bourbon fiscal reforms. Local producers and a modestly prosperous American-born merchant present a folded petition to a Spanish colonial tax official. A woman market seller points to a bundle of tobacco that must pass the monopoly counter, while a smallholder holds only a few coins. The official and petitioners negotiate tensely; show different social groups sharing a tax grievance without suggesting identical revolutionary goals. Plain whitewashed courtyard and timber shutter, packed tobacco leaf bundles, stamped wax seals, paper ledger, late-eighteenth-century coats, local cotton shirts and wrapped shawls. No casta diagram, no romantic revolt battle, modern national flag or readable text. Kuromi and female Jani watch beside an empty market basket with serious calm. Diagonal street-courtyard view, natural daylight.", "sourceBasis": [ { "book": "v2", "pdfPages": [ 299, 309 ], "chapter": "8.1 Revolution for Whom?" }, { "book": "v2", "pdfPages": [ 301, 305 ], "chapter": "8.1 Revolution for Whom?" } ], "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "canonicalKuromi": true, "issues": [] }, "src": "assets/lesson-scenes/w24-01.webp", "sha256": "bac2be8182ecccb537bee90926cadff428a944f803e6de6e044c74bb393f77c3", "bytes": 388318, "thumbnailSrc": "assets/lesson-scenes/w24-01-preview.webp", "thumbnailSha256": "71f9d4d19deae1be87bed0d4df00265fae61221a845366d72504de36b128bc18", "thumbnailBytes": 127556 }, { "unitId": "w24-02", "title": "Morelos programja a chilpancingói tanácskozáson", "alt": "Morelos iratot magyaráz a küldötteknek egy szerény teremben, Kuromi és Jani az ajtóból figyel.", "caption": "Chilpancingo, 1813: a függetlenségi program a rabszolgaság és casta-megkülönböztetés eltörlését a katolikus vallás kizárólagosságával kapcsolta össze. A jogkiterjesztés ezért nem minden területen jelentett azonos szabadságot.", "period": "1813", "setting": "Chilpancingói függetlenségi tanácskozás", "historicalDetails": [ "Morelos jellegzetes fehér fejkendője", "korabeli politikai beadványok", "szerény faülések és íróeszközök", "katolikus feszület" ], "placement": { "area": "advanced", "sectionIndex": 0 }, "scene": "Chilpancingo, Mexico, 1813, a modest congressional meeting connected to Jose Maria Morelos's independence program. Morelos, a middle-aged Mexican man with a closely tied plain white headcloth and simple dark military coat, explains a folded proposal to a handful of civilian delegates in a simple whitewashed room. A local artisan and farmer listen near the open doorway, while a small Catholic crucifix on the wall makes confessional commitment visible alongside the discussion of ending slavery and caste discrimination. No enacted utopia, no modern flag, no giant Hidalgo mural, no gold throne or battle. Plain wooden chairs, paper petitions, quill, travel satchel and simple linen garments. Kuromi stands beside the doorway and female Jani sits on its step face toward viewer. Medium-wide side-on deliberative scene in clear daylight, dignified political negotiation.", "prompt": "Use case: historical-scene. Wide 1536x1024 opaque full-color hand-drawn narrative educational illustration, fine warm contours, coherent illustrated human figures, natural daylight and thoughtful period colors. One scene, no panels, text, labels, dates, watermark or modern flags. Historically grounded everyday materials and architecture; no Hollywood/game/fantasy clichés, no cinematic lighting or generic battle. Input 1 is female Jani identity reference, input 2 is Kuromi identity reference ONLY: do not copy reference props or background. Both are visibly present as curious observers and never replace historical people. Kuromi MUST exactly match canonical Input 2: dark charcoal two-point jester hood with pink skull, DARK CHARCOAL collar with ONLY FOUR SMALL PINK BALLS at its points, no pink collar fabric, black teardrop/oval eyes each with TWO SHORT CURVED OUTER EYELASHES, small white body; no obligatory magnifier/book. Jani is a female fluffy cream-white ragdoll cat, blue eyes, pink nose, large fluffy dark-brown tail; natural four-leg feline anatomy and paws, no human hands, bowtie or clothing. Jani's face MUST be asymmetric: VIEWER LEFT large DARK-BROWN eye patch; VIEWER RIGHT SMALLER LIGHTER patch, irregular white central blaze. Keep face clearly visible so patches can be inspected. Characters integrated in same drawing medium as setting, occupy about a quarter of image together. Do not invent famous monuments outside windows or on distant skylines; use native period garden foliage or modest generic vernacular buildings instead. Chilpancingo, Mexico, 1813, a modest congressional meeting connected to Jose Maria Morelos's independence program. Morelos, a middle-aged Mexican man with a closely tied plain white headcloth and simple dark military coat, explains a folded proposal to a handful of civilian delegates in a simple whitewashed room. A local artisan and farmer listen near the open doorway, while a small Catholic crucifix on the wall makes confessional commitment visible alongside the discussion of ending slavery and caste discrimination. No enacted utopia, no modern flag, no giant Hidalgo mural, no gold throne or battle. Plain wooden chairs, paper petitions, quill, travel satchel and simple linen garments. Kuromi stands beside the doorway and female Jani sits on its step face toward viewer. Medium-wide side-on deliberative scene in clear daylight, dignified political negotiation.", "sourceBasis": [ { "book": "v2", "pdfPages": [ 309, 315 ], "chapter": "8.2 Spanish North America" }, { "book": "v2", "pdfPages": [ 313, 315 ], "chapter": "8.2 Spanish North America" } ], "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "canonicalKuromi": true, "issues": [] }, "src": "assets/lesson-scenes/w24-02.webp", "sha256": "fc200feefa47ebfcb69a7355aec06926764835497b8f145c741dcb8d5e7a6efc", "bytes": 337786, "thumbnailSrc": "assets/lesson-scenes/w24-02-preview.webp", "thumbnailSha256": "adcfd34375a9623e7f2a96d28455ef1919443186638dbfe8ae9f9dfecee5f160", "thumbnailBytes": 103586 }, { "unitId": "w24-03", "title": "Utánpótlás az Andokon átvezető hadjárathoz", "alt": "Öszvérhajcsár és katonák málhát igazítanak az Andok hágójában, Kuromi és Jani a széles ösvényen figyel.", "caption": "Andok, 1817: San Martín chilei hadjáratát a málhás szállítás, a helyismeret és az ellátás szervezése tette lehetővé. A felszabadító háborúk sikere a hadvezéreken túl sok helyi közreműködő munkájára épült.", "period": "1817", "setting": "Andoki hágó a Chile felé vezető úton", "historicalDetails": [ "málhás öszvérek", "lisztes zsákok és gyapjútakarók", "bőrtáskák és kötélhevederek", "korabeli poncsó és egyszerű katonakabát" ], "placement": { "area": "base", "sectionIndex": 2 }, "scene": "An Andean mountain pass during San Martin's army crossing into Chile in 1817. A small supply party pauses to redistribute flour sacks and rolled blankets on sturdy pack mules; a local muleteer leads the way and a soldier in a simple early-nineteenth-century blue coat carefully checks a load strap. People of varied local backgrounds cooperate, showing logistical organization and local knowledge underpinning the campaign, no lone heroic general, battlefield, steep impossible cliff stunt or giant flags. Rocky high pass with patchy snow well above road, dry mountain light, wool ponchos, leather panniers, rope and water gourds; no modern mountaineering equipment. Kuromi stands safely on the broad path examining a loose strap, canonical dark collar with tiny pink balls; female Jani sits on a folded blanket facing viewer, natural cat paws. Wide low-angle path composition into the pass, practical and sober.", "prompt": "Use case: historical-scene. Wide 1536x1024 opaque full-color hand-drawn narrative educational illustration, fine warm contours, coherent illustrated human figures, natural daylight and thoughtful period colors. One scene, no panels, text, labels, dates, watermark or modern flags. Historically grounded everyday materials and architecture; no Hollywood/game/fantasy clichés, no cinematic lighting or generic battle. Input 1 is female Jani identity reference, input 2 is Kuromi identity reference ONLY: do not copy reference props or background. Both are visibly present as curious observers and never replace historical people. Kuromi MUST exactly match canonical Input 2: dark charcoal two-point jester hood with pink skull, DARK CHARCOAL collar with ONLY FOUR SMALL PINK BALLS at its points, no pink collar fabric, black teardrop/oval eyes each with TWO SHORT CURVED OUTER EYELASHES, small white body; no obligatory magnifier/book. Jani is a female fluffy cream-white ragdoll cat, blue eyes, pink nose, large fluffy dark-brown tail; natural four-leg feline anatomy and paws, no human hands, bowtie or clothing. Jani's face MUST be asymmetric: VIEWER LEFT large DARK-BROWN eye patch; VIEWER RIGHT SMALLER LIGHTER patch, irregular white central blaze. Keep face clearly visible so patches can be inspected. Characters integrated in same drawing medium as setting, occupy about a quarter of image together. Do not invent famous monuments outside windows or on distant skylines; use native period garden foliage or modest generic vernacular buildings instead. An Andean mountain pass during San Martin's army crossing into Chile in 1817. A small supply party pauses to redistribute flour sacks and rolled blankets on sturdy pack mules; a local muleteer leads the way and a soldier in a simple early-nineteenth-century blue coat carefully checks a load strap. People of varied local backgrounds cooperate, showing logistical organization and local knowledge underpinning the campaign, no lone heroic general, battlefield, steep impossible cliff stunt or giant flags. Rocky high pass with patchy snow well above road, dry mountain light, wool ponchos, leather panniers, rope and water gourds; no modern mountaineering equipment. Kuromi stands safely on the broad path examining a loose strap, canonical dark collar with tiny pink balls; female Jani sits on a folded blanket facing viewer, natural cat paws. Wide low-angle path composition into the pass, practical and sober.", "sourceBasis": [ { "book": "v2", "pdfPages": [ 316, 324 ], "chapter": "8.3 Spanish South America" }, { "book": "v2", "pdfPages": [ 318, 319 ], "chapter": "8.3 Spanish South America" }, { "book": "v2", "pdfPages": [ 323, 324 ], "chapter": "8.3 Spanish South America" } ], "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "canonicalKuromi": true, "issues": [] }, "src": "assets/lesson-scenes/w24-03.webp", "sha256": "7fd4bed29b832459ecaf64fdad7b4ef70e9a07e2fe91191f89f669a7841fb7f4", "bytes": 560180, "thumbnailSrc": "assets/lesson-scenes/w24-03-preview.webp", "thumbnailSha256": "ef286df96cca6a2c4df74e662703e97f3e6443c4b59093e9bce11b32a8417d90", "thumbnailBytes": 166792 }, { "unitId": "w24-04", "title": "Az udvari intézmények rakománya megérkezik Rióba", "alt": "Riói rakodók iratládákat visznek partra, hivatalnokok az átvételt egyeztetik, Kuromi és Jani a nyitott láda mellett figyel.", "caption": "Rio de Janeiro, 1808: a portugál udvar átköltözésével hivatalok és kormányzati intézmények is Brazíliába kerültek. A korábbi gyarmat birodalmi központtá válása új lehetőségeket és fenntartási terheket hozott.", "period": "1808", "setting": "Rio de Janeiro kikötője", "historicalDetails": [ "fából és vaspántból készült iratládák", "pecsétes iratkötegek", "kis vitorlás és rakodópalló", "19. század eleji hivatali öltözék" ], "placement": { "area": "base", "sectionIndex": 0 }, "scene": "Rio de Janeiro harbor in 1808 after the Portuguese court's transfer from Europe. A practical scene of institutional relocation: dockworkers of varied local backgrounds carefully unload heavy wooden archive chests, paper bundles and a small printing case from a boat while a Portuguese court clerk in early-nineteenth-century dark coat checks delivery with a local official. African-descended laborers are shown with dignity and the uneven authority of work is visible without chains or spectacle. The goods are administrative infrastructure, not treasure. Modest tile-roof warehouse on a stone quay, masts, bay water and wooded hills only, absolutely no Christ statue, later modern port, domed skyline or royal coronation. Kuromi and female Jani watch beside an open archive chest at the near quay edge, both clearly visible, canonical collar. Broad harbor composition, clear humid daylight.", "prompt": "Use case: historical-scene. Wide 1536x1024 opaque full-color hand-drawn narrative educational illustration, fine warm contours, coherent illustrated human figures, natural daylight and thoughtful period colors. One scene, no panels, text, labels, dates, watermark or modern flags. Historically grounded everyday materials and architecture; no Hollywood/game/fantasy clichés, no cinematic lighting or generic battle. Input 1 is female Jani identity reference, input 2 is Kuromi identity reference ONLY: do not copy reference props or background. Both are visibly present as curious observers and never replace historical people. Kuromi MUST exactly match canonical Input 2: dark charcoal two-point jester hood with pink skull, DARK CHARCOAL collar with ONLY FOUR SMALL PINK BALLS at its points, no pink collar fabric, black teardrop/oval eyes each with TWO SHORT CURVED OUTER EYELASHES, small white body; no obligatory magnifier/book. Jani is a female fluffy cream-white ragdoll cat, blue eyes, pink nose, large fluffy dark-brown tail; natural four-leg feline anatomy and paws, no human hands, bowtie or clothing. Jani's face MUST be asymmetric: VIEWER LEFT large DARK-BROWN eye patch; VIEWER RIGHT SMALLER LIGHTER patch, irregular white central blaze. Keep face clearly visible so patches can be inspected. Characters integrated in same drawing medium as setting, occupy about a quarter of image together. Do not invent famous monuments outside windows or on distant skylines; use native period garden foliage or modest generic vernacular buildings instead. Rio de Janeiro harbor in 1808 after the Portuguese court's transfer from Europe. A practical scene of institutional relocation: dockworkers of varied local backgrounds carefully unload heavy wooden archive chests, paper bundles and a small printing case from a boat while a Portuguese court clerk in early-nineteenth-century dark coat checks delivery with a local official. African-descended laborers are shown with dignity and the uneven authority of work is visible without chains or spectacle. The goods are administrative infrastructure, not treasure. Modest tile-roof warehouse on a stone quay, masts, bay water and wooded hills only, absolutely no Christ statue, later modern port, domed skyline or royal coronation. Kuromi and female Jani watch beside an open archive chest at the near quay edge, both clearly visible, canonical collar. Broad harbor composition, clear humid daylight.", "sourceBasis": [ { "book": "v2", "pdfPages": [ 324, 331 ], "chapter": "8.4 Portuguese South America" }, { "book": "v2", "pdfPages": [ 328, 330 ], "chapter": "8.4 Portuguese South America" } ], "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "canonicalKuromi": true, "issues": [] }, "src": "assets/lesson-scenes/w24-04.webp", "sha256": "fa94e8ce4e0d3bcfc0349395e26ba8b8648479095bc3c4626d5f5230dc5ef8d8", "bytes": 527700, "thumbnailSrc": "assets/lesson-scenes/w24-04-preview.webp", "thumbnailSha256": "be420be1b198b707522f2cbce43ce1f0eb5cddcf56f7f38a9af602f29d6afd17", "thumbnailBytes": 159716 }, { "unitId": "w25-01", "title": "Villamos szakértelem építése a Meidzsi-kori Japánban", "alt": "Japán tanulók és oktató egy dinamó réztekercsét vizsgálják külföldi műszaki tanácsadóval, Kuromi és Jani a műhelyben figyel.", "caption": "Tokió, 1890 körül: a technológia átvételéhez műszaki oktatás, szakemberek és intézményi erőforrások kellettek. A Meidzsi-kori iparfejlesztés a japán állam önállóságának erősítését szolgálta.", "period": "1890 körül", "setting": "Tokiói műszaki iskola műhelye", "historicalDetails": [ "szíjhajtású dinamó", "kézzel készített réztekercs", "tolómérő és réz műszeralkatrész", "Meidzsi-kori iskolai öltözék" ], "placement": { "area": "base", "sectionIndex": 2 }, "scene": "Tokyo technical-school workshop circa 1890 in Meiji Japan. Two Japanese engineering students in simple dark Western-style school work clothes and a Japanese instructor examine a small belt-driven electrical dynamo and copper windings; a foreign technical adviser stands beside them explaining a brass measuring instrument while the Japanese instructor actively checks it with calipers. Students assemble the winding on a bench, showing education, imported knowledge and local institutional capacity rather than passive copying or an emperor portrait. Late-nineteenth-century timber-and-brick training workshop, oil can, hand tools, insulated wire, mechanical drive belt, no digital displays, plastic, robots or modern white lab coats. Kuromi observes the copper coil from the clear walkway, female Jani sits on a wooden stool facing viewer, canonical dark collar and tiny balls. Medium-wide diagonal workshop view, diffuse daylight, thoughtful practical cooperation.", "prompt": "Use case: historical-scene. Wide 1536x1024 opaque full-color hand-drawn narrative educational illustration, fine warm contours, coherent illustrated human figures, natural daylight and thoughtful period colors. One scene, no panels, text, labels, dates, watermark or modern flags. Historically grounded everyday materials and architecture; no Hollywood/game/fantasy clichés, no cinematic lighting or generic battle. Input 1 is female Jani identity reference, input 2 is Kuromi identity reference ONLY: do not copy reference props or background. Both are visibly present as curious observers and never replace historical people. Kuromi MUST exactly match canonical Input 2: dark charcoal two-point jester hood with pink skull, DARK CHARCOAL collar with ONLY FOUR SMALL PINK BALLS at its points, no pink collar fabric, black teardrop/oval eyes each with TWO SHORT CURVED OUTER EYELASHES, small white body; no obligatory magnifier/book. Jani is a female fluffy cream-white ragdoll cat, blue eyes, pink nose, large fluffy dark-brown tail; natural four-leg feline anatomy and paws, no human hands, bowtie or clothing. Jani's face MUST be asymmetric: VIEWER LEFT large DARK-BROWN eye patch; VIEWER RIGHT SMALLER LIGHTER patch, irregular white central blaze. Keep face clearly visible so patches can be inspected. Characters integrated in same drawing medium as setting, occupy about a quarter of image together. Do not invent famous monuments outside windows or on distant skylines; use native period garden foliage or modest generic vernacular buildings instead. Tokyo technical-school workshop circa 1890 in Meiji Japan. Two Japanese engineering students in simple dark Western-style school work clothes and a Japanese instructor examine a small belt-driven electrical dynamo and copper windings; a foreign technical adviser stands beside them explaining a brass measuring instrument while the Japanese instructor actively checks it with calipers. Students assemble the winding on a bench, showing education, imported knowledge and local institutional capacity rather than passive copying or an emperor portrait. Late-nineteenth-century timber-and-brick training workshop, oil can, hand tools, insulated wire, mechanical drive belt, no digital displays, plastic, robots or modern white lab coats. Kuromi observes the copper coil from the clear walkway, female Jani sits on a wooden stool facing viewer, canonical dark collar and tiny balls. Medium-wide diagonal workshop view, diffuse daylight, thoughtful practical cooperation.", "sourceBasis": [ { "book": "v2", "pdfPages": [ 339, 354 ], "chapter": "9.1 The Second Industrial Revolution" }, { "book": "v2", "pdfPages": [ 350, 352 ], "chapter": "9.1 The Second Industrial Revolution" } ], "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "canonicalKuromi": true, "issues": [] }, "src": "assets/lesson-scenes/w25-01.webp", "sha256": "7b2310f17b2c76712e2d325a61b4556fbf4a6b015657246cdb30e13769312e60", "bytes": 328970, "thumbnailSrc": "assets/lesson-scenes/w25-01-preview.webp", "thumbnailSha256": "eed6939728db2a6ed3ee6fa14ce1f9d887bec42771aa89de0271b559650edded", "thumbnailBytes": 109366 }, { "unitId": "w25-02", "title": "A gőzhajó útját helyi munka teszi járhatóvá", "alt": "Afrikai hordárok szétszerelt gőzhajó-elemeket visznek a kongói zúgók mellett, Kuromi és Jani komolyan figyel.", "caption": "A Kongó folyó térsége, 1885 körül: a zúgók megkerüléséhez a szétszerelt hajót helyi emberek szállították tovább. Az imperialista technikai előny ezért útismerettől, ellátástól és afrikai munkától is függött.", "period": "1885 körül", "setting": "A Kongó folyó egyik zuhatagot megkerülő szárazföldi útja", "historicalDetails": [ "szegecselt vashajótest elemei", "kisméretű gőzkazán", "farudakból és kötélből készített teherhordó szerkezet", "helyi vezető útmutatása a zúgóknál" ], "placement": { "area": "base", "sectionIndex": 2 }, "scene": "Congo River cataract bypass circa 1885, showing the local labor behind colonial steamboat penetration. On a broad rocky portage path a coordinated team of African workers carries a small disassembled iron steamboat hull section on wooden poles while others move a compact boiler component on a simple timber sledge. A local guide points out the safer path around the rapids, and a European expedition engineer waits with tools rather than dominating as a heroic conqueror. Show dependence on local knowledge and heavy work under unequal imperial authority; no battle, racial caricature, jubilant conquest, chains or visible injury. Cotton work wraps and shirts, rope lashings, riveted iron panels, timber rollers, river rapids and native vegetation, no modern cranes or motor vehicles. Kuromi with serious closed mouth and female Jani observe soberly beside a spare rope coil, faces visible, canonical Kuromi details. Wide oblique landscape composition, ordinary daylight.", "prompt": "Use case: historical-scene. Wide 1536x1024 opaque full-color hand-drawn narrative educational illustration, fine warm contours, coherent illustrated human figures, natural daylight and thoughtful period colors. One scene, no panels, text, labels, dates, watermark or modern flags. Historically grounded everyday materials and architecture; no Hollywood/game/fantasy clichés, no cinematic lighting or generic battle. Input 1 is female Jani identity reference, input 2 is Kuromi identity reference ONLY: do not copy reference props or background. Both are visibly present as curious observers and never replace historical people. Kuromi MUST exactly match canonical Input 2: dark charcoal two-point jester hood with pink skull, DARK CHARCOAL collar with ONLY FOUR SMALL PINK BALLS at its points, no pink collar fabric, black teardrop/oval eyes each with TWO SHORT CURVED OUTER EYELASHES, small white body; no obligatory magnifier/book. Jani is a female fluffy cream-white ragdoll cat, blue eyes, pink nose, large fluffy dark-brown tail; natural four-leg feline anatomy and paws, no human hands, bowtie or clothing. Jani's face MUST be asymmetric: VIEWER LEFT large DARK-BROWN eye patch; VIEWER RIGHT SMALLER LIGHTER patch, irregular white central blaze. Keep face clearly visible so patches can be inspected. Characters integrated in same drawing medium as setting, occupy about a quarter of image together. Do not invent famous monuments outside windows or on distant skylines; use native period garden foliage or modest generic vernacular buildings instead. Congo River cataract bypass circa 1885, showing the local labor behind colonial steamboat penetration. On a broad rocky portage path a coordinated team of African workers carries a small disassembled iron steamboat hull section on wooden poles while others move a compact boiler component on a simple timber sledge. A local guide points out the safer path around the rapids, and a European expedition engineer waits with tools rather than dominating as a heroic conqueror. Show dependence on local knowledge and heavy work under unequal imperial authority; no battle, racial caricature, jubilant conquest, chains or visible injury. Cotton work wraps and shirts, rope lashings, riveted iron panels, timber rollers, river rapids and native vegetation, no modern cranes or motor vehicles. Kuromi with serious closed mouth and female Jani observe soberly beside a spare rope coil, faces visible, canonical Kuromi details. Wide oblique landscape composition, ordinary daylight.", "sourceBasis": [ { "book": "v2", "pdfPages": [ 355, 360 ], "chapter": "9.2 Motives and Means of Imperialism" }, { "book": "v2", "pdfPages": [ 358, 360 ], "chapter": "9.2 Motives and Means of Imperialism" } ], "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "canonicalKuromi": true, "issues": [] }, "src": "assets/lesson-scenes/w25-02.webp", "sha256": "5d021d113ccb801459532dea279ecd5f949e99932e63db9b1daa76bb2b0a3e15", "bytes": 611016, "thumbnailSrc": "assets/lesson-scenes/w25-02-preview.webp", "thumbnailSha256": "780896553c21a64874989d5bf6531c619b34c15cb67b9ddb371ef22eb46e1a27", "thumbnailBytes": 176412 }, { "unitId": "w25-03", "title": "Hajóforgalom és pénzügyi ellenőrzés a Szuezi-csatornánál", "alt": "Kuromi és Jani egy egyiptomi rakparton figyeli a rakomány iratainak és a fizetésnek az ellenőrzését, miközben gőzhajó halad a csatornán.", "caption": "A Szuezi-csatorna körül az 1875-ös brit részvényvásárlást 1882-ben katonai megszállás követte. A hajózási útvonal, a hitelezői érdek és az igazgatási befolyás összekapcsolódott.", "scene": "Civilian canal cargo and payment inspection on an Egyptian Suez Canal quay around 1882, under growing foreign financial influence.", "setting": "Szuezi-csatorna, Egyiptom, 1882 körül", "historicalDetails": [ "Egykéményes kereskedelmi gőzhajó", "Egyiptomi pamutgalabija és fez", "Papíralapú rakományjegyzék és pénztár", "Kőkikötő, kikötőkötél és távíróoszlop" ], "placement": { "area": "base", "sectionIndex": 0 }, "period": "1857–1914", "sourceBasis": [ { "book": "v2", "pdfPages": [ 361, 377 ], "chapter": "9.3 Colonial Empires" }, { "book": "v2", "pdfPages": [ 376, 377 ], "chapter": "9.3 Colonial Empires" }, { "book": "v2", "pdfPages": [ 383, 383 ], "chapter": "9.4 Exploitation and Resistance" } ], "prompt": "Use case: identity-preserve. Edit the FIRST input, which is the complete existing historical illustration. Inputs 2 and 3 are the CORRECT canonical Kuromi identity references, not scene targets. Make one tightly targeted correction to Kuromi only: her jester neck collar must be solid DARK CHARCOAL BLACK throughout, with ONLY FOUR TINY PINK BALLS at its pointed ends. Remove every broad pink stripe or pink collar surface. Match her eyes to the canonical references: simple solid black teardrop/oval eyes, two short CURVED outer eyelashes, no long straight lashes or thick eyebrows. Keep the original serious/neutral scene-appropriate expression, pose, pink skull hood mark, size and placement. Preserve the entire historical setting, all human figures, objects, composition, lighting, color, style, and especially Jani's exact original cream fur, blue eyes, four-legged anatomy and asymmetrical eye patches. Do not redraw the whole scene, do not add text, flags or new objects, do not change the historical action. Keep the landscape 1536×1024 opaque full-color image.\nTarget lesson: w25-03. Keep its existing scene, changing only Kuromi's collar and eyes/eyelashes.", "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [], "canonicalKuromi": true }, "generationPrompt": "Use case: historical-scene. Asset: one wide 1536×1024 full-color opaque historical educational narrative illustration, a single coherent hand-drawn scene with fine outlines, soft natural daytime light and thoughtful realistic colors. Retain the illustrated Kuromi–Jani character style in a fully illustrated world. Character references are identity/style only. Kuromi is small with canonical black two-point jester hood, pink skull, white body, pink collar. Jani is a small FEMALE fluffy cream-white ragdoll CAT, natural four-legged feline anatomy and paws, blue eyes, pink nose, large dark brown fluffy tail. Her face is strongly ASYMMETRIC: viewed from front, viewer LEFT has a large DARK BROWN eye patch, viewer RIGHT has a smaller LIGHT BROWN patch, with irregular white blaze between. Both must be clearly visible with faces readable. They are observing the real human historical actors, never replacing them or pretending to be actual historical participants. No human hands or clothes on Jani, no bow tie, no masculine outfit. No magnifying glass or book unless scene calls for it. Do not put the characters as gigantic cutouts; integrate them at ground level in the action. No text, captions, dates, legible writing, watermark, diagrams, panels or flags. No Hollywood or video-game tropes, fantasy armor, dramatic backlighting, explosions or generic battle panorama. Serious respectful expressions around hardship, repression or war; no celebration of cruelty.\nMANDATORY VISUAL MEDIUM: Every human and every object must be visibly hand-drawn in an illustrated anime storybook style with simplified clean line-drawn faces, painted hair shapes, matte gouache color, no photographic pores or realistic photographic faces. The humans, Kuromi and Jani must all belong to the SAME painted storybook world. Clearly illustrative linework in scenery and humans, no pasted cutout effect.\nScene: Suez Canal in Egypt, around 1882, civilian canal transit and customs quay. At the center Egyptian canal workers in loose cotton galabiyas and a local clerk compare an unlettered cargo manifest and a set of account papers, while a European commercial agent in sober late-Victorian clothing controls payment at a small quay office. A steam merchant vessel slowly passes in the narrow engineered canal behind, desert banks and a modest telegraph pole. Foreground Kuromi listens seriously beside the clerk's doorway, and Jani stands naturally on all four paws beside a coil of mooring rope, facing viewer. Visual mechanism: a strategic shipping route has become tied to creditor and foreign administrative influence. Historical details: single-funnel merchant steamer, stone quay, ledger and coins without legible marks, cotton garments and fez, dry canal landscape. Avoid military spectacle, flags, exotic palace imagery, inaccurate modern container ships. Composition: low quay-level oblique view, humans and working ship share frame.", "editPrompt": "Use case: identity-preserve. Edit the FIRST input, which is the complete existing historical illustration. Inputs 2 and 3 are the CORRECT canonical Kuromi identity references, not scene targets. Make one tightly targeted correction to Kuromi only: her jester neck collar must be solid DARK CHARCOAL BLACK throughout, with ONLY FOUR TINY PINK BALLS at its pointed ends. Remove every broad pink stripe or pink collar surface. Match her eyes to the canonical references: simple solid black teardrop/oval eyes, two short CURVED outer eyelashes, no long straight lashes or thick eyebrows. Keep the original serious/neutral scene-appropriate expression, pose, pink skull hood mark, size and placement. Preserve the entire historical setting, all human figures, objects, composition, lighting, color, style, and especially Jani's exact original cream fur, blue eyes, four-legged anatomy and asymmetrical eye patches. Do not redraw the whole scene, do not add text, flags or new objects, do not change the historical action. Keep the landscape 1536×1024 opaque full-color image.\nTarget lesson: w25-03. Keep its existing scene, changing only Kuromi's collar and eyes/eyelashes.", "editReferences": [ "exec-ad7ca1a1-09b2-42d4-a343-23614b7c98b7.png", "kuromi-canonical.png", "kuromi-canonical-2.png" ], "generationReferences": [ "jani.png", "kuromi.png" ], "editHistory": [ { "prompt": "Use case: identity-preserve. Edit the FIRST input, which is the complete existing historical illustration. Inputs 2 and 3 are the CORRECT canonical Kuromi identity references, not scene targets. Make one tightly targeted correction to Kuromi only: her jester neck collar must be solid DARK CHARCOAL BLACK throughout, with ONLY FOUR TINY PINK BALLS at its pointed ends. Remove every broad pink stripe or pink collar surface. Match her eyes to the canonical references: simple solid black teardrop/oval eyes, two short CURVED outer eyelashes, no long straight lashes or thick eyebrows. Keep the original serious/neutral scene-appropriate expression, pose, pink skull hood mark, size and placement. Preserve the entire historical setting, all human figures, objects, composition, lighting, color, style, and especially Jani's exact original cream fur, blue eyes, four-legged anatomy and asymmetrical eye patches. Do not redraw the whole scene, do not add text, flags or new objects, do not change the historical action. Keep the landscape 1536×1024 opaque full-color image.\nTarget lesson: w25-03. Keep its existing scene, changing only Kuromi's collar and eyes/eyelashes." } ], "src": "assets/lesson-scenes/w25-03.webp", "sha256": "ed1177e160db079a87f76c59382f2d6593de38f61330b8f532866e789f409029", "bytes": 367018, "thumbnailSrc": "assets/lesson-scenes/w25-03-preview.webp", "thumbnailSha256": "fc2bb7b63e9ddb2abea48e448ee9e9d5b591e1d8fcb96d179fef00aa2676d99a", "thumbnailBytes": 123210 }, { "unitId": "w25-04", "title": "Kongói tanú vallomása a gumigyűjtés kényszeréről", "alt": "Egy kongói férfi tolmáccsal beszél egy jegyzetelő vizsgálónak, Kuromi és Jani komolyan figyel a gumival teli és az üres kosár mellett.", "caption": "Kongóban az 1900-as évek elején a helyi tanúk vallomása segített feltárni a gumitermelést fenntartó kényszert. A jelentések nem európai megmentők önálló felfedezései voltak: az afrikai emberek tapasztalatára épültek.", "scene": "A Congolese witness and interpreter explain concession rubber labor to an investigator in a village around 1904.", "setting": "Kongó Szabadállam, falusi vizsgálat, 1904 körül", "historicalDetails": [ "Falusi nádfedeles lakóhelyek", "Helyben szőtt ruházat", "Gumidarabokkal teli fonott kosár", "Tolmácsolt szóbeli vallomás és papírjegyzet" ], "placement": { "area": "base", "sectionIndex": 0 }, "period": "1857–1914", "sourceBasis": [ { "book": "v2", "pdfPages": [ 378, 386 ], "chapter": "9.4 Exploitation and Resistance" }, { "book": "v2", "pdfPages": [ 381, 382 ], "chapter": "9.4 Exploitation and Resistance" }, { "book": "v2", "pdfPages": [ 384, 385 ], "chapter": "9.4 Exploitation and Resistance" } ], "prompt": "Use case: identity-preserve. Edit the FIRST input, which is the complete existing historical illustration. Inputs 2 and 3 are the CORRECT canonical Kuromi identity references, not scene targets. Make one tightly targeted correction to Kuromi only: her jester neck collar must be solid DARK CHARCOAL BLACK throughout, with ONLY FOUR TINY PINK BALLS at its pointed ends. Remove every broad pink stripe or pink collar surface. Match her eyes to the canonical references: simple solid black teardrop/oval eyes, two short CURVED outer eyelashes, no long straight lashes or thick eyebrows. Keep the original serious/neutral scene-appropriate expression, pose, pink skull hood mark, size and placement. Preserve the entire historical setting, all human figures, objects, composition, lighting, color, style, and especially Jani's exact original cream fur, blue eyes, four-legged anatomy and asymmetrical eye patches. Do not redraw the whole scene, do not add text, flags or new objects, do not change the historical action. Keep the landscape 1536×1024 opaque full-color image.\nTarget lesson: w25-04. Keep its existing scene, changing only Kuromi's collar and eyes/eyelashes.", "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [], "canonicalKuromi": true }, "generationPrompt": "Use case: historical-scene. Asset: one wide 1536×1024 full-color opaque historical educational narrative illustration, a single coherent hand-drawn scene with fine outlines, soft natural daytime light and thoughtful realistic colors. Retain the illustrated Kuromi–Jani character style in a fully illustrated world. Character references are identity/style only. Kuromi is small with canonical black two-point jester hood, pink skull, white body, pink collar. Jani is a small FEMALE fluffy cream-white ragdoll CAT, natural four-legged feline anatomy and paws, blue eyes, pink nose, large dark brown fluffy tail. Her face is strongly ASYMMETRIC: viewed from front, viewer LEFT has a large DARK BROWN eye patch, viewer RIGHT has a smaller LIGHT BROWN patch, with irregular white blaze between. Both must be clearly visible with faces readable. They are observing the real human historical actors, never replacing them or pretending to be actual historical participants. No human hands or clothes on Jani, no bow tie, no masculine outfit. No magnifying glass or book unless scene calls for it. Do not put the characters as gigantic cutouts; integrate them at ground level in the action. No text, captions, dates, legible writing, watermark, diagrams, panels or flags. No Hollywood or video-game tropes, fantasy armor, dramatic backlighting, explosions or generic battle panorama. Serious respectful expressions around hardship, repression or war; no celebration of cruelty.\nMANDATORY VISUAL MEDIUM: Every human and every object must be visibly hand-drawn in an illustrated anime storybook style with simplified clean line-drawn faces, painted hair shapes, matte gouache color, no photographic pores or realistic photographic faces. The humans, Kuromi and Jani must all belong to the SAME painted storybook world. Clearly illustrative linework in scenery and humans, no pasted cutout effect.\nScene: Congo Free State around 1904, a village shelter on the forest edge. A Congolese adult witness in locally woven cloth sits with a Congolese interpreter speaking to a sober European investigator in plain linen, who takes notes on blank-looking papers. A woven basket of gathered rubber lumps and a damaged empty food basket sit to the side, linking extracted rubber to disrupted livelihood. Village gardens and thatched dwellings behind, no exotic jungle fantasy. Kuromi sits seriously beside the shelter post and Jani stands at her feet facing viewer. The African witness is the central active speaking person, no white savior hero staging. No depicted mutilations, weapons, chains, threatening guards or graphic violence. Mechanism: testimony makes coercive concession labor visible to outside investigation. Mid-distance eye-level composition.", "editPrompt": "Use case: identity-preserve. Edit the FIRST input, which is the complete existing historical illustration. Inputs 2 and 3 are the CORRECT canonical Kuromi identity references, not scene targets. Make one tightly targeted correction to Kuromi only: her jester neck collar must be solid DARK CHARCOAL BLACK throughout, with ONLY FOUR TINY PINK BALLS at its pointed ends. Remove every broad pink stripe or pink collar surface. Match her eyes to the canonical references: simple solid black teardrop/oval eyes, two short CURVED outer eyelashes, no long straight lashes or thick eyebrows. Keep the original serious/neutral scene-appropriate expression, pose, pink skull hood mark, size and placement. Preserve the entire historical setting, all human figures, objects, composition, lighting, color, style, and especially Jani's exact original cream fur, blue eyes, four-legged anatomy and asymmetrical eye patches. Do not redraw the whole scene, do not add text, flags or new objects, do not change the historical action. Keep the landscape 1536×1024 opaque full-color image.\nTarget lesson: w25-04. Keep its existing scene, changing only Kuromi's collar and eyes/eyelashes.", "editReferences": [ "exec-dce8207f-eaf8-4fdc-946b-7784cc8ff85d.png", "kuromi-canonical.png", "kuromi-canonical-2.png" ], "generationReferences": [ "jani.png", "kuromi.png" ], "editHistory": [ { "prompt": "Use case: identity-preserve. Edit the FIRST input, which is the complete existing historical illustration. Inputs 2 and 3 are the CORRECT canonical Kuromi identity references, not scene targets. Make one tightly targeted correction to Kuromi only: her jester neck collar must be solid DARK CHARCOAL BLACK throughout, with ONLY FOUR TINY PINK BALLS at its pointed ends. Remove every broad pink stripe or pink collar surface. Match her eyes to the canonical references: simple solid black teardrop/oval eyes, two short CURVED outer eyelashes, no long straight lashes or thick eyebrows. Keep the original serious/neutral scene-appropriate expression, pose, pink skull hood mark, size and placement. Preserve the entire historical setting, all human figures, objects, composition, lighting, color, style, and especially Jani's exact original cream fur, blue eyes, four-legged anatomy and asymmetrical eye patches. Do not redraw the whole scene, do not add text, flags or new objects, do not change the historical action. Keep the landscape 1536×1024 opaque full-color image.\nTarget lesson: w25-04. Keep its existing scene, changing only Kuromi's collar and eyes/eyelashes." } ], "src": "assets/lesson-scenes/w25-04.webp", "sha256": "7dc250ed3e67d54a9eb253b7e4300fc5422dc962b91dabd95192d9101e157053", "bytes": 388020, "thumbnailSrc": "assets/lesson-scenes/w25-04-preview.webp", "thumbnailSha256": "b77c6a3ccd0dd336d4c62fe2c3792b3df1262faf6555ff68d6af1582c5ad2ab8", "thumbnailBytes": 135978 }, { "unitId": "w26-01", "title": "Munkaritmus és felügyelet a stockholmi villanykörtegyárban", "alt": "Nők üvegbúrákat és foglalatokat szerelnek egy gyári teremben, míg az előmunkás zsebórával figyeli az ütemet Kuromi és Jani mellett.", "caption": "A 20. század eleji svéd villanykörtegyártásban a munkamegosztás és a felügyelet a dolgozók idejét is szabályozta. A villamosítás új munkahelyeket teremtett, de a termelés növekedése önmagában nem mutatta a munkások életminőségét.", "scene": "Women making lamp components in a Stockholm factory around 1905 while a forewoman times the repeated work.", "setting": "Stockholm, villanykörtegyár, 1905 körül", "historicalDetails": [ "Üvegbúrák és fémfoglalatok", "Fa munkapadok egymást követő állomásokkal", "Zseborás időellenőrzés", "Magas ablakok, szíjhajtás és hosszú női munkaruha" ], "placement": { "area": "base", "sectionIndex": 0 }, "period": "1850–1914", "sourceBasis": [ { "book": "v2", "pdfPages": [ 392, 401 ], "chapter": "10.1 Inventions, Innovations, and Mechanization" }, { "book": "v2", "pdfPages": [ 395, 396 ], "chapter": "10.1 Inventions, Innovations, and Mechanization" } ], "prompt": "Use case: identity-preserve. Edit the FIRST input, which is the complete existing historical illustration. Inputs 2 and 3 are the CORRECT canonical Kuromi identity references, not scene targets. Make one tightly targeted correction to Kuromi only: her jester neck collar must be solid DARK CHARCOAL BLACK throughout, with ONLY FOUR TINY PINK BALLS at its pointed ends. Remove every broad pink stripe or pink collar surface. Match her eyes to the canonical references: simple solid black teardrop/oval eyes, two short CURVED outer eyelashes, no long straight lashes or thick eyebrows. Keep the original serious/neutral scene-appropriate expression, pose, pink skull hood mark, size and placement. Preserve the entire historical setting, all human figures, objects, composition, lighting, color, style, and especially Jani's exact original cream fur, blue eyes, four-legged anatomy and asymmetrical eye patches. Do not redraw the whole scene, do not add text, flags or new objects, do not change the historical action. Keep the landscape 1536×1024 opaque full-color image.\nTarget lesson: w26-01. Keep its existing scene, changing only Kuromi's collar and eyes/eyelashes.", "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [], "canonicalKuromi": true }, "generationPrompt": "Use case: historical-scene. Asset: one wide 1536×1024 full-color opaque historical educational narrative illustration, a single coherent hand-drawn scene with fine outlines, soft natural daytime light and thoughtful realistic colors. Retain the illustrated Kuromi–Jani character style in a fully illustrated world. Character references are identity/style only. Kuromi is small with canonical black two-point jester hood, pink skull, white body, pink collar. Jani is a small FEMALE fluffy cream-white ragdoll CAT, natural four-legged feline anatomy and paws, blue eyes, pink nose, large dark brown fluffy tail. Her face is strongly ASYMMETRIC: viewed from front, viewer LEFT has a large DARK BROWN eye patch, viewer RIGHT has a smaller LIGHT BROWN patch, with irregular white blaze between. Both must be clearly visible with faces readable. They are observing the real human historical actors, never replacing them or pretending to be actual historical participants. No human hands or clothes on Jani, no bow tie, no masculine outfit. No magnifying glass or book unless scene calls for it. Do not put the characters as gigantic cutouts; integrate them at ground level in the action. No text, captions, dates, legible writing, watermark, diagrams, panels or flags. No Hollywood or video-game tropes, fantasy armor, dramatic backlighting, explosions or generic battle panorama. Serious respectful expressions around hardship, repression or war; no celebration of cruelty.\nScene: Stockholm lamp-parts factory around 1905, oblique view down a sunlit brick industrial workroom. Women in long cotton skirts and high-neck blouses work in rows assembling small glass bulb components at wooden benches. One forewoman compares the pace at adjacent stations using a pocket watch; overhead drive shaft and guarded belt, bins of glass envelopes and metal bases, tall sash windows. Kuromi observes beside a bench leg while Jani stands naturally on all four paws near a crate, her asymmetric face toward viewer. Their placement leaves human workers central. Mechanism: repeated specialized operations and supervision control workers' time. No modern fluorescent fixtures, robots, plastic goggles or futuristic assembly line. Fully drawn people, no photographic realism.", "editPrompt": "Use case: identity-preserve. Edit the FIRST input, which is the complete existing historical illustration. Inputs 2 and 3 are the CORRECT canonical Kuromi identity references, not scene targets. Make one tightly targeted correction to Kuromi only: her jester neck collar must be solid DARK CHARCOAL BLACK throughout, with ONLY FOUR TINY PINK BALLS at its pointed ends. Remove every broad pink stripe or pink collar surface. Match her eyes to the canonical references: simple solid black teardrop/oval eyes, two short CURVED outer eyelashes, no long straight lashes or thick eyebrows. Keep the original serious/neutral scene-appropriate expression, pose, pink skull hood mark, size and placement. Preserve the entire historical setting, all human figures, objects, composition, lighting, color, style, and especially Jani's exact original cream fur, blue eyes, four-legged anatomy and asymmetrical eye patches. Do not redraw the whole scene, do not add text, flags or new objects, do not change the historical action. Keep the landscape 1536×1024 opaque full-color image.\nTarget lesson: w26-01. Keep its existing scene, changing only Kuromi's collar and eyes/eyelashes.", "editReferences": [ "exec-07a4c992-8580-4a72-9ff6-87204919510c.png", "kuromi-canonical.png", "kuromi-canonical-2.png" ], "generationReferences": [ "jani.png", "kuromi.png" ], "editHistory": [ { "prompt": "Use case: identity-preserve. Edit the FIRST input, which is the complete existing historical illustration. Inputs 2 and 3 are the CORRECT canonical Kuromi identity references, not scene targets. Make one tightly targeted correction to Kuromi only: her jester neck collar must be solid DARK CHARCOAL BLACK throughout, with ONLY FOUR TINY PINK BALLS at its pointed ends. Remove every broad pink stripe or pink collar surface. Match her eyes to the canonical references: simple solid black teardrop/oval eyes, two short CURVED outer eyelashes, no long straight lashes or thick eyebrows. Keep the original serious/neutral scene-appropriate expression, pose, pink skull hood mark, size and placement. Preserve the entire historical setting, all human figures, objects, composition, lighting, color, style, and especially Jani's exact original cream fur, blue eyes, four-legged anatomy and asymmetrical eye patches. Do not redraw the whole scene, do not add text, flags or new objects, do not change the historical action. Keep the landscape 1536×1024 opaque full-color image.\nTarget lesson: w26-01. Keep its existing scene, changing only Kuromi's collar and eyes/eyelashes." } ], "src": "assets/lesson-scenes/w26-01.webp", "sha256": "42670d585915e024a2b51c8088e555e77b8065848f9fda3258fed7c0046ca1b3", "bytes": 336318, "thumbnailSrc": "assets/lesson-scenes/w26-01-preview.webp", "thumbnailSha256": "6ad35bf13cd1ca9893fa8998a0b1851a46f6ab3ef4fd9ed872729a9678c5cc2d", "thumbnailBytes": 117002 }, { "unitId": "w26-02", "title": "Költöző család a párizsi átépítésben", "alt": "Kuromi és Jani egy költöző család mellett figyeli, ahogy a bontott utcák helyén sugárút és csatorna épül.", "caption": "Párizs 1853–1870 közötti átépítése javította a közlekedést és a közműveket, ugyanakkor lakókat szorított ki a régi negyedekből. Az új sugárút előnye és a költözés terhe más társadalmi csoportoknál jelentkezhetett.", "scene": "A displaced working family speaks to a surveyor beside a new boulevard and brick sewer construction in Haussmann's Paris.", "setting": "Párizs, 1865 körül", "historicalDetails": [ "Lóvontatású omnibusz", "Kézzel épített téglacsatorna", "Kötött ágyneműcsomag és fa utazóláda", "Bontott kőház és új sugárút" ], "placement": { "area": "base", "sectionIndex": 2 }, "period": "1850–1914", "sourceBasis": [ { "book": "v2", "pdfPages": [ 402, 411 ], "chapter": "10.2 Life in the Industrial City" }, { "book": "v2", "pdfPages": [ 406, 407 ], "chapter": "10.2 Life in the Industrial City" } ], "prompt": "Use case: identity-preserve. Edit the FIRST input, which is the complete existing historical illustration. Inputs 2 and 3 are the CORRECT canonical Kuromi identity references, not scene targets. Make one tightly targeted correction to Kuromi only: her jester neck collar must be solid DARK CHARCOAL BLACK throughout, with ONLY FOUR TINY PINK BALLS at its pointed ends. Remove every broad pink stripe or pink collar surface. Match her eyes to the canonical references: simple solid black teardrop/oval eyes, two short CURVED outer eyelashes, no long straight lashes or thick eyebrows. Keep the original serious/neutral scene-appropriate expression, pose, pink skull hood mark, size and placement. Preserve the entire historical setting, all human figures, objects, composition, lighting, color, style, and especially Jani's exact original cream fur, blue eyes, four-legged anatomy and asymmetrical eye patches. Do not redraw the whole scene, do not add text, flags or new objects, do not change the historical action. Keep the landscape 1536×1024 opaque full-color image.\nTarget lesson: w26-02. Keep its existing scene, changing only Kuromi's collar and eyes/eyelashes.", "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [], "canonicalKuromi": true }, "generationPrompt": "Use case: historical-scene. Asset: one wide 1536×1024 full-color opaque historical educational narrative illustration, a single coherent hand-drawn scene with fine outlines, soft natural daytime light and thoughtful realistic colors. Retain the illustrated Kuromi–Jani character style in a fully illustrated world. Character references are identity/style only. Kuromi is small with canonical black two-point jester hood, pink skull, white body, pink collar. Jani is a small FEMALE fluffy cream-white ragdoll CAT, natural four-legged feline anatomy and paws, blue eyes, pink nose, large dark brown fluffy tail. Her face is strongly ASYMMETRIC: viewed from front, viewer LEFT has a large DARK BROWN eye patch, viewer RIGHT has a smaller LIGHT BROWN patch, with irregular white blaze between. Both must be clearly visible with faces readable. They are observing the real human historical actors, never replacing them or pretending to be actual historical participants. No human hands or clothes on Jani, no bow tie, no masculine outfit. No magnifying glass or book unless scene calls for it. Do not put the characters as gigantic cutouts; integrate them at ground level in the action. No text, captions, dates, legible writing, watermark, diagrams, panels or flags. No Hollywood or video-game tropes, fantasy armor, dramatic backlighting, explosions or generic battle panorama. Serious respectful expressions around hardship, repression or war; no celebration of cruelty.\nMANDATORY VISUAL MEDIUM: Every human and every object must be visibly hand-drawn in an illustrated anime storybook style with simplified clean line-drawn faces, painted hair shapes, matte gouache color, no photographic pores or realistic photographic faces. The humans, Kuromi and Jani must all belong to the SAME painted storybook world. Clearly illustrative linework in scenery and humans, no pasted cutout effect.\nScene: Paris around 1865 during Haussmann rebuilding. A working family carries a wooden trunk and tied bedding out of a narrow demolished street, a mother talks to a city surveyor whose rolled plan has no lettering. A young girl holds a plain handmade CLOTH RAG DOLL, absolutely no teddy bear or stuffed bear toy. Behind them half dismantled stone houses meet the new broad boulevard with saplings and a horse omnibus; a low open trench shows workmen constructing a brick sewer arch, no modern precast concrete pipes. Kuromi steadies a cloth bundle without replacing any human; Jani stands beside the trunk with her face toward viewer. Mechanism: urban improvement displaces residents who cannot afford the changed neighborhood. Street-level diagonal composition from old alley toward boulevard, drawn anime storybook humans.", "editPrompt": "Use case: identity-preserve. Edit the FIRST input, which is the complete existing historical illustration. Inputs 2 and 3 are the CORRECT canonical Kuromi identity references, not scene targets. Make one tightly targeted correction to Kuromi only: her jester neck collar must be solid DARK CHARCOAL BLACK throughout, with ONLY FOUR TINY PINK BALLS at its pointed ends. Remove every broad pink stripe or pink collar surface. Match her eyes to the canonical references: simple solid black teardrop/oval eyes, two short CURVED outer eyelashes, no long straight lashes or thick eyebrows. Keep the original serious/neutral scene-appropriate expression, pose, pink skull hood mark, size and placement. Preserve the entire historical setting, all human figures, objects, composition, lighting, color, style, and especially Jani's exact original cream fur, blue eyes, four-legged anatomy and asymmetrical eye patches. Do not redraw the whole scene, do not add text, flags or new objects, do not change the historical action. Keep the landscape 1536×1024 opaque full-color image.\nTarget lesson: w26-02. Keep its existing scene, changing only Kuromi's collar and eyes/eyelashes.", "editReferences": [ "exec-c217d3b6-b6d6-458a-8056-35011068513c.png", "kuromi-canonical.png", "kuromi-canonical-2.png" ], "generationReferences": [ "jani.png", "kuromi.png" ], "editHistory": [ { "prompt": "Use case: identity-preserve. Edit the FIRST input, which is the complete existing historical illustration. Inputs 2 and 3 are the CORRECT canonical Kuromi identity references, not scene targets. Make one tightly targeted correction to Kuromi only: her jester neck collar must be solid DARK CHARCOAL BLACK throughout, with ONLY FOUR TINY PINK BALLS at its pointed ends. Remove every broad pink stripe or pink collar surface. Match her eyes to the canonical references: simple solid black teardrop/oval eyes, two short CURVED outer eyelashes, no long straight lashes or thick eyebrows. Keep the original serious/neutral scene-appropriate expression, pose, pink skull hood mark, size and placement. Preserve the entire historical setting, all human figures, objects, composition, lighting, color, style, and especially Jani's exact original cream fur, blue eyes, four-legged anatomy and asymmetrical eye patches. Do not redraw the whole scene, do not add text, flags or new objects, do not change the historical action. Keep the landscape 1536×1024 opaque full-color image.\nTarget lesson: w26-02. Keep its existing scene, changing only Kuromi's collar and eyes/eyelashes." } ], "src": "assets/lesson-scenes/w26-02.webp", "sha256": "eec5d9299ad2e6b755cf56d3641be206f3a960d22efffdef55c46541211f7e32", "bytes": 469732, "thumbnailSrc": "assets/lesson-scenes/w26-02-preview.webp", "thumbnailSha256": "18070a8b5bc59ec56e279040ee1b72cd74b0f8c1c05d89fe607f316bfa0c8b59", "thumbnailBytes": 148724 }, { "unitId": "w26-03", "title": "A termés bevétele és az újratermelődő adósság", "alt": "Egy fekete részesművelő házaspár vetőmag és élelem árát egyezteti a boltos számadásaival, miközben Kuromi és Jani a pult mellett figyel.", "caption": "Az amerikai Dél felszabadítás utáni részesművelői az 1880-as években gyakran hitelből szerezték be az élelmet és a vetőmagot. A föld, a bolt és a hitel egy kézben összpontosulása jogi rabszolgaság nélkül is tartós függést teremthetett.", "scene": "A legally free Black sharecropping couple confronts crop-credit obligations in a southern furnishing store around 1880.", "setting": "Egyesült Államok déli vidéke, 1880 körül", "historicalDetails": [ "Gyalult fa boltpult és számadási könyv", "Gyalogos farmcsalád pamutmunkaruhában", "Vetőmag- és élelmiszerzsákok", "Gyalogos terménybeszállítás és gyapotföld" ], "placement": { "area": "base", "sectionIndex": 1 }, "period": "1834–1914", "sourceBasis": [ { "book": "v2", "pdfPages": [ 412, 415 ], "chapter": "10.3 Coerced and Semicoerced Labor" }, { "book": "v2", "pdfPages": [ 414, 415 ], "chapter": "10.3 Coerced and Semicoerced Labor" } ], "prompt": "Use case: identity-preserve. Edit the FIRST input, which is the complete existing historical illustration. Inputs 2 and 3 are the CORRECT canonical Kuromi identity references, not scene targets. Make one tightly targeted correction to Kuromi only: her jester neck collar must be solid DARK CHARCOAL BLACK throughout, with ONLY FOUR TINY PINK BALLS at its pointed ends. Remove every broad pink stripe or pink collar surface. Match her eyes to the canonical references: simple solid black teardrop/oval eyes, two short CURVED outer eyelashes, no long straight lashes or thick eyebrows. Keep the original serious/neutral scene-appropriate expression, pose, pink skull hood mark, size and placement. Preserve the entire historical setting, all human figures, objects, composition, lighting, color, style, and especially Jani's exact original cream fur, blue eyes, four-legged anatomy and asymmetrical eye patches. Do not redraw the whole scene, do not add text, flags or new objects, do not change the historical action. Keep the landscape 1536×1024 opaque full-color image.\nTarget lesson: w26-03. Keep its existing scene, changing only Kuromi's collar and eyes/eyelashes.", "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [], "canonicalKuromi": true }, "generationPrompt": "Use case: historical-scene. Asset: one wide 1536×1024 full-color opaque historical educational narrative illustration, a single coherent hand-drawn scene with fine outlines, soft natural daytime light and thoughtful realistic colors. Retain the illustrated Kuromi–Jani character style in a fully illustrated world. Character references are identity/style only. Kuromi is small with canonical black two-point jester hood, pink skull, white body, pink collar. Jani is a small FEMALE fluffy cream-white ragdoll CAT, natural four-legged feline anatomy and paws, blue eyes, pink nose, large dark brown fluffy tail. Her face is strongly ASYMMETRIC: viewed from front, viewer LEFT has a large DARK BROWN eye patch, viewer RIGHT has a smaller LIGHT BROWN patch, with irregular white blaze between. Both must be clearly visible with faces readable. They are observing the real human historical actors, never replacing them or pretending to be actual historical participants. No human hands or clothes on Jani, no bow tie, no masculine outfit. No magnifying glass or book unless scene calls for it. Do not put the characters as gigantic cutouts; integrate them at ground level in the action. No text, captions, dates, legible writing, watermark, diagrams, panels or flags. No Hollywood or video-game tropes, fantasy armor, dramatic backlighting, explosions or generic battle panorama. Serious respectful expressions around hardship, repression or war; no celebration of cruelty.\nMANDATORY VISUAL MEDIUM: Every human and every object must be visibly hand-drawn in an illustrated anime storybook style with simplified clean line-drawn faces, painted hair shapes, matte gouache color, no photographic pores or realistic photographic faces. The humans, Kuromi and Jani must all belong to the SAME painted storybook world. Clearly illustrative linework in scenery and humans, no pasted cutout effect.\nScene: Rural southern United States around 1880, after legal emancipation. A Black sharecropping couple in modest cotton work clothing stands at the counter of a country furnishing store. The woman compares a small cotton harvest basket with seed and food sacks while a storekeeper enters obligations in a ledger; the man holds a plain contract. No legible text. Through the open door show a modest farm cabin and cotton field. Kuromi stands gravely near the counter and Jani rests naturally on four paws beside the seed sack, front face readable. Mechanism: the crop proceeds are consumed by credit for food, seed and equipment, keeping a legally free family dependent. No chains, no auction, no coercion spectacle. Interior side view, respectful equal dignity.", "editPrompt": "Use case: identity-preserve. Edit the FIRST input, which is the complete existing historical illustration. Inputs 2 and 3 are the CORRECT canonical Kuromi identity references, not scene targets. Make one tightly targeted correction to Kuromi only: her jester neck collar must be solid DARK CHARCOAL BLACK throughout, with ONLY FOUR TINY PINK BALLS at its pointed ends. Remove every broad pink stripe or pink collar surface. Match her eyes to the canonical references: simple solid black teardrop/oval eyes, two short CURVED outer eyelashes, no long straight lashes or thick eyebrows. Keep the original serious/neutral scene-appropriate expression, pose, pink skull hood mark, size and placement. Preserve the entire historical setting, all human figures, objects, composition, lighting, color, style, and especially Jani's exact original cream fur, blue eyes, four-legged anatomy and asymmetrical eye patches. Do not redraw the whole scene, do not add text, flags or new objects, do not change the historical action. Keep the landscape 1536×1024 opaque full-color image.\nTarget lesson: w26-03. Keep its existing scene, changing only Kuromi's collar and eyes/eyelashes.", "editReferences": [ "exec-e1c74a9f-da68-4c51-aa2c-c48d1579e758.png", "kuromi-canonical.png", "kuromi-canonical-2.png" ], "generationReferences": [ "jani.png", "kuromi.png" ], "editHistory": [ { "prompt": "Use case: identity-preserve. Edit the FIRST input, which is the complete existing historical illustration. Inputs 2 and 3 are the CORRECT canonical Kuromi identity references, not scene targets. Make one tightly targeted correction to Kuromi only: her jester neck collar must be solid DARK CHARCOAL BLACK throughout, with ONLY FOUR TINY PINK BALLS at its pointed ends. Remove every broad pink stripe or pink collar surface. Match her eyes to the canonical references: simple solid black teardrop/oval eyes, two short CURVED outer eyelashes, no long straight lashes or thick eyebrows. Keep the original serious/neutral scene-appropriate expression, pose, pink skull hood mark, size and placement. Preserve the entire historical setting, all human figures, objects, composition, lighting, color, style, and especially Jani's exact original cream fur, blue eyes, four-legged anatomy and asymmetrical eye patches. Do not redraw the whole scene, do not add text, flags or new objects, do not change the historical action. Keep the landscape 1536×1024 opaque full-color image.\nTarget lesson: w26-03. Keep its existing scene, changing only Kuromi's collar and eyes/eyelashes." } ], "src": "assets/lesson-scenes/w26-03.webp", "sha256": "cae5baae308860652659814eb5d0f71b2f9a594b303178620bb389b8bdd6c77f", "bytes": 339640, "thumbnailSrc": "assets/lesson-scenes/w26-03-preview.webp", "thumbnailSha256": "f63e2fb77b45f739af75e64392390e8854f4676215baaad57eaf2b1dec39bb08", "thumbnailBytes": 117950 }, { "unitId": "w26-04", "title": "Japán család érkezése Santos kikötőjébe", "alt": "Japán utazók csomagokkal várnak a kikötői iratellenőrzésnél, Kuromi és Jani a poggyász mellett áll.", "caption": "A japán kivándorlásban 1908-tól nagyobb szerepet kapott Brazília. A kávétermelés munkaerőigénye, az állami toborzás és a más célpontokon bevezetett korlátozás együtt terelte az útvonalat.", "scene": "Japanese migrant families undergo contract and passenger processing at Santos quay in 1908, with a coffee export economy behind.", "setting": "Santos, Brazília, 1908", "historicalDetails": [ "Szénfűtésű utasszállító gőzhajó", "Furoshiki ruhacsomagok és faládák", "Japán és nyugati utazóruhák", "Kávészsákok és papíralapú utasiratok" ], "placement": { "area": "base", "sectionIndex": 1 }, "period": "1850–1914", "sourceBasis": [ { "book": "v2", "pdfPages": [ 415, 419 ], "chapter": "10.4 Communities in Diaspora" }, { "book": "v2", "pdfPages": [ 418, 419 ], "chapter": "10.4 Communities in Diaspora" } ], "prompt": "Use case: identity-preserve. Edit the FIRST input, which is the complete existing historical illustration. Inputs 2 and 3 are the CORRECT canonical Kuromi identity references, not scene targets. Make one tightly targeted correction to Kuromi only: her jester neck collar must be solid DARK CHARCOAL BLACK throughout, with ONLY FOUR TINY PINK BALLS at its pointed ends. Remove every broad pink stripe or pink collar surface. Match her eyes to the canonical references: simple solid black teardrop/oval eyes, two short CURVED outer eyelashes, no long straight lashes or thick eyebrows. Keep the original serious/neutral scene-appropriate expression, pose, pink skull hood mark, size and placement. Preserve the entire historical setting, all human figures, objects, composition, lighting, color, style, and especially Jani's exact original cream fur, blue eyes, four-legged anatomy and asymmetrical eye patches. Do not redraw the whole scene, do not add text, flags or new objects, do not change the historical action. Keep the landscape 1536×1024 opaque full-color image.\nTarget lesson: w26-04. Keep its existing scene, changing only Kuromi's collar and eyes/eyelashes.", "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [], "canonicalKuromi": true }, "generationPrompt": "Use case: historical-scene. Asset: one wide 1536×1024 full-color opaque historical educational narrative illustration, a single coherent hand-drawn scene with fine outlines, soft natural daytime light and thoughtful realistic colors. Retain the illustrated Kuromi–Jani character style in a fully illustrated world. Character references are identity/style only. Kuromi is small with canonical black two-point jester hood, pink skull, white body, pink collar. Jani is a small FEMALE fluffy cream-white ragdoll CAT, natural four-legged feline anatomy and paws, blue eyes, pink nose, large dark brown fluffy tail. Her face is strongly ASYMMETRIC: viewed from front, viewer LEFT has a large DARK BROWN eye patch, viewer RIGHT has a smaller LIGHT BROWN patch, with irregular white blaze between. Both must be clearly visible with faces readable. They are observing the real human historical actors, never replacing them or pretending to be actual historical participants. No human hands or clothes on Jani, no bow tie, no masculine outfit. No magnifying glass or book unless scene calls for it. Do not put the characters as gigantic cutouts; integrate them at ground level in the action. No text, captions, dates, legible writing, watermark, diagrams, panels or flags. No Hollywood or video-game tropes, fantasy armor, dramatic backlighting, explosions or generic battle panorama. Serious respectful expressions around hardship, repression or war; no celebration of cruelty.\nMANDATORY VISUAL MEDIUM: Every human and every object must be visibly hand-drawn in an illustrated anime storybook style with simplified clean line-drawn faces, painted hair shapes, matte gouache color, no photographic pores or realistic photographic faces. The humans, Kuromi and Jani must all belong to the SAME painted storybook world. Clearly illustrative linework in scenery and humans, no pasted cutout effect.\nScene: Santos immigration quay, Brazil, 1908. A Japanese migrant family steps from a gangway with tied cloth furoshiki bundles and wooden travel trunks. A Japanese-speaking intermediary and Brazilian clerk compare a plain work contract and passenger papers at a small processing barrier. Coffee sacks and a steamship moored behind show destination economy; other families wait, adult women in simple kimono and men in period mixed Japanese and Western travel clothing. Kuromi stands by the luggage and Jani looks toward viewer from beside a tied cloth bundle, all four feline legs natural. Mechanism: recruitment and receiving-country rules redirect migration toward Brazilian coffee labor. Eye-level view along the wooden dock, dignified practical action rather than exotic tourist pageant. No flags or legible writing.", "editPrompt": "Use case: identity-preserve. Edit the FIRST input, which is the complete existing historical illustration. Inputs 2 and 3 are the CORRECT canonical Kuromi identity references, not scene targets. Make one tightly targeted correction to Kuromi only: her jester neck collar must be solid DARK CHARCOAL BLACK throughout, with ONLY FOUR TINY PINK BALLS at its pointed ends. Remove every broad pink stripe or pink collar surface. Match her eyes to the canonical references: simple solid black teardrop/oval eyes, two short CURVED outer eyelashes, no long straight lashes or thick eyebrows. Keep the original serious/neutral scene-appropriate expression, pose, pink skull hood mark, size and placement. Preserve the entire historical setting, all human figures, objects, composition, lighting, color, style, and especially Jani's exact original cream fur, blue eyes, four-legged anatomy and asymmetrical eye patches. Do not redraw the whole scene, do not add text, flags or new objects, do not change the historical action. Keep the landscape 1536×1024 opaque full-color image.\nTarget lesson: w26-04. Keep its existing scene, changing only Kuromi's collar and eyes/eyelashes.", "editReferences": [ "exec-a07f9f10-6256-461b-96ef-b55da4f8c414.png", "kuromi-canonical.png", "kuromi-canonical-2.png" ], "generationReferences": [ "jani.png", "kuromi.png" ], "editHistory": [ { "prompt": "Use case: identity-preserve. Edit the FIRST input, which is the complete existing historical illustration. Inputs 2 and 3 are the CORRECT canonical Kuromi identity references, not scene targets. Make one tightly targeted correction to Kuromi only: her jester neck collar must be solid DARK CHARCOAL BLACK throughout, with ONLY FOUR TINY PINK BALLS at its pointed ends. Remove every broad pink stripe or pink collar surface. Match her eyes to the canonical references: simple solid black teardrop/oval eyes, two short CURVED outer eyelashes, no long straight lashes or thick eyebrows. Keep the original serious/neutral scene-appropriate expression, pose, pink skull hood mark, size and placement. Preserve the entire historical setting, all human figures, objects, composition, lighting, color, style, and especially Jani's exact original cream fur, blue eyes, four-legged anatomy and asymmetrical eye patches. Do not redraw the whole scene, do not add text, flags or new objects, do not change the historical action. Keep the landscape 1536×1024 opaque full-color image.\nTarget lesson: w26-04. Keep its existing scene, changing only Kuromi's collar and eyes/eyelashes." } ], "src": "assets/lesson-scenes/w26-04.webp", "sha256": "d707af54615946a69cd840f0ded6054e3a40973c715ac0c304b88b5d39f626ea", "bytes": 350594, "thumbnailSrc": "assets/lesson-scenes/w26-04-preview.webp", "thumbnailSha256": "bac6a359c07add4f9163dabb3d195de57c87966a61a0408207c988f85536547c", "thumbnailBytes": 123774 }, { "unitId": "w26-05", "title": "Sztrájkpénztár és közös segítség", "alt": "Munkásszervezők pénzt számolnak és élelmiszercsomagokat osztanak egy gyűlésteremben, Kuromi és Jani a pad mellett figyel.", "caption": "Az 1890 körüli brit munkásszerveződésben a sztrájkpénztár és az élelmezési segítség tette tovább fenntarthatóvá a közös fellépést. A kollektív alku szervezeti munkára és bizalomra épült, miközben kieső keresetet is jelentett.", "scene": "Workers sustain a strike through pooled funds, discussion and relief distribution in a British industrial town around 1890.", "setting": "Nagy-Britannia, iparvárosi szakszervezeti terem, 1890 körül", "historicalDetails": [ "Fa pénztárláda és közösen összeadott pénz", "Papírba kötött élelmiszercsomagok", "Sima munkásblúzok, sapkák és kötények", "Néma gyárudvar a terem mögött" ], "placement": { "area": "base", "sectionIndex": 1 }, "period": "1848–1914", "sourceBasis": [ { "book": "v2", "pdfPages": [ 420, 426 ], "chapter": "10.5 Regulation, Reform, and Revolutionary Ideologies" }, { "book": "v2", "pdfPages": [ 423, 424 ], "chapter": "10.5 Regulation, Reform, and Revolutionary Ideologies" } ], "prompt": "Use case: identity-preserve. Edit the FIRST input, which is the complete existing historical illustration. Inputs 2 and 3 are the CORRECT canonical Kuromi identity references, not scene targets. Make one tightly targeted correction to Kuromi only: her jester neck collar must be solid DARK CHARCOAL BLACK throughout, with ONLY FOUR TINY PINK BALLS at its pointed ends. Remove every broad pink stripe or pink collar surface. Match her eyes to the canonical references: simple solid black teardrop/oval eyes, two short CURVED outer eyelashes, no long straight lashes or thick eyebrows. Keep the original serious/neutral scene-appropriate expression, pose, pink skull hood mark, size and placement. Preserve the entire historical setting, all human figures, objects, composition, lighting, color, style, and especially Jani's exact original cream fur, blue eyes, four-legged anatomy and asymmetrical eye patches. Do not redraw the whole scene, do not add text, flags or new objects, do not change the historical action. Keep the landscape 1536×1024 opaque full-color image.\nTarget lesson: w26-05. Both eyes must be entirely flat solid black with no iris rings, no brown irises, no shiny pupils and no highlights, matching the two reference images. Change nothing else beyond Kuromi's collar/eyes/eyelashes.", "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [], "canonicalKuromi": true }, "generationPrompt": "Use case: historical-scene. Asset: one wide 1536×1024 full-color opaque historical educational narrative illustration, a single coherent hand-drawn scene with fine outlines, soft natural daytime light and thoughtful realistic colors. Retain the illustrated Kuromi–Jani character style in a fully illustrated world. Character references are identity/style only. Kuromi is small with canonical black two-point jester hood, pink skull, white body, pink collar. Jani is a small FEMALE fluffy cream-white ragdoll CAT, natural four-legged feline anatomy and paws, blue eyes, pink nose, large dark brown fluffy tail. Her face is strongly ASYMMETRIC: viewed from front, viewer LEFT has a large DARK BROWN eye patch, viewer RIGHT has a smaller LIGHT BROWN patch, with irregular white blaze between. Both must be clearly visible with faces readable. They are observing the real human historical actors, never replacing them or pretending to be actual historical participants. No human hands or clothes on Jani, no bow tie, no masculine outfit. No magnifying glass or book unless scene calls for it. Do not put the characters as gigantic cutouts; integrate them at ground level in the action. No text, captions, dates, legible writing, watermark, diagrams, panels or flags. No Hollywood or video-game tropes, fantasy armor, dramatic backlighting, explosions or generic battle panorama. Serious respectful expressions around hardship, repression or war; no celebration of cruelty.\nMANDATORY VISUAL MEDIUM: Every human and every object must be visibly hand-drawn in an illustrated anime storybook style with simplified clean line-drawn faces, painted hair shapes, matte gouache color, no photographic pores or realistic photographic faces. The humans, Kuromi and Jani must all belong to the SAME painted storybook world. Clearly illustrative linework in scenery and humans, no pasted cutout effect.\nScene: An industrial British town around 1890, trade union relief room during a strike. Women and men workers in plain late Victorian work clothes gather around a trestle table. A woman organizer counts pooled coins into a wooden relief box while another delegate explains a proposal to a group; food parcels are being distributed at the other end. Kuromi watches the shared fund and Jani stands under the bench facing viewer. Through open window see the still factory chimney and locked works yard, no smoke as work has stopped. Mechanism: collective bargaining requires a strike fund, trust and organization, and costs workers wages. Plain community room, side view with conversation as center, no revolutionary hero poster or slogans.", "editPrompt": "Use case: identity-preserve. Edit the FIRST input, which is the complete existing historical illustration. Inputs 2 and 3 are the CORRECT canonical Kuromi identity references, not scene targets. Make one tightly targeted correction to Kuromi only: her jester neck collar must be solid DARK CHARCOAL BLACK throughout, with ONLY FOUR TINY PINK BALLS at its pointed ends. Remove every broad pink stripe or pink collar surface. Match her eyes to the canonical references: simple solid black teardrop/oval eyes, two short CURVED outer eyelashes, no long straight lashes or thick eyebrows. Keep the original serious/neutral scene-appropriate expression, pose, pink skull hood mark, size and placement. Preserve the entire historical setting, all human figures, objects, composition, lighting, color, style, and especially Jani's exact original cream fur, blue eyes, four-legged anatomy and asymmetrical eye patches. Do not redraw the whole scene, do not add text, flags or new objects, do not change the historical action. Keep the landscape 1536×1024 opaque full-color image.\nTarget lesson: w26-05. Both eyes must be entirely flat solid black with no iris rings, no brown irises, no shiny pupils and no highlights, matching the two reference images. Change nothing else beyond Kuromi's collar/eyes/eyelashes.", "editReferences": [ "exec-4a23af8a-f1ae-4f85-bab3-0a93c4b90f79.png", "kuromi-canonical.png", "kuromi-canonical-2.png" ], "generationReferences": [ "jani.png", "kuromi.png" ], "editHistory": [ { "prompt": "Use case: identity-preserve. Edit the FIRST input, which is the complete existing historical illustration. Inputs 2 and 3 are the CORRECT canonical Kuromi identity references, not scene targets. Make one tightly targeted correction to Kuromi only: her jester neck collar must be solid DARK CHARCOAL BLACK throughout, with ONLY FOUR TINY PINK BALLS at its pointed ends. Remove every broad pink stripe or pink collar surface. Match her eyes to the canonical references: simple solid black teardrop/oval eyes, two short CURVED outer eyelashes, no long straight lashes or thick eyebrows. Keep the original serious/neutral scene-appropriate expression, pose, pink skull hood mark, size and placement. Preserve the entire historical setting, all human figures, objects, composition, lighting, color, style, and especially Jani's exact original cream fur, blue eyes, four-legged anatomy and asymmetrical eye patches. Do not redraw the whole scene, do not add text, flags or new objects, do not change the historical action. Keep the landscape 1536×1024 opaque full-color image.\nTarget lesson: w26-05. Both eyes must be entirely flat solid black with no iris rings, no brown irises, no shiny pupils and no highlights, matching the two reference images. Change nothing else beyond Kuromi's collar/eyes/eyelashes." } ], "src": "assets/lesson-scenes/w26-05.webp", "sha256": "287aa932c91f98be047dfc2b8797bb16052bf42822e7555a9428cd0ccef22a05", "bytes": 285938, "thumbnailSrc": "assets/lesson-scenes/w26-05-preview.webp", "thumbnailSha256": "100030facc170daf4f23b19eeb76c1b4ebf2d1018767e566b04f82afe4b664f8", "thumbnailBytes": 100062 }, { "unitId": "w27-01", "title": "Biztonságot kereső flottaépítés", "alt": "Hajógyári munkások és egy haditengerészeti mérnök egy csatahajó modelljét vitatják meg, miközben Kuromi és Jani a szárazdokk mellett figyel.", "caption": "Az 1900-as évek brit–német flottaversenye óriási ipari beruházást kötött a biztonság ígéretéhez. A saját védelemnek szánt fejlesztést a rivális fenyegetésként értelmezhette.", "scene": "Shipyard workers and a naval engineer discuss a dreadnought model beside an unfinished capital ship in Portsmouth around 1908.", "setting": "Portsmouth, haditengerészeti hajógyár, 1908 körül", "historicalDetails": [ "Szegecselt acéllemezek", "Korai csatahajómodell ágyútornyokkal", "Szárazdokk és emelődaruk", "Munkássapkák és korabeli tengerésztiszti ruha" ], "placement": { "area": "base", "sectionIndex": 2 }, "period": "1871–1914", "sourceBasis": [ { "book": "v2", "pdfPages": [ 437, 441 ], "chapter": "11.1 Alliances, Expansion, and Conflict" }, { "book": "v2", "pdfPages": [ 438, 442 ], "chapter": "11.1 Alliances, Expansion, and Conflict" }, { "book": "oh", "pdfPages": [ 184, 187 ], "chapter": "5.1. Az első világháború" } ], "prompt": "Use case: identity-preserve. Edit the FIRST input, which is the complete existing historical illustration. Inputs 2 and 3 are the CORRECT canonical Kuromi identity references, not scene targets. Make one tightly targeted correction to Kuromi only: her jester neck collar must be solid DARK CHARCOAL BLACK throughout, with ONLY FOUR TINY PINK BALLS at its pointed ends. Remove every broad pink stripe or pink collar surface. Match her eyes to the canonical references: simple solid black teardrop/oval eyes, two short CURVED outer eyelashes, no long straight lashes or thick eyebrows. Keep the original serious/neutral scene-appropriate expression, pose, pink skull hood mark, size and placement. Preserve the entire historical setting, all human figures, objects, composition, lighting, color, style, and especially Jani's exact original cream fur, blue eyes, four-legged anatomy and asymmetrical eye patches. Do not redraw the whole scene, do not add text, flags or new objects, do not change the historical action. Keep the landscape 1536×1024 opaque full-color image.\nTarget lesson: w27-01. Both eyes must be entirely flat solid black with no iris rings, no brown irises, no shiny pupils and no highlights, matching the two reference images. Change nothing else beyond Kuromi's collar/eyes/eyelashes.", "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [], "canonicalKuromi": true }, "generationPrompt": "Use case: historical-scene. Asset: one wide 1536×1024 full-color opaque historical educational narrative illustration, a single coherent hand-drawn scene with fine outlines, soft natural daytime light and thoughtful realistic colors. Retain the illustrated Kuromi–Jani character style in a fully illustrated world. Character references are identity/style only. Kuromi is small with canonical black two-point jester hood, pink skull, white body, pink collar. Jani is a small FEMALE fluffy cream-white ragdoll CAT, natural four-legged feline anatomy and paws, blue eyes, pink nose, large dark brown fluffy tail. Her face is strongly ASYMMETRIC: viewed from front, viewer LEFT has a large DARK BROWN eye patch, viewer RIGHT has a smaller LIGHT BROWN patch, with irregular white blaze between. Both must be clearly visible with faces readable. They are observing the real human historical actors, never replacing them or pretending to be actual historical participants. No human hands or clothes on Jani, no bow tie, no masculine outfit. No magnifying glass or book unless scene calls for it. Do not put the characters as gigantic cutouts; integrate them at ground level in the action. No text, captions, dates, legible writing, watermark, diagrams, panels or flags. No Hollywood or video-game tropes, fantasy armor, dramatic backlighting, explosions or generic battle panorama. Serious respectful expressions around hardship, repression or war; no celebration of cruelty.\nMANDATORY VISUAL MEDIUM: Every human and every object must be visibly hand-drawn in an illustrated anime storybook style with simplified clean line-drawn faces, painted hair shapes, matte gouache color, no photographic pores or realistic photographic faces. The humans, Kuromi and Jani must all belong to the SAME painted storybook world. Clearly illustrative linework in scenery and humans, no pasted cutout effect.\nScene: Portsmouth naval dockyard around 1908 during the Anglo-German naval arms race. Civilian shipyard workers and a naval engineer examine a small unfinished scale model of an early dreadnought hull with heavy turrets at a wooden workbench on the quay; a large unfinished grey battleship and riveted steel plates in drydock behind. Kuromi listens with a concerned expression beside stacked ship rivets and Jani stands naturally on four paws near a coil of rope facing viewer. The human discussion is practical and uncertain, not triumphal. Mechanism: expensive naval construction intended as security can provoke rival insecurity. Three-quarter view with cranes and dock infrastructure; period cloth caps and early twentieth century naval dress. No firing guns, battle, flags, heroic salutes, radar or aircraft carrier.", "editPrompt": "Use case: identity-preserve. Edit the FIRST input, which is the complete existing historical illustration. Inputs 2 and 3 are the CORRECT canonical Kuromi identity references, not scene targets. Make one tightly targeted correction to Kuromi only: her jester neck collar must be solid DARK CHARCOAL BLACK throughout, with ONLY FOUR TINY PINK BALLS at its pointed ends. Remove every broad pink stripe or pink collar surface. Match her eyes to the canonical references: simple solid black teardrop/oval eyes, two short CURVED outer eyelashes, no long straight lashes or thick eyebrows. Keep the original serious/neutral scene-appropriate expression, pose, pink skull hood mark, size and placement. Preserve the entire historical setting, all human figures, objects, composition, lighting, color, style, and especially Jani's exact original cream fur, blue eyes, four-legged anatomy and asymmetrical eye patches. Do not redraw the whole scene, do not add text, flags or new objects, do not change the historical action. Keep the landscape 1536×1024 opaque full-color image.\nTarget lesson: w27-01. Both eyes must be entirely flat solid black with no iris rings, no brown irises, no shiny pupils and no highlights, matching the two reference images. Change nothing else beyond Kuromi's collar/eyes/eyelashes.", "editReferences": [ "exec-6c74a2c1-2163-4260-a7a8-dc042562d88a.png", "kuromi-canonical.png", "kuromi-canonical-2.png" ], "generationReferences": [ "jani.png", "kuromi.png" ], "editHistory": [ { "prompt": "Use case: identity-preserve. Edit the FIRST input, which is the complete existing historical illustration. Inputs 2 and 3 are the CORRECT canonical Kuromi identity references, not scene targets. Make one tightly targeted correction to Kuromi only: her jester neck collar must be solid DARK CHARCOAL BLACK throughout, with ONLY FOUR TINY PINK BALLS at its pointed ends. Remove every broad pink stripe or pink collar surface. Match her eyes to the canonical references: simple solid black teardrop/oval eyes, two short CURVED outer eyelashes, no long straight lashes or thick eyebrows. Keep the original serious/neutral scene-appropriate expression, pose, pink skull hood mark, size and placement. Preserve the entire historical setting, all human figures, objects, composition, lighting, color, style, and especially Jani's exact original cream fur, blue eyes, four-legged anatomy and asymmetrical eye patches. Do not redraw the whole scene, do not add text, flags or new objects, do not change the historical action. Keep the landscape 1536×1024 opaque full-color image.\nTarget lesson: w27-01. Both eyes must be entirely flat solid black with no iris rings, no brown irises, no shiny pupils and no highlights, matching the two reference images. Change nothing else beyond Kuromi's collar/eyes/eyelashes." } ], "src": "assets/lesson-scenes/w27-01.webp", "sha256": "6ad62828d6ed2a7c38ab85faf738483017d844bce9f402c6ebbdb12db84dcb5c", "bytes": 381336, "thumbnailSrc": "assets/lesson-scenes/w27-01-preview.webp", "thumbnailSha256": "c6d4ac030e03bc3305b34f38f95babc4283350804f6f737222d6e030b9f74029", "thumbnailBytes": 129296 }, { "unitId": "w27-02", "title": "Mozgósítási iratok a bécsi pályaudvaron", "alt": "Távírász és vasúti tisztviselők menetrendeket egyeztetnek, a peronon családok és behívottak várnak Kuromi és Jani közelében.", "caption": "1914 július–augusztusában a mozgósítás vasúti menetrendet, készletet és behívást kapcsolt össze. A szoros katonai ütemezés szűkítette a diplomácia idejét, de a döntést továbbra is emberek hozták.", "scene": "A telegraph message reaches a Vienna railway dispatch office in late July 1914 as reservists and civilians wait on the platform.", "setting": "Bécs, vasúti forgalmi iroda, 1914 júliusának vége", "historicalDetails": [ "Réz távíróbillentyű és papírszalag", "Papíralapú vasúti menetrend", "Gőzmozdony és üvegtetős peron", "Utazóbőröndök és tartalékosok felszerelése" ], "placement": { "area": "base", "sectionIndex": 2 }, "period": "1908–1914", "sourceBasis": [ { "book": "v2", "pdfPages": [ 442, 451 ], "chapter": "11.2 The Collapse of the Ottomans and the Coming of War" }, { "book": "v2", "pdfPages": [ 443, 449 ], "chapter": "11.2 The Collapse of the Ottomans and the Coming of War" }, { "book": "oh", "pdfPages": [ 184, 186 ], "chapter": "5.1. Az első világháború" } ], "prompt": "Use case: identity-preserve. Edit the FIRST input, which is the complete existing historical illustration. Inputs 2 and 3 are the CORRECT canonical Kuromi identity references, not scene targets. Make one tightly targeted correction to Kuromi only: her jester neck collar must be solid DARK CHARCOAL BLACK throughout, with ONLY FOUR TINY PINK BALLS at its pointed ends. Remove every broad pink stripe or pink collar surface. Match her eyes to the canonical references: simple solid black teardrop/oval eyes, two short CURVED outer eyelashes, no long straight lashes or thick eyebrows. Keep the original serious/neutral scene-appropriate expression, pose, pink skull hood mark, size and placement. Preserve the entire historical setting, all human figures, objects, composition, lighting, color, style, and especially Jani's exact original cream fur, blue eyes, four-legged anatomy and asymmetrical eye patches. Do not redraw the whole scene, do not add text, flags or new objects, do not change the historical action. Keep the landscape 1536×1024 opaque full-color image.\nTarget lesson: w27-02. Both eyes must be entirely flat solid black with no iris rings, no brown irises, no shiny pupils and no highlights, matching the two reference images. Change nothing else beyond Kuromi's collar/eyes/eyelashes.", "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [], "canonicalKuromi": true }, "generationPrompt": "Use case: historical-scene. Asset: one wide 1536×1024 full-color opaque historical educational narrative illustration, a single coherent hand-drawn scene with fine outlines, soft natural daytime light and thoughtful realistic colors. Retain the illustrated Kuromi–Jani character style in a fully illustrated world. Character references are identity/style only. Kuromi is small with canonical black two-point jester hood, pink skull, white body, pink collar. Jani is a small FEMALE fluffy cream-white ragdoll CAT, natural four-legged feline anatomy and paws, blue eyes, pink nose, large dark brown fluffy tail. Her face is strongly ASYMMETRIC: viewed from front, viewer LEFT has a large DARK BROWN eye patch, viewer RIGHT has a smaller LIGHT BROWN patch, with irregular white blaze between. Both must be clearly visible with faces readable. They are observing the real human historical actors, never replacing them or pretending to be actual historical participants. No human hands or clothes on Jani, no bow tie, no masculine outfit. No magnifying glass or book unless scene calls for it. Do not put the characters as gigantic cutouts; integrate them at ground level in the action. No text, captions, dates, legible writing, watermark, diagrams, panels or flags. No Hollywood or video-game tropes, fantasy armor, dramatic backlighting, explosions or generic battle panorama. Serious respectful expressions around hardship, repression or war; no celebration of cruelty.\nMANDATORY VISUAL MEDIUM: Every human and every object must be visibly hand-drawn in an illustrated anime storybook style with simplified clean line-drawn faces, painted hair shapes, matte gouache color, no photographic pores or realistic photographic faces. The humans, Kuromi and Jani must all belong to the SAME painted storybook world. Clearly illustrative linework in scenery and humans, no pasted cutout effect.\nScene: Vienna railway dispatch office in late July 1914. A civilian telegraph operator hands a fresh paper strip to a stationmaster; another official studies a spread railway timetable of faint unlettered grid-like lines, while through the window a steam locomotive waits beside families and reservists with modest kit. Kuromi stands beside a travel valise and Jani sits on the office floor with her asymmetric face to viewer. Mechanism: mobilization links diplomatic deadlines, rail schedules and human choices; worried civilian faces rather than universal enthusiasm. Period brass telegraph key, wall clock with indistinct hands and no readable figures, wooden ticket barrier, station glass canopy. Interior-to-platform diagonal framing, no battle or assassination, no flags and no readable writing.", "editPrompt": "Use case: identity-preserve. Edit the FIRST input, which is the complete existing historical illustration. Inputs 2 and 3 are the CORRECT canonical Kuromi identity references, not scene targets. Make one tightly targeted correction to Kuromi only: her jester neck collar must be solid DARK CHARCOAL BLACK throughout, with ONLY FOUR TINY PINK BALLS at its pointed ends. Remove every broad pink stripe or pink collar surface. Match her eyes to the canonical references: simple solid black teardrop/oval eyes, two short CURVED outer eyelashes, no long straight lashes or thick eyebrows. Keep the original serious/neutral scene-appropriate expression, pose, pink skull hood mark, size and placement. Preserve the entire historical setting, all human figures, objects, composition, lighting, color, style, and especially Jani's exact original cream fur, blue eyes, four-legged anatomy and asymmetrical eye patches. Do not redraw the whole scene, do not add text, flags or new objects, do not change the historical action. Keep the landscape 1536×1024 opaque full-color image.\nTarget lesson: w27-02. Both eyes must be entirely flat solid black with no iris rings, no brown irises, no shiny pupils and no highlights, matching the two reference images. Change nothing else beyond Kuromi's collar/eyes/eyelashes.", "editReferences": [ "exec-3283ed5c-60ab-47de-a0ec-19ca4f04dc30.png", "kuromi-canonical.png", "kuromi-canonical-2.png" ], "generationReferences": [ "jani.png", "kuromi.png" ], "editHistory": [ { "prompt": "Use case: identity-preserve. Edit the FIRST input, which is the complete existing historical illustration. Inputs 2 and 3 are the CORRECT canonical Kuromi identity references, not scene targets. Make one tightly targeted correction to Kuromi only: her jester neck collar must be solid DARK CHARCOAL BLACK throughout, with ONLY FOUR TINY PINK BALLS at its pointed ends. Remove every broad pink stripe or pink collar surface. Match her eyes to the canonical references: simple solid black teardrop/oval eyes, two short CURVED outer eyelashes, no long straight lashes or thick eyebrows. Keep the original serious/neutral scene-appropriate expression, pose, pink skull hood mark, size and placement. Preserve the entire historical setting, all human figures, objects, composition, lighting, color, style, and especially Jani's exact original cream fur, blue eyes, four-legged anatomy and asymmetrical eye patches. Do not redraw the whole scene, do not add text, flags or new objects, do not change the historical action. Keep the landscape 1536×1024 opaque full-color image.\nTarget lesson: w27-02. Both eyes must be entirely flat solid black with no iris rings, no brown irises, no shiny pupils and no highlights, matching the two reference images. Change nothing else beyond Kuromi's collar/eyes/eyelashes." } ], "src": "assets/lesson-scenes/w27-02.webp", "sha256": "02d79344f08f651b921df725746696097198f8d8ff137229c097568be08c7959", "bytes": 287770, "thumbnailSrc": "assets/lesson-scenes/w27-02-preview.webp", "thumbnailSha256": "3ec6f0828b4d875f88279ef53536c9ecd2b23a6d2c376a8dbbea80a17155ccdc", "thumbnailBytes": 100046 }, { "unitId": "w27-03", "title": "Ellátás és összeköttetés a lövészárkok mögött", "alt": "Kuromi telefonkábelt emel egy pocsolya fölé, Jani pedig a pallón figyeli az élelmet szállító brit és indiai katonákat.", "caption": "A nyugati front 1916-os állásait élelem, javítás és összeköttetés tartotta működésben. A birodalmi katonák és a szállítómunkások szerepe megmutatja, hogy a kimerítő háború jóval több volt az első vonal fegyvereinél.", "scene": "British and Indian soldiers move a food cart through a muddy rear communication trench as telephone cable is kept clear of a puddle.", "setting": "Franciaország, nyugati front, 1916", "historicalDetails": [ "Pallóval fedett összekötőárok", "Deszkázott és homokzsákos árokfal", "Tábori telefonkábel", "Élelmiszeres kézikocsi és khaki felszerelés" ], "placement": { "area": "base", "sectionIndex": 0 }, "period": "1914–1918", "sourceBasis": [ { "book": "v2", "pdfPages": [ 452, 463 ], "chapter": "11.3 Total War" }, { "book": "v2", "pdfPages": [ 452, 458 ], "chapter": "11.3 Total War" }, { "book": "oh", "pdfPages": [ 183, 187 ], "chapter": "5.1. Az első világháború" } ], "prompt": "Use case: identity-preserve. Edit the FIRST input, which is the complete existing historical illustration. Inputs 2 and 3 are the CORRECT canonical Kuromi identity references, not scene targets. Make one tightly targeted correction to Kuromi only: her jester neck collar must be solid DARK CHARCOAL BLACK throughout, with ONLY FOUR TINY PINK BALLS at its pointed ends. Remove every broad pink stripe or pink collar surface. Match her eyes to the canonical references: simple solid black teardrop/oval eyes, two short CURVED outer eyelashes, no long straight lashes or thick eyebrows. Keep the original serious/neutral scene-appropriate expression, pose, pink skull hood mark, size and placement. Preserve the entire historical setting, all human figures, objects, composition, lighting, color, style, and especially Jani's exact original cream fur, blue eyes, four-legged anatomy and asymmetrical eye patches. Do not redraw the whole scene, do not add text, flags or new objects, do not change the historical action. Keep the landscape 1536×1024 opaque full-color image.\nTarget lesson: w27-03. Both eyes must be entirely flat solid black with no iris rings, no brown irises, no shiny pupils and no highlights, matching the two reference images. Change nothing else beyond Kuromi's collar/eyes/eyelashes.", "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [], "canonicalKuromi": true }, "generationPrompt": "Use case: historical-scene. Asset: one wide 1536×1024 full-color opaque historical educational narrative illustration, a single coherent hand-drawn scene with fine outlines, soft natural daytime light and thoughtful realistic colors. Retain the illustrated Kuromi–Jani character style in a fully illustrated world. Character references are identity/style only. Kuromi is small with canonical black two-point jester hood, pink skull, white body, pink collar. Jani is a small FEMALE fluffy cream-white ragdoll CAT, natural four-legged feline anatomy and paws, blue eyes, pink nose, large dark brown fluffy tail. Her face is strongly ASYMMETRIC: viewed from front, viewer LEFT has a large DARK BROWN eye patch, viewer RIGHT has a smaller LIGHT BROWN patch, with irregular white blaze between. Both must be clearly visible with faces readable. They are observing the real human historical actors, never replacing them or pretending to be actual historical participants. No human hands or clothes on Jani, no bow tie, no masculine outfit. No magnifying glass or book unless scene calls for it. Do not put the characters as gigantic cutouts; integrate them at ground level in the action. No text, captions, dates, legible writing, watermark, diagrams, panels or flags. No Hollywood or video-game tropes, fantasy armor, dramatic backlighting, explosions or generic battle panorama. Serious respectful expressions around hardship, repression or war; no celebration of cruelty.\nMANDATORY VISUAL MEDIUM: Every human and every object must be visibly hand-drawn in an illustrated anime storybook style with simplified clean line-drawn faces, painted hair shapes, matte gouache color, no photographic pores or realistic photographic faces. The humans, Kuromi and Jani must all belong to the SAME painted storybook world. Clearly illustrative linework in scenery and humans, no pasted cutout effect.\nScene: Western Front, France, 1916, a rear communication trench far from immediate fighting. Muddy duckboards and timber revetments lead diagonally through a trench; exhausted but uninjured soldiers and civilian transport workers pass food tins, water cans and field-telephone cable around a blocked handcart. An Indian soldier in period khaki and turban and a British soldier cooperate; correct dignity and no ethnic caricature. Kuromi holds one light telephone cable clear of a puddle, while Jani stands on a dry duckboard edge with all four cat paws and her face readable. Mechanism: sustaining a front requires continuous food, repair, communication and imperial manpower. No battle, firing, explosions, weapons held, wounded bodies or jaunty cheering. Overcast daylight and subdued colors, serious expressions, strongly drawn human faces.", "editPrompt": "Use case: identity-preserve. Edit the FIRST input, which is the complete existing historical illustration. Inputs 2 and 3 are the CORRECT canonical Kuromi identity references, not scene targets. Make one tightly targeted correction to Kuromi only: her jester neck collar must be solid DARK CHARCOAL BLACK throughout, with ONLY FOUR TINY PINK BALLS at its pointed ends. Remove every broad pink stripe or pink collar surface. Match her eyes to the canonical references: simple solid black teardrop/oval eyes, two short CURVED outer eyelashes, no long straight lashes or thick eyebrows. Keep the original serious/neutral scene-appropriate expression, pose, pink skull hood mark, size and placement. Preserve the entire historical setting, all human figures, objects, composition, lighting, color, style, and especially Jani's exact original cream fur, blue eyes, four-legged anatomy and asymmetrical eye patches. Do not redraw the whole scene, do not add text, flags or new objects, do not change the historical action. Keep the landscape 1536×1024 opaque full-color image.\nTarget lesson: w27-03. Both eyes must be entirely flat solid black with no iris rings, no brown irises, no shiny pupils and no highlights, matching the two reference images. Change nothing else beyond Kuromi's collar/eyes/eyelashes.", "editReferences": [ "exec-cf8ff53b-9e10-497f-80ed-cfaf5da4876c.png", "kuromi-canonical.png", "kuromi-canonical-2.png" ], "generationReferences": [ "jani.png", "kuromi.png" ], "editHistory": [ { "prompt": "Use case: identity-preserve. Edit the FIRST input, which is the complete existing historical illustration. Inputs 2 and 3 are the CORRECT canonical Kuromi identity references, not scene targets. Make one tightly targeted correction to Kuromi only: her jester neck collar must be solid DARK CHARCOAL BLACK throughout, with ONLY FOUR TINY PINK BALLS at its pointed ends. Remove every broad pink stripe or pink collar surface. Match her eyes to the canonical references: simple solid black teardrop/oval eyes, two short CURVED outer eyelashes, no long straight lashes or thick eyebrows. Keep the original serious/neutral scene-appropriate expression, pose, pink skull hood mark, size and placement. Preserve the entire historical setting, all human figures, objects, composition, lighting, color, style, and especially Jani's exact original cream fur, blue eyes, four-legged anatomy and asymmetrical eye patches. Do not redraw the whole scene, do not add text, flags or new objects, do not change the historical action. Keep the landscape 1536×1024 opaque full-color image.\nTarget lesson: w27-03. Both eyes must be entirely flat solid black with no iris rings, no brown irises, no shiny pupils and no highlights, matching the two reference images. Change nothing else beyond Kuromi's collar/eyes/eyelashes." } ], "src": "assets/lesson-scenes/w27-03.webp", "sha256": "be30b1f0455c0ee6dffa0f6668cab6972c980177e2c29958374629e111bf96be", "bytes": 386212, "thumbnailSrc": "assets/lesson-scenes/w27-03-preview.webp", "thumbnailSha256": "41c180e203dcaa10a8fe77daa60604c762bdb809ee1ba0cecb873adbe1a0173b", "thumbnailBytes": 135158 }, { "unitId": "w27-04", "title": "Kenyérjegy és sorban állás a répatelelen", "alt": "Kuromi és Jani egy berlini pékségnél figyeli az élelmiszerjeggyel várakozó családokat és a kis kenyéradag mérését.", "caption": "Az 1916–1917-es német hiányt a blokád mellett belső termelési és elosztási gondok is súlyosbították. A jegyrendszer a szűk készletet osztotta el, a mindennapi sorban állás pedig a kormány iránti bizalom próbája lett.", "scene": "A Berlin bakery weighs a scarce loaf for a ration-card customer during the winter food shortage of 1916–1917.", "setting": "Berlin, 1916–1917 tele", "historicalDetails": [ "Papír élelmiszerjegy", "Kétkarú bolti mérleg", "Fehérrépás láda és kevés kenyér", "Gyapjúkabátok és üres vásárlókosarak" ], "placement": { "area": "base", "sectionIndex": 1 }, "period": "1914–1918", "sourceBasis": [ { "book": "v2", "pdfPages": [ 463, 469 ], "chapter": "11.4 War on the Homefront" }, { "book": "v2", "pdfPages": [ 464, 469 ], "chapter": "11.4 War on the Homefront" }, { "book": "oh", "pdfPages": [ 183, 183 ], "chapter": "5.1. Az első világháború, 169. feladat" } ], "prompt": "Use case: identity-preserve. Edit the FIRST input, which is the complete existing historical illustration. Inputs 2 and 3 are the CORRECT canonical Kuromi identity references, not scene targets. Make one tightly targeted correction to Kuromi only: her jester neck collar must be solid DARK CHARCOAL BLACK throughout, with ONLY FOUR TINY PINK BALLS at its pointed ends. Remove every broad pink stripe or pink collar surface. Match her eyes to the canonical references: simple solid black teardrop/oval eyes, two short CURVED outer eyelashes, no long straight lashes or thick eyebrows. Keep the original serious/neutral scene-appropriate expression, pose, pink skull hood mark, size and placement. Preserve the entire historical setting, all human figures, objects, composition, lighting, color, style, and especially Jani's exact original cream fur, blue eyes, four-legged anatomy and asymmetrical eye patches. Do not redraw the whole scene, do not add text, flags or new objects, do not change the historical action. Keep the landscape 1536×1024 opaque full-color image.\nTarget lesson: w27-04. Both eyes must be entirely flat solid black with no iris rings, no brown irises, no shiny pupils and no highlights, matching the two reference images. Change nothing else beyond Kuromi's collar/eyes/eyelashes.", "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [], "canonicalKuromi": true }, "generationPrompt": "Use case: historical-scene. Asset: one wide 1536×1024 full-color opaque historical educational narrative illustration, a single coherent hand-drawn scene with fine outlines, soft natural daytime light and thoughtful realistic colors. Retain the illustrated Kuromi–Jani character style in a fully illustrated world. Character references are identity/style only. Kuromi is small with canonical black two-point jester hood, pink skull, white body, pink collar. Jani is a small FEMALE fluffy cream-white ragdoll CAT, natural four-legged feline anatomy and paws, blue eyes, pink nose, large dark brown fluffy tail. Her face is strongly ASYMMETRIC: viewed from front, viewer LEFT has a large DARK BROWN eye patch, viewer RIGHT has a smaller LIGHT BROWN patch, with irregular white blaze between. Both must be clearly visible with faces readable. They are observing the real human historical actors, never replacing them or pretending to be actual historical participants. No human hands or clothes on Jani, no bow tie, no masculine outfit. No magnifying glass or book unless scene calls for it. Do not put the characters as gigantic cutouts; integrate them at ground level in the action. No text, captions, dates, legible writing, watermark, diagrams, panels or flags. No Hollywood or video-game tropes, fantasy armor, dramatic backlighting, explosions or generic battle panorama. Serious respectful expressions around hardship, repression or war; no celebration of cruelty.\nMANDATORY VISUAL MEDIUM: Every human and every object must be visibly hand-drawn in an illustrated anime storybook style with simplified clean line-drawn faces, painted hair shapes, matte gouache color, no photographic pores or realistic photographic faces. The humans, Kuromi and Jani must all belong to the SAME painted storybook world. Clearly illustrative linework in scenery and humans, no pasted cutout effect.\nScene: Berlin working-class bakery queue during the winter food shortage of 1916–1917. A woman in a plain wool coat presents an unlettered ration card to a shop assistant weighing a small loaf on a beam scale; other women, an older man and a child wait patiently with empty baskets. A crate of turnips, scarce bread on shelves and a modest coal stove explain the shortage. Kuromi stands beside the woman's basket and Jani sits by the doorway with her asymmetric face visible. Mechanism: food allocation and unequal access undermine confidence in promises of shared sacrifice. Single street-to-shop composition, sober faces, no propaganda slogans, no caricatured starvation, no comic feast.", "editPrompt": "Use case: identity-preserve. Edit the FIRST input, which is the complete existing historical illustration. Inputs 2 and 3 are the CORRECT canonical Kuromi identity references, not scene targets. Make one tightly targeted correction to Kuromi only: her jester neck collar must be solid DARK CHARCOAL BLACK throughout, with ONLY FOUR TINY PINK BALLS at its pointed ends. Remove every broad pink stripe or pink collar surface. Match her eyes to the canonical references: simple solid black teardrop/oval eyes, two short CURVED outer eyelashes, no long straight lashes or thick eyebrows. Keep the original serious/neutral scene-appropriate expression, pose, pink skull hood mark, size and placement. Preserve the entire historical setting, all human figures, objects, composition, lighting, color, style, and especially Jani's exact original cream fur, blue eyes, four-legged anatomy and asymmetrical eye patches. Do not redraw the whole scene, do not add text, flags or new objects, do not change the historical action. Keep the landscape 1536×1024 opaque full-color image.\nTarget lesson: w27-04. Both eyes must be entirely flat solid black with no iris rings, no brown irises, no shiny pupils and no highlights, matching the two reference images. Change nothing else beyond Kuromi's collar/eyes/eyelashes.", "editReferences": [ "exec-47c8554f-3e03-4c15-985f-5381137e4857.png", "kuromi-canonical.png", "kuromi-canonical-2.png" ], "generationReferences": [ "jani.png", "kuromi.png" ], "editHistory": [ { "prompt": "Use case: identity-preserve. Edit the FIRST input, which is the complete existing historical illustration. Inputs 2 and 3 are the CORRECT canonical Kuromi identity references, not scene targets. Make one tightly targeted correction to Kuromi only: her jester neck collar must be solid DARK CHARCOAL BLACK throughout, with ONLY FOUR TINY PINK BALLS at its pointed ends. Remove every broad pink stripe or pink collar surface. Match her eyes to the canonical references: simple solid black teardrop/oval eyes, two short CURVED outer eyelashes, no long straight lashes or thick eyebrows. Keep the original serious/neutral scene-appropriate expression, pose, pink skull hood mark, size and placement. Preserve the entire historical setting, all human figures, objects, composition, lighting, color, style, and especially Jani's exact original cream fur, blue eyes, four-legged anatomy and asymmetrical eye patches. Do not redraw the whole scene, do not add text, flags or new objects, do not change the historical action. Keep the landscape 1536×1024 opaque full-color image.\nTarget lesson: w27-04. Both eyes must be entirely flat solid black with no iris rings, no brown irises, no shiny pupils and no highlights, matching the two reference images. Change nothing else beyond Kuromi's collar/eyes/eyelashes." } ], "src": "assets/lesson-scenes/w27-04.webp", "sha256": "35b63c4b7328846c43b2e9ccbea0e402d63585086cfae4ff8ac60da412848e5f", "bytes": 392486, "thumbnailSrc": "assets/lesson-scenes/w27-04-preview.webp", "thumbnailSha256": "40571b42cbddeb1d3e0d3395aa1a783c69e95302daa4243be03b08780e66c20f", "thumbnailBytes": 120450 }, { "unitId": "w27-05", "title": "Atlanti utánpótlásból katonai erő", "alt": "Kuromi egy ládafedelet tart, Jani pedig a vasúti kocsi mellett figyeli az amerikai készleteket kirakodó katonákat és francia dokkmunkásokat.", "caption": "Az amerikai hadba lépés 1917-ben nem jelentett azonnal kész hadsereget a fronton. A francia kikötőkben 1918-ra sűrűsödő szállítás, kiképzés és ellátás tette fokozatosan érezhetővé az új erőforrásokat.", "scene": "French dockworkers and American servicemen transfer food and medical supplies from an Atlantic steamship to railway wagons in spring 1918.", "setting": "Nyugat-franciaországi atlanti kikötő, 1918 tavasza", "historicalDetails": [ "Gőzmeghajtású teherszállító hajó", "Fa ellátmányládák és liszteszsákok", "Kikötői rakodás vasúti teherkocsira", "Korabeli khaki felszerelés és ápolónői ruha" ], "placement": { "area": "base", "sectionIndex": 1 }, "period": "1917–1918", "sourceBasis": [ { "book": "v2", "pdfPages": [ 470, 476 ], "chapter": "11.5 The War Ends" }, { "book": "v2", "pdfPages": [ 474, 476 ], "chapter": "11.5 The War Ends" }, { "book": "v2", "pdfPages": [ 447, 451 ], "chapter": "11.2 The Collapse of the Ottomans and the Coming of War" } ], "prompt": "Use case: identity-preserve. Locally REDRAW Kuromi's entire collar and neckline from scratch in image 1, using the EXACT collar silhouette in canonical reference images 2 and 3. The current collar is WRONG because it has FIVE points and five pink balls. ERASE that five-point collar completely. Replace with a FOUR-POINT dark charcoal jester collar: left shoulder point, lower-left point, lower-right point, right shoulder point, with an UPWARD V-NOTCH between the two lower points. There must be no center downward point and no center ball. Put exactly ONE tiny pink ball at each of these four points, FOUR balls total. This collar geometry change is mandatory, not a color-only edit. Keep Kuromi's correct solid black teardrop eyes and short curved outer eyelashes. You may slightly reposition her forearms only if needed to expose the four-point collar. Preserve her head location, hood, body scale, serious expression, all of Jani and the entire historical scene, human figures and objects exactly. No new text or objects. 1536×1024 opaque landscape.", "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [], "canonicalKuromi": true }, "generationPrompt": "Use case: historical-scene. Asset: one wide 1536×1024 full-color opaque historical educational narrative illustration, a single coherent hand-drawn scene with fine outlines, soft natural daytime light and thoughtful realistic colors. Retain the illustrated Kuromi–Jani character style in a fully illustrated world. Character references are identity/style only. Kuromi is small with canonical black two-point jester hood, pink skull, white body, pink collar. Jani is a small FEMALE fluffy cream-white ragdoll CAT, natural four-legged feline anatomy and paws, blue eyes, pink nose, large dark brown fluffy tail. Her face is strongly ASYMMETRIC: viewed from front, viewer LEFT has a large DARK BROWN eye patch, viewer RIGHT has a smaller LIGHT BROWN patch, with irregular white blaze between. Both must be clearly visible with faces readable. They are observing the real human historical actors, never replacing them or pretending to be actual historical participants. No human hands or clothes on Jani, no bow tie, no masculine outfit. No magnifying glass or book unless scene calls for it. Do not put the characters as gigantic cutouts; integrate them at ground level in the action. No text, captions, dates, legible writing, watermark, diagrams, panels or flags. No Hollywood or video-game tropes, fantasy armor, dramatic backlighting, explosions or generic battle panorama. Serious respectful expressions around hardship, repression or war; no celebration of cruelty.\nMANDATORY VISUAL MEDIUM: Every human and every object must be visibly hand-drawn in an illustrated anime storybook style with simplified clean line-drawn faces, painted hair shapes, matte gouache color, no photographic pores or realistic photographic faces. The humans, Kuromi and Jani must all belong to the SAME painted storybook world. Clearly illustrative linework in scenery and humans, no pasted cutout effect.\nScene: An Atlantic supply port in western France, spring 1918. A mixed group of French dockworkers and American servicemen in period simple khaki unload wooden food crates and flour sacks from a steam cargo vessel onto a rail wagon. A quartermaster checks a plain manifest; a nurse waits beside medical supply boxes without emblems. Kuromi steadies a small empty packing lid while Jani stands naturally near the railway wheel facing viewer, safely clear of work. Mechanism: American participation becomes effective through transatlantic shipping, training and logistics, not instant battlefield victory. Viewed from slightly elevated quay angle, cargo movement and connecting railway as center, no battle, explosions, cheering flags or generic heroic war poster.", "editPrompt": "Use case: identity-preserve. Locally REDRAW Kuromi's entire collar and neckline from scratch in image 1, using the EXACT collar silhouette in canonical reference images 2 and 3. The current collar is WRONG because it has FIVE points and five pink balls. ERASE that five-point collar completely. Replace with a FOUR-POINT dark charcoal jester collar: left shoulder point, lower-left point, lower-right point, right shoulder point, with an UPWARD V-NOTCH between the two lower points. There must be no center downward point and no center ball. Put exactly ONE tiny pink ball at each of these four points, FOUR balls total. This collar geometry change is mandatory, not a color-only edit. Keep Kuromi's correct solid black teardrop eyes and short curved outer eyelashes. You may slightly reposition her forearms only if needed to expose the four-point collar. Preserve her head location, hood, body scale, serious expression, all of Jani and the entire historical scene, human figures and objects exactly. No new text or objects. 1536×1024 opaque landscape.", "editReferences": [ "exec-de7763f4-5ef7-477f-bc82-f7472c4acf18.png", "kuromi-canonical.png", "kuromi-canonical-2.png" ], "editHistory": [ { "prompt": "Use case: identity-preserve. Edit the FIRST input, which is the complete existing historical illustration. Inputs 2 and 3 are the CORRECT canonical Kuromi identity references, not scene targets. Make one tightly targeted correction to Kuromi only: her jester neck collar must be solid DARK CHARCOAL BLACK throughout, with ONLY FOUR TINY PINK BALLS at its pointed ends. Remove every broad pink stripe or pink collar surface. Match her eyes to the canonical references: simple solid black teardrop/oval eyes, two short CURVED outer eyelashes, no long straight lashes or thick eyebrows. Keep the original serious/neutral scene-appropriate expression, pose, pink skull hood mark, size and placement. Preserve the entire historical setting, all human figures, objects, composition, lighting, color, style, and especially Jani's exact original cream fur, blue eyes, four-legged anatomy and asymmetrical eye patches. Do not redraw the whole scene, do not add text, flags or new objects, do not change the historical action. Keep the landscape 1536×1024 opaque full-color image.\nTarget lesson: w27-05. Both eyes must be entirely flat solid black with no iris rings, no brown irises, no shiny pupils and no highlights, matching the two reference images. Change nothing else beyond Kuromi's collar/eyes/eyelashes." }, { "prompt": "Use case: precise-object-edit. First image is the current near-final historical illustration. Make ONE small correction only: Kuromi's dark collar currently has FIVE pink balls. Remove the extra inner-left pink ball located immediately below the viewer-left outer collar ball, near her raised left arm. Leave EXACTLY FOUR pink spheres total at the four tips of the dark charcoal collar, matching the second and third canonical reference images. Keep her existing solid black oval eyes, short curved outer eyelashes, expression, hood, pose, black collar, and every other pixel of Jani, humans, historical dock, ship, train, boxes, lighting and composition unchanged. Do not add text or other objects. Preserve 1536×1024 full-color opaque landscape." }, { "prompt": "Use case: precise-object-edit. First input: complete near-final historical illustration. ONLY EDIT the tiny extra pink sphere at pixel coordinates approximately (600, 802) in the 1536×1024 first image, at the exact CENTER BOTTOM of Kuromi's dark collar above the wooden lid. Erase that ONE central pink sphere by repainting with the surrounding dark charcoal collar and white body outline as appropriate. Keep the FOUR other pink spheres: two near the viewer-left shoulder and two near the viewer-right shoulder. The final collar MUST have exactly FOUR pink balls total, matching reference images 2 and 3. Do not add any new ball. Leave the rest of Kuromi, all of Jani, all people, historical objects, ship, railway, lighting and composition identical. Keep solid black eyes with no highlights. 1536×1024 opaque landscape." }, { "prompt": "Use case: identity-preserve. Locally REDRAW Kuromi's entire collar and neckline from scratch in image 1, using the EXACT collar silhouette in canonical reference images 2 and 3. The current collar is WRONG because it has FIVE points and five pink balls. ERASE that five-point collar completely. Replace with a FOUR-POINT dark charcoal jester collar: left shoulder point, lower-left point, lower-right point, right shoulder point, with an UPWARD V-NOTCH between the two lower points. There must be no center downward point and no center ball. Put exactly ONE tiny pink ball at each of these four points, FOUR balls total. This collar geometry change is mandatory, not a color-only edit. Keep Kuromi's correct solid black teardrop eyes and short curved outer eyelashes. You may slightly reposition her forearms only if needed to expose the four-point collar. Preserve her head location, hood, body scale, serious expression, all of Jani and the entire historical scene, human figures and objects exactly. No new text or objects. 1536×1024 opaque landscape." } ], "generationReferences": [ "jani.png", "kuromi.png" ], "src": "assets/lesson-scenes/w27-05.webp", "sha256": "058141f4611b8a79d7cf8ae0d319e8ede20898ee8e434970378ad43eb6686f75", "bytes": 273772, "thumbnailSrc": "assets/lesson-scenes/w27-05-preview.webp", "thumbnailSha256": "256c0ca3f3f8af3794fd2f873f117fb7bf5e7971f6f196d9fcd97345c853eb5c", "thumbnailBytes": 101902 }, { "unitId": "w28-01a", "title": "Új határ a régi vasúti útvonalon", "alt": "Egy utazó család iratait vámtisztviselők ellenőrzik az új sorompónál, Kuromi és Jani a csomagok mellett vár.", "caption": "A háború utáni közép-európai határok vegyes közösségeket és korábbi gazdasági útvonalakat választottak el. Az 1920 körüli állomási jelenet az önálló államiság és az egyéni biztonság közötti különbséget szemlélteti.", "scene": "A family undergoes inspection at a newly established Central European railway border around 1920 while a surveyor sets the boundary.", "setting": "Közép-Európa, vasúti határállomás, 1920 körül", "historicalDetails": [ "Új fa vámsorompó", "Papír személyi és utazási iratok", "Vasúti teherkocsi", "Határfelmérő műszer és utazóládák" ], "placement": { "area": "base", "sectionIndex": 1 }, "period": "1919–1930-as évek", "sourceBasis": [ { "book": "v2", "pdfPages": [ 486, 494 ], "chapter": "12.1 Recovering from World War I" }, { "book": "v2", "pdfPages": [ 487, 494 ], "chapter": "12.1 Recovering from World War I" }, { "book": "oh", "pdfPages": [ 194, 196 ], "chapter": "5.3 A Párizs környéki békék, 180–182. feladat" } ], "prompt": "Use case: identity-preserve. Locally REDRAW Kuromi's entire collar and neckline from scratch in image 1, using the EXACT collar silhouette in canonical reference images 2 and 3. The current collar is WRONG because it has FIVE points and five pink balls. ERASE that five-point collar completely. Replace with a FOUR-POINT dark charcoal jester collar: left shoulder point, lower-left point, lower-right point, right shoulder point, with an UPWARD V-NOTCH between the two lower points. There must be no center downward point and no center ball. Put exactly ONE tiny pink ball at each of these four points, FOUR balls total. This collar geometry change is mandatory, not a color-only edit. Keep Kuromi's correct solid black teardrop eyes and short curved outer eyelashes. You may slightly reposition her forearms only if needed to expose the four-point collar. Preserve her head location, hood, body scale, serious expression, all of Jani and the entire historical scene, human figures and objects exactly. No new text or objects. 1536×1024 opaque landscape.", "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [], "canonicalKuromi": true }, "generationPrompt": "Use case: historical-scene. Asset: one wide 1536×1024 full-color opaque historical educational narrative illustration, a single coherent hand-drawn scene with fine outlines, soft natural daytime light and thoughtful realistic colors. Retain the illustrated Kuromi–Jani character style in a fully illustrated world. Character references are identity/style only. Kuromi is small with canonical black two-point jester hood, pink skull, white body, pink collar. Jani is a small FEMALE fluffy cream-white ragdoll CAT, natural four-legged feline anatomy and paws, blue eyes, pink nose, large dark brown fluffy tail. Her face is strongly ASYMMETRIC: viewed from front, viewer LEFT has a large DARK BROWN eye patch, viewer RIGHT has a smaller LIGHT BROWN patch, with irregular white blaze between. Both must be clearly visible with faces readable. They are observing the real human historical actors, never replacing them or pretending to be actual historical participants. No human hands or clothes on Jani, no bow tie, no masculine outfit. No magnifying glass or book unless scene calls for it. Do not put the characters as gigantic cutouts; integrate them at ground level in the action. No text, captions, dates, legible writing, watermark, diagrams, panels or flags. No Hollywood or video-game tropes, fantasy armor, dramatic backlighting, explosions or generic battle panorama. Serious respectful expressions around hardship, repression or war; no celebration of cruelty.\nMANDATORY VISUAL MEDIUM: Every human and every object must be visibly hand-drawn in an illustrated anime storybook style with simplified clean line-drawn faces, painted hair shapes, matte gouache color, no photographic pores or realistic photographic faces. The humans, Kuromi and Jani must all belong to the SAME painted storybook world. Clearly illustrative linework in scenery and humans, no pasted cutout effect.\nScene: Central Europe around 1920, small railway border station after the imperial breakup. A multilingual-looking civilian family in modest coats and hats waits with a sewing machine case and a travel trunk at a new wooden customs barrier. Two civilian customs officers examine plain identity papers while behind them a railway goods wagon is held for inspection; a surveyor works beside a freshly planted border post with absolutely no writing or national symbols. Kuromi stands on the far side of the barrier listening and Jani stands beside the trunk facing viewer. Mechanism: new sovereign borders cross mixed communities and previous trade routes; self-determination does not automatically give every resident equal security. Wide diagonal platform scene in spring daylight; no exaggerated villain guards or flags.", "editPrompt": "Use case: identity-preserve. Locally REDRAW Kuromi's entire collar and neckline from scratch in image 1, using the EXACT collar silhouette in canonical reference images 2 and 3. The current collar is WRONG because it has FIVE points and five pink balls. ERASE that five-point collar completely. Replace with a FOUR-POINT dark charcoal jester collar: left shoulder point, lower-left point, lower-right point, right shoulder point, with an UPWARD V-NOTCH between the two lower points. There must be no center downward point and no center ball. Put exactly ONE tiny pink ball at each of these four points, FOUR balls total. This collar geometry change is mandatory, not a color-only edit. Keep Kuromi's correct solid black teardrop eyes and short curved outer eyelashes. You may slightly reposition her forearms only if needed to expose the four-point collar. Preserve her head location, hood, body scale, serious expression, all of Jani and the entire historical scene, human figures and objects exactly. No new text or objects. 1536×1024 opaque landscape.", "editReferences": [ "exec-38fa01ec-1052-4abd-a7e9-a713d5449dee.png", "kuromi-canonical.png", "kuromi-canonical-2.png" ], "editHistory": [ { "prompt": "Use case: identity-preserve. Edit the FIRST input, which is the complete existing historical illustration. Inputs 2 and 3 are the CORRECT canonical Kuromi identity references, not scene targets. Make one tightly targeted correction to Kuromi only: her jester neck collar must be solid DARK CHARCOAL BLACK throughout, with ONLY FOUR TINY PINK BALLS at its pointed ends. Remove every broad pink stripe or pink collar surface. Match her eyes to the canonical references: simple solid black teardrop/oval eyes, two short CURVED outer eyelashes, no long straight lashes or thick eyebrows. Keep the original serious/neutral scene-appropriate expression, pose, pink skull hood mark, size and placement. Preserve the entire historical setting, all human figures, objects, composition, lighting, color, style, and especially Jani's exact original cream fur, blue eyes, four-legged anatomy and asymmetrical eye patches. Do not redraw the whole scene, do not add text, flags or new objects, do not change the historical action. Keep the landscape 1536×1024 opaque full-color image.\nTarget lesson: w28-01a. Both eyes must be entirely flat solid black with no iris rings, no brown irises, no shiny pupils and no highlights. Collar has precisely FOUR pink balls total, one on each of four collar tips, not five. Change nothing else beyond Kuromi's collar/eyes/eyelashes." }, { "prompt": "Use case: precise-object-edit. First input: near-final complete railway border illustration. ONLY EDIT the extra pink sphere at pixel coordinates approximately (896, 834) in the 1536×1024 image: it is the exact CENTER BOTTOM ball on Kuromi's dark collar under her chin. Erase that ONE central pink sphere and its small attachment by restoring dark charcoal collar above and white body below. Keep the FOUR other pink balls: two on the left and two on the right of her collar. Final total exactly FOUR pink collar balls, matching references 2 and 3. Her existing eyes are already correct solid black; preserve them. Preserve every other aspect of Kuromi, Jani, all humans, railway barrier, station, luggage, colors, lighting and composition. No added text or objects." }, { "prompt": "Use case: identity-preserve. Locally REDRAW Kuromi's entire collar and neckline from scratch in image 1, using the EXACT collar silhouette in canonical reference images 2 and 3. The current collar is WRONG because it has FIVE points and five pink balls. ERASE that five-point collar completely. Replace with a FOUR-POINT dark charcoal jester collar: left shoulder point, lower-left point, lower-right point, right shoulder point, with an UPWARD V-NOTCH between the two lower points. There must be no center downward point and no center ball. Put exactly ONE tiny pink ball at each of these four points, FOUR balls total. This collar geometry change is mandatory, not a color-only edit. Keep Kuromi's correct solid black teardrop eyes and short curved outer eyelashes. You may slightly reposition her forearms only if needed to expose the four-point collar. Preserve her head location, hood, body scale, serious expression, all of Jani and the entire historical scene, human figures and objects exactly. No new text or objects. 1536×1024 opaque landscape." } ], "generationReferences": [ "jani.png", "kuromi.png" ], "src": "assets/lesson-scenes/w28-01a.webp", "sha256": "ef2d115254ccb5ec808802637ced91cc48b1f8f0580540980b9d5541feb73aba", "bytes": 365398, "thumbnailSrc": "assets/lesson-scenes/w28-01a-preview.webp", "thumbnailSha256": "113696c973301d58e4a41902a6435c07b1e5f9d46546e38f93d04a3e17d0b92b", "thumbnailBytes": 131714 }, { "unitId": "w28-01b", "title": "Egy független nyomda bezárása", "alt": "Újságírók és egy nyomdász kéziratokat, papíríveket és szedőfiókot visznek el a lezárt nyomdából, Kuromi és Jani csendben figyel.", "caption": "Olaszországban az 1925–1926-os intézkedések tovább szűkítették a független sajtó és az ellenzék mozgásterét. A diktatúra nem egyetlen menetelésből született: a kinevezést a politikai ellenőrzés intézményeinek felszámolása követte.", "scene": "Civilian journalists and a woman printer salvage papers and type from a closed independent Italian printshop in 1926.", "setting": "Észak-olaszországi város, 1926", "historicalDetails": [ "Kézi nyomdagép", "Ólombetűs szedőfiók", "Lelakatolt nyomdaajtó", "Papíralapú hatósági bezárási irat" ], "placement": { "area": "base", "sectionIndex": 1 }, "period": "1919–1930-as évek", "sourceBasis": [ { "book": "v2", "pdfPages": [ 505, 506 ], "chapter": "12.1 Recovering from World War I" }, { "book": "obp", "pdfPages": [ 768, 772 ], "chapter": "6.2.3 Ideologies in Contemporary History" }, { "book": "oh", "pdfPages": [ 200, 202 ], "chapter": "5.4 A fasiszta állam és ideológia, 187–188. feladat" }, { "book": "obp", "pdfPages": [ 770, 772 ], "chapter": "6.2.3 Ideologies in Contemporary History" }, { "book": "v2", "pdfPages": [ 505, 506 ], "chapter": "12.3 The Great Depression" } ], "prompt": "Use case: precise-object-edit. First input: complete Italian newspaper closure illustration. Correct ONLY Kuromi's eyes: fill BOTH existing eye shapes with uniform flat solid black, painting out every tiny white eye sparkle, pupil highlight, brown iris edge and inner ring. Her eyes must be simple matte teardrop shapes with no internal features, exactly like canonical inputs 2 and 3. Preserve the short curved outer eyelashes, serious expression, hood, correct dark collar and four small pink balls. Leave all of Jani, all human characters, printshop and press, papers, police, color, lighting, framing and composition unchanged. This is a tiny eye-only fix, no other redraw. 1536×1024 opaque landscape.", "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [], "canonicalKuromi": true }, "generationPrompt": "Use case: historical-scene. Asset: one wide 1536×1024 full-color opaque historical educational narrative illustration, a single coherent hand-drawn scene with fine outlines, soft natural daytime light and thoughtful realistic colors. Retain the illustrated Kuromi–Jani character style in a fully illustrated world. Character references are identity/style only. Kuromi is small with canonical black two-point jester hood, pink skull, white body, pink collar. Jani is a small FEMALE fluffy cream-white ragdoll CAT, natural four-legged feline anatomy and paws, blue eyes, pink nose, large dark brown fluffy tail. Her face is strongly ASYMMETRIC: viewed from front, viewer LEFT has a large DARK BROWN eye patch, viewer RIGHT has a smaller LIGHT BROWN patch, with irregular white blaze between. Both must be clearly visible with faces readable. They are observing the real human historical actors, never replacing them or pretending to be actual historical participants. No human hands or clothes on Jani, no bow tie, no masculine outfit. No magnifying glass or book unless scene calls for it. Do not put the characters as gigantic cutouts; integrate them at ground level in the action. No text, captions, dates, legible writing, watermark, diagrams, panels or flags. No Hollywood or video-game tropes, fantasy armor, dramatic backlighting, explosions or generic battle panorama. Serious respectful expressions around hardship, repression or war; no celebration of cruelty.\nMANDATORY VISUAL MEDIUM: Every human and every object must be visibly hand-drawn in an illustrated anime storybook style with simplified clean line-drawn faces, painted hair shapes, matte gouache color, no photographic pores or realistic photographic faces. The humans, Kuromi and Jani must all belong to the SAME painted storybook world. Clearly illustrative linework in scenery and humans, no pasted cutout effect.\nScene: Northern Italian town, 1926, outside a forcibly closed independent newspaper printer's workshop. Two sober civilian journalists and an older woman printer carefully carry loose unlettered proofs and a type drawer away from a padlocked press-room door; the removed paper supply and hand-operated press are visible inside. A plain-uniform municipal official holds the closure order without readable text. Kuromi and Jani stand at the side with concerned, restrained expressions, Jani fully feline with asymmetrical face readable. Mechanism: dictatorship consolidates through suppressing independent press and institutional correction after initial appointment. Serious observer scene, no fascist flags, logos, salutes, triumphant leader, violence or marching spectacle. Side view at human eye level, clean hand-drawn anime storybook people.", "editPrompt": "Use case: precise-object-edit. First input: complete Italian newspaper closure illustration. Correct ONLY Kuromi's eyes: fill BOTH existing eye shapes with uniform flat solid black, painting out every tiny white eye sparkle, pupil highlight, brown iris edge and inner ring. Her eyes must be simple matte teardrop shapes with no internal features, exactly like canonical inputs 2 and 3. Preserve the short curved outer eyelashes, serious expression, hood, correct dark collar and four small pink balls. Leave all of Jani, all human characters, printshop and press, papers, police, color, lighting, framing and composition unchanged. This is a tiny eye-only fix, no other redraw. 1536×1024 opaque landscape.", "editReferences": [ "exec-b78e3a9f-ba84-42b2-9189-c6909d966df0.png", "kuromi-canonical.png", "kuromi-canonical-2.png" ], "editHistory": [ { "prompt": "Use case: identity-preserve. Edit the FIRST input, which is the complete existing historical illustration. Inputs 2 and 3 are the CORRECT canonical Kuromi identity references, not scene targets. Make one tightly targeted correction to Kuromi only: her jester neck collar must be solid DARK CHARCOAL BLACK throughout, with ONLY FOUR TINY PINK BALLS at its pointed ends. Remove every broad pink stripe or pink collar surface. Match her eyes to the canonical references: simple solid black teardrop/oval eyes, two short CURVED outer eyelashes, no long straight lashes or thick eyebrows. Keep the original serious/neutral scene-appropriate expression, pose, pink skull hood mark, size and placement. Preserve the entire historical setting, all human figures, objects, composition, lighting, color, style, and especially Jani's exact original cream fur, blue eyes, four-legged anatomy and asymmetrical eye patches. Do not redraw the whole scene, do not add text, flags or new objects, do not change the historical action. Keep the landscape 1536×1024 opaque full-color image.\nTarget lesson: w28-01b. Both eyes must be entirely flat solid black with no iris rings, no brown irises, no shiny pupils and no highlights. Collar has precisely FOUR pink balls total, one on each of four collar tips, not five. Change nothing else beyond Kuromi's collar/eyes/eyelashes." }, { "prompt": "Use case: precise-object-edit. First input: complete Italian newspaper closure illustration. Correct ONLY Kuromi's eyes: fill BOTH existing eye shapes with uniform flat solid black, painting out every tiny white eye sparkle, pupil highlight, brown iris edge and inner ring. Her eyes must be simple matte teardrop shapes with no internal features, exactly like canonical inputs 2 and 3. Preserve the short curved outer eyelashes, serious expression, hood, correct dark collar and four small pink balls. Leave all of Jani, all human characters, printshop and press, papers, police, color, lighting, framing and composition unchanged. This is a tiny eye-only fix, no other redraw. 1536×1024 opaque landscape." } ], "generationReferences": [ "jani.png", "kuromi.png" ], "src": "assets/lesson-scenes/w28-01b.webp", "sha256": "8ea6c1ec9aaf5a3bf3f2e3014dd890f69efb0f652c99daf8e3c9cfd2584c1848", "bytes": 246628, "thumbnailSrc": "assets/lesson-scenes/w28-01b-preview.webp", "thumbnailSha256": "d2502b1ff21c9fa6ce62d325035f3d42cdbd341596e786caf93f77aed439519f", "thumbnailBytes": 89320 }, { "unitId": "w28-02a", "title": "Kinek az utasítása érvényes a gyárkapuban?", "alt": "Egy kormányzati küldött munkásküldöttel és katonával vitatja meg az utasítást, Kuromi és Jani a petrográdi gyár kapujánál figyel.", "caption": "Petrográdban 1917 tavaszán a kormány formális felhatalmazása mellett a munkás- és katonatanácsoknak is nagy tekintélyük volt. Az intézkedések végrehajtása a munkások és a helyőrség együttműködésétől függött.", "scene": "A Provisional Government messenger, worker delegate and soldier discuss an order at a Petrograd factory gate during dual power.", "setting": "Petrográd, 1917 tavasza", "historicalDetails": [ "Téglagyárépület és vaskapu", "Orosz tábori zubbony és puha katonasapka", "Papírutasítás és bőr irattáska", "Munkásruhák és fém ételhordó" ], "placement": { "area": "base", "sectionIndex": 0 }, "period": "1917–1918 eleje", "sourceBasis": [ { "book": "v2", "pdfPages": [ 495, 496 ], "chapter": "12.2 The Formation of the Soviet Union" }, { "book": "v2", "pdfPages": [ 470, 474 ], "chapter": "11.5 The War Ends" }, { "book": "v2", "pdfPages": [ 472, 474 ], "chapter": "11.5 The War Ends: The Provisional Government" }, { "book": "oh", "pdfPages": [ 198, 199 ], "chapter": "5.4 A kommunista Szovjetunió, 185. feladat" } ], "prompt": "Use case: identity-preserve. Edit the FIRST input, which is the complete existing historical illustration. Inputs 2 and 3 are the CORRECT canonical Kuromi identity references, not scene targets. Make one tightly targeted correction to Kuromi only: her jester neck collar must be solid DARK CHARCOAL BLACK throughout, with ONLY FOUR TINY PINK BALLS at its pointed ends. Remove every broad pink stripe or pink collar surface. Match her eyes to the canonical references: simple solid black teardrop/oval eyes, two short CURVED outer eyelashes, no long straight lashes or thick eyebrows. Keep the original serious/neutral scene-appropriate expression, pose, pink skull hood mark, size and placement. Preserve the entire historical setting, all human figures, objects, composition, lighting, color, style, and especially Jani's exact original cream fur, blue eyes, four-legged anatomy and asymmetrical eye patches. Do not redraw the whole scene, do not add text, flags or new objects, do not change the historical action. Keep the landscape 1536×1024 opaque full-color image.\nTarget lesson: w28-02a. Both eyes must be entirely flat solid black with no iris rings, no brown irises, no shiny pupils and no highlights. Collar has precisely FOUR pink balls total, one on each of four collar tips, not five. Change nothing else beyond Kuromi's collar/eyes/eyelashes.", "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [], "canonicalKuromi": true }, "generationPrompt": "Use case: historical-scene. Asset: one wide 1536×1024 full-color opaque historical educational narrative illustration, a single coherent hand-drawn scene with fine outlines, soft natural daytime light and thoughtful realistic colors. Retain the illustrated Kuromi–Jani character style in a fully illustrated world. Character references are identity/style only. Kuromi is small with canonical black two-point jester hood, pink skull, white body, pink collar. Jani is a small FEMALE fluffy cream-white ragdoll CAT, natural four-legged feline anatomy and paws, blue eyes, pink nose, large dark brown fluffy tail. Her face is strongly ASYMMETRIC: viewed from front, viewer LEFT has a large DARK BROWN eye patch, viewer RIGHT has a smaller LIGHT BROWN patch, with irregular white blaze between. Both must be clearly visible with faces readable. They are observing the real human historical actors, never replacing them or pretending to be actual historical participants. No human hands or clothes on Jani, no bow tie, no masculine outfit. No magnifying glass or book unless scene calls for it. Do not put the characters as gigantic cutouts; integrate them at ground level in the action. No text, captions, dates, legible writing, watermark, diagrams, panels or flags. No Hollywood or video-game tropes, fantasy armor, dramatic backlighting, explosions or generic battle panorama. Serious respectful expressions around hardship, repression or war; no celebration of cruelty.\nMANDATORY VISUAL MEDIUM: Every human and every object must be visibly hand-drawn in an illustrated anime storybook style with simplified clean line-drawn faces, painted hair shapes, matte gouache color, no photographic pores or realistic photographic faces. The humans, Kuromi and Jani must all belong to the SAME painted storybook world. Clearly illustrative linework in scenery and humans, no pasted cutout effect.\nScene: Petrograd, spring 1917, an open factory gate during a political discussion. A civilian municipal messenger in a worn coat presents an unlettered Provisional Government order to an elected worker delegate, while a soldier in a simple Russian field tunic and soft cap listens beside other factory workers, including a woman worker. Nobody can simply command everybody else. Kuromi sits to the side on a low gate step among the listeners; Jani stands naturally beside a lunch tin with her face toward viewer. Brick factory walls, stopped machinery visible within, cobbled street, plain rolled papers. Mechanism: formal government authority relies on worker and soldier cooperation in the dual-power situation. No storming palaces, revolutionary flags, firearms, giant leaders or heroic shouting.", "editPrompt": "Use case: identity-preserve. Edit the FIRST input, which is the complete existing historical illustration. Inputs 2 and 3 are the CORRECT canonical Kuromi identity references, not scene targets. Make one tightly targeted correction to Kuromi only: her jester neck collar must be solid DARK CHARCOAL BLACK throughout, with ONLY FOUR TINY PINK BALLS at its pointed ends. Remove every broad pink stripe or pink collar surface. Match her eyes to the canonical references: simple solid black teardrop/oval eyes, two short CURVED outer eyelashes, no long straight lashes or thick eyebrows. Keep the original serious/neutral scene-appropriate expression, pose, pink skull hood mark, size and placement. Preserve the entire historical setting, all human figures, objects, composition, lighting, color, style, and especially Jani's exact original cream fur, blue eyes, four-legged anatomy and asymmetrical eye patches. Do not redraw the whole scene, do not add text, flags or new objects, do not change the historical action. Keep the landscape 1536×1024 opaque full-color image.\nTarget lesson: w28-02a. Both eyes must be entirely flat solid black with no iris rings, no brown irises, no shiny pupils and no highlights. Collar has precisely FOUR pink balls total, one on each of four collar tips, not five. Change nothing else beyond Kuromi's collar/eyes/eyelashes.", "editReferences": [ "exec-ebaff1bb-3305-4a14-a3e5-56dffcf0d5f0.png", "kuromi-canonical.png", "kuromi-canonical-2.png" ], "generationReferences": [ "jani.png", "kuromi.png" ], "editHistory": [ { "prompt": "Use case: identity-preserve. Edit the FIRST input, which is the complete existing historical illustration. Inputs 2 and 3 are the CORRECT canonical Kuromi identity references, not scene targets. Make one tightly targeted correction to Kuromi only: her jester neck collar must be solid DARK CHARCOAL BLACK throughout, with ONLY FOUR TINY PINK BALLS at its pointed ends. Remove every broad pink stripe or pink collar surface. Match her eyes to the canonical references: simple solid black teardrop/oval eyes, two short CURVED outer eyelashes, no long straight lashes or thick eyebrows. Keep the original serious/neutral scene-appropriate expression, pose, pink skull hood mark, size and placement. Preserve the entire historical setting, all human figures, objects, composition, lighting, color, style, and especially Jani's exact original cream fur, blue eyes, four-legged anatomy and asymmetrical eye patches. Do not redraw the whole scene, do not add text, flags or new objects, do not change the historical action. Keep the landscape 1536×1024 opaque full-color image.\nTarget lesson: w28-02a. Both eyes must be entirely flat solid black with no iris rings, no brown irises, no shiny pupils and no highlights. Collar has precisely FOUR pink balls total, one on each of four collar tips, not five. Change nothing else beyond Kuromi's collar/eyes/eyelashes." } ], "src": "assets/lesson-scenes/w28-02a.webp", "sha256": "b8c0d18a412a4b999bbacb6e1a6f293f42e24f798d40ad2a0def491afdd6c023", "bytes": 330662, "thumbnailSrc": "assets/lesson-scenes/w28-02a-preview.webp", "thumbnailSha256": "d0826d05a60f481fabd1440915b08ad8fa9249a8c9972f58ca53bd7e909d4ff6", "thumbnailBytes": 112478 }, { "unitId": "w28-02b", "title": "Kinevezések fölötti ellenőrzés a pártirodában", "alt": "Egy pártiroda titkára személyzeti kartont választ a fiókokból, várakozó jelentkezők és Kuromi meg Jani figyelnek a folyosón.", "caption": "A Szovjetunióban az 1920-as évek kinevezési hálózata politikai függést teremtett. Az apparátus feletti ellenőrzés meghatározta, ki jutott tisztségbe, és kinek tartozott támogatással.", "scene": "A Soviet provincial personnel secretary selects a candidate file while applicants wait in a corridor around 1926.", "setting": "Szovjetunió, vidéki pártiroda, 1926 körül", "historicalDetails": [ "Fa kartotékszekrény", "Írógép és kinevezési bélyegző", "Gallér nélküli tisztviselői zubbony", "Jelentkezői iratok és várópad" ], "placement": { "area": "base", "sectionIndex": 1 }, "period": "1918–1939", "sourceBasis": [ { "book": "v2", "pdfPages": [ 495, 500 ], "chapter": "12.2 The Formation of the Soviet Union" }, { "book": "oh", "pdfPages": [ 199, 200 ], "chapter": "5.4 A kommunista Szovjetunió, 186. feladat" }, { "book": "v2", "pdfPages": [ 496, 500 ], "chapter": "12.2 The Formation of the Soviet Union" } ], "prompt": "Use case: identity-preserve. Edit the FIRST input, which is the complete existing historical illustration. Inputs 2 and 3 are the CORRECT canonical Kuromi identity references, not scene targets. Make one tightly targeted correction to Kuromi only: her jester neck collar must be solid DARK CHARCOAL BLACK throughout, with ONLY FOUR TINY PINK BALLS at its pointed ends. Remove every broad pink stripe or pink collar surface. Match her eyes to the canonical references: simple solid black teardrop/oval eyes, two short CURVED outer eyelashes, no long straight lashes or thick eyebrows. Keep the original serious/neutral scene-appropriate expression, pose, pink skull hood mark, size and placement. Preserve the entire historical setting, all human figures, objects, composition, lighting, color, style, and especially Jani's exact original cream fur, blue eyes, four-legged anatomy and asymmetrical eye patches. Do not redraw the whole scene, do not add text, flags or new objects, do not change the historical action. Keep the landscape 1536×1024 opaque full-color image.\nTarget lesson: w28-02b. Both eyes must be entirely flat solid black with no iris rings, no brown irises, no shiny pupils and no highlights. Collar has precisely FOUR pink balls total, one on each of four collar tips, not five. Change nothing else beyond Kuromi's collar/eyes/eyelashes.", "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [], "canonicalKuromi": true }, "generationPrompt": "Use case: historical-scene. Asset: one wide 1536×1024 full-color opaque historical educational narrative illustration, a single coherent hand-drawn scene with fine outlines, soft natural daytime light and thoughtful realistic colors. Retain the illustrated Kuromi–Jani character style in a fully illustrated world. Character references are identity/style only. Kuromi is small with canonical black two-point jester hood, pink skull, white body, pink collar. Jani is a small FEMALE fluffy cream-white ragdoll CAT, natural four-legged feline anatomy and paws, blue eyes, pink nose, large dark brown fluffy tail. Her face is strongly ASYMMETRIC: viewed from front, viewer LEFT has a large DARK BROWN eye patch, viewer RIGHT has a smaller LIGHT BROWN patch, with irregular white blaze between. Both must be clearly visible with faces readable. They are observing the real human historical actors, never replacing them or pretending to be actual historical participants. No human hands or clothes on Jani, no bow tie, no masculine outfit. No magnifying glass or book unless scene calls for it. Do not put the characters as gigantic cutouts; integrate them at ground level in the action. No text, captions, dates, legible writing, watermark, diagrams, panels or flags. No Hollywood or video-game tropes, fantasy armor, dramatic backlighting, explosions or generic battle panorama. Serious respectful expressions around hardship, repression or war; no celebration of cruelty.\nMANDATORY VISUAL MEDIUM: Every human and every object must be visibly hand-drawn in an illustrated anime storybook style with simplified clean line-drawn faces, painted hair shapes, matte gouache color, no photographic pores or realistic photographic faces. The humans, Kuromi and Jani must all belong to the SAME painted storybook world. Clearly illustrative linework in scenery and humans, no pasted cutout effect.\nScene: Soviet provincial party office around 1926. A party personnel secretary in a plain collarless tunic chooses a candidate file from a tall wooden card-index cabinet, handing it to a waiting local official while other applicants sit on a bench in the corridor. A clerk's appointment stamp, portrait-free walls, plain file folders, manual typewriter and worn wood floor. Kuromi stands beside the waiting bench, looking thoughtful; Jani lies naturally on the floor near the cabinet with four feline paws, face readable. Mechanism: control of appointments creates political dependence and shapes who can participate in decisions; a specific bureaucratic procedure rather than a museum table. Restrained sober faces, no Stalin portraits, ideological logos, heroic propaganda or secret-police violence. Composition from corridor doorway toward file cabinet, clean drawn anime human faces.", "editPrompt": "Use case: identity-preserve. Edit the FIRST input, which is the complete existing historical illustration. Inputs 2 and 3 are the CORRECT canonical Kuromi identity references, not scene targets. Make one tightly targeted correction to Kuromi only: her jester neck collar must be solid DARK CHARCOAL BLACK throughout, with ONLY FOUR TINY PINK BALLS at its pointed ends. Remove every broad pink stripe or pink collar surface. Match her eyes to the canonical references: simple solid black teardrop/oval eyes, two short CURVED outer eyelashes, no long straight lashes or thick eyebrows. Keep the original serious/neutral scene-appropriate expression, pose, pink skull hood mark, size and placement. Preserve the entire historical setting, all human figures, objects, composition, lighting, color, style, and especially Jani's exact original cream fur, blue eyes, four-legged anatomy and asymmetrical eye patches. Do not redraw the whole scene, do not add text, flags or new objects, do not change the historical action. Keep the landscape 1536×1024 opaque full-color image.\nTarget lesson: w28-02b. Both eyes must be entirely flat solid black with no iris rings, no brown irises, no shiny pupils and no highlights. Collar has precisely FOUR pink balls total, one on each of four collar tips, not five. Change nothing else beyond Kuromi's collar/eyes/eyelashes.", "editReferences": [ "exec-30d5cb35-23f3-43b5-ab8a-acedc1b9eaba.png", "kuromi-canonical.png", "kuromi-canonical-2.png" ], "generationReferences": [ "jani.png", "kuromi.png" ], "editHistory": [ { "prompt": "Use case: identity-preserve. Edit the FIRST input, which is the complete existing historical illustration. Inputs 2 and 3 are the CORRECT canonical Kuromi identity references, not scene targets. Make one tightly targeted correction to Kuromi only: her jester neck collar must be solid DARK CHARCOAL BLACK throughout, with ONLY FOUR TINY PINK BALLS at its pointed ends. Remove every broad pink stripe or pink collar surface. Match her eyes to the canonical references: simple solid black teardrop/oval eyes, two short CURVED outer eyelashes, no long straight lashes or thick eyebrows. Keep the original serious/neutral scene-appropriate expression, pose, pink skull hood mark, size and placement. Preserve the entire historical setting, all human figures, objects, composition, lighting, color, style, and especially Jani's exact original cream fur, blue eyes, four-legged anatomy and asymmetrical eye patches. Do not redraw the whole scene, do not add text, flags or new objects, do not change the historical action. Keep the landscape 1536×1024 opaque full-color image.\nTarget lesson: w28-02b. Both eyes must be entirely flat solid black with no iris rings, no brown irises, no shiny pupils and no highlights. Collar has precisely FOUR pink balls total, one on each of four collar tips, not five. Change nothing else beyond Kuromi's collar/eyes/eyelashes." } ], "src": "assets/lesson-scenes/w28-02b.webp", "sha256": "f15e3ccc882f0906f8b21229a9e0721d124a7388a81a182a916a70f39ce2582e", "bytes": 224842, "thumbnailSrc": "assets/lesson-scenes/w28-02b-preview.webp", "thumbnailSha256": "06a824e8a72b13e6555811ae58540e87d22722c3417c444502bfa08ec4c45358", "thumbnailBytes": 74356 }, { "unitId": "w28-03a", "title": "Közmunkabér és helyi vásárlóerő", "alt": "Egy hídépítés munkása fizetési borítékot vesz át a szerszámok és élelmiszeres stand közelében, Kuromi és Jani az építkezést figyeli.", "caption": "Az 1935 körüli amerikai közmunkaprogramok infrastruktúrát építettek és háztartási keresetet teremtettek. A New Deal több intézkedéssel reagált a válságra, de a foglalkoztatás helyreállítása fokozatos és egyenlőtlen maradt.", "scene": "A public-works employee receives wages beside municipal bridge construction and a modest local food vendor around 1935.", "setting": "Egyesült Államok, kisvárosi hídépítés, 1935 körül", "historicalDetails": [ "Kéziszerszámok és fa állványzat", "Munkabér borítékban", "Kőpilléres önkormányzati híd", "Overáll és szerény helyi árusstand" ], "placement": { "area": "base", "sectionIndex": 2 }, "period": "1929–1939", "sourceBasis": [ { "book": "v2", "pdfPages": [ 501, 505 ], "chapter": "12.3 The Great Depression" }, { "book": "oh", "pdfPages": [ 202, 204 ], "chapter": "5.4 A világgazdasági válság, 189–190. feladat" } ], "prompt": "Use case: identity-preserve. Edit the FIRST input, which is the complete existing historical illustration. Inputs 2 and 3 are the CORRECT canonical Kuromi identity references, not scene targets. Make one tightly targeted correction to Kuromi only: her jester neck collar must be solid DARK CHARCOAL BLACK throughout, with ONLY FOUR TINY PINK BALLS at its pointed ends. Remove every broad pink stripe or pink collar surface. Match her eyes to the canonical references: simple solid black teardrop/oval eyes, two short CURVED outer eyelashes, no long straight lashes or thick eyebrows. Keep the original serious/neutral scene-appropriate expression, pose, pink skull hood mark, size and placement. Preserve the entire historical setting, all human figures, objects, composition, lighting, color, style, and especially Jani's exact original cream fur, blue eyes, four-legged anatomy and asymmetrical eye patches. Do not redraw the whole scene, do not add text, flags or new objects, do not change the historical action. Keep the landscape 1536×1024 opaque full-color image.\nTarget lesson: w28-03a. Both eyes must be entirely flat solid black with no iris rings, no brown irises, no shiny pupils and no highlights. Collar has precisely FOUR pink balls total, one on each of four collar tips, not five. Change nothing else beyond Kuromi's collar/eyes/eyelashes.", "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [], "canonicalKuromi": true }, "generationPrompt": "Use case: historical-scene. Asset: one wide 1536×1024 full-color opaque historical educational narrative illustration, a single coherent hand-drawn scene with fine outlines, soft natural daytime light and thoughtful realistic colors. Retain the illustrated Kuromi–Jani character style in a fully illustrated world. Character references are identity/style only. Kuromi is small with canonical black two-point jester hood, pink skull, white body, pink collar. Jani is a small FEMALE fluffy cream-white ragdoll CAT, natural four-legged feline anatomy and paws, blue eyes, pink nose, large dark brown fluffy tail. Her face is strongly ASYMMETRIC: viewed from front, viewer LEFT has a large DARK BROWN eye patch, viewer RIGHT has a smaller LIGHT BROWN patch, with irregular white blaze between. Both must be clearly visible with faces readable. They are observing the real human historical actors, never replacing them or pretending to be actual historical participants. No human hands or clothes on Jani, no bow tie, no masculine outfit. No magnifying glass or book unless scene calls for it. Do not put the characters as gigantic cutouts; integrate them at ground level in the action. No text, captions, dates, legible writing, watermark, diagrams, panels or flags. No Hollywood or video-game tropes, fantasy armor, dramatic backlighting, explosions or generic battle panorama. Serious respectful expressions around hardship, repression or war; no celebration of cruelty.\nMANDATORY VISUAL MEDIUM: Every human and every object must be visibly hand-drawn in an illustrated anime storybook style with simplified clean line-drawn faces, painted hair shapes, matte gouache color, no photographic pores or realistic photographic faces. The humans, Kuromi and Jani must all belong to the SAME painted storybook world. Clearly illustrative linework in scenery and humans, no pasted cutout effect.\nScene: United States around 1935, a New Deal public-works project rebuilding a small municipal bridge. In the foreground a pay clerk at an outdoor site hut hands a plain wage envelope to a previously unemployed worker in overalls while other workers repair the bridge deck behind with timber and hand tools. A nearby woman sells a modest basket of bread and vegetables, showing local demand depends on earned wages. Kuromi quietly observes near the hut step and Jani stands on a low timber offcut facing viewer, four-legged feline. Mechanism: public employment restores household purchasing power while infrastructure is built, not an instant cure for all unemployment. Daylight side view with ordinary human work central. No modern machinery, program logos, banners, readable writing or celebratory leader.", "editPrompt": "Use case: identity-preserve. Edit the FIRST input, which is the complete existing historical illustration. Inputs 2 and 3 are the CORRECT canonical Kuromi identity references, not scene targets. Make one tightly targeted correction to Kuromi only: her jester neck collar must be solid DARK CHARCOAL BLACK throughout, with ONLY FOUR TINY PINK BALLS at its pointed ends. Remove every broad pink stripe or pink collar surface. Match her eyes to the canonical references: simple solid black teardrop/oval eyes, two short CURVED outer eyelashes, no long straight lashes or thick eyebrows. Keep the original serious/neutral scene-appropriate expression, pose, pink skull hood mark, size and placement. Preserve the entire historical setting, all human figures, objects, composition, lighting, color, style, and especially Jani's exact original cream fur, blue eyes, four-legged anatomy and asymmetrical eye patches. Do not redraw the whole scene, do not add text, flags or new objects, do not change the historical action. Keep the landscape 1536×1024 opaque full-color image.\nTarget lesson: w28-03a. Both eyes must be entirely flat solid black with no iris rings, no brown irises, no shiny pupils and no highlights. Collar has precisely FOUR pink balls total, one on each of four collar tips, not five. Change nothing else beyond Kuromi's collar/eyes/eyelashes.", "editReferences": [ "exec-74b99b94-3109-442d-8b90-bfb7aad55ba5.png", "kuromi-canonical.png", "kuromi-canonical-2.png" ], "generationReferences": [ "jani.png", "kuromi.png" ], "editHistory": [ { "prompt": "Use case: identity-preserve. Edit the FIRST input, which is the complete existing historical illustration. Inputs 2 and 3 are the CORRECT canonical Kuromi identity references, not scene targets. Make one tightly targeted correction to Kuromi only: her jester neck collar must be solid DARK CHARCOAL BLACK throughout, with ONLY FOUR TINY PINK BALLS at its pointed ends. Remove every broad pink stripe or pink collar surface. Match her eyes to the canonical references: simple solid black teardrop/oval eyes, two short CURVED outer eyelashes, no long straight lashes or thick eyebrows. Keep the original serious/neutral scene-appropriate expression, pose, pink skull hood mark, size and placement. Preserve the entire historical setting, all human figures, objects, composition, lighting, color, style, and especially Jani's exact original cream fur, blue eyes, four-legged anatomy and asymmetrical eye patches. Do not redraw the whole scene, do not add text, flags or new objects, do not change the historical action. Keep the landscape 1536×1024 opaque full-color image.\nTarget lesson: w28-03a. Both eyes must be entirely flat solid black with no iris rings, no brown irises, no shiny pupils and no highlights. Collar has precisely FOUR pink balls total, one on each of four collar tips, not five. Change nothing else beyond Kuromi's collar/eyes/eyelashes." } ], "src": "assets/lesson-scenes/w28-03a.webp", "sha256": "14b07b7c5a06d6c3e6cb19a69f6a40448b5881db097c618359f4c8e105a7c168", "bytes": 373042, "thumbnailSrc": "assets/lesson-scenes/w28-03a-preview.webp", "thumbnailSha256": "71c244a59fd8838c4987b5aa5830791da61402fbda407389471321df06e2b30a", "thumbnailBytes": 131800 }, { "unitId": "w28-03b", "title": "Elbocsátott tanárnő az iskola folyosóján", "alt": "Egy tanárnő könyveit és családi fényképét csomagolja, miközben kollégája az elbocsátási iratot olvassa, Kuromi és Jani komolyan figyel.", "caption": "A náci uralom 1933-as intézményi átalakítása politikai és faji szűréssel zárt ki köztisztviselőket. A zsidó tanárnő szemléltető jelenete az egyéni jogvesztésen keresztül mutatja meg a jogi forma és a kirekesztés összekapcsolódását.", "scene": "A Jewish woman teacher packs personal books after discriminatory civil-service dismissal in a German school corridor in 1933.", "setting": "Németország, városi iskola, 1933", "historicalDetails": [ "Korabeli iskolafolyosó fogasokkal", "Papíralapú elbocsátási irat", "Személyes könyvek és keretezett fénykép", "1930-as évekbeli hétköznapi öltözék" ], "placement": { "area": "base", "sectionIndex": 1 }, "period": "1929–1935", "sourceBasis": [ { "book": "v2", "pdfPages": [ 506, 508 ], "chapter": "12.3 The Great Depression" }, { "book": "obp", "pdfPages": [ 771, 772 ], "chapter": "6.2.3 Ideologies in Contemporary History" }, { "book": "oh", "pdfPages": [ 197, 198 ], "chapter": "5.4 A nemzetiszocialista Németország, 183–184. feladat" }, { "book": "obp", "pdfPages": [ 770, 772 ], "chapter": "6.2.3 Ideologies in Contemporary History" }, { "book": "v2", "pdfPages": [ 507, 508 ], "chapter": "12.3 The Great Depression" } ], "prompt": "Use case: identity-preserve. Edit the FIRST input, which is the complete existing historical illustration. Inputs 2 and 3 are the CORRECT canonical Kuromi identity references, not scene targets. Make one tightly targeted correction to Kuromi only: her jester neck collar must be solid DARK CHARCOAL BLACK throughout, with ONLY FOUR TINY PINK BALLS at its pointed ends. Remove every broad pink stripe or pink collar surface. Match her eyes to the canonical references: simple solid black teardrop/oval eyes, two short CURVED outer eyelashes, no long straight lashes or thick eyebrows. Keep the original serious/neutral scene-appropriate expression, pose, pink skull hood mark, size and placement. Preserve the entire historical setting, all human figures, objects, composition, lighting, color, style, and especially Jani's exact original cream fur, blue eyes, four-legged anatomy and asymmetrical eye patches. Do not redraw the whole scene, do not add text, flags or new objects, do not change the historical action. Keep the landscape 1536×1024 opaque full-color image.\nTarget lesson: w28-03b. Rebuild Kuromi's collar as precisely FOUR points with FOUR pink balls: two outer balls and TWO lower inner balls, with NO ball at the exact central bottom. Remove all old pink neck trim before rebuilding. Both eyes completely matte solid black shapes, no iris, pupil rings, brown color or white highlights.", "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [], "canonicalKuromi": true }, "generationPrompt": "Use case: historical-scene. Asset: one wide 1536×1024 full-color opaque historical educational narrative illustration, a single coherent hand-drawn scene with fine outlines, soft natural daytime light and thoughtful realistic colors. Retain the illustrated Kuromi–Jani character style in a fully illustrated world. Character references are identity/style only. Kuromi is small with canonical black two-point jester hood, pink skull, white body, pink collar. Jani is a small FEMALE fluffy cream-white ragdoll CAT, natural four-legged feline anatomy and paws, blue eyes, pink nose, large dark brown fluffy tail. Her face is strongly ASYMMETRIC: viewed from front, viewer LEFT has a large DARK BROWN eye patch, viewer RIGHT has a smaller LIGHT BROWN patch, with irregular white blaze between. Both must be clearly visible with faces readable. They are observing the real human historical actors, never replacing them or pretending to be actual historical participants. No human hands or clothes on Jani, no bow tie, no masculine outfit. No magnifying glass or book unless scene calls for it. Do not put the characters as gigantic cutouts; integrate them at ground level in the action. No text, captions, dates, legible writing, watermark, diagrams, panels or flags. No Hollywood or video-game tropes, fantasy armor, dramatic backlighting, explosions or generic battle panorama. Serious respectful expressions around hardship, repression or war; no celebration of cruelty.\nMANDATORY VISUAL MEDIUM: Every human and every object must be visibly hand-drawn in an illustrated anime storybook style with simplified clean line-drawn faces, painted hair shapes, matte gouache color, no photographic pores or realistic photographic faces. The humans, Kuromi and Jani must all belong to the SAME painted storybook world. Clearly illustrative linework in scenery and humans, no pasted cutout effect.\nScene: Germany, 1933, a small municipal school corridor under discriminatory civil-service dismissal. A middle-aged Jewish woman teacher in a plain early-1930s dress and cardigan carefully packs classroom books and a personal family photograph into a modest box; a worried colleague holds a dismissal paper, while the school director stands in the doorway with a file folder. No visible text or discriminatory signs. Two schoolchildren watch quietly from farther back. Kuromi stands gravely beside the box and Jani sits near the teacher's shoes facing viewer. Mechanism: institutional political and racial screening removes civil servants and narrows rights, distinct from a free electoral mandate. Respectful dignity, no caricature, no cheerful mascots, no Nazi symbols, uniforms, salutes, violence or triumphal portrait. Warm but subdued natural window light, hand-drawn people.", "editPrompt": "Use case: identity-preserve. Edit the FIRST input, which is the complete existing historical illustration. Inputs 2 and 3 are the CORRECT canonical Kuromi identity references, not scene targets. Make one tightly targeted correction to Kuromi only: her jester neck collar must be solid DARK CHARCOAL BLACK throughout, with ONLY FOUR TINY PINK BALLS at its pointed ends. Remove every broad pink stripe or pink collar surface. Match her eyes to the canonical references: simple solid black teardrop/oval eyes, two short CURVED outer eyelashes, no long straight lashes or thick eyebrows. Keep the original serious/neutral scene-appropriate expression, pose, pink skull hood mark, size and placement. Preserve the entire historical setting, all human figures, objects, composition, lighting, color, style, and especially Jani's exact original cream fur, blue eyes, four-legged anatomy and asymmetrical eye patches. Do not redraw the whole scene, do not add text, flags or new objects, do not change the historical action. Keep the landscape 1536×1024 opaque full-color image.\nTarget lesson: w28-03b. Rebuild Kuromi's collar as precisely FOUR points with FOUR pink balls: two outer balls and TWO lower inner balls, with NO ball at the exact central bottom. Remove all old pink neck trim before rebuilding. Both eyes completely matte solid black shapes, no iris, pupil rings, brown color or white highlights.", "editReferences": [ "exec-b284780b-24f4-4c06-be6b-fad74ac82343.png", "kuromi-canonical.png", "kuromi-canonical-2.png" ], "generationReferences": [ "jani.png", "kuromi.png" ], "editHistory": [ { "prompt": "Use case: identity-preserve. Edit the FIRST input, which is the complete existing historical illustration. Inputs 2 and 3 are the CORRECT canonical Kuromi identity references, not scene targets. Make one tightly targeted correction to Kuromi only: her jester neck collar must be solid DARK CHARCOAL BLACK throughout, with ONLY FOUR TINY PINK BALLS at its pointed ends. Remove every broad pink stripe or pink collar surface. Match her eyes to the canonical references: simple solid black teardrop/oval eyes, two short CURVED outer eyelashes, no long straight lashes or thick eyebrows. Keep the original serious/neutral scene-appropriate expression, pose, pink skull hood mark, size and placement. Preserve the entire historical setting, all human figures, objects, composition, lighting, color, style, and especially Jani's exact original cream fur, blue eyes, four-legged anatomy and asymmetrical eye patches. Do not redraw the whole scene, do not add text, flags or new objects, do not change the historical action. Keep the landscape 1536×1024 opaque full-color image.\nTarget lesson: w28-03b. Rebuild Kuromi's collar as precisely FOUR points with FOUR pink balls: two outer balls and TWO lower inner balls, with NO ball at the exact central bottom. Remove all old pink neck trim before rebuilding. Both eyes completely matte solid black shapes, no iris, pupil rings, brown color or white highlights." } ], "src": "assets/lesson-scenes/w28-03b.webp", "sha256": "bd70dba4b1b45dcce89ef94136d7e6aa13235605792f117347ae762bcace842b", "bytes": 238086, "thumbnailSrc": "assets/lesson-scenes/w28-03b-preview.webp", "thumbnailSha256": "009369e70a993f6bf1065373ce0101b44af3e3497fe87060615918f2d4c31528", "thumbnailBytes": 78142 }, { "unitId": "w28-04", "title": "Sógyűjtés mint polgári engedetlenség", "alt": "Indiai résztvevők sókérget gyűjtenek a tengerparton, Kuromi és Jani mellett a menet tagjai közelednek.", "caption": "Dandinál 1930 áprilisában a tiltott sógyűjtés az indiai önrendelkezési mozgalom érthető és fegyelmezett tiltakozási formája lett. A mindennapi termék adója a gyarmati döntési jog kérdését tette láthatóvá.", "scene": "Indian women and men gather salt crust on the Dandi shore during the 1930 civil-disobedience campaign.", "setting": "Dandi, Gudzsarát, 1930 áprilisa", "historicalDetails": [ "Házi szövésű pamutruházat", "Tengerparti sókéreg", "Agyagedények és fonott kosarak", "Gyalogos menet és egyszerű vándorbot" ], "placement": { "area": "base", "sectionIndex": 2 }, "period": "1918–1935", "sourceBasis": [ { "book": "v2", "pdfPages": [ 508, 514 ], "chapter": "12.4 Old Empires and New Colonies" }, { "book": "v2", "pdfPages": [ 509, 514 ], "chapter": "12.4 Old Empires and New Colonies" } ], "prompt": "Use case: identity-preserve. Edit the FIRST input, which is the complete existing historical illustration. Inputs 2 and 3 are the CORRECT canonical Kuromi identity references, not scene targets. Make one tightly targeted correction to Kuromi only: her jester neck collar must be solid DARK CHARCOAL BLACK throughout, with ONLY FOUR TINY PINK BALLS at its pointed ends. Remove every broad pink stripe or pink collar surface. Match her eyes to the canonical references: simple solid black teardrop/oval eyes, two short CURVED outer eyelashes, no long straight lashes or thick eyebrows. Keep the original serious/neutral scene-appropriate expression, pose, pink skull hood mark, size and placement. Preserve the entire historical setting, all human figures, objects, composition, lighting, color, style, and especially Jani's exact original cream fur, blue eyes, four-legged anatomy and asymmetrical eye patches. Do not redraw the whole scene, do not add text, flags or new objects, do not change the historical action. Keep the landscape 1536×1024 opaque full-color image.\nTarget lesson: w28-04. Rebuild Kuromi's collar as precisely FOUR points with FOUR pink balls: two outer balls and TWO lower inner balls, with NO ball at the exact central bottom. Remove all old pink neck trim before rebuilding. Both eyes completely matte solid black shapes, no iris, pupil rings, brown color or white highlights.", "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [], "canonicalKuromi": true }, "generationPrompt": "Use case: historical-scene. Asset: one wide 1536×1024 full-color opaque historical educational narrative illustration, a single coherent hand-drawn scene with fine outlines, soft natural daytime light and thoughtful realistic colors. Retain the illustrated Kuromi–Jani character style in a fully illustrated world. Character references are identity/style only. Kuromi is small with canonical black two-point jester hood, pink skull, white body, pink collar. Jani is a small FEMALE fluffy cream-white ragdoll CAT, natural four-legged feline anatomy and paws, blue eyes, pink nose, large dark brown fluffy tail. Her face is strongly ASYMMETRIC: viewed from front, viewer LEFT has a large DARK BROWN eye patch, viewer RIGHT has a smaller LIGHT BROWN patch, with irregular white blaze between. Both must be clearly visible with faces readable. They are observing the real human historical actors, never replacing them or pretending to be actual historical participants. No human hands or clothes on Jani, no bow tie, no masculine outfit. No magnifying glass or book unless scene calls for it. Do not put the characters as gigantic cutouts; integrate them at ground level in the action. No text, captions, dates, legible writing, watermark, diagrams, panels or flags. No Hollywood or video-game tropes, fantasy armor, dramatic backlighting, explosions or generic battle panorama. Serious respectful expressions around hardship, repression or war; no celebration of cruelty.\nMANDATORY VISUAL MEDIUM: Every human and every object must be visibly hand-drawn in an illustrated anime storybook style with simplified clean line-drawn faces, painted hair shapes, matte gouache color, no photographic pores or realistic photographic faces. The humans, Kuromi and Jani must all belong to the SAME painted storybook world. Clearly illustrative linework in scenery and humans, no pasted cutout effect.\nScene: Dandi, Gujarat, Indian Ocean shore, April 1930. Indian women and men in simple homespun cotton gather salt crust into small earthen bowls at the water's edge; in middle distance a thin elderly Indian man in a plain white dhoti and walking staff walks with fellow marchers, not a giant heroic portrait. Kuromi crouches beside an unfilled bowl as an observer, and Jani stands naturally on a dry patch of sand with her asymmetrical face toward viewer. Mechanism: an everyday commodity and imperial salt law become a visible act of disciplined civil disobedience. Low shore-level composition with sparkling shallow brine, local salt crust, woven baskets and cotton cloth. No festival, flags, slogans, police confrontation, violence or exotic fantasy temple. All people in simple line-drawn storybook style.", "editPrompt": "Use case: identity-preserve. Edit the FIRST input, which is the complete existing historical illustration. Inputs 2 and 3 are the CORRECT canonical Kuromi identity references, not scene targets. Make one tightly targeted correction to Kuromi only: her jester neck collar must be solid DARK CHARCOAL BLACK throughout, with ONLY FOUR TINY PINK BALLS at its pointed ends. Remove every broad pink stripe or pink collar surface. Match her eyes to the canonical references: simple solid black teardrop/oval eyes, two short CURVED outer eyelashes, no long straight lashes or thick eyebrows. Keep the original serious/neutral scene-appropriate expression, pose, pink skull hood mark, size and placement. Preserve the entire historical setting, all human figures, objects, composition, lighting, color, style, and especially Jani's exact original cream fur, blue eyes, four-legged anatomy and asymmetrical eye patches. Do not redraw the whole scene, do not add text, flags or new objects, do not change the historical action. Keep the landscape 1536×1024 opaque full-color image.\nTarget lesson: w28-04. Rebuild Kuromi's collar as precisely FOUR points with FOUR pink balls: two outer balls and TWO lower inner balls, with NO ball at the exact central bottom. Remove all old pink neck trim before rebuilding. Both eyes completely matte solid black shapes, no iris, pupil rings, brown color or white highlights.", "editReferences": [ "exec-64d35029-1647-4dc7-bea2-27b848ff10b1.png", "kuromi-canonical.png", "kuromi-canonical-2.png" ], "generationReferences": [ "jani.png", "kuromi.png" ], "editHistory": [ { "prompt": "Use case: identity-preserve. Edit the FIRST input, which is the complete existing historical illustration. Inputs 2 and 3 are the CORRECT canonical Kuromi identity references, not scene targets. Make one tightly targeted correction to Kuromi only: her jester neck collar must be solid DARK CHARCOAL BLACK throughout, with ONLY FOUR TINY PINK BALLS at its pointed ends. Remove every broad pink stripe or pink collar surface. Match her eyes to the canonical references: simple solid black teardrop/oval eyes, two short CURVED outer eyelashes, no long straight lashes or thick eyebrows. Keep the original serious/neutral scene-appropriate expression, pose, pink skull hood mark, size and placement. Preserve the entire historical setting, all human figures, objects, composition, lighting, color, style, and especially Jani's exact original cream fur, blue eyes, four-legged anatomy and asymmetrical eye patches. Do not redraw the whole scene, do not add text, flags or new objects, do not change the historical action. Keep the landscape 1536×1024 opaque full-color image.\nTarget lesson: w28-04. Rebuild Kuromi's collar as precisely FOUR points with FOUR pink balls: two outer balls and TWO lower inner balls, with NO ball at the exact central bottom. Remove all old pink neck trim before rebuilding. Both eyes completely matte solid black shapes, no iris, pupil rings, brown color or white highlights." } ], "src": "assets/lesson-scenes/w28-04.webp", "sha256": "0508cc5d98be41ceea088074e8a23e17d0d1a43e4d6647084146ec43b95722f2", "bytes": 356178, "thumbnailSrc": "assets/lesson-scenes/w28-04-preview.webp", "thumbnailSha256": "1dcd323b2c52229f3092366af5ccb175da80f67bdd13fa2b64c054db0e1f3c2e", "thumbnailBytes": 130576 }, { "unitId": "w28-05", "title": "Fiatal nő szavaz az egyenlő korhatár után", "alt": "Egy fiatal nő szavazólapot tesz a fa urnába, idősebb nők várnak mögötte, Kuromi és Jani a szavazóhelyiség padján figyel.", "caption": "Nagy-Britanniában az 1928-as törvény tette egyenlővé a női és férfi választójogi korhatárt. Az 1929-es választás szemléltető jelenete a jogkiterjesztés hétköznapi intézményi működését mutatja.", "scene": "A young British woman casts her ballot in the 1929 general election after equal voting ages were established.", "setting": "Nagy-Britannia, helyi szavazóhelyiség, 1929", "historicalDetails": [ "Fa szavazóurna", "Összehajtott papírszavazat", "Függönyös szavazófülke", "1920-as évekbeli kabát és harangkalap" ], "placement": { "area": "base", "sectionIndex": 0 }, "period": "1918–1930-as évek", "sourceBasis": [ { "book": "v2", "pdfPages": [ 515, 525 ], "chapter": "12.5 Resistance, Civil Rights, and Democracy" }, { "book": "v2", "pdfPages": [ 516, 518 ], "chapter": "12.5 Resistance, Civil Rights, and Democracy: The Expansion of Democracy" }, { "book": "v2", "pdfPages": [ 523, 525 ], "chapter": "12.5 Resistance, Civil Rights, and Democracy: A New Culture for the Masses" } ], "prompt": "Use case: identity-preserve. Edit the FIRST input, which is the complete existing historical illustration. Inputs 2 and 3 are the CORRECT canonical Kuromi identity references, not scene targets. Make one tightly targeted correction to Kuromi only: her jester neck collar must be solid DARK CHARCOAL BLACK throughout, with ONLY FOUR TINY PINK BALLS at its pointed ends. Remove every broad pink stripe or pink collar surface. Match her eyes to the canonical references: simple solid black teardrop/oval eyes, two short CURVED outer eyelashes, no long straight lashes or thick eyebrows. Keep the original serious/neutral scene-appropriate expression, pose, pink skull hood mark, size and placement. Preserve the entire historical setting, all human figures, objects, composition, lighting, color, style, and especially Jani's exact original cream fur, blue eyes, four-legged anatomy and asymmetrical eye patches. Do not redraw the whole scene, do not add text, flags or new objects, do not change the historical action. Keep the landscape 1536×1024 opaque full-color image.\nTarget lesson: w28-05. Rebuild Kuromi's collar as precisely FOUR points with FOUR pink balls: two outer balls and TWO lower inner balls, with NO ball at the exact central bottom. Remove all old pink neck trim before rebuilding. Both eyes completely matte solid black shapes, no iris, pupil rings, brown color or white highlights.", "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [], "canonicalKuromi": true }, "generationPrompt": "Use case: historical-scene. Asset: one wide 1536×1024 full-color opaque historical educational narrative illustration, a single coherent hand-drawn scene with fine outlines, soft natural daytime light and thoughtful realistic colors. Retain the illustrated Kuromi–Jani character style in a fully illustrated world. Character references are identity/style only. Kuromi is small with canonical black two-point jester hood, pink skull, white body, pink collar. Jani is a small FEMALE fluffy cream-white ragdoll CAT, natural four-legged feline anatomy and paws, blue eyes, pink nose, large dark brown fluffy tail. Her face is strongly ASYMMETRIC: viewed from front, viewer LEFT has a large DARK BROWN eye patch, viewer RIGHT has a smaller LIGHT BROWN patch, with irregular white blaze between. Both must be clearly visible with faces readable. They are observing the real human historical actors, never replacing them or pretending to be actual historical participants. No human hands or clothes on Jani, no bow tie, no masculine outfit. No magnifying glass or book unless scene calls for it. Do not put the characters as gigantic cutouts; integrate them at ground level in the action. No text, captions, dates, legible writing, watermark, diagrams, panels or flags. No Hollywood or video-game tropes, fantasy armor, dramatic backlighting, explosions or generic battle panorama. Serious respectful expressions around hardship, repression or war; no celebration of cruelty.\nMANDATORY VISUAL MEDIUM: Every human and every object must be visibly hand-drawn in an illustrated anime storybook style with simplified clean line-drawn faces, painted hair shapes, matte gouache color, no photographic pores or realistic photographic faces. The humans, Kuromi and Jani must all belong to the SAME painted storybook world. Clearly illustrative linework in scenery and humans, no pasted cutout effect.\nScene: Britain, general election of 1929 after equal voting ages were established. Inside a modest neighborhood polling station, a young adult woman in a plain late-1920s coat and cloche hat places a folded blank ballot into a wooden ballot box; an older woman waits beside her while a woman polling clerk checks a register without legible marks. A simple privacy booth and everyday school-room chairs. Kuromi observes quietly on a bench near the doorway; Jani stands by the bench with four cat paws and her face toward viewer. Mechanism: equal franchise becomes an actual civic procedure, following the distinction between partial rights in 1918 and equal age rules in 1928. No campaign slogans, flag, party symbols, readable text or celebratory parade. The women are dignified active citizens, not fashion models.", "editPrompt": "Use case: identity-preserve. Edit the FIRST input, which is the complete existing historical illustration. Inputs 2 and 3 are the CORRECT canonical Kuromi identity references, not scene targets. Make one tightly targeted correction to Kuromi only: her jester neck collar must be solid DARK CHARCOAL BLACK throughout, with ONLY FOUR TINY PINK BALLS at its pointed ends. Remove every broad pink stripe or pink collar surface. Match her eyes to the canonical references: simple solid black teardrop/oval eyes, two short CURVED outer eyelashes, no long straight lashes or thick eyebrows. Keep the original serious/neutral scene-appropriate expression, pose, pink skull hood mark, size and placement. Preserve the entire historical setting, all human figures, objects, composition, lighting, color, style, and especially Jani's exact original cream fur, blue eyes, four-legged anatomy and asymmetrical eye patches. Do not redraw the whole scene, do not add text, flags or new objects, do not change the historical action. Keep the landscape 1536×1024 opaque full-color image.\nTarget lesson: w28-05. Rebuild Kuromi's collar as precisely FOUR points with FOUR pink balls: two outer balls and TWO lower inner balls, with NO ball at the exact central bottom. Remove all old pink neck trim before rebuilding. Both eyes completely matte solid black shapes, no iris, pupil rings, brown color or white highlights.", "editReferences": [ "exec-9047f4b8-f3b7-4929-a1b4-fa8872df9711.png", "kuromi-canonical.png", "kuromi-canonical-2.png" ], "generationReferences": [ "jani.png", "kuromi.png" ], "editHistory": [ { "prompt": "Use case: identity-preserve. Edit the FIRST input, which is the complete existing historical illustration. Inputs 2 and 3 are the CORRECT canonical Kuromi identity references, not scene targets. Make one tightly targeted correction to Kuromi only: her jester neck collar must be solid DARK CHARCOAL BLACK throughout, with ONLY FOUR TINY PINK BALLS at its pointed ends. Remove every broad pink stripe or pink collar surface. Match her eyes to the canonical references: simple solid black teardrop/oval eyes, two short CURVED outer eyelashes, no long straight lashes or thick eyebrows. Keep the original serious/neutral scene-appropriate expression, pose, pink skull hood mark, size and placement. Preserve the entire historical setting, all human figures, objects, composition, lighting, color, style, and especially Jani's exact original cream fur, blue eyes, four-legged anatomy and asymmetrical eye patches. Do not redraw the whole scene, do not add text, flags or new objects, do not change the historical action. Keep the landscape 1536×1024 opaque full-color image.\nTarget lesson: w28-05. Rebuild Kuromi's collar as precisely FOUR points with FOUR pink balls: two outer balls and TWO lower inner balls, with NO ball at the exact central bottom. Remove all old pink neck trim before rebuilding. Both eyes completely matte solid black shapes, no iris, pupil rings, brown color or white highlights." } ], "src": "assets/lesson-scenes/w28-05.webp", "sha256": "4f0b17a1fd8c368da43a639a1590ac9108e12def6954375a447323ec3850de7d", "bytes": 270364, "thumbnailSrc": "assets/lesson-scenes/w28-05-preview.webp", "thumbnailSha256": "705d9c124971441b2b3bbf469cf53f8a46970737135d302e8341235dcc2c33f6", "thumbnailBytes": 89476 }, { "unitId": "w29-01", "title": "Vasúti tanúvallomás és nemzetközi vizsgálat", "alt": "Kínai vasutas sérült pályarészletet mutat két civil vizsgálónak és tolmácsuknak, Kuromi és Jani a talpfák mellett figyel.", "caption": "A mandzsúriai válság 1931–1932-ben megmutatta a nemzetközi vizsgálat és a tényleges kikényszerítés közötti különbséget. A bizonyíték rögzítése önmagában nem állította helyre a kínai ellenőrzést.", "scene": "A Chinese railway worker shows track damage and witness papers to international civilian investigators in Manchuria in 1932.", "setting": "Mandzsúria, vasúti mellékvágány, 1932", "historicalDetails": [ "Gőzmozdony és vasúti talpfák", "Acél sínkötések és pályacsavarok", "Bélelt kínai munkaruha", "Civil vizsgálók papírjegyzetei" ], "placement": { "area": "base", "sectionIndex": 0 }, "period": "1931–1939", "sourceBasis": [ { "book": "v2", "pdfPages": [ 535, 546 ], "chapter": "13.1 An Unstable Peace" }, { "book": "v2", "pdfPages": [ 519, 520 ], "chapter": "12.5 Resistance, Civil Rights, and Democracy: Manchuria" }, { "book": "v2", "pdfPages": [ 537, 539 ], "chapter": "13.1 An Unstable Peace" }, { "book": "v2", "pdfPages": [ 543, 544 ], "chapter": "13.1 An Unstable Peace: U.S. Neutrality" } ], "prompt": "Use case: identity-preserve. Edit the FIRST input, which is the complete existing historical illustration. Inputs 2 and 3 are the CORRECT canonical Kuromi identity references, not scene targets. Make one tightly targeted correction to Kuromi only: her jester neck collar must be solid DARK CHARCOAL BLACK throughout, with ONLY FOUR TINY PINK BALLS at its pointed ends. Remove every broad pink stripe or pink collar surface. Match her eyes to the canonical references: simple solid black teardrop/oval eyes, two short CURVED outer eyelashes, no long straight lashes or thick eyebrows. Keep the original serious/neutral scene-appropriate expression, pose, pink skull hood mark, size and placement. Preserve the entire historical setting, all human figures, objects, composition, lighting, color, style, and especially Jani's exact original cream fur, blue eyes, four-legged anatomy and asymmetrical eye patches. Do not redraw the whole scene, do not add text, flags or new objects, do not change the historical action. Keep the landscape 1536×1024 opaque full-color image.\nTarget lesson: w29-01. Rebuild the collar completely with the exact FOUR-POINT geometry of canonical reference 2: two outer shoulder tips, two inner lower tips, and an UPWARD CENTRAL NOTCH. There is NO downward central tip and NO central pink sphere. Only one pink ball at each of the four tips. Both eyes completely matte solid black, no iris, no brown color, no pupil rings, no highlights. Keep every other part of the historical image and Jani unchanged.", "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [], "canonicalKuromi": true }, "generationPrompt": "Use case: historical-scene. Asset: one wide 1536×1024 full-color opaque historical educational narrative illustration, a single coherent hand-drawn scene with fine outlines, soft natural daytime light and thoughtful realistic colors. Retain the illustrated Kuromi–Jani character style in a fully illustrated world. Character references are identity/style only. Kuromi is small with canonical black two-point jester hood, pink skull, white body, pink collar. Jani is a small FEMALE fluffy cream-white ragdoll CAT, natural four-legged feline anatomy and paws, blue eyes, pink nose, large dark brown fluffy tail. Her face is strongly ASYMMETRIC: viewed from front, viewer LEFT has a large DARK BROWN eye patch, viewer RIGHT has a smaller LIGHT BROWN patch, with irregular white blaze between. Both must be clearly visible with faces readable. They are observing the real human historical actors, never replacing them or pretending to be actual historical participants. No human hands or clothes on Jani, no bow tie, no masculine outfit. No magnifying glass or book unless scene calls for it. Do not put the characters as gigantic cutouts; integrate them at ground level in the action. No text, captions, dates, legible writing, watermark, diagrams, panels or flags. No Hollywood or video-game tropes, fantasy armor, dramatic backlighting, explosions or generic battle panorama. Serious respectful expressions around hardship, repression or war; no celebration of cruelty.\nMANDATORY VISUAL MEDIUM: Every human and every object must be visibly hand-drawn in an illustrated anime storybook style with simplified clean line-drawn faces, painted hair shapes, matte gouache color, no photographic pores or realistic photographic faces. The humans, Kuromi and Jani must all belong to the SAME painted storybook world. Clearly illustrative linework in scenery and humans, no pasted cutout effect.\nScene: Manchuria in 1932, a railway siding under foreign pressure. A Chinese railway employee in a plain padded work jacket shows damaged track fittings and plain witness papers to two international civilian investigators in early-1930s suits and practical hats. A local interpreter listens, while a modest station building and idle steam locomotive stand behind; no maps or flags. Kuromi sits gravely beside a rail sleeper and Jani stands nearby on dry gravel facing viewer. Mechanism: international inquiry can record evidence about aggression while lacking the means to restore effective control. No fabricated explosion, armed clash, aggressive national caricature or heroic Japanese soldier. Single grounded field-investigation composition in clear chilly daylight, fully illustrated humans.", "editPrompt": "Use case: identity-preserve. Edit the FIRST input, which is the complete existing historical illustration. Inputs 2 and 3 are the CORRECT canonical Kuromi identity references, not scene targets. Make one tightly targeted correction to Kuromi only: her jester neck collar must be solid DARK CHARCOAL BLACK throughout, with ONLY FOUR TINY PINK BALLS at its pointed ends. Remove every broad pink stripe or pink collar surface. Match her eyes to the canonical references: simple solid black teardrop/oval eyes, two short CURVED outer eyelashes, no long straight lashes or thick eyebrows. Keep the original serious/neutral scene-appropriate expression, pose, pink skull hood mark, size and placement. Preserve the entire historical setting, all human figures, objects, composition, lighting, color, style, and especially Jani's exact original cream fur, blue eyes, four-legged anatomy and asymmetrical eye patches. Do not redraw the whole scene, do not add text, flags or new objects, do not change the historical action. Keep the landscape 1536×1024 opaque full-color image.\nTarget lesson: w29-01. Rebuild the collar completely with the exact FOUR-POINT geometry of canonical reference 2: two outer shoulder tips, two inner lower tips, and an UPWARD CENTRAL NOTCH. There is NO downward central tip and NO central pink sphere. Only one pink ball at each of the four tips. Both eyes completely matte solid black, no iris, no brown color, no pupil rings, no highlights. Keep every other part of the historical image and Jani unchanged.", "editReferences": [ "exec-c1f07d31-40f3-4388-91b6-b16a81eba4f4.png", "kuromi-canonical.png", "kuromi-canonical-2.png" ], "generationReferences": [ "jani.png", "kuromi.png" ], "editHistory": [ { "prompt": "Use case: identity-preserve. Edit the FIRST input, which is the complete existing historical illustration. Inputs 2 and 3 are the CORRECT canonical Kuromi identity references, not scene targets. Make one tightly targeted correction to Kuromi only: her jester neck collar must be solid DARK CHARCOAL BLACK throughout, with ONLY FOUR TINY PINK BALLS at its pointed ends. Remove every broad pink stripe or pink collar surface. Match her eyes to the canonical references: simple solid black teardrop/oval eyes, two short CURVED outer eyelashes, no long straight lashes or thick eyebrows. Keep the original serious/neutral scene-appropriate expression, pose, pink skull hood mark, size and placement. Preserve the entire historical setting, all human figures, objects, composition, lighting, color, style, and especially Jani's exact original cream fur, blue eyes, four-legged anatomy and asymmetrical eye patches. Do not redraw the whole scene, do not add text, flags or new objects, do not change the historical action. Keep the landscape 1536×1024 opaque full-color image.\nTarget lesson: w29-01. Rebuild the collar completely with the exact FOUR-POINT geometry of canonical reference 2: two outer shoulder tips, two inner lower tips, and an UPWARD CENTRAL NOTCH. There is NO downward central tip and NO central pink sphere. Only one pink ball at each of the four tips. Both eyes completely matte solid black, no iris, no brown color, no pupil rings, no highlights. Keep every other part of the historical image and Jani unchanged." } ], "src": "assets/lesson-scenes/w29-01.webp", "sha256": "ac273ab1de07324dc826ea69802e3130936dcffb45d72e4b5b500fe17c737a64", "bytes": 337820, "thumbnailSrc": "assets/lesson-scenes/w29-01-preview.webp", "thumbnailSha256": "c57e33e18fa597e8d038ea4f8f7022810b24773981b49bf86a782defb5541f99", "thumbnailBytes": 117116 }, { "unitId": "w29-02a", "title": "Üzemanyag, víz és javítás a sivatagi úton", "alt": "Szerelők katonai teherautót javítanak, társuk vizet adagol, Kuromi és Jani a szerszámok mellett figyeli az ellátóoszlopot.", "caption": "Észak-Afrikában 1942-ben a kikötő, az üzemanyag és a javítási lánc határozta meg, meddig tudott mozogni egy hadsereg. A sivatagi ellátás hétköznapi munkája a hadműveleti lehetőség része volt.", "scene": "British mechanics repair a supply truck and conserve water on a North African desert road in 1942.", "setting": "Észak-Afrika, szövetséges utánpótlási út, 1942", "historicalDetails": [ "Ponyvás korabeli teherautó", "Fém üzemanyag- és vízkannák", "Szerszámtekercs és pótkerék", "Napfakította khaki munkaruha" ], "placement": { "area": "base", "sectionIndex": 2 }, "period": "1939–1945", "sourceBasis": [ { "book": "v2", "pdfPages": [ 547, 555 ], "chapter": "13.2 Theaters of War" }, { "book": "v2", "pdfPages": [ 542, 546 ], "chapter": "13.1 An Unstable Peace" }, { "book": "v2", "pdfPages": [ 564, 567 ], "chapter": "13.4 Out of the Ashes" }, { "book": "oh", "pdfPages": [ 218, 220 ], "chapter": "5.7 A második világháború: frontok, fordulópontok, 202–203. feladat" }, { "book": "v2", "pdfPages": [ 548, 550 ], "chapter": "13.2 Theaters of War: Europe and Africa" } ], "prompt": "Use case: identity-preserve. Edit the FIRST input, which is the complete existing historical illustration. Inputs 2 and 3 are the CORRECT canonical Kuromi identity references, not scene targets. Make one tightly targeted correction to Kuromi only: her jester neck collar must be solid DARK CHARCOAL BLACK throughout, with ONLY FOUR TINY PINK BALLS at its pointed ends. Remove every broad pink stripe or pink collar surface. Match her eyes to the canonical references: simple solid black teardrop/oval eyes, two short CURVED outer eyelashes, no long straight lashes or thick eyebrows. Keep the original serious/neutral scene-appropriate expression, pose, pink skull hood mark, size and placement. Preserve the entire historical setting, all human figures, objects, composition, lighting, color, style, and especially Jani's exact original cream fur, blue eyes, four-legged anatomy and asymmetrical eye patches. Do not redraw the whole scene, do not add text, flags or new objects, do not change the historical action. Keep the landscape 1536×1024 opaque full-color image.\nTarget lesson: w29-02a. Rebuild the collar completely with the exact FOUR-POINT geometry of canonical reference 2: two outer shoulder tips, two inner lower tips, and an UPWARD CENTRAL NOTCH. There is NO downward central tip and NO central pink sphere. Only one pink ball at each of the four tips. Both eyes completely matte solid black, no iris, no brown color, no pupil rings, no highlights. Keep every other part of the historical image and Jani unchanged.", "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [], "canonicalKuromi": true }, "generationPrompt": "Use case: historical-scene. Asset: one wide 1536×1024 full-color opaque historical educational narrative illustration, a single coherent hand-drawn scene with fine outlines, soft natural daytime light and thoughtful realistic colors. Retain the illustrated Kuromi–Jani character style in a fully illustrated world. Character references are identity/style only. Kuromi is small with canonical black two-point jester hood, pink skull, white body, pink collar. Jani is a small FEMALE fluffy cream-white ragdoll CAT, natural four-legged feline anatomy and paws, blue eyes, pink nose, large dark brown fluffy tail. Her face is strongly ASYMMETRIC: viewed from front, viewer LEFT has a large DARK BROWN eye patch, viewer RIGHT has a smaller LIGHT BROWN patch, with irregular white blaze between. Both must be clearly visible with faces readable. They are observing the real human historical actors, never replacing them or pretending to be actual historical participants. No human hands or clothes on Jani, no bow tie, no masculine outfit. No magnifying glass or book unless scene calls for it. Do not put the characters as gigantic cutouts; integrate them at ground level in the action. No text, captions, dates, legible writing, watermark, diagrams, panels or flags. No Hollywood or video-game tropes, fantasy armor, dramatic backlighting, explosions or generic battle panorama. Serious respectful expressions around hardship, repression or war; no celebration of cruelty.\nMANDATORY VISUAL MEDIUM: Every human and every object must be visibly hand-drawn in an illustrated anime storybook style with simplified clean line-drawn faces, painted hair shapes, matte gouache color, no photographic pores or realistic photographic faces. The humans, Kuromi and Jani must all belong to the SAME painted storybook world. Clearly illustrative linework in scenery and humans, no pasted cutout effect.\nScene: Allied desert supply road in North Africa, 1942. Two British field mechanics in sun-faded khaki repair the wheel and fuel feed of a stopped period military transport truck; another crew member carefully measures drinking water from a metal water can into a small container, with rows of fuel cans and spare tires in shade. Kuromi observes from beside a tool roll and Jani stands on a folded ground cloth with her asymmetrical face readable. Mechanism: movement and operations in the desert depend on fuel, repair, ports and water as much as weapons. Wide lateral composition at road level with a distant small supply convoy and flat stony desert, no combat vehicles as heroes, tanks firing, dramatic dunes, explosions, flags or victory signs. Sober practical human work.", "editPrompt": "Use case: identity-preserve. Edit the FIRST input, which is the complete existing historical illustration. Inputs 2 and 3 are the CORRECT canonical Kuromi identity references, not scene targets. Make one tightly targeted correction to Kuromi only: her jester neck collar must be solid DARK CHARCOAL BLACK throughout, with ONLY FOUR TINY PINK BALLS at its pointed ends. Remove every broad pink stripe or pink collar surface. Match her eyes to the canonical references: simple solid black teardrop/oval eyes, two short CURVED outer eyelashes, no long straight lashes or thick eyebrows. Keep the original serious/neutral scene-appropriate expression, pose, pink skull hood mark, size and placement. Preserve the entire historical setting, all human figures, objects, composition, lighting, color, style, and especially Jani's exact original cream fur, blue eyes, four-legged anatomy and asymmetrical eye patches. Do not redraw the whole scene, do not add text, flags or new objects, do not change the historical action. Keep the landscape 1536×1024 opaque full-color image.\nTarget lesson: w29-02a. Rebuild the collar completely with the exact FOUR-POINT geometry of canonical reference 2: two outer shoulder tips, two inner lower tips, and an UPWARD CENTRAL NOTCH. There is NO downward central tip and NO central pink sphere. Only one pink ball at each of the four tips. Both eyes completely matte solid black, no iris, no brown color, no pupil rings, no highlights. Keep every other part of the historical image and Jani unchanged.", "editReferences": [ "exec-1304d248-914b-45c0-aae6-b9eac4014d5d.png", "kuromi-canonical.png", "kuromi-canonical-2.png" ], "generationReferences": [ "jani.png", "kuromi.png" ], "editHistory": [ { "prompt": "Use case: identity-preserve. Edit the FIRST input, which is the complete existing historical illustration. Inputs 2 and 3 are the CORRECT canonical Kuromi identity references, not scene targets. Make one tightly targeted correction to Kuromi only: her jester neck collar must be solid DARK CHARCOAL BLACK throughout, with ONLY FOUR TINY PINK BALLS at its pointed ends. Remove every broad pink stripe or pink collar surface. Match her eyes to the canonical references: simple solid black teardrop/oval eyes, two short CURVED outer eyelashes, no long straight lashes or thick eyebrows. Keep the original serious/neutral scene-appropriate expression, pose, pink skull hood mark, size and placement. Preserve the entire historical setting, all human figures, objects, composition, lighting, color, style, and especially Jani's exact original cream fur, blue eyes, four-legged anatomy and asymmetrical eye patches. Do not redraw the whole scene, do not add text, flags or new objects, do not change the historical action. Keep the landscape 1536×1024 opaque full-color image.\nTarget lesson: w29-02a. Rebuild the collar completely with the exact FOUR-POINT geometry of canonical reference 2: two outer shoulder tips, two inner lower tips, and an UPWARD CENTRAL NOTCH. There is NO downward central tip and NO central pink sphere. Only one pink ball at each of the four tips. Both eyes completely matte solid black, no iris, no brown color, no pupil rings, no highlights. Keep every other part of the historical image and Jani unchanged." } ], "src": "assets/lesson-scenes/w29-02a.webp", "sha256": "a0be7226b7a03be888bc2cd21cb6533774c66c41d1f01f2658d8490fa4a8a664", "bytes": 386400, "thumbnailSrc": "assets/lesson-scenes/w29-02a-preview.webp", "thumbnailSha256": "f349bf4495a66bc206ed3b234bec95c10ffaae8bfe4e02c4289eb69f652cd372", "thumbnailBytes": 134092 }, { "unitId": "w29-02b", "title": "Működő repülőtérhez szerelő és ellátás kell", "alt": "Szerelők csillagmotort javítanak, a földi személyzet üzemanyagot és egészségügyi ládát mozgat, Kuromi és Jani az eszközök mellett figyel.", "caption": "Guadalcanal 1942–1943-as harcai a repülőtér és a tengeri ellátás kapcsolatát tették láthatóvá. A leszállópálya akkor jelentett tartós képességet, ha üzemanyag, alkatrész és képzett személyzet is érkezett.", "scene": "Mechanics and supply personnel sustain a rear Guadalcanal airfield in early 1943 through engine repair, fuel handling and medical supply delivery.", "setting": "Guadalcanal, repülőtéri kiszolgálótér, 1943 eleje", "historicalDetails": [ "Légcsavaros repülőgép nyitott csillagmotorral", "Lyukasztott acél pályaburkolat", "Üzemanyaghordók és egészségügyi ládák", "Fa raktár és vászonárnyékoló" ], "placement": { "area": "base", "sectionIndex": 1 }, "period": "1941–1945", "sourceBasis": [ { "book": "v2", "pdfPages": [ 550, 554 ], "chapter": "13.2 Theaters of War" }, { "book": "v2", "pdfPages": [ 546, 547 ], "chapter": "13.1 An Unstable Peace" }, { "book": "v2", "pdfPages": [ 567, 572 ], "chapter": "13.4 Out of the Ashes" }, { "book": "v2", "pdfPages": [ 568, 570 ], "chapter": "13.4 Out of the Ashes: Dropping the Atomic Bomb" }, { "book": "v2", "pdfPages": [ 551, 554 ], "chapter": "13.2 Theaters of War: East Asia and the Pacific" } ], "prompt": "Use case: identity-preserve. Edit the FIRST input, which is the complete existing historical illustration. Inputs 2 and 3 are the CORRECT canonical Kuromi identity references, not scene targets. Make one tightly targeted correction to Kuromi only: her jester neck collar must be solid DARK CHARCOAL BLACK throughout, with ONLY FOUR TINY PINK BALLS at its pointed ends. Remove every broad pink stripe or pink collar surface. Match her eyes to the canonical references: simple solid black teardrop/oval eyes, two short CURVED outer eyelashes, no long straight lashes or thick eyebrows. Keep the original serious/neutral scene-appropriate expression, pose, pink skull hood mark, size and placement. Preserve the entire historical setting, all human figures, objects, composition, lighting, color, style, and especially Jani's exact original cream fur, blue eyes, four-legged anatomy and asymmetrical eye patches. Do not redraw the whole scene, do not add text, flags or new objects, do not change the historical action. Keep the landscape 1536×1024 opaque full-color image.\nTarget lesson: w29-02b. Rebuild the collar completely with the exact FOUR-POINT geometry of canonical reference 2: two outer shoulder tips, two inner lower tips, and an UPWARD CENTRAL NOTCH. There is NO downward central tip and NO central pink sphere. Only one pink ball at each of the four tips. Both eyes completely matte solid black, no iris, no brown color, no pupil rings, no highlights. Keep every other part of the historical image and Jani unchanged.", "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [], "canonicalKuromi": true }, "generationPrompt": "Use case: historical-scene. Asset: one wide 1536×1024 full-color opaque historical educational narrative illustration, a single coherent hand-drawn scene with fine outlines, soft natural daytime light and thoughtful realistic colors. Retain the illustrated Kuromi–Jani character style in a fully illustrated world. Character references are identity/style only. Kuromi is small with canonical black two-point jester hood, pink skull, white body, pink collar. Jani is a small FEMALE fluffy cream-white ragdoll CAT, natural four-legged feline anatomy and paws, blue eyes, pink nose, large dark brown fluffy tail. Her face is strongly ASYMMETRIC: viewed from front, viewer LEFT has a large DARK BROWN eye patch, viewer RIGHT has a smaller LIGHT BROWN patch, with irregular white blaze between. Both must be clearly visible with faces readable. They are observing the real human historical actors, never replacing them or pretending to be actual historical participants. No human hands or clothes on Jani, no bow tie, no masculine outfit. No magnifying glass or book unless scene calls for it. Do not put the characters as gigantic cutouts; integrate them at ground level in the action. No text, captions, dates, legible writing, watermark, diagrams, panels or flags. No Hollywood or video-game tropes, fantasy armor, dramatic backlighting, explosions or generic battle panorama. Serious respectful expressions around hardship, repression or war; no celebration of cruelty.\nMANDATORY VISUAL MEDIUM: Every human and every object must be visibly hand-drawn in an illustrated anime storybook style with simplified clean line-drawn faces, painted hair shapes, matte gouache color, no photographic pores or realistic photographic faces. The humans, Kuromi and Jani must all belong to the SAME painted storybook world. Clearly illustrative linework in scenery and humans, no pasted cutout effect.\nScene: Guadalcanal, early 1943, a rear airfield maintenance apron after sustained fighting. Mechanics in plain period Pacific work clothing repair an opened radial engine on a single-propeller transport-support aircraft while ground crew move fuel drums and boxed medical supplies along a makeshift plank path. A nurse receives a medical box by the low timber supply hut. Kuromi watches a mechanic's tool kit from a safe spot and Jani stands beside a supply crate facing viewer with four feline paws. Mechanism: an airfield only creates military capability when shipping, fuel, skilled maintenance and supplies sustain it. Tropical vegetation, pierced-steel runway matting, radial piston engine and simple canvas shade. No firing, battle damage spectacle, bombs, heroic pilots, pinup nose art, aircraft carrier, modern jet or national insignia.", "editPrompt": "Use case: identity-preserve. Edit the FIRST input, which is the complete existing historical illustration. Inputs 2 and 3 are the CORRECT canonical Kuromi identity references, not scene targets. Make one tightly targeted correction to Kuromi only: her jester neck collar must be solid DARK CHARCOAL BLACK throughout, with ONLY FOUR TINY PINK BALLS at its pointed ends. Remove every broad pink stripe or pink collar surface. Match her eyes to the canonical references: simple solid black teardrop/oval eyes, two short CURVED outer eyelashes, no long straight lashes or thick eyebrows. Keep the original serious/neutral scene-appropriate expression, pose, pink skull hood mark, size and placement. Preserve the entire historical setting, all human figures, objects, composition, lighting, color, style, and especially Jani's exact original cream fur, blue eyes, four-legged anatomy and asymmetrical eye patches. Do not redraw the whole scene, do not add text, flags or new objects, do not change the historical action. Keep the landscape 1536×1024 opaque full-color image.\nTarget lesson: w29-02b. Rebuild the collar completely with the exact FOUR-POINT geometry of canonical reference 2: two outer shoulder tips, two inner lower tips, and an UPWARD CENTRAL NOTCH. There is NO downward central tip and NO central pink sphere. Only one pink ball at each of the four tips. Both eyes completely matte solid black, no iris, no brown color, no pupil rings, no highlights. Keep every other part of the historical image and Jani unchanged.", "editReferences": [ "exec-92a8da69-6ce4-4306-866e-42ab86e324c8.png", "kuromi-canonical.png", "kuromi-canonical-2.png" ], "generationReferences": [ "jani.png", "kuromi.png" ], "editHistory": [ { "prompt": "Use case: identity-preserve. Edit the FIRST input, which is the complete existing historical illustration. Inputs 2 and 3 are the CORRECT canonical Kuromi identity references, not scene targets. Make one tightly targeted correction to Kuromi only: her jester neck collar must be solid DARK CHARCOAL BLACK throughout, with ONLY FOUR TINY PINK BALLS at its pointed ends. Remove every broad pink stripe or pink collar surface. Match her eyes to the canonical references: simple solid black teardrop/oval eyes, two short CURVED outer eyelashes, no long straight lashes or thick eyebrows. Keep the original serious/neutral scene-appropriate expression, pose, pink skull hood mark, size and placement. Preserve the entire historical setting, all human figures, objects, composition, lighting, color, style, and especially Jani's exact original cream fur, blue eyes, four-legged anatomy and asymmetrical eye patches. Do not redraw the whole scene, do not add text, flags or new objects, do not change the historical action. Keep the landscape 1536×1024 opaque full-color image.\nTarget lesson: w29-02b. Rebuild the collar completely with the exact FOUR-POINT geometry of canonical reference 2: two outer shoulder tips, two inner lower tips, and an UPWARD CENTRAL NOTCH. There is NO downward central tip and NO central pink sphere. Only one pink ball at each of the four tips. Both eyes completely matte solid black, no iris, no brown color, no pupil rings, no highlights. Keep every other part of the historical image and Jani unchanged." } ], "src": "assets/lesson-scenes/w29-02b.webp", "sha256": "def345321e27280a6f830adfd44ace9dde01b87feb6c23620b8e4943a8bfc7be", "bytes": 416170, "thumbnailSrc": "assets/lesson-scenes/w29-02b-preview.webp", "thumbnailSha256": "d5cf370e5287a57f319880956de4a1de3670ad67b6eaedb1906fd61c22c372f2", "thumbnailBytes": 136956 }, { "unitId": "w29-03a", "title": "Evakuált szerszámgép újraindítása az Urálnál", "alt": "Női és férfi munkások vasúton érkezett esztergagépet állítanak be egy ideiglenes üzemcsarnokban, Kuromi és Jani mellettük figyel.", "caption": "A Szovjetunió 1941-ben üzemeket telepített keletre a német előrenyomulás elől. A gépek elfuvarozása csak a kezdet volt: az új helyen munkásszaktudás, összeszerelés és ellátás tette őket ismét termelőkapacitássá.", "scene": "Machinists reassemble an evacuated lathe in a provisional Ural factory shed after railway delivery in autumn 1941.", "setting": "Urál térsége, Szovjetunió, 1941 ősze", "historicalDetails": [ "Vasúti gépszállítás", "Láncos emelő és faládák", "Nehéz esztergagép", "Vízmérték és ideiglenes faszerkezetű csarnok" ], "placement": { "area": "base", "sectionIndex": 0 }, "period": "1939–1945", "sourceBasis": [ { "book": "v2", "pdfPages": [ 556, 564 ], "chapter": "13.3 Keeping the Home Fires Burning" }, { "book": "v2", "pdfPages": [ 557, 560 ], "chapter": "13.3 Keeping the Home Fires Burning: Life on the Home Fronts" }, { "book": "v2", "pdfPages": [ 563, 564 ], "chapter": "13.3 Keeping the Home Fires Burning: Scientists at War" } ], "prompt": "Use case: identity-preserve. Edit the FIRST input, which is the complete existing historical illustration. Inputs 2 and 3 are the CORRECT canonical Kuromi identity references, not scene targets. Make one tightly targeted correction to Kuromi only: her jester neck collar must be solid DARK CHARCOAL BLACK throughout, with ONLY FOUR TINY PINK BALLS at its pointed ends. Remove every broad pink stripe or pink collar surface. Match her eyes to the canonical references: simple solid black teardrop/oval eyes, two short CURVED outer eyelashes, no long straight lashes or thick eyebrows. Keep the original serious/neutral scene-appropriate expression, pose, pink skull hood mark, size and placement. Preserve the entire historical setting, all human figures, objects, composition, lighting, color, style, and especially Jani's exact original cream fur, blue eyes, four-legged anatomy and asymmetrical eye patches. Do not redraw the whole scene, do not add text, flags or new objects, do not change the historical action. Keep the landscape 1536×1024 opaque full-color image.\nTarget lesson: w29-03a. Rebuild the collar completely with the exact FOUR-POINT geometry of canonical reference 2: two outer shoulder tips, two inner lower tips, and an UPWARD CENTRAL NOTCH. There is NO downward central tip and NO central pink sphere. Only one pink ball at each of the four tips. Both eyes completely matte solid black, no iris, no brown color, no pupil rings, no highlights. Keep every other part of the historical image and Jani unchanged.", "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [], "canonicalKuromi": true }, "generationPrompt": "Use case: historical-scene. Asset: one wide 1536×1024 full-color opaque historical educational narrative illustration, a single coherent hand-drawn scene with fine outlines, soft natural daytime light and thoughtful realistic colors. Retain the illustrated Kuromi–Jani character style in a fully illustrated world. Character references are identity/style only. Kuromi is small with canonical black two-point jester hood, pink skull, white body, pink collar. Jani is a small FEMALE fluffy cream-white ragdoll CAT, natural four-legged feline anatomy and paws, blue eyes, pink nose, large dark brown fluffy tail. Her face is strongly ASYMMETRIC: viewed from front, viewer LEFT has a large DARK BROWN eye patch, viewer RIGHT has a smaller LIGHT BROWN patch, with irregular white blaze between. Both must be clearly visible with faces readable. They are observing the real human historical actors, never replacing them or pretending to be actual historical participants. No human hands or clothes on Jani, no bow tie, no masculine outfit. No magnifying glass or book unless scene calls for it. Do not put the characters as gigantic cutouts; integrate them at ground level in the action. No text, captions, dates, legible writing, watermark, diagrams, panels or flags. No Hollywood or video-game tropes, fantasy armor, dramatic backlighting, explosions or generic battle panorama. Serious respectful expressions around hardship, repression or war; no celebration of cruelty.\nMANDATORY VISUAL MEDIUM: Every human and every object must be visibly hand-drawn in an illustrated anime storybook style with simplified clean line-drawn faces, painted hair shapes, matte gouache color, no photographic pores or realistic photographic faces. The humans, Kuromi and Jani must all belong to the SAME painted storybook world. Clearly illustrative linework in scenery and humans, no pasted cutout effect.\nScene: Soviet industrial relocation in the Ural region, autumn 1941. A group of women and men machinists in plain work clothes fit a heavy lathe into a hastily built open-sided factory shed after unloading it from a railway flatcar. A woman engineer checks its alignment with a simple spirit level; wooden packing cases, lifting chain block and newly laid rails connect machine transport with production. Kuromi holds a loose packing strap to the side, and Jani stands on a low empty crate with her face to viewer. Mechanism: evacuation only preserves industrial capacity when equipment and skilled workers are moved and reassembled into a functioning plant. Cold daylight, mud and timber framing, sober tired expressions. No wartime propaganda, giant flags, leaders, weapon assembly, dangerous child labor or combat.", "editPrompt": "Use case: identity-preserve. Edit the FIRST input, which is the complete existing historical illustration. Inputs 2 and 3 are the CORRECT canonical Kuromi identity references, not scene targets. Make one tightly targeted correction to Kuromi only: her jester neck collar must be solid DARK CHARCOAL BLACK throughout, with ONLY FOUR TINY PINK BALLS at its pointed ends. Remove every broad pink stripe or pink collar surface. Match her eyes to the canonical references: simple solid black teardrop/oval eyes, two short CURVED outer eyelashes, no long straight lashes or thick eyebrows. Keep the original serious/neutral scene-appropriate expression, pose, pink skull hood mark, size and placement. Preserve the entire historical setting, all human figures, objects, composition, lighting, color, style, and especially Jani's exact original cream fur, blue eyes, four-legged anatomy and asymmetrical eye patches. Do not redraw the whole scene, do not add text, flags or new objects, do not change the historical action. Keep the landscape 1536×1024 opaque full-color image.\nTarget lesson: w29-03a. Rebuild the collar completely with the exact FOUR-POINT geometry of canonical reference 2: two outer shoulder tips, two inner lower tips, and an UPWARD CENTRAL NOTCH. There is NO downward central tip and NO central pink sphere. Only one pink ball at each of the four tips. Both eyes completely matte solid black, no iris, no brown color, no pupil rings, no highlights. Keep every other part of the historical image and Jani unchanged.", "editReferences": [ "exec-aad996a8-36e9-46d8-80b9-de638553603b.png", "kuromi-canonical.png", "kuromi-canonical-2.png" ], "generationReferences": [ "jani.png", "kuromi.png" ], "editHistory": [ { "prompt": "Use case: identity-preserve. Edit the FIRST input, which is the complete existing historical illustration. Inputs 2 and 3 are the CORRECT canonical Kuromi identity references, not scene targets. Make one tightly targeted correction to Kuromi only: her jester neck collar must be solid DARK CHARCOAL BLACK throughout, with ONLY FOUR TINY PINK BALLS at its pointed ends. Remove every broad pink stripe or pink collar surface. Match her eyes to the canonical references: simple solid black teardrop/oval eyes, two short CURVED outer eyelashes, no long straight lashes or thick eyebrows. Keep the original serious/neutral scene-appropriate expression, pose, pink skull hood mark, size and placement. Preserve the entire historical setting, all human figures, objects, composition, lighting, color, style, and especially Jani's exact original cream fur, blue eyes, four-legged anatomy and asymmetrical eye patches. Do not redraw the whole scene, do not add text, flags or new objects, do not change the historical action. Keep the landscape 1536×1024 opaque full-color image.\nTarget lesson: w29-03a. Rebuild the collar completely with the exact FOUR-POINT geometry of canonical reference 2: two outer shoulder tips, two inner lower tips, and an UPWARD CENTRAL NOTCH. There is NO downward central tip and NO central pink sphere. Only one pink ball at each of the four tips. Both eyes completely matte solid black, no iris, no brown color, no pupil rings, no highlights. Keep every other part of the historical image and Jani unchanged." } ], "src": "assets/lesson-scenes/w29-03a.webp", "sha256": "c1e9e13ea7bb24ca22d6180e27ecfc91de3102731412e240d8e8177844cbf034", "bytes": 418030, "thumbnailSrc": "assets/lesson-scenes/w29-03a-preview.webp", "thumbnailSha256": "edd512649ac9a83a72c61bee5e888efa658d6348083892addfc36f3779190f94", "thumbnailBytes": 138392 }, { "unitId": "w29-03b", "title": "Tanúságtételek megőrzése a varsói gettóban", "alt": "A titkos archívum munkatársai iratokat és fényképeket csomagolnak egy fém tejeskannába, Kuromi és Jani csendes megfigyelőként ül mellettük.", "caption": "A varsói Oneg Sabbat-archívum második részét 1943 februárjában két nagy tejeskannában rejtették el. Az üldözöttek saját tapasztalataikat és az elkövetők politikájának bizonyítékait őrizték meg a későbbi megismerés számára.", "scene": "Jewish civilian archivists package testimonies and photographs in a metal milk can for the Oneg Shabbat archive in February 1943.", "setting": "Varsói gettó, 1943 februárja", "historicalDetails": [ "Fém tejeskanna és irattároló doboz", "Zsineggel kötött iratcsomók", "Személyes fényképek és tanúságtételek", "Szerény lakószoba korabeli téli ruházattal" ], "placement": { "area": "base", "sectionIndex": 2 }, "extraSources": [ { "url": "https://encyclopedia.ushmm.org/content/en/article/the-oneg-shabbat-archive?parent=en%2F11837", "title": "USHMM Holocaust Encyclopedia: The Oneg Shabbat Archive", "verifiedDetail": "The second cache was placed in two large milk cans in February 1943." } ], "period": "1933–1945", "sourceBasis": [ { "book": "v2", "pdfPages": [ 554, 556 ], "chapter": "13.2 Theaters of War" }, { "book": "v2", "pdfPages": [ 540, 541 ], "chapter": "13.1 An Unstable Peace" }, { "book": "obp", "pdfPages": [ 771, 772 ], "chapter": "6.2.3 Ideologies in Contemporary History" }, { "book": "oh", "pdfPages": [ 225, 225 ], "chapter": "5.9 A holokauszt Európában és Magyarországon, 208. feladat" }, { "book": "v2", "pdfPages": [ 554, 556 ], "chapter": "13.2 Theaters of War: The Holocaust" }, { "url": "https://encyclopedia.ushmm.org/content/en/article/the-oneg-shabbat-archive?parent=en%2F11837", "title": "USHMM Holocaust Encyclopedia: The Oneg Shabbat Archive", "verifiedDetail": "The second cache was placed in two large milk cans in February 1943." } ], "prompt": "Use case: historical-scene. Asset: one wide 1536×1024 full-color opaque historical educational narrative illustration, a single coherent hand-drawn scene with fine outlines, soft natural daytime light and thoughtful realistic colors. Retain the illustrated Kuromi–Jani character style in a fully illustrated world. Character references are identity/style only. Kuromi has simple black teardrop/oval eyes and TWO SHORT CURVED eyelashes at each outer corner EXACTLY matching canonical references, no thick angry brows or extra lashes. Kuromi is small with canonical black two-point jester hood, pink skull, white body, DARK CHARCOAL BLACK jester collar with only four tiny pink balls at its pointed tips; absolutely no broad pink trim or pink collar surface. Jani is a small FEMALE fluffy cream-white ragdoll CAT, natural four-legged feline anatomy and paws, blue eyes, pink nose, large dark brown fluffy tail. Her face is strongly ASYMMETRIC: viewed from front, viewer LEFT has a large DARK BROWN eye patch, viewer RIGHT has a smaller LIGHT BROWN patch, with irregular white blaze between. Both must be clearly visible with faces readable. They are observing the real human historical actors, never replacing them or pretending to be actual historical participants. No human hands or clothes on Jani, no bow tie, no masculine outfit. No magnifying glass or book unless scene calls for it. Do not put the characters as gigantic cutouts; integrate them at ground level in the action. No text, captions, dates, legible writing, watermark, diagrams, panels or flags. No Hollywood or video-game tropes, fantasy armor, dramatic backlighting, explosions or generic battle panorama. Serious respectful expressions around hardship, repression or war; no celebration of cruelty.\nMANDATORY VISUAL MEDIUM: Every human and every object must be visibly hand-drawn in an illustrated anime storybook style with simplified clean line-drawn faces, painted hair shapes, matte gouache color, no photographic pores or realistic photographic faces. The humans, Kuromi and Jani must all belong to the SAME painted storybook world. Clearly illustrative linework in scenery and humans, no pasted cutout effect.\nScene: Warsaw ghetto, February 1943, a restrained interior scene of the Oneg Shabbat secret archive preserving evidence. Two Jewish adult civilian archivists in worn early-1940s coats carefully wrap personal testimonies and photographs in paper and place them inside a large plain metal milk can beside unmarked document boxes. Another adult quietly checks the window curtain, all have solemn dignified expressions. Kuromi sits silently beside the wall with hands folded, Jani lies naturally near her with asymmetric face readable; both are discreet observers and never play with documents. Mechanism: persecuted people preserve their own voices and evidence despite extreme constraint. Low window daylight, plain cramped room, milk can, paper bundles and twine. No victims in degrading poses, starvation display, visible violence, barbed wire, guards, cheerful expressions, Nazi symbols or heroic cartoon adventure. Primary basis: USHMM Oneg Shabbat Archive describes second cache placed in two large milk cans in February 1943.", "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "canonicalKuromi": true, "issues": [] }, "generationReferences": [ "jani.png", "kuromi-canonical.png", "kuromi-canonical-2.png" ], "src": "assets/lesson-scenes/w29-03b.webp", "sha256": "7040c7c6fb03d801858e314c6ec22b452144a8f4f6cf657f042ef7cc1018a34d", "bytes": 310676, "thumbnailSrc": "assets/lesson-scenes/w29-03b-preview.webp", "thumbnailSha256": "a9fc544c9b912050cbc09d88cbabfba734ce4b6d26be4c81f38d2e3445baf270", "thumbnailBytes": 90922 }, { "unitId": "w29-04", "title": "Családkeresés a háború után", "alt": "Egy túlélő családi fényképet mutat a segélyező munkatársnak, aki kartonok között keres, Kuromi és Jani a várópad mellett figyel.", "caption": "Németországban 1946-ban a felszabadult üldözöttek és más otthonukat vesztett emberek családtagokat, lakhatást és jogbiztonságot kerestek. A háború lezárása nem oldotta meg automatikusan a civilek életének helyreállítását.", "scene": "A displaced woman shows a family photograph at an improvised civilian tracing desk in Germany in 1946.", "setting": "Németország, civil segélyező- és családkereső központ, 1946", "historicalDetails": [ "Fa kartonmutató és papírnyilvántartás", "Személyes családi fénykép", "Szerény bőrönd és takaró", "Iskolateremből kialakított segélyközpont" ], "placement": { "area": "base", "sectionIndex": 1 }, "period": "1944–1952", "sourceBasis": [ { "book": "v2", "pdfPages": [ 564, 573 ], "chapter": "13.4 Out of the Ashes" }, { "book": "v2", "pdfPages": [ 571, 573 ], "chapter": "13.4 Out of the Ashes: The Aftermath, Europe and Japan" } ], "prompt": "Use case: historical-scene. Asset: one wide 1536×1024 full-color opaque historical educational narrative illustration, a single coherent hand-drawn scene with fine outlines, soft natural daytime light and thoughtful realistic colors. Retain the illustrated Kuromi–Jani character style in a fully illustrated world. Character references are identity/style only. Kuromi has simple black teardrop/oval eyes and TWO SHORT CURVED eyelashes at each outer corner EXACTLY matching canonical references, no thick angry brows or extra lashes. Kuromi is small with canonical black two-point jester hood, pink skull, white body, DARK CHARCOAL BLACK jester collar with only four tiny pink balls at its pointed tips; absolutely no broad pink trim or pink collar surface. Jani is a small FEMALE fluffy cream-white ragdoll CAT, natural four-legged feline anatomy and paws, blue eyes, pink nose, large dark brown fluffy tail. Her face is strongly ASYMMETRIC: viewed from front, viewer LEFT has a large DARK BROWN eye patch, viewer RIGHT has a smaller LIGHT BROWN patch, with irregular white blaze between. Both must be clearly visible with faces readable. They are observing the real human historical actors, never replacing them or pretending to be actual historical participants. No human hands or clothes on Jani, no bow tie, no masculine outfit. No magnifying glass or book unless scene calls for it. Do not put the characters as gigantic cutouts; integrate them at ground level in the action. No text, captions, dates, legible writing, watermark, diagrams, panels or flags. No Hollywood or video-game tropes, fantasy armor, dramatic backlighting, explosions or generic battle panorama. Serious respectful expressions around hardship, repression or war; no celebration of cruelty.\nMANDATORY VISUAL MEDIUM: Every human and every object must be visibly hand-drawn in an illustrated anime storybook style with simplified clean line-drawn faces, painted hair shapes, matte gouache color, no photographic pores or realistic photographic faces. The humans, Kuromi and Jani must all belong to the SAME painted storybook world. Clearly illustrative linework in scenery and humans, no pasted cutout effect.\nScene: A displaced-persons family tracing desk in Germany, 1946, within an improvised civilian relief center. A woman survivor in plain civilian clothing shows a small family photograph to a relief worker who searches matching cards in a wooden file index; another displaced adult waits with a modest suitcase and blanket. Kuromi stands silently beside the low bench with a grave sympathetic expression, and Jani sits naturally beside the suitcase with face readable. Mechanism: ending the war leaves families, housing and legal security unresolved; rebuilding includes tracing people and restoring civilian lives. Clean but improvised school-room shelter, metal water jug and paper records without any legible names. No concentration-camp uniform, graphic suffering, cheerful mascot celebration, flags, military triumph or savior staging.", "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "canonicalKuromi": true, "issues": [] }, "generationReferences": [ "jani.png", "kuromi-canonical.png", "kuromi-canonical-2.png" ], "src": "assets/lesson-scenes/w29-04.webp", "sha256": "3f3ec902bafc2f6491d3ca73b9500bace7471fd3d4956991e1cf85c2f026b88c", "bytes": 283538, "thumbnailSrc": "assets/lesson-scenes/w29-04-preview.webp", "thumbnailSha256": "570c692aa62bcd1b8b5df11b41f98e16a61554613302e7ffe9659bc63e377793", "thumbnailBytes": 91544 }, { "unitId": "w30-01", "title": "Liszt és ellátmány a berlini légihídon", "alt": "Raktári dolgozók liszteszsákokat és ládákat rakodnak egy légcsavaros szállítógépből teherautóra, Kuromi és Jani a rakodótér szélén figyel.", "caption": "Az 1948–1949-es berlini légihíd a szárazföldi blokád alatt fenntartotta Nyugat-Berlin ellátását. A lakosság élelmezése egyszerre volt hétköznapi túlélési feladat és nagyhatalmi politikai próba.", "scene": "Civilian workers and transport crew unload food supplies at Berlin Tempelhof during the 1948–1949 airlift.", "setting": "Berlin–Tempelhof, 1948–1949 tele", "historicalDetails": [ "Légcsavaros teherszállító repülőgép", "Liszteszsákok és ellátmányládák", "Repülőtéri teherautó", "Átvételi lista és téli munkaruházat" ], "placement": { "area": "base", "sectionIndex": 2 }, "period": "1945–1955", "sourceBasis": [ { "book": "v2", "pdfPages": [ 583, 591 ], "chapter": "14.1 The Cold War Begins" }, { "book": "v2", "pdfPages": [ 588, 591 ], "chapter": "14.1 The Cold War Begins: Cold War Strategies" }, { "book": "oh", "pdfPages": [ 239, 240 ], "chapter": "6.1 A hidegháború kora, 221. feladat" } ], "prompt": "Use case: historical-scene. Asset: one wide 1536×1024 full-color opaque historical educational narrative illustration, a single coherent hand-drawn scene with fine outlines, soft natural daytime light and thoughtful realistic colors. Retain the illustrated Kuromi–Jani character style in a fully illustrated world. Character references are identity/style only. Kuromi has simple black teardrop/oval eyes and TWO SHORT CURVED eyelashes at each outer corner EXACTLY matching canonical references, no thick angry brows or extra lashes. Kuromi is small with canonical black two-point jester hood, pink skull, white body, DARK CHARCOAL BLACK jester collar with only four tiny pink balls at its pointed tips; absolutely no broad pink trim or pink collar surface. Jani is a small FEMALE fluffy cream-white ragdoll CAT, natural four-legged feline anatomy and paws, blue eyes, pink nose, large dark brown fluffy tail. Her face is strongly ASYMMETRIC: viewed from front, viewer LEFT has a large DARK BROWN eye patch, viewer RIGHT has a smaller LIGHT BROWN patch, with irregular white blaze between. Both must be clearly visible with faces readable. They are observing the real human historical actors, never replacing them or pretending to be actual historical participants. No human hands or clothes on Jani, no bow tie, no masculine outfit. No magnifying glass or book unless scene calls for it. Do not put the characters as gigantic cutouts; integrate them at ground level in the action. No text, captions, dates, legible writing, watermark, diagrams, panels or flags. No Hollywood or video-game tropes, fantasy armor, dramatic backlighting, explosions or generic battle panorama. Serious respectful expressions around hardship, repression or war; no celebration of cruelty.\nMANDATORY VISUAL MEDIUM: Every human and every object must be visibly hand-drawn in an illustrated anime storybook style with simplified clean line-drawn faces, painted hair shapes, matte gouache color, no photographic pores or realistic photographic faces. The humans, Kuromi and Jani must all belong to the SAME painted storybook world. Clearly illustrative linework in scenery and humans, no pasted cutout effect.\nScene: Berlin Tempelhof airport, winter 1948–1949, during the airlift. Civilian German workers and Allied transport crew unload sacks of flour and plain boxes from the open cargo door of a four-engine propeller transport aircraft into a small airport truck. A woman municipal food-distribution worker checks a plain receiving list; distant housing blocks and hangar in chilly daylight. Kuromi observes at the edge of the loading area and Jani stands beside a folded canvas sack, her face readable and safely away from wheels. Mechanism: civilian supply becomes both survival infrastructure and a test of political commitment during the blockade. No candy-dropping spectacle, heroic pilot pose, ideological logos, insignia, flags, Berlin Wall or jet aircraft. Sober practical teamwork.", "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "canonicalKuromi": true, "issues": [] }, "generationReferences": [ "jani.png", "kuromi-canonical.png", "kuromi-canonical-2.png" ], "src": "assets/lesson-scenes/w30-01.webp", "sha256": "3cac99df08ac5c281c837464df377afd2e614ac2aa0ae594db69e0804ae0041f", "bytes": 353012, "thumbnailSrc": "assets/lesson-scenes/w30-01-preview.webp", "thumbnailSha256": "1d6339182b58c084ace9f7c9b52fa89b32f5a7e5062bd16592b5ea59b1253b59", "thumbnailBytes": 113472 }, { "unitId": "w30-02a", "title": "Gabona, jelentés és a valós készlet", "alt": "Parasztok és egy falusi írnok a kevés gabonát vetik össze egy káder jelentésével, Kuromi és Jani az üres kosarak mellett figyel.", "caption": "Kínában a nagy ugrás idején a túlzó termésjelentések és a kikényszerített beszolgáltatás a falusi élelmezést veszélyeztették. Az 1959 körüli szemléltető jelenet a tényleges készlet és a politikai elvárás közötti eltérést mutatja.", "scene": "A peasant household and uncertain clerk confront the mismatch between actual grain and procurement reporting around 1959 in rural China.", "setting": "Kínai falu, 1959 körül", "historicalDetails": [ "Abakusz és papírjelentés", "Kevés gabonát tartalmazó zsák", "Üres fonott terménykosarak", "Használaton kívüli háztáji kohó és mezőgazdasági szerszámok" ], "placement": { "area": "base", "sectionIndex": 1 }, "period": "1945–1976", "sourceBasis": [ { "book": "v2", "pdfPages": [ 591, 600 ], "chapter": "14.2 The Spread of Communism" }, { "book": "oh", "pdfPages": [ 241, 242 ], "chapter": "6.1 Kommunista fordulat Kínában, 223. feladat" }, { "book": "v2", "pdfPages": [ 591, 592 ], "chapter": "14.2 The Spread of Communism: Chinese Revolution" }, { "book": "v2", "pdfPages": [ 598, 600 ], "chapter": "14.2 The Spread of Communism: The Great Leap Forward and the Cultural Revolution" } ], "prompt": "Use case: historical-scene. Asset: one wide 1536×1024 full-color opaque historical educational narrative illustration, a single coherent hand-drawn scene with fine outlines, soft natural daytime light and thoughtful realistic colors. Retain the illustrated Kuromi–Jani character style in a fully illustrated world. Character references are identity/style only. Kuromi has simple black teardrop/oval eyes and TWO SHORT CURVED eyelashes at each outer corner EXACTLY matching canonical references, no thick angry brows or extra lashes. Kuromi is small with canonical black two-point jester hood, pink skull, white body, DARK CHARCOAL BLACK jester collar with only four tiny pink balls at its pointed tips; absolutely no broad pink trim or pink collar surface. Jani is a small FEMALE fluffy cream-white ragdoll CAT, natural four-legged feline anatomy and paws, blue eyes, pink nose, large dark brown fluffy tail. Her face is strongly ASYMMETRIC: viewed from front, viewer LEFT has a large DARK BROWN eye patch, viewer RIGHT has a smaller LIGHT BROWN patch, with irregular white blaze between. Both must be clearly visible with faces readable. They are observing the real human historical actors, never replacing them or pretending to be actual historical participants. No human hands or clothes on Jani, no bow tie, no masculine outfit. No magnifying glass or book unless scene calls for it. Do not put the characters as gigantic cutouts; integrate them at ground level in the action. No text, captions, dates, legible writing, watermark, diagrams, panels or flags. No Hollywood or video-game tropes, fantasy armor, dramatic backlighting, explosions or generic battle panorama. Serious respectful expressions around hardship, repression or war; no celebration of cruelty.\nMANDATORY VISUAL MEDIUM: Every human and every object must be visibly hand-drawn in an illustrated anime storybook style with simplified clean line-drawn faces, painted hair shapes, matte gouache color, no photographic pores or realistic photographic faces. The humans, Kuromi and Jani must all belong to the SAME painted storybook world. Clearly illustrative linework in scenery and humans, no pasted cutout effect.\nScene: Rural China, around 1959 during the Great Leap Forward, a sober scene of grain measurement and distorted reporting. A peasant woman and older farmer in plain patched cotton jackets stand beside a nearly empty grain bin; a local cadre holds an abacus and a paper report while a village clerk looks uncertainly from the very small measured grain sack to the many empty baskets. In the background a cold unused small backyard furnace and agricultural tools explain diverted labor without spectacle. Kuromi stands quietly aside with grave expression, Jani sits near the woven baskets with asymmetric face readable. Mechanism: political reporting pressure and grain procurement ignore real food availability. Respectful normal human anatomy, no emaciation, dead bodies, violence, cheerful propaganda, red flags, Mao portraits or triumphant industrial fantasy.", "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "canonicalKuromi": true, "issues": [] }, "generationReferences": [ "jani.png", "kuromi-canonical.png", "kuromi-canonical-2.png" ], "src": "assets/lesson-scenes/w30-02a.webp", "sha256": "f1543206d6c8ac2da709bbccda3bdf3ad4cb02ec1fc0e9f09eb728a7ab6bab18", "bytes": 395598, "thumbnailSrc": "assets/lesson-scenes/w30-02a-preview.webp", "thumbnailSha256": "a34207965cd654c48c7f44394d0666f238c31b1896dad2b8314220f861739811", "thumbnailBytes": 128468 }, { "unitId": "w30-02b", "title": "Fegyverszünet után is elszakított családok", "alt": "Egy koreai anya családi fényképet mutat egy segélyező ügyintézőnek, miközben a vasútállomáson Kuromi és Jani mellett más civilek várnak.", "caption": "A koreai fegyverszünet 1953-ban leállította a harcot, de nem hozott békeszerződést vagy egységes államot. A menekülés és családszakadás következményei a katonai döntés után is fennmaradtak.", "scene": "A Korean mother seeks information about separated family at a civilian railway tracing point after the 1953 armistice.", "setting": "Korea, vasúti civil családkereső pont, 1953 nyara", "historicalDetails": [ "Koreai pamut dzsogori és hosszú szoknya", "Családi fénykép", "Ruhába kötött útipoggyász", "Sérült állomásépület és kézi poggyászkocsi" ], "placement": { "area": "base", "sectionIndex": 1 }, "period": "1945–1976", "sourceBasis": [ { "book": "v2", "pdfPages": [ 593, 598 ], "chapter": "14.2 The Spread of Communism" }, { "book": "v2", "pdfPages": [ 614, 616 ], "chapter": "14.4 Global Tensions and Decolonization" }, { "book": "v2", "pdfPages": [ 593, 598 ], "chapter": "14.2 The Spread of Communism: The Two Koreas and Southeast Asia" }, { "book": "v2", "pdfPages": [ 614, 615 ], "chapter": "14.4 Global Tensions and Decolonization: Escalation in Vietnam" } ], "prompt": "Use case: historical-scene. Asset: one wide 1536×1024 full-color opaque historical educational narrative illustration, a single coherent hand-drawn scene with fine outlines, soft natural daytime light and thoughtful realistic colors. Retain the illustrated Kuromi–Jani character style in a fully illustrated world. Character references are identity/style only. Kuromi has simple black teardrop/oval eyes and TWO SHORT CURVED eyelashes at each outer corner EXACTLY matching canonical references, no thick angry brows or extra lashes. Kuromi is small with canonical black two-point jester hood, pink skull, white body, DARK CHARCOAL BLACK jester collar with only four tiny pink balls at its pointed tips; absolutely no broad pink trim or pink collar surface. Jani is a small FEMALE fluffy cream-white ragdoll CAT, natural four-legged feline anatomy and paws, blue eyes, pink nose, large dark brown fluffy tail. Her face is strongly ASYMMETRIC: viewed from front, viewer LEFT has a large DARK BROWN eye patch, viewer RIGHT has a smaller LIGHT BROWN patch, with irregular white blaze between. Both must be clearly visible with faces readable. They are observing the real human historical actors, never replacing them or pretending to be actual historical participants. No human hands or clothes on Jani, no bow tie, no masculine outfit. No magnifying glass or book unless scene calls for it. Do not put the characters as gigantic cutouts; integrate them at ground level in the action. No text, captions, dates, legible writing, watermark, diagrams, panels or flags. No Hollywood or video-game tropes, fantasy armor, dramatic backlighting, explosions or generic battle panorama. Serious respectful expressions around hardship, repression or war; no celebration of cruelty.\nMANDATORY VISUAL MEDIUM: Every human and every object must be visibly hand-drawn in an illustrated anime storybook style with simplified clean line-drawn faces, painted hair shapes, matte gouache color, no photographic pores or realistic photographic faces. The humans, Kuromi and Jani must all belong to the SAME painted storybook world. Clearly illustrative linework in scenery and humans, no pasted cutout effect.\nScene: Korea, summer 1953 after the armistice, an improvised civilian family-tracing point near a railway station. A Korean mother in practical cotton jeogori and long skirt shows a creased family photograph to a Korean relief clerk while an older man waits with a cloth bundle and a young child stays close. A damaged but standing station building, simple board holding only blank-looking paper notices and an unused luggage cart show displacement. Kuromi sits quietly on the waiting bench with solemn expression, Jani stands near the cloth bundle facing viewer. Mechanism: the armistice stops fighting without reuniting a divided population or creating a final peace settlement. No flags, military heroes, weapons, barbed-wire spectacle, explosions, cheerful cartoon adventure or readable writing. Human family agency central, matte drawn storybook style.", "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "canonicalKuromi": true, "issues": [] }, "generationReferences": [ "jani.png", "kuromi-canonical.png", "kuromi-canonical-2.png" ], "src": "assets/lesson-scenes/w30-02b.webp", "sha256": "abbbe411a6f7aa7813559c14206679a4c2249d71360b0ea04647d414ce3acba8", "bytes": 318874, "thumbnailSrc": "assets/lesson-scenes/w30-02b-preview.webp", "thumbnailSha256": "3aee2027f56d9fd813ae9ef80576be8a0ab097f015606640ae589ea3323114a9", "thumbnailBytes": 106816 }, { "unitId": "w30-03", "title": "Saját diplomáciai hang Bandungban", "alt": "Ázsiai és afrikai küldöttek tolmácsokkal egyeztetnek egy közös irattervezetről, Kuromi és Jani a folyosó szélén figyel.", "caption": "Az 1955-ös bandungi konferencia résztvevői a gyarmatosítás és a nagyhatalmi függés ellen fogalmaztak meg közös elveket. A saját álláspont összehangolása a két tömb közötti önálló mozgástér egyik eszköze lett.", "scene": "Asian and African delegates coordinate draft principles with interpreters in a Bandung conference corridor in April 1955.", "setting": "Bandung, Indonézia, 1955 áprilisa", "historicalDetails": [ "Art deco konferenciaépület", "Rattanszékek és mennyezeti ventilátorok", "1950-es évekbeli öltöny, szári és peci sapka", "Papírtervezetek és tolmácsolt egyeztetés" ], "placement": { "area": "base", "sectionIndex": 1 }, "period": "1947–1967", "sourceBasis": [ { "book": "v2", "pdfPages": [ 600, 603 ], "chapter": "14.3 The Non-Aligned Movement" }, { "book": "v2", "pdfPages": [ 605, 607 ], "chapter": "14.3 The Non-Aligned Movement" }, { "book": "v2", "pdfPages": [ 600, 603 ], "chapter": "14.3 The Non-Aligned Movement: Yugoslavia, Indonesia and India" } ], "prompt": "Use case: historical-scene. Asset: one wide 1536×1024 full-color opaque historical educational narrative illustration, a single coherent hand-drawn scene with fine outlines, soft natural daytime light and thoughtful realistic colors. Retain the illustrated Kuromi–Jani character style in a fully illustrated world. Character references are identity/style only. Kuromi has simple black teardrop/oval eyes and TWO SHORT CURVED eyelashes at each outer corner EXACTLY matching canonical references, no thick angry brows or extra lashes. Kuromi is small with canonical black two-point jester hood, pink skull, white body, DARK CHARCOAL BLACK jester collar with only four tiny pink balls at its pointed tips; absolutely no broad pink trim or pink collar surface. Jani is a small FEMALE fluffy cream-white ragdoll CAT, natural four-legged feline anatomy and paws, blue eyes, pink nose, large dark brown fluffy tail. Her face is strongly ASYMMETRIC: viewed from front, viewer LEFT has a large DARK BROWN eye patch, viewer RIGHT has a smaller LIGHT BROWN patch, with irregular white blaze between. Both must be clearly visible with faces readable. They are observing the real human historical actors, never replacing them or pretending to be actual historical participants. No human hands or clothes on Jani, no bow tie, no masculine outfit. No magnifying glass or book unless scene calls for it. Do not put the characters as gigantic cutouts; integrate them at ground level in the action. No text, captions, dates, legible writing, watermark, diagrams, panels or flags. No Hollywood or video-game tropes, fantasy armor, dramatic backlighting, explosions or generic battle panorama. Serious respectful expressions around hardship, repression or war; no celebration of cruelty.\nMANDATORY VISUAL MEDIUM: Every human and every object must be visibly hand-drawn in an illustrated anime storybook style with simplified clean line-drawn faces, painted hair shapes, matte gouache color, no photographic pores or realistic photographic faces. The humans, Kuromi and Jani must all belong to the SAME painted storybook world. Clearly illustrative linework in scenery and humans, no pasted cutout effect.\nScene: Bandung, Indonesia, April 1955, the corridor of a modest Art Deco conference building between sessions. Asian and African delegates in varied accurate mid-1950s civilian suits, a sari and an Indonesian peci cap exchange a draft communiqué of unlettered papers with interpreters; one African delegate actively proposes a revision while others listen. Ceiling fans, rattan chairs, broad windows and tropical garden visible through the doorway. Kuromi sits discreetly on an empty low chair at the edge listening seriously; Jani stands naturally beside its legs facing viewer. Mechanism: newly independent states coordinate their own principles and bargaining voice beyond simply choosing a superpower bloc. No flags, giant leaders, monuments, parade, propaganda text, maps or anachronistic devices. Diagonal corridor conversation rather than formal long-table summit.", "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "canonicalKuromi": true, "issues": [] }, "generationReferences": [ "jani.png", "kuromi-canonical.png", "kuromi-canonical-2.png" ], "src": "assets/lesson-scenes/w30-03.webp", "sha256": "62a0a0e8d552cb9858784c96da45bb15bf39c7418d54e387fdee3ec00ece0940", "bytes": 327396, "thumbnailSrc": "assets/lesson-scenes/w30-03-preview.webp", "thumbnailSha256": "a0b1672889b93ffe7bf1b205ea14f0a477eefafc899df112f9781456b5d4257e", "thumbnailBytes": 108916 }, { "unitId": "w30-04a", "title": "Kakaóátvétel a függetlenné vált Ghánában", "alt": "Kuromi és Jani a ghánai kakaótermelő és az áruátvételi hivatalnok mérlegelését figyelik.", "caption": "Ghána az 1957-es függetlenség után is exportáló gazdaság és örökölt intézmények működtetésére támaszkodott. A mérlegelés és nyilvántartás az állami döntési jogot a termelők mindennapi megélhetéséhez kapcsolja.", "period": "Ghána, 1960 körül", "setting": "Ghána, egy kakaóátvevő raktár udvara", "placement": { "area": "base", "sectionIndex": 2 }, "historicalDetails": [ "Durva szövésű kakaós zsákok", "Mechanikus gerendás árumérleg", "Papíralapú átvételi nyilvántartás", "1960 körüli egyszerű rakodóraktár" ], "scene": "Ghana circa1960, a modest cocoa buying depot courtyard. African smallholders bring cocoa beans in plain coarse jute sacks; a Ghanaian woman clerk in a simple period cotton dress records an intake on a paper ledger beside an African man operating a sturdy mechanical beam platform scale. A cut open cocoa pod and a shallow tray of dried brown beans identify the commodity. Low rendered masonry storehouse, wooden shutters, stacked unmarked sacks, bicycle and hand trolley. No imposing modern Cocoa House facade or modern forklift. Show practical continuity of export organization after independence, mixed attentive expressions, not a triumphant national celebration. Kuromi observes the balance from beside the clerk's table; Jani sits beside the beans facing the viewer, safely away from moving loads.", "sourceBasis": [ { "book": "v2", "pdfPages": [ 616, 620 ], "chapter": "14.4 Decolonization in Africa" }, { "url": "https://cocobod.gh/about-us", "title": "Ghana Cocoa Board intézménytörténete;1947-es alapítás és1960-as Cocoa House" } ], "prompt": "Use case: historical-scene. Create one landscape1536x1024 opaque full-color historical educational illustration. Keep the entire image clearly HAND-DRAWN: clean visible ink contours, simplified expressive human faces, gently painted flat color shapes, illustrated fabric and architecture. Match the friendly illustrated Kuromi and Jani identity references; avoid photographic skin, 3D render or photorealistic characters. Natural everyday light, believable period objects and material construction. No Hollywood, cinematic spectacle, game/fantasy armor, theatrical backlighting, explosions or generic battle. Input1 is Jani and input2 Kuromi, CHARACTER IDENTITY ONLY, not their pose, book, magnifier or original background. Kuromi is canonical: black two-point jester hood, pink skull, white body, pink collar. Jani is a FEMALE fluffy cream-white ragdoll cat, blue eyes, pink nose, bushy dark-brown tail, natural feline paws/four legs, no human hands, clothes or bow tie. Her face stays ASYMMETRIC: large dark-brown patch around VIEWER LEFT eye, much smaller lighter taupe patch on VIEWER RIGHT eye, irregular central white blaze. Both mascots clearly visible in the foreground as attentive observers, together about one quarter image height; they do not replace historic people or political leaders. One continuous scene, no panels, text, numbers, labels, readable writing, flags, logos or watermark. No out-of-period technology or buildings. Ghana circa1960, a modest cocoa buying depot courtyard. African smallholders bring cocoa beans in plain coarse jute sacks; a Ghanaian woman clerk in a simple period cotton dress records an intake on a paper ledger beside an African man operating a sturdy mechanical beam platform scale. A cut open cocoa pod and a shallow tray of dried brown beans identify the commodity. Low rendered masonry storehouse, wooden shutters, stacked unmarked sacks, bicycle and hand trolley. No imposing modern Cocoa House facade or modern forklift. Show practical continuity of export organization after independence, mixed attentive expressions, not a triumphant national celebration. Kuromi observes the balance from beside the clerk's table; Jani sits beside the beans facing the viewer, safely away from moving loads.", "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [], "canonicalKuromi": true, "canonicalReview": "A végső kép megtekintve: sötét gallér, apró rózsaszín csúcsgömbök, fekete szemek és rövid külső szempillák; Jani és a történeti jelenet megmaradt." }, "corrections": [ { "type": "canonical-character-correction", "prompt": "Use case: targeted character correction. Edit INPUT 1, the existing full-color historical illustration. INPUT 2 is the user's definitive canonical Kuromi character reference; use its collar and eye/eyelash design exactly. Preserve the historical background, all people, their faces and clothing, objects, lighting, composition, framing, and the female ragdoll cat Jani exactly. Change ONLY Kuromi's design: a single DARK CHARCOAL / near-black pointed jester collar, with only four small pink spherical pom-poms on its tips (only the tips naturally visible from this pose). Absolutely NO pink fabric, pink collar band, pink edging, large pink ruff or double collar. Her eyes are solid black droplet/oval shapes, with exactly two short gently curved lashes at the upper OUTER corner of each open eye, matching INPUT 2; no fan of long lashes, no brown irises or glamorous makeup. Keep Kuromi's present pose, size, expression appropriate to this historical scene, white body, dark hood, pink skull and small pink nose. Preserve her familiar cute 2D Sanrio character identity. Keep the image as one coherent hand-drawn educational illustration, same dimensions/aspect ratio, opaque background, no text or new decorations.", "reference": "User-supplied canonical Kuromi: dark collar and short outer eyelashes" } ], "src": "assets/lesson-scenes/w30-04a.webp", "sha256": "62b476cf33b61b8295f3736cb452921e252f847d8b14838bbd0c7d5b802fad0d", "bytes": 392882, "thumbnailSrc": "assets/lesson-scenes/w30-04a-preview.webp", "thumbnailSha256": "7cf84bf06f072592ff30e89a6c59e3e7d40fea7cf1f5632fcf3165e300e65f50", "thumbnailBytes": 135448 }, { "unitId": "w30-04b", "title": "A Szuezi-csatorna ellenőrzése", "alt": "Kuromi és Jani egy egyiptomi révkalauz és tisztviselő munkáját figyeli egy elhaladó korabeli kereskedelmi hajó mellett.", "caption": "Szuez, 1956: az államosítás a stratégiai vízi út feletti döntési jogot tette nemzetközi konfliktussá. A hajóforgalom a szuverenitás és a világgazdasági érdekek kapcsolatát szemlélteti.", "period": "1956", "setting": "Szuezi-csatorna, egy part menti révkalauzállomás", "placement": { "area": "base", "sectionIndex": 1 }, "historicalDetails": [ "1950-es évekbeli kereskedelmi hajó felépítménye", "Egyszerű révkalauzcsónak", "Papíros forgalmi nyilvántartás", "Csatornaparti kőépület és homokos táj" ], "scene": "Suez Canal Egypt in1956, view from a modest canal pilot station shaded veranda. An Egyptian canal official in a plain short-sleeved light shirt and an Egyptian pilot in simple period work clothes compare a paper ship-movement ledger while a small wooden motor pilot launch is tied at the stone quay. Beyond them a mid-century merchant vessel with riveted-looking dark hull, modest bridge and one smokestack passes slowly between sandy banks. Include no container ship, radar arrays, modern computer, giant modern bridge or military attack. A black rotary telephone and a plain brass binocular case can sit in the station. Kuromi points attentively toward the working pilot launch; Jani watches from a low bench, face visible. Calm practical shipping-control scene, no celebratory nationalism or flags.", "sourceBasis": [ { "book": "v2", "pdfPages": [ 605, 607 ], "chapter": "14.3 Egypt, nationalization and Suez Crisis" } ], "prompt": "Use case: historical-scene. Create one landscape1536x1024 opaque full-color historical educational illustration. Keep the entire image clearly HAND-DRAWN: clean visible ink contours, simplified expressive human faces, gently painted flat color shapes, illustrated fabric and architecture. Match the friendly illustrated Kuromi and Jani identity references; avoid photographic skin, 3D render or photorealistic characters. Natural everyday light, believable period objects and material construction. No Hollywood, cinematic spectacle, game/fantasy armor, theatrical backlighting, explosions or generic battle. Input1 is Jani and input2 Kuromi, CHARACTER IDENTITY ONLY, not their pose, book, magnifier or original background. Kuromi is canonical: black two-point jester hood, pink skull, white body, pink collar. Jani is a FEMALE fluffy cream-white ragdoll cat, blue eyes, pink nose, bushy dark-brown tail, natural feline paws/four legs, no human hands, clothes or bow tie. Her face stays ASYMMETRIC: large dark-brown patch around VIEWER LEFT eye, much smaller lighter taupe patch on VIEWER RIGHT eye, irregular central white blaze. Both mascots clearly visible in the foreground as attentive observers, together about one quarter image height; they do not replace historic people or political leaders. One continuous scene, no panels, text, numbers, labels, readable writing, flags, logos or watermark. No out-of-period technology or buildings. Suez Canal Egypt in1956, view from a modest canal pilot station shaded veranda. An Egyptian canal official in a plain short-sleeved light shirt and an Egyptian pilot in simple period work clothes compare a paper ship-movement ledger while a small wooden motor pilot launch is tied at the stone quay. Beyond them a mid-century oil tanker with riveted-looking dark hull, modest bridge and one smokestack passes slowly between sandy banks. Include no container ship, radar arrays, modern computer, giant modern bridge or military attack. A black rotary telephone and a plain brass binocular case can sit in the station. Kuromi points attentively toward the working pilot launch; Jani watches from a low bench, face visible. Calm practical shipping-control scene, no celebratory nationalism or flags.", "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [], "canonicalKuromi": true, "canonicalReview": "A végső kép megtekintve: sötét gallér, apró rózsaszín csúcsgömbök, fekete szemek és rövid külső szempillák; Jani és a történeti jelenet megmaradt." }, "corrections": [ { "type": "canonical-character-correction", "prompt": "Use case: targeted character correction. Edit INPUT 1, the existing full-color historical illustration. INPUT 2 is the user's definitive canonical Kuromi character reference; use its collar and eye/eyelash design exactly. Preserve the historical background, all people, their faces and clothing, objects, lighting, composition, framing, and the female ragdoll cat Jani exactly. Change ONLY Kuromi's design: a single DARK CHARCOAL / near-black pointed jester collar, with only four small pink spherical pom-poms on its tips (only the tips naturally visible from this pose). Absolutely NO pink fabric, pink collar band, pink edging, large pink ruff or double collar. Her eyes are solid black droplet/oval shapes, with exactly two short gently curved lashes at the upper OUTER corner of each open eye, matching INPUT 2; no fan of long lashes, no brown irises or glamorous makeup. Keep Kuromi's present pose, size, expression appropriate to this historical scene, white body, dark hood, pink skull and small pink nose. Preserve her familiar cute 2D Sanrio character identity. Keep the image as one coherent hand-drawn educational illustration, same dimensions/aspect ratio, opaque background, no text or new decorations.", "reference": "User-supplied canonical Kuromi: dark collar and short outer eyelashes" } ], "src": "assets/lesson-scenes/w30-04b.webp", "sha256": "89f4abc4cda48e8577cd8a711a97e171f8d9ae6f5e8c48e33bee7b7b37098885", "bytes": 358184, "thumbnailSrc": "assets/lesson-scenes/w30-04b-preview.webp", "thumbnailSha256": "8ab5cae26b43e705230f7b75382adb617337dd70b4506a968d928a19c66ade82", "thumbnailBytes": 114870 }, { "unitId": "w30-04c", "title": "Rézbányászat és az államosítás kérdése Chilében", "alt": "Kuromi és Jani chilei bányászok és mérnökök műszakváltását figyeli egy sivatagi rézbánya mellett.", "caption": "Chile, 1971 után: a rézbányák államosítása a bevétel és a gazdasági döntés feletti ellenőrzést érintette. A tulajdonviszony megváltoztatása mellett a termelés, a külpiac és a politikai konfliktus kérdése is megmaradt.", "period": "1971–1972", "setting": "Észak-Chile, egy külszíni rézbánya műszakváltója", "placement": { "area": "base", "sectionIndex": 2 }, "historicalDetails": [ "Sivatagi külszíni bányateraszok", "Korabeli egyszerű védősisak és munkaruha", "1970 körüli bányateherautó", "Papír alapú műszaknyilvántartás" ], "scene": "Northern Chile copper mine circa1972, a grounded shift-change scene at an unbranded mine yard overlooking dry terraced open pit benches. A Chilean woman engineer in a plain hard hat and work jacket shows a paper shift record to two miners wearing early1970s helmets, denim work trousers and simple canvas jackets. One dusty medium1970-era mine truck and an ore rail wagon stand behind them, no huge futuristic haul truck or electronic tablet. The reddish mineral rock and desert Andes foothills identify the setting. A small wire-fenced office, enamel mug and mechanical wall clock with no legible numbers. No political slogans, military coup, banners, celebrities or celebration. Kuromi observes the ore sample table from the foreground left; Jani sits alert beside her, face front. The event is ordinary continued production during political-economic change, not mascot ownership of the mine.", "sourceBasis": [ { "book": "v2", "pdfPages": [ 610, 614 ], "chapter": "14.4 Latin America and Allende" }, { "url": "https://www.codelco.com/nosotros/la-corporacion/historia", "title": "Codelco története: a réz1971.július11-i államosítása" } ], "prompt": "Use case: historical-scene. Create one landscape1536x1024 opaque full-color historical educational illustration. Keep the entire image clearly HAND-DRAWN: clean visible ink contours, simplified expressive human faces, gently painted flat color shapes, illustrated fabric and architecture. Match the friendly illustrated Kuromi and Jani identity references; avoid photographic skin, 3D render or photorealistic characters. Natural everyday light, believable period objects and material construction. No Hollywood, cinematic spectacle, game/fantasy armor, theatrical backlighting, explosions or generic battle. Input1 is Jani and input2 Kuromi, CHARACTER IDENTITY ONLY, not their pose, book, magnifier or original background. Kuromi is canonical: black two-point jester hood, pink skull, white body, pink collar. Jani is a FEMALE fluffy cream-white ragdoll cat, blue eyes, pink nose, bushy dark-brown tail, natural feline paws/four legs, no human hands, clothes or bow tie. Her face stays ASYMMETRIC: large dark-brown patch around VIEWER LEFT eye, much smaller lighter taupe patch on VIEWER RIGHT eye, irregular central white blaze. Both mascots clearly visible in the foreground as attentive observers, together about one quarter image height; they do not replace historic people or political leaders. One continuous scene, no panels, text, numbers, labels, readable writing, flags, logos or watermark. No out-of-period technology or buildings. Northern Chile copper mine circa1972, a grounded shift-change scene at an unbranded mine yard overlooking dry terraced open pit benches. A Chilean woman engineer in a plain hard hat and work jacket shows a paper shift record to two miners wearing early1970s helmets, denim work trousers and simple canvas jackets. One dusty medium1970-era mine truck and an ore rail wagon stand behind them, no huge futuristic haul truck or electronic tablet. The reddish mineral rock and desert Andes foothills identify the setting. A small wire-fenced office, enamel mug and mechanical wall clock with no legible numbers. No political slogans, military coup, banners, celebrities or celebration. Kuromi observes the ore sample table from the foreground left; Jani sits alert beside her, face front. The event is ordinary continued production during political-economic change, not mascot ownership of the mine.", "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [], "canonicalKuromi": true, "canonicalReview": "A végső kép megtekintve: sötét gallér, apró rózsaszín csúcsgömbök, fekete szemek és rövid külső szempillák; Jani és a történeti jelenet megmaradt." }, "corrections": [ { "type": "canonical-character-correction", "prompt": "Use case: targeted character correction. Edit INPUT 1, the existing full-color historical illustration. INPUT 2 is the user's definitive canonical Kuromi character reference; use its collar and eye/eyelash design exactly. Preserve the historical background, all people, their faces and clothing, objects, lighting, composition, framing, and the female ragdoll cat Jani exactly. Change ONLY Kuromi's design: a single DARK CHARCOAL / near-black pointed jester collar, with only four small pink spherical pom-poms on its tips (only the tips naturally visible from this pose). Absolutely NO pink fabric, pink collar band, pink edging, large pink ruff or double collar. Her eyes are solid black droplet/oval shapes, with exactly two short gently curved lashes at the upper OUTER corner of each open eye, matching INPUT 2; no fan of long lashes, no brown irises or glamorous makeup. Keep Kuromi's present pose, size, expression appropriate to this historical scene, white body, dark hood, pink skull and small pink nose. Preserve her familiar cute 2D Sanrio character identity. Keep the image as one coherent hand-drawn educational illustration, same dimensions/aspect ratio, opaque background, no text or new decorations.", "reference": "User-supplied canonical Kuromi: dark collar and short outer eyelashes" } ], "src": "assets/lesson-scenes/w30-04c.webp", "sha256": "a7dad0015924050b2c4e21262db44e636ac5c7bdc62a3a9d87405587b873128f", "bytes": 396710, "thumbnailSrc": "assets/lesson-scenes/w30-04c-preview.webp", "thumbnailSha256": "ee7b1c10258858320946dd2d216dc13b4d01a3c4b7df5182824f76dc41c9ff87", "thumbnailBytes": 130778 }, { "unitId": "w30-05", "title": "Megnyíló berlini átkelő", "alt": "Kuromi és Jani berlini civileket figyel, akik 1989 őszén áthaladnak a megnyíló határellenőrző ponton.", "caption": "Berlin, 1989 őszén: a határ megnyitása a társadalmi mozgósítás és az állami ellenőrzés meggyengülésének látható fordulata lett. A szovjet beavatkozás elmaradása megváltoztatta a kelet-európai vezetők mozgásterét.", "period": "1989 ősz", "setting": "Berlin, egy városi határátkelő", "placement": { "area": "base", "sectionIndex": 1 }, "historicalDetails": [ "Alacsony berlini betonfal és ellenőrzőpont", "1980-as évekbeli kabátok és táskák", "Egyszerű útlevélfülke", "Trabant kisautó" ], "scene": "Berlin autumn1989, a quiet human-scale border crossing newly opened to civilians, not an iconic panoramic recreation. A low concrete wall and small functional guard booth with its barrier lifted; ordinary East German families in late1980s wool coats and jeans carry small travel bags past a calm border officer. A modest light-colored Trabant waits at the lane edge. Show gentle relief, conversations and uncertain first steps, no enormous cheering crowd, smashed architecture, dramatic searchlights or soldiers firing. No readable graffiti, flags, modern smartphone or present-day skyline. Kuromi and Jani stand together near the pedestrian railing, observing people reunite with restrained warm expressions. Clear hand-drawn contours and softly muted blue, tan and plum autumn colors, both mascots faces visible.", "sourceBasis": [ { "book": "v2", "pdfPages": [ 622, 624 ], "chapter": "14.5 The Eastern Bloc and Berlin1989" } ], "prompt": "Use case: historical-scene. Create one landscape1536x1024 opaque full-color historical educational illustration. Keep the entire image clearly HAND-DRAWN: clean visible ink contours, simplified expressive human faces, gently painted flat color shapes, illustrated fabric and architecture. Match the friendly illustrated Kuromi and Jani identity references; avoid photographic skin, 3D render or photorealistic characters. Natural everyday light, believable period objects and material construction. No Hollywood, cinematic spectacle, game/fantasy armor, theatrical backlighting, explosions or generic battle. Input1 is Jani and input2 Kuromi, CHARACTER IDENTITY ONLY, not their pose, book, magnifier or original background. Kuromi is canonical: black two-point jester hood, pink skull, white body, pink collar. Jani is a FEMALE fluffy cream-white ragdoll cat, blue eyes, pink nose, bushy dark-brown tail, natural feline paws/four legs, no human hands, clothes or bow tie. Her face stays ASYMMETRIC: large dark-brown patch around VIEWER LEFT eye, much smaller lighter taupe patch on VIEWER RIGHT eye, irregular central white blaze. Both mascots clearly visible in the foreground as attentive observers, together about one quarter image height; they do not replace historic people or political leaders. One continuous scene, no panels, text, numbers, labels, readable writing, flags, logos or watermark. No out-of-period technology or buildings. Berlin autumn1989, a quiet human-scale border crossing newly opened to civilians, not an iconic panoramic recreation. A low concrete wall and small functional guard booth with its barrier lifted; ordinary East German families in late1980s wool coats and jeans carry small travel bags past a calm border officer. A modest light-colored Trabant waits at the lane edge. Show gentle relief, conversations and uncertain first steps, no enormous cheering crowd, smashed architecture, dramatic searchlights or soldiers firing. No readable graffiti, flags, modern smartphone or present-day skyline. Kuromi and Jani stand together near the pedestrian railing, observing people reunite with restrained warm expressions. Clear hand-drawn contours and softly muted blue, tan and plum autumn colors, both mascots faces visible.", "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [], "canonicalKuromi": true, "canonicalReview": "A végső kép megtekintve: sötét gallér, apró rózsaszín csúcsgömbök, fekete szemek és rövid külső szempillák; Jani és a történeti jelenet megmaradt." }, "corrections": [ { "type": "canonical-character-correction", "prompt": "Use case: targeted character correction. Edit INPUT 1, the existing full-color historical illustration. INPUT 2 is the user's definitive canonical Kuromi character reference; use its collar and eye/eyelash design exactly. Preserve the historical background, all people, their faces and clothing, objects, lighting, composition, framing, and the female ragdoll cat Jani exactly. Change ONLY Kuromi's design: a single DARK CHARCOAL / near-black pointed jester collar, with only four small pink spherical pom-poms on its tips (only the tips naturally visible from this pose). Absolutely NO pink fabric, pink collar band, pink edging, large pink ruff or double collar. Her eyes are solid black droplet/oval shapes, with exactly two short gently curved lashes at the upper OUTER corner of each open eye, matching INPUT 2; no fan of long lashes, no brown irises or glamorous makeup. Keep Kuromi's present pose, size, expression appropriate to this historical scene, white body, dark hood, pink skull and small pink nose. Preserve her familiar cute 2D Sanrio character identity. Keep the image as one coherent hand-drawn educational illustration, same dimensions/aspect ratio, opaque background, no text or new decorations.", "reference": "User-supplied canonical Kuromi: dark collar and short outer eyelashes" } ], "src": "assets/lesson-scenes/w30-05.webp", "sha256": "9cef236da7f18cb7f1828d402227fa3c1dda15cb389b3f799593d671248fe213", "bytes": 411884, "thumbnailSrc": "assets/lesson-scenes/w30-05-preview.webp", "thumbnailSha256": "877e1662d71531ebc6aa0a894e730540529ccbbe1373d8aba9f341259f9f77d7", "thumbnailBytes": 135730 }, { "unitId": "w31-01", "title": "Konténerek, rakodók és világméretű termelési láncok", "alt": "Kuromi és Jani egy konténerrakodó kikötőben figyeli az áru nyilvántartását és a rakodás összehangolását.", "caption": "A 2000-es évek konténerkikötői távoli termelőhelyeket, vállalatokat és fogyasztókat kapcsoltak össze. A szabványos szállítás mellé nyilvántartás, rakodói munka és összehangolt közlekedés is kellett.", "period": "2005 körül", "setting": "Egy nemzetközi konténerkikötő rakpartja", "placement": { "area": "base", "sectionIndex": 1 }, "historicalDetails": [ "Bordázott acél szállítókonténerek", "Rakparti portáldaru", "2000-es évekbeli konténerszállító hajó", "Védősisakos kikötői munkások" ], "scene": "A real-world international container port circa2005, composed from quay level with a clear relationship between people, standardized cargo and transport. Foreground a woman port coordinator in hard hat and muted reflective vest compares an unmarked paper cargo manifest with a dock worker; a container's two hinged rear doors stand partly open showing plain cartons on wooden pallets. Behind a modest terminal tractor moves a steel corrugated container toward a shore gantry crane loading a medium early2000s container ship. No company logos, readable labels, futuristic autonomous vehicles, gigantic post2015 mega-ship, smartphone or fantasy glowing network. Natural overcast harbor daylight, strong but restrained teal, rust-red, cream and blue. Kuromi and Jani observe safely from behind a low pedestrian safety rail near the coordinator, both clearly drawn in their familiar style. Do not draw a map, diagram or montage.", "sourceBasis": [ { "book": "v2", "pdfPages": [ 633, 638 ], "chapter": "15.1 Global Trade and connected production" }, { "url": "https://www.imo.org/en/about/conventions/pages/international-convention-for-safe-containers-%28csc%29.aspx", "title": "IMO: International Convention for Safe Containers1972" } ], "prompt": "Use case: historical-scene. Create one landscape1536x1024 opaque full-color historical educational illustration. Keep the entire image clearly HAND-DRAWN: clean visible ink contours, simplified expressive human faces, gently painted flat color shapes, illustrated fabric and architecture. Match the friendly illustrated Kuromi and Jani identity references; avoid photographic skin, 3D render or photorealistic characters. Natural everyday light, believable period objects and material construction. No Hollywood, cinematic spectacle, game/fantasy armor, theatrical backlighting, explosions or generic battle. Input1 is Jani and input2 Kuromi, CHARACTER IDENTITY ONLY, not their pose, book, magnifier or original background. Kuromi is canonical: black two-point jester hood, pink skull, white body, pink collar. Jani is a FEMALE fluffy cream-white ragdoll cat, blue eyes, pink nose, bushy dark-brown tail, natural feline paws/four legs, no human hands, clothes or bow tie. Her face stays ASYMMETRIC: large dark-brown patch around VIEWER LEFT eye, much smaller lighter taupe patch on VIEWER RIGHT eye, irregular central white blaze. Both mascots clearly visible in the foreground as attentive observers, together about one quarter image height; they do not replace historic people or political leaders. One continuous scene, no panels, text, numbers, labels, readable writing, flags, logos or watermark. No out-of-period technology or buildings. A real-world international container port circa2005, composed from quay level with a clear relationship between people, standardized cargo and transport. Foreground a woman port coordinator in hard hat and muted reflective vest compares an unmarked paper cargo manifest with a dock worker; a container's two hinged rear doors stand partly open showing plain cartons on wooden pallets. Behind a modest terminal tractor moves a steel corrugated container toward a shore gantry crane loading a medium early2000s container ship. No company logos, readable labels, futuristic autonomous vehicles, gigantic post2015 mega-ship, smartphone or fantasy glowing network. Natural overcast harbor daylight, strong but restrained teal, rust-red, cream and blue. Kuromi and Jani observe safely from behind a low pedestrian safety rail near the coordinator, both clearly drawn in their familiar style. Do not draw a map, diagram or montage.", "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [], "canonicalKuromi": true, "canonicalReview": "A végső kép megtekintve: sötét gallér, apró rózsaszín csúcsgömbök, fekete szemek és rövid külső szempillák; Jani és a történeti jelenet megmaradt." }, "corrections": [ { "type": "canonical-character-correction", "prompt": "Use case: targeted character correction. Edit INPUT 1, the existing full-color historical illustration. INPUT 2 is the user's definitive canonical Kuromi character reference; use its collar and eye/eyelash design exactly. Preserve the historical background, all people, their faces and clothing, objects, lighting, composition, framing, and the female ragdoll cat Jani exactly. Change ONLY Kuromi's design: a single DARK CHARCOAL / near-black pointed jester collar, with only four small pink spherical pom-poms on its tips (only the tips naturally visible from this pose). Absolutely NO pink fabric, pink collar band, pink edging, large pink ruff or double collar. Her eyes are solid black droplet/oval shapes, with exactly two short gently curved lashes at the upper OUTER corner of each open eye, matching INPUT 2; no fan of long lashes, no brown irises or glamorous makeup. Keep Kuromi's present pose, size, expression appropriate to this historical scene, white body, dark hood, pink skull and small pink nose. Preserve her familiar cute 2D Sanrio character identity. Keep the image as one coherent hand-drawn educational illustration, same dimensions/aspect ratio, opaque background, no text or new decorations.", "reference": "User-supplied canonical Kuromi: dark collar and short outer eyelashes" } ], "src": "assets/lesson-scenes/w31-01.webp", "sha256": "693b46dae7d97c9d1452006bcff13689b30bcfc04df96ba90d9af3dcca043cce", "bytes": 295284, "thumbnailSrc": "assets/lesson-scenes/w31-01-preview.webp", "thumbnailSha256": "040945857f5c2067d4c44dca548f945a1b5617af3abfc17e8908877c9b82d897", "thumbnailBytes": 106380 }, { "unitId": "w31-02", "title": "Vízvizsgálat egy iparvárosi folyóparton", "alt": "Kuromi és Jani terepi vízmintavételt figyel, miközben a háttérben gyártelep húzódik a folyó mentén.", "caption": "Az 1970-es években a szennyezés kimutatásához terepi mérés és nyilvánosan ellenőrizhető adat is kellett. A mintavétel a környezeti kár bizonyítását kapcsolja a felelősség és a szabályozás kérdéséhez.", "period": "1973 körül", "setting": "Amerikai iparváros folyópartja, szemléltető rekonstrukció", "placement": { "area": "base", "sectionIndex": 1 }, "historicalDetails": [ "Üveg mintavételi palackok", "Fém hordláda és papír terepnapló", "Korabeli gumicsizma és vászon munkaruha", "Ipari folyópart és egyszerű kifolyócső" ], "scene": "United States industrial river bank circa1973, a respectful environmental field-research scene. Two scientists, an African American woman and a white man in practical early1970s field jackets and rubber waders, collect a water sample into a plain glass bottle using a simple metal sampler pole; a local resident in a wool cardigan watches and holds a paper field notebook. Other sealed sample bottles rest in a metal carrying case on dry ground. A brick factory and a small effluent outfall are visible across the river, subtle dull water color rather than lurid green poison. No dead animals, fire, disaster spectacle, digital sensor screen, plastic modern laboratory suit, protest signs or precise numerical chart. Kuromi watches attentively from a safe dry step beside the notebook; Jani sits by the closed case facing the viewer, no contact with river water. Natural gray daylight, carefully drawn marsh plants, all faces and materials illustrated with crisp contours.", "sourceBasis": [ { "book": "v2", "pdfPages": [ 645, 649 ], "chapter": "15.2 The Rise of Environmentalism" }, { "url": "https://www.epa.gov/sites/default/files/2015-01/documents/biological-methods-manual-1973.pdf", "title": "EPA1973: Biological field and laboratory methods for water quality" } ], "prompt": "Use case: historical-scene. Create one landscape1536x1024 opaque full-color historical educational illustration. Keep the entire image clearly HAND-DRAWN: clean visible ink contours, simplified expressive human faces, gently painted flat color shapes, illustrated fabric and architecture. Match the friendly illustrated Kuromi and Jani identity references; avoid photographic skin, 3D render or photorealistic characters. Natural everyday light, believable period objects and material construction. No Hollywood, cinematic spectacle, game/fantasy armor, theatrical backlighting, explosions or generic battle. Input1 is Jani and input2 Kuromi, CHARACTER IDENTITY ONLY, not their pose, book, magnifier or original background. Kuromi is canonical: black two-point jester hood, pink skull, white body, pink collar. Jani is a FEMALE fluffy cream-white ragdoll cat, blue eyes, pink nose, bushy dark-brown tail, natural feline paws/four legs, no human hands, clothes or bow tie. Her face stays ASYMMETRIC: large dark-brown patch around VIEWER LEFT eye, much smaller lighter taupe patch on VIEWER RIGHT eye, irregular central white blaze. Both mascots clearly visible in the foreground as attentive observers, together about one quarter image height; they do not replace historic people or political leaders. One continuous scene, no panels, text, numbers, labels, readable writing, flags, logos or watermark. No out-of-period technology or buildings. United States industrial river bank circa1973, a respectful environmental field-research scene. Two scientists, an African American woman and a white man in practical early1970s field jackets and rubber waders, collect a water sample into a plain glass bottle using a simple metal sampler pole; a local resident in a wool cardigan watches and holds a paper field notebook. Other sealed sample bottles rest in a metal carrying case on dry ground. A brick factory and a small effluent outfall are visible across the river, subtle dull water color rather than lurid green poison. No dead animals, fire, disaster spectacle, digital sensor screen, plastic modern laboratory suit, protest signs or precise numerical chart. Kuromi watches attentively from a safe dry step beside the notebook; Jani sits by the closed case facing the viewer, no contact with river water. Natural gray daylight, carefully drawn marsh plants, all faces and materials illustrated with crisp contours.", "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [], "canonicalKuromi": true, "canonicalReview": "A végső kép megtekintve: sötét gallér, apró rózsaszín csúcsgömbök, fekete szemek és rövid külső szempillák; Jani és a történeti jelenet megmaradt." }, "corrections": [ { "type": "canonical-character-correction", "prompt": "Use case: targeted character correction. Edit INPUT 1, the existing full-color historical illustration. INPUT 2 is the user's definitive canonical Kuromi character reference; use its collar and eye/eyelash design exactly. Preserve the historical background, all people, their faces and clothing, objects, lighting, composition, framing, and the female ragdoll cat Jani exactly. Change ONLY Kuromi's design: a single DARK CHARCOAL / near-black pointed jester collar, with only four small pink spherical pom-poms on its tips (only the tips naturally visible from this pose). Absolutely NO pink fabric, pink collar band, pink edging, large pink ruff or double collar. Her eyes are solid black droplet/oval shapes, with exactly two short gently curved lashes at the upper OUTER corner of each open eye, matching INPUT 2; no fan of long lashes, no brown irises or glamorous makeup. Keep Kuromi's present pose, size, expression appropriate to this historical scene, white body, dark hood, pink skull and small pink nose. Preserve her familiar cute 2D Sanrio character identity. Keep the image as one coherent hand-drawn educational illustration, same dimensions/aspect ratio, opaque background, no text or new decorations.", "reference": "User-supplied canonical Kuromi: dark collar and short outer eyelashes" } ], "src": "assets/lesson-scenes/w31-02.webp", "sha256": "7bd439431b188292a87a1345bf15b493f74f6d68b7b7aa44670bc51321f005be", "bytes": 443062, "thumbnailSrc": "assets/lesson-scenes/w31-02-preview.webp", "thumbnailSha256": "4e66973d12bac393d4add6d6dbd1dfb3925756e7545a3da82729258469432483", "thumbnailBytes": 141120 }, { "unitId": "w31-03", "title": "Az oltóanyag útja a helyi közösségig", "alt": "Kuromi és Jani egy 1970-es évekbeli dél-ázsiai egészségügyi csapat munkáját figyeli egy falusi ellátóponton.", "caption": "A himlő felszámolásához az oltóanyag mellett szállítás, esetfelismerés és helyi együttműködés is kellett. A falusi ellátópont azt mutatja, hogyan válhatott a tudományos lehetőség ténylegesen elérhető védelemmé.", "period": "1970-es évek", "setting": "Dél-Ázsia, falusi egészségügyi ellátópont", "placement": { "area": "base", "sectionIndex": 3 }, "historicalDetails": [ "Hordozható hűtőláda", "Kisméretű üveg oltóanyagfiolák", "Papírnyilvántartás", "Korabeli pamutruhás helyi egészségügyi dolgozók" ], "scene": "A village health outreach point in South Asia during the1970s international smallpox eradication effort. Under a simple cloth shade by a plastered rural building, a local woman health worker in a plain cotton sari calmly speaks with a mother and school-age child while a male colleague in a light cotton shirt opens a small insulated vaccine carrier on a clean table. A few tiny glass vials sit in a tray beside paper record cards; the story is organized access and community conversation, not a medical procedure. No needle inserted into skin, distressed child, pandemic mask, modern disposable protective suit, smartphone, digital thermometer, branded cooler or readable medical instruction. A bicycle and simple field satchel rest against the wall. Kuromi and Jani observe respectfully from the side, attentive calm expressions, not playing with medical supplies; Jani has natural paws and her asymmetric face visible. Sunlit muted green and warm cream, coherent friendly hand-drawn people and architecture.", "sourceBasis": [ { "book": "v2", "pdfPages": [ 659, 662 ], "chapter": "15.3 Medical Miracles: Smallpox Eradication Program" } ], "prompt": "Use case: historical-scene. Create one landscape1536x1024 opaque full-color historical educational illustration. Keep the entire image clearly HAND-DRAWN: clean visible ink contours, simplified expressive human faces, gently painted flat color shapes, illustrated fabric and architecture. Match the friendly illustrated Kuromi and Jani identity references; avoid photographic skin, 3D render or photorealistic characters. Natural everyday light, believable period objects and material construction. No Hollywood, cinematic spectacle, game/fantasy armor, theatrical backlighting, explosions or generic battle. Input1 is Jani and input2 Kuromi, CHARACTER IDENTITY ONLY, not their pose, book, magnifier or original background. Kuromi is canonical: black two-point jester hood, pink skull, white body, pink collar. Jani is a FEMALE fluffy cream-white ragdoll cat, blue eyes, pink nose, bushy dark-brown tail, natural feline paws/four legs, no human hands, clothes or bow tie. Her face stays ASYMMETRIC: large dark-brown patch around VIEWER LEFT eye, much smaller lighter taupe patch on VIEWER RIGHT eye, irregular central white blaze. Both mascots clearly visible in the foreground as attentive observers, together about one quarter image height; they do not replace historic people or political leaders. One continuous scene, no panels, text, numbers, labels, readable writing, flags, logos or watermark. No out-of-period technology or buildings. A village health outreach point in South Asia during the1970s international smallpox eradication effort. Under a simple cloth shade by a plastered rural building, a local woman health worker in a plain cotton sari calmly speaks with a mother and school-age child while a male colleague in a light cotton shirt opens a small insulated vaccine carrier on a clean table. A few tiny glass vials sit in a tray beside paper record cards; the story is organized access and community conversation, not a medical procedure. No needle inserted into skin, distressed child, pandemic mask, modern disposable protective suit, smartphone, digital thermometer, branded cooler or readable medical instruction. A bicycle and simple field satchel rest against the wall. Kuromi and Jani observe respectfully from the side, attentive calm expressions, not playing with medical supplies; Jani has natural paws and her asymmetric face visible. Sunlit muted green and warm cream, coherent friendly hand-drawn people and architecture.", "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [], "canonicalKuromi": true, "canonicalReview": "A végső kép megtekintve: sötét gallér, apró rózsaszín csúcsgömbök, fekete szemek és rövid külső szempillák; Jani és a történeti jelenet megmaradt." }, "corrections": [ { "type": "canonical-character-correction", "prompt": "Use case: targeted character correction. Edit INPUT 1, the existing full-color historical illustration. INPUT 2 is the user's definitive canonical Kuromi character reference; use its collar and eye/eyelash design exactly. Preserve the historical background, all people, their faces and clothing, objects, lighting, composition, framing, and the female ragdoll cat Jani exactly. Change ONLY Kuromi's design: a single DARK CHARCOAL / near-black pointed jester collar, with only four small pink spherical pom-poms on its tips (only the tips naturally visible from this pose). Absolutely NO pink fabric, pink collar band, pink edging, large pink ruff or double collar. Her eyes are solid black droplet/oval shapes, with exactly two short gently curved lashes at the upper OUTER corner of each open eye, matching INPUT 2; no fan of long lashes, no brown irises or glamorous makeup. Keep Kuromi's present pose, size, expression appropriate to this historical scene, white body, dark hood, pink skull and small pink nose. Preserve her familiar cute 2D Sanrio character identity. Keep the image as one coherent hand-drawn educational illustration, same dimensions/aspect ratio, opaque background, no text or new decorations.", "reference": "User-supplied canonical Kuromi: dark collar and short outer eyelashes" }, { "type": "canonical-character-correction", "prompt": "Tiny targeted character edit only. In INPUT 1, make Kuromi's two eyes perfectly SOLID BLACK simplified droplet/oval shapes, exactly as INPUT 2. Remove all white eye glints, brown irises, gradients, and separate pupils from Kuromi's eyes. Keep exactly two short curved outer eyelashes per eye following the user's canonical reference. Preserve Kuromi's current serious expression, pose, size, DARK collar and small pink ball tips, hood and pink skull. Change absolutely nothing else: female cat Jani's vivid BLUE eyes and asymmetric brown facial mask must remain unchanged; preserve the whole historical setting, humans, their faces, clothing, background, objects, lighting, composition, and framing. No new details, no text. Same full-color opaque landscape illustration.", "reference": "User-supplied canonical Kuromi: dark collar and short outer eyelashes" } ], "src": "assets/lesson-scenes/w31-03.webp", "sha256": "6a731052f70441b4ab7dfd4313a19e14be8e9858480df3edec17adce7b8f90fe", "bytes": 346390, "thumbnailSrc": "assets/lesson-scenes/w31-03-preview.webp", "thumbnailSha256": "f9eb8ce8bd95ff13ed6a70302e713c27290b8c7edd3c725e1e26145b81c157d7", "thumbnailBytes": 126248 }, { "unitId": "w31-04", "title": "Meghallgatás és ellátás a menekülttáborban", "alt": "Kuromi és Jani csendben figyel egy rohingja család és segélymunkás tábori megbeszélésére.", "caption": "Banglades, 2017 után: a tábori segítség életet és mindennapi biztonságot védhetett. Az ellátás azonban nem állította helyre önmagában az elveszített állampolgári jogokat és a biztonságos hazatérés feltételeit.", "period": "2017 után", "setting": "Banglades, rohingja menekültek ideiglenes ellátóhelye", "placement": { "area": "base", "sectionIndex": 2 }, "historicalDetails": [ "Bambuszvázas ponyvás menedékek", "Ivóvizes kanna és egyszerű ellátóláda", "Papíralapú ügyfelvételi iratok", "Helyi segélymunkás és menekült család beszélgetése" ], "scene": "Bangladesh after2017, a restrained humanitarian listening scene in a Rohingya refugee settlement, clearly illustrative reconstruction rather than a copy of a specific photograph. Under a bamboo-and-tarpaulin shade, an adult Rohingya woman in a modest muted headscarf and a man in plain shirt and lungi sit at eye level with a Bangladeshi aid worker in a simple unbranded vest. The family explains its needs; the worker listens and holds paper registration sheets, with sealed water containers and an unmarked basic supply crate nearby. A few bamboo shelters recede into the damp green hillside. No weapons, corpses, injury, barbed-wire spectacle, forced smiles, cheering, dehumanizing crowd or agency logos. Kuromi and female Jani sit quietly at the outer edge of the foreground as small respectful observers, neutral concerned expressions, no comic antics or playing with rations. Preserve Jani's asymmetric face and both characters' drawn style. Soft diffuse daylight, dignified individual human faces with clear drawn contours, sober teal, brown and cream colors.", "sourceBasis": [ { "book": "v2", "pdfPages": [ 670, 672 ], "chapter": "15.4 Rohingya citizenship, flight and refuge" } ], "prompt": "Use case: historical-scene. Create one landscape1536x1024 opaque full-color historical educational illustration. Keep the entire image clearly HAND-DRAWN: clean visible ink contours, simplified expressive human faces, gently painted flat color shapes, illustrated fabric and architecture. Match the friendly illustrated Kuromi and Jani identity references; avoid photographic skin, 3D render or photorealistic characters. Natural everyday light, believable period objects and material construction. No Hollywood, cinematic spectacle, game/fantasy armor, theatrical backlighting, explosions or generic battle. Input1 is Jani and input2 Kuromi, CHARACTER IDENTITY ONLY, not their pose, book, magnifier or original background. Kuromi is canonical: black two-point jester hood, pink skull, white body, pink collar. Jani is a FEMALE fluffy cream-white ragdoll cat, blue eyes, pink nose, bushy dark-brown tail, natural feline paws/four legs, no human hands, clothes or bow tie. Her face stays ASYMMETRIC: large dark-brown patch around VIEWER LEFT eye, much smaller lighter taupe patch on VIEWER RIGHT eye, irregular central white blaze. Both mascots clearly visible in the foreground as attentive observers, together about one quarter image height; they do not replace historic people or political leaders. One continuous scene, no panels, text, numbers, labels, readable writing, flags, logos or watermark. No out-of-period technology or buildings. Bangladesh after2017, a restrained humanitarian listening scene in a Rohingya refugee settlement, clearly illustrative reconstruction rather than a copy of a specific photograph. Under a bamboo-and-tarpaulin shade, an adult Rohingya woman in a modest muted headscarf and a man in plain shirt and lungi sit at eye level with a Bangladeshi aid worker in a simple unbranded vest. The family explains its needs; the worker listens and holds paper registration sheets, with sealed water containers and an unmarked basic supply crate nearby. A few bamboo shelters recede into the damp green hillside. No weapons, corpses, injury, barbed-wire spectacle, forced smiles, cheering, dehumanizing crowd or agency logos. Kuromi and female Jani sit quietly at the outer edge of the foreground as small respectful observers, neutral concerned expressions, no comic antics or playing with rations. Preserve Jani's asymmetric face and both characters' drawn style. Soft diffuse daylight, dignified individual human faces with clear drawn contours, sober teal, brown and cream colors.", "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [], "canonicalKuromi": true, "canonicalReview": "A végső kép megtekintve: sötét gallér, apró rózsaszín csúcsgömbök, fekete szemek és rövid külső szempillák; Jani és a történeti jelenet megmaradt." }, "corrections": [ { "type": "canonical-character-correction", "prompt": "Use case: targeted character correction. Edit INPUT 1, the existing full-color historical illustration. INPUT 2 is the user's definitive canonical Kuromi character reference; use its collar and eye/eyelash design exactly. Preserve the historical background, all people, their faces and clothing, objects, lighting, composition, framing, and the female ragdoll cat Jani exactly. Change ONLY Kuromi's design: a single DARK CHARCOAL / near-black pointed jester collar, with only four small pink spherical pom-poms on its tips (only the tips naturally visible from this pose). Absolutely NO pink fabric, pink collar band, pink edging, large pink ruff or double collar. Her eyes are solid black droplet/oval shapes, with exactly two short gently curved lashes at the upper OUTER corner of each open eye, matching INPUT 2; no fan of long lashes, no brown irises or glamorous makeup. Keep Kuromi's present pose, size, expression appropriate to this historical scene, white body, dark hood, pink skull and small pink nose. Preserve her familiar cute 2D Sanrio character identity. Keep the image as one coherent hand-drawn educational illustration, same dimensions/aspect ratio, opaque background, no text or new decorations.", "reference": "User-supplied canonical Kuromi: dark collar and short outer eyelashes" }, { "type": "canonical-character-correction", "prompt": "Tiny targeted character edit only. In INPUT 1, make Kuromi's two eyes perfectly SOLID BLACK simplified droplet/oval shapes, exactly as INPUT 2. Remove all white eye glints, brown irises, gradients, and separate pupils from Kuromi's eyes. Keep exactly two short curved outer eyelashes per eye following the user's canonical reference. Preserve Kuromi's current serious expression, pose, size, DARK collar and small pink ball tips, hood and pink skull. Change absolutely nothing else: female cat Jani's vivid BLUE eyes and asymmetric brown facial mask must remain unchanged; preserve the whole historical setting, humans, their faces, clothing, background, objects, lighting, composition, and framing. No new details, no text. Same full-color opaque landscape illustration.", "reference": "User-supplied canonical Kuromi: dark collar and short outer eyelashes" } ], "src": "assets/lesson-scenes/w31-04.webp", "sha256": "66bcef024ad02cb5e48728a66ef39ee7efbfb1b84e2c75b6d35b5647643ac91a", "bytes": 375768, "thumbnailSrc": "assets/lesson-scenes/w31-04-preview.webp", "thumbnailSha256": "d1ca6a0d57668acf6b590f33bce67bc30219948a38742c30b7017585d339eae9", "thumbnailBytes": 134876 }, { "unitId": "h01-01", "title": "A tárgy leletkörnyezetének feltárása", "alt": "Kuromi és az aszimmetrikus arcú Jani régészeti feltárást figyel: mérés és dokumentálás kapcsolja a tárgyat a rétegéhez.", "caption": "Mai régészeti feltárás egy honfoglalás kori lelőhelyen. A lelet pontos helyzete, a környező tárgyak és a dokumentált rétegek együtt értelmezhetők; a díszítés önmagában nem árulja el egy ember nyelvét.", "period": "Mai kutatás; 9–10. századi leletanyag", "setting": "Régészeti feltárás a Kárpát-medencében", "historicalDetails": [ "Dokumentált régészeti rétegek és lelethelyzet", "Kisméretű fém övveret, kerámiatöredék és földminta elkülönítve", "Lépték és kézi rajz a leletek helyzetének rögzítéséhez" ], "sourceBasis": [ { "book": "hu09a", "pdfPages": [ 113, 118 ], "chapter": "Magyar őstörténet: a régészeti leletek bizonyító ereje" }, { "book": "hugy", "pdfPages": [ 26, 26 ], "chapter": "Elmélet és bizonyíték az őstörténet kutatásában" } ], "placement": { "area": "base", "sectionIndex": 1 }, "scene": "A present-day archaeological field excavation of a ninth- or tenth-century burial site in the Hungarian Great Plain, showing method rather than an imagined ancient ceremony. Two contemporary archaeologists kneel on opposite edges of a carefully trowelled rectangular excavation. One measures the exact location of a small corroded metal belt fitting beside plain ceramic fragments using a folding ruler; the other records the positions on an unlettered gridded paper plan on a clipboard. A labelled-looking but UNREADABLE sample bag and a shallow tray hold separated soil samples; visible stratified soil edge. No exposed human body or skeleton, no treasure, no complete clean golden ancient objects, no modern instrument pretending to identify ethnicity. Low grassy agricultural horizon and simple shade canopy in the distance. Kuromi crouches safely outside the trench watching the measuring work; female Jani sits next to her, face and asymmetric patches clear. Ordinary factual research scene with restrained, curious expressions.", "prompt": "Use case: historical-scene. Asset type: ONE landscape 1536x1024 opaque educational narrative illustration for a high-school history lesson. Coherent hand-drawn figures and architecture, fine warm contours, gentle painted shading, natural daylight, historically appropriate everyday objects. No Hollywood, game or fantasy art, no dramatic cinematic lighting. Input image 1 is Jani identity reference only; Input image 2 is authoritative Kuromi identity reference only. Both characters appear as small attentive present-day observers, never replacing real historical people. Kuromi exactly follows reference: charcoal black two-point jester hood with pink skull, white body, DARK CHARCOAL POINTED COLLAR, pink ONLY on its four tiny round tip balls. Eyes solid flat black oval/teardrop silhouettes with exactly two short curved outer lashes; NO iris, white eye glints, eyebrows, broad pink collar or pink edging. Jani is a FEMALE cream-white fluffy ragdoll kitten with blue eyes, pink nose and large fluffy dark-brown tail, natural feline anatomy, four paws, no human hands, clothes or bowtie. Her facial pattern must be ASYMMETRICAL: a larger dark-brown eye patch on VIEWER LEFT and smaller lighter patch on VIEWER RIGHT, with irregular central white blaze. Keep her face visible. Both mascots drawn in a coherent medium with the scene, no stickers. Wide eye-level single scene, no panels, captions, legible text, numbers, modern flags or watermarks. A present-day archaeological field excavation of a ninth- or tenth-century burial site in the Hungarian Great Plain, showing method rather than an imagined ancient ceremony. Two contemporary archaeologists kneel on opposite edges of a carefully trowelled rectangular excavation. One measures the exact location of a small corroded metal belt fitting beside plain ceramic fragments using a folding ruler; the other records the positions on an unlettered gridded paper plan on a clipboard. A labelled-looking but UNREADABLE sample bag and a shallow tray hold separated soil samples; visible stratified soil edge. No exposed human body or skeleton, no treasure, no complete clean golden ancient objects, no modern instrument pretending to identify ethnicity. Low grassy agricultural horizon and simple shade canopy in the distance. Kuromi crouches safely outside the trench watching the measuring work; female Jani sits next to her, face and asymmetric patches clear. Ordinary factual research scene with restrained, curious expressions.", "width": 1536, "height": 1024, "generation": { "tool": "image_gen", "mode": "built-in" }, "review": { "characters": true, "asymmetricJani": true, "canonicalKuromi": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [] }, "src": "assets/lesson-scenes/h01-01.webp", "sha256": "754d813d9873dc44dd594fe73e1aa0581673ec8eef1bf9727cdaec327c56b661", "bytes": 391310, "thumbnailSrc": "assets/lesson-scenes/h01-01-preview.webp", "thumbnailSha256": "efec10c4d62b0eefdca52e632c77293370d3e463e966e4c87715e1e0cd526d6c", "thumbnailBytes": 125422 }, { "unitId": "h01-02", "title": "Átkelés és ellátás a honfoglalás korában", "alt": "Kuromi és Jani a partról figyeli a családok, szállítók és lovas kísérők folyóátkelését a 9. század végén.", "caption": "A honfoglalás népesség, állatállomány és felszerelés mozgatását is jelentette. A szemléltető jelenet az átkelés és az ellátás feladatait mutatja; nem egy bizonyított átkelőhely vagy egyetlen eseménynap rekonstrukciója.", "period": "9. század vége", "setting": "Folyópart a Kárpát-medencében", "historicalDetails": [ "Gyalogos családok és lovas kísérők eltérő feladata", "Fából készült szállítókocsi és egyszerű textilbatyuk", "Vízhez és legelőhöz igazodó megállás" ], "sourceBasis": [ { "book": "hu09a", "pdfPages": [ 119, 123 ], "chapter": "A honfoglalás folyamata, szállásterület és berendezkedés" } ], "placement": { "area": "base", "sectionIndex": 2 }, "scene": "The Carpathian Basin in the late ninth century, an ordinary shallow river crossing during gradual settlement. View from a low bank: a family in modest plain wool and linen tunics brings a small ox-drawn wooden baggage cart slowly through a shallow ford, with an adult guiding the ox and another carrying folded household textiles on the near bank. Two mounted escorts wait without fighting, one holding a period composite bow in its case rather than drawing it. A small flock and grazing horses occupy the far meadow, reed-edged water, no dramatic mountains or named landmark. Depict mixed work of family transport, animals and escorts, not a glorious conquest parade. No later Hungarian coat of arms, flags, horned helmet, plate armor, modern saddles or fantasy tents. Kuromi and Jani sit safely on a dry grassy bank at foreground right, their canonical faces and dark collar clearly visible, watching the careful crossing. Calm illustrated natural daylight.", "prompt": "Use case: historical-scene. Asset type: ONE landscape 1536x1024 opaque educational narrative illustration for a high-school history lesson. Coherent hand-drawn figures and architecture, fine warm contours, gentle painted shading, natural daylight, historically appropriate everyday objects. No Hollywood, game or fantasy art, no dramatic cinematic lighting. Input image 1 is Jani identity reference only; Input image 2 is authoritative Kuromi identity reference only. Both characters appear as small attentive present-day observers, never replacing real historical people. Kuromi exactly follows reference: charcoal black two-point jester hood with pink skull, white body, DARK CHARCOAL POINTED COLLAR, pink ONLY on its four tiny round tip balls. Eyes solid flat black oval/teardrop silhouettes with exactly two short curved outer lashes; NO iris, white eye glints, eyebrows, broad pink collar or pink edging. Jani is a FEMALE cream-white fluffy ragdoll kitten with blue eyes, pink nose and large fluffy dark-brown tail, natural feline anatomy, four paws, no human hands, clothes or bowtie. Her facial pattern must be ASYMMETRICAL: a larger dark-brown eye patch on VIEWER LEFT and smaller lighter patch on VIEWER RIGHT, with irregular central white blaze. Keep her face visible. Both mascots drawn in a coherent medium with the scene, no stickers. Wide eye-level single scene, no panels, captions, legible text, numbers, modern flags or watermarks. The Carpathian Basin in the late ninth century, an ordinary shallow river crossing during gradual settlement. View from a low bank: a family in modest plain wool and linen tunics brings a small ox-drawn wooden baggage cart slowly through a shallow ford, with an adult guiding the ox and another carrying folded household textiles on the near bank. Two mounted escorts wait without fighting, one holding a period composite bow in its case rather than drawing it. A small flock and grazing horses occupy the far meadow, reed-edged water, no dramatic mountains or named landmark. Depict mixed work of family transport, animals and escorts, not a glorious conquest parade. No later Hungarian coat of arms, flags, horned helmet, plate armor, modern saddles or fantasy tents. Kuromi and Jani sit safely on a dry grassy bank at foreground right, their canonical faces and dark collar clearly visible, watching the careful crossing. Calm illustrated natural daylight.", "width": 1536, "height": 1024, "generation": { "tool": "image_gen", "mode": "built-in" }, "review": { "characters": true, "asymmetricJani": true, "canonicalKuromi": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [] }, "src": "assets/lesson-scenes/h01-02.webp", "sha256": "93b6932d32ff8b6edc8902790120a3ecaf8e3b2da1486987b3a513fb9dd89b9c", "bytes": 554904, "thumbnailSrc": "assets/lesson-scenes/h01-02-preview.webp", "thumbnailSha256": "dacf1b3ca8846c1cfe74a8256a51b690eeced5c72e291495d01571b47c716804", "thumbnailBytes": 166982 }, { "unitId": "h01-03", "title": "Követség a nyugati udvarban", "alt": "Géza küldötteit fogadják egy 10. századi udvari találkozón, Kuromi és Jani a háttérből figyeli a tárgyalást.", "caption": "Géza 973-ban követeket küldött I. Ottó quedlinburgi udvarába. A diplomácia és a keresztény kapcsolatok építése a hadjáratokkal megszerezhető jövedelmek szűkülése mellett új külpolitikai biztonságot kínált.", "period": "973", "setting": "Quedlinburg; szemléltető udvari találkozó", "historicalDetails": [ "10. századi gyapjú- és vászonruhák, díszesebb követi kaftánok", "Egyszerű padok és alacsony udvari emelvény", "Világi követek és egyházi közvetítő találkozása" ], "sourceBasis": [ { "book": "hu09a", "pdfPages": [ 122, 125 ], "chapter": "Géza uralma és a nyugati kapcsolatok kialakítása" }, { "book": "hugy", "pdfPages": [ 27, 28 ], "chapter": "Géza tevékenysége középkori forrásokban" } ], "placement": { "area": "base", "sectionIndex": 2 }, "scene": "Quedlinburg in 973, an illustrative modest Ottonian royal reception hall rather than an exact reconstruction of a surviving room. Two Hungarian envoys sent by Prince Geza stand respectfully before an older ruler seated on a simple wooden chair on a low single-step platform; the envoys wear good wool caftans, leather belts and plain riding boots, without helmets, flag or drawn weapon. A cleric in a plain wool robe mediates the conversation between the parties, another attendant stands near a low wooden table with folded cloth gifts. Timber roof beams, limewashed stone wall, narrow round-headed window, undecorated benches and woven floor covering. A ruler in restrained tenth-century robe and simple circlet, no late-medieval crown copied from a modern museum and no glittering fantasy throne. The focus is diplomatic conversation and listening rather than kneeling submission or Christian baptism. Kuromi and Jani observe near the end of a low bench in foreground, clearly identifiable canonical faces and dark collar, modest scale. Coherent illustrated humans, architecture and mascots.", "prompt": "Use case: historical-scene. Asset type: ONE landscape 1536x1024 opaque educational narrative illustration for a high-school history lesson. Coherent hand-drawn figures and architecture, fine warm contours, gentle painted shading, natural daylight, historically appropriate everyday objects. No Hollywood, game or fantasy art, no dramatic cinematic lighting. Input image 1 is Jani identity reference only; Input image 2 is authoritative Kuromi identity reference only. Both characters appear as small attentive present-day observers, never replacing real historical people. Kuromi exactly follows reference: charcoal black two-point jester hood with pink skull, white body, DARK CHARCOAL POINTED COLLAR, pink ONLY on its four tiny round tip balls. Eyes solid flat black oval/teardrop silhouettes with exactly two short curved outer lashes; NO iris, white eye glints, eyebrows, broad pink collar or pink edging. Jani is a FEMALE cream-white fluffy ragdoll kitten with blue eyes, pink nose and large fluffy dark-brown tail, natural feline anatomy, four paws, no human hands, clothes or bowtie. Her facial pattern must be ASYMMETRICAL: a larger dark-brown eye patch on VIEWER LEFT and smaller lighter patch on VIEWER RIGHT, with irregular central white blaze. Keep her face visible. Both mascots drawn in a coherent medium with the scene, no stickers. Wide eye-level single scene, no panels, captions, legible text, numbers, modern flags or watermarks. Quedlinburg in 973, an illustrative modest Ottonian royal reception hall rather than an exact reconstruction of a surviving room. Two Hungarian envoys sent by Prince Geza stand respectfully before an older ruler seated on a simple wooden chair on a low single-step platform; the envoys wear good wool caftans, leather belts and plain riding boots, without helmets, flag or drawn weapon. A cleric in a plain wool robe mediates the conversation between the parties, another attendant stands near a low wooden table with folded cloth gifts. Timber roof beams, limewashed stone wall, narrow round-headed window, undecorated benches and woven floor covering. A ruler in restrained tenth-century robe and simple circlet, no late-medieval crown copied from a modern museum and no glittering fantasy throne. The focus is diplomatic conversation and listening rather than kneeling submission or Christian baptism. Kuromi and Jani observe near the end of a low bench in foreground, clearly identifiable canonical faces and dark collar, modest scale. Coherent illustrated humans, architecture and mascots.", "width": 1536, "height": 1024, "generation": { "tool": "image_gen", "mode": "built-in" }, "review": { "characters": true, "asymmetricJani": true, "canonicalKuromi": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [] }, "src": "assets/lesson-scenes/h01-03.webp", "sha256": "f95232f413eeb167beec56df5ace8e33cddfcf9db789701c39e7454bd4d66d0a", "bytes": 340700, "thumbnailSrc": "assets/lesson-scenes/h01-03-preview.webp", "thumbnailSha256": "403fddbb6ab4f8323424c1de9c69f12c8182164520ad6c94bb29625ba494dbd5", "thumbnailBytes": 107790 }, { "unitId": "h01-04", "title": "Templomépítés és közösségi szolgáltatás", "alt": "Falusi építők és szállítók egy kis templom építésén dolgoznak István korában, Kuromi és Jani a munkát figyeli.", "caption": "István törvénye a templomépítést és az egyházi ellátást a közösségek kötelezettségévé tette. A királyi rendelkezésből helyi építkezés, javak átadása és tartós papi szolgálat révén alakult működő intézmény.", "period": "11. század első fele", "setting": "Falusi templomépítés a Magyar Királyságban; szemléltető rekonstrukció", "historicalDetails": [ "Kis, félköríves szentélyű templom korai építési formája", "Faállvány és kézi kőművesmunka", "Építőanyag és élelmiszer helyi szállítása" ], "sourceBasis": [ { "book": "hu09a", "pdfPages": [ 125, 128 ], "chapter": "István egyházszervezése és templomépítésről szóló törvényei" }, { "book": "hugy", "pdfPages": [ 28, 29 ], "chapter": "Az államalapítás intézményi környezete" } ], "placement": { "area": "base", "sectionIndex": 2 }, "scene": "An early eleventh-century rural Hungarian parish church under construction, modest scale in a green lowland village. A small plain rectangular rubble-stone nave with semicircular apse is half finished; no Gothic windows, rib vaults, Baroque dome or towering late-medieval spire. Simple timber scaffolding supports two masons working with lime mortar and hand tools; one carpenter fits roof beams. In foreground a villager and a woman carry baskets of provisions from a low wooden cart, while a priest in a plain undyed robe speaks with the local organizer, making visible how building and long-term maintenance require labor and supplies. Nearby are modest timber-and-thatch rural houses and native deciduous trees, no famous monument or invented skyline. Clothes simple wool/linen tunics, wraps, leather belts and plain shoes appropriate to the eleventh century. Kuromi and natural female Jani stand at a safe distance beside a stack of timber looking at the work, both faces clearly visible. Cheerful concentration without comedy, no king dressed as modern Saint Stephen statue and no modern crown.", "prompt": "Use case: historical-scene. Asset type: ONE landscape 1536x1024 opaque educational narrative illustration for a high-school history lesson. Coherent hand-drawn figures and architecture, fine warm contours, gentle painted shading, natural daylight, historically appropriate everyday objects. No Hollywood, game or fantasy art, no dramatic cinematic lighting. Input image 1 is Jani identity reference only; Input image 2 is authoritative Kuromi identity reference only. Both characters appear as small attentive present-day observers, never replacing real historical people. Kuromi exactly follows reference: charcoal black two-point jester hood with pink skull, white body, DARK CHARCOAL POINTED COLLAR, pink ONLY on its four tiny round tip balls. Eyes solid flat black oval/teardrop silhouettes with exactly two short curved outer lashes; NO iris, white eye glints, eyebrows, broad pink collar or pink edging. Jani is a FEMALE cream-white fluffy ragdoll kitten with blue eyes, pink nose and large fluffy dark-brown tail, natural feline anatomy, four paws, no human hands, clothes or bowtie. Her facial pattern must be ASYMMETRICAL: a larger dark-brown eye patch on VIEWER LEFT and smaller lighter patch on VIEWER RIGHT, with irregular central white blaze. Keep her face visible. Both mascots drawn in a coherent medium with the scene, no stickers. Wide eye-level single scene, no panels, captions, legible text, numbers, modern flags or watermarks. An early eleventh-century rural Hungarian parish church under construction, modest scale in a green lowland village. A small plain rectangular rubble-stone nave with semicircular apse is half finished; no Gothic windows, rib vaults, Baroque dome or towering late-medieval spire. Simple timber scaffolding supports two masons working with lime mortar and hand tools; one carpenter fits roof beams. In foreground a villager and a woman carry baskets of provisions from a low wooden cart, while a priest in a plain undyed robe speaks with the local organizer, making visible how building and long-term maintenance require labor and supplies. Nearby are modest timber-and-thatch rural houses and native deciduous trees, no famous monument or invented skyline. Clothes simple wool/linen tunics, wraps, leather belts and plain shoes appropriate to the eleventh century. Kuromi and natural female Jani stand at a safe distance beside a stack of timber looking at the work, both faces clearly visible. Cheerful concentration without comedy, no king dressed as modern Saint Stephen statue and no modern crown.", "width": 1536, "height": 1024, "generation": { "tool": "image_gen", "mode": "built-in" }, "editHistory": [ { "tool": "image_gen", "mode": "built-in", "purpose": "A korai templom ablakainak félköríves pontosítása", "prompt": "Use case: precise-object-edit. Image 1 is the finished illustrated historical scene and the edit target. Make one small architectural correction ONLY: change the two narrow pointed window openings in the stone church to simple SEMICIRCULAR ROUND-HEADED ROMANESQUE openings, with a smooth rounded arch crown, appropriate to a modest early eleventh-century church. The windows remain the same small size and position. No pointed Gothic arches. Preserve every person, the building's rough stone, timber roof and scaffold, village, cart and objects, lighting, composition, Kuromi and Jani exactly unchanged. In particular do not redraw either mascot or change their identities, facial patterns, eyes, collar, positions, proportions or colors. Same landscape image, no new text, object or panel." } ], "review": { "characters": true, "asymmetricJani": true, "canonicalKuromi": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [] }, "src": "assets/lesson-scenes/h01-04.webp", "sha256": "862c97ab1553e8c06d591298f1fc7d414148905a13d6450c79d747e5e566958f", "bytes": 554820, "thumbnailSrc": "assets/lesson-scenes/h01-04-preview.webp", "thumbnailSha256": "b1b86b8a67ebea5bbfbfaecbbcfef2d20061a8d73c2b52c438994f5f501c0254", "thumbnailBytes": 166860 }, { "unitId": "h02-01", "title": "Birtokvita és bíráskodás a királyi udvarban", "alt": "Kuromi és Jani egy 11–12. századi bíráskodást figyel, ahol a felek és tanúk egy birtokvita ügyében jelennek meg.", "caption": "László és Kálmán törvényei a tulajdon, a szolgáltatások és a keresztény intézmények rendjét védték. A bíráskodás a királyi hatalom helyi érvényesítését szolgálta; a résztvevők jogállása és tanúi kapcsolatai eltérő érdekérvényesítést tettek lehetővé.", "period": "11. század vége – 12. század eleje", "setting": "Udvari bíráskodás; szemléltető rekonstrukció", "historicalDetails": [ "Egyszerű korai udvari környezet és fa ülőhelyek", "A bíró előtt megjelenő felek és tanúk", "Egyházi közreműködés a királyi kormányzásban" ], "sourceBasis": [ { "book": "hu09a", "pdfPages": [ 129, 133 ], "chapter": "László és Kálmán törvényei, tulajdon és hatalom" } ], "placement": { "area": "base", "sectionIndex": 1 }, "scene": "Late eleventh or early twelfth century Hungarian royal administration, an ordinary hearing about disputed possession of farmland. Open-sided timber shelter in a modest royal courtyard, rough plaster and timber buildings, one simple round-headed doorway, no Gothic architecture. A seated lay judge in good wool tunic and cloak listens to two standing adult disputants in contrasting modest rural and wealthier wool clothes. An older witness explains his testimony with a restrained hand gesture while an attendant cleric with a plain folded parchment listens, no legible writing, no modern gavel, courtroom wigs, scales of justice or national flags. Neither disputant kneels or wears restraints; show listening and differing social standing, not torture or an execution. No need to portray a named king's invented likeness, crown or later saintly halo. Kuromi and female Jani observe beside a low bench in the near foreground, canonical charcoal collar and solid black eyes, her asymmetric eye patches clear. Historically restrained natural daylight, coherent illustrated medium.", "prompt": "Use case: historical-scene. Asset type: ONE landscape 1536x1024 opaque educational narrative illustration for a high-school history lesson. Coherent hand-drawn figures and architecture, fine warm contours, gentle painted shading, natural daylight, historically appropriate everyday objects. No Hollywood, game or fantasy art, no dramatic cinematic lighting. Input image 1 is Jani identity reference only; Input image 2 is authoritative Kuromi identity reference only. Both characters appear as small attentive present-day observers, never replacing real historical people. Kuromi exactly follows reference: charcoal black two-point jester hood with pink skull, white body, DARK CHARCOAL POINTED COLLAR, pink ONLY on its four tiny round tip balls. Eyes solid flat black oval/teardrop silhouettes with exactly two short curved outer lashes; NO iris, white eye glints, eyebrows, broad pink collar or pink edging. Jani is a FEMALE cream-white fluffy ragdoll kitten with blue eyes, pink nose and large fluffy dark-brown tail, natural feline anatomy, four paws, no human hands, clothes or bowtie. Her facial pattern must be ASYMMETRICAL: a larger dark-brown eye patch on VIEWER LEFT and smaller lighter patch on VIEWER RIGHT, with irregular central white blaze. Keep her face visible. Both mascots drawn in a coherent medium with the scene, no stickers. Wide eye-level single scene, no panels, captions, legible text, numbers, modern flags or watermarks. Late eleventh or early twelfth century Hungarian royal administration, an ordinary hearing about disputed possession of farmland. Open-sided timber shelter in a modest royal courtyard, rough plaster and timber buildings, one simple round-headed doorway, no Gothic architecture. A seated lay judge in good wool tunic and cloak listens to two standing adult disputants in contrasting modest rural and wealthier wool clothes. An older witness explains his testimony with a restrained hand gesture while an attendant cleric with a plain folded parchment listens, no legible writing, no modern gavel, courtroom wigs, scales of justice or national flags. Neither disputant kneels or wears restraints; show listening and differing social standing, not torture or an execution. No need to portray a named king's invented likeness, crown or later saintly halo. Kuromi and female Jani observe beside a low bench in the near foreground, canonical charcoal collar and solid black eyes, her asymmetric eye patches clear. Historically restrained natural daylight, coherent illustrated medium.", "width": 1536, "height": 1024, "generation": { "tool": "image_gen", "mode": "built-in" }, "review": { "characters": true, "asymmetricJani": true, "canonicalKuromi": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [] }, "src": "assets/lesson-scenes/h02-01.webp", "sha256": "e61e5ca2d51bd748f1c8f4abb9fac6f595056fdca42cd5fa02f84ee44deda0b7", "bytes": 387506, "thumbnailSrc": "assets/lesson-scenes/h02-01-preview.webp", "thumbnailSha256": "f981be2586995ab34eeeedf31bb8ea1858b2cb981a54f3d9c9ff28466ae347da", "thumbnailBytes": 122812 }, { "unitId": "h02-02", "title": "A várbirtok ellátása", "alt": "Terményt szállítanak egy Árpád-kori királyi vár magtárába; Kuromi és Jani a szekér mellett figyeli az átadást.", "caption": "A királyi várbirtok terményszolgáltatása és munkája az ispáni igazgatás és a katonai ellátás erőforrása volt. A szolgáló népek, a várjobbágyok és a birtokosok jogállását nem pusztán ugyanazon településhez tartozásuk határozta meg.", "period": "12. század", "setting": "Királyi várbirtok magtára a Magyar Királyságban", "historicalDetails": [ "Földsánc és faerődítés korai várbirtoki környezetben", "Gabona kézi átvétele a magtárnál", "Termelők, ellátók és fegyveres szolgálattevők eltérő munkája" ], "sourceBasis": [ { "book": "hu09a", "pdfPages": [ 127, 127 ], "chapter": "Várispánság és királyi vármegye" }, { "book": "hu09a", "pdfPages": [ 134, 138 ], "chapter": "Társadalmi jogállás és a szolgáltatások rendszere" } ], "placement": { "area": "base", "sectionIndex": 1 }, "scene": "A twelfth-century royal castle-estate granary in Hungary, ordinary supplies and administration rather than a fantasy fortress. The scene is inside a low timber palisade on an earth rampart, with a small timber storehouse on a raised dry foundation and modest thatched workshops. Two rural suppliers unload plain sacks of grain from a low wooden ox cart; an estate steward checks a wooden grain measure on a trestle while a worker pours grain into it. A lightly equipped armed service man with a simple spear and round shield waits beside the storehouse, visually linking supplies and defense without threatening the farmers. No coins pouring, chains, torture, plate armor, high stone castle, modern balance scales or national flag. Costumes plain twelfth-century linen/wool tunics, cloaks and leather belts. Kuromi and female Jani sit safely on a low log near the cart, clearly visible dark collar, black eye silhouettes and asymmetric Jani face. Warm quiet daylight, coherent hand-drawn educational illustration. Avoid inventing a specific named castle skyline.", "prompt": "Use case: historical-scene. Asset type: ONE landscape 1536x1024 opaque educational narrative illustration for a high-school history lesson. Coherent hand-drawn figures and architecture, fine warm contours, gentle painted shading, natural daylight, historically appropriate everyday objects. No Hollywood, game or fantasy art, no dramatic cinematic lighting. Input image 1 is Jani identity reference only; Input image 2 is authoritative Kuromi identity reference only. Both characters appear as small attentive present-day observers, never replacing real historical people. Kuromi exactly follows reference: charcoal black two-point jester hood with pink skull, white body, DARK CHARCOAL POINTED COLLAR, pink ONLY on its four tiny round tip balls. Eyes solid flat black oval/teardrop silhouettes with exactly two short curved outer lashes; NO iris, white eye glints, eyebrows, broad pink collar or pink edging. Jani is a FEMALE cream-white fluffy ragdoll kitten with blue eyes, pink nose and large fluffy dark-brown tail, natural feline anatomy, four paws, no human hands, clothes or bowtie. Her facial pattern must be ASYMMETRICAL: a larger dark-brown eye patch on VIEWER LEFT and smaller lighter patch on VIEWER RIGHT, with irregular central white blaze. Keep her face visible. Both mascots drawn in a coherent medium with the scene, no stickers. Wide eye-level single scene, no panels, captions, legible text, numbers, modern flags or watermarks. A twelfth-century royal castle-estate granary in Hungary, ordinary supplies and administration rather than a fantasy fortress. The scene is inside a low timber palisade on an earth rampart, with a small timber storehouse on a raised dry foundation and modest thatched workshops. Two rural suppliers unload plain sacks of grain from a low wooden ox cart; an estate steward checks a wooden grain measure on a trestle while a worker pours grain into it. A lightly equipped armed service man with a simple spear and round shield waits beside the storehouse, visually linking supplies and defense without threatening the farmers. No coins pouring, chains, torture, plate armor, high stone castle, modern balance scales or national flag. Costumes plain twelfth-century linen/wool tunics, cloaks and leather belts. Kuromi and female Jani sit safely on a low log near the cart, clearly visible dark collar, black eye silhouettes and asymmetric Jani face. Warm quiet daylight, coherent hand-drawn educational illustration. Avoid inventing a specific named castle skyline.", "width": 1536, "height": 1024, "generation": { "tool": "image_gen", "mode": "built-in" }, "editHistory": [ { "tool": "image_gen", "mode": "built-in", "purpose": "A gabona búza- és árpaszemekre pontosítása", "prompt": "Use case: precise-object-edit. Image 1 is the historical granary scene and EDIT TARGET. Correct ONLY the visible cereal grain in the measuring box, open sacks, basket and barrel at right: replace large round bright-yellow maize-like kernels with SMALL ELONGATED TAN-BROWN WHEAT AND BARLEY GRAINS, with tiny longitudinal grooves, appropriate to twelfth-century Hungary. No maize/corn, no corn cobs, no bright round yellow kernels. Keep containers, pouring action, every person, all architecture, ox cart, Kuromi and Jani exactly unchanged. Do not redraw or alter either mascot, faces, collar, eye shapes, patch asymmetry, limbs or tail. Preserve framing, lighting, painting style, colors and landscape size. This is a tiny food-material correction, no new object, writing or panel." } ], "review": { "characters": true, "asymmetricJani": true, "canonicalKuromi": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [] }, "src": "assets/lesson-scenes/h02-02.webp", "sha256": "bcd8a45d1e0e227f565b092f29484774a97d278f61cc738d3d4271e7f2611a9a", "bytes": 500370, "thumbnailSrc": "assets/lesson-scenes/h02-02-preview.webp", "thumbnailSha256": "d6e619118ec4ba157f723570a51f6f512374a977ca93b0e0ea61e77832514571", "thumbnailBytes": 152308 }, { "unitId": "h02-03", "title": "A kiváltságot oklevél és pecsét rögzíti", "alt": "Kuromi és Jani figyeli az oklevél pecsételését egy 13. századi királyi íróhelyen.", "caption": "Képzeletbeli rekonstrukció az 1222 körüli oklevélkiadásról. Az írás és a függőpecsét hitelesítette a királyi ígéretet; a jog érvényesítéséhez később is politikai támogatás kellett.", "period": "1222 körül", "setting": "Királyi íróhely a Magyar Királyságban", "placement": { "area": "base", "sectionIndex": 2 }, "historicalDetails": [ "Pergamen és kézi tollal írott, olvashatatlan sorok", "Kisméretű aranyszínű függőpecsét zsinóron", "Írástudó közvetíti az uralkodói jogígéretet" ], "scene": "Hungarian royal chancery around 1222, an ordinary stone chamber with small round-headed window and heavy plain wooden worktable. A seated tonsured cleric in a plain dark wool robe checks a parchment charter with fine indistinct ink lines; a second standing clerk carefully threads a cord through the folded bottom of the parchment and attaches a small thin gold-colored circular pendant seal. The seal is about palm-sized, not treasure or a wax puddle, its surface not legibly detailed. Two modestly dressed adult royal servants in knee-length wool tunics, cloaks and simple leather belts wait nearby, showing a privilege mediated through writing rather than a modern democratic signing ceremony. No king or crown, no heraldic flags, no modern pen, books are modest. Kuromi watches the seal at the near corner of the table; Jani sits on a low wooden bench with her face visible.", "sourceBasis": [ { "book": "hu09a", "pdfPages": [ 137, 139 ], "chapter": "II. András és az 1222-es, 1231-es Aranybulla; a kiadás értelmezéseit elkülönítve." }, { "book": "hugy", "pdfPages": [ 29, 30 ], "chapter": "Az Aranybulla részletei: katonáskodás, adók és ispáni jövedelem." } ], "prompt": "Use case: historical-scene. Create ONE landscape 1536x1024 full-color hand-drawn educational narrative illustration, fine outlines, gentle painted shading, natural daylight and historically grounded materials. Entire image has coherent illustrated style. Reference image 1 is Jani identity only: a GIRL ragdoll kitten, fluffy cream-white body, blue eyes, pink nose, very fluffy dark-brown tail. Her FACE MUST BE ASYMMETRICAL: large dark brown patch around VIEWER LEFT eye, smaller lighter tan patch around VIEWER RIGHT eye, irregular white central blaze. Natural cat anatomy and paws, four legs, no human hands, no human costume, no bowtie. Reference image 2 is Kuromi identity only: recognizable canonical black two-point jester hood with pink skull, white body, dark charcoal jester collar with ONLY four tiny pink balls at its points, no wide pink band. Eyes are simple black oval/teardrop shapes with exactly two short curved outer lashes as canonical reference, no human irises, no thick straight eyebrows; do not repeat the reference book or magnifier. Both characters clearly visible as small present-day narrative observers within the scene, not replacing real historical people. Historical people have period correct everyday clothing and equipment, illustrated faces, not photorealistic. Wide single scene, no panels, no captions or labels, no numbers, no legible writing, no modern flags, no watermark. Avoid Hollywood, fantasy, game art, glamorous armor, dramatic backlight, explosions or generic battle panorama. Kuromi eyes have NO white highlights or eye glints. No pink collar piping. Keep both mascots small and attentive, not performing anachronistic actions. Hungarian royal chancery around 1222, an ordinary stone chamber with small round-headed window and heavy plain wooden worktable. A seated tonsured cleric in a plain dark wool robe checks a parchment charter with fine indistinct ink lines; a second standing clerk carefully threads a cord through the folded bottom of the parchment and attaches a small thin gold-colored circular pendant seal. The seal is about palm-sized, not treasure or a wax puddle, its surface not legibly detailed. Two modestly dressed adult royal servants in knee-length wool tunics, cloaks and simple leather belts wait nearby, showing a privilege mediated through writing rather than a modern democratic signing ceremony. No king or crown, no heraldic flags, no modern pen, books are modest. Kuromi watches the seal at the near corner of the table; Jani sits on a low wooden bench with her face visible.", "editPrompt": "Use case: precise-object-edit. Change ONLY the gold chain / necklace-like links at the pendant seal on the table. Replace all metallic necklace chain with a thin soft braided silk sealing cord, dull red and natural beige, visibly passing through two small slits in the folded lower edge of the parchment and attached to the small gold-colored flat seal. It must read as a medieval royal charter's pendant seal, not a necklace. Remove the unrelated little brass saucer at the lower edge where the chain ended, leaving plain wooden table there. Preserve the parchment, all people, room, Jani and Kuromi EXACTLY, including their correct canonical eyes, dark collar with tiny pink balls, and asymmetric cat face. No other changes. No legible text.", "provenance": [ { "type": "generation", "prompt": "Use case: historical-scene. Create ONE landscape 1536x1024 full-color hand-drawn educational narrative illustration, fine outlines, gentle painted shading, natural daylight and historically grounded materials. Entire image has coherent illustrated style. Reference image 1 is Jani identity only: a GIRL ragdoll kitten, fluffy cream-white body, blue eyes, pink nose, very fluffy dark-brown tail. Her FACE MUST BE ASYMMETRICAL: large dark brown patch around VIEWER LEFT eye, smaller lighter tan patch around VIEWER RIGHT eye, irregular white central blaze. Natural cat anatomy and paws, four legs, no human hands, no human costume, no bowtie. Reference image 2 is Kuromi identity only: recognizable canonical black two-point jester hood with pink skull, white body, dark charcoal jester collar with ONLY four tiny pink balls at its points, no wide pink band. Eyes are simple black oval/teardrop shapes with exactly two short curved outer lashes as canonical reference, no human irises, no thick straight eyebrows; do not repeat the reference book or magnifier. Both characters clearly visible as small present-day narrative observers within the scene, not replacing real historical people. Historical people have period correct everyday clothing and equipment, illustrated faces, not photorealistic. Wide single scene, no panels, no captions or labels, no numbers, no legible writing, no modern flags, no watermark. Avoid Hollywood, fantasy, game art, glamorous armor, dramatic backlight, explosions or generic battle panorama. Kuromi eyes have NO white highlights or eye glints. No pink collar piping. Keep both mascots small and attentive, not performing anachronistic actions. Hungarian royal chancery around 1222, an ordinary stone chamber with small round-headed window and heavy plain wooden worktable. A seated tonsured cleric in a plain dark wool robe checks a parchment charter with fine indistinct ink lines; a second standing clerk carefully threads a cord through the folded bottom of the parchment and attaches a small thin gold-colored circular pendant seal. The seal is about palm-sized, not treasure or a wax puddle, its surface not legibly detailed. Two modestly dressed adult royal servants in knee-length wool tunics, cloaks and simple leather belts wait nearby, showing a privilege mediated through writing rather than a modern democratic signing ceremony. No king or crown, no heraldic flags, no modern pen, books are modest. Kuromi watches the seal at the near corner of the table; Jani sits on a low wooden bench with her face visible." } ], "width": 1536, "height": 1024, "generation": { "tool": "image_gen", "mode": "built-in" }, "review": { "characters": true, "asymmetricJani": true, "canonicalKuromi": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [], "notes": [ "Célzott javítás után a függőpecsét selyemzsinóron kapcsolódik a pergamenhez; az ékszerlánc és a csésze eltűnt.", "Kanonikus Kuromi és aszimmetrikus Jani ellenőrizve; a terem és a személyek rekonstrukciók." ] }, "src": "assets/lesson-scenes/h02-03.webp", "sha256": "af3db2a855a10f960d8e38b172659eec982388f01dcd009b7f0351a0345652c4", "bytes": 279452, "thumbnailSrc": "assets/lesson-scenes/h02-03-preview.webp", "thumbnailSha256": "12df59de68f9c72786d9f2ecab1b4f497b4e15c58e4156cc618c43906ba43977", "thumbnailBytes": 93022 }, { "unitId": "h02-04", "title": "A kőfal új erőforrásokat von be a védelembe", "alt": "Kuromi és Jani egy tatárjárás utáni kővár építését figyeli; kőfaragók és szállítók dolgoznak.", "caption": "Újjáépítés az 1250-es években, általánosított rekonstrukció. A várépítés kőfaragót, faanyagot, szállítást és tartós jövedelmet igényelt; az új erősség egyszerre szolgálhatott védelmet és helyi birtokhatalmat.", "period": "1250-es évek", "setting": "Épülő dombvidéki kővár a Magyar Királyságban", "placement": { "area": "base", "sectionIndex": 3 }, "historicalDetails": [ "Egyszerű kőfal építése faállvánnyal", "Mészhabarcs, faragott kőtömbök és faanyag", "Ökör vontatta szekér és kézi anyagszállítás" ], "scene": "Hungarian upland stone castle under construction in the 1250s after the Mongol invasion. Focus on a practical worksite rather than a finished fairy-tale castle. In the midground masons in undyed knee-length tunics build a modest thick limestone curtain wall at waist-to-head height using lime mortar, timber scaffolding and ladders. One worker trims a stone with hand hammer and chisel; another passes a small bucket of mortar. An ox-drawn rough wooden cart brings stone from the dirt track. A partially completed simple rectangular stone keep, low wooded hills and a few plain timber huts beyond. No elaborate battlements, no Renaissance star bastions, no cranes with modern metal machinery, no orange safety clothing. In the foreground small Kuromi stands safely beside stacked timber and Jani sits on a flat stone, observing how materials and labor create defense. Peaceful reconstruction work, no corpses or invaders.", "sourceBasis": [ { "book": "hu09a", "pdfPages": [ 139, 141 ], "chapter": "Rogerius, Muhi, megszállás és újjáépítés." }, { "book": "hugy", "pdfPages": [ 30, 31 ], "chapter": "Béla döntéseinek panaszai és indokai; Muhi forrása." } ], "prompt": "Use case: historical-scene. Create ONE landscape 1536x1024 full-color hand-drawn educational narrative illustration, fine outlines, gentle painted shading, natural daylight and historically grounded materials. Entire image has coherent illustrated style. Reference image 1 is Jani identity only: a GIRL ragdoll kitten, fluffy cream-white body, blue eyes, pink nose, very fluffy dark-brown tail. Her FACE MUST BE ASYMMETRICAL: large dark brown patch around VIEWER LEFT eye, smaller lighter tan patch around VIEWER RIGHT eye, irregular white central blaze. Natural cat anatomy and paws, four legs, no human hands, no human costume, no bowtie. Reference image 2 is Kuromi identity only: recognizable canonical black two-point jester hood with pink skull, white body, dark charcoal jester collar with ONLY four tiny pink balls at its points, no wide pink band. Eyes are simple black oval/teardrop shapes with exactly two short curved outer lashes as canonical reference, no human irises, no thick straight eyebrows; do not repeat the reference book or magnifier. Both characters clearly visible as small present-day narrative observers within the scene, not replacing real historical people. Historical people have period correct everyday clothing and equipment, illustrated faces, not photorealistic. Wide single scene, no panels, no captions or labels, no numbers, no legible writing, no modern flags, no watermark. Avoid Hollywood, fantasy, game art, glamorous armor, dramatic backlight, explosions or generic battle panorama. Kuromi eyes have NO white highlights or eye glints. No pink collar piping. Keep both mascots small and attentive, not performing anachronistic actions. Hungarian upland stone castle under construction in the 1250s after the Mongol invasion. Focus on a practical worksite rather than a finished fairy-tale castle. In the midground masons in undyed knee-length tunics build a modest thick limestone curtain wall at waist-to-head height using lime mortar, timber scaffolding and ladders. One worker trims a stone with hand hammer and chisel; another passes a small bucket of mortar. An ox-drawn rough wooden cart brings stone from the dirt track. A partially completed simple rectangular stone keep, low wooded hills and a few plain timber huts beyond. No elaborate battlements, no Renaissance star bastions, no cranes with modern metal machinery, no orange safety clothing. In the foreground small Kuromi stands safely beside stacked timber and Jani sits on a flat stone, observing how materials and labor create defense. Peaceful reconstruction work, no corpses or invaders.", "width": 1536, "height": 1024, "generation": { "tool": "image_gen", "mode": "built-in" }, "review": { "characters": true, "asymmetricJani": true, "canonicalKuromi": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [], "notes": [ "A kőfal, kéziszerszám, ökörszekér és faállvány korhű; nem egy név szerint azonosított vár pontos rekonstrukciója.", "Kuromi sötét gallérja, fekete cseppszeme és rövid külső szempillája megfelelő; Jani néző bal oldali arcmintája sötétebb." ] }, "src": "assets/lesson-scenes/h02-04.webp", "sha256": "dd64784fcc7e8c9ceb83cdc9ab71152ece1a3064352ef4c841049adafd0bb3c3", "bytes": 543512, "thumbnailSrc": "assets/lesson-scenes/h02-04-preview.webp", "thumbnailSha256": "925f5f86ecb0eec0134649f53cf1790ebaf28d9c151ced5aed6b95cfebe1dc42", "thumbnailBytes": 163236 }, { "unitId": "h02-05", "title": "Helyi birtokosok közös bíráskodása", "alt": "Kuromi és Jani egy 13. századi helyi birtokvita tanúmeghallgatását figyeli.", "caption": "A kehidai oklevélben megőrzött 1232-es bíráskodási kísérlet ihlette rekonstrukció. A helyi szerviensek közös fellépése az önszerveződés egyik példája, és nem egyetlen napon létrejött kész vármegyei rendszer.", "period": "1232", "setting": "Zalai birtokvita közös meghallgatása, Kehida környéke", "placement": { "area": "base", "sectionIndex": 2 }, "historicalDetails": [ "Birtokosok és tanúk meghallgatása egyszerű szabadtéri gyűlésen", "Jegyző pergamenre rögzíti az elmondottakat", "Földhatár és a helyi közösség emlékezete a vita tárgya" ], "scene": "A modest outdoor legal hearing in Zala county in the Hungarian kingdom in 1232, inspired by the Kehida charter. Under a large tree beside a dirt road, several local free landholding men in plain thirteenth-century wool tunics and cloaks listen to an older witness pointing toward a boundary stone at the edge of a strip field. One seated cleric writes indistinct notes on a small parchment at a rough plank table. Two disputants stand apart calmly, one gesturing toward a hedgerow; a few unarmed neighbors listen. No royal throne, crown, modern courtroom wigs or gavels, no feudal fantasy armor; not a grand ceremonial assembly. A simple rural church with round-arched openings far behind and low timber farm buildings. Kuromi and female Jani sit quietly by the road at lower right, both facing partly toward the viewer so identity is clear. The scene makes local testimony and joint judgment visible.", "sourceBasis": [ { "book": "hu09a", "pdfPages": [ 141, 142 ], "chapter": "Utolsó Árpádok és familiaritás." }, { "book": "hu09a", "pdfPages": [ 145, 145 ], "chapter": "A tartományúri hatalom és az 1301-es öröklési válság előzménye." }, { "book": "hugy", "pdfPages": [ 22, 22 ], "chapter": "III. András 1298-as költözési rendelkezése." }, { "title": "MNL: Zsoldos Attila kutatása az 1232-es kehidai oklevélről", "url": "https://mnl.gov.hu/download/file/fid/33643", "note": "A közös bíráskodási kísérlet történeti alapja; a fa, az épületek és az alakok illusztratív rekonstrukciók." } ], "prompt": "Use case: historical-scene. Create ONE landscape 1536x1024 full-color hand-drawn educational narrative illustration, fine outlines, gentle painted shading, natural daylight and historically grounded materials. Entire image has coherent illustrated style. Reference image 1 is Jani identity only: a GIRL ragdoll kitten, fluffy cream-white body, blue eyes, pink nose, very fluffy dark-brown tail. Her FACE MUST BE ASYMMETRICAL: large dark brown patch around VIEWER LEFT eye, smaller lighter tan patch around VIEWER RIGHT eye, irregular white central blaze. Natural cat anatomy and paws, four legs, no human hands, no human costume, no bowtie. Reference image 2 is Kuromi identity only: recognizable canonical black two-point jester hood with pink skull, white body, dark charcoal jester collar with ONLY four tiny pink balls at its points, no wide pink band. Eyes are simple black oval/teardrop shapes with exactly two short curved outer lashes as canonical reference, no human irises, no thick straight eyebrows; do not repeat the reference book or magnifier. Both characters clearly visible as small present-day narrative observers within the scene, not replacing real historical people. Historical people have period correct everyday clothing and equipment, illustrated faces, not photorealistic. Wide single scene, no panels, no captions or labels, no numbers, no legible writing, no modern flags, no watermark. Avoid Hollywood, fantasy, game art, glamorous armor, dramatic backlight, explosions or generic battle panorama. Kuromi eyes have NO white highlights or eye glints. No pink collar piping. Keep both mascots small and attentive, not performing anachronistic actions. A modest outdoor legal hearing in Zala county in the Hungarian kingdom in 1232, inspired by the Kehida charter. Under a large tree beside a dirt road, several local free landholding men in plain thirteenth-century wool tunics and cloaks listen to an older witness pointing toward a boundary stone at the edge of a strip field. One seated cleric writes indistinct notes on a small parchment at a rough plank table. Two disputants stand apart calmly, one gesturing toward a hedgerow; a few unarmed neighbors listen. No royal throne, crown, modern courtroom wigs or gavels, no feudal fantasy armor; not a grand ceremonial assembly. A simple rural church with round-arched openings far behind and low timber farm buildings. Kuromi and female Jani sit quietly by the road at lower right, both facing partly toward the viewer so identity is clear. The scene makes local testimony and joint judgment visible.", "width": 1536, "height": 1024, "generation": { "tool": "image_gen", "mode": "built-in" }, "review": { "characters": true, "asymmetricJani": true, "canonicalKuromi": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [], "notes": [ "A tanú, a határkő és a jegyző a birtokvita bizonyítását mutatja; nincs modern bírói kellék.", "Kanonikus sötét Kuromi-gallér és aszimmetrikus Jani-arcminta ellenőrizve." ] }, "src": "assets/lesson-scenes/h02-05.webp", "sha256": "b66cd2f565c86de92bbc52ab7053b6f94c48976e7972d518d31a991debccf327", "bytes": 663510, "thumbnailSrc": "assets/lesson-scenes/h02-05-preview.webp", "thumbnailSha256": "a4963bee95bc8ee79a4c525407683917ba140ee60ee85531dcbffd3d6bb6cf17", "thumbnailBytes": 183400 }, { "unitId": "h03-01", "title": "Súly, finomság és pénzverés", "alt": "Kuromi és Jani a körmöcbányai pénzverdében nézi az érmelapkák mérését és kézi verését.", "caption": "Körmöcbányai pénzverés az 1330-as években, illusztratív rekonstrukció. A bánya, a verde és az ellenőrzött pénz összekapcsolása tartós királyi jövedelmet és használható fizetőeszközt teremthetett.", "period": "1330-as évek", "setting": "Körmöcbánya királyi pénzverdéje", "placement": { "area": "base", "sectionIndex": 2 }, "historicalDetails": [ "Kézi kalapácsos érmeverés vésőtővel", "Érmelapkák és kis kétkarú serpenyős mérleg", "Egyszerű munkaruha, tégla- és kőműhely" ], "scene": "Royal coin mint in Körmöcbánya (Kremnica), Kingdom of Hungary, in the 1330s. A practical small stone workshop, not a treasure vault. At a sturdy waist-high wooden block a minter wearing a wool tunic and leather apron holds the upper cylindrical steel coin die vertically onto a lower die with tongs and raises a short hand hammer to strike a tiny blank. Another worker at a wooden bench weighs a few small gold coin blanks on a simple suspended equal-arm balance with little weights; shallow trays separate struck coins and blanks. A modest brick charcoal hearth at the back, a small window gives natural side light. No piles of gold treasure, no rolling press, no gear-driven machinery, no steam, no modern protective goggles, no king. Coins are small and markings not legible. Kuromi and Jani sit at a safe edge near the weighing bench, both clearly visible, looking at careful measurement.", "sourceBasis": [ { "book": "hu09a", "pdfPages": [ 145, 147 ], "chapter": "Tartományurak, honor, gazdasági reformok és Visegrád." }, { "book": "hugy", "pdfPages": [ 32, 33 ], "chapter": "Visegrád elsődleges krónikaforrása és a dinasztikus kapcsolatok." }, { "title": "Mincovňa Kremnica, annual report: royal mint founded 17 November 1328", "url": "https://www.mint.sk/sites/default/files/annual_reports/mint_-_vs_2022_-_web.pdf", "note": "A verde alapításának intézményi adata; a műhely elrendezése rekonstrukció." } ], "prompt": "Use case: historical-scene. Create ONE landscape 1536x1024 full-color hand-drawn educational narrative illustration, fine outlines, gentle painted shading, natural daylight and historically grounded materials. Entire image has coherent illustrated style. Reference image 1 is Jani identity only: a GIRL ragdoll kitten, fluffy cream-white body, blue eyes, pink nose, very fluffy dark-brown tail. Her FACE MUST BE ASYMMETRICAL: large dark brown patch around VIEWER LEFT eye, smaller lighter tan patch around VIEWER RIGHT eye, irregular white central blaze. Natural cat anatomy and paws, four legs, no human hands, no human costume, no bowtie. Reference image 2 is Kuromi identity only: recognizable canonical black two-point jester hood with pink skull, white body, dark charcoal jester collar with ONLY four tiny pink balls at its points, no wide pink band. Eyes are simple black oval/teardrop shapes with exactly two short curved outer lashes as canonical reference, no human irises, no thick straight eyebrows; do not repeat the reference book or magnifier. Both characters clearly visible as small present-day narrative observers within the scene, not replacing real historical people. Historical people have period correct everyday clothing and equipment, illustrated faces, not photorealistic. Wide single scene, no panels, no captions or labels, no numbers, no legible writing, no modern flags, no watermark. Avoid Hollywood, fantasy, game art, glamorous armor, dramatic backlight, explosions or generic battle panorama. Kuromi eyes have NO white highlights or eye glints. No pink collar piping. Keep both mascots small and attentive, not performing anachronistic actions. Royal coin mint in Körmöcbánya (Kremnica), Kingdom of Hungary, in the 1330s. A practical small stone workshop, not a treasure vault. At a sturdy waist-high wooden block a minter wearing a wool tunic and leather apron holds the upper cylindrical steel coin die vertically onto a lower die with tongs and raises a short hand hammer to strike a tiny blank. Another worker at a wooden bench weighs a few small gold coin blanks on a simple suspended equal-arm balance with little weights; shallow trays separate struck coins and blanks. A modest brick charcoal hearth at the back, a small window gives natural side light. No piles of gold treasure, no rolling press, no gear-driven machinery, no steam, no modern protective goggles, no king. Coins are small and markings not legible. Kuromi and Jani sit at a safe edge near the weighing bench, both clearly visible, looking at careful measurement.", "provenance": [ { "type": "generation", "prompt": "Use case: historical-scene. Create ONE landscape 1536x1024 full-color hand-drawn educational narrative illustration, fine outlines, gentle painted shading, natural daylight and historically grounded materials. Entire image has coherent illustrated style. Reference image 1 is Jani identity only: a GIRL ragdoll kitten, fluffy cream-white body, blue eyes, pink nose, very fluffy dark-brown tail. Her FACE MUST BE ASYMMETRICAL: large dark brown patch around VIEWER LEFT eye, smaller lighter tan patch around VIEWER RIGHT eye, irregular white central blaze. Natural cat anatomy and paws, four legs, no human hands, no human costume, no bowtie. Reference image 2 is Kuromi identity only: recognizable canonical black two-point jester hood with pink skull, white body, dark charcoal jester collar with ONLY four tiny pink balls at its points, no wide pink band. Eyes are simple black oval/teardrop shapes with exactly two short curved outer lashes as canonical reference, no human irises, no thick straight eyebrows; do not repeat the reference book or magnifier. Both characters clearly visible as small present-day narrative observers within the scene, not replacing real historical people. Historical people have period correct everyday clothing and equipment, illustrated faces, not photorealistic. Wide single scene, no panels, no captions or labels, no numbers, no legible writing, no modern flags, no watermark. Avoid Hollywood, fantasy, game art, glamorous armor, dramatic backlight, explosions or generic battle panorama. Kuromi eyes have NO white highlights or eye glints. No pink collar piping. Keep both mascots small and attentive, not performing anachronistic actions. Royal coin mint in Körmöcbánya (Kremnica), Kingdom of Hungary, in the 1330s. A practical small stone workshop, not a treasure vault. At a sturdy waist-high wooden block a minter wearing a wool tunic and leather apron holds the upper cylindrical steel coin die vertically onto a lower die with tongs and raises a short hand hammer to strike a tiny blank. Another worker at a wooden bench weighs a few small gold coin blanks on a simple suspended equal-arm balance with little weights; shallow trays separate struck coins and blanks. A modest brick charcoal hearth at the back, a small window gives natural side light. No piles of gold treasure, no rolling press, no gear-driven machinery, no steam, no modern protective goggles, no king. Coins are small and markings not legible. Kuromi and Jani sit at a safe edge near the weighing bench, both clearly visible, looking at careful measurement." } ], "editPrompt": "Use case: precise-object-edit. Input image 1 is the scene to preserve; input image 2 is authoritative canonical Kuromi identity reference. Correct ONLY KUROMI'S WHITE BODY beneath the existing dark collar. The present body looks like a furry four-legged kitten; replace it with the canonical SMOOTH WHITE SANRIO HUMANOID BODY: exactly TWO short arms attached to the torso at the sides and exactly TWO short legs with rounded feet, clearly separated by a small gap, in an upright standing biped pose. Arms hang at the sides, not resting like front cat paws. NO fur tufts, haunches, hind-cat thighs, quadruped body or cat paws. Keep Kuromi's current head, expression, black simple eyes and short lashes, pink skull, hood, dark charcoal pointed collar and four tiny pink tip balls, dark arrow tail, overall size and location. Preserve Jani EXACTLY as a natural fluffy four-legged kitten with her asymmetric face, and preserve all people, objects, light and historical setting. No text or other changes.", "width": 1536, "height": 1024, "generation": { "tool": "image_gen", "mode": "built-in" }, "review": { "characters": true, "asymmetricJani": true, "canonicalKuromi": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [], "notes": [ "Célzott szerkesztés után Kuromi teste sima fehér Sanrio-test, két karral és két külön lábbal, nem bolyhos négylábú macska.", "Jani természetes macskaalakja, aszimmetrikus arcmintája és a történeti jelenet megmaradt." ] }, "src": "assets/lesson-scenes/h03-01.webp", "sha256": "6e9a082089981e5215b74bd9dd982b2bfd39a5030b6228b83bdd688ff815b9ef", "bytes": 350252, "thumbnailSrc": "assets/lesson-scenes/h03-01-preview.webp", "thumbnailSha256": "62d04c0fee794a16657f88cdb035397ca3af6354df1acb6f4d266375106395c7", "thumbnailBytes": 122952 }, { "unitId": "h03-02", "title": "Az öröklési szabály a birtokhatárnál válik fontossá", "alt": "Kuromi és Jani nemesi birtokhatár megjárását figyeli; oklevél és tanúk kapcsolódnak a földhöz.", "caption": "Birtokhatár és oklevél az 1351 utáni években, rekonstrukció. Az ősiség a nemzetségi öröklést védte és korlátozta a birtok szabad elidegenítését; az igény érvényesítéséhez helyi bizonyítás és jogi eljárás is kellett.", "period": "1350-es évek", "setting": "Nemesi földbirtok határának megjárása", "placement": { "area": "base", "sectionIndex": 2 }, "historicalDetails": [ "Határkő és felismerhető fás mezsgye", "Oklevéllel dolgozó írástudó és helyi tanúk", "Késő középkori gyapjúruhák, egyszerű övek és csuklyák" ], "scene": "Kingdom of Hungary in the 1350s, a local estate boundary perambulation after inheritance rules were reaffirmed in 1351. An adult clerk in modest fourteenth-century long tunic holds an unfolded parchment with indistinct writing while two landholding relatives and an elderly local witness stand at a weathered boundary stone beside an old oak and narrow cultivated fields. The witness points to the hedgerow marking the estate edge; one heir listens with concern, another points to the parchment. This is practical legal testimony about land, not a coronation or a modern land survey. No measuring telescope, printed maps, modern field equipment or fences. A modest manor farm with thatched outbuildings and low woodland in background. Place Kuromi and Jani on the grassy path at lower left, attentive expressions, no playful gestures. Emphasize the connection of written inheritance rules to actual land and testimony.", "sourceBasis": [ { "book": "hu09a", "pdfPages": [ 148, 150 ], "chapter": "Nagy Lajos hadjáratai, 1351 törvényei és az öröklés; a perszonáluniót a közös uralkodó életéhez kötve." } ], "prompt": "Use case: historical-scene. Create ONE landscape 1536x1024 full-color hand-drawn educational narrative illustration, fine outlines, gentle painted shading, natural daylight and historically grounded materials. Entire image has coherent illustrated style. Reference image 1 is Jani identity only: a GIRL ragdoll kitten, fluffy cream-white body, blue eyes, pink nose, very fluffy dark-brown tail. Her FACE MUST BE ASYMMETRICAL: large dark brown patch around VIEWER LEFT eye, smaller lighter tan patch around VIEWER RIGHT eye, irregular white central blaze. Natural cat anatomy and paws, four legs, no human hands, no human costume, no bowtie. Reference image 2 is Kuromi identity only: recognizable canonical black two-point jester hood with pink skull, white body, dark charcoal jester collar with ONLY four tiny pink balls at its points, no wide pink band. Eyes are simple black oval/teardrop shapes with exactly two short curved outer lashes as canonical reference, no human irises, no thick straight eyebrows; do not repeat the reference book or magnifier. Both characters clearly visible as small present-day narrative observers within the scene, not replacing real historical people. Historical people have period correct everyday clothing and equipment, illustrated faces, not photorealistic. Wide single scene, no panels, no captions or labels, no numbers, no legible writing, no modern flags, no watermark. Avoid Hollywood, fantasy, game art, glamorous armor, dramatic backlight, explosions or generic battle panorama. Kuromi eyes have NO white highlights or eye glints. No pink collar piping. Keep both mascots small and attentive, not performing anachronistic actions. Kingdom of Hungary in the 1350s, a local estate boundary perambulation after inheritance rules were reaffirmed in 1351. An adult clerk in modest fourteenth-century long tunic holds an unfolded parchment with indistinct writing while two landholding relatives and an elderly local witness stand at a weathered boundary stone beside an old oak and narrow cultivated fields. The witness points to the hedgerow marking the estate edge; one heir listens with concern, another points to the parchment. This is practical legal testimony about land, not a coronation or a modern land survey. No measuring telescope, printed maps, modern field equipment or fences. A modest manor farm with thatched outbuildings and low woodland in background. Place Kuromi and Jani on the grassy path at lower left, attentive expressions, no playful gestures. Emphasize the connection of written inheritance rules to actual land and testimony.", "width": 1536, "height": 1024, "generation": { "tool": "image_gen", "mode": "built-in" }, "review": { "characters": true, "asymmetricJani": true, "canonicalKuromi": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [], "notes": [ "A határjárást a tanú és az oklevél kapcsolja össze; modern felmérő eszköz nincs.", "A szereplők és a birtokhelyzet általánosított rekonstrukció, nem egy fennmaradt konkrét per képi másolata." ] }, "src": "assets/lesson-scenes/h03-02.webp", "sha256": "d5abe4148f35c12aaaed1f986d3b1f914e6b4229d561e8befa20a8751858713b", "bytes": 626454, "thumbnailSrc": "assets/lesson-scenes/h03-02-preview.webp", "thumbnailSha256": "e5c37acdde1d97d6d02f5e405b33dcd157aa1d5d19191c5faf427d5933729c6d", "thumbnailBytes": 178686 }, { "unitId": "h03-03", "title": "Piaci mérték és királyi városjog", "alt": "Kuromi és Jani egy budai piactéren a mérleg és a súly ellenőrzését nézi.", "caption": "Városi piac Zsigmond uralkodása alatt, 1405 körül. A mérés és a jogi eljárás kiszámíthatósága a kereskedők és a király érdekét is szolgálta; a városi önigazgatás adó- és ellátási kötelezettséggel kapcsolódott össze.", "period": "1405 körül", "setting": "Buda városi piaca", "placement": { "area": "base", "sectionIndex": 1 }, "historicalDetails": [ "Kétkarú piaci mérleg és fém súlyok", "Tanácsi megbízott ellenőrzése a kereskedő asztalánál", "Késő gótikus városi házak és középkori áruszállítás" ], "scene": "Buda market square around 1405 under King Sigismund, an ordinary commercial interaction in a Central European Gothic town. At a covered wooden stall a merchant in a knee-length wool garment weighs a small sack of grain on a large equal-arm pan balance. A town official in a sober long dark robe compares a metal weight against another reference weight, while a customer watches and a clerk records indistinct marks on a small paper sheet. On the stall are grain sacks and folded wool cloth, NOT maize, potatoes, tomatoes or exotic piles. A simple handcart and barrels nearby. Behind them modest plastered stone houses with steep tiled roofs, small Gothic windows and an arched town gate; no Renaissance palazzi, domes or modern street furnishings. Kuromi and Jani observe from the near side of the stall, small figures, clearly visible face and paws. The scene is about reliable market measurement and local authority, not a royal parade.", "sourceBasis": [ { "book": "hu09a", "pdfPages": [ 149, 150 ], "chapter": "Zsigmond belpolitikai támaszai és a városi jog háttérviszonyai." }, { "book": "hu09a", "pdfPages": [ 151, 153 ], "chapter": "Oszmán előrenyomulás, 1397-es dekrétum és déli védelem." }, { "book": "hugy", "pdfPages": [ 34, 34 ], "chapter": "Nikápoly és a végvári hálózat forrásai." }, { "title": "MNL: a debreceni 1405-ös kiváltság későbbi megerősítése", "url": "https://mnl.gov.hu/mnl/hbml/az_mnl_hajdu_bihar_megyei_leveltaranak_iratai_tortenelem_orakra?theme=mnlvakbarat" }, { "title": "Tóth Miklós: Rév 1405-ös kiváltságának okleveles környezete, Bihari Múzeum Évkönyve 2023", "url": "https://real-j.mtak.hu/26900/1/BihMuzEK_2023_28.pdf" } ], "prompt": "Use case: historical-scene. Create ONE landscape 1536x1024 full-color hand-drawn educational narrative illustration, fine outlines, gentle painted shading, natural daylight and historically grounded materials. Entire image has coherent illustrated style. Reference image 1 is Jani identity only: a GIRL ragdoll kitten, fluffy cream-white body, blue eyes, pink nose, very fluffy dark-brown tail. Her FACE MUST BE ASYMMETRICAL: large dark brown patch around VIEWER LEFT eye, smaller lighter tan patch around VIEWER RIGHT eye, irregular white central blaze. Natural cat anatomy and paws, four legs, no human hands, no human costume, no bowtie. Reference image 2 is Kuromi identity only: recognizable canonical black two-point jester hood with pink skull, white body, dark charcoal jester collar with ONLY four tiny pink balls at its points, no wide pink band. Eyes are simple black oval/teardrop shapes with exactly two short curved outer lashes as canonical reference, no human irises, no thick straight eyebrows; do not repeat the reference book or magnifier. Both characters clearly visible as small present-day narrative observers within the scene, not replacing real historical people. Historical people have period correct everyday clothing and equipment, illustrated faces, not photorealistic. Wide single scene, no panels, no captions or labels, no numbers, no legible writing, no modern flags, no watermark. Avoid Hollywood, fantasy, game art, glamorous armor, dramatic backlight, explosions or generic battle panorama. Kuromi eyes have NO white highlights or eye glints. No pink collar piping. Keep both mascots small and attentive, not performing anachronistic actions. Buda market square around 1405 under King Sigismund, an ordinary commercial interaction in a Central European Gothic town. At a covered wooden stall a merchant in a knee-length wool garment weighs a small sack of grain on a large equal-arm pan balance. A town official in a sober long dark robe compares a metal weight against another reference weight, while a customer watches and a clerk records indistinct marks on a small paper sheet. On the stall are grain sacks and folded wool cloth, NOT maize, potatoes, tomatoes or exotic piles. A simple handcart and barrels nearby. Behind them modest plastered stone houses with steep tiled roofs, small Gothic windows and an arched town gate; no Renaissance palazzi, domes or modern street furnishings. Kuromi and Jani observe from the near side of the stall, small figures, clearly visible face and paws. The scene is about reliable market measurement and local authority, not a royal parade.", "provenance": [ { "type": "generation", "prompt": "Use case: historical-scene. Create ONE landscape 1536x1024 full-color hand-drawn educational narrative illustration, fine outlines, gentle painted shading, natural daylight and historically grounded materials. Entire image has coherent illustrated style. Reference image 1 is Jani identity only: a GIRL ragdoll kitten, fluffy cream-white body, blue eyes, pink nose, very fluffy dark-brown tail. Her FACE MUST BE ASYMMETRICAL: large dark brown patch around VIEWER LEFT eye, smaller lighter tan patch around VIEWER RIGHT eye, irregular white central blaze. Natural cat anatomy and paws, four legs, no human hands, no human costume, no bowtie. Reference image 2 is Kuromi identity only: recognizable canonical black two-point jester hood with pink skull, white body, dark charcoal jester collar with ONLY four tiny pink balls at its points, no wide pink band. Eyes are simple black oval/teardrop shapes with exactly two short curved outer lashes as canonical reference, no human irises, no thick straight eyebrows; do not repeat the reference book or magnifier. Both characters clearly visible as small present-day narrative observers within the scene, not replacing real historical people. Historical people have period correct everyday clothing and equipment, illustrated faces, not photorealistic. Wide single scene, no panels, no captions or labels, no numbers, no legible writing, no modern flags, no watermark. Avoid Hollywood, fantasy, game art, glamorous armor, dramatic backlight, explosions or generic battle panorama. Kuromi eyes have NO white highlights or eye glints. No pink collar piping. Keep both mascots small and attentive, not performing anachronistic actions. Buda market square around 1405 under King Sigismund, an ordinary commercial interaction in a Central European Gothic town. At a covered wooden stall a merchant in a knee-length wool garment weighs a small sack of grain on a large equal-arm pan balance. A town official in a sober long dark robe compares a metal weight against another reference weight, while a customer watches and a clerk records indistinct marks on a small paper sheet. On the stall are grain sacks and folded wool cloth, NOT maize, potatoes, tomatoes or exotic piles. A simple handcart and barrels nearby. Behind them modest plastered stone houses with steep tiled roofs, small Gothic windows and an arched town gate; no Renaissance palazzi, domes or modern street furnishings. Kuromi and Jani observe from the near side of the stall, small figures, clearly visible face and paws. The scene is about reliable market measurement and local authority, not a royal parade." }, { "type": "previous-edit", "prompt": "Use case: precise-object-edit. In this Buda market illustration set in 1405, change ONLY these two historical details: (1) replace ALL the contents of every open grain sack and grain basket with small narrow elongated tan-brown wheat and barley grains, visibly split along their length, not round yellow corn kernels, no maize anywhere; keep sack and basket shapes. (2) remove every heraldic banner hanging on the distant town gate, leaving the underlying plain stone masonry, because those specific emblems are not established for this place and date. Preserve absolutely all other elements, the balance and metal weights, people's faces and garments, town architecture, and especially Kuromi and Jani's canonical designs and asymmetric cat face. Do not add any text." } ], "editPrompt": "Use case: precise-object-edit. Input image 1 is the scene to preserve; input image 2 is authoritative canonical Kuromi identity reference. Correct ONLY KUROMI'S WHITE BODY beneath the existing dark collar. The present body looks like a furry four-legged kitten; replace it with the canonical SMOOTH WHITE SANRIO HUMANOID BODY: exactly TWO short arms attached to the torso at the sides and exactly TWO short legs with rounded feet, clearly separated by a small gap, in an upright standing biped pose. Arms hang at the sides, not resting like front cat paws. NO fur tufts, haunches, hind-cat thighs, quadruped body or cat paws. Keep Kuromi's current head, expression, black simple eyes and short lashes, pink skull, hood, dark charcoal pointed collar and four tiny pink tip balls, dark arrow tail, overall size and location. Preserve Jani EXACTLY as a natural fluffy four-legged kitten with her asymmetric face, and preserve all people, objects, light and historical setting. No text or other changes.", "width": 1536, "height": 1024, "generation": { "tool": "image_gen", "mode": "built-in" }, "review": { "characters": true, "asymmetricJani": true, "canonicalKuromi": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [], "notes": [ "Célzott szerkesztés után Kuromi teste sima fehér Sanrio-test, két karral és két külön lábbal, nem bolyhos négylábú macska.", "Jani természetes macskaalakja, aszimmetrikus arcmintája és a történeti jelenet megmaradt.", "A nyitott zsákokban hosszúkás búza/árpa látszik; az igazolatlan háttérzászlók eltűntek." ] }, "src": "assets/lesson-scenes/h03-03.webp", "sha256": "7278d13770646525e99e81142c99186d075c00e73ddb9c1f960689ef4987d5ae", "bytes": 395418, "thumbnailSrc": "assets/lesson-scenes/h03-03-preview.webp", "thumbnailSha256": "fc54b945dfaef12c45fe7b10b56b3d83c605f611515f6aa0462c2c32d1be15ce", "thumbnailBytes": 140458 }, { "unitId": "h03-04", "title": "A folyami utánpótlás oldja az ostromzárat", "alt": "Kuromi és Jani folyami élelmiszerszállítást figyel Nándorfehérvár falai alatt, 1456-ban.", "caption": "A nándorfehérvári védelem folyami háttere, rekonstrukció. A falakat őrző katonák sikere a Duna forgalmának megnyitásától és az utánpótlás bejuttatásától is függött.", "period": "1456", "setting": "Nándorfehérvár folyóparti ellátása", "placement": { "area": "base", "sectionIndex": 2 }, "historicalDetails": [ "Evezős folyami szállítóhajó sekély part mellett", "Zsákos liszt, fahordók és kézi rakodás", "Késő középkori kővár a Duna–Száva találkozásánál" ], "scene": "Nándorfehérvár (Belgrade) in July 1456, a calm practical moment of resupplying the defenders after the river route is opened. View from a low muddy Danube landing: two boatmen and a civilian laborer in fifteenth-century linen shirts, wool hose and simple caps pass small flour sacks and wooden water barrels out of a low wooden oared river cargo boat. One exhausted lightly equipped soldier carries a sack toward a small postern in a thick medieval stone curtain wall. In the distance show the fortified hill, simple square medieval keep and two broad rivers meeting, no modern Belgrade buildings, no later Ottoman mosques, no eighteenth-century star bastions. A few shields and simple helmets placed aside, not polished fantasy plate armor; no battle, no gunfire, no heroic officer posing. Flour and grain only, no maize or potato sacks, no modern ship fittings. Kuromi stands safely behind a barrel at the landing and Jani sits on a plank beside her, both serious attentive observers. Main action is manual supply labor and the relationship of boat, river and fortress.", "sourceBasis": [ { "book": "hu09a", "pdfPages": [ 154, 157 ], "chapter": "Hunyadi pályája, 1446-os korlátozás, 1456 és a pápai levél; a kormányzóság zárását intézményi forrással 1453-ra pontosítva." }, { "book": "hugy", "pdfPages": [ 34, 34 ], "chapter": "A déli védelem előzménye." } ], "prompt": "Use case: historical-scene. Create ONE landscape 1536x1024 full-color hand-drawn educational narrative illustration, fine outlines, gentle painted shading, natural daylight and historically grounded materials. Entire image has coherent illustrated style. Reference image 1 is Jani identity only: a GIRL ragdoll kitten, fluffy cream-white body, blue eyes, pink nose, very fluffy dark-brown tail. Her FACE MUST BE ASYMMETRICAL: large dark brown patch around VIEWER LEFT eye, smaller lighter tan patch around VIEWER RIGHT eye, irregular white central blaze. Natural cat anatomy and paws, four legs, no human hands, no human costume, no bowtie. Reference image 2 is Kuromi identity only: recognizable canonical black two-point jester hood with pink skull, white body, dark charcoal jester collar with ONLY four tiny pink balls at its points, no wide pink band. Eyes are simple black oval/teardrop shapes with exactly two short curved outer lashes as canonical reference, no human irises, no thick straight eyebrows; do not repeat the reference book or magnifier. Both characters clearly visible as small present-day narrative observers within the scene, not replacing real historical people. Historical people have period correct everyday clothing and equipment, illustrated faces, not photorealistic. Wide single scene, no panels, no captions or labels, no numbers, no legible writing, no modern flags, no watermark. Avoid Hollywood, fantasy, game art, glamorous armor, dramatic backlight, explosions or generic battle panorama. Kuromi eyes have NO white highlights or eye glints. No pink collar piping. Keep both mascots small and attentive, not performing anachronistic actions. Nándorfehérvár (Belgrade) in July 1456, a calm practical moment of resupplying the defenders after the river route is opened. View from a low muddy Danube landing: two boatmen and a civilian laborer in fifteenth-century linen shirts, wool hose and simple caps pass small flour sacks and wooden water barrels out of a low wooden oared river cargo boat. One exhausted lightly equipped soldier carries a sack toward a small postern in a thick medieval stone curtain wall. In the distance show the fortified hill, simple square medieval keep and two broad rivers meeting, no modern Belgrade buildings, no later Ottoman mosques, no eighteenth-century star bastions. A few shields and simple helmets placed aside, not polished fantasy plate armor; no battle, no gunfire, no heroic officer posing. Flour and grain only, no maize or potato sacks, no modern ship fittings. Kuromi stands safely behind a barrel at the landing and Jani sits on a plank beside her, both serious attentive observers. Main action is manual supply labor and the relationship of boat, river and fortress.", "width": 1536, "height": 1024, "generation": { "tool": "image_gen", "mode": "built-in" }, "review": { "characters": true, "asymmetricJani": true, "canonicalKuromi": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [], "notes": [ "A rakodás és a folyó kapcsolata jól látszik; a védelmet ellátási mechanizmussal mutatja be.", "A várfalak illusztratív rekonstrukciók; modern városi vagy későbbi oszmán épület nincs." ] }, "src": "assets/lesson-scenes/h03-04.webp", "sha256": "eeae6f6d5fa755be6bd64895203a834b5ca98941bde2ae49726e293bf9d90827", "bytes": 548656, "thumbnailSrc": "assets/lesson-scenes/h03-04-preview.webp", "thumbnailSha256": "8a3ae72e05075bddbdea3ff6a5bf1e74f6a953eca0565ac0cbc796984a59b904", "thumbnailBytes": 156192 }, { "unitId": "h03-05", "title": "Zsoldfizetés Mátyás katonai táborában", "alt": "Kuromi és Jani egy katonai táborban figyeli az ezüstpénzt mérő zsoldosztót és a különféle felszerelésű katonákat.", "caption": "Mátyás zsoldos haderejének fenntartásához rendszeres pénz és ellátás kellett. A fegyvernemek eltérő költsége a királyi bevételek elosztását is alakította.", "scene": "A Hungarian royal field army's quiet pay and supply camp in the 1470s under King Matthias Corvinus, not a battle. A civilian paymaster behind a rough wooden trestle table weighs small silver coins and records wages on an anonymous parchment roll while several ordinary mercenary soldiers wait in an orderly line. Show diverse late-fifteenth-century equipment: a pikeman in plain wool and a simple steel sallet with open face, a crossbowman with a quilted jack, and a cavalry groom holding a horse behind the table. NO uniform all-black army, fantasy plate, huge swords, winged helmets, explosions, flags or king portrait. Modest canvas shelter, small locked coin chest, balance scale, grain sacks and a supply wagon, calm daylight. Kuromi watches the paymaster seriously beside the chest; Jani stands on four paws by a tied sack facing viewer, away from weapons and hooves. Mechanism: trained mercenary forces require regular differentiated wages, material supply and treasury revenue. One coherent hand-drawn camp administration scene, human soldiers are the real actors.", "setting": "Magyar királyi katonai tábor, 1470-es évek", "historicalDetails": [ "Ezüstpénz és karos mérleg", "Zsoldnyilvántartó pergamentekercs", "15. századi sisak és bélelt katonakabát", "Ellátó szekér és gabonazsák" ], "placement": { "area": "base", "sectionIndex": 2 }, "period": "1458–1490", "sourceBasis": [ { "book": "hu09a", "pdfPages": [ 158, 161 ], "chapter": "Mátyás adói, haderő, külpolitika, utódlás és emlékezet." }, { "book": "hugy", "pdfPages": [ 35, 35 ], "chapter": "Mátyás zsoldlevele és jövedelmeinek becsült összetétele." } ], "prompt": "Use case: historical-scene. Generate ONE complete landscape 1536x1024 opaque full-color educational story illustration, one coherent moment, no panels. Identity references: image 1 is Jani the female cat; images 2 and 3 are canonical Kuromi. Use references ONLY for character identity and drawing style. All humans, architecture and objects must also be visibly HAND-DRAWN anime/gouache storybook illustration with fine clean outlines and simplified painted faces, never photographs. Natural daylight, thoughtful realistic period colors, ordinary historically accurate objects, no cinematic drama. Kuromi and Jani are small observers integrated naturally at ground level, both fully visible with readable faces, never replacing real human actors. Kuromi: charcoal black two-point jester hood, pink skull emblem, white face/body. EXACT canonical collar: solid DARK CHARCOAL, FOUR POINTS with exactly FOUR TINY PINK BALLS, one at each point. Two outer shoulder points and two lower inner points separated by an UPWARD central V-shaped notch; NO downward central fifth point, NO pink surface/trim/stripe/frill. Kuromi eyes: FLAT SOLID BLACK teardrop/ovals, exactly two SHORT CURVED outer eyelashes per eye as reference. Absolutely NO iris, brown eye color, glossy pupils, highlights, white glints, rings or long lashes. Neutral thoughtful expression, serious for hardship. Jani: FEMALE fluffy cream-white ragdoll CAT, natural feline four legs and paws, blue eyes, pink nose, dark brown fluffy tail. Strong asymmetric face: VIEWER LEFT large dark-brown eye patch; VIEWER RIGHT smaller LIGHTER brown patch; irregular white central blaze. No clothes, bowtie, human hands, anthropomorphic body or male styling. Faces must remain readable, neither turned away. No legible writing, labels, captions, dates, watermark, flags, logos or speech bubbles. No Hollywood/game/fantasy tropes, heroic battle tableaux or explosions. Respectful civilian historical reconstruction, never cute propaganda. \nScene for h03-05: A Hungarian royal field army's quiet pay and supply camp in the 1470s under King Matthias Corvinus, not a battle. A civilian paymaster behind a rough wooden trestle table weighs small silver coins and records wages on an anonymous parchment roll while several ordinary mercenary soldiers wait in an orderly line. Show diverse late-fifteenth-century equipment: a pikeman in plain wool and a simple steel sallet with open face, a crossbowman with a quilted jack, and a cavalry groom holding a horse behind the table. NO uniform all-black army, fantasy plate, huge swords, winged helmets, explosions, flags or king portrait. Modest canvas shelter, small locked coin chest, balance scale, grain sacks and a supply wagon, calm daylight. Kuromi watches the paymaster seriously beside the chest; Jani stands on four paws by a tied sack facing viewer, away from weapons and hooves. Mechanism: trained mercenary forces require regular differentiated wages, material supply and treasury revenue. One coherent hand-drawn camp administration scene, human soldiers are the real actors.", "generationPrompt": "Use case: historical-scene. Generate ONE complete landscape 1536x1024 opaque full-color educational story illustration, one coherent moment, no panels. Identity references: image 1 is Jani the female cat; images 2 and 3 are canonical Kuromi. Use references ONLY for character identity and drawing style. All humans, architecture and objects must also be visibly HAND-DRAWN anime/gouache storybook illustration with fine clean outlines and simplified painted faces, never photographs. Natural daylight, thoughtful realistic period colors, ordinary historically accurate objects, no cinematic drama. Kuromi and Jani are small observers integrated naturally at ground level, both fully visible with readable faces, never replacing real human actors. Kuromi: charcoal black two-point jester hood, pink skull emblem, white face/body. EXACT canonical collar: solid DARK CHARCOAL, FOUR POINTS with exactly FOUR TINY PINK BALLS, one at each point. Two outer shoulder points and two lower inner points separated by an UPWARD central V-shaped notch; NO downward central fifth point, NO pink surface/trim/stripe/frill. Kuromi eyes: FLAT SOLID BLACK teardrop/ovals, exactly two SHORT CURVED outer eyelashes per eye as reference. Absolutely NO iris, brown eye color, glossy pupils, highlights, white glints, rings or long lashes. Neutral thoughtful expression, serious for hardship. Jani: FEMALE fluffy cream-white ragdoll CAT, natural feline four legs and paws, blue eyes, pink nose, dark brown fluffy tail. Strong asymmetric face: VIEWER LEFT large dark-brown eye patch; VIEWER RIGHT smaller LIGHTER brown patch; irregular white central blaze. No clothes, bowtie, human hands, anthropomorphic body or male styling. Faces must remain readable, neither turned away. No legible writing, labels, captions, dates, watermark, flags, logos or speech bubbles. No Hollywood/game/fantasy tropes, heroic battle tableaux or explosions. Respectful civilian historical reconstruction, never cute propaganda. \nScene for h03-05: A Hungarian royal field army's quiet pay and supply camp in the 1470s under King Matthias Corvinus, not a battle. A civilian paymaster behind a rough wooden trestle table weighs small silver coins and records wages on an anonymous parchment roll while several ordinary mercenary soldiers wait in an orderly line. Show diverse late-fifteenth-century equipment: a pikeman in plain wool and a simple steel sallet with open face, a crossbowman with a quilted jack, and a cavalry groom holding a horse behind the table. NO uniform all-black army, fantasy plate, huge swords, winged helmets, explosions, flags or king portrait. Modest canvas shelter, small locked coin chest, balance scale, grain sacks and a supply wagon, calm daylight. Kuromi watches the paymaster seriously beside the chest; Jani stands on four paws by a tied sack facing viewer, away from weapons and hooves. Mechanism: trained mercenary forces require regular differentiated wages, material supply and treasury revenue. One coherent hand-drawn camp administration scene, human soldiers are the real actors.", "generationReferences": [ "jani.png", "kuromi-canonical.png", "kuromi-canonical-2.png" ], "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "canonicalKuromi": true, "issues": [], "method": "A teljes generált kép szemrevételezve: korhű környezet, komoly vagy helyzethez illő arckifejezések; Kuromi sötét gallérja és tömör fekete szemei; Jani aszimmetrikus arcmintája." }, "corrections": [], "src": "assets/lesson-scenes/h03-05.webp", "sha256": "8441c18dac58139739904fdf025154cf8b47b0bce5447c2bfd0716a9a3fd2dfd", "bytes": 541038, "thumbnailSrc": "assets/lesson-scenes/h03-05-preview.webp", "thumbnailSha256": "395ccf2234dc70edc01b115df6a11ad6cf812083f0bc969df36464aa5693e7bc", "thumbnailBytes": 157688 }, { "unitId": "h03-06", "title": "Nyomdai munkafolyamat Hess András Budáján", "alt": "Kuromi és Jani egy budai műhelyben figyeli a fémbetűk szedését, az ív ellenőrzését és a faorsós kézisajtó működtetését.", "caption": "Hess András 1473-ban Budán nyomtatta ki a Chronica Hungarorumot. A sokszorosítás új lehetőséget adott, de a könyv készítése továbbra is szaktudást, anyagot és fizetőképes keresletet igényelt.", "scene": "An educational reconstruction of a small printing workshop in Buda in 1473, when Andreas Hess printed the Chronica Hungarorum. A master printer in plain late-fifteenth-century wool clothing inspects a freshly printed sheet while one assistant sets small metal movable type with a composing stick and another operates a sturdy wooden screw press. Printing press must have a plausible wooden screw mechanism, flat type bed and hinged paper frame, no industrial rollers or modern metal machine. Only faint unreadable short lines on sheets, no legible Latin titles. Rag paper on drying cords, wooden type cases, leather ink balls, folded quires and a bound manuscript on a shelf show material skill and limited scale. Modest plastered workshop with timber beams, Gothic pointed window, hand tools and natural daylight. Kuromi thoughtfully observes beside a low paper stack; Jani on four paws beside folded quires at floor level faces viewer. No crown, royal ceremony, stereotyped monk-only scriptorium or modern printing equipment. Mechanism: movable type and press enable repeated copies, but trained labor, paper and customers remain necessary. All humans visibly illustrated in same fine-outlined matte gouache world.", "setting": "Budai nyomdaműhely, 1473", "historicalDetails": [ "Faorsós kézisajtó", "Fémbetűk és szedővas", "Bőrből készült festékezőlabdák", "Rongypapír és hajtogatott ívek" ], "placement": { "area": "base", "sectionIndex": 3 }, "period": "11–15. század", "sourceBasis": [ { "book": "hu09a", "pdfPages": [ 150, 150 ], "chapter": "Céhek és városi intézmények." }, { "book": "hu09a", "pdfPages": [ 162, 165 ], "chapter": "Krónikák, építészet, udvar és Buda kulturális hagyatéka." } ], "prompt": "Use case: precise-object-edit. Edit the FIRST image: the full existing hand-drawn printing workshop in Buda in 1473. Change ONLY the tiny exterior view through the Gothic window behind the standing printer. Remove the incorrect permanent stone bridge over the river and the distant monumental skyline. Replace that exterior view with an ordinary enclosed medieval Buda courtyard: a modest plastered house wall, a small timber gallery and tiled roof, with natural daylight. No river, bridge, famous skyline or added text. There was no permanent stone Danube bridge at Buda in 1473. Preserve the complete interior, every human figure and exact pose/clothes, metal type, wooden screw press, paper, ink balls, layout, color and lighting. Preserve Kuromi and Jani entirely unchanged, including Kuromi's solid dark charcoal collar with only FOUR tiny pink tip balls, solid black simple oval eyes and short outer lashes, and Jani's asymmetric large dark viewer-left eye patch, smaller light viewer-right patch, blue eyes and natural cat body. Other references are canonical Kuromi identity only. Keep the original 1536x1024 opaque landscape image.", "generationPrompt": "Use case: historical-scene. Generate ONE complete landscape 1536x1024 opaque full-color educational story illustration, one coherent moment, no panels. Identity references: image 1 is Jani the female cat; images 2 and 3 are canonical Kuromi. Use references ONLY for character identity and drawing style. All humans, architecture and objects must also be visibly HAND-DRAWN anime/gouache storybook illustration with fine clean outlines and simplified painted faces, never photographs. Natural daylight, thoughtful realistic period colors, ordinary historically accurate objects, no cinematic drama. Kuromi and Jani are small observers integrated naturally at ground level, both fully visible with readable faces, never replacing real human actors. Kuromi: charcoal black two-point jester hood, pink skull emblem, white face/body. EXACT canonical collar: solid DARK CHARCOAL, FOUR POINTS with exactly FOUR TINY PINK BALLS, one at each point. Two outer shoulder points and two lower inner points separated by an UPWARD central V-shaped notch; NO downward central fifth point, NO pink surface/trim/stripe/frill. Kuromi eyes: FLAT SOLID BLACK teardrop/ovals, exactly two SHORT CURVED outer eyelashes per eye as reference. Absolutely NO iris, brown eye color, glossy pupils, highlights, white glints, rings or long lashes. Neutral thoughtful expression, serious for hardship. Jani: FEMALE fluffy cream-white ragdoll CAT, natural feline four legs and paws, blue eyes, pink nose, dark brown fluffy tail. Strong asymmetric face: VIEWER LEFT large dark-brown eye patch; VIEWER RIGHT smaller LIGHTER brown patch; irregular white central blaze. No clothes, bowtie, human hands, anthropomorphic body or male styling. Faces must remain readable, neither turned away. No legible writing, labels, captions, dates, watermark, flags, logos or speech bubbles. No Hollywood/game/fantasy tropes, heroic battle tableaux or explosions. Respectful civilian historical reconstruction, never cute propaganda. \nScene for h03-06: An educational reconstruction of a small printing workshop in Buda in 1473, when Andreas Hess printed the Chronica Hungarorum. A master printer in plain late-fifteenth-century wool clothing inspects a freshly printed sheet while one assistant sets small metal movable type with a composing stick and another operates a sturdy wooden screw press. Printing press must have a plausible wooden screw mechanism, flat type bed and hinged paper frame, no industrial rollers or modern metal machine. Only faint unreadable short lines on sheets, no legible Latin titles. Rag paper on drying cords, wooden type cases, leather ink balls, folded quires and a bound manuscript on a shelf show material skill and limited scale. Modest plastered workshop with timber beams, Gothic pointed window, hand tools and natural daylight. Kuromi thoughtfully observes beside a low paper stack; Jani on four paws beside folded quires at floor level faces viewer. No crown, royal ceremony, stereotyped monk-only scriptorium or modern printing equipment. Mechanism: movable type and press enable repeated copies, but trained labor, paper and customers remain necessary. All humans visibly illustrated in same fine-outlined matte gouache world.", "generationReferences": [ "jani.png", "kuromi-canonical.png", "kuromi-canonical-2.png" ], "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "canonicalKuromi": true, "issues": [], "method": "A teljes generált kép szemrevételezve: korhű környezet, komoly vagy helyzethez illő arckifejezések; Kuromi sötét gallérja és tömör fekete szemei; Jani aszimmetrikus arcmintája." }, "corrections": [ { "prompt": "Use case: precise-object-edit. Edit the FIRST image: the full existing hand-drawn printing workshop in Buda in 1473. Change ONLY the tiny exterior view through the Gothic window behind the standing printer. Remove the incorrect permanent stone bridge over the river and the distant monumental skyline. Replace that exterior view with an ordinary enclosed medieval Buda courtyard: a modest plastered house wall, a small timber gallery and tiled roof, with natural daylight. No river, bridge, famous skyline or added text. There was no permanent stone Danube bridge at Buda in 1473. Preserve the complete interior, every human figure and exact pose/clothes, metal type, wooden screw press, paper, ink balls, layout, color and lighting. Preserve Kuromi and Jani entirely unchanged, including Kuromi's solid dark charcoal collar with only FOUR tiny pink tip balls, solid black simple oval eyes and short outer lashes, and Jani's asymmetric large dark viewer-left eye patch, smaller light viewer-right patch, blue eyes and natural cat body. Other references are canonical Kuromi identity only. Keep the original 1536x1024 opaque landscape image.", "references": [ "exec-72ea062e-df04-4373-956e-efdb454f23f5.png", "kuromi-canonical.png", "kuromi-canonical-2.png" ], "reason": "Az 1473-as Buda ablaknézetében megjelent helytelen állandó dunai kőhíd és idegen városkép cseréje egyszerű középkori udvarra. A nyomdai munkafolyamat, emberek és karakterek megőrizve." } ], "src": "assets/lesson-scenes/h03-06.webp", "sha256": "63b77ee5114c01d43c20d2894ab9e3ea9d3478ff307011bddaa62f95daa76573", "bytes": 355840, "thumbnailSrc": "assets/lesson-scenes/h03-06-preview.webp", "thumbnailSha256": "371c1e89691437f73f0b2425445d9f1f12ffbda84004b55b2a06b7bacf382831", "thumbnailBytes": 116802 }, { "unitId": "h03-07", "title": "A déli végvár ellátását szervezik", "alt": "Kuromi és Jani egy déli végvár előtt figyeli a liszt és kenyér átvételét, a számadást és a levelet hozó lovas futárt.", "caption": "Az 1520-as évek déli védelmét a várak mellett az élelmiszer, a zsold és a gyors hírváltás is fenntartotta. A megígért támogatás és a ténylegesen megérkező ellátás nem volt azonos.", "scene": "A modest southern Hungarian Danube frontier fortress supply courtyard around 1525, before the Mohacs campaign. A civilian grain merchant and a woman baker bring flour sacks and baskets of bread from a low river cargo boat to a fortress supply officer. A clerk checks the small delivery against an anonymous account sheet while a mounted courier waits with a sealed appeal for pay and provisions. Show limited ordinary stores rather than abundant feast or starvation spectacle. Plausible late-medieval limestone defensive wall and simple round tower, timber shed, wooden barrels, sack scale, plain early-sixteenth-century wool coats, linen shirts and a few soldiers in simple padded jackets and open steel helmets. No enormous fantasy castle, gunpowder battle, modern flags, gore or named leader portrait. Kuromi watches the flour delivery seriously beside the storage shed; Jani stands safely beside an empty bread basket, front face visible, away from hooves. Mechanism: fort defense depends on money, food, transport and the speed of messages; a political promise must become actual delivered supply. Calm respectful civilian logistical moment, broad courtyard composition with the river landing visible.", "setting": "Dunai déli végvár környezete, 1525 körül", "historicalDetails": [ "Lisztzsák és kenyérkosár", "Dunai szállítóhajó", "Pecsételt futárlevél", "Várudvari raktár és ellátási számadás" ], "placement": { "area": "base", "sectionIndex": 2 }, "period": "1490–1526", "sourceBasis": [ { "book": "hu10m", "pdfPages": [ 28, 30 ], "chapter": "Jagelló-kori politika, 1514-es törvények és Mohács korabeli forrásai" }, { "book": "hugy", "pdfPages": [ 48, 49 ], "chapter": "Mohácsi csata és közvetlen következményei" } ], "prompt": "Use case: historical-scene. Generate ONE complete landscape 1536x1024 opaque full-color educational story illustration, one coherent moment, no panels. Identity references: image 1 is Jani the female cat; images 2 and 3 are canonical Kuromi. Use references ONLY for character identity and drawing style. All humans, architecture and objects must also be visibly HAND-DRAWN anime/gouache storybook illustration with fine clean outlines and simplified painted faces, never photographs. Natural daylight, thoughtful realistic period colors, ordinary historically accurate objects, no cinematic drama. Kuromi and Jani are small observers integrated naturally at ground level, both fully visible with readable faces, never replacing real human actors. Kuromi: charcoal black two-point jester hood, pink skull emblem, white face/body. EXACT canonical collar: solid DARK CHARCOAL, FOUR POINTS with exactly FOUR TINY PINK BALLS, one at each point. Two outer shoulder points and two lower inner points separated by an UPWARD central V-shaped notch; NO downward central fifth point, NO pink surface/trim/stripe/frill. Kuromi eyes: FLAT SOLID BLACK teardrop/ovals, exactly two SHORT CURVED outer eyelashes per eye as reference. Absolutely NO iris, brown eye color, glossy pupils, highlights, white glints, rings or long lashes. Neutral thoughtful expression, serious for hardship. Jani: FEMALE fluffy cream-white ragdoll CAT, natural feline four legs and paws, blue eyes, pink nose, dark brown fluffy tail. Strong asymmetric face: VIEWER LEFT large dark-brown eye patch; VIEWER RIGHT smaller LIGHTER brown patch; irregular white central blaze. No clothes, bowtie, human hands, anthropomorphic body or male styling. Faces must remain readable, neither turned away. No legible writing, labels, captions, dates, watermark, flags, logos or speech bubbles. No Hollywood/game/fantasy tropes, heroic battle tableaux or explosions. Respectful civilian historical reconstruction, never cute propaganda. \nScene for h03-07: A modest southern Hungarian Danube frontier fortress supply courtyard around 1525, before the Mohacs campaign. A civilian grain merchant and a woman baker bring flour sacks and baskets of bread from a low river cargo boat to a fortress supply officer. A clerk checks the small delivery against an anonymous account sheet while a mounted courier waits with a sealed appeal for pay and provisions. Show limited ordinary stores rather than abundant feast or starvation spectacle. Plausible late-medieval limestone defensive wall and simple round tower, timber shed, wooden barrels, sack scale, plain early-sixteenth-century wool coats, linen shirts and a few soldiers in simple padded jackets and open steel helmets. No enormous fantasy castle, gunpowder battle, modern flags, gore or named leader portrait. Kuromi watches the flour delivery seriously beside the storage shed; Jani stands safely beside an empty bread basket, front face visible, away from hooves. Mechanism: fort defense depends on money, food, transport and the speed of messages; a political promise must become actual delivered supply. Calm respectful civilian logistical moment, broad courtyard composition with the river landing visible.", "generationPrompt": "Use case: historical-scene. Generate ONE complete landscape 1536x1024 opaque full-color educational story illustration, one coherent moment, no panels. Identity references: image 1 is Jani the female cat; images 2 and 3 are canonical Kuromi. Use references ONLY for character identity and drawing style. All humans, architecture and objects must also be visibly HAND-DRAWN anime/gouache storybook illustration with fine clean outlines and simplified painted faces, never photographs. Natural daylight, thoughtful realistic period colors, ordinary historically accurate objects, no cinematic drama. Kuromi and Jani are small observers integrated naturally at ground level, both fully visible with readable faces, never replacing real human actors. Kuromi: charcoal black two-point jester hood, pink skull emblem, white face/body. EXACT canonical collar: solid DARK CHARCOAL, FOUR POINTS with exactly FOUR TINY PINK BALLS, one at each point. Two outer shoulder points and two lower inner points separated by an UPWARD central V-shaped notch; NO downward central fifth point, NO pink surface/trim/stripe/frill. Kuromi eyes: FLAT SOLID BLACK teardrop/ovals, exactly two SHORT CURVED outer eyelashes per eye as reference. Absolutely NO iris, brown eye color, glossy pupils, highlights, white glints, rings or long lashes. Neutral thoughtful expression, serious for hardship. Jani: FEMALE fluffy cream-white ragdoll CAT, natural feline four legs and paws, blue eyes, pink nose, dark brown fluffy tail. Strong asymmetric face: VIEWER LEFT large dark-brown eye patch; VIEWER RIGHT smaller LIGHTER brown patch; irregular white central blaze. No clothes, bowtie, human hands, anthropomorphic body or male styling. Faces must remain readable, neither turned away. No legible writing, labels, captions, dates, watermark, flags, logos or speech bubbles. No Hollywood/game/fantasy tropes, heroic battle tableaux or explosions. Respectful civilian historical reconstruction, never cute propaganda. \nScene for h03-07: A modest southern Hungarian Danube frontier fortress supply courtyard around 1525, before the Mohacs campaign. A civilian grain merchant and a woman baker bring flour sacks and baskets of bread from a low river cargo boat to a fortress supply officer. A clerk checks the small delivery against an anonymous account sheet while a mounted courier waits with a sealed appeal for pay and provisions. Show limited ordinary stores rather than abundant feast or starvation spectacle. Plausible late-medieval limestone defensive wall and simple round tower, timber shed, wooden barrels, sack scale, plain early-sixteenth-century wool coats, linen shirts and a few soldiers in simple padded jackets and open steel helmets. No enormous fantasy castle, gunpowder battle, modern flags, gore or named leader portrait. Kuromi watches the flour delivery seriously beside the storage shed; Jani stands safely beside an empty bread basket, front face visible, away from hooves. Mechanism: fort defense depends on money, food, transport and the speed of messages; a political promise must become actual delivered supply. Calm respectful civilian logistical moment, broad courtyard composition with the river landing visible.", "generationReferences": [ "jani.png", "kuromi-canonical.png", "kuromi-canonical-2.png" ], "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "canonicalKuromi": true, "issues": [], "method": "A teljes generált kép szemrevételezve: korhű környezet, komoly vagy helyzethez illő arckifejezések; Kuromi sötét gallérja és tömör fekete szemei; Jani aszimmetrikus arcmintája." }, "corrections": [], "src": "assets/lesson-scenes/h03-07.webp", "sha256": "c66137d61c743176e4d5f8c973fef5365b03df083265f12e6fd4df76c3d7b03c", "bytes": 509568, "thumbnailSrc": "assets/lesson-scenes/h03-07-preview.webp", "thumbnailSha256": "5e577adb59597153189019f171fdf8c60ad743985fd9a1b30bb576c47b03b62f", "thumbnailBytes": 145982 }, { "unitId": "h04-01", "title": "Iratok megőrzése a hatalomváltás idején", "alt": "Kuromi és Jani budai polgárok mellett áll, akik családi iratokat és háztartási javakat rendeznek a megszállás hírére.", "caption": "Budai polgári udvar 1541-ben, elképzelt civil nézőpont. A közvetlen oszmán megszállás az igazgatási központ mellett a lakosság biztonságát és birtokviszonyait is érintette; az ábrázolt család nem azonosított történeti szereplő.", "period": "1541", "setting": "Budai polgárház udvara a közvetlen oszmán megszállás idején", "placement": { "area": "base", "sectionIndex": 3 }, "historicalDetails": [ "Késő gótikus polgárház és egyszerű fa láda", "Pergamenes és papíros iratok kötegei, házi textíliák", "Oszmán őrség megjelenése a budai utcán; még középkori keresztény városkép" ], "scene": "A sober civilian perspective on Buda in August 1541 as direct Ottoman occupation begins. Inside the open courtyard of a modest late-Gothic stone burgher house, a middle-aged woman with a linen head covering carefully wraps family papers in plain linen and places them in a small iron-strapped wooden chest. An older man holds a modest household bundle; a teenage girl carries a clay jug and folded bedding. They look concerned and purposeful, no exaggerated despair or smiling celebration. Through the courtyard gate in the distance, two Ottoman guards in plausible sixteenth-century long garments and white wrapped turbans walk past on the street, weapons carried without threatening the family. Medieval steep tiled roofs and a Gothic church beyond, NO new Ottoman domes or minarets yet, no modern flags, no burning city or violence. The family's identity and exact event are illustrative, not a claim of a specific documented eviction. Kuromi and Jani sit quietly beside the chest at a safe distance, serious expressions, no jokes, no funny props. Focus on preserving documents and ordinary possessions during a political rupture.", "sourceBasis": [ { "book": "hu10m", "pdfPages": [ 30, 34 ], "chapter": "Kőszeg, kettős királyság, váradi béke és Buda megszállásának forrásai" }, { "book": "hugy", "pdfPages": [ 49, 50 ], "chapter": "A kettős királyválasztás és a három politikai tér kialakulása" } ], "prompt": "Use case: historical-scene. Create ONE landscape 1536x1024 full-color hand-drawn educational narrative illustration, fine outlines, gentle painted shading, natural daylight and historically grounded materials. Entire image has coherent illustrated style. Reference image 1 is Jani identity only: a GIRL ragdoll kitten, fluffy cream-white body, blue eyes, pink nose, very fluffy dark-brown tail. Her FACE MUST BE ASYMMETRICAL: large dark brown patch around VIEWER LEFT eye, smaller lighter tan patch around VIEWER RIGHT eye, irregular white central blaze. Natural cat anatomy and paws, four legs, no human hands, no human costume, no bowtie. Reference image 2 is Kuromi identity only: recognizable canonical black two-point jester hood with pink skull, white body, dark charcoal jester collar with ONLY four tiny pink balls at its points, no wide pink band. Eyes are simple black oval/teardrop shapes with exactly two short curved outer lashes as canonical reference, no human irises, no thick straight eyebrows; do not repeat the reference book or magnifier. Both characters clearly visible as small present-day narrative observers within the scene, not replacing real historical people. Historical people have period correct everyday clothing and equipment, illustrated faces, not photorealistic. Wide single scene, no panels, no captions or labels, no numbers, no legible writing, no modern flags, no watermark. Avoid Hollywood, fantasy, game art, glamorous armor, dramatic backlight, explosions or generic battle panorama. Kuromi eyes have NO white highlights or eye glints. No pink collar piping. Keep both mascots small and attentive, not performing anachronistic actions. A sober civilian perspective on Buda in August 1541 as direct Ottoman occupation begins. Inside the open courtyard of a modest late-Gothic stone burgher house, a middle-aged woman with a linen head covering carefully wraps family papers in plain linen and places them in a small iron-strapped wooden chest. An older man holds a modest household bundle; a teenage girl carries a clay jug and folded bedding. They look concerned and purposeful, no exaggerated despair or smiling celebration. Through the courtyard gate in the distance, two Ottoman guards in plausible sixteenth-century long garments and white wrapped turbans walk past on the street, weapons carried without threatening the family. Medieval steep tiled roofs and a Gothic church beyond, NO new Ottoman domes or minarets yet, no modern flags, no burning city or violence. The family's identity and exact event are illustrative, not a claim of a specific documented eviction. Kuromi and Jani sit quietly beside the chest at a safe distance, serious expressions, no jokes, no funny props. Focus on preserving documents and ordinary possessions during a political rupture.", "provenance": [ { "type": "generation", "prompt": "Use case: historical-scene. Create ONE landscape 1536x1024 full-color hand-drawn educational narrative illustration, fine outlines, gentle painted shading, natural daylight and historically grounded materials. Entire image has coherent illustrated style. Reference image 1 is Jani identity only: a GIRL ragdoll kitten, fluffy cream-white body, blue eyes, pink nose, very fluffy dark-brown tail. Her FACE MUST BE ASYMMETRICAL: large dark brown patch around VIEWER LEFT eye, smaller lighter tan patch around VIEWER RIGHT eye, irregular white central blaze. Natural cat anatomy and paws, four legs, no human hands, no human costume, no bowtie. Reference image 2 is Kuromi identity only: recognizable canonical black two-point jester hood with pink skull, white body, dark charcoal jester collar with ONLY four tiny pink balls at its points, no wide pink band. Eyes are simple black oval/teardrop shapes with exactly two short curved outer lashes as canonical reference, no human irises, no thick straight eyebrows; do not repeat the reference book or magnifier. Both characters clearly visible as small present-day narrative observers within the scene, not replacing real historical people. Historical people have period correct everyday clothing and equipment, illustrated faces, not photorealistic. Wide single scene, no panels, no captions or labels, no numbers, no legible writing, no modern flags, no watermark. Avoid Hollywood, fantasy, game art, glamorous armor, dramatic backlight, explosions or generic battle panorama. Kuromi eyes have NO white highlights or eye glints. No pink collar piping. Keep both mascots small and attentive, not performing anachronistic actions. A sober civilian perspective on Buda in August 1541 as direct Ottoman occupation begins. Inside the open courtyard of a modest late-Gothic stone burgher house, a middle-aged woman with a linen head covering carefully wraps family papers in plain linen and places them in a small iron-strapped wooden chest. An older man holds a modest household bundle; a teenage girl carries a clay jug and folded bedding. They look concerned and purposeful, no exaggerated despair or smiling celebration. Through the courtyard gate in the distance, two Ottoman guards in plausible sixteenth-century long garments and white wrapped turbans walk past on the street, weapons carried without threatening the family. Medieval steep tiled roofs and a Gothic church beyond, NO new Ottoman domes or minarets yet, no modern flags, no burning city or violence. The family's identity and exact event are illustrative, not a claim of a specific documented eviction. Kuromi and Jani sit quietly beside the chest at a safe distance, serious expressions, no jokes, no funny props. Focus on preserving documents and ordinary possessions during a political rupture." } ], "editPrompt": "Use case: precise-object-edit. Input image 1 is the scene to preserve; input image 2 is authoritative canonical Kuromi identity reference. Correct ONLY KUROMI'S WHITE BODY beneath the existing dark collar. The present body looks like a furry four-legged kitten; replace it with the canonical SMOOTH WHITE SANRIO HUMANOID BODY: exactly TWO short arms attached to the torso at the sides and exactly TWO short legs with rounded feet, clearly separated by a small gap, in an upright standing biped pose. Arms hang at the sides, not resting like front cat paws. NO fur tufts, haunches, hind-cat thighs, quadruped body or cat paws. Keep Kuromi's current head, expression, black simple eyes and short lashes, pink skull, hood, dark charcoal pointed collar and four tiny pink tip balls, dark arrow tail, overall size and location. Preserve Jani EXACTLY as a natural fluffy four-legged kitten with her asymmetric face, and preserve all people, objects, light and historical setting. Also simplify ONLY the distant church roofline into a restrained genuinely medieval Gothic church with plain clay tiles and a single simple medieval tower: remove the elaborate neo-Gothic roof ornaments, multiple decorative pinnacles and patterned modern-restoration roof. Preserve all surrounding houses and the occupied street. No text or other changes.", "width": 1536, "height": 1024, "generation": { "tool": "image_gen", "mode": "built-in" }, "review": { "characters": true, "asymmetricJani": true, "canonicalKuromi": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [], "notes": [ "Célzott szerkesztés után Kuromi teste sima fehér Sanrio-test, két karral és két külön lábbal, nem bolyhos négylábú macska.", "Jani természetes macskaalakja, aszimmetrikus arcmintája és a történeti jelenet megmaradt.", "A háttértemplom neogótikus díszei helyett egyszerű középkori templom áll." ] }, "src": "assets/lesson-scenes/h04-01.webp", "sha256": "5ccbc04a3cf949450859ef989eafc85b8d17e2e4d1ddc41cc1a55b84aea955a2", "bytes": 399364, "thumbnailSrc": "assets/lesson-scenes/h04-01-preview.webp", "thumbnailSha256": "e71bee42775e6b63d2a86c6d14fe217156dfee6af7fadad7cdd899d976526138", "thumbnailBytes": 130926 }, { "unitId": "h04-02", "title": "Az ingyenmunka a végvár falánál", "alt": "Kuromi és Jani egy 1557 körüli végvári erődítésen dolgozó falusi munkásokat figyel.", "caption": "Az 1557-es végvári munkakötelezettség ihlette rekonstrukció. A föld és faanyag mozgatása megmutatja, hogyan lett az országos védelmi célból a birtokosok és vármegyék által közvetített falusi munka.", "period": "1557 körül", "setting": "Földdel megerősített magyar végvár építése", "placement": { "area": "base", "sectionIndex": 1 }, "historicalDetails": [ "Alacsony, vastag, szögletes bástya és földtöltés", "Kézi földhordás, rőzseköteg és gerenda", "Vármegyei megbízott a munkásokat ellenőrzi" ], "scene": "A Hungarian frontier fortress construction site around 1557, illustrating the legally required unpaid labor of village households. Wide view along the outside of a low angular stone-faced earthen bastion under repair. Ordinary adult villagers in coarse linen shirts, wool trousers and simple caps carry soil in wicker baskets and on a two-person wooden handbarrow, pack earth behind the wall and place bundles of brushwood; another unloads rough timber from an ox cart. A sober county agent in a plain dark sixteenth-century coat checks a small indistinct paper list with a quill, standing aside rather than overseeing slave labor with a whip. One tired worker pauses and wipes his brow. Behind, a cannon with plain wooden carriage is stored safely on the unfinished low platform, no firing. NO tall fairy-tale towers, no modern cranes, hard hats, machinery, concrete or modern military uniforms. Sparse fields beyond show the source of the workers' livelihood, no maize. Kuromi and female Jani sit on the grassy edge outside the work path, serious attentive expressions. The image should convey organized labor and its cost to villagers, not a festive volunteer event.", "sourceBasis": [ { "book": "hu10m", "pdfPages": [ 35, 37 ], "chapter": "A végvárak finanszírozása, az 1557-es ingyenmunka és az államszervezet" }, { "book": "hu10m", "pdfPages": [ 39, 40 ], "chapter": "Vallásgyakorlat és a katonák helyzete, 1604–1608" }, { "book": "hugy", "pdfPages": [ 51, 52 ], "chapter": "Bástyarendszerek és várháborúk" } ], "prompt": "Use case: historical-scene. Create ONE landscape 1536x1024 full-color hand-drawn educational narrative illustration, fine outlines, gentle painted shading, natural daylight and historically grounded materials. Entire image has coherent illustrated style. Reference image 1 is Jani identity only: a GIRL ragdoll kitten, fluffy cream-white body, blue eyes, pink nose, very fluffy dark-brown tail. Her FACE MUST BE ASYMMETRICAL: large dark brown patch around VIEWER LEFT eye, smaller lighter tan patch around VIEWER RIGHT eye, irregular white central blaze. Natural cat anatomy and paws, four legs, no human hands, no human costume, no bowtie. Reference image 2 is Kuromi identity only: recognizable canonical black two-point jester hood with pink skull, white body, dark charcoal jester collar with ONLY four tiny pink balls at its points, no wide pink band. Eyes are simple black oval/teardrop shapes with exactly two short curved outer lashes as canonical reference, no human irises, no thick straight eyebrows; do not repeat the reference book or magnifier. Both characters clearly visible as small present-day narrative observers within the scene, not replacing real historical people. Historical people have period correct everyday clothing and equipment, illustrated faces, not photorealistic. Wide single scene, no panels, no captions or labels, no numbers, no legible writing, no modern flags, no watermark. Avoid Hollywood, fantasy, game art, glamorous armor, dramatic backlight, explosions or generic battle panorama. Kuromi eyes have NO white highlights or eye glints. No pink collar piping. Keep both mascots small and attentive, not performing anachronistic actions. A Hungarian frontier fortress construction site around 1557, illustrating the legally required unpaid labor of village households. Wide view along the outside of a low angular stone-faced earthen bastion under repair. Ordinary adult villagers in coarse linen shirts, wool trousers and simple caps carry soil in wicker baskets and on a two-person wooden handbarrow, pack earth behind the wall and place bundles of brushwood; another unloads rough timber from an ox cart. A sober county agent in a plain dark sixteenth-century coat checks a small indistinct paper list with a quill, standing aside rather than overseeing slave labor with a whip. One tired worker pauses and wipes his brow. Behind, a cannon with plain wooden carriage is stored safely on the unfinished low platform, no firing. NO tall fairy-tale towers, no modern cranes, hard hats, machinery, concrete or modern military uniforms. Sparse fields beyond show the source of the workers' livelihood, no maize. Kuromi and female Jani sit on the grassy edge outside the work path, serious attentive expressions. The image should convey organized labor and its cost to villagers, not a festive volunteer event.", "provenance": [ { "type": "generation", "prompt": "Use case: historical-scene. Create ONE landscape 1536x1024 full-color hand-drawn educational narrative illustration, fine outlines, gentle painted shading, natural daylight and historically grounded materials. Entire image has coherent illustrated style. Reference image 1 is Jani identity only: a GIRL ragdoll kitten, fluffy cream-white body, blue eyes, pink nose, very fluffy dark-brown tail. Her FACE MUST BE ASYMMETRICAL: large dark brown patch around VIEWER LEFT eye, smaller lighter tan patch around VIEWER RIGHT eye, irregular white central blaze. Natural cat anatomy and paws, four legs, no human hands, no human costume, no bowtie. Reference image 2 is Kuromi identity only: recognizable canonical black two-point jester hood with pink skull, white body, dark charcoal jester collar with ONLY four tiny pink balls at its points, no wide pink band. Eyes are simple black oval/teardrop shapes with exactly two short curved outer lashes as canonical reference, no human irises, no thick straight eyebrows; do not repeat the reference book or magnifier. Both characters clearly visible as small present-day narrative observers within the scene, not replacing real historical people. Historical people have period correct everyday clothing and equipment, illustrated faces, not photorealistic. Wide single scene, no panels, no captions or labels, no numbers, no legible writing, no modern flags, no watermark. Avoid Hollywood, fantasy, game art, glamorous armor, dramatic backlight, explosions or generic battle panorama. Kuromi eyes have NO white highlights or eye glints. No pink collar piping. Keep both mascots small and attentive, not performing anachronistic actions. A Hungarian frontier fortress construction site around 1557, illustrating the legally required unpaid labor of village households. Wide view along the outside of a low angular stone-faced earthen bastion under repair. Ordinary adult villagers in coarse linen shirts, wool trousers and simple caps carry soil in wicker baskets and on a two-person wooden handbarrow, pack earth behind the wall and place bundles of brushwood; another unloads rough timber from an ox cart. A sober county agent in a plain dark sixteenth-century coat checks a small indistinct paper list with a quill, standing aside rather than overseeing slave labor with a whip. One tired worker pauses and wipes his brow. Behind, a cannon with plain wooden carriage is stored safely on the unfinished low platform, no firing. NO tall fairy-tale towers, no modern cranes, hard hats, machinery, concrete or modern military uniforms. Sparse fields beyond show the source of the workers' livelihood, no maize. Kuromi and female Jani sit on the grassy edge outside the work path, serious attentive expressions. The image should convey organized labor and its cost to villagers, not a festive volunteer event." } ], "editPrompt": "Use case: precise-object-edit. Input image 1 is the scene to preserve; input image 2 is authoritative canonical Kuromi identity reference. Correct ONLY KUROMI'S WHITE BODY beneath the existing dark collar. The present body looks like a furry four-legged kitten; replace it with the canonical SMOOTH WHITE SANRIO HUMANOID BODY: exactly TWO short arms attached to the torso at the sides and exactly TWO short legs with rounded feet, clearly separated by a small gap, in an upright standing biped pose. Arms hang at the sides, not resting like front cat paws. NO fur tufts, haunches, hind-cat thighs, quadruped body or cat paws. Keep Kuromi's current head, expression, black simple eyes and short lashes, pink skull, hood, dark charcoal pointed collar and four tiny pink tip balls, dark arrow tail, overall size and location. Preserve Jani EXACTLY as a natural fluffy four-legged kitten with her asymmetric face, and preserve all people, objects, light and historical setting. No text or other changes.", "width": 1536, "height": 1024, "generation": { "tool": "image_gen", "mode": "built-in" }, "review": { "characters": true, "asymmetricJani": true, "canonicalKuromi": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [], "notes": [ "Célzott szerkesztés után Kuromi teste sima fehér Sanrio-test, két karral és két külön lábbal, nem bolyhos négylábú macska.", "Jani természetes macskaalakja, aszimmetrikus arcmintája és a történeti jelenet megmaradt." ] }, "src": "assets/lesson-scenes/h04-02.webp", "sha256": "638eb4a13eeceeee26d62b5457273ca16bb70646add2154928dec7c9f2a10094", "bytes": 516216, "thumbnailSrc": "assets/lesson-scenes/h04-02-preview.webp", "thumbnailSha256": "e5f15bac5d47b5a1e91e39a147a2d886e00d29ed8d285969c026f5502f6d3049", "thumbnailBytes": 161820 }, { "unitId": "h04-03", "title": "Fejedelmi védelem a letelepedéshez", "alt": "Kuromi és Jani egy gyulafehérvári udvarban figyelik, ahogy a tisztviselő engedélyt ad át az érkező kereskedőnek és családjának.", "caption": "Bethlen Gábor 1623-as kiváltságlevele a zsidó letelepülőknek lakóhelyet, kereskedelmi védelmet és meghatározott vallásgyakorlatot ígért. A jelenet a külön engedéllyel nyújtott védelem lehetőségét szemlélteti, nem minden lakos azonos jogállását.", "scene": "Gyulafehervar (Alba Iulia) in Transylvania around 1623, a modest early seventeenth-century princely administrative courtyard. A local official in a plain dark dolman and fur-edged mantle gives a sealed folded permit to an arriving Jewish merchant in restrained contemporary Central/Eastern European travel clothes, accompanied by his adult family and modest cloth bundles. A town representative gestures toward an available workshop doorway, and an unarmed local attendant stands nearby: the scene shows protected settlement and trade under a specific princely privilege, not modern universal citizenship. No caricatured facial features, pointed stereotyped hats, imposed yellow badges, triumph, rich treasure or invented exact portraits. Simple plastered courtyard buildings, arcaded doorway, clay roof tiles, wooden merchant chest, no eighteenth-century Vauban fortress or modern Romanian/Hungarian flags. Kuromi and Jani observe quietly at the side as separate complete figures, Jani front-facing with large dark LEFT patch and much smaller light RIGHT patch. Gentle natural light, humane and concrete professional encounter.", "period": "16–17. század", "setting": "Gyulafehérvár, fejedelmi igazgatási udvar, 1623 körül", "historicalDetails": [ "Lepecsételt egyedi engedély", "17. századi visszafogott dolmány és utazóviselet", "Műhelybejárat és kereskedelmi úti láda", "Kora újkori vakolt, cseréptetős udvarházak" ], "sourceBasis": [ { "book": "hu10m", "pdfPages": [ 33, 38 ], "chapter": "A speyeri szerződés; Erdély államszervezete és külpolitikai lehetőségei" }, { "book": "hu10m", "pdfPages": [ 43, 44 ], "chapter": "Fejedelmi jövedelmek; erdélyi rendi és felekezeti viszonyok" }, { "book": "hugy", "pdfPages": [ 46, 46 ], "chapter": "Az 1568-as tordai végzés részlete" }, { "book": "hugy", "pdfPages": [ 53, 53 ], "chapter": "Erdély: Bethlen 1623-as kiváltságlevele" }, { "book": "huatlas", "pdfPages": [ 34, 34 ], "chapter": "Erdély gazdasága, hadjáratok és az 1658–1662-es háború" }, { "book": "huatlas", "pdfPages": [ 36, 36 ], "chapter": "Vallás és kultúra az Erdélyi Fejedelemségben" } ], "placement": { "area": "base", "sectionIndex": 2 }, "prompt": "Use case: historical-scene. Create a wide 1536x1024 opaque full-color hand-drawn historical educational narrative illustration. Fine clean outlines, coherent drawn human and animal figures, natural daylight and considered earth colors, delicate painted textures. One continuous scene, no panels. The attached images are CHARACTER IDENTITY REFERENCES ONLY, not poses, props or backgrounds. Include recognizable Kuromi with black two-point jester hood, pink skull emblem, white body and dark charcoal collar with only four tiny pink balls on its pointed tips, NEVER a broad pink collar area; no magnifying glass or book unless specified. Include Jani, a FEMALE fluffy cream-white ragdoll CAT with blue eyes, pink nose, dark brown bushy tail, natural four-legged feline anatomy and paws. Jani's facial markings are ASYMMETRICAL: a large DARK BROWN eye patch on the VIEWER'S LEFT, a much smaller lighter taupe patch on the VIEWER'S RIGHT, an irregular central white blaze. No clothing, no bow tie, no human hands for Jani. Both clearly visible as small observers within the scene, never impersonate historical people. Keep the full setting and all people in the same gentle illustration style as the characters. Historically restrained clothing and objects; no movie/game/fantasy armor, theatrical backlight, gigantic battle, decorative out-of-period icons. No readable writing, labels, dates, charts, watermark, modern flags, or modern equipment. Keep Kuromi and Jani as TWO SEPARATE complete bodies with a clear gap between their silhouettes; do not merge their limbs, fur, heads or tails. The fourth reference is the real Jani photo for face identity only; preserve illustrated style, never use its modern room. Jani should face front: the patch on the LEFT SIDE OF THE PICTURE is larger, DARK chocolate, extending onto cheek; the patch on the RIGHT SIDE OF THE PICTURE is much smaller PALE taupe. Kuromi's eyes must be black oval/teardrop shapes, each with exactly two short curved outward eyelashes as in the canonical reference. Her collar is DARK CHARCOAL, with only four tiny pink balls at pointed tips. This is a vital user correction. The two HOOD-tip balls are DARK CHARCOAL, never pink. Eyes are solid black oval droplets without irises; exactly two short curved outer lashes. Gyulafehervar (Alba Iulia) in Transylvania around 1623, a modest early seventeenth-century princely administrative courtyard. A local official in a plain dark dolman and fur-edged mantle gives a sealed folded permit to an arriving Jewish merchant in restrained contemporary Central/Eastern European travel clothes, accompanied by his adult family and modest cloth bundles. A town representative gestures toward an available workshop doorway, and an unarmed local attendant stands nearby: the scene shows protected settlement and trade under a specific princely privilege, not modern universal citizenship. No caricatured facial features, pointed stereotyped hats, imposed yellow badges, triumph, rich treasure or invented exact portraits. Simple plastered courtyard buildings, arcaded doorway, clay roof tiles, wooden merchant chest, no eighteenth-century Vauban fortress or modern Romanian/Hungarian flags. Kuromi and Jani observe quietly at the side as separate complete figures, Jani front-facing with large dark LEFT patch and much smaller light RIGHT patch. Gentle natural light, humane and concrete professional encounter.", "width": 1536, "height": 1024, "review": { "characters": true, "canonicalKuromi": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [] }, "src": "assets/lesson-scenes/h04-03.webp", "sha256": "461db87bcf28f5d44c2f2d27d4989a14071954a650f2484c1002e0e0a3a704eb", "bytes": 368156, "thumbnailSrc": "assets/lesson-scenes/h04-03-preview.webp", "thumbnailSha256": "9cd5b79b396381ad52ca5511afdfca9d305f51f8e452d33b80f5dd22c61d9827", "thumbnailBytes": 114548 }, { "unitId": "h04-04", "title": "Korrektúra és kézisajtó Vizsolyban", "alt": "Kuromi és Jani a vizsolyi nyomdában figyelik a kézisajtó mellett dolgozó mestereket és a próbanyomatot ellenőrző prédikátort.", "caption": "A Vizsolyi Biblia 1590-es megjelenéséhez a fordítók, nyomdászok és anyagi támogatók együttműködése kellett. A jelenet a kézi betűszedést, próbajavítást és nyomtatást szemlélteti, történeti személy pontos portréja nélkül.", "scene": "A working printing room in Vizsoly in 1590 during production of the first complete printed Hungarian Bible. A skilled Central European printer operates a wooden screw hand press with iron movable type locked in a shallow form, while a compositor at a case of small metal type checks a folded proof with a visiting Reformed preacher. Another worker hangs fresh paper sheets on drying lines. All printed faces turned away or too small to read; NO invented readable text. Period late sixteenth-century Hungarian and Central European doublets, plain dark clerical gown, linen caps and aprons, timber beams, small leaded window, paper stacks and hand inking balls. Show collaborative translation/proofreading, material costs and trained craft; no nineteenth-century rotary press, modern font machinery or heroic solitary author. Kuromi and Jani observe from a safe corner beside a closed paper chest, separate complete bodies; canonical dark charcoal collar and four tiny pink balls, solid black droplet eyes and short lashes; cat frontal asymmetric dark left and pale right patch. Clear human-scale drawn room and natural window daylight.", "period": "16–17. század", "setting": "Vizsoly, Mantskovit nyomdaműhelye, 1590", "historicalDetails": [ "Fa csavaros kézisajtó", "Fémbetűs szedőszekrény és nyomóforma", "Kézi festékezőlabdák és próbanyomat", "Szárítózsinórokon függő papírívek" ], "sourceBasis": [ { "book": "hu10m", "pdfPages": [ 19, 21 ], "chapter": "Reformációs tanítások és katolikus megújulás" }, { "book": "hu10m", "pdfPages": [ 23, 24 ], "chapter": "Huszár Gál 1557-es levele; magyarországi felekezetek és peregrináció" }, { "book": "hu10m", "pdfPages": [ 40, 40 ], "chapter": "Az 1608-as vallásügyi törvény" }, { "book": "hugy", "pdfPages": [ 46, 47 ], "chapter": "Reformáció, főúri áttérés és Pázmány 1635-ös alapítólevele" }, { "book": "huatlas", "pdfPages": [ 36, 36 ], "chapter": "Vallás és kultúra Erdélyben: iskolák és nyomdák" } ], "placement": { "area": "base", "sectionIndex": 1 }, "prompt": "Use case: historical-scene. Create a wide 1536x1024 opaque full-color hand-drawn historical educational narrative illustration. Fine clean outlines, coherent drawn human and animal figures, natural daylight and considered earth colors, delicate painted textures. One continuous scene, no panels. The attached images are CHARACTER IDENTITY REFERENCES ONLY, not poses, props or backgrounds. Include recognizable Kuromi with black two-point jester hood, pink skull emblem, white body and dark charcoal collar with only four tiny pink balls on its pointed tips, NEVER a broad pink collar area; no magnifying glass or book unless specified. Include Jani, a FEMALE fluffy cream-white ragdoll CAT with blue eyes, pink nose, dark brown bushy tail, natural four-legged feline anatomy and paws. Jani's facial markings are ASYMMETRICAL: a large DARK BROWN eye patch on the VIEWER'S LEFT, a much smaller lighter taupe patch on the VIEWER'S RIGHT, an irregular central white blaze. No clothing, no bow tie, no human hands for Jani. Both clearly visible as small observers within the scene, never impersonate historical people. Keep the full setting and all people in the same gentle illustration style as the characters. Historically restrained clothing and objects; no movie/game/fantasy armor, theatrical backlight, gigantic battle, decorative out-of-period icons. No readable writing, labels, dates, charts, watermark, modern flags, or modern equipment. Keep Kuromi and Jani as TWO SEPARATE complete bodies with a clear gap between their silhouettes; do not merge their limbs, fur, heads or tails. The fourth reference is the real Jani photo for face identity only; preserve illustrated style, never use its modern room. Jani should face front: the patch on the LEFT SIDE OF THE PICTURE is larger, DARK chocolate, extending onto cheek; the patch on the RIGHT SIDE OF THE PICTURE is much smaller PALE taupe. Kuromi's eyes must be black oval/teardrop shapes, each with exactly two short curved outward eyelashes as in the canonical reference. Her collar is DARK CHARCOAL, with only four tiny pink balls at pointed tips. This is a vital user correction. The two HOOD-tip balls are DARK CHARCOAL, never pink. Eyes are solid black oval droplets without irises; exactly two short curved outer lashes. A working printing room in Vizsoly in 1590 during production of the first complete printed Hungarian Bible. A skilled Central European printer operates a wooden screw hand press with iron movable type locked in a shallow form, while a compositor at a case of small metal type checks a folded proof with a visiting Reformed preacher. Another worker hangs fresh paper sheets on drying lines. All printed faces turned away or too small to read; NO invented readable text. Period late sixteenth-century Hungarian and Central European doublets, plain dark clerical gown, linen caps and aprons, timber beams, small leaded window, paper stacks and hand inking balls. Show collaborative translation/proofreading, material costs and trained craft; no nineteenth-century rotary press, modern font machinery or heroic solitary author. Kuromi and Jani observe from a safe corner beside a closed paper chest, separate complete bodies; canonical dark charcoal collar and four tiny pink balls, solid black droplet eyes and short lashes; cat frontal asymmetric dark left and pale right patch. Clear human-scale drawn room and natural window daylight.", "width": 1536, "height": 1024, "review": { "characters": true, "canonicalKuromi": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [] }, "src": "assets/lesson-scenes/h04-04.webp", "sha256": "8ce295d33983d19a4e8167459084fda88c164bfaa914ee5e56ce83c6238269b1", "bytes": 420242, "thumbnailSrc": "assets/lesson-scenes/h04-04-preview.webp", "thumbnailSha256": "4354a8f6bada1ea2b28a1099dacb333bad118113c6a84759d72c8991ddddf206", "thumbnailBytes": 126528 }, { "unitId": "h04-05", "title": "Hajdútelepítés és katonai kiváltság", "alt": "Kuromi és Jani hajdúcsaládok letelepedését figyeli, ahol katonai felszerelés, háztartási javak és földmérés kapcsolódik össze.", "caption": "Bocskai a hajdúk egy részének letelepítéssel és közös kiváltságokkal adott tartósabb megélhetést. A katonai szolgálat és a birtokhoz jutás összekapcsolása meghatározott közösségekre terjedt ki, általános jobbágyfelszabadítást nem jelentett.", "period": "1605–1606 körül", "setting": "Hajdútelepülés az Alföldön; szemléltető rekonstrukció", "historicalDetails": [ "Korai 17. századi hajdúviselet, szablya és hosszú lőfegyver", "Háztartási felszerelés letelepülő családoknál", "Telek és helyi megélhetés kialakítása" ], "sourceBasis": [ { "book": "hu10m", "pdfPages": [ 39, 43 ], "chapter": "Bocskai mozgalma és a hajdúk letelepítése" } ], "placement": { "area": "base", "sectionIndex": 1 }, "scene": "The Hungarian Great Plain around 1605–1606, an illustrative newly settling hajdu military community. Broad ordinary village lane with half-built low timber-and-thatch houses and a small vegetable plot, no modern town hall or named church skyline. Two former foot soldiers in early seventeenth-century Hungarian wool dolmans, plain felt caps and leather boots stand beside their families and modest baggage on a wooden cart. One sheathed curved saber and a long early seventeenth-century matchlock musket rest safely by a wooden chest, linking military service to settlement. A local surveyor points out a house plot marked by simple wooden stakes while a mother and child unload bedding and an iron cooking pot. A representative of the community holds a rolled parchment privilege, with no legible text and no theatrically giant seal. Show practical household establishment rather than a ceremonial battlefield or wealthy officers. Kuromi and female Jani observe near a low split-log bench at the front, serious curious expressions, canonical dark collar and asymmetric cat mask visible. Warm ordinary daylight, coherent illustrated style.", "prompt": "Use case: historical-scene. Asset type: ONE landscape 1536x1024 opaque educational narrative illustration for a high-school history lesson. Coherent hand-drawn figures and architecture, fine warm contours, gentle painted shading, natural daylight, historically appropriate everyday objects. No Hollywood, game or fantasy art, no dramatic cinematic lighting. Input image 1 is Jani identity reference only; Input image 2 is authoritative Kuromi identity reference only. Both characters appear as small attentive present-day observers, never replacing real historical people. Kuromi exactly follows reference: charcoal black two-point jester hood with pink skull, white body, DARK CHARCOAL POINTED COLLAR, pink ONLY on its four tiny round tip balls. Eyes solid flat black oval/teardrop silhouettes with exactly two short curved outer lashes; NO iris, white eye glints, eyebrows, broad pink collar or pink edging. Jani is a FEMALE cream-white fluffy ragdoll kitten with blue eyes, pink nose and large fluffy dark-brown tail, natural feline anatomy, four paws, no human hands, clothes or bowtie. Her facial pattern must be ASYMMETRICAL: a larger dark-brown eye patch on VIEWER LEFT and smaller lighter patch on VIEWER RIGHT, with irregular central white blaze. Keep her face visible. Both mascots drawn in a coherent medium with the scene, no stickers. Wide eye-level single scene, no panels, captions, legible text, numbers, modern flags or watermarks. The Hungarian Great Plain around 1605–1606, an illustrative newly settling hajdu military community. Broad ordinary village lane with half-built low timber-and-thatch houses and a small vegetable plot, no modern town hall or named church skyline. Two former foot soldiers in early seventeenth-century Hungarian wool dolmans, plain felt caps and leather boots stand beside their families and modest baggage on a wooden cart. One sheathed curved saber and a long early seventeenth-century matchlock musket rest safely by a wooden chest, linking military service to settlement. A local surveyor points out a house plot marked by simple wooden stakes while a mother and child unload bedding and an iron cooking pot. A representative of the community holds a rolled parchment privilege, with no legible text and no theatrically giant seal. Show practical household establishment rather than a ceremonial battlefield or wealthy officers. Kuromi and female Jani observe near a low split-log bench at the front, serious curious expressions, canonical dark collar and asymmetric cat mask visible. Warm ordinary daylight, coherent illustrated style.", "width": 1536, "height": 1024, "generation": { "tool": "image_gen", "mode": "built-in" }, "editHistory": [ { "tool": "image_gen", "mode": "built-in", "purpose": "A gallér négy kanonikus végződésének pontosítása", "prompt": "Use case: identity-preserve. Image 1 is the existing historical illustration and the EDIT TARGET. Image 2 is the user's canonical Kuromi reference. Make a tiny correction ONLY to Kuromi's collar: it must have EXACTLY FOUR pink tip balls total, two outer shoulder points and two lower chest points, matching reference 2. Currently there is an extra pink ball on the VIEWER LEFT side between the outer shoulder and lower chest tip; remove this extra intermediate pink ball and its extra collar spike. Keep the collar fabric DARK CHARCOAL, no pink fabric or edging. Keep Kuromi's eyes solid black with two short outer lashes, her pose and white forepaws as they are. Preserve Jani, all people, buildings, landscape, objects, colors, composition and lighting exactly. Do not alter anything outside that tiny collar detail. No new text or panel." } ], "review": { "characters": true, "asymmetricJani": true, "canonicalKuromi": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [] }, "src": "assets/lesson-scenes/h04-05.webp", "sha256": "c2e9a48060823d21afd10f41b9d22ae26136d1edba272b59de79030b320a4949", "bytes": 521330, "thumbnailSrc": "assets/lesson-scenes/h04-05-preview.webp", "thumbnailSha256": "a5f21cdb44933cbf9b5b8270c7b3fe71de3d8754050283486cd2654e9e77fe76", "thumbnailBytes": 164120 }, { "unitId": "h04-06", "title": "Az ostrom mögötti munka", "alt": "Buda 1686-os ostrománál munkások és katonák földdel töltött vesszőkosarakkal, lőszerrel és ágyúval dolgoznak, Kuromi és Jani biztonságos távolból figyel.", "caption": "Buda 1686-os visszafoglalását tüzérségi előkészítés, ostromárkok, munkások és folyamatos utánpótlás tette lehetővé. A jelenet az ostrom működésének hátterét mutatja; a város civil veszteségeit és a bevételt követő erőszakot a lecke külön elemzi.", "period": "1686 nyara", "setting": "Ostromtábor Buda közelében; szemléltető rekonstrukció", "historicalDetails": [ "Vesszőből font, földdel töltött ostromkosarak", "Fa lövegtalpas korabeli tüzérségi eszköz", "Ároképítés és kézi lőszerszállítás" ], "sourceBasis": [ { "book": "hu10m", "pdfPages": [ 47, 50 ], "chapter": "Buda ostromvázlata és a visszafoglaló háború" }, { "book": "huatlas", "pdfPages": [ 38, 38 ], "chapter": "A török kiűzése, 1683–1699" } ], "placement": { "area": "base", "sectionIndex": 1 }, "scene": "Summer 1686, the work and supply area behind the allied siege lines at Buda. Wide ground-level illustrated scene of engineers and laborers preparing a battery: two men fill tall woven wicker gabions with earth and shovel soil into a zigzag approach trench; a gun crew handles a restrained bronze or iron cannon on a heavy WOODEN four-wheel siege carriage, with rammer and small shot pile. A worker brings a wooden ammunition chest by handcart. Clothing late seventeenth-century plain wool coats, buff leather garments and soft broad-brim felt hats, no Napoleonic shakos, eighteenth-century tricorn parade, plate armor or modern uniforms. Calm phase of labor, no cannon firing, gore, explosions, triumphant assault or gigantic army. In the distant background only a low vague fortified ridge, no modern Buda palace dome, Parliament, Chain Bridge, Fisherman's Bastion, Matthias Church spire or named skyline reconstruction. Kuromi and Jani observe safely beside a supply shelter in the near corner, serious attentive expressions, small scale and canonical appearance. Ordinary daylight, coherent drawn medium, emphasize human work and logistics rather than Hollywood spectacle.", "prompt": "Use case: historical-scene. Asset type: ONE landscape 1536x1024 opaque educational narrative illustration for a high-school history lesson. Coherent hand-drawn figures and architecture, fine warm contours, gentle painted shading, natural daylight, historically appropriate everyday objects. No Hollywood, game or fantasy art, no dramatic cinematic lighting. Input image 1 is Jani identity reference only; Input image 2 is authoritative Kuromi identity reference only. Both characters appear as small attentive present-day observers, never replacing real historical people. Kuromi exactly follows reference: charcoal black two-point jester hood with pink skull, white body, DARK CHARCOAL POINTED COLLAR, pink ONLY on its four tiny round tip balls. Eyes solid flat black oval/teardrop silhouettes with exactly two short curved outer lashes; NO iris, white eye glints, eyebrows, broad pink collar or pink edging. Jani is a FEMALE cream-white fluffy ragdoll kitten with blue eyes, pink nose and large fluffy dark-brown tail, natural feline anatomy, four paws, no human hands, clothes or bowtie. Her facial pattern must be ASYMMETRICAL: a larger dark-brown eye patch on VIEWER LEFT and smaller lighter patch on VIEWER RIGHT, with irregular central white blaze. Keep her face visible. Both mascots drawn in a coherent medium with the scene, no stickers. Wide eye-level single scene, no panels, captions, legible text, numbers, modern flags or watermarks. Summer 1686, the work and supply area behind the allied siege lines at Buda. Wide ground-level illustrated scene of engineers and laborers preparing a battery: two men fill tall woven wicker gabions with earth and shovel soil into a zigzag approach trench; a gun crew handles a restrained bronze or iron cannon on a heavy WOODEN four-wheel siege carriage, with rammer and small shot pile. A worker brings a wooden ammunition chest by handcart. Clothing late seventeenth-century plain wool coats, buff leather garments and soft broad-brim felt hats, no Napoleonic shakos, eighteenth-century tricorn parade, plate armor or modern uniforms. Calm phase of labor, no cannon firing, gore, explosions, triumphant assault or gigantic army. In the distant background only a low vague fortified ridge, no modern Buda palace dome, Parliament, Chain Bridge, Fisherman's Bastion, Matthias Church spire or named skyline reconstruction. Kuromi and Jani observe safely beside a supply shelter in the near corner, serious attentive expressions, small scale and canonical appearance. Ordinary daylight, coherent drawn medium, emphasize human work and logistics rather than Hollywood spectacle.", "width": 1536, "height": 1024, "generation": { "tool": "image_gen", "mode": "built-in" }, "editHistory": [ { "tool": "image_gen", "mode": "built-in", "purpose": "Szárazföldi ostromlövegtalp és visszafogott háttér pontosítása", "prompt": "Use case: precise-object-edit. Image 1 is the existing illustrated 1686 siege-work scene and EDIT TARGET. Make TWO localized historical corrections. First, replace ONLY the cannon's low four-small-wheel naval truck carriage with a late-seventeenth-century LAND SIEGE CARRIAGE: two large wooden spoked wheels supporting a heavy timber carriage with a rear trail, retaining the same iron cannon barrel and crew positions. No naval truck or modern tires. Second, simplify ONLY the distant fortified city skyline to a very low indistinct EARTHEN AND STONE DEFENSIVE RIDGE with haze, no identifiable church tower, palace, romantic medieval castle or invented monumental cityscape; retain distant river and natural hills. All nearby gabions, trenches, laborers, handcart, supply shelter, people, lighting, composition and painting style must stay unchanged. Preserve Kuromi and Jani EXACTLY, including faces, collar, eyes, patch asymmetry, pose and colors. No new text or panels." } ], "review": { "characters": true, "asymmetricJani": true, "canonicalKuromi": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [] }, "src": "assets/lesson-scenes/h04-06.webp", "sha256": "3ebc0273183331e6b97a8af289f83124a6fb04c8404ba76d72882109284622a8", "bytes": 417648, "thumbnailSrc": "assets/lesson-scenes/h04-06-preview.webp", "thumbnailSha256": "82925dd8842652009b4a1c13655e8e96e407ec66d7d9912c619ad270aabffef3", "thumbnailBytes": 144056 }, { "unitId": "h04-07", "title": "Hazatérés a szatmári megegyezés után", "alt": "Hazatérő kuruc katona találkozik a családjával egy falusi kapuban, Kuromi és Jani a békés jelenetet figyeli.", "caption": "Az 1711-es megegyezés után a hűségesküt tevő kurucok amnesztiát és birtokbiztonságot kaphattak, a katonák hazatérhettek. Rákóczi az emigrációt választotta; az ő döntése nem jelentette a teljes kuruc tábor száműzetését.", "period": "1711 tavasza", "setting": "Falusi hazatérés a Magyar Királyságban; szemléltető rekonstrukció", "historicalDetails": [ "Korai 18. századi kuruc dolmány és kopott utazófelszerelés", "Falusi háztartás és mezőgazdasági munka újrakezdése", "Katonai szolgálatból visszatérő ember és család találkozása" ], "sourceBasis": [ { "book": "hu10m", "pdfPages": [ 72, 76 ], "chapter": "A szabadságharc és a szatmári béke cikkelyei" }, { "book": "hugy", "pdfPages": [ 54, 55 ], "chapter": "A szatmári kegyelem és a rendi rendezés" } ], "placement": { "area": "base", "sectionIndex": 3 }, "scene": "Hungary in spring 1711 after the settlement of Szatmar, a quiet return home rather than a surrender tableau. A weary former kuruc soldier in a faded early-eighteenth-century wool dolman, plain fur-trimmed cap and riding boots has just reached a low village gate. He rests a small travelling pack on the fence and warmly greets his wife and adolescent child, who had been tending a modest vegetable plot and repairing a wooden farm tool. Another returning soldier leads a tired horse along the lane in the middle distance. Keep a sheathed saber at the first man's belt but no raised weapon, no flags, no disarmament pile, no broken chains or symbolic modern nation imagery. Ordinary low limewashed-and-timber house with thatched roof, household pottery, wooden fence and flowering native orchard trees; no grand palace or church skyline. Kuromi and female Jani sit attentively beside a low gatepost, recognizable canonical dark collar with exactly four pink tips and Jani's asymmetrical face. Quiet relief without triumphant celebration or comic expression, restrained natural daylight, coherent illustrative painting.", "prompt": "Use case: historical-scene. Asset type: ONE landscape 1536x1024 opaque educational narrative illustration for a high-school history lesson. Coherent hand-drawn figures and architecture, fine warm contours, gentle painted shading, natural daylight, historically appropriate everyday objects. No Hollywood, game or fantasy art, no dramatic cinematic lighting. Input image 1 is Jani identity reference only; Input image 2 is authoritative Kuromi identity reference only. Both characters appear as small attentive present-day observers, never replacing real historical people. Kuromi exactly follows reference: charcoal black two-point jester hood with pink skull, white body, DARK CHARCOAL POINTED COLLAR, pink ONLY on its four tiny round tip balls. Eyes solid flat black oval/teardrop silhouettes with exactly two short curved outer lashes; NO iris, white eye glints, eyebrows, broad pink collar or pink edging. Jani is a FEMALE cream-white fluffy ragdoll kitten with blue eyes, pink nose and large fluffy dark-brown tail, natural feline anatomy, four paws, no human hands, clothes or bowtie. Her facial pattern must be ASYMMETRICAL: a larger dark-brown eye patch on VIEWER LEFT and smaller lighter patch on VIEWER RIGHT, with irregular central white blaze. Keep her face visible. Both mascots drawn in a coherent medium with the scene, no stickers. Wide eye-level single scene, no panels, captions, legible text, numbers, modern flags or watermarks. Hungary in spring 1711 after the settlement of Szatmar, a quiet return home rather than a surrender tableau. A weary former kuruc soldier in a faded early-eighteenth-century wool dolman, plain fur-trimmed cap and riding boots has just reached a low village gate. He rests a small travelling pack on the fence and warmly greets his wife and adolescent child, who had been tending a modest vegetable plot and repairing a wooden farm tool. Another returning soldier leads a tired horse along the lane in the middle distance. Keep a sheathed saber at the first man's belt but no raised weapon, no flags, no disarmament pile, no broken chains or symbolic modern nation imagery. Ordinary low limewashed-and-timber house with thatched roof, household pottery, wooden fence and flowering native orchard trees; no grand palace or church skyline. Kuromi and female Jani sit attentively beside a low gatepost, recognizable canonical dark collar with exactly four pink tips and Jani's asymmetrical face. Quiet relief without triumphant celebration or comic expression, restrained natural daylight, coherent illustrative painting.", "width": 1536, "height": 1024, "generation": { "tool": "image_gen", "mode": "built-in" }, "editHistory": [ { "tool": "image_gen", "mode": "built-in", "purpose": "Kuromi kézlábainak és kétlábas testtartásának kanonikus pontosítása", "prompt": "Use case: identity-preserve. Image 1 is the finished family homecoming scene and the EDIT TARGET. Image 2 is the user's canonical Kuromi character reference. Replace ONLY Kuromi at lower left with a small standing Kuromi matching reference 2's WHITE TWO-LEGGED CARTOON BODY, two short arms with rounded hands at her sides and two rounded feet, NOT a four-legged cat body or feline front paws. Keep her same approximate head size, location, dark charcoal hood, pink skull, solid black droplet eyes with two short outer lashes and dark pointed collar with exactly four tiny pink tip balls. Friendly restrained attentive expression. Preserve Jani exactly and do not alter any person, family pose, costume, horse, building, fence, tool, garden, light, framing or color. Only correct Kuromi's body to the canonical humanoid cartoon anatomy in reference 2. Same landscape, no text or panels." } ], "review": { "characters": true, "asymmetricJani": true, "canonicalKuromi": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [] }, "src": "assets/lesson-scenes/h04-07.webp", "sha256": "70284ab15c17c213d5362ecddb28c3458623fa3f657494cb38a8761cbb12b1d6", "bytes": 473654, "thumbnailSrc": "assets/lesson-scenes/h04-07-preview.webp", "thumbnailSha256": "6d262a658e7913eb7b4fc3f0a669ee1de722842a4fe99b07db907ca96e6bc28e", "thumbnailBytes": 155996 }, { "unitId": "h05-01", "title": "Telepes család érkezik a Duna-parti faluba", "alt": "Kuromi és Jani mellett egy telepes család faládával és batyukkal érkezik a dunai hajótól az új házhelyhez.", "caption": "A Duna a 18. századi német telepesek egyik fontos érkezési útvonala volt. A megtelepedéshez a föld mellett építőanyag, szerszám és helyi szervezés is kellett.", "scene": "A Danube riverbank near Tolna in Hungary around 1730, a German-speaking settler family unloading household belongings from a simple flat-bottomed wooden river barge of the Ulmer-Schachtel type: low boxlike timber cabin, broad flat hull, no sails, no engine. On the bank a local estate organizer in a plain eighteenth-century coat points toward a newly marked house plot while a father and mother carry a wooden chest and farming tools toward an ox cart. Children stay close with a small bundle. Low newly built whitewashed mud-brick cottages with thatched roofs, stacked building timber, no romantic castle. Period coarse linen shirts, wool waistcoats, knee breeches, simple long skirts and headscarves, no nineteenth-century national costume. Kuromi stands beside the landed chest watching attentively, Jani on four paws beside the bundle facing viewer. Mechanism: organized settlement requires transport, temporary support, building materials and farm work after arrival. Broad riverbank composition with barge fully plausible, ordinary civilian labor, no ethnic caricatures or flags.", "setting": "Tolna vidéke, 1730 körül", "historicalDetails": [ "Lapos fenekű dunai fahajó", "Faláda és batyu", "Ökrös szekér", "Nádfedeles új házak és építőfa" ], "placement": { "area": "base", "sectionIndex": 2 }, "period": "1711–1780", "sourceBasis": [ { "book": "hu10m", "pdfPages": [ 78, 81 ], "chapter": "Népmozgások, Kollonich tervezete, német és szerb betelepülés, erdélyi viszonyok" }, { "book": "hu10m", "pdfPages": [ 83, 85 ], "chapter": "Szlovák költözés, az 1741-es szarvasi jegyzőkönyv és az 1723-as gazdasági törvények" }, { "book": "hugy", "pdfPages": [ 56, 56 ], "chapter": "Magyarország újranépesülése: térképi népsűrűség és három eltérő írásos forrás" } ], "prompt": "Use case: historical-scene. Generate ONE complete landscape 1536x1024 opaque full-color educational story illustration, one coherent moment, no panels. Identity references: image 1 is Jani the female cat; images 2 and 3 are canonical Kuromi. Use references ONLY for character identity and drawing style. All humans, architecture and objects must also be visibly HAND-DRAWN anime/gouache storybook illustration with fine clean outlines and simplified painted faces, never photographs. Natural daylight, thoughtful realistic period colors, ordinary historically accurate objects, no cinematic drama. Kuromi and Jani are small observers integrated naturally at ground level, both fully visible with readable faces, never replacing real human actors. Kuromi: charcoal black two-point jester hood, pink skull emblem, white face/body. EXACT canonical collar: solid DARK CHARCOAL, FOUR POINTS with exactly FOUR TINY PINK BALLS, one at each point. Two outer shoulder points and two lower inner points separated by an UPWARD central V-shaped notch; NO downward central fifth point, NO pink surface/trim/stripe/frill. Kuromi eyes: FLAT SOLID BLACK teardrop/ovals, exactly two SHORT CURVED outer eyelashes per eye as reference. Absolutely NO iris, brown eye color, glossy pupils, highlights, white glints, rings or long lashes. Neutral thoughtful expression, serious for hardship. Jani: FEMALE fluffy cream-white ragdoll CAT, natural feline four legs and paws, blue eyes, pink nose, dark brown fluffy tail. Strong asymmetric face: VIEWER LEFT large dark-brown eye patch; VIEWER RIGHT smaller LIGHTER brown patch; irregular white central blaze. No clothes, bowtie, human hands, anthropomorphic body or male styling. Faces must remain readable, neither turned away. No legible writing, labels, captions, dates, watermark, flags, logos or speech bubbles. No Hollywood/game/fantasy tropes, heroic battle tableaux or explosions. Respectful civilian historical reconstruction, never cute propaganda. \nScene for h05-01: A Danube riverbank near Tolna in Hungary around 1730, a German-speaking settler family unloading household belongings from a simple flat-bottomed wooden river barge of the Ulmer-Schachtel type: low boxlike timber cabin, broad flat hull, no sails, no engine. On the bank a local estate organizer in a plain eighteenth-century coat points toward a newly marked house plot while a father and mother carry a wooden chest and farming tools toward an ox cart. Children stay close with a small bundle. Low newly built whitewashed mud-brick cottages with thatched roofs, stacked building timber, no romantic castle. Period coarse linen shirts, wool waistcoats, knee breeches, simple long skirts and headscarves, no nineteenth-century national costume. Kuromi stands beside the landed chest watching attentively, Jani on four paws beside the bundle facing viewer. Mechanism: organized settlement requires transport, temporary support, building materials and farm work after arrival. Broad riverbank composition with barge fully plausible, ordinary civilian labor, no ethnic caricatures or flags.", "generationPrompt": "Use case: historical-scene. Generate ONE complete landscape 1536x1024 opaque full-color educational story illustration, one coherent moment, no panels. Identity references: image 1 is Jani the female cat; images 2 and 3 are canonical Kuromi. Use references ONLY for character identity and drawing style. All humans, architecture and objects must also be visibly HAND-DRAWN anime/gouache storybook illustration with fine clean outlines and simplified painted faces, never photographs. Natural daylight, thoughtful realistic period colors, ordinary historically accurate objects, no cinematic drama. Kuromi and Jani are small observers integrated naturally at ground level, both fully visible with readable faces, never replacing real human actors. Kuromi: charcoal black two-point jester hood, pink skull emblem, white face/body. EXACT canonical collar: solid DARK CHARCOAL, FOUR POINTS with exactly FOUR TINY PINK BALLS, one at each point. Two outer shoulder points and two lower inner points separated by an UPWARD central V-shaped notch; NO downward central fifth point, NO pink surface/trim/stripe/frill. Kuromi eyes: FLAT SOLID BLACK teardrop/ovals, exactly two SHORT CURVED outer eyelashes per eye as reference. Absolutely NO iris, brown eye color, glossy pupils, highlights, white glints, rings or long lashes. Neutral thoughtful expression, serious for hardship. Jani: FEMALE fluffy cream-white ragdoll CAT, natural feline four legs and paws, blue eyes, pink nose, dark brown fluffy tail. Strong asymmetric face: VIEWER LEFT large dark-brown eye patch; VIEWER RIGHT smaller LIGHTER brown patch; irregular white central blaze. No clothes, bowtie, human hands, anthropomorphic body or male styling. Faces must remain readable, neither turned away. No legible writing, labels, captions, dates, watermark, flags, logos or speech bubbles. No Hollywood/game/fantasy tropes, heroic battle tableaux or explosions. Respectful civilian historical reconstruction, never cute propaganda. \nScene for h05-01: A Danube riverbank near Tolna in Hungary around 1730, a German-speaking settler family unloading household belongings from a simple flat-bottomed wooden river barge of the Ulmer-Schachtel type: low boxlike timber cabin, broad flat hull, no sails, no engine. On the bank a local estate organizer in a plain eighteenth-century coat points toward a newly marked house plot while a father and mother carry a wooden chest and farming tools toward an ox cart. Children stay close with a small bundle. Low newly built whitewashed mud-brick cottages with thatched roofs, stacked building timber, no romantic castle. Period coarse linen shirts, wool waistcoats, knee breeches, simple long skirts and headscarves, no nineteenth-century national costume. Kuromi stands beside the landed chest watching attentively, Jani on four paws beside the bundle facing viewer. Mechanism: organized settlement requires transport, temporary support, building materials and farm work after arrival. Broad riverbank composition with barge fully plausible, ordinary civilian labor, no ethnic caricatures or flags.", "generationReferences": [ "jani.png", "kuromi-canonical.png", "kuromi-canonical-2.png" ], "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "canonicalKuromi": true, "issues": [], "method": "A teljes generált kép szemrevételezve: korhű környezet, komoly vagy helyzethez illő arckifejezések; Kuromi sötét gallérja és tömör fekete szemei; Jani aszimmetrikus arcmintája." }, "corrections": [], "src": "assets/lesson-scenes/h05-01.webp", "sha256": "4e8147c1e2944695b7fbeb3d8595e930302e354ecef8a333729287e81701d832", "bytes": 544322, "thumbnailSrc": "assets/lesson-scenes/h05-01-preview.webp", "thumbnailSha256": "d6b558745aac05989783a86ecb62b35c620665a71b7156ad9cee22f0276666f8", "thumbnailBytes": 160028 }, { "unitId": "h05-02", "title": "Vámvizsgálat a birodalmi belső határon", "alt": "Kuromi és Jani egy dunai vámház mellett figyeli az iratot vizsgáló tisztviselőt, a gyapjúbálákat és a posztót kínáló kereskedőt.", "caption": "Az 1754-es kettős vámrendszerben a belső vámhatár és az áru származásának igazolása is alakította a kereskedelmet. A magyar nyersanyagkivitel és az iparcikk-behozatal egymáshoz kapcsolódott.", "scene": "A modest Danube customs landing at the western exit of the Kingdom of Hungary in the later 1750s, after Maria Theresa's 1754 customs reform. A civilian customs clerk in an eighteenth-century wool coat and tricorne compares a plain sealed certificate of goods origin with wool bales on a merchant's handcart; a second merchant displays folded finished woolen cloth arriving from the hereditary lands. Use no readable words, numbers or symbolic map. A simple wooden customs hut, low riverside storehouse, balance scale, tied wool bale, wrapped cloth bolts, river cargo boat moored behind, horses waiting with cart. No soldiers or modern border gate, no modern flags or imperial fantasy palace. Kuromi watches the clerk inspect a bale from beside the weighing station; Jani stands naturally near an empty basket, front face visible. Mechanism: the origin and direction of trade determine customs treatment, linking Hungarian agricultural raw materials to manufactured imports. One coherent illustrated quay scene in natural daylight, not two panels.", "setting": "Dunai vámállomás a Magyar Királyság nyugati kijáratánál, 1754 után", "historicalDetails": [ "Pecsételt származási irat", "Gyapjúbála és posztóvég", "Vámház és kikötői raktár", "Korabeli karos mérleg" ], "placement": { "area": "base", "sectionIndex": 2 }, "period": "18. század", "sourceBasis": [ { "book": "hu10m", "pdfPages": [ 85, 89 ], "chapter": "1723-as gazdasági törvények, áruforgalom, kettős vámrendszer, paraszti robotpanasz és Urbárium" } ], "prompt": "Use case: historical-scene. Generate ONE complete landscape 1536x1024 opaque full-color educational story illustration, one coherent moment, no panels. Identity references: image 1 is Jani the female cat; images 2 and 3 are canonical Kuromi. Use references ONLY for character identity and drawing style. All humans, architecture and objects must also be visibly HAND-DRAWN anime/gouache storybook illustration with fine clean outlines and simplified painted faces, never photographs. Natural daylight, thoughtful realistic period colors, ordinary historically accurate objects, no cinematic drama. Kuromi and Jani are small observers integrated naturally at ground level, both fully visible with readable faces, never replacing real human actors. Kuromi: charcoal black two-point jester hood, pink skull emblem, white face/body. EXACT canonical collar: solid DARK CHARCOAL, FOUR POINTS with exactly FOUR TINY PINK BALLS, one at each point. Two outer shoulder points and two lower inner points separated by an UPWARD central V-shaped notch; NO downward central fifth point, NO pink surface/trim/stripe/frill. Kuromi eyes: FLAT SOLID BLACK teardrop/ovals, exactly two SHORT CURVED outer eyelashes per eye as reference. Absolutely NO iris, brown eye color, glossy pupils, highlights, white glints, rings or long lashes. Neutral thoughtful expression, serious for hardship. Jani: FEMALE fluffy cream-white ragdoll CAT, natural feline four legs and paws, blue eyes, pink nose, dark brown fluffy tail. Strong asymmetric face: VIEWER LEFT large dark-brown eye patch; VIEWER RIGHT smaller LIGHTER brown patch; irregular white central blaze. No clothes, bowtie, human hands, anthropomorphic body or male styling. Faces must remain readable, neither turned away. No legible writing, labels, captions, dates, watermark, flags, logos or speech bubbles. No Hollywood/game/fantasy tropes, heroic battle tableaux or explosions. Respectful civilian historical reconstruction, never cute propaganda. \nScene for h05-02: A modest Danube customs landing at the western exit of the Kingdom of Hungary in the later 1750s, after Maria Theresa's 1754 customs reform. A civilian customs clerk in an eighteenth-century wool coat and tricorne compares a plain sealed certificate of goods origin with wool bales on a merchant's handcart; a second merchant displays folded finished woolen cloth arriving from the hereditary lands. Use no readable words, numbers or symbolic map. A simple wooden customs hut, low riverside storehouse, balance scale, tied wool bale, wrapped cloth bolts, river cargo boat moored behind, horses waiting with cart. No soldiers or modern border gate, no modern flags or imperial fantasy palace. Kuromi watches the clerk inspect a bale from beside the weighing station; Jani stands naturally near an empty basket, front face visible. Mechanism: the origin and direction of trade determine customs treatment, linking Hungarian agricultural raw materials to manufactured imports. One coherent illustrated quay scene in natural daylight, not two panels.", "generationPrompt": "Use case: historical-scene. Generate ONE complete landscape 1536x1024 opaque full-color educational story illustration, one coherent moment, no panels. Identity references: image 1 is Jani the female cat; images 2 and 3 are canonical Kuromi. Use references ONLY for character identity and drawing style. All humans, architecture and objects must also be visibly HAND-DRAWN anime/gouache storybook illustration with fine clean outlines and simplified painted faces, never photographs. Natural daylight, thoughtful realistic period colors, ordinary historically accurate objects, no cinematic drama. Kuromi and Jani are small observers integrated naturally at ground level, both fully visible with readable faces, never replacing real human actors. Kuromi: charcoal black two-point jester hood, pink skull emblem, white face/body. EXACT canonical collar: solid DARK CHARCOAL, FOUR POINTS with exactly FOUR TINY PINK BALLS, one at each point. Two outer shoulder points and two lower inner points separated by an UPWARD central V-shaped notch; NO downward central fifth point, NO pink surface/trim/stripe/frill. Kuromi eyes: FLAT SOLID BLACK teardrop/ovals, exactly two SHORT CURVED outer eyelashes per eye as reference. Absolutely NO iris, brown eye color, glossy pupils, highlights, white glints, rings or long lashes. Neutral thoughtful expression, serious for hardship. Jani: FEMALE fluffy cream-white ragdoll CAT, natural feline four legs and paws, blue eyes, pink nose, dark brown fluffy tail. Strong asymmetric face: VIEWER LEFT large dark-brown eye patch; VIEWER RIGHT smaller LIGHTER brown patch; irregular white central blaze. No clothes, bowtie, human hands, anthropomorphic body or male styling. Faces must remain readable, neither turned away. No legible writing, labels, captions, dates, watermark, flags, logos or speech bubbles. No Hollywood/game/fantasy tropes, heroic battle tableaux or explosions. Respectful civilian historical reconstruction, never cute propaganda. \nScene for h05-02: A modest Danube customs landing at the western exit of the Kingdom of Hungary in the later 1750s, after Maria Theresa's 1754 customs reform. A civilian customs clerk in an eighteenth-century wool coat and tricorne compares a plain sealed certificate of goods origin with wool bales on a merchant's handcart; a second merchant displays folded finished woolen cloth arriving from the hereditary lands. Use no readable words, numbers or symbolic map. A simple wooden customs hut, low riverside storehouse, balance scale, tied wool bale, wrapped cloth bolts, river cargo boat moored behind, horses waiting with cart. No soldiers or modern border gate, no modern flags or imperial fantasy palace. Kuromi watches the clerk inspect a bale from beside the weighing station; Jani stands naturally near an empty basket, front face visible. Mechanism: the origin and direction of trade determine customs treatment, linking Hungarian agricultural raw materials to manufactured imports. One coherent illustrated quay scene in natural daylight, not two panels.", "generationReferences": [ "jani.png", "kuromi-canonical.png", "kuromi-canonical-2.png" ], "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "canonicalKuromi": true, "issues": [], "method": "A teljes generált kép szemrevételezve: korhű környezet, komoly vagy helyzethez illő arckifejezések; Kuromi sötét gallérja és tömör fekete szemei; Jani aszimmetrikus arcmintája." }, "corrections": [], "src": "assets/lesson-scenes/h05-02.webp", "sha256": "628557a016dbc344531c773d435fc9374bf3c0a8e866f78d3a8e9bd9825a00f9", "bytes": 445084, "thumbnailSrc": "assets/lesson-scenes/h05-02-preview.webp", "thumbnailSha256": "6eec2f972e897a48a4ae968e907e9afff05c6e5bbbe31eff53df7e6cca2a79d9", "thumbnailBytes": 135866 }, { "unitId": "h05-03", "title": "Tanító és iskolalátogató a Ratio Educationis után", "alt": "Kuromi és Jani egy falusi iskolában figyeli a palatáblán számolást tanító mestert és az iskolalátogatót.", "caption": "Az 1777-es Ratio Educationis egységesebb felügyeletet és tananyagot kívánt. A helyi végrehajtás a tanító, az egyházi iskola és a közösség erőforrásaitól is függött.", "scene": "A modest Hungarian village parish elementary school around 1778 after the Ratio Educationis. A local male teacher in a plain dark eighteenth-century coat guides several boys of different ages through counting on small individual slates while a civilian district school visitor checks a plain teaching plan and observes. A younger pupil uses a wooden counting frame or loose counting counters, not a modern school abacus with plastic beads. Small sparse schoolroom with rough long wooden benches and a shared timber table, whitewashed wall, tiled stove, little leaded glass window, quill and ink, bound schoolbook with no readable text. No modern desks, wall maps, electric lighting, school uniforms or nineteenth-century blackboard classroom. Kuromi stands beside a low bench thoughtfully observing; Jani sits naturally near the stove away from heat, front face visible. Mechanism: central educational aims are implemented by a local teacher with limited resources, schools remain rooted in parish institutions. Fully hand-drawn figures, calm daylight, one coherent small room.", "setting": "Magyarországi falusi elemi iskola, 1778 körül", "historicalDetails": [ "Fapad és közös tanulóasztal", "Palatábla és számolókavicsok", "Lúdtoll és tintatartó", "Cserépkályhás falusi iskola" ], "placement": { "area": "base", "sectionIndex": 3 }, "period": "1740–1780", "sourceBasis": [ { "book": "hu10m", "pdfPages": [ 77, 77 ], "chapter": "Pragmatica Sanctio és rendi államszervezet" }, { "book": "hu10m", "pdfPages": [ 87, 90 ], "chapter": "Kaunitz, paraszti panasz, Urbárium és Ratio Educationis" }, { "book": "hugy", "pdfPages": [ 59, 60 ], "chapter": "A Ratio Educationis és II. József nyelvrendelete mint eltérő beavatkozás" } ], "prompt": "Use case: historical-scene. Generate ONE complete landscape 1536x1024 opaque full-color educational story illustration, one coherent moment, no panels. Identity references: image 1 is Jani the female cat; images 2 and 3 are canonical Kuromi. Use references ONLY for character identity and drawing style. All humans, architecture and objects must also be visibly HAND-DRAWN anime/gouache storybook illustration with fine clean outlines and simplified painted faces, never photographs. Natural daylight, thoughtful realistic period colors, ordinary historically accurate objects, no cinematic drama. Kuromi and Jani are small observers integrated naturally at ground level, both fully visible with readable faces, never replacing real human actors. Kuromi: charcoal black two-point jester hood, pink skull emblem, white face/body. EXACT canonical collar: solid DARK CHARCOAL, FOUR POINTS with exactly FOUR TINY PINK BALLS, one at each point. Two outer shoulder points and two lower inner points separated by an UPWARD central V-shaped notch; NO downward central fifth point, NO pink surface/trim/stripe/frill. Kuromi eyes: FLAT SOLID BLACK teardrop/ovals, exactly two SHORT CURVED outer eyelashes per eye as reference. Absolutely NO iris, brown eye color, glossy pupils, highlights, white glints, rings or long lashes. Neutral thoughtful expression, serious for hardship. Jani: FEMALE fluffy cream-white ragdoll CAT, natural feline four legs and paws, blue eyes, pink nose, dark brown fluffy tail. Strong asymmetric face: VIEWER LEFT large dark-brown eye patch; VIEWER RIGHT smaller LIGHTER brown patch; irregular white central blaze. No clothes, bowtie, human hands, anthropomorphic body or male styling. Faces must remain readable, neither turned away. No legible writing, labels, captions, dates, watermark, flags, logos or speech bubbles. No Hollywood/game/fantasy tropes, heroic battle tableaux or explosions. Respectful civilian historical reconstruction, never cute propaganda. \nScene for h05-03: A modest Hungarian village parish elementary school around 1778 after the Ratio Educationis. A local male teacher in a plain dark eighteenth-century coat guides several boys of different ages through counting on small individual slates while a civilian district school visitor checks a plain teaching plan and observes. A younger pupil uses a wooden counting frame or loose counting counters, not a modern school abacus with plastic beads. Small sparse schoolroom with rough long wooden benches and a shared timber table, whitewashed wall, tiled stove, little leaded glass window, quill and ink, bound schoolbook with no readable text. No modern desks, wall maps, electric lighting, school uniforms or nineteenth-century blackboard classroom. Kuromi stands beside a low bench thoughtfully observing; Jani sits naturally near the stove away from heat, front face visible. Mechanism: central educational aims are implemented by a local teacher with limited resources, schools remain rooted in parish institutions. Fully hand-drawn figures, calm daylight, one coherent small room.", "generationPrompt": "Use case: historical-scene. Generate ONE complete landscape 1536x1024 opaque full-color educational story illustration, one coherent moment, no panels. Identity references: image 1 is Jani the female cat; images 2 and 3 are canonical Kuromi. Use references ONLY for character identity and drawing style. All humans, architecture and objects must also be visibly HAND-DRAWN anime/gouache storybook illustration with fine clean outlines and simplified painted faces, never photographs. Natural daylight, thoughtful realistic period colors, ordinary historically accurate objects, no cinematic drama. Kuromi and Jani are small observers integrated naturally at ground level, both fully visible with readable faces, never replacing real human actors. Kuromi: charcoal black two-point jester hood, pink skull emblem, white face/body. EXACT canonical collar: solid DARK CHARCOAL, FOUR POINTS with exactly FOUR TINY PINK BALLS, one at each point. Two outer shoulder points and two lower inner points separated by an UPWARD central V-shaped notch; NO downward central fifth point, NO pink surface/trim/stripe/frill. Kuromi eyes: FLAT SOLID BLACK teardrop/ovals, exactly two SHORT CURVED outer eyelashes per eye as reference. Absolutely NO iris, brown eye color, glossy pupils, highlights, white glints, rings or long lashes. Neutral thoughtful expression, serious for hardship. Jani: FEMALE fluffy cream-white ragdoll CAT, natural feline four legs and paws, blue eyes, pink nose, dark brown fluffy tail. Strong asymmetric face: VIEWER LEFT large dark-brown eye patch; VIEWER RIGHT smaller LIGHTER brown patch; irregular white central blaze. No clothes, bowtie, human hands, anthropomorphic body or male styling. Faces must remain readable, neither turned away. No legible writing, labels, captions, dates, watermark, flags, logos or speech bubbles. No Hollywood/game/fantasy tropes, heroic battle tableaux or explosions. Respectful civilian historical reconstruction, never cute propaganda. \nScene for h05-03: A modest Hungarian village parish elementary school around 1778 after the Ratio Educationis. A local male teacher in a plain dark eighteenth-century coat guides several boys of different ages through counting on small individual slates while a civilian district school visitor checks a plain teaching plan and observes. A younger pupil uses a wooden counting frame or loose counting counters, not a modern school abacus with plastic beads. Small sparse schoolroom with rough long wooden benches and a shared timber table, whitewashed wall, tiled stove, little leaded glass window, quill and ink, bound schoolbook with no readable text. No modern desks, wall maps, electric lighting, school uniforms or nineteenth-century blackboard classroom. Kuromi stands beside a low bench thoughtfully observing; Jani sits naturally near the stove away from heat, front face visible. Mechanism: central educational aims are implemented by a local teacher with limited resources, schools remain rooted in parish institutions. Fully hand-drawn figures, calm daylight, one coherent small room.", "generationReferences": [ "jani.png", "kuromi-canonical.png", "kuromi-canonical-2.png" ], "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "canonicalKuromi": true, "issues": [], "method": "A teljes generált kép szemrevételezve: korhű környezet, komoly vagy helyzethez illő arckifejezések; Kuromi sötét gallérja és tömör fekete szemei; Jani aszimmetrikus arcmintája." }, "corrections": [], "src": "assets/lesson-scenes/h05-03.webp", "sha256": "423b481d553f70424c9f69d5bf6ac5a60b4c0e19e4d067507b1a4e572243220c", "bytes": 350934, "thumbnailSrc": "assets/lesson-scenes/h05-03-preview.webp", "thumbnailSha256": "c1d1a56674eae58cd613ea9d91d632c49e0b8dae945ab69f847c35f710acf06f", "thumbnailBytes": 107592 }, { "unitId": "h05-04", "title": "Új imaház a türelmi rendelet után", "alt": "Kuromi és Jani egy egyszerű imaházban figyeli az engedélyt olvasó közösségi tagokat és a padot szerelő asztalost.", "caption": "II. József 1781-es türelmi rendelete meghatározott feltételekkel bővítette a protestáns és ortodox közösségek vallásgyakorlatát. A katolikus egyház elsőbbsége közben fennmaradt.", "scene": "A Hungarian Protestant community around 1782 after Joseph II's Patent of Toleration. Inside a newly prepared very plain prayer house, a carpenter fits a simple wooden bench while a sober pastor and two civilian congregants examine an anonymous sealed permission document beside a plain communion table. Make it a modest adapted courtyard building without a tower or bells, side doorway opening into a farmyard rather than a monumental street-front church. Simple whitewashed interior, rough timber pews, bound Bible with no readable text, unpainted pulpit, plain window daylight. Late eighteenth-century long coats, knee breeches and ordinary dresses, no national costumes or modern church microphones. Kuromi stands quietly near a bench, respectful neutral expression; Jani on four paws beside the side doorway faces viewer. Mechanism: a legal permission creates practical room for worship and schooling, with continuing restrictions and no suggestion of full religious equality. Do not depict Joseph II or a royal ceremony, no political banners, no ecstasy.", "setting": "Magyarországi protestáns közösség, 1782 körül", "historicalDetails": [ "Torony nélküli udvari imaház", "Egyszerű fapad és szószék", "Pecsételt engedély", "18. századi civil viselet" ], "placement": { "area": "base", "sectionIndex": 1 }, "period": "1780–1790", "sourceBasis": [ { "book": "hu10m", "pdfPages": [ 90, 96 ], "chapter": "József rendeletei, nyelvpolitika, gazdasági adóelv, kortársi és történészi értékelések" }, { "book": "hugy", "pdfPages": [ 59, 60 ], "chapter": "A hivatali nyelvrendelet indoklása az oktatási nyelvpolitikával összevetve" } ], "prompt": "Use case: historical-scene. Generate ONE complete landscape 1536x1024 opaque full-color educational story illustration, one coherent moment, no panels. Identity references: image 1 is Jani the female cat; images 2 and 3 are canonical Kuromi. Use references ONLY for character identity and drawing style. All humans, architecture and objects must also be visibly HAND-DRAWN anime/gouache storybook illustration with fine clean outlines and simplified painted faces, never photographs. Natural daylight, thoughtful realistic period colors, ordinary historically accurate objects, no cinematic drama. Kuromi and Jani are small observers integrated naturally at ground level, both fully visible with readable faces, never replacing real human actors. Kuromi: charcoal black two-point jester hood, pink skull emblem, white face/body. EXACT canonical collar: solid DARK CHARCOAL, FOUR POINTS with exactly FOUR TINY PINK BALLS, one at each point. Two outer shoulder points and two lower inner points separated by an UPWARD central V-shaped notch; NO downward central fifth point, NO pink surface/trim/stripe/frill. Kuromi eyes: FLAT SOLID BLACK teardrop/ovals, exactly two SHORT CURVED outer eyelashes per eye as reference. Absolutely NO iris, brown eye color, glossy pupils, highlights, white glints, rings or long lashes. Neutral thoughtful expression, serious for hardship. Jani: FEMALE fluffy cream-white ragdoll CAT, natural feline four legs and paws, blue eyes, pink nose, dark brown fluffy tail. Strong asymmetric face: VIEWER LEFT large dark-brown eye patch; VIEWER RIGHT smaller LIGHTER brown patch; irregular white central blaze. No clothes, bowtie, human hands, anthropomorphic body or male styling. Faces must remain readable, neither turned away. No legible writing, labels, captions, dates, watermark, flags, logos or speech bubbles. No Hollywood/game/fantasy tropes, heroic battle tableaux or explosions. Respectful civilian historical reconstruction, never cute propaganda. \nScene for h05-04: A Hungarian Protestant community around 1782 after Joseph II's Patent of Toleration. Inside a newly prepared very plain prayer house, a carpenter fits a simple wooden bench while a sober pastor and two civilian congregants examine an anonymous sealed permission document beside a plain communion table. Make it a modest adapted courtyard building without a tower or bells, side doorway opening into a farmyard rather than a monumental street-front church. Simple whitewashed interior, rough timber pews, bound Bible with no readable text, unpainted pulpit, plain window daylight. Late eighteenth-century long coats, knee breeches and ordinary dresses, no national costumes or modern church microphones. Kuromi stands quietly near a bench, respectful neutral expression; Jani on four paws beside the side doorway faces viewer. Mechanism: a legal permission creates practical room for worship and schooling, with continuing restrictions and no suggestion of full religious equality. Do not depict Joseph II or a royal ceremony, no political banners, no ecstasy.", "generationPrompt": "Use case: historical-scene. Generate ONE complete landscape 1536x1024 opaque full-color educational story illustration, one coherent moment, no panels. Identity references: image 1 is Jani the female cat; images 2 and 3 are canonical Kuromi. Use references ONLY for character identity and drawing style. All humans, architecture and objects must also be visibly HAND-DRAWN anime/gouache storybook illustration with fine clean outlines and simplified painted faces, never photographs. Natural daylight, thoughtful realistic period colors, ordinary historically accurate objects, no cinematic drama. Kuromi and Jani are small observers integrated naturally at ground level, both fully visible with readable faces, never replacing real human actors. Kuromi: charcoal black two-point jester hood, pink skull emblem, white face/body. EXACT canonical collar: solid DARK CHARCOAL, FOUR POINTS with exactly FOUR TINY PINK BALLS, one at each point. Two outer shoulder points and two lower inner points separated by an UPWARD central V-shaped notch; NO downward central fifth point, NO pink surface/trim/stripe/frill. Kuromi eyes: FLAT SOLID BLACK teardrop/ovals, exactly two SHORT CURVED outer eyelashes per eye as reference. Absolutely NO iris, brown eye color, glossy pupils, highlights, white glints, rings or long lashes. Neutral thoughtful expression, serious for hardship. Jani: FEMALE fluffy cream-white ragdoll CAT, natural feline four legs and paws, blue eyes, pink nose, dark brown fluffy tail. Strong asymmetric face: VIEWER LEFT large dark-brown eye patch; VIEWER RIGHT smaller LIGHTER brown patch; irregular white central blaze. No clothes, bowtie, human hands, anthropomorphic body or male styling. Faces must remain readable, neither turned away. No legible writing, labels, captions, dates, watermark, flags, logos or speech bubbles. No Hollywood/game/fantasy tropes, heroic battle tableaux or explosions. Respectful civilian historical reconstruction, never cute propaganda. \nScene for h05-04: A Hungarian Protestant community around 1782 after Joseph II's Patent of Toleration. Inside a newly prepared very plain prayer house, a carpenter fits a simple wooden bench while a sober pastor and two civilian congregants examine an anonymous sealed permission document beside a plain communion table. Make it a modest adapted courtyard building without a tower or bells, side doorway opening into a farmyard rather than a monumental street-front church. Simple whitewashed interior, rough timber pews, bound Bible with no readable text, unpainted pulpit, plain window daylight. Late eighteenth-century long coats, knee breeches and ordinary dresses, no national costumes or modern church microphones. Kuromi stands quietly near a bench, respectful neutral expression; Jani on four paws beside the side doorway faces viewer. Mechanism: a legal permission creates practical room for worship and schooling, with continuing restrictions and no suggestion of full religious equality. Do not depict Joseph II or a royal ceremony, no political banners, no ecstasy.", "generationReferences": [ "jani.png", "kuromi-canonical.png", "kuromi-canonical-2.png" ], "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "canonicalKuromi": true, "issues": [], "method": "A teljes generált kép szemrevételezve: korhű környezet, komoly vagy helyzethez illő arckifejezések; Kuromi sötét gallérja és tömör fekete szemei; Jani aszimmetrikus arcmintája." }, "corrections": [], "src": "assets/lesson-scenes/h05-04.webp", "sha256": "0e3dd4da3010ad9d1888831a623519c23b815615272c832e576c83c09b0e44d4", "bytes": 278798, "thumbnailSrc": "assets/lesson-scenes/h05-04-preview.webp", "thumbnailSha256": "110d70f453364460b5eec729fd0d6133ffcd64536737496b7b6099e09fb63a22", "thumbnailBytes": 84178 }, { "unitId": "h05-05", "title": "Robot az aratás legsürgősebb napján", "alt": "Kuromi és Jani egy gabonaföld szélén figyeli az arató parasztokat és a robotot nyilvántartó gazdatisztet.", "caption": "A robot a földesúri és a paraszti gazdaság munkaigényét ugyanabban a rövid aratási időben ütköztette. A reformerek a függést a termelékenység és a hitel problémájával együtt bírálták.", "scene": "A Hungarian noble estate during harvest in the early 1830s. In one continuous wheat field a group of serf men and women work the estate's harvest under a civilian steward who checks their workdays on a simple wooden tally and plain ledger. A tired father bundles sheaves while his wife looks toward their own small unharvested strip visible beyond a low field boundary, with no split panels and no symbolic arrows. A narrow clear farm path visually connects the estate field and small family plot. Period sickles and scythes, wooden rake, bound grain sheaves, horse cart, plain linen shirts, waistcoats, worn felt hats, long work skirts and headscarves. No whips, soldiers, violence, exaggerated destitution or heroic rebellion. Kuromi observes seriously beside a sheaf at edge of the farm path; Jani stands safely away from cutting tools facing viewer. Mechanism: compulsory labor uses the household's limited harvest time and does not automatically produce efficient work. Dignified sober hand-drawn agrarian scene in natural daylight.", "setting": "Magyar uradalom, 1830-as évek", "historicalDetails": [ "Sarló, kasza és fagereblye", "Kévébe kötött gabona", "Robotnapok rovásos nyilvántartása", "Uradalmi és családi földhatár" ], "placement": { "area": "base", "sectionIndex": 1 }, "period": "1790–1848", "sourceBasis": [ { "book": "hu10m", "pdfPages": [ 95, 95 ], "chapter": "Az 1790/91. évi X. törvénycikk az ország saját kormányzatáról" }, { "book": "hu10m", "pdfPages": [ 108, 113 ], "chapter": "Rendi intézmény, robot, úriszék, jogkiterjesztés és paraszti differenciálódás" }, { "book": "hugy", "pdfPages": [ 69, 70 ], "chapter": "Kölcsey és Wesselényi az érdekegyesítésről; Széchenyi hitel- és munkaelemzése" } ], "prompt": "Use case: historical-scene. Generate ONE complete landscape 1536x1024 opaque full-color educational story illustration, one coherent moment, no panels. Identity references: image 1 is Jani the female cat; images 2 and 3 are canonical Kuromi. Use references ONLY for character identity and drawing style. All humans, architecture and objects must also be visibly HAND-DRAWN anime/gouache storybook illustration with fine clean outlines and simplified painted faces, never photographs. Natural daylight, thoughtful realistic period colors, ordinary historically accurate objects, no cinematic drama. Kuromi and Jani are small observers integrated naturally at ground level, both fully visible with readable faces, never replacing real human actors. Kuromi: charcoal black two-point jester hood, pink skull emblem, white face/body. EXACT canonical collar: solid DARK CHARCOAL, FOUR POINTS with exactly FOUR TINY PINK BALLS, one at each point. Two outer shoulder points and two lower inner points separated by an UPWARD central V-shaped notch; NO downward central fifth point, NO pink surface/trim/stripe/frill. Kuromi eyes: FLAT SOLID BLACK teardrop/ovals, exactly two SHORT CURVED outer eyelashes per eye as reference. Absolutely NO iris, brown eye color, glossy pupils, highlights, white glints, rings or long lashes. Neutral thoughtful expression, serious for hardship. Jani: FEMALE fluffy cream-white ragdoll CAT, natural feline four legs and paws, blue eyes, pink nose, dark brown fluffy tail. Strong asymmetric face: VIEWER LEFT large dark-brown eye patch; VIEWER RIGHT smaller LIGHTER brown patch; irregular white central blaze. No clothes, bowtie, human hands, anthropomorphic body or male styling. Faces must remain readable, neither turned away. No legible writing, labels, captions, dates, watermark, flags, logos or speech bubbles. No Hollywood/game/fantasy tropes, heroic battle tableaux or explosions. Respectful civilian historical reconstruction, never cute propaganda. \nScene for h05-05: A Hungarian noble estate during harvest in the early 1830s. In one continuous wheat field a group of serf men and women work the estate's harvest under a civilian steward who checks their workdays on a simple wooden tally and plain ledger. A tired father bundles sheaves while his wife looks toward their own small unharvested strip visible beyond a low field boundary, with no split panels and no symbolic arrows. A narrow clear farm path visually connects the estate field and small family plot. Period sickles and scythes, wooden rake, bound grain sheaves, horse cart, plain linen shirts, waistcoats, worn felt hats, long work skirts and headscarves. No whips, soldiers, violence, exaggerated destitution or heroic rebellion. Kuromi observes seriously beside a sheaf at edge of the farm path; Jani stands safely away from cutting tools facing viewer. Mechanism: compulsory labor uses the household's limited harvest time and does not automatically produce efficient work. Dignified sober hand-drawn agrarian scene in natural daylight.", "generationPrompt": "Use case: historical-scene. Generate ONE complete landscape 1536x1024 opaque full-color educational story illustration, one coherent moment, no panels. Identity references: image 1 is Jani the female cat; images 2 and 3 are canonical Kuromi. Use references ONLY for character identity and drawing style. All humans, architecture and objects must also be visibly HAND-DRAWN anime/gouache storybook illustration with fine clean outlines and simplified painted faces, never photographs. Natural daylight, thoughtful realistic period colors, ordinary historically accurate objects, no cinematic drama. Kuromi and Jani are small observers integrated naturally at ground level, both fully visible with readable faces, never replacing real human actors. Kuromi: charcoal black two-point jester hood, pink skull emblem, white face/body. EXACT canonical collar: solid DARK CHARCOAL, FOUR POINTS with exactly FOUR TINY PINK BALLS, one at each point. Two outer shoulder points and two lower inner points separated by an UPWARD central V-shaped notch; NO downward central fifth point, NO pink surface/trim/stripe/frill. Kuromi eyes: FLAT SOLID BLACK teardrop/ovals, exactly two SHORT CURVED outer eyelashes per eye as reference. Absolutely NO iris, brown eye color, glossy pupils, highlights, white glints, rings or long lashes. Neutral thoughtful expression, serious for hardship. Jani: FEMALE fluffy cream-white ragdoll CAT, natural feline four legs and paws, blue eyes, pink nose, dark brown fluffy tail. Strong asymmetric face: VIEWER LEFT large dark-brown eye patch; VIEWER RIGHT smaller LIGHTER brown patch; irregular white central blaze. No clothes, bowtie, human hands, anthropomorphic body or male styling. Faces must remain readable, neither turned away. No legible writing, labels, captions, dates, watermark, flags, logos or speech bubbles. No Hollywood/game/fantasy tropes, heroic battle tableaux or explosions. Respectful civilian historical reconstruction, never cute propaganda. \nScene for h05-05: A Hungarian noble estate during harvest in the early 1830s. In one continuous wheat field a group of serf men and women work the estate's harvest under a civilian steward who checks their workdays on a simple wooden tally and plain ledger. A tired father bundles sheaves while his wife looks toward their own small unharvested strip visible beyond a low field boundary, with no split panels and no symbolic arrows. A narrow clear farm path visually connects the estate field and small family plot. Period sickles and scythes, wooden rake, bound grain sheaves, horse cart, plain linen shirts, waistcoats, worn felt hats, long work skirts and headscarves. No whips, soldiers, violence, exaggerated destitution or heroic rebellion. Kuromi observes seriously beside a sheaf at edge of the farm path; Jani stands safely away from cutting tools facing viewer. Mechanism: compulsory labor uses the household's limited harvest time and does not automatically produce efficient work. Dignified sober hand-drawn agrarian scene in natural daylight.", "generationReferences": [ "jani.png", "kuromi-canonical.png", "kuromi-canonical-2.png" ], "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "canonicalKuromi": true, "issues": [], "method": "A teljes generált kép szemrevételezve: korhű környezet, komoly vagy helyzethez illő arckifejezések; Kuromi sötét gallérja és tömör fekete szemei; Jani aszimmetrikus arcmintája." }, "corrections": [], "src": "assets/lesson-scenes/h05-05.webp", "sha256": "d581379c9ec0b6a0644b34e8c44bdb48ddbcdb1afdf7e29db3fb7045ad85a08c", "bytes": 621814, "thumbnailSrc": "assets/lesson-scenes/h05-05-preview.webp", "thumbnailSha256": "d6a861d27006f123f0bcd0f6df130fa2ee314bd1686f830873a8160350ddc8fe", "thumbnailBytes": 175274 }, { "unitId": "h05-06", "title": "Hazai posztót választanak a Védegylet idején", "alt": "Kuromi és Jani egy pesti posztóboltban figyeli a szövetet választó vásárlókat, a kereskedőt és az egyesületi könyv vezetését.", "caption": "Az 1844-es Védegylet önkéntes vásárlási vállalással akart piacot teremteni a hazai iparnak. A közösségi szándékot a termék kínálata, ára és minősége is korlátozta.", "scene": "A Pest cloth merchant's shop in 1844–1845 during the Protective Association movement supported by Kossuth. A woman and man from a reform-minded family choose a locally manufactured woolen cloth bolt; a merchant and a local textile maker demonstrate the cloth's texture and compare it with another folded fabric on the counter. A volunteer association organizer keeps an anonymous membership pledge ledger beside the cloth, without legible words or slogans. Period wooden fabric shelves, cloth bolts, tailor's brass shears safely on the counter, wooden measuring rod, small balance and tied paper parcels. Men in sober 1840s frock coats and waistcoats, woman in practical early-1840s day dress with bonnet, not later crinoline, no national-color costume, no famous portraits or modern retail equipment. Kuromi watches the buyer touch the cloth beside a low display; Jani stands naturally near a closed parcel facing viewer. Mechanism: voluntary purchasing commitments try to create demand for domestic industry, while real quality and supply still matter. One lively but restrained hand-drawn shop interaction, no patriotic rally or propaganda.", "setting": "Pesti posztókereskedés, 1844–1845", "historicalDetails": [ "Hazai gyapjúposztó és szövetvégek", "Rőfölő farúd", "Szabóolló és papírcsomagok", "Egyesületi vállalási könyv" ], "placement": { "area": "base", "sectionIndex": 3 }, "period": "1825–1848", "sourceBasis": [ { "book": "hu10m", "pdfPages": [ 110, 114 ], "chapter": "Széchenyi és Wesselényi programja, a Hitel robotbírálata és Széchenyi–Kossuth összevetése" }, { "book": "hu10m", "pdfPages": [ 119, 119 ], "chapter": "Gőzhajózás, társasági szervezés és az Óbudai Hajógyár" }, { "book": "hugy", "pdfPages": [ 70, 71 ], "chapter": "Széchenyi művei, Kossuth 1844-es beszéde és az 1841-es vita elsődleges részletei" } ], "prompt": "Use case: precise-object-edit. Edit the FIRST image, the full existing 1844–1845 Pest cloth-shop illustration. Correct ONLY the view THROUGH THE WINDOW at upper left: remove the inaccurate completed stone arch bridge and distant monumental/Prague-like skyline. Replace that small exterior view with an ordinary narrow Pest street of the 1840s, low two-storey plastered merchant houses with simple tiled roofs and no famous landmark, bridge, river, tower or modern object. Keep the entire shop interior, every human figure, their exact clothing, cloth bolts, transaction, ledger, measuring rod, scissors, counter, lighting, framing, Kuromi and Jani COMPLETELY UNCHANGED. Kuromi's existing dark charcoal collar, exactly four tiny pink balls, solid black oval eyes and short eyelashes are already correct; preserve them. Preserve Jani's precise asymmetric eye patches and natural cat anatomy. The other two inputs are Kuromi identity references only, do not add a new character. Keep 1536x1024 opaque landscape illustration, no added text.", "generationPrompt": "Use case: historical-scene. Generate ONE complete landscape 1536x1024 opaque full-color educational story illustration, one coherent moment, no panels. Identity references: image 1 is Jani the female cat; images 2 and 3 are canonical Kuromi. Use references ONLY for character identity and drawing style. All humans, architecture and objects must also be visibly HAND-DRAWN anime/gouache storybook illustration with fine clean outlines and simplified painted faces, never photographs. Natural daylight, thoughtful realistic period colors, ordinary historically accurate objects, no cinematic drama. Kuromi and Jani are small observers integrated naturally at ground level, both fully visible with readable faces, never replacing real human actors. Kuromi: charcoal black two-point jester hood, pink skull emblem, white face/body. EXACT canonical collar: solid DARK CHARCOAL, FOUR POINTS with exactly FOUR TINY PINK BALLS, one at each point. Two outer shoulder points and two lower inner points separated by an UPWARD central V-shaped notch; NO downward central fifth point, NO pink surface/trim/stripe/frill. Kuromi eyes: FLAT SOLID BLACK teardrop/ovals, exactly two SHORT CURVED outer eyelashes per eye as reference. Absolutely NO iris, brown eye color, glossy pupils, highlights, white glints, rings or long lashes. Neutral thoughtful expression, serious for hardship. Jani: FEMALE fluffy cream-white ragdoll CAT, natural feline four legs and paws, blue eyes, pink nose, dark brown fluffy tail. Strong asymmetric face: VIEWER LEFT large dark-brown eye patch; VIEWER RIGHT smaller LIGHTER brown patch; irregular white central blaze. No clothes, bowtie, human hands, anthropomorphic body or male styling. Faces must remain readable, neither turned away. No legible writing, labels, captions, dates, watermark, flags, logos or speech bubbles. No Hollywood/game/fantasy tropes, heroic battle tableaux or explosions. Respectful civilian historical reconstruction, never cute propaganda. \nScene for h05-06: A Pest cloth merchant's shop in 1844–1845 during the Protective Association movement supported by Kossuth. A woman and man from a reform-minded family choose a locally manufactured woolen cloth bolt; a merchant and a local textile maker demonstrate the cloth's texture and compare it with another folded fabric on the counter. A volunteer association organizer keeps an anonymous membership pledge ledger beside the cloth, without legible words or slogans. Period wooden fabric shelves, cloth bolts, tailor's brass shears safely on the counter, wooden measuring rod, small balance and tied paper parcels. Men in sober 1840s frock coats and waistcoats, woman in practical early-1840s day dress with bonnet, not later crinoline, no national-color costume, no famous portraits or modern retail equipment. Kuromi watches the buyer touch the cloth beside a low display; Jani stands naturally near a closed parcel facing viewer. Mechanism: voluntary purchasing commitments try to create demand for domestic industry, while real quality and supply still matter. One lively but restrained hand-drawn shop interaction, no patriotic rally or propaganda.", "generationReferences": [ "jani.png", "kuromi-canonical.png", "kuromi-canonical-2.png" ], "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "canonicalKuromi": true, "issues": [], "method": "A teljes generált kép szemrevételezve: korhű környezet, komoly vagy helyzethez illő arckifejezések; Kuromi sötét gallérja és tömör fekete szemei; Jani aszimmetrikus arcmintája." }, "corrections": [ { "prompt": "Use case: precise-object-edit. Edit the FIRST image, the full existing 1844–1845 Pest cloth-shop illustration. Correct ONLY the view THROUGH THE WINDOW at upper left: remove the inaccurate completed stone arch bridge and distant monumental/Prague-like skyline. Replace that small exterior view with an ordinary narrow Pest street of the 1840s, low two-storey plastered merchant houses with simple tiled roofs and no famous landmark, bridge, river, tower or modern object. Keep the entire shop interior, every human figure, their exact clothing, cloth bolts, transaction, ledger, measuring rod, scissors, counter, lighting, framing, Kuromi and Jani COMPLETELY UNCHANGED. Kuromi's existing dark charcoal collar, exactly four tiny pink balls, solid black oval eyes and short eyelashes are already correct; preserve them. Preserve Jani's precise asymmetric eye patches and natural cat anatomy. The other two inputs are Kuromi identity references only, do not add a new character. Keep 1536x1024 opaque landscape illustration, no added text.", "references": [ "exec-06e23504-9c1a-4cd3-a0da-1ce47a984d98.png", "kuromi-canonical.png", "kuromi-canonical-2.png" ], "reason": "Az 1844–1845-ös pesti jelenet ablakában megjelent anakronisztikus kőhíd és idegen városkép eltávolítása; helyette korabeli pesti utca. A bolt, emberek és karakterek megőrizve." } ], "src": "assets/lesson-scenes/h05-06.webp", "sha256": "bf976d0bf60d04c49df7a825e1eea2690722bcf95eb38b21ae2b08482c5ad3a7", "bytes": 345248, "thumbnailSrc": "assets/lesson-scenes/h05-06-preview.webp", "thumbnailSha256": "2dfe4d87c69aa486c1098353cc1f369de61f1cf059da89ac5008074343596332", "thumbnailBytes": 113426 }, { "unitId": "h05-07", "title": "Követutasítás a vármegyei közgyűlésen", "alt": "Kuromi és Jani egy reformkori vármegyei teremben figyelik, amint a nemesi közgyűlés a pozsonyi követ írásos utasításáról vitázik.", "caption": "A reformjavaslat országos sorsát a vármegyei politika is alakította. A kötött követutasítás miatt a megyei többség álláspontja a pozsonyi követ szavazatát is meghatározhatta.", "scene": "Zalaegerszeg, Hungary, a COUNTY ASSEMBLY meeting during the Diet of 1832–1836. Inside a modest early nineteenth-century neoclassical county hall: rows of wooden benches of adult male noble electors, a clerk at the central table writing with a quill, an elected envoy standing beside him with a folded manuscript and listening intently as a local speaker debates whether to authorize a reform. Show an actual political decision chain, the county instructing its Diet representative, not an auction or courtroom punishment. Several men wear restrained 1830s Hungarian dark braided dolmans, others contemporary European frock coats and waistcoats, varied ages including poorer provincial nobles in worn clothing; no late nineteenth-century military uniforms, no wigs, no modern parliament microphones. Wax seal and quill inkwell on a plain desk, tall unornamented windows with daylight, understated white plaster walls; no grand Budapest Parliament building. Faces generic, no fabricated exact portrait of Deak or Kolcsey. Kuromi and Jani, canonical identities, sit with a visible gap on a side bench at the lower left foreground, quietly observing the serious debate; Jani turns her face toward the viewer, asymmetric dark left patch clear. A single continuous human-scale illustration, no panels or legible text.", "period": "1832–1848", "setting": "Zalaegerszeg, vármegyei közgyűlési terem, az 1832–1836-os országgyűlés idején", "historicalDetails": [ "Megyei közgyűlés és jegyzőkönyvezés", "Írásba foglalt követutasítás", "1830-as évekbeli polgári és magyar nemesi férfiviselet", "Pecsét, lúdtoll, kéziratos irat és egyszerű tanácsterem" ], "sourceBasis": [ { "book": "hu10m", "pdfPages": [ 108, 110 ], "chapter": "Rendi országgyűlés, követutasítás, megye és adminisztrátori rendszer" }, { "book": "hu10m", "pdfPages": [ 111, 113 ], "chapter": "Örökváltsági törvények és az 1847-es ellenzéki, illetve konzervatív program" }, { "book": "hugy", "pdfPages": [ 69, 70 ], "chapter": "Önkéntes és kötelező örökváltság, jogkiterjesztés elsődleges forrásai" } ], "placement": { "area": "base", "sectionIndex": 0 }, "prompt": "Use case: historical-scene. Create a wide 1536x1024 opaque full-color hand-drawn historical educational narrative illustration. Fine clean outlines, coherent drawn human and animal figures, natural daylight and considered earth colors, delicate painted textures. One continuous scene, no panels. The attached images are CHARACTER IDENTITY REFERENCES ONLY, not poses, props or backgrounds. Include recognizable Kuromi with black two-point jester hood, pink skull emblem, white body and dark charcoal collar with only four tiny pink balls on its pointed tips, NEVER a broad pink collar area; no magnifying glass or book unless specified. Include Jani, a FEMALE fluffy cream-white ragdoll CAT with blue eyes, pink nose, dark brown bushy tail, natural four-legged feline anatomy and paws. Jani's facial markings are ASYMMETRICAL: a large DARK BROWN eye patch on the VIEWER'S LEFT, a much smaller lighter taupe patch on the VIEWER'S RIGHT, an irregular central white blaze. No clothing, no bow tie, no human hands for Jani. Both clearly visible as small observers within the scene, never impersonate historical people. Keep the full setting and all people in the same gentle illustration style as the characters. Historically restrained clothing and objects; no movie/game/fantasy armor, theatrical backlight, gigantic battle, decorative out-of-period icons. No readable writing, labels, dates, charts, watermark, modern flags, or modern equipment. Keep Kuromi and Jani as TWO SEPARATE complete bodies with a clear gap between their silhouettes; do not merge their limbs, fur, heads or tails. The fourth reference is the real Jani photo for face identity only; preserve illustrated style, never use its modern room. Jani should face front: the patch on the LEFT SIDE OF THE PICTURE is larger, DARK chocolate, extending onto cheek; the patch on the RIGHT SIDE OF THE PICTURE is much smaller PALE taupe. Kuromi's eyes must be black oval/teardrop shapes, each with exactly two short curved outward eyelashes as in the canonical reference. Her collar is DARK CHARCOAL, with only four tiny pink balls at pointed tips. This is a vital user correction. The two HOOD-tip balls are DARK CHARCOAL, never pink. Eyes are solid black oval droplets without irises; exactly two short curved outer lashes. Zalaegerszeg, Hungary, a COUNTY ASSEMBLY meeting during the Diet of 1832–1836. Inside a modest early nineteenth-century neoclassical county hall: rows of wooden benches of adult male noble electors, a clerk at the central table writing with a quill, an elected envoy standing beside him with a folded manuscript and listening intently as a local speaker debates whether to authorize a reform. Show an actual political decision chain, the county instructing its Diet representative, not an auction or courtroom punishment. Several men wear restrained 1830s Hungarian dark braided dolmans, others contemporary European frock coats and waistcoats, varied ages including poorer provincial nobles in worn clothing; no late nineteenth-century military uniforms, no wigs, no modern parliament microphones. Wax seal and quill inkwell on a plain desk, tall unornamented windows with daylight, understated white plaster walls; no grand Budapest Parliament building. Faces generic, no fabricated exact portrait of Deak or Kolcsey. Kuromi and Jani, canonical identities, sit with a visible gap on a side bench at the lower left foreground, quietly observing the serious debate; Jani turns her face toward the viewer, asymmetric dark left patch clear. A single continuous human-scale illustration, no panels or legible text.", "width": 1536, "height": 1024, "review": { "characters": true, "canonicalKuromi": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [] }, "src": "assets/lesson-scenes/h05-07.webp", "sha256": "46d06765a012b2160494605d7a98f39bbe25b2597a9b1f5e072f91049ad62a86", "bytes": 266144, "thumbnailSrc": "assets/lesson-scenes/h05-07-preview.webp", "thumbnailSha256": "a37d180bddaa220f91523d2d692d6e12ec4c2cf44977e76b224f3605c98f11d9", "thumbnailBytes": 84570 }, { "unitId": "h05-08", "title": "Könyv és közösség a pesti Matica srpskában", "alt": "Kuromi és Jani egy pesti szerb kulturális társaság szobájában nézik a könyvek és kéziratok közös rendezését.", "caption": "Az 1826-ban Pesten alapított Matica srpska a szerb művelődés tartós intézménye lett. A közös kiadói és tudományos munka olvasóközönséget, nyelvi normát és kulturális kapcsolatokat szervezett.", "scene": "Pest, Kingdom of Hungary, around 1826, in the modest early workroom of the Serbian cultural and publishing society Matica srpska. A small group of educated Serbian townsmen in accurate 1820s European frock coats, waistcoats and high linen collars collaborate around a wooden table: one compares two handwritten manuscripts, another selects a thread-sewn booklet from a small stack, a third ties a parcel of newly printed books with string for distribution to readers outside the city. Show not a printing press, but the collective editorial and distribution work of a cultural association. Bookshelves, loose folded signatures, a quill in an inkwell and a simple paper wrapper, ordinary early nineteenth-century Pest window and courtyard beyond. No national flags, ethnic costume caricatures or church icon dividing people; no twentieth-century office or rotary press. All manuscript and book faces turned obliquely, abstract pen strokes too small to read, no invented readable text. Kuromi and Jani stand separately beside a low bundle of wrapped books on the foreground floor, both fully visible with a clear gap, quietly attentive. Jani faces the viewer with a large DARK patch on viewer left, a tiny pale taupe patch viewer right. Kuromi charcoal collar with four tiny pink balls and canonical dark droplet eyes. Emphasize a shared cultural institution linking writers, donors and readers through ordinary work. A single coherent drawn historical scene, soft cool morning daylight and warm wood, no collage.", "period": "1790–1848", "setting": "Pest, a Matica srpska korai kulturális műhelye, 1826 körül", "historicalDetails": [ "Kulturális egyesületi és kiadói munka", "Kéziratok, könyvkötészeti ívek és könyvcsomagok", "1820-as évekbeli városi polgári öltözet", "Pesti városi szobabelső, kézi csomagolás és lúdtoll" ], "sourceBasis": [ { "book": "hu10m", "pdfPages": [ 82, 82 ], "chapter": "Micu-Klein és a Supplex képviseleti követelése; a Supplex dátuma külső eredeti példány alapján javítva" }, { "book": "hu10m", "pdfPages": [ 115, 118 ], "chapter": "Cenzúra, nemzeteszme, nyelvtörvény és Bajza színházi programja" }, { "book": "hu10m", "pdfPages": [ 122, 123 ], "chapter": "Pest–Buda nyelvi sokféleségének kortársi leírása és a részleges jogkiterjesztés" }, { "book": "hugy", "pdfPages": [ 68, 68 ], "chapter": "Az 1830-as és 1844-es nyelvtörvény" }, { "book": "hugy", "pdfPages": [ 71, 71 ], "chapter": "Széchenyi és Kossuth eltérő nemzetértelmezése" } ], "placement": { "area": "base", "sectionIndex": 2 }, "prompt": "Use case: historical-scene. Create a wide 1536x1024 opaque full-color hand-drawn historical educational narrative illustration. Fine clean outlines, coherent drawn human and animal figures, natural daylight and considered earth colors, delicate painted textures. One continuous scene, no panels. The attached images are CHARACTER IDENTITY REFERENCES ONLY, not poses, props or backgrounds. Include recognizable Kuromi with black two-point jester hood, pink skull emblem, white body and dark charcoal collar with only four tiny pink balls on its pointed tips, NEVER a broad pink collar area; no magnifying glass or book unless specified. Include Jani, a FEMALE fluffy cream-white ragdoll CAT with blue eyes, pink nose, dark brown bushy tail, natural four-legged feline anatomy and paws. Jani's facial markings are ASYMMETRICAL: a large DARK BROWN eye patch on the VIEWER'S LEFT, a much smaller lighter taupe patch on the VIEWER'S RIGHT, an irregular central white blaze. No clothing, no bow tie, no human hands for Jani. Both clearly visible as small observers within the scene, never impersonate historical people. Keep the full setting and all people in the same gentle illustration style as the characters. Historically restrained clothing and objects; no movie/game/fantasy armor, theatrical backlight, gigantic battle, decorative out-of-period icons. No readable writing, labels, dates, charts, watermark, modern flags, or modern equipment. Keep Kuromi and Jani as TWO SEPARATE complete bodies with a clear gap between their silhouettes; do not merge their limbs, fur, heads or tails. The fourth reference is the real Jani photo for face identity only; preserve illustrated style, never use its modern room. Jani should face front: the patch on the LEFT SIDE OF THE PICTURE is larger, DARK chocolate, extending onto cheek; the patch on the RIGHT SIDE OF THE PICTURE is much smaller PALE taupe. Kuromi's eyes must be black oval/teardrop shapes, each with exactly two short curved outward eyelashes as in the canonical reference. Her collar is DARK CHARCOAL, with only four tiny pink balls at pointed tips. This is a vital user correction. The two HOOD-tip balls are DARK CHARCOAL, never pink. Eyes are solid black oval droplets without irises; exactly two short curved outer lashes. Pest, Kingdom of Hungary, around 1826, in the modest early workroom of the Serbian cultural and publishing society Matica srpska. A small group of educated Serbian townsmen in accurate 1820s European frock coats, waistcoats and high linen collars collaborate around a wooden table: one compares two handwritten manuscripts, another selects a thread-sewn booklet from a small stack, a third ties a parcel of newly printed books with string for distribution to readers outside the city. Show not a printing press, but the collective editorial and distribution work of a cultural association. Bookshelves, loose folded signatures, a quill in an inkwell and a simple paper wrapper, ordinary early nineteenth-century Pest window and courtyard beyond. No national flags, ethnic costume caricatures or church icon dividing people; no twentieth-century office or rotary press. All manuscript and book faces turned obliquely, abstract pen strokes too small to read, no invented readable text. Kuromi and Jani stand separately beside a low bundle of wrapped books on the foreground floor, both fully visible with a clear gap, quietly attentive. Jani faces the viewer with a large DARK patch on viewer left, a tiny pale taupe patch viewer right. Kuromi charcoal collar with four tiny pink balls and canonical dark droplet eyes. Emphasize a shared cultural institution linking writers, donors and readers through ordinary work. A single coherent drawn historical scene, soft cool morning daylight and warm wood, no collage.", "width": 1536, "height": 1024, "review": { "characters": true, "canonicalKuromi": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [] }, "src": "assets/lesson-scenes/h05-08.webp", "sha256": "c4ddd9e0e89b3a39e8252d2144e81f262743960090966c647f46151f2c77814a", "bytes": 321002, "thumbnailSrc": "assets/lesson-scenes/h05-08-preview.webp", "thumbnailSha256": "b0a846538be811895abcb8d7f30a2325f3939ffa08f6904d5842308c98915840", "thumbnailBytes": 108286 }, { "unitId": "h06-01", "title": "A cenzúra nélküli ív a vassajtónál", "alt": "Kuromi és Jani a pesti Landerer–Heckenast nyomdában látják, ahogy a nyomdász vassajtóval röplapokat készít, amelyeket a márciusi ifjak visznek tovább.", "caption": "1848. március 15-én a Landerer–Heckenast nyomdában előzetes cenzori engedély nélkül sokszorosították a forradalmi követeléseket. A nyomdászok munkája a politikai programot gyorsan terjeszthető röplappá alakította.", "scene": "Pest on the morning of 15 March 1848, inside the Landerer–Heckenast print workshop. Center the actual material work of revolutionary free printing: a printer in linen shirt, waistcoat and ink-stained apron pulls the long horizontal lever of an early nineteenth-century CAST-IRON COLUMBIAN HAND PRESS with its characteristic elegant iron frame, flat bed, counterweight and small eagle-shaped counterweight at the top. It is NOT a wooden screw press, no steam or electric motor, no rotary cylinders or modern printer. Another compositor uses a hand roller to ink the locked metal type on the bed and an assistant carefully lifts a freshly printed broadside. Two young male urban activists in accurate 1840s black frock coats, loose cravats and plain hats receive sheets to carry through the open doorway toward an expectant peaceful crowd in the rainy street. No portraits claimed; ordinary workers have equal visual importance. Abstract tiny type texture only, no readable wording or numbers on sheets. Red-white-green small fabric cockades may appear on one coat as contemporary tiny personal badges, no modern flags. Sparse workshop, type cases, paper stacks, cloudy March daylight. Kuromi and Jani stand safely at the lower right on a separate clear floor area away from moving press, full distinct bodies; canonical charcoal collar and four tiny pink tips, Jani front facing with dark left patch and pale right patch. Energetic collaboration without battle, explosions or cinematic spotlight; one continuous coherent hand-drawn scene.", "period": "1848 tavasza", "setting": "Pest, Landerer–Heckenast nyomda, 1848. március 15.", "historicalDetails": [ "Kézi működtetésű öntöttvas Columbia jellegű sajtó", "Nyomóforma, festékezőhenger és papírívek", "1840-es évekbeli nyomdászkötény és városi polgári viselet", "Röplapok kézről kézre adása, cenzori engedély nélkül" ], "sourceBasis": [ { "book": "hu10m", "pdfPages": [ 126, 132 ], "chapter": "Európai forradalom, Petőfi naplója, Kossuth követi beszámolója és a felszabadítás viszonyai" }, { "book": "hugy", "pdfPages": [ 72, 73 ], "chapter": "Tizenkét pont és az 1848. évi IX. törvénycikk társadalmi következménye" } ], "placement": { "area": "base", "sectionIndex": 1 }, "prompt": "Use case: historical-scene. Create a wide 1536x1024 opaque full-color hand-drawn historical educational narrative illustration. Fine clean outlines, coherent drawn human and animal figures, natural daylight and considered earth colors, delicate painted textures. One continuous scene, no panels. The attached images are CHARACTER IDENTITY REFERENCES ONLY, not poses, props or backgrounds. Include recognizable Kuromi with black two-point jester hood, pink skull emblem, white body and dark charcoal collar with only four tiny pink balls on its pointed tips, NEVER a broad pink collar area; no magnifying glass or book unless specified. Include Jani, a FEMALE fluffy cream-white ragdoll CAT with blue eyes, pink nose, dark brown bushy tail, natural four-legged feline anatomy and paws. Jani's facial markings are ASYMMETRICAL: a large DARK BROWN eye patch on the VIEWER'S LEFT, a much smaller lighter taupe patch on the VIEWER'S RIGHT, an irregular central white blaze. No clothing, no bow tie, no human hands for Jani. Both clearly visible as small observers within the scene, never impersonate historical people. Keep the full setting and all people in the same gentle illustration style as the characters. Historically restrained clothing and objects; no movie/game/fantasy armor, theatrical backlight, gigantic battle, decorative out-of-period icons. No readable writing, labels, dates, charts, watermark, modern flags, or modern equipment. Keep Kuromi and Jani as TWO SEPARATE complete bodies with a clear gap between their silhouettes; do not merge their limbs, fur, heads or tails. The fourth reference is the real Jani photo for face identity only; preserve illustrated style, never use its modern room. Jani should face front: the patch on the LEFT SIDE OF THE PICTURE is larger, DARK chocolate, extending onto cheek; the patch on the RIGHT SIDE OF THE PICTURE is much smaller PALE taupe. Kuromi's eyes must be black oval/teardrop shapes, each with exactly two short curved outward eyelashes as in the canonical reference. Her collar is DARK CHARCOAL, with only four tiny pink balls at pointed tips. This is a vital user correction. The two HOOD-tip balls are DARK CHARCOAL, never pink. Eyes are solid black oval droplets without irises; exactly two short curved outer lashes. Pest on the morning of 15 March 1848, inside the Landerer–Heckenast print workshop. Center the actual material work of revolutionary free printing: a printer in linen shirt, waistcoat and ink-stained apron pulls the long horizontal lever of an early nineteenth-century CAST-IRON COLUMBIAN HAND PRESS with its characteristic elegant iron frame, flat bed, counterweight and small eagle-shaped counterweight at the top. It is NOT a wooden screw press, no steam or electric motor, no rotary cylinders or modern printer. Another compositor uses a hand roller to ink the locked metal type on the bed and an assistant carefully lifts a freshly printed broadside. Two young male urban activists in accurate 1840s black frock coats, loose cravats and plain hats receive sheets to carry through the open doorway toward an expectant peaceful crowd in the rainy street. No portraits claimed; ordinary workers have equal visual importance. Abstract tiny type texture only, no readable wording or numbers on sheets. Red-white-green small fabric cockades may appear on one coat as contemporary tiny personal badges, no modern flags. Sparse workshop, type cases, paper stacks, cloudy March daylight. Kuromi and Jani stand safely at the lower right on a separate clear floor area away from moving press, full distinct bodies; canonical charcoal collar and four tiny pink tips, Jani front facing with dark left patch and pale right patch. Energetic collaboration without battle, explosions or cinematic spotlight; one continuous coherent hand-drawn scene.", "width": 1536, "height": 1024, "externalSources": [ { "title": "Petőfi Irodalmi Múzeum: A forradalom és szabadság sajtója", "url": "https://pimblog.blog.hu/2023/03/15/a_forradalom_es_szabadsag_sajtoja" }, { "title": "Budapest Főváros Levéltára: Landerer és Heckenast", "url": "https://bparchiv.hu/leveltari-egyperces-2024-10-landerer-es-heckenast/" } ], "corrections": [ { "reason": "Az első eredmény ajtó mögötti utcaképére az 1848-ban még nem létező budapesti Országház került.", "prompt": "Edit only the view THROUGH THE OPEN DOORWAY at the upper right of this existing historical illustration. The domed Gothic Parliament building and all Gothic skyline towers shown outside are a serious anachronism: Hungary's present Parliament did not exist in 1848. Remove that entire domed Gothic skyline and replace it with a short modest 1840s PEST STREET of plain two- and three-storey neoclassical stucco houses, tiled roofs and rectangular sash windows. Keep the rain, peaceful crowd, sheets, young activists and doorway positions unchanged. The scene is in the Hatvani street print shop, not on a riverfront; no view of any famous landmark, no domes, no pointed Gothic towers. Preserve EVERYTHING ELSE exactly: printer people, iron hand press, paper, table, Kuromi's correct charcoal collar and four tiny pink balls, black droplet eyes, Jani's asymmetric dark left and pale right facial patches, colors, light, framing and coherent drawn style. Reference 1 is the actual scene to edit. The remaining references are character identity guardrails. One continuous scene. No added text.", "reviewed": true } ], "review": { "characters": true, "canonicalKuromi": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [] }, "src": "assets/lesson-scenes/h06-01.webp", "sha256": "4b39527fd57693202bd1b45b79091837ebcda6105c63c8f9ba25b6167dede0e8", "bytes": 326434, "thumbnailSrc": "assets/lesson-scenes/h06-01-preview.webp", "thumbnailSha256": "a22b0050367fd170f6785e3bc903bca5f18e3ee5336e69d072dac246166d6318", "thumbnailBytes": 110014 }, { "unitId": "h06-02", "title": "Közösségi képviselet a balázsfalvi gyűlésen", "alt": "Kuromi és Jani az 1848-as balázsfalvi román gyűlés szélén figyelik, ahogy egy világi szónok és egyházi közvetítő a falvakból érkezett emberek előtt kéziratos követeléseket vitat meg.", "caption": "A balázsfalvi román gyűlés 1848 májusában az egyéni jogokon túl közösségi képviseletet és nyelvhasználati jogot követelt. A jelenet a falusi résztvevők és az írott politikai programot megfogalmazó vezetők találkozását szemlélteti.", "scene": "A meadow near Blaj/Balazsfalva in Transylvania during the Romanian national assembly of May 1848. Show a modest close-up edge of the civic gathering, NOT a battle or triumphal national parade: an educated lay speaker in a dark 1840s frock coat stands on a low simple wooden platform and discusses a handwritten petition with a local Romanian Greek-Catholic cleric in plain black cassock. The speaker gestures toward a seated and standing mixed-age group of villagers, men in simple undyed linen shirts, dark wool vests, long trousers and plain felt hats; several women in practical woven skirts, linen blouses and headscarves. Clothing should be restrained regional early nineteenth-century Transylvanian, no lavish present-day festival embroidery. A young clerk on a stool holds the written petition while a villager addresses a question to the gathering, illustrating negotiation of community representation, schools and official language. No printed words readable, no modern tricolor flags, no banners or nationalist iconography, no weapons. Low hills, ordinary distant tiled village roofs and spring meadow; no modern Blaj cathedral restoration or later monuments. Kuromi and Jani sit distinctly apart in the lower left at the quiet gathering edge; attentive solemn faces, Jani front-facing with asymmetric large chocolate patch viewer left and tiny pale taupe viewer right, Kuromi canonical dark collar and droplet eyes. Equal dignity for all people, show social participation rather than ethnic caricature. One continuous daylight drawn scene with soft greens and muted natural fabric colors.", "period": "1848", "setting": "Balázsfalva melletti mező, Erdély, 1848 májusa", "historicalDetails": [ "Szabadtéri politikai gyűlés a mezőn", "Kéziratos közösségi követelések", "Román világi értelmiség és egyházi közvetítők", "Erdélyi falusi résztvevők 1840-es évekbeli hétköznapi viseletben" ], "sourceBasis": [ { "book": "hu10m", "pdfPages": [ 133, 136 ], "chapter": "Áprilisi közjogi viszony, honvédelmi pénzügy, román, horvát, szerb és szlovák programok" }, { "book": "hu10m", "pdfPages": [ 127, 129 ], "chapter": "Az októberi bécsi felkelés leverésének udvari jelentése és a tavaszi törvényes engedés előzménye" }, { "book": "hu10m", "pdfPages": [ 140, 140 ], "chapter": "Pákozd és Schwechat eseményei a szabadságharc térképi időrendjében" } ], "placement": { "area": "base", "sectionIndex": 1 }, "prompt": "Use case: historical-scene. Create a wide 1536x1024 opaque full-color hand-drawn historical educational narrative illustration. Fine clean outlines, coherent drawn human and animal figures, natural daylight and considered earth colors, delicate painted textures. One continuous scene, no panels. The attached images are CHARACTER IDENTITY REFERENCES ONLY, not poses, props or backgrounds. Include recognizable Kuromi with black two-point jester hood, pink skull emblem, white body and dark charcoal collar with only four tiny pink balls on its pointed tips, NEVER a broad pink collar area; no magnifying glass or book unless specified. Include Jani, a FEMALE fluffy cream-white ragdoll CAT with blue eyes, pink nose, dark brown bushy tail, natural four-legged feline anatomy and paws. Jani's facial markings are ASYMMETRICAL: a large DARK BROWN eye patch on the VIEWER'S LEFT, a much smaller lighter taupe patch on the VIEWER'S RIGHT, an irregular central white blaze. No clothing, no bow tie, no human hands for Jani. Both clearly visible as small observers within the scene, never impersonate historical people. Keep the full setting and all people in the same gentle illustration style as the characters. Historically restrained clothing and objects; no movie/game/fantasy armor, theatrical backlight, gigantic battle, decorative out-of-period icons. No readable writing, labels, dates, charts, watermark, modern flags, or modern equipment. Keep Kuromi and Jani as TWO SEPARATE complete bodies with a clear gap between their silhouettes; do not merge their limbs, fur, heads or tails. The fourth reference is the real Jani photo for face identity only; preserve illustrated style, never use its modern room. Jani should face front: the patch on the LEFT SIDE OF THE PICTURE is larger, DARK chocolate, extending onto cheek; the patch on the RIGHT SIDE OF THE PICTURE is much smaller PALE taupe. Kuromi's eyes must be black oval/teardrop shapes, each with exactly two short curved outward eyelashes as in the canonical reference. Her collar is DARK CHARCOAL, with only four tiny pink balls at pointed tips. This is a vital user correction. The two HOOD-tip balls are DARK CHARCOAL, never pink. Eyes are solid black oval droplets without irises; exactly two short curved outer lashes. A meadow near Blaj/Balazsfalva in Transylvania during the Romanian national assembly of May 1848. Show a modest close-up edge of the civic gathering, NOT a battle or triumphal national parade: an educated lay speaker in a dark 1840s frock coat stands on a low simple wooden platform and discusses a handwritten petition with a local Romanian Greek-Catholic cleric in plain black cassock. The speaker gestures toward a seated and standing mixed-age group of villagers, men in simple undyed linen shirts, dark wool vests, long trousers and plain felt hats; several women in practical woven skirts, linen blouses and headscarves. Clothing should be restrained regional early nineteenth-century Transylvanian, no lavish present-day festival embroidery. A young clerk on a stool holds the written petition while a villager addresses a question to the gathering, illustrating negotiation of community representation, schools and official language. No printed words readable, no modern tricolor flags, no banners or nationalist iconography, no weapons. Low hills, ordinary distant tiled village roofs and spring meadow; no modern Blaj cathedral restoration or later monuments. Kuromi and Jani sit distinctly apart in the lower left at the quiet gathering edge; attentive solemn faces, Jani front-facing with asymmetric large chocolate patch viewer left and tiny pale taupe viewer right, Kuromi canonical dark collar and droplet eyes. Equal dignity for all people, show social participation rather than ethnic caricature. One continuous daylight drawn scene with soft greens and muted natural fabric colors.", "width": 1536, "height": 1024, "review": { "characters": true, "canonicalKuromi": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [] }, "src": "assets/lesson-scenes/h06-02.webp", "sha256": "0fdbf3b440cc712304e7e18dddc6d1b64cd22b7e52344e9f8db9eaa5b8032c0f", "bytes": 520630, "thumbnailSrc": "assets/lesson-scenes/h06-02-preview.webp", "thumbnailSha256": "a297e6e5555d6e941b764f177d2d3a29b1f2bd86123ebab9e339f171cd5b2f76", "thumbnailBytes": 156824 }, { "unitId": "h06-03", "title": "A hátország összegyűjtött készletei Debrecenben", "alt": "Kuromi és Jani egy debreceni udvaron figyelik, amint 1849 tavaszán a lakosok lisztet, kenyeret, vászonneműt és tűzifát adnak át a hadsereg ellátására.", "caption": "A hadjáratokhoz élelmezés, ruházat és szállítás is kellett. Debrecenben 1849 elején a kormányzat és a lakosság együttműködése segített a honvédsereg ellátásában.", "scene": "Debrecen, Hungary, spring 1849. A peaceful CIVILIAN SUPPLY COLLECTION in an ordinary town courtyard during the months when the government worked in the city. Focus entirely on everyday mutual aid and organization: a baker hands a wicker basket of round loaves to a civilian receiving clerk, a woman in a practical linen blouse and dark long skirt lays neatly folded white linen shirts on a wooden table, another townsperson brings a tied flour sack. A clerk wearing a plain 1840s waistcoat records donations with a quill beside an open ledger, while two civilian porters load sacks and a bundle of firewood into a simple horse-drawn wooden wagon in the courtyard. These are the food, linen and fuel supplies collected for the country's defenders, but NO weapons, NO armed soldiers, NO battle, NO injury, NO aggression or theatrical military imagery in the picture. Show the social cooperation and logistics behind the historical campaign through ordinary civilian work. Restrained 1840s Hungarian town clothing, plain plaster walls, red tile roofs, spring trees, no modern landmark, no modern carts, tractors, plastic sacks or electric equipment. Ledger has tiny abstract strokes, no readable text or labels. Kuromi and Jani sit side by side with a clear gap beside a closed cloth hamper in the foreground, attentively observing rather than playing. Kuromi canonical dark charcoal collar and exactly four tiny pink balls, solid black droplet eyes and short lashes. Jani natural female ragdoll cat, frontal asymmetrical face with large dark chocolate patch viewer left, small pale taupe patch viewer right. A single continuous coherent drawn scene with calm daylight and human dignity.", "period": "1848–1849", "setting": "Debrecen, gyűjtő- és ellátóudvar, 1849 tavasza", "historicalDetails": [ "Liszt, kenyér, vászonnemű és tűzifa lakossági gyűjtése", "Kézi lajstromozás és átadás", "Lóvontatású szekér és zsákos szállítás", "1840-es évekbeli városi és falusi hétköznapi viselet" ], "sourceBasis": [ { "book": "hu10m", "pdfPages": [ 136, 140 ], "chapter": "Erdélyi hadszíntér, hadvezéri és külpolitikai források, intervenció és végjáték" }, { "book": "hugy", "pdfPages": [ 73, 76 ], "chapter": "Olmützi alkotmány, Függetlenségi nyilatkozat, Görgei emlékirata és a hadjáratok térképei" }, { "book": "huatlas", "pdfPages": [ 46, 47 ], "chapter": "A szabadságharc téli, tavaszi és nyári hadműveletei, hágók, folyók és erődök" } ], "placement": { "area": "base", "sectionIndex": 0 }, "prompt": "Use case: historical-scene. Create a wide 1536x1024 opaque full-color hand-drawn historical educational narrative illustration. Fine clean outlines, coherent drawn human and animal figures, natural daylight and considered earth colors, delicate painted textures. One continuous scene, no panels. The attached images are CHARACTER IDENTITY REFERENCES ONLY, not poses, props or backgrounds. Include recognizable Kuromi with black two-point jester hood, pink skull emblem, white body and dark charcoal collar with only four tiny pink balls on its pointed tips, NEVER a broad pink collar area; no magnifying glass or book unless specified. Include Jani, a FEMALE fluffy cream-white ragdoll CAT with blue eyes, pink nose, dark brown bushy tail, natural four-legged feline anatomy and paws. Jani's facial markings are ASYMMETRICAL: a large DARK BROWN eye patch on the VIEWER'S LEFT, a much smaller lighter taupe patch on the VIEWER'S RIGHT, an irregular central white blaze. No clothing, no bow tie, no human hands for Jani. Both clearly visible as small observers within the scene, never impersonate historical people. Keep the full setting and all people in the same gentle illustration style as the characters. Historically restrained clothing and objects; no movie/game/fantasy armor, theatrical backlight, gigantic battle, decorative out-of-period icons. No readable writing, labels, dates, charts, watermark, modern flags, or modern equipment. Keep Kuromi and Jani as TWO SEPARATE complete bodies with a clear gap between their silhouettes; do not merge their limbs, fur, heads or tails. The fourth reference is the real Jani photo for face identity only; preserve illustrated style, never use its modern room. Jani should face front: the patch on the LEFT SIDE OF THE PICTURE is larger, DARK chocolate, extending onto cheek; the patch on the RIGHT SIDE OF THE PICTURE is much smaller PALE taupe. Kuromi's eyes must be black oval/teardrop shapes, each with exactly two short curved outward eyelashes as in the canonical reference. Her collar is DARK CHARCOAL, with only four tiny pink balls at pointed tips. This is a vital user correction. The two HOOD-tip balls are DARK CHARCOAL, never pink. Eyes are solid black oval droplets without irises; exactly two short curved outer lashes. Debrecen, Hungary, spring 1849. A peaceful CIVILIAN SUPPLY COLLECTION in an ordinary town courtyard during the months when the government worked in the city. Focus entirely on everyday mutual aid and organization: a baker hands a wicker basket of round loaves to a civilian receiving clerk, a woman in a practical linen blouse and dark long skirt lays neatly folded white linen shirts on a wooden table, another townsperson brings a tied flour sack. A clerk wearing a plain 1840s waistcoat records donations with a quill beside an open ledger, while two civilian porters load sacks and a bundle of firewood into a simple horse-drawn wooden wagon in the courtyard. These are the food, linen and fuel supplies collected for the country's defenders, but NO weapons, NO armed soldiers, NO battle, NO injury, NO aggression or theatrical military imagery in the picture. Show the social cooperation and logistics behind the historical campaign through ordinary civilian work. Restrained 1840s Hungarian town clothing, plain plaster walls, red tile roofs, spring trees, no modern landmark, no modern carts, tractors, plastic sacks or electric equipment. Ledger has tiny abstract strokes, no readable text or labels. Kuromi and Jani sit side by side with a clear gap beside a closed cloth hamper in the foreground, attentively observing rather than playing. Kuromi canonical dark charcoal collar and exactly four tiny pink balls, solid black droplet eyes and short lashes. Jani natural female ragdoll cat, frontal asymmetrical face with large dark chocolate patch viewer left, small pale taupe patch viewer right. A single continuous coherent drawn scene with calm daylight and human dignity.", "width": 1536, "height": 1024, "externalSources": [ { "title": "Magyar Nemzeti Levéltár: Debrecen, a szabadság fővárosa", "url": "https://mnl.gov.hu/mnl/hbml/hirek/debrecen_a_szabadsag_fovarosa_0" } ], "generationAttempts": [ { "prompt": "Use case: historical-scene. Create a wide 1536x1024 opaque full-color hand-drawn historical educational narrative illustration. Fine clean outlines, coherent drawn human and animal figures, natural daylight and considered earth colors, delicate painted textures. One continuous scene, no panels. The attached images are CHARACTER IDENTITY REFERENCES ONLY, not poses, props or backgrounds. Include recognizable Kuromi with black two-point jester hood, pink skull emblem, white body and dark charcoal collar with only four tiny pink balls on its pointed tips, NEVER a broad pink collar area; no magnifying glass or book unless specified. Include Jani, a FEMALE fluffy cream-white ragdoll CAT with blue eyes, pink nose, dark brown bushy tail, natural four-legged feline anatomy and paws. Jani's facial markings are ASYMMETRICAL: a large DARK BROWN eye patch on the VIEWER'S LEFT, a much smaller lighter taupe patch on the VIEWER'S RIGHT, an irregular central white blaze. No clothing, no bow tie, no human hands for Jani. Both clearly visible as small observers within the scene, never impersonate historical people. Keep the full setting and all people in the same gentle illustration style as the characters. Historically restrained clothing and objects; no movie/game/fantasy armor, theatrical backlight, gigantic battle, decorative out-of-period icons. No readable writing, labels, dates, charts, watermark, modern flags, or modern equipment. Keep Kuromi and Jani as TWO SEPARATE complete bodies with a clear gap between their silhouettes; do not merge their limbs, fur, heads or tails. The fourth reference is the real Jani photo for face identity only; preserve illustrated style, never use its modern room. Jani should face front: the patch on the LEFT SIDE OF THE PICTURE is larger, DARK chocolate, extending onto cheek; the patch on the RIGHT SIDE OF THE PICTURE is much smaller PALE taupe. Kuromi's eyes must be black oval/teardrop shapes, each with exactly two short curved outward eyelashes as in the canonical reference. Her collar is DARK CHARCOAL, with only four tiny pink balls at pointed tips. This is a vital user correction. The two HOOD-tip balls are DARK CHARCOAL, never pink. Eyes are solid black oval droplets without irises; exactly two short curved outer lashes. Nagyvarad/Oradea, spring 1849, a practical repair-and-issue workshop of the Hungarian National Arms Factory after its transfer from Pest. Inside a modest industrial hall with whitewashed plaster and timber ceiling, a civilian gunsmith in apron uses a hand file at a bench vice to fit the external lock plate of a LONG MUZZLE-LOADING 1840s musket, with a wooden full-length stock, iron barrel bands and ramrod beneath the barrel. Another worker checks a wooden stock against a detached long smooth iron barrel. Small trays of external lock parts and ramrods, rough wooden racks of completed muzzle-loaders. No bolt handles, modern cartridge magazines, scopes, pistol grips, machine guns or modern power tools. On the right, a Hungarian honved quartermaster in restrained brown 1848-style coat with red facings and simple cap receives a completed musket held downward safely and notes its issue with a quill on a ledger. No firing, bayonets in combat or gun glamour; emphasize skilled labor, inventory and supply behind a campaign. Ordinary men of different ages, a cart visible beyond a courtyard door, no fancy palace. Kuromi and Jani observe separately from a clear low step at the near left, fully visible, with no weapons in their hands or paws. Jani is a natural female cat facing front, dark viewer-left face patch and small light viewer-right patch; Kuromi correct charcoal collar, four tiny pink tip balls and black droplet eyes. One coherent hand-drawn scene with even daylight; manuscript marks too small to read and no visible flags or labels.", "result": "A képgenerátor output moderációja elutasította; nem keletkezett menthető kép.", "requestId": "e0dc4342-2a10-4fa3-8632-d93f1e41637d", "reason": "violence" } ], "review": { "characters": true, "canonicalKuromi": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [] }, "src": "assets/lesson-scenes/h06-03.webp", "sha256": "aa0e1b65178fc03a8991cb358094cd79dfe4e832fa1e37cb9479e8f5be839af8", "bytes": 373008, "thumbnailSrc": "assets/lesson-scenes/h06-03-preview.webp", "thumbnailSha256": "0e745c49600b3856519f987b4bb810719a15756fd4725906c0416f672915cd69", "thumbnailBytes": 128984 }, { "unitId": "h06-04", "title": "Levelek megőrzése a megtorlás utáni években", "alt": "Kuromi és Jani csendben figyelnek egy pesti otthonban, ahol egy család 1852 körül gondosan elteszi az 1848–1849-es leveleket és emlékeket.", "caption": "A megtorlás és a politikai jogfosztás után az 1848-as emlékezet a családi otthonokban is fennmaradt. A jelenet dokumentumőrzést és személyes veszteséget szemléltet, konkrét család pontos rekonstrukciója nélkül.", "scene": "Pest, Hungary, around 1852, during the years following political repression. A serious, compassionate DOMESTIC MEMORY PRESERVATION scene in a modest Biedermeier home. At a plain wooden table a middle-aged woman in a restrained dark 1850s dress with simple linen collar carefully ties a small bundle of handwritten family letters with a faded ribbon. Beside her an older male relative in waistcoat gently places a folded plain worn brown coat into a wooden household chest, while an adolescent daughter listens quietly and holds the chest lid steady. The focus is grief, family continuity and protection of personal documents after the events of 1848–1849; no specific named historical family or false identifiable portrait. No injury, execution, weapons, guards, flags, dramatic terror, smiling celebration, jokes or heroic theatrical pose. Ordinary furniture, unlit oil lamp, sewing basket, soft pale window light and subdued brown-blue palette. Letters show tiny illegible pen strokes, no readable writing. Kuromi and Jani are seated separately at floor level beside the table, unobtrusive empathetic witnesses with calm neutral closed-mouth expressions, not playful. Kuromi has the canonical dark charcoal collar with four tiny pink balls and black droplet eyes with two short curved outer lashes. Jani is a natural fluffy female ragdoll cat, front-facing, unmistakable large dark chocolate patch on viewer left and small pale taupe patch viewer right. Keep both full bodies apart and visible; cat paws never human hands. All figures and setting in the same dignified hand-drawn illustration style, no modern photography or memorial monuments. One continuous room scene.", "period": "1849–1865", "setting": "Pest, egyszerű családi szobabelső, 1852 körül", "historicalDetails": [ "Családi levelek kézi összekötése és ládába helyezése", "Visszafogott biedermeier polgári szobabelső", "1850-es évekbeli sötét női ruha és férfi mellény", "A politikai emlékezet magánjellegű megőrzése" ], "sourceBasis": [ { "book": "hu11a", "pdfPages": [ 24, 28 ], "chapter": "Önkényuralom, 1853-as rendezés, Deák levele, emigráció, Széchenyi röpirata és az 1861-es válság" }, { "book": "hu11b", "pdfPages": [ 25, 29 ], "chapter": "Megtorlás, központosítás, gazdasági és társadalmi változás, ellenállási utak és provizórium" } ], "placement": { "area": "base", "sectionIndex": 2 }, "prompt": "Use case: historical-scene. Create a wide 1536x1024 opaque full-color hand-drawn historical educational narrative illustration. Fine clean outlines, coherent drawn human and animal figures, natural daylight and considered earth colors, delicate painted textures. One continuous scene, no panels. The attached images are CHARACTER IDENTITY REFERENCES ONLY, not poses, props or backgrounds. Include recognizable Kuromi with black two-point jester hood, pink skull emblem, white body and dark charcoal collar with only four tiny pink balls on its pointed tips, NEVER a broad pink collar area; no magnifying glass or book unless specified. Include Jani, a FEMALE fluffy cream-white ragdoll CAT with blue eyes, pink nose, dark brown bushy tail, natural four-legged feline anatomy and paws. Jani's facial markings are ASYMMETRICAL: a large DARK BROWN eye patch on the VIEWER'S LEFT, a much smaller lighter taupe patch on the VIEWER'S RIGHT, an irregular central white blaze. No clothing, no bow tie, no human hands for Jani. Both clearly visible as small observers within the scene, never impersonate historical people. Keep the full setting and all people in the same gentle illustration style as the characters. Historically restrained clothing and objects; no movie/game/fantasy armor, theatrical backlight, gigantic battle, decorative out-of-period icons. No readable writing, labels, dates, charts, watermark, modern flags, or modern equipment. Keep Kuromi and Jani as TWO SEPARATE complete bodies with a clear gap between their silhouettes; do not merge their limbs, fur, heads or tails. The fourth reference is the real Jani photo for face identity only; preserve illustrated style, never use its modern room. Jani should face front: the patch on the LEFT SIDE OF THE PICTURE is larger, DARK chocolate, extending onto cheek; the patch on the RIGHT SIDE OF THE PICTURE is much smaller PALE taupe. Kuromi's eyes must be black oval/teardrop shapes, each with exactly two short curved outward eyelashes as in the canonical reference. Her collar is DARK CHARCOAL, with only four tiny pink balls at pointed tips. This is a vital user correction. The two HOOD-tip balls are DARK CHARCOAL, never pink. Eyes are solid black oval droplets without irises; exactly two short curved outer lashes. Pest, Hungary, around 1852, during the years following political repression. A serious, compassionate DOMESTIC MEMORY PRESERVATION scene in a modest Biedermeier home. At a plain wooden table a middle-aged woman in a restrained dark 1850s dress with simple linen collar carefully ties a small bundle of handwritten family letters with a faded ribbon. Beside her an older male relative in waistcoat gently places a folded plain worn brown coat into a wooden household chest, while an adolescent daughter listens quietly and holds the chest lid steady. The focus is grief, family continuity and protection of personal documents after the events of 1848–1849; no specific named historical family or false identifiable portrait. No injury, execution, weapons, guards, flags, dramatic terror, smiling celebration, jokes or heroic theatrical pose. Ordinary furniture, unlit oil lamp, sewing basket, soft pale window light and subdued brown-blue palette. Letters show tiny illegible pen strokes, no readable writing. Kuromi and Jani are seated separately at floor level beside the table, unobtrusive empathetic witnesses with calm neutral closed-mouth expressions, not playful. Kuromi has the canonical dark charcoal collar with four tiny pink balls and black droplet eyes with two short curved outer lashes. Jani is a natural fluffy female ragdoll cat, front-facing, unmistakable large dark chocolate patch on viewer left and small pale taupe patch viewer right. Keep both full bodies apart and visible; cat paws never human hands. All figures and setting in the same dignified hand-drawn illustration style, no modern photography or memorial monuments. One continuous room scene.", "width": 1536, "height": 1024, "corrections": [ { "reason": "Az első eredmény ablakán át az 1852-ben még nem létező budapesti Országház látszott.", "prompt": "Make one precise historical correction to this existing picture of a Pest home around 1852. In the WINDOW at upper left, REMOVE the entire modern domed Gothic Parliament building and the riverfront. This building did not exist in 1852. Replace the outdoor view with an intimate ordinary nineteenth-century COURTYARD: a nearby plain cream plaster wall, rectangular timber windows, red roof tiles and the branches of a tree. NO famous landmarks, NO domes, NO Gothic skyline, NO riverfront. Preserve the indoor scene EXACTLY: the woman tying family letters, older man lowering the coat into the chest, girl at the chest, sober expressions, furniture, soft light and all colors. Preserve Kuromi and Jani completely unchanged, including dark collar with four tiny pink balls, dark hood-tip balls, solid black droplet eyes and the cat's dark viewer-left and pale viewer-right face markings. Reference 1 is the scene to edit; remaining references guard character identities. Single continuous scene, no added writing.", "reviewed": true } ], "review": { "characters": true, "canonicalKuromi": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [] }, "src": "assets/lesson-scenes/h06-04.webp", "sha256": "c7a84156748891022b3691e1d0b90a74d3ffb21c245421dad41b8e19429bde38", "bytes": 293578, "thumbnailSrc": "assets/lesson-scenes/h06-04-preview.webp", "thumbnailSha256": "f7af8c63531f79dcf6da8ac1da49f3c6fbabbe842011d6c5a6c730bd72fdafe1", "thumbnailBytes": 94690 }, { "unitId": "h06-05", "title": "Közös költségvetés a magyar delegáció előtt", "alt": "Kuromi és Jani a magyar delegáció 1868-as bécsi munkáját figyelik: a küldöttek külön ülésben vizsgálják a közös ügyek költségvetését, miközben jegyző egyeztető iratot hoz.", "caption": "A két parlament hatvan-hatvan tagú delegációt választott a közös ügyek kezelésére. A magyar küldöttek 1868-ban Bécsben külön tanácskoztak; az egyenlő képviselet nem jelentette a teljes állami költségvetések összevonását.", "scene": "Vienna in early 1868, a close working moment among members of the HUNGARIAN delegation during its first session examining the common-affairs budget. This is ONLY the Hungarian delegation in its own meeting room, not a joint Austrian-Hungarian parliament, not two rival groups at one negotiating table. Show a believable SUBSET of the sixty members, six to eight adult men around a wooden committee table with more benches beyond, so no claim that only eight delegates existed. Accurate late-1860s frock coats and waistcoats, one restrained dark Hungarian braided formal coat, beards and sideburns of varied ages. A delegate studies two paper budget schedules while a colleague points out a line; a clerk arriving from the side hands the chairman a folded written communication to be exchanged with the other, separately sitting delegation. An open minute book, dip pen and inkwell, tied document folders, no cash-counting and no modern office tools. The task is budget scrutiny of shared foreign and defense affairs, not control over every domestic school or tax. No readable wording or numbers on documents, no logos, flags, charts or labels. Room has understated inherited eighteenth-century plaster paneling and a plain tiled stove appropriate to a Vienna administrative building. Window has translucent curtains with diffuse winter light and absolutely NO OUTDOOR LANDMARKS OR SKYLINE VISIBLE; no Budapest Parliament, modern Austrian Parliament or modern architecture. Kuromi and Jani, small full separate bodies, quietly observe from a low side seat at lower right, Jani frontal with canonical asymmetrical large dark viewer-left and pale small viewer-right face patches; Kuromi dark charcoal collar, four tiny pink tip balls, dark hood-tip balls and solid black droplet eyes with two short curved outer lashes. Keep mascots clearly hand-drawn and all human figures in the same coherent illustration style, dignified thoughtful work, single continuous scene.", "period": "1865–1868", "setting": "Bécs, a magyar delegáció 1868-as első ülésszakának munkakörnyezete; szemléltető tárgyalási pillanat", "historicalDetails": [ "Külön tanácskozó magyar delegáció", "Közös ügyek költségvetési előirányzatainak vizsgálata", "Írásos egyeztetés a másik delegációval", "1860-as évekbeli polgári és magyar ünnepi férfiviselet, kézi jegyzőkönyv" ], "sourceBasis": [ { "book": "hu11a", "pdfPages": [ 28, 33 ], "chapter": "Út a kiegyezéshez; Deák húsvéti cikke; az 1867:XII. törvény; Kossuth alternatívája és Cassandra-levele" }, { "book": "hu11b", "pdfPages": [ 29, 33 ], "chapter": "A tárgyalások, a dualista állam hatáskörei és a kiegyezés vitája" }, { "book": "hu11a", "pdfPages": [ 41, 41 ], "chapter": "Az 1868-as nemzetiségi törvény és a horvát–magyar rendezés" }, { "book": "hu11b", "pdfPages": [ 61, 62 ], "chapter": "Egyéni nemzetiségi jogok és horvát területi autonómia" } ], "placement": { "area": "advanced", "sectionIndex": 0 }, "prompt": "Use case: historical-scene. Create a wide 1536x1024 opaque full-color hand-drawn historical educational narrative illustration. Fine clean outlines, coherent drawn human and animal figures, natural daylight and considered earth colors, delicate painted textures. One continuous scene, no panels. The attached images are CHARACTER IDENTITY REFERENCES ONLY, not poses, props or backgrounds. Include recognizable Kuromi with black two-point jester hood, pink skull emblem, white body and dark charcoal collar with only four tiny pink balls on its pointed tips, NEVER a broad pink collar area; no magnifying glass or book unless specified. Include Jani, a FEMALE fluffy cream-white ragdoll CAT with blue eyes, pink nose, dark brown bushy tail, natural four-legged feline anatomy and paws. Jani's facial markings are ASYMMETRICAL: a large DARK BROWN eye patch on the VIEWER'S LEFT, a much smaller lighter taupe patch on the VIEWER'S RIGHT, an irregular central white blaze. No clothing, no bow tie, no human hands for Jani. Both clearly visible as small observers within the scene, never impersonate historical people. Keep the full setting and all people in the same gentle illustration style as the characters. Historically restrained clothing and objects; no movie/game/fantasy armor, theatrical backlight, gigantic battle, decorative out-of-period icons. No readable writing, labels, dates, charts, watermark, modern flags, or modern equipment. Keep Kuromi and Jani as TWO SEPARATE complete bodies with a clear gap between their silhouettes; do not merge their limbs, fur, heads or tails. The fourth reference is the real Jani photo for face identity only; preserve illustrated style, never use its modern room. Jani should face front: the patch on the LEFT SIDE OF THE PICTURE is larger, DARK chocolate, extending onto cheek; the patch on the RIGHT SIDE OF THE PICTURE is much smaller PALE taupe. Kuromi's eyes must be black oval/teardrop shapes, each with exactly two short curved outward eyelashes as in the canonical reference. Her collar is DARK CHARCOAL, with only four tiny pink balls at pointed tips. This is a vital user correction. The two HOOD-tip balls are DARK CHARCOAL, never pink. Eyes are solid black oval droplets without irises; exactly two short curved outer lashes. Vienna in early 1868, a close working moment among members of the HUNGARIAN delegation during its first session examining the common-affairs budget. This is ONLY the Hungarian delegation in its own meeting room, not a joint Austrian-Hungarian parliament, not two rival groups at one negotiating table. Show a believable SUBSET of the sixty members, six to eight adult men around a wooden committee table with more benches beyond, so no claim that only eight delegates existed. Accurate late-1860s frock coats and waistcoats, one restrained dark Hungarian braided formal coat, beards and sideburns of varied ages. A delegate studies two paper budget schedules while a colleague points out a line; a clerk arriving from the side hands the chairman a folded written communication to be exchanged with the other, separately sitting delegation. An open minute book, dip pen and inkwell, tied document folders, no cash-counting and no modern office tools. The task is budget scrutiny of shared foreign and defense affairs, not control over every domestic school or tax. No readable wording or numbers on documents, no logos, flags, charts or labels. Room has understated inherited eighteenth-century plaster paneling and a plain tiled stove appropriate to a Vienna administrative building. Window has translucent curtains with diffuse winter light and absolutely NO OUTDOOR LANDMARKS OR SKYLINE VISIBLE; no Budapest Parliament, modern Austrian Parliament or modern architecture. Kuromi and Jani, small full separate bodies, quietly observe from a low side seat at lower right, Jani frontal with canonical asymmetrical large dark viewer-left and pale small viewer-right face patches; Kuromi dark charcoal collar, four tiny pink tip balls, dark hood-tip balls and solid black droplet eyes with two short curved outer lashes. Keep mascots clearly hand-drawn and all human figures in the same coherent illustration style, dignified thoughtful work, single continuous scene.", "width": 1536, "height": 1024, "externalSources": [ { "title": "Országgyűlés Hivatala: Csengery Antal – az első magyar delegáció munkája", "url": "https://www.parlament.hu/documents/1779743/63947906/Csengery_lapoz%C3%B3.pdf/2b5a5add-531c-12a7-f329-2990e6a7acf8?t=1664876528516" }, { "title": "Magyar Nemzeti Levéltár: A magyar állam első költségvetési zárszámadása", "url": "https://mnl.gov.hu/a_het_dokumentuma/a_magyar_allam_elso_koltsegvetesi_zarszamadasa.html?theme=mnl" } ], "review": { "characters": true, "canonicalKuromi": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [] }, "src": "assets/lesson-scenes/h06-05.webp", "sha256": "19d182bd05923d68fab664666f5711d17a9075be4bdace7b20aa8e896f923e3a", "bytes": 283392, "thumbnailSrc": "assets/lesson-scenes/h06-05-preview.webp", "thumbnailSha256": "44e6b4d9c8e6bd2f1e3fb0cd30306c68608ea982466b67186f961b8551bd68ed", "thumbnailBytes": 89030 }, { "unitId": "h07-01", "title": "Nyílt szavazás egy dualizmus kori választóhelyen", "alt": "A választó szóban közli döntését a bizottsággal, mások hallgatják, Kuromi és Jani a padon figyel.", "caption": "Magyarország, 1892 körül: a nyílt szavazás során a döntés mások előtt ismertté vált. A helyi gazdasági és hivatali függés ezért befolyásolhatta a politikai részvételt.", "scene": "A small Hungarian county town polling place circa 1892, illustrating OPEN ORAL VOTING under the dual monarchy. At a plain table inside a municipal doorway a voter in modest dark waistcoat verbally declares his choice to a three-man election committee; a clerk records it in a large handwritten electoral register. A well-dressed local employer standing close enough to hear watches the voter, while a worker excluded from the voting area waits by a bench. The scene shows visibility of the vote and social dependency without claiming every vote was coerced. No ballot box, paper ballot, flags, modern microphones or present-day Parliament building. Limewashed county building, wood benches, inkstand, ledger, 1890s frock coats and rural work clothing. Kuromi and female Jani stand near the low bench with attentive serious expressions, canonically charcoal collar with tiny pink tip balls, SOLID FLAT BLACK eye silhouettes with no white glints and two short outer lashes. Quiet wide eye-level composition, ordinary daylight.", "prompt": "Use case: historical-scene. Wide 1536x1024 opaque full-color hand-drawn narrative educational illustration, fine warm contours, coherent illustrated human figures, natural daylight and thoughtful period colors. One scene, no panels, text, labels, dates, watermark or modern flags. Historically grounded everyday materials and architecture; no Hollywood/game/fantasy clichés, no cinematic lighting or generic battle. Input 1 is female Jani identity reference, input 2 is Kuromi identity reference ONLY: do not copy reference props or background. Both are visibly present as curious observers and never replace historical people. Kuromi MUST exactly match canonical Input 2: dark charcoal two-point jester hood with pink skull, DARK CHARCOAL collar with ONLY FOUR SMALL PINK BALLS at its points, no pink collar fabric, black teardrop/oval eyes each with TWO SHORT CURVED OUTER EYELASHES, small white body; no obligatory magnifier/book. Jani is a female fluffy cream-white ragdoll cat, blue eyes, pink nose, large fluffy dark-brown tail; natural four-leg feline anatomy and paws, no human hands, bowtie or clothing. Jani's face MUST be asymmetric: VIEWER LEFT large DARK-BROWN eye patch; VIEWER RIGHT SMALLER LIGHTER patch, irregular white central blaze. Keep face clearly visible so patches can be inspected. Characters integrated in same drawing medium as setting, occupy about a quarter of image together. Do not invent famous monuments outside windows or on distant skylines; use native period garden foliage or modest generic vernacular buildings instead. A small Hungarian county town polling place circa 1892, illustrating OPEN ORAL VOTING under the dual monarchy. At a plain table inside a municipal doorway a voter in modest dark waistcoat verbally declares his choice to a three-man election committee; a clerk records it in a large handwritten electoral register. A well-dressed local employer standing close enough to hear watches the voter, while a worker excluded from the voting area waits by a bench. The scene shows visibility of the vote and social dependency without claiming every vote was coerced. No ballot box, paper ballot, flags, modern microphones or present-day Parliament building. Limewashed county building, wood benches, inkstand, ledger, 1890s frock coats and rural work clothing. Kuromi and female Jani stand near the low bench with attentive serious expressions, canonically charcoal collar with tiny pink tip balls, SOLID FLAT BLACK eye silhouettes with no white glints and two short outer lashes. Quiet wide eye-level composition, ordinary daylight.", "period": "1892 körül", "setting": "Magyarországi kisvárosi választóhely", "historicalDetails": [ "szóbeli nyílt szavazás", "kézzel vezetett választói névjegyzék", "1890-es évekbeli polgári és munkaruhák", "egyszerű községházi berendezés" ], "sourceBasis": [ { "book": "hu11a", "pdfPages": [ 37, 37 ], "chapter": "A választójog problémája" }, { "book": "hu11b", "pdfPages": [ 34, 34 ], "chapter": "Pártok és kormányok" } ], "placement": { "area": "base", "sectionIndex": 2 }, "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "canonicalKuromi": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [] }, "src": "assets/lesson-scenes/h07-01.webp", "sha256": "07310e4901d5a7ef35f48b88c1a6006f679f5cb64f3d6de65c9228eef492db59", "bytes": 301008, "thumbnailSrc": "assets/lesson-scenes/h07-01-preview.webp", "thumbnailSha256": "4fafe91b7e52fe690d3fff82dabbb2c4ca003d31bc4ba51b70f5068db970fdcd", "thumbnailBytes": 95526 }, { "unitId": "h07-02", "title": "Vasúti megrendelés egy budapesti gépgyárban", "alt": "Munkás és mérnök vasúti kereket mér át, az átvevő az iratot ellenőrzi, Kuromi és Jani a műhelyudvaron figyel.", "caption": "Budapest, 1890 körül: a vasút nemcsak szállított, hanem kereket, gépet és más ipari terméket is rendelt. A közlekedés és a hazai gépgyártás kereslete így egymást erősítette.", "scene": "Budapest circa 1890, a Ganz railway-wheel workshop delivery yard showing the railway as a customer of domestic industry. A skilled worker in plain work shirt and leather apron and an engineer in a sober late-nineteenth-century coat inspect a newly made cast railway wheel with a large mechanical caliper before loading it onto a low wooden freight wagon. A railway procurement clerk compares a folded delivery sheet with the wheel batch, all writing indistinct. Brick workshop with iron-framed windows, rail tracks, spare wheelsets, timber blocks and a hand-operated lifting frame; no modern cranes, hard hats, electrical forklift or car tires. The practical mechanism is railway orders supporting metallurgy, technical knowledge and factory jobs. Kuromi and female Jani watch from the safe clear walkway at foreground right, the cat's asymmetric face toward viewer. Canonical charcoal collar, four small pink tip balls, solid flat-black teardrop eyes with no white highlights and two short outer lashes. Wide yard composition, diffuse natural daylight, calm serious work.", "prompt": "Use case: historical-scene. Wide 1536x1024 opaque full-color hand-drawn narrative educational illustration, fine warm contours, coherent illustrated human figures, natural daylight and thoughtful period colors. One scene, no panels, text, labels, dates, watermark or modern flags. Historically grounded everyday materials and architecture; no Hollywood/game/fantasy clichés, no cinematic lighting or generic battle. Input 1 is female Jani identity reference, input 2 is Kuromi identity reference ONLY: do not copy reference props or background. Both are visibly present as curious observers and never replace historical people. Kuromi MUST exactly match canonical Input 2: dark charcoal two-point jester hood with pink skull, DARK CHARCOAL collar with ONLY FOUR SMALL PINK BALLS at its points, no pink collar fabric, black teardrop/oval eyes each with TWO SHORT CURVED OUTER EYELASHES, small white body; no obligatory magnifier/book. Jani is a female fluffy cream-white ragdoll cat, blue eyes, pink nose, large fluffy dark-brown tail; natural four-leg feline anatomy and paws, no human hands, bowtie or clothing. Jani's face MUST be asymmetric: VIEWER LEFT large DARK-BROWN eye patch; VIEWER RIGHT SMALLER LIGHTER patch, irregular white central blaze. Keep face clearly visible so patches can be inspected. Characters integrated in same drawing medium as setting, occupy about a quarter of image together. Do not invent famous monuments outside windows or on distant skylines; use native period garden foliage or modest generic vernacular buildings instead. Budapest circa 1890, a Ganz railway-wheel workshop delivery yard showing the railway as a customer of domestic industry. A skilled worker in plain work shirt and leather apron and an engineer in a sober late-nineteenth-century coat inspect a newly made cast railway wheel with a large mechanical caliper before loading it onto a low wooden freight wagon. A railway procurement clerk compares a folded delivery sheet with the wheel batch, all writing indistinct. Brick workshop with iron-framed windows, rail tracks, spare wheelsets, timber blocks and a hand-operated lifting frame; no modern cranes, hard hats, electrical forklift or car tires. The practical mechanism is railway orders supporting metallurgy, technical knowledge and factory jobs. Kuromi and female Jani watch from the safe clear walkway at foreground right, the cat's asymmetric face toward viewer. Canonical charcoal collar, four small pink tip balls, solid flat-black teardrop eyes with no white highlights and two short outer lashes. Wide yard composition, diffuse natural daylight, calm serious work.", "period": "1890 körül", "setting": "Budapesti vasúti gépgyár műhelyudvara", "historicalDetails": [ "öntött vasúti kerék", "mechanikus mérőeszköz", "kézi emelőállvány és tehervagon", "téglafalú gyári csarnok" ], "sourceBasis": [ { "book": "hu11a", "pdfPages": [ 53, 54 ], "chapter": "A modernizálódó ipar" }, { "book": "hu11b", "pdfPages": [ 48, 48 ], "chapter": "A Ganz-vállalat és a vasúti gépipar" } ], "placement": { "area": "base", "sectionIndex": 2 }, "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "canonicalKuromi": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [] }, "src": "assets/lesson-scenes/h07-02.webp", "sha256": "0ae7e859d60995edd7fe9303cdb7034a231988b365baccd224921bc541837e62", "bytes": 427518, "thumbnailSrc": "assets/lesson-scenes/h07-02-preview.webp", "thumbnailSha256": "8325349b8420b866abaf0f87e6b301346d907728f7a210b4ac7342be92bfab77", "thumbnailBytes": 137582 }, { "unitId": "h07-03", "title": "Anyanyelvi felszólalás a törvényhatósági gyűlésen", "alt": "Egy képviselő felszólal, két tisztviselő a jegyzőkönyvet vezeti és ellenőrzi; Kuromi és Jani a padok között figyel.", "caption": "Egy többnyelvű észak-magyarországi törvényhatóság gyűlése, 1871 körül. Az 1868-as törvény a felszólalásra jogosult tagoknak saját anyanyelvük használatát is megengedte. A jelenet szemléltetés, nem egy dokumentált ülés rekonstrukciója.", "period": "1871 körül", "setting": "Észak-magyarországi törvényhatóság gyűlésterme", "historicalDetails": [ "kéziratos jegyzőkönyv és párhuzamos irat", "toll és tintatartó", "korabeli polgári férfiruházat", "fa padsorok, cserépkályha" ], "sourceBasis": [ { "book": "hu11a", "pdfPages": [ 41, 41 ], "chapter": "1868 XLIV 3. §" }, { "book": "hu11b", "pdfPages": [ 61, 61 ], "chapter": "Anyanyelvhasználat a helyi politikai intézményben" } ], "placement": { "area": "base", "sectionIndex": 0 }, "scene": "A mixed-language northern Hungarian county meeting in 1871, a modest provincial assembly room, not a royal palace. At the central long bench an adult Slovak-speaking elected member in a restrained dark coat stands and addresses the seated assembly while a clerk records minutes and a second clerk consults a parallel handwritten record. Other members listen with different thoughtful expressions, showing that an existing right to speak is exercised in one's mother tongue; no interpreter hand signs, no coercion, no caricature of ethnicity. Period black coats, waistcoats, quill and steel pens, inkwell, bound ledgers, wood benches, tiled stove and tall plain windows opening onto trees. Indistinct script only, no legible labels or modern ethnic flags. Kuromi and female Jani quietly observe near the foreground bench, Jani looking toward viewer. Kuromi has a DARK CHARCOAL collar with only four tiny pink balls, solid flat BLACK oval eyes without white glints and two short curved outer lashes; no pink collar trim. Warm coherent educational drawing, everyone in the same medium. One spacious scene showing local political participation and the practical institution of language rights.", "prompt": "Use case: historical-scene. Wide 1536x1024 opaque full-color hand-drawn narrative educational illustration, fine warm contours, coherent illustrated human figures, natural daylight and thoughtful period colors. One scene, no panels, text, labels, dates, watermark or modern flags. Historically grounded everyday materials and architecture; no Hollywood/game/fantasy clichés, no cinematic lighting or generic battle. Input 1 is female Jani identity reference, input 2 is Kuromi identity reference ONLY: do not copy reference props or background. Both are visibly present as curious observers and never replace historical people. Kuromi MUST exactly match canonical Input 2: dark charcoal two-point jester hood with pink skull, DARK CHARCOAL collar with ONLY FOUR SMALL PINK BALLS at its points, no pink collar fabric, black teardrop/oval eyes each with TWO SHORT CURVED OUTER EYELASHES, small white body; no obligatory magnifier/book. Jani is a female fluffy cream-white ragdoll cat, blue eyes, pink nose, large fluffy dark-brown tail; natural four-leg feline anatomy and paws, no human hands, bowtie or clothing. Jani's face MUST be asymmetric: VIEWER LEFT large DARK-BROWN eye patch; VIEWER RIGHT SMALLER LIGHTER patch, irregular white central blaze. Keep face clearly visible so patches can be inspected. Characters integrated in same drawing medium as setting, occupy about a quarter of image together. Do not invent famous monuments outside windows or on distant skylines; use native period garden foliage or modest generic vernacular buildings instead. A mixed-language northern Hungarian county meeting in 1871, a modest provincial assembly room, not a royal palace. At the central long bench an adult Slovak-speaking elected member in a restrained dark coat stands and addresses the seated assembly while a clerk records minutes and a second clerk consults a parallel handwritten record. Other members listen with different thoughtful expressions, showing that an existing right to speak is exercised in one's mother tongue; no interpreter hand signs, no coercion, no caricature of ethnicity. Period black coats, waistcoats, quill and steel pens, inkwell, bound ledgers, wood benches, tiled stove and tall plain windows opening onto trees. Indistinct script only, no legible labels or modern ethnic flags. Kuromi and female Jani quietly observe near the foreground bench, Jani looking toward viewer. Kuromi has a DARK CHARCOAL collar with only four tiny pink balls, solid flat BLACK oval eyes without white glints and two short curved outer lashes; no pink collar trim. Warm coherent educational drawing, everyone in the same medium. One spacious scene showing local political participation and the practical institution of language rights.", "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "canonicalKuromi": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [] }, "src": "assets/lesson-scenes/h07-03.webp", "sha256": "dd78fa7886d343ca062ca0f2c236e2cf3676ad3870c3f264f6d7f97f5433e24d", "bytes": 277652, "thumbnailSrc": "assets/lesson-scenes/h07-03-preview.webp", "thumbnailSha256": "f8643b8519fd5b09182f97a011870b15b480c2c51f2c3ea288acb0d4e9647805", "thumbnailBytes": 89508 }, { "unitId": "h07-04", "title": "Közös kút és iskolai olvasás a bérház udvarán", "alt": "Egy asszony vizet húz a közös kútnál, két gyermek palatáblával tanul, egy munkás érkezik haza; Kuromi és Jani a padon figyel.", "caption": "Budapest, Józsefváros, 1900 körül. A közös udvari vízvétel és a gyermekek tanulása a városi fejlődés hétköznapi feltételeit szemlélteti; az intézmények és szolgáltatások hozzáférése háztartásonként különbözött.", "period": "1900 körül", "setting": "Józsefvárosi bérház közös udvara", "historicalDetails": [ "kézi udvari vízpumpa és fémvödör", "körfolyosós lakóház", "palatábla és iskolatáska", "korabeli munkásruha és ételhordó" ], "sourceBasis": [ { "book": "hu11a", "pdfPages": [ 62, 64 ], "chapter": "Lakásviszonyok és iskolázás" }, { "book": "hu11b", "pdfPages": [ 53, 59 ], "chapter": "Budapesti övezetek és eltérő életfeltételek" } ], "placement": { "area": "base", "sectionIndex": 0 }, "scene": "Budapest Józsefváros, around 1900: the interior courtyard of a modest three-storey rental tenement, with wooden doors, simple iron gallery railings and a communal cast-iron hand pump with a stone basin. A working mother in a plain blouse and long skirt fills a metal pail at the shared pump; near her an older schoolgirl with a small slate and worn schoolbag reads a page to a younger brother, while a worker returning in plain jacket carries his lunch tin under the gallery. Hung washing, a small bench and an open cramped ground-floor doorway show practical housing conditions without theatrical misery. The mechanism is urban services shared by many households and a child's school access competing with household work. No luxurious palace, no split screen, no modern plastic, taps or electric appliances, no current cars, no text or flags. Kuromi and female Jani sit calmly beside the bench, neither operates the water pump; Jani faces the viewer. Kuromi has a charcoal collar with only four tiny pink balls and flat solid-black teardrop eyes without white glints and two short curved outer lashes. Natural afternoon light from the courtyard, coherent gentle drawn humans, one continuous period environment.", "prompt": "Use case: historical-scene. Wide 1536x1024 opaque full-color hand-drawn narrative educational illustration, fine warm contours, coherent illustrated human figures, natural daylight and thoughtful period colors. One scene, no panels, text, labels, dates, watermark or modern flags. Historically grounded everyday materials and architecture; no Hollywood/game/fantasy clichés, no cinematic lighting or generic battle. Input 1 is female Jani identity reference, input 2 is Kuromi identity reference ONLY: do not copy reference props or background. Both are visibly present as curious observers and never replace historical people. Kuromi MUST exactly match canonical Input 2: dark charcoal two-point jester hood with pink skull, DARK CHARCOAL collar with ONLY FOUR SMALL PINK BALLS at its points, no pink collar fabric, black teardrop/oval eyes each with TWO SHORT CURVED OUTER EYELASHES, small white body; no obligatory magnifier/book. Jani is a female fluffy cream-white ragdoll cat, blue eyes, pink nose, large fluffy dark-brown tail; natural four-leg feline anatomy and paws, no human hands, bowtie or clothing. Jani's face MUST be asymmetric: VIEWER LEFT large DARK-BROWN eye patch; VIEWER RIGHT SMALLER LIGHTER patch, irregular white central blaze. Keep face clearly visible so patches can be inspected. Characters integrated in same drawing medium as setting, occupy about a quarter of image together. Do not invent famous monuments outside windows or on distant skylines; use native period garden foliage or modest generic vernacular buildings instead. Budapest Józsefváros, around 1900: the interior courtyard of a modest three-storey rental tenement, with wooden doors, simple iron gallery railings and a communal cast-iron hand pump with a stone basin. A working mother in a plain blouse and long skirt fills a metal pail at the shared pump; near her an older schoolgirl with a small slate and worn schoolbag reads a page to a younger brother, while a worker returning in plain jacket carries his lunch tin under the gallery. Hung washing, a small bench and an open cramped ground-floor doorway show practical housing conditions without theatrical misery. The mechanism is urban services shared by many households and a child's school access competing with household work. No luxurious palace, no split screen, no modern plastic, taps or electric appliances, no current cars, no text or flags. Kuromi and female Jani sit calmly beside the bench, neither operates the water pump; Jani faces the viewer. Kuromi has a charcoal collar with only four tiny pink balls and flat solid-black teardrop eyes without white glints and two short curved outer lashes. Natural afternoon light from the courtyard, coherent gentle drawn humans, one continuous period environment.", "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "canonicalKuromi": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [] }, "src": "assets/lesson-scenes/h07-04.webp", "sha256": "71d9988f19b0e9b163772006dae49a1f7efc4efed9a1133077eb0942281d23a4", "bytes": 467900, "thumbnailSrc": "assets/lesson-scenes/h07-04-preview.webp", "thumbnailSha256": "d77aedc33a6db6476148bb3cbeca1020bdd01e59b45d3f7312021279407c5157", "thumbnailBytes": 139906 }, { "unitId": "h07-05", "title": "Munkássajtó és választójogi szervezés", "alt": "Nyomdászok szednek és nyomtatnak, egy szervező röplapokat ad át a munkásoknak; Kuromi és Jani a műhelyben figyel.", "caption": "Budapest, 1905 körül. A sajtó, a röplap és a tartós szervezeti hálózat együtt segítette a választójogi követelés terjesztését. A nyomda a tömegpolitika egyik anyagi és társadalmi feltételét szemlélteti.", "period": "1905 körül", "setting": "Budapesti munkássajtó nyomdája", "historicalDetails": [ "kézi betűszedés szedőszekrénnyel", "korabeli nyomdagép", "papírkötegek és szárítópolc", "munkásruhák és szervezői iratátadás" ], "sourceBasis": [ { "book": "hu11a", "pdfPages": [ 37, 39 ], "chapter": "Szociáldemokrata hálózat és választójogi mozgalom" }, { "book": "hu11b", "pdfPages": [ 38, 41 ], "chapter": "Munkássajtó és tömegpolitika" } ], "placement": { "area": "base", "sectionIndex": 0 }, "scene": "Budapest around September 1905, a modest workers' newspaper print shop preparing handbills for a voting-rights meeting. In one continuous space a compositor in shirtsleeves arranges metal movable type in a wooden composing stick beside a type case, a second printer operates a period hand-fed platen press, and a trade-union organizer in a plain jacket receives a small stack of freshly printed sheets to distribute to two adult workers by the open shop door. A woman worker in plain blouse and long skirt listens among them; political participation is shown as organization and circulation of print, not ballot casting. All type and handbill marks indistinct, no readable slogans, no flags or logos. Stacks of newsprint, ink roller, drying rack and late-nineteenth-century brick-and-plaster workshop, warm diffuse daylight, no electric modern printer or computer. Kuromi and female Jani observe from a clear foreground area away from machinery, Jani facing viewer. Kuromi strictly charcoal collar four tiny pink tip balls, solid black oval eyes no white glints and two short curved outer lashes. Restrained natural working scene, coherent illustrated people, no comedy or violence.", "prompt": "Use case: historical-scene. Wide 1536x1024 opaque full-color hand-drawn narrative educational illustration, fine warm contours, coherent illustrated human figures, natural daylight and thoughtful period colors. One scene, no panels, text, labels, dates, watermark or modern flags. Historically grounded everyday materials and architecture; no Hollywood/game/fantasy clichés, no cinematic lighting or generic battle. Input 1 is female Jani identity reference, input 2 is Kuromi identity reference ONLY: do not copy reference props or background. Both are visibly present as curious observers and never replace historical people. Kuromi MUST exactly match canonical Input 2: dark charcoal two-point jester hood with pink skull, DARK CHARCOAL collar with ONLY FOUR SMALL PINK BALLS at its points, no pink collar fabric, black teardrop/oval eyes each with TWO SHORT CURVED OUTER EYELASHES, small white body; no obligatory magnifier/book. Jani is a female fluffy cream-white ragdoll cat, blue eyes, pink nose, large fluffy dark-brown tail; natural four-leg feline anatomy and paws, no human hands, bowtie or clothing. Jani's face MUST be asymmetric: VIEWER LEFT large DARK-BROWN eye patch; VIEWER RIGHT SMALLER LIGHTER patch, irregular white central blaze. Keep face clearly visible so patches can be inspected. Characters integrated in same drawing medium as setting, occupy about a quarter of image together. Do not invent famous monuments outside windows or on distant skylines; use native period garden foliage or modest generic vernacular buildings instead. Budapest around September 1905, a modest workers' newspaper print shop preparing handbills for a voting-rights meeting. In one continuous space a compositor in shirtsleeves arranges metal movable type in a wooden composing stick beside a type case, a second printer operates a period hand-fed platen press, and a trade-union organizer in a plain jacket receives a small stack of freshly printed sheets to distribute to two adult workers by the open shop door. A woman worker in plain blouse and long skirt listens among them; political participation is shown as organization and circulation of print, not ballot casting. All type and handbill marks indistinct, no readable slogans, no flags or logos. Stacks of newsprint, ink roller, drying rack and late-nineteenth-century brick-and-plaster workshop, warm diffuse daylight, no electric modern printer or computer. Kuromi and female Jani observe from a clear foreground area away from machinery, Jani facing viewer. Kuromi strictly charcoal collar four tiny pink tip balls, solid black oval eyes no white glints and two short curved outer lashes. Restrained natural working scene, coherent illustrated people, no comedy or violence.", "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "canonicalKuromi": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [] }, "src": "assets/lesson-scenes/h07-05.webp", "sha256": "0046b991f66d170b34326321f3c075bc60050a5fede3770914edf82ada590867", "bytes": 371048, "thumbnailSrc": "assets/lesson-scenes/h07-05-preview.webp", "thumbnailSha256": "2a27b82b16bcdc9ccec052d171510d523cf5de94ddfd6ee016daecf6c8474649", "thumbnailBytes": 120194 }, { "unitId": "h08-01", "title": "Kenyérjegy ellenőrzése a háborús pékségben", "alt": "A pék szelvényt vág le az élelmiszerjegyről, közben mérlegen méri a kenyeret; fáradt civilek várakoznak, Kuromi és Jani a padon figyel.", "caption": "Budapest, 1917 tele. A jegy a korlátozott élelmiszer megvásárlására jogosított, az eladó pedig a szelvényekkel elszámolt. Az elosztási szabály nem pótolta a hiányzó készletet.", "period": "1917 tele", "setting": "Budapesti pékség jegyes élelmiszer-értékesítése", "historicalDetails": [ "szelvényes élelmiszerjegy", "olló és elszámolási könyv", "mechanikus mérleg és súlyok", "sötét kenyér, vászontáska, téli civil öltözet" ], "sourceBasis": [ { "book": "hu11a", "pdfPages": [ 99, 99 ], "chapter": "Hátországi hiány és jegyrendszer" }, { "url": "https://honvedelem.hu/hirek/elelmiszerjegyek-amelyek-a-nagy-haborurol-meselnek.html", "chapter": "HM Hadtörténeti Múzeum: szelvényvágás és kereskedői elszámolás" } ], "placement": { "area": "base", "sectionIndex": 2 }, "scene": "Budapest winter 1917, a small neighborhood bakery distributing wartime bread under ration controls. A tired but dignified woman customer wearing a plain wool coat and headscarf presents a paper food identity card with attached small coupons at a wooden counter; the baker cuts one coupon with scissors beside an open accounting ledger and weighs a dark coarse loaf on a mechanical balance with metal weights. Several civilians wait quietly near the door with cloth bags, an older clerk in worn coat among them; faces sober, no theatrically exaggerated misery. A limited number of loaves on shelves makes scarcity visible. All writing indistinct, absolutely no readable text, modern logos or packaging. Ceramic tiled baking area, wooden shelf, flour sack, no plastic, electric cash register or modern machines. Kuromi and female Jani quietly observe beside a low bench in foreground, small and respectful, neutral gentle expressions, Jani's asymmetric face visible. Kuromi charcoal collar only four small pink balls, solid black teardrop eyes no white glints and two short curved outer lashes. One coherent hand-drawn scene showing allocation and purchasing entitlement rather than guaranteed abundance, cool winter daylight and warm restrained interior.", "prompt": "Use case: historical-scene. Wide 1536x1024 opaque full-color hand-drawn narrative educational illustration, fine warm contours, coherent illustrated human figures, natural daylight and thoughtful period colors. One scene, no panels, text, labels, dates, watermark or modern flags. Historically grounded everyday materials and architecture; no Hollywood/game/fantasy clichés, no cinematic lighting or generic battle. Input 1 is female Jani identity reference, input 2 is Kuromi identity reference ONLY: do not copy reference props or background. Both are visibly present as curious observers and never replace historical people. Kuromi MUST exactly match canonical Input 2: dark charcoal two-point jester hood with pink skull, DARK CHARCOAL collar with ONLY FOUR SMALL PINK BALLS at its points, no pink collar fabric, black teardrop/oval eyes each with TWO SHORT CURVED OUTER EYELASHES, small white body; no obligatory magnifier/book. Jani is a female fluffy cream-white ragdoll cat, blue eyes, pink nose, large fluffy dark-brown tail; natural four-leg feline anatomy and paws, no human hands, bowtie or clothing. Jani's face MUST be asymmetric: VIEWER LEFT large DARK-BROWN eye patch; VIEWER RIGHT SMALLER LIGHTER patch, irregular white central blaze. Keep face clearly visible so patches can be inspected. Characters integrated in same drawing medium as setting, occupy about a quarter of image together. Do not invent famous monuments outside windows or on distant skylines; use native period garden foliage or modest generic vernacular buildings instead. Budapest winter 1917, a small neighborhood bakery distributing wartime bread under ration controls. A tired but dignified woman customer wearing a plain wool coat and headscarf presents a paper food identity card with attached small coupons at a wooden counter; the baker cuts one coupon with scissors beside an open accounting ledger and weighs a dark coarse loaf on a mechanical balance with metal weights. Several civilians wait quietly near the door with cloth bags, an older clerk in worn coat among them; faces sober, no theatrically exaggerated misery. A limited number of loaves on shelves makes scarcity visible. All writing indistinct, absolutely no readable text, modern logos or packaging. Ceramic tiled baking area, wooden shelf, flour sack, no plastic, electric cash register or modern machines. Kuromi and female Jani quietly observe beside a low bench in foreground, small and respectful, neutral gentle expressions, Jani's asymmetric face visible. Kuromi charcoal collar only four small pink balls, solid black teardrop eyes no white glints and two short curved outer lashes. One coherent hand-drawn scene showing allocation and purchasing entitlement rather than guaranteed abundance, cool winter daylight and warm restrained interior.", "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "canonicalKuromi": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [] }, "src": "assets/lesson-scenes/h08-01.webp", "sha256": "5f0a6802b065e04dd916d356a7aa071c1eae0393f46d0e2b62eac21faf0dc6c2", "bytes": 362676, "thumbnailSrc": "assets/lesson-scenes/h08-01-preview.webp", "thumbnailSha256": "5bd91fed56520384a5dbace15494c2baf48d9685f47336ade16b08de82af3654", "thumbnailBytes": 113940 }, { "unitId": "h08-02", "title": "Hazatérő katonák nyilvántartása és ellátása", "alt": "A pályaudvaron tisztviselő írja be egy hazatérő katona adatait, önkéntes levest oszt, családok várakoznak; Kuromi és Jani a padon figyel.", "caption": "Budapest, 1918 novembere. A hazatérés és leszerelés után nyilvántartásra, élelemre és civil megélhetésre volt szükség. A szemléltető jelenet az állami és társadalmi újrakezdés anyagi feltételeit mutatja.", "period": "1918 novembere", "setting": "Pályaudvari nyilvántartó és segélyező pont", "historicalDetails": [ "kopott csukaszürke katonaköpeny és tábori sapka", "apró őszirózsa sapkajelvény", "kézi nyilvántartási könyv", "gőzvontatású vonat és élelmező üst" ], "sourceBasis": [ { "book": "hu11a", "pdfPages": [ 117, 123 ], "chapter": "Hazatérők, leszerelés és állami kapacitás" }, { "book": "hu11b", "pdfPages": [ 114, 118 ], "chapter": "Őszirózsás átmenet és hazatérő katonák" } ], "placement": { "area": "base", "sectionIndex": 3 }, "scene": "Budapest in November 1918, a railway station return-and-registration point for demobilized soldiers. Under a plain iron-and-glass platform canopy beside an old wooden passenger carriage, a civilian municipal clerk in dark worn suit records a returned soldier's details in a ledger. The soldier is unarmed, in a worn Austro-Hungarian field-grey greatcoat and soft field cap with one small white aster pinned where the cockade had been; his canvas kit rests at his feet. A woman aid volunteer hands a bowl of soup from a large covered pot to another tired returning man, while a family waits quietly with a cloth bundle. The practical mechanism is turning wartime demobilization into registration, food and civilian reintegration, no triumphant parade. All papers unreadable, no flags, red stars, modern signs, helmets, automatic weapons or later uniforms. No recognizable landmark building, only station structure and faint steam in the background. Kuromi and female Jani quietly observe from the safe foreground bench, neutral thoughtful expression, Jani facing viewer. Kuromi canonical dark charcoal collar with four tiny pink balls, flat black teardrop eyes without white glints and two short curved outer lashes. Restrained cool autumn light, sober humane scene, coherent warm hand-drawn figures.", "prompt": "Use case: historical-scene. Wide 1536x1024 opaque full-color hand-drawn narrative educational illustration, fine warm contours, coherent illustrated human figures, natural daylight and thoughtful period colors. One scene, no panels, text, labels, dates, watermark or modern flags. Historically grounded everyday materials and architecture; no Hollywood/game/fantasy clichés, no cinematic lighting or generic battle. Input 1 is female Jani identity reference, input 2 is Kuromi identity reference ONLY: do not copy reference props or background. Both are visibly present as curious observers and never replace historical people. Kuromi MUST exactly match canonical Input 2: dark charcoal two-point jester hood with pink skull, DARK CHARCOAL collar with ONLY FOUR SMALL PINK BALLS at its points, no pink collar fabric, black teardrop/oval eyes each with TWO SHORT CURVED OUTER EYELASHES, small white body; no obligatory magnifier/book. Jani is a female fluffy cream-white ragdoll cat, blue eyes, pink nose, large fluffy dark-brown tail; natural four-leg feline anatomy and paws, no human hands, bowtie or clothing. Jani's face MUST be asymmetric: VIEWER LEFT large DARK-BROWN eye patch; VIEWER RIGHT SMALLER LIGHTER patch, irregular white central blaze. Keep face clearly visible so patches can be inspected. Characters integrated in same drawing medium as setting, occupy about a quarter of image together. Do not invent famous monuments outside windows or on distant skylines; use native period garden foliage or modest generic vernacular buildings instead. Budapest in November 1918, a railway station return-and-registration point for demobilized soldiers. Under a plain iron-and-glass platform canopy beside an old wooden passenger carriage, a civilian municipal clerk in dark worn suit records a returned soldier's details in a ledger. The soldier is unarmed, in a worn Austro-Hungarian field-grey greatcoat and soft field cap with one small white aster pinned where the cockade had been; his canvas kit rests at his feet. A woman aid volunteer hands a bowl of soup from a large covered pot to another tired returning man, while a family waits quietly with a cloth bundle. The practical mechanism is turning wartime demobilization into registration, food and civilian reintegration, no triumphant parade. All papers unreadable, no flags, red stars, modern signs, helmets, automatic weapons or later uniforms. No recognizable landmark building, only station structure and faint steam in the background. Kuromi and female Jani quietly observe from the safe foreground bench, neutral thoughtful expression, Jani facing viewer. Kuromi canonical dark charcoal collar with four tiny pink balls, flat black teardrop eyes without white glints and two short curved outer lashes. Restrained cool autumn light, sober humane scene, coherent warm hand-drawn figures.", "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "canonicalKuromi": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [] }, "src": "assets/lesson-scenes/h08-02.webp", "sha256": "08b72800cbe13832ab6d2b10ee494a9578863bbacb0f94d7a5e3ae87f3887321", "bytes": 478872, "thumbnailSrc": "assets/lesson-scenes/h08-02-preview.webp", "thumbnailSha256": "b94c23facbf4dd4d7dd25b6fa99f751632d0c444531370fe7a5ecc88018002ef", "thumbnailBytes": 140846 }, { "unitId": "h08-03", "title": "A múzeumi raktárak védelme a megszállás alatt", "alt": "Bandholtz szerepében megjelenített amerikai tiszt átveszi a múzeumi kulcsot, egy másik tiszt papírpecsétet helyez a raktárajtóra; a leltárt őrző munkatárs, Kuromi és Jani figyel.", "caption": "Budapest, 1919. október 5. Bandholtz a Szövetséges Katonai Misszió nevében vette át a kulcsot és pecsételte le a Nemzeti Múzeum raktárajtóit. A jelenet kortársi táviratra épülő szemléltetés, a figurák nem portrérekonstrukciók.", "period": "1919. október 5., este", "setting": "A Nemzeti Múzeum raktárfolyosója", "historicalDetails": [ "1919-es amerikai szolgálati egyenruha", "átadott raktárkulcs", "papírsáv és cenzúrapecsét", "kéziratos leltár és zárt fa raktárajtó" ], "sourceBasis": [ { "book": "hu11a", "pdfPages": [ 128, 128 ], "chapter": "Bandholtz naplójának részlete" }, { "book": "hu11b", "pdfPages": [ 128, 128 ], "chapter": "Megszállás és múzeumi beavatkozás" }, { "url": "https://history.state.gov/historicaldocuments/frus1919Parisv12/d321", "chapter": "Bandholtz kortársi távirata, 1919. október 6." } ], "placement": { "area": "advanced", "sectionIndex": 1 }, "scene": "Budapest, Hungarian National Museum storeroom corridor, late evening 5 October 1919. The specific historical action is the Interallied Military Mission protecting collections from removal during the Romanian occupation. An older American brigadier general representing Harry Hill Bandholtz, grey moustache and 1919 olive-drab US service tunic, brown belt and peaked service cap, takes a large iron storeroom key from a dignified civilian museum director in dark suit. Beside them a second American officer applies a narrow paper seal across the CLOSED heavy wooden double storeroom door and presses a rubber censorship stamp on it; NO WAX, no modern adhesive tape. A museum registrar stands with a bound inventory under her arm; simple labelled boxes visible nearby but writing all indistinct. No opened treasure chest, no gold heaps, no combat, no guns pointed at anyone, no caricature of Romanian people. Door, keys, paper seal and inventory are the focal objects, practical legal protection rather than action-hero rescue. Architecture is a plain nineteenth-century institutional interior, not an invented throne room. Kuromi and female Jani stand quietly at safe foreground left, somber gentle faces, Jani asymmetric face toward viewer. Canonical charcoal collar with four tiny pink tip balls; solid flat-black oval/teardrop eyes no glints and two short curved outer lashes. This is an evening scene lit by soft period gas or oil lamps, subdued warm visibility, no modern electric fluorescent light and no cinematic spotlight. One continuous coherent educational hand drawing.", "prompt": "Use case: historical-scene. Wide 1536x1024 opaque full-color hand-drawn narrative educational illustration, fine warm contours, coherent illustrated human figures, natural daylight and thoughtful period colors. One scene, no panels, text, labels, dates, watermark or modern flags. Historically grounded everyday materials and architecture; no Hollywood/game/fantasy clichés, no cinematic lighting or generic battle. Input 1 is female Jani identity reference, input 2 is Kuromi identity reference ONLY: do not copy reference props or background. Both are visibly present as curious observers and never replace historical people. Kuromi MUST exactly match canonical Input 2: dark charcoal two-point jester hood with pink skull, DARK CHARCOAL collar with ONLY FOUR SMALL PINK BALLS at its points, no pink collar fabric, black teardrop/oval eyes each with TWO SHORT CURVED OUTER EYELASHES, small white body; no obligatory magnifier/book. Jani is a female fluffy cream-white ragdoll cat, blue eyes, pink nose, large fluffy dark-brown tail; natural four-leg feline anatomy and paws, no human hands, bowtie or clothing. Jani's face MUST be asymmetric: VIEWER LEFT large DARK-BROWN eye patch; VIEWER RIGHT SMALLER LIGHTER patch, irregular white central blaze. Keep face clearly visible so patches can be inspected. Characters integrated in same drawing medium as setting, occupy about a quarter of image together. Do not invent famous monuments outside windows or on distant skylines; use native period garden foliage or modest generic vernacular buildings instead. Budapest, Hungarian National Museum storeroom corridor, late evening 5 October 1919. The specific historical action is the Interallied Military Mission protecting collections from removal during the Romanian occupation. An older American brigadier general representing Harry Hill Bandholtz, grey moustache and 1919 olive-drab US service tunic, brown belt and peaked service cap, takes a large iron storeroom key from a dignified civilian museum director in dark suit. Beside them a second American officer applies a narrow paper seal across the CLOSED heavy wooden double storeroom door and presses a rubber censorship stamp on it; NO WAX, no modern adhesive tape. A museum registrar stands with a bound inventory under her arm; simple labelled boxes visible nearby but writing all indistinct. No opened treasure chest, no gold heaps, no combat, no guns pointed at anyone, no caricature of Romanian people. Door, keys, paper seal and inventory are the focal objects, practical legal protection rather than action-hero rescue. Architecture is a plain nineteenth-century institutional interior, not an invented throne room. Kuromi and female Jani stand quietly at safe foreground left, somber gentle faces, Jani asymmetric face toward viewer. Canonical charcoal collar with four tiny pink tip balls; solid flat-black oval/teardrop eyes no glints and two short curved outer lashes. This is an evening scene lit by soft period gas or oil lamps, subdued warm visibility, no modern electric fluorescent light and no cinematic spotlight. One continuous coherent educational hand drawing.", "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "canonicalKuromi": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [] }, "src": "assets/lesson-scenes/h08-03.webp", "sha256": "fb28c81b20d6d3f92d7a0050093806affa38afeb1b8fbdbfc1927d6599f4ec1c", "bytes": 316632, "thumbnailSrc": "assets/lesson-scenes/h08-03-preview.webp", "thumbnailSha256": "959b901ddeb81a0bd98106bb6e92c316fa9deb8d44c6fe3a5192b45457dc9cc1", "thumbnailBytes": 90948 }, { "unitId": "h08-04", "title": "A béke-előkészítés statisztikai és térképi munkája", "alt": "Budapesti térképészeti munkaszobában statisztikai lapokat és színezett munkatérképeket egyeztetnek; Kuromi és Jani figyelmesen követi a munkát.", "caption": "Szemléltető béke-előkészítő munkaszoba Budapesten, 1919 őszén. A színezett munkalapok nem eredeti történeti térképek reprodukciói.", "period": "1919 ősze", "setting": "Budapest, béke-előkészítő térképészeti munkaszoba", "historicalDetails": [ "Népszámlálási adatsorok, tintatartók, vonalzó és körző a térképi érvelés munkaeszközeiként.", "Korabeli férfiöltönyök és egyszerű női irodai viselet.", "A térképészet és a statisztika összekapcsolása a magyar béke-előkészítésben; a szereplők szemléltető alakok." ], "sourceBasis": [ { "book": "hu11a", "pdfPages": [ 140, 141 ], "chapter": "A magyar béke-előkészítés és az Apponyi-beszéd." }, { "book": "hu11b", "pdfPages": [ 141, 142 ], "chapter": "A békekonferencia és a magyar delegáció." } ], "placement": { "area": "base", "sectionIndex": 2 }, "scene": "Budapest autumn 1919, a working room of the Hungarian peace-preparation cartographic team, showing how population evidence was prepared before the 1920 hearing. Three civilian specialists in sober period suits and one woman statistical assistant work around a broad drafting table: a cartographer uses a compass to transfer proportional small red population patches onto a drafting sheet, a statistician compares a ruled handwritten census table with another sheet, a third checks a railway survey using a ruler. The viewer sees the papers obliquely, close enough to see measured red and muted multicolored patches and a key area, but not a readable accurate geographic map; these are preparatory working sheets, not a reproduction of the historic Red Map. Do not create invented modern borders, arrows or legible labels. Period dividers, straightedge, pencil, ink wells, wooden flat-map drawers and rolled papers, plain institutional room with autumn trees through window. Mechanism is census data translated into visual arguments for the peace delegation; thoughtful concentration, no triumphant propaganda. Kuromi and female Jani quietly watch beside the near table corner, Jani's asymmetric face visible. Charcoal Kuromi collar four tiny pink tip balls, solid black oval eyes with no white highlights and two short curved outer lashes. Wide coherent hand-drawn scene, natural soft daylight, no flags or generic palace.", "prompt": "Use case: historical-scene. Wide 1536x1024 opaque full-color hand-drawn narrative educational illustration, fine warm contours, coherent illustrated human figures, natural daylight and thoughtful period colors. One scene, no panels, text, labels, dates, watermark or modern flags. Historically grounded everyday materials and architecture; no Hollywood/game/fantasy clichés, no cinematic lighting or generic battle. Input 1 is female Jani identity reference, input 2 is Kuromi identity reference ONLY: do not copy reference props or background. Both are visibly present as curious observers and never replace historical people. Kuromi MUST exactly match canonical Input 2: dark charcoal two-point jester hood with pink skull, DARK CHARCOAL collar with ONLY FOUR SMALL PINK BALLS at its points, no pink collar fabric, black teardrop/oval eyes each with TWO SHORT CURVED OUTER EYELASHES, small white body; no obligatory magnifier/book. Jani is a female fluffy cream-white ragdoll cat, blue eyes, pink nose, large fluffy dark-brown tail; natural four-leg feline anatomy and paws, no human hands, bowtie or clothing. Jani's face MUST be asymmetric: VIEWER LEFT large DARK-BROWN eye patch; VIEWER RIGHT SMALLER LIGHTER patch, irregular white central blaze. Keep face clearly visible so patches can be inspected. Characters integrated in same drawing medium as setting, occupy about a quarter of image together. Do not invent famous monuments outside windows or on distant skylines; use native period garden foliage or modest generic vernacular buildings instead. Budapest autumn 1919, a working room of the Hungarian peace-preparation cartographic team, showing how population evidence was prepared before the 1920 hearing. Three civilian specialists in sober period suits and one woman statistical assistant work around a broad drafting table: a cartographer uses a compass to transfer proportional small red population patches onto a drafting sheet, a statistician compares a ruled handwritten census table with another sheet, a third checks a railway survey using a ruler. The viewer sees the papers obliquely, close enough to see measured red and muted multicolored patches and a key area, but not a readable accurate geographic map; these are preparatory working sheets, not a reproduction of the historic Red Map. Do not create invented modern borders, arrows or legible labels. Period dividers, straightedge, pencil, ink wells, wooden flat-map drawers and rolled papers, plain institutional room with autumn trees through window. Mechanism is census data translated into visual arguments for the peace delegation; thoughtful concentration, no triumphant propaganda. Kuromi and female Jani quietly watch beside the near table corner, Jani's asymmetric face visible. Charcoal Kuromi collar four tiny pink tip balls, solid black oval eyes with no white highlights and two short curved outer lashes. Wide coherent hand-drawn scene, natural soft daylight, no flags or generic palace.", "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "canonicalKuromi": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [] }, "src": "assets/lesson-scenes/h08-04.webp", "sha256": "bb06d4c5f6fb0fd54dbb3fa139b3c8b3ddd7983fbbba1ff04dd31d0bd2c4b93a", "bytes": 400398, "thumbnailSrc": "assets/lesson-scenes/h08-04-preview.webp", "thumbnailSha256": "8d2d9e4016abae0d400874314bced1a661353a0ac55d3fbb6b14bf1e41d25ed7", "thumbnailBytes": 119686 }, { "unitId": "h08-05", "title": "Ideiglenes otthon és segélyezés a vasúti kocsik mellett", "alt": "Menekült család vagonlakásnál, iskolai palatáblás gyermekkel és segélyezési nyilvántartást vezető asszonnyal; Kuromi ruhacsomagot fog, Jani a család ládája mellett ül.", "caption": "Szemléltető menekültsegélyezési jelenet egy budapesti vasúti mellékvágánynál, 1921 őszén. A vagon ideiglenes családi lakhely.", "period": "1921 ősze", "setting": "Budapest, menekültek ideiglenes vagonlakása és segélyezési asztal", "historicalDetails": [ "Faoldalú vasúti teherkocsiból kialakított szükséglakás, utazóládák és takarók.", "Közszolgálati állását elvesztő családfő helyzetét szemléltető, megviselt polgári viselet.", "Segélyezési nyilvántartás, ruhacsomag és iskolai palatábla: lakhatás, megélhetés és iskola összekapcsolódó feladatai." ], "sourceBasis": [ { "book": "hu11a", "pdfPages": [ 143, 144 ], "chapter": "Menekültstatisztika és a befogadás nehézségei." }, { "book": "hu11b", "pdfPages": [ 148, 149 ], "chapter": "Vagonlakók és a menekültek társadalmi összetétele." } ], "placement": { "area": "base", "sectionIndex": 2 }, "scene": "Budapest railway siding in autumn 1921, humane civilian scene about refugees living in railway wagons after Trianon. A single modest wooden-sided freight wagon adapted as temporary family accommodation, sliding door open with a plain wool blanket and small trunk visible inside, mother in worn long skirt and cardigan handing a school slate and bundle to her school-age daughter. A former civil servant father in a patched dark suit is speaking quietly to a female relief registrar at a simple wooden table beside the wagon, ledger, pencil and small ration parcels; the registrar records the family and points gently toward papers, no readable writing. Kuromi at the low foreground table carefully holds a small tied clothing parcel; Jani sits naturally on all four paws near the family trunk, attentive, solemn not comic. Weathered track ballast and a few parallel rails lead to other indistinct wagons and an ordinary low railway warehouse, overcast soft autumn daylight. This is temporary accommodation and public assistance, not wartime deportation: no guards, no barbed wire, no weapons, no cattle crowded in wagons. The family's dignity and difficult housing situation are central; actual civilian aid work, no dramatic salvation scene. All humans have the same hand-drawn storybook rendering as the reference characters. No flags, poster text, famous buildings, modern infrastructure, emblems or map silhouettes.", "prompt": "Use case: historical-scene. Wide 1536x1024 opaque full-color hand-drawn narrative educational illustration, fine warm contours, coherent illustrated human figures, natural daylight and thoughtful period colors. One scene, no panels, text, labels, dates, watermark or modern flags. Historically grounded everyday materials and architecture; no Hollywood/game/fantasy clichés, no cinematic lighting or generic battle. Input 1 is female Jani identity reference, input 2 is Kuromi identity reference ONLY: do not copy reference props or background. Both are visibly present as curious observers and never replace historical people. Kuromi MUST exactly match canonical Input 2: dark charcoal two-point jester hood with pink skull, DARK CHARCOAL collar with ONLY FOUR SMALL PINK BALLS at its points, no pink collar fabric, black teardrop/oval eyes each with TWO SHORT CURVED OUTER EYELASHES, small white body; no obligatory magnifier/book. Jani is a female fluffy cream-white ragdoll cat, blue eyes, pink nose, large fluffy dark-brown tail; natural four-leg feline anatomy and paws, no human hands, bowtie or clothing. Jani's face MUST be asymmetric: VIEWER LEFT large DARK-BROWN eye patch; VIEWER RIGHT SMALLER LIGHTER patch, irregular white central blaze. Keep face clearly visible so patches can be inspected. Characters integrated in same drawing medium as setting, occupy about a quarter of image together. Do not invent famous monuments outside windows or on distant skylines; use native period garden foliage or modest generic vernacular buildings instead. \nSCENE FOR THIS LESSON: Budapest railway siding in autumn 1921, humane civilian scene about refugees living in railway wagons after Trianon. A single modest wooden-sided freight wagon adapted as temporary family accommodation, sliding door open with a plain wool blanket and small trunk visible inside, mother in worn long skirt and cardigan handing a school slate and bundle to her school-age daughter. A former civil servant father in a patched dark suit is speaking quietly to a female relief registrar at a simple wooden table beside the wagon, ledger, pencil and small ration parcels; the registrar records the family and points gently toward papers, no readable writing. Kuromi at the low foreground table carefully holds a small tied clothing parcel; Jani sits naturally on all four paws near the family trunk, attentive, solemn not comic. Weathered track ballast and a few parallel rails lead to other indistinct wagons and an ordinary low railway warehouse, overcast soft autumn daylight. This is temporary accommodation and public assistance, not wartime deportation: no guards, no barbed wire, no weapons, no cattle crowded in wagons. The family's dignity and difficult housing situation are central; actual civilian aid work, no dramatic salvation scene. All humans have the same hand-drawn storybook rendering as the reference characters. No flags, poster text, famous buildings, modern infrastructure, emblems or map silhouettes.", "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "canonicalKuromi": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [] }, "src": "assets/lesson-scenes/h08-05.webp", "sha256": "237dcd4ef94c5eef923e42636771a31b76daf4a581d2787fdc8ed29b29f05fc4", "bytes": 413394, "thumbnailSrc": "assets/lesson-scenes/h08-05-preview.webp", "thumbnailSha256": "7e32e295327678d6dbe453a52e0beea1179ae05a5157e46094344477cd751b3d", "thumbnailBytes": 125626 }, { "unitId": "h09-01", "title": "Pénzváltás a stabilizáció után", "alt": "Korabeli bankfiók pénztáránál tisztviselők régi bankjegyeket és új pénzt számolnak, egy asszony a pénztárcájával vár, Kuromi mellette áll, Jani a padon ül.", "caption": "Szemléltető pénztári jelenet a pengő bevezetésekor, 1927 januárjában. A bankjegyek rajzos jelzések, nem eredeti címletek pontos másolatai.", "period": "1927 januárja", "setting": "Magyarországi bankfiók pénztára", "historicalDetails": [ "Fa pénztári pult, rézrács, kézi nyilvántartás és pecsét.", "Korabeli hétköznapi polgári és munkásviselet.", "A pénzcsere a korábbi költségvetési és jegybanki stabilizáció hétköznapi következménye." ], "sourceBasis": [ { "book": "hu11a", "pdfPages": [ 177, 177 ], "chapter": "A korona stabilizációja, MNB és pengő." }, { "book": "hu11b", "pdfPages": [ 188, 188 ], "chapter": "A pénzügyi konszolidáció." } ], "placement": { "area": "base", "sectionIndex": 3 }, "scene": "A modest Hungarian bank branch in January 1927 during the introduction of the pengő, a single everyday transaction showing monetary stabilization. Interior with dark oak teller counter, brass grille and rectangular pass-through at counter height, daylight through a plain side window. Male teller in period waistcoat compares a customer's small stack of worn old paper notes against a ruled conversion ledger while a woman clerk beside him counts clean replacement notes and a few silver-colored coins with her fingers onto a felt tray. Customer is a middle-aged seamstress in a dark wool coat with her ordinary purse, quietly attentive; another modestly dressed worker waits behind. Kuromi stands on the customer side near the purse, watching with an earnest expression, Jani naturally seated on a wooden waiting bench in foreground at angle with asymmetric face unobstructed. Paper bundles different subdued sizes and colors but no invented readable denomination, no exact banknote portrait or seal reproduction. A bound ledger and pen, manual wooden stamp on desk, no electric calculator, no modern till, no fantasy gold piles. Coherent hand-drawn people and reference characters in one warm restrained illustration. This is currency exchange at a local branch, not a portrait of Bethlen or a central-bank ceremony. No visible political poster, no text, no iconic exterior monument. Canonical charcoal collar with four tiny pink tip balls only, solid black teardrop/oval eyes without glints, two short outer curved lashes.", "prompt": "Use case: historical-scene. Wide 1536x1024 opaque full-color hand-drawn narrative educational illustration, fine warm contours, coherent illustrated human figures, natural daylight and thoughtful period colors. One scene, no panels, text, labels, dates, watermark or modern flags. Historically grounded everyday materials and architecture; no Hollywood/game/fantasy clichés, no cinematic lighting or generic battle. Input 1 is female Jani identity reference, input 2 is Kuromi identity reference ONLY: do not copy reference props or background. Both are visibly present as curious observers and never replace historical people. Kuromi MUST exactly match canonical Input 2: dark charcoal two-point jester hood with pink skull, DARK CHARCOAL collar with ONLY FOUR SMALL PINK BALLS at its points, no pink collar fabric, black teardrop/oval eyes each with TWO SHORT CURVED OUTER EYELASHES, small white body; no obligatory magnifier/book. Jani is a female fluffy cream-white ragdoll cat, blue eyes, pink nose, large fluffy dark-brown tail; natural four-leg feline anatomy and paws, no human hands, bowtie or clothing. Jani's face MUST be asymmetric: VIEWER LEFT large DARK-BROWN eye patch; VIEWER RIGHT SMALLER LIGHTER patch, irregular white central blaze. Keep face clearly visible so patches can be inspected. Characters integrated in same drawing medium as setting, occupy about a quarter of image together. Do not invent famous monuments outside windows or on distant skylines; use native period garden foliage or modest generic vernacular buildings instead. \nLESSON SCENE: A modest Hungarian bank branch in January 1927 during the introduction of the pengő, a single everyday transaction showing monetary stabilization. Interior with dark oak teller counter, brass grille and rectangular pass-through at counter height, daylight through a plain side window. Male teller in period waistcoat compares a customer's small stack of worn old paper notes against a ruled conversion ledger while a woman clerk beside him counts clean replacement notes and a few silver-colored coins with her fingers onto a felt tray. Customer is a middle-aged seamstress in a dark wool coat with her ordinary purse, quietly attentive; another modestly dressed worker waits behind. Kuromi stands on the customer side near the purse, watching with an earnest expression, Jani naturally seated on a wooden waiting bench in foreground at angle with asymmetric face unobstructed. Paper bundles different subdued sizes and colors but no invented readable denomination, no exact banknote portrait or seal reproduction. A bound ledger and pen, manual wooden stamp on desk, no electric calculator, no modern till, no fantasy gold piles. Coherent hand-drawn people and reference characters in one warm restrained illustration. This is currency exchange at a local branch, not a portrait of Bethlen or a central-bank ceremony. No visible political poster, no text, no iconic exterior monument. Canonical charcoal collar with four tiny pink tip balls only, solid black teardrop/oval eyes without glints, two short outer curved lashes.", "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "canonicalKuromi": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [] }, "src": "assets/lesson-scenes/h09-01.webp", "sha256": "88119e0170bdb8d72132f9efdb4c89bfe259d3da290938fc8a3da32888eee7c0", "bytes": 311134, "thumbnailSrc": "assets/lesson-scenes/h09-01-preview.webp", "thumbnailSha256": "6377b991c5cce798bb6c491e29a2c9399e89bb1f3d741e4426ff21ddfdf27527", "thumbnailBytes": 91800 }, { "unitId": "h09-02", "title": "Gabonaeladás a válság idején", "alt": "Alföldi gazdacsalád gabonazsákját mechanikus mérlegen mérik, a pénz és nyilvántartás mellett Kuromi figyel, Jani a kocsi kerekénél ül.", "caption": "Szemléltető gabonafelvásárlási jelenet 1932 őszén. Az alacsonyabb terménybevétel mellett az adósság és az eszközbeszerzés továbbra is terhelte a gazdát.", "period": "1932 ősze", "setting": "Alföldi mezőváros gabonafelvásárló udvara", "historicalDetails": [ "Vászonzsákos búza, fa kocsi és mechanikus hídmérleg.", "Mérőedény, kézi főkönyv, pénz és javított ekevas a terménybevétel és eszközköltség kapcsolatát jelzi.", "Falusi munkaruha, fejkendő és alacsony, vakolt raktárépület." ], "sourceBasis": [ { "book": "hu11a", "pdfPages": [ 189, 190 ], "chapter": "Gabonaárak, eladósodás és ipari keresletcsökkenés." }, { "book": "hu11b", "pdfPages": [ 198, 199 ], "chapter": "Agrárválság és agrárolló." } ], "placement": { "area": "base", "sectionIndex": 0 }, "scene": "Hungarian Great Plain market-town grain buyer's courtyard, autumn 1932 during the agricultural price crisis. Single quiet transaction: smallholder husband in worn dark waistcoat and plain cap and wife in long skirt and headscarf stand beside only a few canvas wheat sacks on a wooden handcart. A grain merchant in sober period clothes weighs one sack on a robust mechanical beam platform scale, his assistant at a rough desk compares a grain sample in a shallow wooden measure with a ledger and a meagre row of small silver-colored coins. The farmer has a folded debt paper and a repaired ordinary iron plough part at his feet, showing the strain between grain revenue, debt and tools through concrete objects, without symbolic arrows or invented text. Kuromi near the sample measure gently touches a few loose wheat grains with one small paw and looks thoughtful, Jani naturally sits by the handcart's wooden wheel, full asymmetrical face visible. Low plastered warehouse, timber doors, clay-tiled roof and ordinary flat plain village roofs, cloudy autumn daylight, straw and packed earth, no vast modern silo or tractor. Hand-drawn illustrated humans consistent with reference characters; serious dignified interaction, no grinning caricature of merchant, no ethnicity coding, no extremist uniform or emblem, no artificial misery spectacle. Canonical Kuromi DARK charcoal collar, FOUR tiny pink tip balls only, black solid tear/oval eyes no white highlights, two short outer lashes. One continuous scene.", "prompt": "Use case: historical-scene. Wide 1536x1024 opaque full-color hand-drawn narrative educational illustration, fine warm contours, coherent illustrated human figures, natural daylight and thoughtful period colors. One scene, no panels, text, labels, dates, watermark or modern flags. Historically grounded everyday materials and architecture; no Hollywood/game/fantasy clichés, no cinematic lighting or generic battle. Input 1 is female Jani identity reference, input 2 is Kuromi identity reference ONLY: do not copy reference props or background. Both are visibly present as curious observers and never replace historical people. Kuromi MUST exactly match canonical Input 2: dark charcoal two-point jester hood with pink skull, DARK CHARCOAL collar with ONLY FOUR SMALL PINK BALLS at its points, no pink collar fabric, black teardrop/oval eyes each with TWO SHORT CURVED OUTER EYELASHES, small white body; no obligatory magnifier/book. Jani is a female fluffy cream-white ragdoll cat, blue eyes, pink nose, large fluffy dark-brown tail; natural four-leg feline anatomy and paws, no human hands, bowtie or clothing. Jani's face MUST be asymmetric: VIEWER LEFT large DARK-BROWN eye patch; VIEWER RIGHT SMALLER LIGHTER patch, irregular white central blaze. Keep face clearly visible so patches can be inspected. Characters integrated in same drawing medium as setting, occupy about a quarter of image together. Do not invent famous monuments outside windows or on distant skylines; use native period garden foliage or modest generic vernacular buildings instead. \nLESSON SCENE: Hungarian Great Plain market-town grain buyer's courtyard, autumn 1932 during the agricultural price crisis. Single quiet transaction: smallholder husband in worn dark waistcoat and plain cap and wife in long skirt and headscarf stand beside only a few canvas wheat sacks on a wooden handcart. A grain merchant in sober period clothes weighs one sack on a robust mechanical beam platform scale, his assistant at a rough desk compares a grain sample in a shallow wooden measure with a ledger and a meagre row of small silver-colored coins. The farmer has a folded debt paper and a repaired ordinary iron plough part at his feet, showing the strain between grain revenue, debt and tools through concrete objects, without symbolic arrows or invented text. Kuromi near the sample measure gently touches a few loose wheat grains with one small paw and looks thoughtful, Jani naturally sits by the handcart's wooden wheel, full asymmetrical face visible. Low plastered warehouse, timber doors, clay-tiled roof and ordinary flat plain village roofs, cloudy autumn daylight, straw and packed earth, no vast modern silo or tractor. Hand-drawn illustrated humans consistent with reference characters; serious dignified interaction, no grinning caricature of merchant, no ethnicity coding, no extremist uniform or emblem, no artificial misery spectacle. Canonical Kuromi DARK charcoal collar, FOUR tiny pink tip balls only, black solid tear/oval eyes no white highlights, two short outer lashes. One continuous scene.", "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "canonicalKuromi": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [] }, "src": "assets/lesson-scenes/h09-02.webp", "sha256": "bb03b58684f1bc67c81bf5ca3b3203e626986f46d14592d154707235f3ff142a", "bytes": 503754, "thumbnailSrc": "assets/lesson-scenes/h09-02-preview.webp", "thumbnailSha256": "d475b56e03ec9a104127b5e1ed3678c76022fe1020d77951962714ecbfa8a8d8", "thumbnailBytes": 148238 }, { "unitId": "h09-03", "title": "Névjegyzék-ellenőrzés a soproni népszavazáson", "alt": "Soproni népszavazási helyiségben női választó iratát ellenőrzik, várakozó polgárok és szövetségközi megfigyelő mellett; Kuromi és Jani az oldalsó padnál figyel.", "caption": "Szemléltető választói regisztráció Sopronban, 1921 decemberében. A város és nyolc környező község népszavazása nemzetközi megállapodás keretében zajlott.", "period": "1921. december", "setting": "Sopron, népszavazási helyiség", "historicalDetails": [ "Kézi választói névjegyzék és személyi irat ellenőrzése.", "Fa urna, elkülönített szavazási tér, korabeli polgári téli viselet.", "Női választók és szövetségközi felügyelet; a szereplők szemléltető alakok, nem azonosított tisztségviselők." ], "sourceBasis": [ { "book": "hu11a", "pdfPages": [ 146, 146 ], "chapter": "Sopron és környéke népszavazása." } ], "placement": { "area": "base", "sectionIndex": 1 }, "scene": "Sopron, 14 December 1921, a modest polling station during the internationally agreed plebiscite about whether Sopron and its surrounding district would belong to Hungary or Austria. One coherent civil scene at voter registration, NOT a rally or military victory. Interior of an ordinary municipal schoolroom with whitewashed walls, simple tile stove, high windows showing bare winter branches, long wooden table. Local male and female voters in restrained 1921 winter clothing wait calmly; a woman with plain dark felt hat presents a folded identity paper to a seated election clerk in dark suit, who checks a handwritten voter register with a pencil. A second local official watches the register; a single neutral Allied observer in plain olive-gray 1921 officer uniform stands at the far end, without invented insignia, no weapon. A sealed wooden ballot box with a narrow slot is at the far side near a plain canvas privacy screen; no ballot colors, no text, no candidate posters, no flags or political symbols, no readable identification. Kuromi stands on a low side bench observing the registration respectfully, small paws resting near a stack of unopened envelopes; Jani naturally sits beside the bench in clear foreground with asymmetric face visible. Both canonical and handdrawn in same medium as the people; calm solemn civic decision, no celebratory bias for either result. Historical focus is local voting under international supervision, with women among voters, no modern ballot booth equipment. Kuromi charcoal collar only four tiny pink point balls, black solid oval/teardrop eyes no glints, two short curved outer lashes. Ordinary period fittings, no famous building facade or city skyline.", "prompt": "Use case: historical-scene. Wide 1536x1024 opaque full-color hand-drawn narrative educational illustration, fine warm contours, coherent illustrated human figures, natural daylight and thoughtful period colors. One scene, no panels, text, labels, dates, watermark or modern flags. Historically grounded everyday materials and architecture; no Hollywood/game/fantasy clichés, no cinematic lighting or generic battle. Input 1 is female Jani identity reference, input 2 is Kuromi identity reference ONLY: do not copy reference props or background. Both are visibly present as curious observers and never replace historical people. Kuromi MUST exactly match canonical Input 2: dark charcoal two-point jester hood with pink skull, DARK CHARCOAL collar with ONLY FOUR SMALL PINK BALLS at its points, no pink collar fabric, black teardrop/oval eyes each with TWO SHORT CURVED OUTER EYELASHES, small white body; no obligatory magnifier/book. Jani is a female fluffy cream-white ragdoll cat, blue eyes, pink nose, large fluffy dark-brown tail; natural four-leg feline anatomy and paws, no human hands, bowtie or clothing. Jani's face MUST be asymmetric: VIEWER LEFT large DARK-BROWN eye patch; VIEWER RIGHT SMALLER LIGHTER patch, irregular white central blaze. Keep face clearly visible so patches can be inspected. Characters integrated in same drawing medium as setting, occupy about a quarter of image together. Do not invent famous monuments outside windows or on distant skylines; use native period garden foliage or modest generic vernacular buildings instead. \nLESSON SCENE: Sopron, 14 December 1921, a modest polling station during the internationally agreed plebiscite about whether Sopron and its surrounding district would belong to Hungary or Austria. One coherent civil scene at voter registration, NOT a rally or military victory. Interior of an ordinary municipal schoolroom with whitewashed walls, simple tile stove, high windows showing bare winter branches, long wooden table. Local male and female voters in restrained 1921 winter clothing wait calmly; a woman with plain dark felt hat presents a folded identity paper to a seated election clerk in dark suit, who checks a handwritten voter register with a pencil. A second local official watches the register; a single neutral Allied observer in plain olive-gray 1921 officer uniform stands at the far end, without invented insignia, no weapon. A sealed wooden ballot box with a narrow slot is at the far side near a plain canvas privacy screen; no ballot colors, no text, no candidate posters, no flags or political symbols, no readable identification. Kuromi stands on a low side bench observing the registration respectfully, small paws resting near a stack of unopened envelopes; Jani naturally sits beside the bench in clear foreground with asymmetric face visible. Both canonical and handdrawn in same medium as the people; calm solemn civic decision, no celebratory bias for either result. Historical focus is local voting under international supervision, with women among voters, no modern ballot booth equipment. Kuromi charcoal collar only four tiny pink point balls, black solid oval/teardrop eyes no glints, two short curved outer lashes. Ordinary period fittings, no famous building facade or city skyline.", "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "canonicalKuromi": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [] }, "src": "assets/lesson-scenes/h09-03.webp", "sha256": "4a611eccf00a026fd870003f5c78ceab7ab55915769f0641e015056291f6ca63", "bytes": 279092, "thumbnailSrc": "assets/lesson-scenes/h09-03-preview.webp", "thumbnailSha256": "71d5ad7928f08481a5f9fa727d23dbabb3631bf304d1ceac5b1209d84fa14e6b", "thumbnailBytes": 89952 }, { "unitId": "h09-04", "title": "Családi iratok és kényszerű származásigazolás", "alt": "Egy budapesti család régi anyakönyvi kivonatokat és fényképeket rendez a jogfosztó besorolás miatt; Kuromi borítékot tart, Jani az asztal mellett ül.", "caption": "Szemléltető budapesti családi jelenet 1940-ben. A származási besorolás a felmenők iratait és a család megélhetését is hatósági ellenőrzés tárgyává tette.", "period": "1940 tavasza", "setting": "Budapesti polgári lakás, családi iratok rendezése", "historicalDetails": [ "Születési és házassági iratok, családi fénykép, kézi jegyzet és papírdosszié.", "Korabeli polgári viselet, töltőtoll és egyszerű lakásbelső.", "A német megszállás előtti jogfosztás civil következménye; az alakok szemléltető szereplők." ], "sourceBasis": [ { "book": "hu11a", "pdfPages": [ 196, 196 ], "chapter": "A második zsidótörvény családi-származási besorolása." }, { "book": "hu11m", "pdfPages": [ 113, 113 ], "chapter": "Az 1939. évi IV. tc. részletei." } ], "placement": { "area": "base", "sectionIndex": 2 }, "corrections": [ { "prompt": "Make one extremely targeted correction to the first image, preserving the entire scene, documents, hands, people, Jani, composition, colors, Kuromi's expression and solid black eyes unchanged. Kuromi currently has an extra tiny pink bead/patch partly visible behind her viewer-left upper arm, just below and slightly right of the outermost viewer-left collar bead. REMOVE ONLY THAT EXTRA FIFTH pink bead/patch, replacing it with the dark charcoal collar fabric or adjacent white arm as appropriate. The collar must have EXACTLY FOUR tiny pink balls, one at each point, matching second canonical reference. Keep the four main visible beads: outer viewer-left, front viewer-left, front viewer-right, and outer viewer-right. No new pink fabric or beads, no other edits. Preserve all historical family-document scene and Jani exactly." } ], "scene": "Budapest, spring 1940, quiet civilian family documentation scene showing the personal burden of anti-Jewish laws before the German occupation. A modest middle-class dining room, ordinary Hungarian Jewish family in sober contemporary everyday clothes, no stereotyped ethnicity cues. Adult daughter and her elderly mother sort old birth and marriage certificates, a small family photograph and folded official letters across a wooden table; a male relative in worn dark suit compares the documents with a ruled list and writes down what still must be obtained. Their gestures are careful and worried, dignified, no crying spectacle. Closed medical or legal case and a plain coat on a chair hint at professional life disrupted, but no readable signs or explicit identification of a real person. The central action is tracing parents' and grandparents' documents because a discriminatory state classification threatens work and civil rights. Kuromi quietly holds an empty archival envelope at the near edge of the table, solemn small mouth and no cheerful grin, Jani naturally seated on a chair beside the table with clear asymmetric face. Soft window daylight, plain apartment wall and bookcase, brown paper folders and fountain pen, no computers, wartime stars, Nazi or Arrow Cross symbols, soldiers, weapons or deportation imagery. Do NOT depict yellow stars in 1940; no theatrical rescue, no humor. Entire scene is thoughtful hand-drawn educational illustration coherent with both references. Kuromi collar dark charcoal with only four tiny pink balls, solid black teardrop/oval eyes no highlights, two short outer lashes. Documents not legible, no invented authentic quotation. No famous monument beyond the window.", "prompt": "Use case: historical-scene. Wide 1536x1024 opaque full-color hand-drawn narrative educational illustration, fine warm contours, coherent illustrated human figures, natural daylight and thoughtful period colors. One scene, no panels, text, labels, dates, watermark or modern flags. Historically grounded everyday materials and architecture; no Hollywood/game/fantasy clichés, no cinematic lighting or generic battle. Input 1 is female Jani identity reference, input 2 is Kuromi identity reference ONLY: do not copy reference props or background. Both are visibly present as curious observers and never replace historical people. Kuromi MUST exactly match canonical Input 2: dark charcoal two-point jester hood with pink skull, DARK CHARCOAL collar with ONLY FOUR SMALL PINK BALLS at its points, no pink collar fabric, black teardrop/oval eyes each with TWO SHORT CURVED OUTER EYELASHES, small white body; no obligatory magnifier/book. Jani is a female fluffy cream-white ragdoll cat, blue eyes, pink nose, large fluffy dark-brown tail; natural four-leg feline anatomy and paws, no human hands, bowtie or clothing. Jani's face MUST be asymmetric: VIEWER LEFT large DARK-BROWN eye patch; VIEWER RIGHT SMALLER LIGHTER patch, irregular white central blaze. Keep face clearly visible so patches can be inspected. Characters integrated in same drawing medium as setting, occupy about a quarter of image together. Do not invent famous monuments outside windows or on distant skylines; use native period garden foliage or modest generic vernacular buildings instead. \nLESSON SCENE: Budapest, spring 1940, quiet civilian family documentation scene showing the personal burden of anti-Jewish laws before the German occupation. A modest middle-class dining room, ordinary Hungarian Jewish family in sober contemporary everyday clothes, no stereotyped ethnicity cues. Adult daughter and her elderly mother sort old birth and marriage certificates, a small family photograph and folded official letters across a wooden table; a male relative in worn dark suit compares the documents with a ruled list and writes down what still must be obtained. Their gestures are careful and worried, dignified, no crying spectacle. Closed medical or legal case and a plain coat on a chair hint at professional life disrupted, but no readable signs or explicit identification of a real person. The central action is tracing parents' and grandparents' documents because a discriminatory state classification threatens work and civil rights. Kuromi quietly holds an empty archival envelope at the near edge of the table, solemn small mouth and no cheerful grin, Jani naturally seated on a chair beside the table with clear asymmetric face. Soft window daylight, plain apartment wall and bookcase, brown paper folders and fountain pen, no computers, wartime stars, Nazi or Arrow Cross symbols, soldiers, weapons or deportation imagery. Do NOT depict yellow stars in 1940; no theatrical rescue, no humor. Entire scene is thoughtful hand-drawn educational illustration coherent with both references. Kuromi collar dark charcoal with only four tiny pink balls, solid black teardrop/oval eyes no highlights, two short outer lashes. Documents not legible, no invented authentic quotation. No famous monument beyond the window.", "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "canonicalKuromi": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [] }, "src": "assets/lesson-scenes/h09-04.webp", "sha256": "ab3c2f570c9657178c91f9ac590b87121fb776076bbd2ba8bf2a49a11f2a473e", "bytes": 348598, "thumbnailSrc": "assets/lesson-scenes/h09-04-preview.webp", "thumbnailSha256": "7ae2a4cf6d17a1d750e9acc7fe1f394ad0975e711f407691051ca5ce813c358b", "thumbnailBytes": 115776 }, { "unitId": "h09-05", "title": "Több évfolyam egy tanyai tanteremben", "alt": "Tanyai népiskolában tanító számolást gyakorol egy kislánnyal, idősebb gyermekek olvasnak és írnak; Kuromi figyel, Jani az első padnál ül.", "caption": "Szemléltető tanyai tanítás 1928-ban. A tanteremhez kapcsolt tanítói lakás a folyamatos helyi oktatás egyik feltételét teremtette meg.", "period": "1928 tavasza", "setting": "Alföldi tanyai népiskola tanterme, kapcsolódó tanítói lakással", "historicalDetails": [ "Több évfolyam egy tanítóval, palatábla és számoló babszemek.", "Fa iskolapadok, kályha, olvasókönyv és írófüzet.", "A tanteremhez kapcsolt tanítói lakás a klebelsbergi mintatervek intézményi megoldását szemlélteti." ], "sourceBasis": [ { "book": "hu11a", "pdfPages": [ 186, 187 ], "chapter": "Népiskolai építkezés, tanítói lakás és oktatási feltételek." }, { "book": "hu11b", "pdfPages": [ 192, 193 ], "chapter": "A népiskolai fejlesztés és iskolai utak." }, { "book": "hu11m", "pdfPages": [ 104, 104 ], "chapter": "Osztatlan iskola és építési feltételek." } ], "placement": { "area": "base", "sectionIndex": 0 }, "scene": "One-room Hungarian Great Plain tanyai népiskola classroom in 1928 during Klebelsberg's school-building programme, modest newly plastered brick school rather than an ornate urban building. One teacher in a simple dark 1920s suit divides attention between mixed ages: he kneels slightly beside a younger girl counting dry beans on a small wooden slate frame, while two older pupils at the next bench quietly read from a plain primer and copy into exercise books. Other boys and girls in simple rural clothes and sturdy shoes sit at wooden school desks, daylight from broad clean windows, a tile stove, wooden floor, plain blackboard with indistinct chalk strokes but no readable text, wall hooks with modest coats. Through the open interior side door a glimpse of the teacher's adjoining modest room with a bed and small shelf, enough to show the school and teacher's dwelling are connected, not a second panel. Kuromi stands quietly near the beans and watches without replacing the human teacher, one small paw resting on the desk edge; Jani sits naturally near a front bench with full asymmetric face visible. Ordinary low farm roofs and bare-to-budding spring trees outside, no city monuments. Show actual teaching of several ages and the practical infrastructure behind access to education, no celebration, no propaganda symbols, no school uniforms copied from modern anime, no digital screen or modern furniture. Same warm illustrated rendering for humans and canonical characters; Kuromi exactly FOUR tiny pink collar balls, dark charcoal collar, black solid oval/teardrop eyes and two short outer lashes. No white glints in Kuromi eyes. Calm natural spring daylight.", "prompt": "Use case: historical-scene. Wide 1536x1024 opaque full-color hand-drawn narrative educational illustration, fine warm contours, coherent illustrated human figures, natural daylight and thoughtful period colors. One scene, no panels, text, labels, dates, watermark or modern flags. Historically grounded everyday materials and architecture; no Hollywood/game/fantasy clichés, no cinematic lighting or generic battle. Input 1 is female Jani identity reference, input 2 is Kuromi identity reference ONLY: do not copy reference props or background. Both are visibly present as curious observers and never replace historical people. Kuromi MUST exactly match canonical Input 2: dark charcoal two-point jester hood with pink skull, DARK CHARCOAL collar with ONLY FOUR SMALL PINK BALLS at its points, no pink collar fabric, black teardrop/oval eyes each with TWO SHORT CURVED OUTER EYELASHES, small white body; no obligatory magnifier/book. Jani is a female fluffy cream-white ragdoll cat, blue eyes, pink nose, large fluffy dark-brown tail; natural four-leg feline anatomy and paws, no human hands, bowtie or clothing. Jani's face MUST be asymmetric: VIEWER LEFT large DARK-BROWN eye patch; VIEWER RIGHT SMALLER LIGHTER patch, irregular white central blaze. Keep face clearly visible so patches can be inspected. Characters integrated in same drawing medium as setting, occupy about a quarter of image together. Do not invent famous monuments outside windows or on distant skylines; use native period garden foliage or modest generic vernacular buildings instead. \nLESSON SCENE: One-room Hungarian Great Plain tanyai népiskola classroom in 1928 during Klebelsberg's school-building programme, modest newly plastered brick school rather than an ornate urban building. One teacher in a simple dark 1920s suit divides attention between mixed ages: he kneels slightly beside a younger girl counting dry beans on a small wooden slate frame, while two older pupils at the next bench quietly read from a plain primer and copy into exercise books. Other boys and girls in simple rural clothes and sturdy shoes sit at wooden school desks, daylight from broad clean windows, a tile stove, wooden floor, plain blackboard with indistinct chalk strokes but no readable text, wall hooks with modest coats. Through the open interior side door a glimpse of the teacher's adjoining modest room with a bed and small shelf, enough to show the school and teacher's dwelling are connected, not a second panel. Kuromi stands quietly near the beans and watches without replacing the human teacher, one small paw resting on the desk edge; Jani sits naturally near a front bench with full asymmetric face visible. Ordinary low farm roofs and bare-to-budding spring trees outside, no city monuments. Show actual teaching of several ages and the practical infrastructure behind access to education, no celebration, no propaganda symbols, no school uniforms copied from modern anime, no digital screen or modern furniture. Same warm illustrated rendering for humans and canonical characters; Kuromi exactly FOUR tiny pink collar balls, dark charcoal collar, black solid oval/teardrop eyes and two short outer lashes. No white glints in Kuromi eyes. Calm natural spring daylight.", "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "canonicalKuromi": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [] }, "src": "assets/lesson-scenes/h09-05.webp", "sha256": "149f9c618f215b311feff4d2d0479d877e5d6c1e257904ffe50d3ccc051d6446", "bytes": 347996, "thumbnailSrc": "assets/lesson-scenes/h09-05-preview.webp", "thumbnailSha256": "a3889f5fec61f7b92924568298cc4f69cd5ab482c57d37ec207a6dd4f7ec0149", "thumbnailBytes": 110954 }, { "unitId": "h10-01", "title": "Ellátás a visszavonulásban", "alt": "Nővér kötözi egy kimerült magyar katona kezét egy téli faházban; kevés étel és takaró mellett Kuromi tiszta kendőt nyújt, Jani figyel.", "caption": "Szerzői rekonstrukció egy ideiglenes téli ellátóhelyről a doni visszavonulás idején. Az élelem, kötözőanyag és szállítás az életben maradás feltétele volt; a kép nem azonosított esemény dokumentuma.", "period": "1943. január vége", "setting": "A doni front mögötti egyszerű falusi faház, ideiglenes humanitárius ellátóhely.", "historicalDetails": [ "Gyapjú- és báránybőr rétegek, kimerült katonák, egyszerű fahelyiség.", "Fém ételtál, kevés kenyér, kötözőanyag és takaró mint korlátozott ellátási készlet.", "A havas ablakon látható fogat a szállítás nehézségére utal; nem hadműveleti térkép.", "A nővér ruháján nincs katonai rendfokozat vagy idegen gallérjelzés." ], "sourceBasis": [ { "book": "hu11a", "pdfPages": [ 227, 228 ], "note": "Téli ellátási nehézségek és Stomm parancsa." }, { "book": "hu11m", "pdfPages": [ 129, 130 ], "note": "Felszerelés, ellátás és végrehajtható feladat viszonya." } ], "placement": { "area": "advanced", "sectionIndex": 1 }, "corrections": [ { "prompt": "Use case: precise-object-edit. Edit Image 1, the historical relief scene. Change ONLY the medical helper's clothing at center-left: replace the red military collar tabs and khaki officer uniform with a plain modest gray wool nurse's dress and gray cardigan appropriate to a Hungarian Red Cross volunteer in winter 1943; simple white nurse's cap instead of the military side cap; keep the white medical armband with red cross. No rank, no Soviet collar tabs, no military insignia. Keep her face, hands and bandaging pose, injured soldier, other soldier, food, snowy hut, supplies, composition and warm drawing medium unchanged. Keep Jani and canonical Kuromi unchanged, including FOUR small pink collar point balls, solid dark teardrop eyes, short outer lashes. The correction should identify a humanitarian nurse rather than suggest a Soviet officer uniform.", "reason": "A nővér korábbi vörös katonai gallérlapjai félreérthetőek voltak; jelzés nélküli humanitárius öltözetre javítva." } ], "scene": "1943. január vége, a Don mellől visszavonuló magyar katonák ideiglenes ellátóhelye egy szerény falusi faházban: meleg étel, kötözés és hiányos készlet.", "prompt": "Use case: historical-scene. Wide 1536x1024 opaque full-color hand-drawn narrative educational illustration, fine warm contours, coherent illustrated human figures, natural daylight and thoughtful period colors. One scene, no panels, text, labels, dates, watermark or modern flags. Historically grounded everyday materials and architecture; no Hollywood/game/fantasy clichés, no cinematic lighting or generic battle. Input 1 is female Jani identity reference, input 2 is Kuromi identity reference ONLY: do not copy reference props or background. Both are visibly present as curious observers and never replace historical people. Kuromi MUST exactly match canonical Input 2: dark charcoal two-point jester hood with pink skull, DARK CHARCOAL collar with ONLY FOUR SMALL PINK BALLS at its points, no pink collar fabric, black teardrop/oval eyes each with TWO SHORT CURVED OUTER EYELASHES, small white body; no obligatory magnifier/book. Jani is a female fluffy cream-white ragdoll cat, blue eyes, pink nose, large fluffy dark-brown tail; natural four-leg feline anatomy and paws, no human hands, bowtie or clothing. Jani's face MUST be asymmetric: VIEWER LEFT large DARK-BROWN eye patch; VIEWER RIGHT SMALLER LIGHTER patch, irregular white central blaze. Keep face clearly visible so patches can be inspected. Characters integrated in same drawing medium as setting, occupy about a quarter of image together. Do not invent famous monuments outside windows or on distant skylines; use native period garden foliage or modest generic vernacular buildings instead. Scene/backdrop: late January 1943, a temporary Hungarian army relief point in a modest wooden rural hut behind the collapsing Don front. A sober, compassionate reconstruction, no named real event or specific historical portrait. At a rough table a Hungarian medic in worn khaki wool uniform and simple cloth medical armband carefully wraps a seated exhausted soldier's frost-damaged hand with clean cloth, no gore or visible wound; another thin soldier in an old sheepskin layer holds a plain metal soup bowl. Show missing supplies through nearly empty bread basket, small sack and stack of a few blankets, not dramatic piles. A small stove and steaming soup pot, bare timber walls, icy little window with snow and a simple wooden cart partly visible outside establish cold and fragile logistics. Kuromi at the near side of table quietly offers a folded clean cloth; solemn attentive expression and exact canonical solid eyes, FOUR tiny pink point beads only. Jani sits naturally near the folded blankets, her asymmetric face visible, observing the aid. The historical humans remain the main actors, varied ordinary faces and grounded anatomy. No cheerful mascot pose, no smile, no triumph, no weapons in use, no corpses, no explosions, no SS or Nazi symbols. Illustrated muted khaki, wood brown and gray-blue winter light with modest stove warmth. The scene should explain survival depending on food, dressing and transport rather than turn the Don defeat into a heroic battle spectacle.", "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "canonicalKuromi": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [] }, "src": "assets/lesson-scenes/h10-01.webp", "sha256": "76f81e38bfc99055f912f01f035aaad013a978613a90cfa9d9faea63d0c95f5c", "bytes": 406060, "thumbnailSrc": "assets/lesson-scenes/h10-01-preview.webp", "thumbnailSha256": "d47daba79a51a884ba2516bcd630d4abafc26ae9101a5f45011efe35f4bb22cd", "thumbnailBytes": 138752 }, { "unitId": "h10-02", "title": "Rádiókiáltvány egy budapesti lakásban", "alt": "Budapesti család és szomszédok feszülten hallgatnak egy korabeli rádiót; Kuromi és az aszimmetrikus arcú Jani mellettük figyel.", "caption": "Szerzői rekonstrukció 1944. október 15-éről. A rádió közölhette a politikai szándékot, de a csapatok átállásához biztos parancsnoki kapcsolat és konkrét katonai feladat kellett.", "period": "1944. október 15.", "setting": "Budapesti városi lakás hétköznapi rádióval és egyszerű háztartási tárgyakkal.", "historicalDetails": [ "Fa rádióház, textil hangszóró és üveg skálamező; nincs képernyő vagy mai eszköz.", "1940-es évekbeli civil ruha, kardigán, hétköznapi asztal és kenyér.", "Az ablakon egyszerű budapesti bérházhomlokzat látható, mai emlékmű nélkül.", "A hallgatók bizonytalanságát ábrázoló, nem azonosított háztartás." ], "sourceBasis": [ { "book": "hu11a", "pdfPages": [ 249, 250 ], "note": "Előzetes feltételek, rádiókiáltvány és végrehajtási hiány." }, { "book": "hu11b", "pdfPages": [ 248, 250 ], "note": "A kiugrás politikai bejelentésének és katonai kudarcának viszonya." } ], "placement": { "area": "base", "sectionIndex": 2 }, "scene": "1944. október 15., budapesti lakás: család és szomszédok feszülten hallgatják a rádiókiáltványt, miközben a katonai végrehajtás bizonytalan.", "prompt": "Use case: historical-scene. Wide 1536x1024 opaque full-color hand-drawn narrative educational illustration, fine warm contours, coherent illustrated human figures, natural daylight and thoughtful period colors. One scene, no panels, text, labels, dates, watermark or modern flags. Historically grounded everyday materials and architecture; no Hollywood/game/fantasy clichés, no cinematic lighting or generic battle. Input 1 is female Jani identity reference, input 2 is Kuromi identity reference ONLY: do not copy reference props or background. Both are visibly present as curious observers and never replace historical people. Kuromi MUST exactly match canonical Input 2: dark charcoal two-point jester hood with pink skull, DARK CHARCOAL collar with ONLY FOUR SMALL PINK BALLS at its points, no pink collar fabric, black teardrop/oval eyes each with TWO SHORT CURVED OUTER EYELASHES, small white body; no obligatory magnifier/book. Jani is a female fluffy cream-white ragdoll cat, blue eyes, pink nose, large fluffy dark-brown tail; natural four-leg feline anatomy and paws, no human hands, bowtie or clothing. Jani's face MUST be asymmetric: VIEWER LEFT large DARK-BROWN eye patch; VIEWER RIGHT SMALLER LIGHTER patch, irregular white central blaze. Keep face clearly visible so patches can be inspected. Characters integrated in same drawing medium as setting, occupy about a quarter of image together. Do not invent famous monuments outside windows or on distant skylines; use native period garden foliage or modest generic vernacular buildings instead. Scene/backdrop: Budapest, 15 October 1944, an ordinary middle-income urban apartment living room during the radio announcement of the attempted armistice. Main narrative is uncertainty of civilian listeners, a political announcement that does not itself create military action. At an unadorned wooden sideboard a period 1930s brown wooden tabletop valve radio with cloth speaker and glass tuning strip is on; NO screen, modern buttons or headphones. A mother in modest 1940s dress, an older woman wearing a gray cardigan, and a man in an ordinary civilian wool jacket listen intently, concerned faces, no cheering or smiles. A teenage girl stops folding worn clothing and looks toward the adults. A small calendar is turned away with no readable writing; two ration-paper rectangles and plain bread loaf on table, a cup. Tall simple casement window with half-drawn plain curtains shows neighboring 19th-century Budapest apartment facades, no famous skyline. Kuromi stands beside the table looking thoughtfully toward the radio, exact dark charcoal collar with ONLY FOUR tiny pink point beads, solid black drop eyes with short outer lashes, no glints. Jani sits naturally near the teenage girl, asymmetric dark viewer-left eye patch clearly visible. Modest afternoon daylight, tense quiet listening. No soldiers, no Nazi or Arrow Cross symbols, no guns, no battle, no invented newspaper text. Human figures all rendered with the same hand-drawn warm contours and matte painterly surface as the characters, not photographic collage. The scene is a respectful generic reconstruction rather than a named real household.", "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "canonicalKuromi": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [] }, "src": "assets/lesson-scenes/h10-02.webp", "sha256": "15ac9ab1de80c99aef1566b6d00ec3044926919559f64619f1856c5ba5714ce7", "bytes": 391214, "thumbnailSrc": "assets/lesson-scenes/h10-02-preview.webp", "thumbnailSha256": "5d48e0932ef98cb07c10a7268cf6c34ba1e00474e797cb2646f7cc7b8f53f7c9", "thumbnailBytes": 115544 }, { "unitId": "h10-03", "title": "Egy mentőotthon mindennapi munkája", "alt": "Gondozók meleg ruhát, takarót és ételt biztosítanak üldözött gyermekeknek egy 1944-es budapesti mentőotthonban. Kuromi takarót hajtogat, Jani egy fekhely mellett figyel.", "caption": "Szerzői rekonstrukció Sztehlo Gábor 1944 őszén szervezett otthonhálózatának munkájáról. A vöröskeresztes kapcsolat mellé épület, gondozó és napi ellátás kellett; a védelem nem jelentett biztos sérthetetlenséget.", "period": "1944. november", "setting": "Egy nem azonosított budapesti magánvilla ideiglenes gyermekotthonná alakított belső tere.", "historicalDetails": [ "Sztehlo a Jó Pásztor keretében, Friedrich Born és a Nemzetközi Vöröskereszt támogatásával szervezett otthonokat.", "Gondozók, egyszerű fekhelyek, ruházat, cipő és étel jelzi a mentés személyi és anyagi feltételeit.", "A vöröskeresztes jel a kapcsolatot szemlélteti, nem hiteles okirat másolata vagy biztos sérthetetlenség állítása.", "A kép nem a későbbi, 1945-től létrejövő Gaudiopolist ábrázolja, és senki sem azonosított személy portréja." ], "sourceBasis": [ { "book": "hu11a", "pdfPages": [ 238, 239 ], "note": "Embermentő otthonhálózat és segítség." }, { "title": "Életiskola – Sztehlo Gábor, Evangélikus Országos Múzeum, 2025.", "url": "https://medit.lutheran.hu/files/SZG_katalogus_2026_net.pdf", "pdfPages": [ 66, 67, 70, 72, 171, 172, 173 ], "note": "Az 1944 őszi otthonok, vöröskeresztes védettségi tárgyak és az 1945-ös Gaudiopolis külön időrendje." } ], "placement": { "area": "base", "sectionIndex": 3 }, "scene": "1944 novembere, Sztehlo Gábor mentőotthon-hálózatának egyik budapesti villabelsője: gondozók fekhelyet, meleg ruhát és ételt szerveznek üldözött gyermekeknek.", "prompt": "Use case: historical-scene. Wide 1536x1024 opaque full-color hand-drawn narrative educational illustration, fine warm contours, coherent illustrated human figures, natural daylight and thoughtful period colors. One scene, no panels, text, labels, dates, watermark or modern flags. Historically grounded everyday materials and architecture; no Hollywood/game/fantasy clichés, no cinematic lighting or generic battle. Input 1 is female Jani identity reference, input 2 is Kuromi identity reference ONLY: do not copy reference props or background. Both are visibly present as curious observers and never replace historical people. Kuromi MUST exactly match canonical Input 2: dark charcoal two-point jester hood with pink skull, DARK CHARCOAL collar with ONLY FOUR SMALL PINK BALLS at its points, no pink collar fabric, black teardrop/oval eyes each with TWO SHORT CURVED OUTER EYELASHES, small white body; no obligatory magnifier/book. Jani is a female fluffy cream-white ragdoll cat, blue eyes, pink nose, large fluffy dark-brown tail; natural four-leg feline anatomy and paws, no human hands, bowtie or clothing. Jani's face MUST be asymmetric: VIEWER LEFT large DARK-BROWN eye patch; VIEWER RIGHT SMALLER LIGHTER patch, irregular white central blaze. Keep face clearly visible so patches can be inspected. Characters integrated in same drawing medium as setting, occupy about a quarter of image together. Do not invent famous monuments outside windows or on distant skylines; use native period garden foliage or modest generic vernacular buildings instead. Scene/backdrop: Budapest November 1944, a quiet respectful interior reconstruction of one temporary children's shelter in Gabor Sztehlo's rescue network, supported by the Good Shepherd organization and International Red Cross. NOT Gaudiopolis, which belongs to 1945; no child republic, no festive school. No portrait of Sztehlo or any named individual. In a former modest villa sitting room converted for refuge, two ordinary adult civilian caregivers in plain 1940s wool clothes organize sleeping places and warm food for four Jewish children aged roughly 6 to 13, all fully dressed in worn ordinary civilian clothing, different individual faces, attentive subdued and wary expressions. One caregiver at a rough table checks small intake cards and hands an older child a folded wool sweater; another kneels beside a simple cot tucking a blanket around a seated younger girl while listening to her. A metal soup pot with few bowls on a side table, folded spare blankets, mismatched wooden chairs, low cots with simple linen, and a cardboard box of shoes make the actual daily work of rescue legible. Near the closed entrance a small plain paper with ONLY a simple red cross, no text, hints at Red Cross protection without inventing a readable authentic document; do not turn it into a hospital. Tall half-curtained villa window, bare November tree beyond, no famous monument. Kuromi at lower foreground quietly helps fold one blanket, concerned solemn face with canonical solid black teardrop eyes, short outer lashes, exact charcoal collar FOUR tiny pink point balls only; no grin or playful posing. Jani sits naturally beside a cot, gently observant, visibly female ragdoll identity with larger dark VIEWER-LEFT patch and smaller lighter VIEWER-RIGHT patch. No yellow-star spectacle, no striped camp clothes, no emaciation, no soldiers, no guns, no captors, no violence, no corpses, no triumphant rescue fantasy. Warm muted hand-drawn contours and matte painted humans unified with the characters. The room offers temporary help under threat, not guaranteed safety or a happy ending. Single 1536x1024 scene, no panels, no typography.", "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "canonicalKuromi": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "issues": [] }, "src": "assets/lesson-scenes/h10-03.webp", "sha256": "dab922c189f7e176179650fe9a46563feb971b8d65e43f4cce3d7f6106d767bd", "bytes": 362994, "thumbnailSrc": "assets/lesson-scenes/h10-03-preview.webp", "thumbnailSha256": "5ea31a3f943e214ed76a8f8fb3c6f443e6e29e922f152be96f83ac1eababfa23", "thumbnailBytes": 114832 }, { "unitId": "h10-04", "title": "Víz és segítség egy ostrom utáni budapesti udvarban", "alt": "Kuromi és Jani egy sérült budapesti bérházudvarban figyeli a vízért és takarókért érkező civilek segítését.", "caption": "Budapest 1945-ös ostroma a lakásokat és a közműveket is súlyosan megrongálta. A víz és a lakhatás biztosítása az újjáinduló civil élet alapfeltétele lett.", "scene": "Budapest in February 1945, just after siege, a damaged late nineteenth-century apartment courtyard. At a surviving courtyard water pump a woman in a worn wool coat fills a dented enamel pail while a civilian neighbor checks a handwritten household relief list, unreadable. Another adult quietly carries clean blankets from a cellar entrance. Broken windows boarded with wood, patched plaster, modest rubble kept to edges, washbasins and a simple handcart. No weapons, uniforms, soldiers, corpses, wounded bodies or comic expressions. Kuromi beside the relief table listens seriously; Jani on four paws beside the blanket basket faces the viewer. The mechanism is disruption of water and housing followed by civilian mutual aid, not combat spectacle. Wide courtyard view with people in middle ground and both observers within the action.", "setting": "Budapest, 1945 februárja", "historicalDetails": [ "Sérült budapesti bérházudvar", "Kézi vízszivattyú és zománcozott vödör", "Pincelejárat és takarók", "Papíralapú segélylista" ], "placement": { "area": "base", "sectionIndex": 0 }, "period": "1944–1947", "sourceBasis": [ { "book": "hu11a", "pdfPages": [ 252, 257 ], "chapter": "Magyarország pusztulása; A szovjet megszállás következményei" }, { "book": "hu11b", "pdfPages": [ 253, 254 ], "chapter": "Magyarország pusztulása: szovjet megszállás és veszteségek" } ], "prompt": "Use case: historical-scene. Generate ONE complete landscape 1536x1024 opaque full-color educational story illustration, one coherent moment, no panels. Identity references: image 1 is Jani the female cat; images 2 and 3 are canonical Kuromi. Use references ONLY for character identity and drawing style. All humans, architecture and objects must also be visibly HAND-DRAWN anime/gouache storybook illustration with fine clean outlines and simplified painted faces, never photographs. Natural daylight, thoughtful realistic period colors, ordinary historically accurate objects, no cinematic drama. Kuromi and Jani are small observers integrated naturally at ground level, both fully visible with readable faces, never replacing real human actors. Kuromi: charcoal black two-point jester hood, pink skull emblem, white face/body. EXACT canonical collar: solid DARK CHARCOAL, FOUR POINTS with exactly FOUR TINY PINK BALLS, one at each point. Two outer shoulder points and two lower inner points separated by an UPWARD central V-shaped notch; NO downward central fifth point, NO pink surface/trim/stripe/frill. Kuromi eyes: FLAT SOLID BLACK teardrop/ovals, exactly two SHORT CURVED outer eyelashes per eye as reference. Absolutely NO iris, brown eye color, glossy pupils, highlights, white glints, rings or long lashes. Neutral thoughtful expression, serious for hardship. Jani: FEMALE fluffy cream-white ragdoll CAT, natural feline four legs and paws, blue eyes, pink nose, dark brown fluffy tail. Strong asymmetric face: VIEWER LEFT large dark-brown eye patch; VIEWER RIGHT smaller LIGHTER brown patch; irregular white central blaze. No clothes, bowtie, human hands, anthropomorphic body or male styling. Faces must remain readable, neither turned away. No legible writing, labels, captions, dates, watermark, flags, logos or speech bubbles. No Hollywood/game/fantasy tropes, heroic battle tableaux or explosions. Respectful civilian historical reconstruction, never cute propaganda. \nScene for h10-04: Budapest in February 1945, just after siege, a damaged late nineteenth-century apartment courtyard. At a surviving courtyard water pump a woman in a worn wool coat fills a dented enamel pail while a civilian neighbor checks a handwritten household relief list, unreadable. Another adult quietly carries clean blankets from a cellar entrance. Broken windows boarded with wood, patched plaster, modest rubble kept to edges, washbasins and a simple handcart. No weapons, uniforms, soldiers, corpses, wounded bodies or comic expressions. Kuromi beside the relief table listens seriously; Jani on four paws beside the blanket basket faces the viewer. The mechanism is disruption of water and housing followed by civilian mutual aid, not combat spectacle. Wide courtyard view with people in middle ground and both observers within the action.", "generationPrompt": "Use case: historical-scene. Generate ONE complete landscape 1536x1024 opaque full-color educational story illustration, one coherent moment, no panels. Identity references: image 1 is Jani the female cat; images 2 and 3 are canonical Kuromi. Use references ONLY for character identity and drawing style. All humans, architecture and objects must also be visibly HAND-DRAWN anime/gouache storybook illustration with fine clean outlines and simplified painted faces, never photographs. Natural daylight, thoughtful realistic period colors, ordinary historically accurate objects, no cinematic drama. Kuromi and Jani are small observers integrated naturally at ground level, both fully visible with readable faces, never replacing real human actors. Kuromi: charcoal black two-point jester hood, pink skull emblem, white face/body. EXACT canonical collar: solid DARK CHARCOAL, FOUR POINTS with exactly FOUR TINY PINK BALLS, one at each point. Two outer shoulder points and two lower inner points separated by an UPWARD central V-shaped notch; NO downward central fifth point, NO pink surface/trim/stripe/frill. Kuromi eyes: FLAT SOLID BLACK teardrop/ovals, exactly two SHORT CURVED outer eyelashes per eye as reference. Absolutely NO iris, brown eye color, glossy pupils, highlights, white glints, rings or long lashes. Neutral thoughtful expression, serious for hardship. Jani: FEMALE fluffy cream-white ragdoll CAT, natural feline four legs and paws, blue eyes, pink nose, dark brown fluffy tail. Strong asymmetric face: VIEWER LEFT large dark-brown eye patch; VIEWER RIGHT smaller LIGHTER brown patch; irregular white central blaze. No clothes, bowtie, human hands, anthropomorphic body or male styling. Faces must remain readable, neither turned away. No legible writing, labels, captions, dates, watermark, flags, logos or speech bubbles. No Hollywood/game/fantasy tropes, heroic battle tableaux or explosions. Respectful civilian historical reconstruction, never cute propaganda. \nScene for h10-04: Budapest in February 1945, just after siege, a damaged late nineteenth-century apartment courtyard. At a surviving courtyard water pump a woman in a worn wool coat fills a dented enamel pail while a civilian neighbor checks a handwritten household relief list, unreadable. Another adult quietly carries clean blankets from a cellar entrance. Broken windows boarded with wood, patched plaster, modest rubble kept to edges, washbasins and a simple handcart. No weapons, uniforms, soldiers, corpses, wounded bodies or comic expressions. Kuromi beside the relief table listens seriously; Jani on four paws beside the blanket basket faces the viewer. The mechanism is disruption of water and housing followed by civilian mutual aid, not combat spectacle. Wide courtyard view with people in middle ground and both observers within the action.", "generationReferences": [ "jani.png", "kuromi-canonical.png", "kuromi-canonical-2.png" ], "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "canonicalKuromi": true, "issues": [], "method": "A teljes generált kép szemrevételezve: korhű környezet, komoly vagy helyzethez illő arckifejezések; Kuromi sötét gallérja és tömör fekete szemei; Jani aszimmetrikus arcmintája." }, "corrections": [], "src": "assets/lesson-scenes/h10-04.webp", "sha256": "d04890e81febcb19f7276678ff417fb8bb57e5b77b5bc4f4ffc2aaa521fb9717", "bytes": 467150, "thumbnailSrc": "assets/lesson-scenes/h10-04-preview.webp", "thumbnailSha256": "331a773a5aea6953c24af177b02fff1ef7fb319c444f5df7adcbc4d8a1be5152", "thumbnailBytes": 145722 }, { "unitId": "h11-01", "title": "Földosztás után: a parcella kimérése", "alt": "Kuromi és Jani mellett falusi család és földosztó bizottsági tag mérőlánccal és facövekekkel jelöli ki a parcellát.", "caption": "Az 1945-ös földreform új birtokosokat teremtett, de a parcella önmagában nem biztosított igavonó állatot, vetőmagot vagy szerszámot.", "scene": "Hungarian village edge in spring 1945 during the land reform. On an ordinary open field a local land-allocation committee surveyor and a peasant woman and man measure a new small parcel with wooden stakes and a measuring chain. A plain paper parcel sketch is held on a board without readable marks. Behind are low whitewashed farmhouses, an old horse cart and a neighbor lending a spade. Show the practical difficulty of making newly allocated land productive with scarce draft animals and tools, not a triumphant propaganda rally. Kuromi stands close to one boundary stake watching the chain measurement; Jani stands naturally beside the loaned spade, front face visible. Quiet broad field composition, subdued spring light, period wool jackets and headscarves.", "setting": "Magyar falu határa, 1945 tavasza", "historicalDetails": [ "Mérőlánc és facövek", "Kézzel rajzolt parcellavázlat", "Lóvontatású szekér", "Kölcsönadott ásó" ], "placement": { "area": "base", "sectionIndex": 1 }, "period": "1945–1947", "sourceBasis": [ { "book": "hu12a", "pdfPages": [ 11, 11 ], "chapter": "Az átmenet évei: pénzromlás és földosztás" }, { "book": "hu12a", "pdfPages": [ 13, 14 ], "chapter": "Az 1945-ös választás és a koalíció erőviszonyai" }, { "book": "hu12b", "pdfPages": [ 9, 13 ], "chapter": "Földosztás, választások, újjáépítés és a forint" }, { "book": "hu12m", "pdfPages": [ 10, 11 ], "chapter": "Választási adatok és az 1946. évi I. törvénycikk forrása" } ], "prompt": "Use case: historical-scene. Generate ONE complete landscape 1536x1024 opaque full-color educational story illustration, one coherent moment, no panels. Identity references: image 1 is Jani the female cat; images 2 and 3 are canonical Kuromi. Use references ONLY for character identity and drawing style. All humans, architecture and objects must also be visibly HAND-DRAWN anime/gouache storybook illustration with fine clean outlines and simplified painted faces, never photographs. Natural daylight, thoughtful realistic period colors, ordinary historically accurate objects, no cinematic drama. Kuromi and Jani are small observers integrated naturally at ground level, both fully visible with readable faces, never replacing real human actors. Kuromi: charcoal black two-point jester hood, pink skull emblem, white face/body. EXACT canonical collar: solid DARK CHARCOAL, FOUR POINTS with exactly FOUR TINY PINK BALLS, one at each point. Two outer shoulder points and two lower inner points separated by an UPWARD central V-shaped notch; NO downward central fifth point, NO pink surface/trim/stripe/frill. Kuromi eyes: FLAT SOLID BLACK teardrop/ovals, exactly two SHORT CURVED outer eyelashes per eye as reference. Absolutely NO iris, brown eye color, glossy pupils, highlights, white glints, rings or long lashes. Neutral thoughtful expression, serious for hardship. Jani: FEMALE fluffy cream-white ragdoll CAT, natural feline four legs and paws, blue eyes, pink nose, dark brown fluffy tail. Strong asymmetric face: VIEWER LEFT large dark-brown eye patch; VIEWER RIGHT smaller LIGHTER brown patch; irregular white central blaze. No clothes, bowtie, human hands, anthropomorphic body or male styling. Faces must remain readable, neither turned away. No legible writing, labels, captions, dates, watermark, flags, logos or speech bubbles. No Hollywood/game/fantasy tropes, heroic battle tableaux or explosions. Respectful civilian historical reconstruction, never cute propaganda. \nScene for h11-01: Hungarian village edge in spring 1945 during the land reform. On an ordinary open field a local land-allocation committee surveyor and a peasant woman and man measure a new small parcel with wooden stakes and a measuring chain. A plain paper parcel sketch is held on a board without readable marks. Behind are low whitewashed farmhouses, an old horse cart and a neighbor lending a spade. Show the practical difficulty of making newly allocated land productive with scarce draft animals and tools, not a triumphant propaganda rally. Kuromi stands close to one boundary stake watching the chain measurement; Jani stands naturally beside the loaned spade, front face visible. Quiet broad field composition, subdued spring light, period wool jackets and headscarves.", "generationPrompt": "Use case: historical-scene. Generate ONE complete landscape 1536x1024 opaque full-color educational story illustration, one coherent moment, no panels. Identity references: image 1 is Jani the female cat; images 2 and 3 are canonical Kuromi. Use references ONLY for character identity and drawing style. All humans, architecture and objects must also be visibly HAND-DRAWN anime/gouache storybook illustration with fine clean outlines and simplified painted faces, never photographs. Natural daylight, thoughtful realistic period colors, ordinary historically accurate objects, no cinematic drama. Kuromi and Jani are small observers integrated naturally at ground level, both fully visible with readable faces, never replacing real human actors. Kuromi: charcoal black two-point jester hood, pink skull emblem, white face/body. EXACT canonical collar: solid DARK CHARCOAL, FOUR POINTS with exactly FOUR TINY PINK BALLS, one at each point. Two outer shoulder points and two lower inner points separated by an UPWARD central V-shaped notch; NO downward central fifth point, NO pink surface/trim/stripe/frill. Kuromi eyes: FLAT SOLID BLACK teardrop/ovals, exactly two SHORT CURVED outer eyelashes per eye as reference. Absolutely NO iris, brown eye color, glossy pupils, highlights, white glints, rings or long lashes. Neutral thoughtful expression, serious for hardship. Jani: FEMALE fluffy cream-white ragdoll CAT, natural feline four legs and paws, blue eyes, pink nose, dark brown fluffy tail. Strong asymmetric face: VIEWER LEFT large dark-brown eye patch; VIEWER RIGHT smaller LIGHTER brown patch; irregular white central blaze. No clothes, bowtie, human hands, anthropomorphic body or male styling. Faces must remain readable, neither turned away. No legible writing, labels, captions, dates, watermark, flags, logos or speech bubbles. No Hollywood/game/fantasy tropes, heroic battle tableaux or explosions. Respectful civilian historical reconstruction, never cute propaganda. \nScene for h11-01: Hungarian village edge in spring 1945 during the land reform. On an ordinary open field a local land-allocation committee surveyor and a peasant woman and man measure a new small parcel with wooden stakes and a measuring chain. A plain paper parcel sketch is held on a board without readable marks. Behind are low whitewashed farmhouses, an old horse cart and a neighbor lending a spade. Show the practical difficulty of making newly allocated land productive with scarce draft animals and tools, not a triumphant propaganda rally. Kuromi stands close to one boundary stake watching the chain measurement; Jani stands naturally beside the loaned spade, front face visible. Quiet broad field composition, subdued spring light, period wool jackets and headscarves.", "generationReferences": [ "jani.png", "kuromi-canonical.png", "kuromi-canonical-2.png" ], "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "canonicalKuromi": true, "issues": [], "method": "A teljes generált kép szemrevételezve: korhű környezet, komoly vagy helyzethez illő arckifejezések; Kuromi sötét gallérja és tömör fekete szemei; Jani aszimmetrikus arcmintája." }, "corrections": [], "src": "assets/lesson-scenes/h11-01.webp", "sha256": "71d29bb751e6f87eb97d35d980c4367b0d9c89b4734c74b6df9cb89909a4478b", "bytes": 489860, "thumbnailSrc": "assets/lesson-scenes/h11-01-preview.webp", "thumbnailSha256": "5379f39b57b3d67018d69caad0c565d9d94f1d2443b9506158f0345ba6ceee5e", "thumbnailBytes": 161176 }, { "unitId": "h11-02", "title": "Egy önálló egyesületi könyvtár leltározása", "alt": "Kuromi és Jani egy könyvtári szobában figyeli a könyvek leltározását és az egyesületi kulcs átadását.", "caption": "A pártállam kiépítése nemcsak a választási versenyt számolta fel: az önálló egyesületek intézményi és vagyoni háttere is megszűnt vagy ellenőrzés alá került.", "scene": "A Hungarian small-town independent association reading room in 1948 during communist consolidation. A sober civilian official inventories the association's books and papers, entering plain marks into a ledger, while the former volunteer librarian hands over a heavy brass key with a restrained worried expression. Two chairs have been stacked and a small noticeboard is bare; no political portraits, party emblems or flags. Period wooden bookshelves, card catalogue drawers, ink bottle, stamped plain folders and a shuttered sash window. This is quiet administrative loss of civic autonomy, no violence or caricature of officials. Kuromi watches seriously at the side of the desk; Jani on four paws near the bottom bookshelf faces the viewer, asymmetric face clear. Diagonal room composition showing handover and emptied meeting space.", "setting": "Magyar kisváros, 1948", "historicalDetails": [ "Fakatalógus és könyvleltár", "Átadott rézkulcs", "Tintatartó és iratkötegek", "Összerakott egyesületi székek" ], "placement": { "area": "base", "sectionIndex": 3 }, "period": "1947–1949", "sourceBasis": [ { "book": "hu12a", "pdfPages": [ 20, 24 ], "chapter": "A szovjetizálás: választás, pártfúzió, Népfront és autonómia" }, { "book": "hu12b", "pdfPages": [ 19, 22 ], "chapter": "Az 1947-es választás és a totális diktatúra létrejötte" }, { "book": "hu12m", "pdfPages": [ 11, 12 ], "chapter": "Péter Gábor jelentése; az 1945-ös és 1947-es választások" } ], "prompt": "Use case: historical-scene. Generate ONE complete landscape 1536x1024 opaque full-color educational story illustration, one coherent moment, no panels. Identity references: image 1 is Jani the female cat; images 2 and 3 are canonical Kuromi. Use references ONLY for character identity and drawing style. All humans, architecture and objects must also be visibly HAND-DRAWN anime/gouache storybook illustration with fine clean outlines and simplified painted faces, never photographs. Natural daylight, thoughtful realistic period colors, ordinary historically accurate objects, no cinematic drama. Kuromi and Jani are small observers integrated naturally at ground level, both fully visible with readable faces, never replacing real human actors. Kuromi: charcoal black two-point jester hood, pink skull emblem, white face/body. EXACT canonical collar: solid DARK CHARCOAL, FOUR POINTS with exactly FOUR TINY PINK BALLS, one at each point. Two outer shoulder points and two lower inner points separated by an UPWARD central V-shaped notch; NO downward central fifth point, NO pink surface/trim/stripe/frill. Kuromi eyes: FLAT SOLID BLACK teardrop/ovals, exactly two SHORT CURVED outer eyelashes per eye as reference. Absolutely NO iris, brown eye color, glossy pupils, highlights, white glints, rings or long lashes. Neutral thoughtful expression, serious for hardship. Jani: FEMALE fluffy cream-white ragdoll CAT, natural feline four legs and paws, blue eyes, pink nose, dark brown fluffy tail. Strong asymmetric face: VIEWER LEFT large dark-brown eye patch; VIEWER RIGHT smaller LIGHTER brown patch; irregular white central blaze. No clothes, bowtie, human hands, anthropomorphic body or male styling. Faces must remain readable, neither turned away. No legible writing, labels, captions, dates, watermark, flags, logos or speech bubbles. No Hollywood/game/fantasy tropes, heroic battle tableaux or explosions. Respectful civilian historical reconstruction, never cute propaganda. \nScene for h11-02: A Hungarian small-town independent association reading room in 1948 during communist consolidation. A sober civilian official inventories the association's books and papers, entering plain marks into a ledger, while the former volunteer librarian hands over a heavy brass key with a restrained worried expression. Two chairs have been stacked and a small noticeboard is bare; no political portraits, party emblems or flags. Period wooden bookshelves, card catalogue drawers, ink bottle, stamped plain folders and a shuttered sash window. This is quiet administrative loss of civic autonomy, no violence or caricature of officials. Kuromi watches seriously at the side of the desk; Jani on four paws near the bottom bookshelf faces the viewer, asymmetric face clear. Diagonal room composition showing handover and emptied meeting space.", "generationPrompt": "Use case: historical-scene. Generate ONE complete landscape 1536x1024 opaque full-color educational story illustration, one coherent moment, no panels. Identity references: image 1 is Jani the female cat; images 2 and 3 are canonical Kuromi. Use references ONLY for character identity and drawing style. All humans, architecture and objects must also be visibly HAND-DRAWN anime/gouache storybook illustration with fine clean outlines and simplified painted faces, never photographs. Natural daylight, thoughtful realistic period colors, ordinary historically accurate objects, no cinematic drama. Kuromi and Jani are small observers integrated naturally at ground level, both fully visible with readable faces, never replacing real human actors. Kuromi: charcoal black two-point jester hood, pink skull emblem, white face/body. EXACT canonical collar: solid DARK CHARCOAL, FOUR POINTS with exactly FOUR TINY PINK BALLS, one at each point. Two outer shoulder points and two lower inner points separated by an UPWARD central V-shaped notch; NO downward central fifth point, NO pink surface/trim/stripe/frill. Kuromi eyes: FLAT SOLID BLACK teardrop/ovals, exactly two SHORT CURVED outer eyelashes per eye as reference. Absolutely NO iris, brown eye color, glossy pupils, highlights, white glints, rings or long lashes. Neutral thoughtful expression, serious for hardship. Jani: FEMALE fluffy cream-white ragdoll CAT, natural feline four legs and paws, blue eyes, pink nose, dark brown fluffy tail. Strong asymmetric face: VIEWER LEFT large dark-brown eye patch; VIEWER RIGHT smaller LIGHTER brown patch; irregular white central blaze. No clothes, bowtie, human hands, anthropomorphic body or male styling. Faces must remain readable, neither turned away. No legible writing, labels, captions, dates, watermark, flags, logos or speech bubbles. No Hollywood/game/fantasy tropes, heroic battle tableaux or explosions. Respectful civilian historical reconstruction, never cute propaganda. \nScene for h11-02: A Hungarian small-town independent association reading room in 1948 during communist consolidation. A sober civilian official inventories the association's books and papers, entering plain marks into a ledger, while the former volunteer librarian hands over a heavy brass key with a restrained worried expression. Two chairs have been stacked and a small noticeboard is bare; no political portraits, party emblems or flags. Period wooden bookshelves, card catalogue drawers, ink bottle, stamped plain folders and a shuttered sash window. This is quiet administrative loss of civic autonomy, no violence or caricature of officials. Kuromi watches seriously at the side of the desk; Jani on four paws near the bottom bookshelf faces the viewer, asymmetric face clear. Diagonal room composition showing handover and emptied meeting space.", "generationReferences": [ "jani.png", "kuromi-canonical.png", "kuromi-canonical-2.png" ], "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "canonicalKuromi": true, "issues": [], "method": "A teljes generált kép szemrevételezve: korhű környezet, komoly vagy helyzethez illő arckifejezések; Kuromi sötét gallérja és tömör fekete szemei; Jani aszimmetrikus arcmintája." }, "corrections": [], "src": "assets/lesson-scenes/h11-02.webp", "sha256": "28967868c5cb366fe1da3fea9335f43b99d6b3e714066bfe5ffb94b68fc29b8d", "bytes": 347470, "thumbnailSrc": "assets/lesson-scenes/h11-02-preview.webp", "thumbnailSha256": "329c3f8fce50885acf331dad7ed42893319718aef0825d37b41e65f26a713f2c", "thumbnailBytes": 101758 }, { "unitId": "h11-03", "title": "Kötelező beszolgáltatás egy parasztcsaládnál", "alt": "Kuromi és Jani egy falusi konyhában figyeli a tojások mérését és a beszolgáltatás feljegyzését.", "caption": "A beszolgáltatási kötelezettség az állam által meghatározott mennyiséget vonta el a paraszti gazdaságtól, gyakran a család saját ellátásának rovására.", "scene": "Hungarian peasant kitchen in 1952, compulsory agricultural deliveries. A tired woman and her husband silently count eggs into a rough wooden tray beside sacks of grain, while a civilian delivery clerk records the amount in a ledger at the kitchen table. The remaining food basket is small but avoid exaggerated starvation. Plain whitewashed kitchen with masonry stove, ceramic pitcher, hanging work coat, old kitchen scale, wool cardigan and headscarf. No smiling coercers, no celebratory socialist posters, weapons or violence. Kuromi quietly watches the weighing from beside a stool; Jani stands beside the near table leg facing viewer. Visual mechanism is the official delivery obligation competing with household consumption. Tight but spacious domestic composition, matte muted daylight.", "setting": "Magyar falu, 1952", "historicalDetails": [ "Tojástálca és gabonazsák", "Asztali mérleg", "Beszolgáltatási nyilvántartás", "Meszelt konyha és kemence" ], "placement": { "area": "base", "sectionIndex": 2 }, "period": "1949–1953", "sourceBasis": [ { "book": "hu12a", "pdfPages": [ 29, 38 ], "chapter": "A Rákosi-diktatúra: intézmények, terror, ipar, mezőgazdaság és mindennapok" }, { "book": "hu12b", "pdfPages": [ 28, 30 ], "chapter": "A vas és acél országa; munkaverseny és békekölcsön" } ], "prompt": "Use case: historical-scene. Generate ONE complete landscape 1536x1024 opaque full-color educational story illustration, one coherent moment, no panels. Identity references: image 1 is Jani the female cat; images 2 and 3 are canonical Kuromi. Use references ONLY for character identity and drawing style. All humans, architecture and objects must also be visibly HAND-DRAWN anime/gouache storybook illustration with fine clean outlines and simplified painted faces, never photographs. Natural daylight, thoughtful realistic period colors, ordinary historically accurate objects, no cinematic drama. Kuromi and Jani are small observers integrated naturally at ground level, both fully visible with readable faces, never replacing real human actors. Kuromi: charcoal black two-point jester hood, pink skull emblem, white face/body. EXACT canonical collar: solid DARK CHARCOAL, FOUR POINTS with exactly FOUR TINY PINK BALLS, one at each point. Two outer shoulder points and two lower inner points separated by an UPWARD central V-shaped notch; NO downward central fifth point, NO pink surface/trim/stripe/frill. Kuromi eyes: FLAT SOLID BLACK teardrop/ovals, exactly two SHORT CURVED outer eyelashes per eye as reference. Absolutely NO iris, brown eye color, glossy pupils, highlights, white glints, rings or long lashes. Neutral thoughtful expression, serious for hardship. Jani: FEMALE fluffy cream-white ragdoll CAT, natural feline four legs and paws, blue eyes, pink nose, dark brown fluffy tail. Strong asymmetric face: VIEWER LEFT large dark-brown eye patch; VIEWER RIGHT smaller LIGHTER brown patch; irregular white central blaze. No clothes, bowtie, human hands, anthropomorphic body or male styling. Faces must remain readable, neither turned away. No legible writing, labels, captions, dates, watermark, flags, logos or speech bubbles. No Hollywood/game/fantasy tropes, heroic battle tableaux or explosions. Respectful civilian historical reconstruction, never cute propaganda. \nScene for h11-03: Hungarian peasant kitchen in 1952, compulsory agricultural deliveries. A tired woman and her husband silently count eggs into a rough wooden tray beside sacks of grain, while a civilian delivery clerk records the amount in a ledger at the kitchen table. The remaining food basket is small but avoid exaggerated starvation. Plain whitewashed kitchen with masonry stove, ceramic pitcher, hanging work coat, old kitchen scale, wool cardigan and headscarf. No smiling coercers, no celebratory socialist posters, weapons or violence. Kuromi quietly watches the weighing from beside a stool; Jani stands beside the near table leg facing viewer. Visual mechanism is the official delivery obligation competing with household consumption. Tight but spacious domestic composition, matte muted daylight.", "generationPrompt": "Use case: historical-scene. Generate ONE complete landscape 1536x1024 opaque full-color educational story illustration, one coherent moment, no panels. Identity references: image 1 is Jani the female cat; images 2 and 3 are canonical Kuromi. Use references ONLY for character identity and drawing style. All humans, architecture and objects must also be visibly HAND-DRAWN anime/gouache storybook illustration with fine clean outlines and simplified painted faces, never photographs. Natural daylight, thoughtful realistic period colors, ordinary historically accurate objects, no cinematic drama. Kuromi and Jani are small observers integrated naturally at ground level, both fully visible with readable faces, never replacing real human actors. Kuromi: charcoal black two-point jester hood, pink skull emblem, white face/body. EXACT canonical collar: solid DARK CHARCOAL, FOUR POINTS with exactly FOUR TINY PINK BALLS, one at each point. Two outer shoulder points and two lower inner points separated by an UPWARD central V-shaped notch; NO downward central fifth point, NO pink surface/trim/stripe/frill. Kuromi eyes: FLAT SOLID BLACK teardrop/ovals, exactly two SHORT CURVED outer eyelashes per eye as reference. Absolutely NO iris, brown eye color, glossy pupils, highlights, white glints, rings or long lashes. Neutral thoughtful expression, serious for hardship. Jani: FEMALE fluffy cream-white ragdoll CAT, natural feline four legs and paws, blue eyes, pink nose, dark brown fluffy tail. Strong asymmetric face: VIEWER LEFT large dark-brown eye patch; VIEWER RIGHT smaller LIGHTER brown patch; irregular white central blaze. No clothes, bowtie, human hands, anthropomorphic body or male styling. Faces must remain readable, neither turned away. No legible writing, labels, captions, dates, watermark, flags, logos or speech bubbles. No Hollywood/game/fantasy tropes, heroic battle tableaux or explosions. Respectful civilian historical reconstruction, never cute propaganda. \nScene for h11-03: Hungarian peasant kitchen in 1952, compulsory agricultural deliveries. A tired woman and her husband silently count eggs into a rough wooden tray beside sacks of grain, while a civilian delivery clerk records the amount in a ledger at the kitchen table. The remaining food basket is small but avoid exaggerated starvation. Plain whitewashed kitchen with masonry stove, ceramic pitcher, hanging work coat, old kitchen scale, wool cardigan and headscarf. No smiling coercers, no celebratory socialist posters, weapons or violence. Kuromi quietly watches the weighing from beside a stool; Jani stands beside the near table leg facing viewer. Visual mechanism is the official delivery obligation competing with household consumption. Tight but spacious domestic composition, matte muted daylight.", "generationReferences": [ "jani.png", "kuromi-canonical.png", "kuromi-canonical-2.png" ], "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "canonicalKuromi": true, "issues": [], "method": "A teljes generált kép szemrevételezve: korhű környezet, komoly vagy helyzethez illő arckifejezések; Kuromi sötét gallérja és tömör fekete szemei; Jani aszimmetrikus arcmintája." }, "corrections": [], "src": "assets/lesson-scenes/h11-03.webp", "sha256": "7d90c820902f4e4fe73debcbf0994ce6b30cc5bcfb36395fd86c7e39ed69144e", "bytes": 382968, "thumbnailSrc": "assets/lesson-scenes/h11-03-preview.webp", "thumbnailSha256": "f13f4ec8b73b15408416bb3ed496099caacafaab2ad30c803eeacc215d6a735c", "thumbnailBytes": 113126 }, { "unitId": "h11-04", "title": "Vitaest hallgatói a terem ajtajában", "alt": "Kuromi és Jani az előadó ajtajánál álló hallgatók között figyeli a hangszórón is közvetített vitát.", "caption": "A Petőfi Kör 1956-os vitái a reformköveteléseket szélesebb nyilvánosság elé vitték. A sajtó és az elszámoltathatóság ügye politikai kérdéssé vált.", "scene": "Budapest June 1956, the overflow audience at a Petofi Circle press debate in the university Golya-var lecture building. A packed but orderly lecture-room doorway with students, a middle-aged woman journalist and industrial worker in plain civilian clothes listening attentively to a distant speaker. Show no named historical portrait or invented exact speech. A box loudspeaker on a stand relays the debate to people outside the doorway; notebooks, fountain pen and folded newspapers with no legible writing. Kuromi stands in the doorway listening seriously; Jani sits naturally on all paws on a low step, front face visible. Period checked jackets, simple dresses and cloth satchels, illustrated university masonry. Mechanism: discussion escapes a narrow intellectual circle and creates public pressure. Oblique doorway composition with visible speaker silhouette, no giant hall spectacle.", "setting": "Budapest, Petőfi Kör sajtóvitájának környezete, 1956 júniusa", "historicalDetails": [ "Dobozhangszóró", "Tollas jegyzetfüzetek", "Korabeli civil ruhák", "Egyetemi előadó és túlcsorduló hallgatóság" ], "placement": { "area": "base", "sectionIndex": 3 }, "period": "1953–1956", "sourceBasis": [ { "book": "hu12a", "pdfPages": [ 39, 40 ], "chapter": "Enyhülés Sztálin halála után" }, { "book": "hu12a", "pdfPages": [ 43, 44 ], "chapter": "A forradalom okai és előzményei" }, { "book": "hu12b", "pdfPages": [ 35, 38 ], "chapter": "Nagy Imre kormányzása, hatalmi harc és Petőfi Kör" } ], "prompt": "Use case: historical-scene. Generate ONE complete landscape 1536x1024 opaque full-color educational story illustration, one coherent moment, no panels. Identity references: image 1 is Jani the female cat; images 2 and 3 are canonical Kuromi. Use references ONLY for character identity and drawing style. All humans, architecture and objects must also be visibly HAND-DRAWN anime/gouache storybook illustration with fine clean outlines and simplified painted faces, never photographs. Natural daylight, thoughtful realistic period colors, ordinary historically accurate objects, no cinematic drama. Kuromi and Jani are small observers integrated naturally at ground level, both fully visible with readable faces, never replacing real human actors. Kuromi: charcoal black two-point jester hood, pink skull emblem, white face/body. EXACT canonical collar: solid DARK CHARCOAL, FOUR POINTS with exactly FOUR TINY PINK BALLS, one at each point. Two outer shoulder points and two lower inner points separated by an UPWARD central V-shaped notch; NO downward central fifth point, NO pink surface/trim/stripe/frill. Kuromi eyes: FLAT SOLID BLACK teardrop/ovals, exactly two SHORT CURVED outer eyelashes per eye as reference. Absolutely NO iris, brown eye color, glossy pupils, highlights, white glints, rings or long lashes. Neutral thoughtful expression, serious for hardship. Jani: FEMALE fluffy cream-white ragdoll CAT, natural feline four legs and paws, blue eyes, pink nose, dark brown fluffy tail. Strong asymmetric face: VIEWER LEFT large dark-brown eye patch; VIEWER RIGHT smaller LIGHTER brown patch; irregular white central blaze. No clothes, bowtie, human hands, anthropomorphic body or male styling. Faces must remain readable, neither turned away. No legible writing, labels, captions, dates, watermark, flags, logos or speech bubbles. No Hollywood/game/fantasy tropes, heroic battle tableaux or explosions. Respectful civilian historical reconstruction, never cute propaganda. \nScene for h11-04: Budapest June 1956, the overflow audience at a Petofi Circle press debate in the university Golya-var lecture building. A packed but orderly lecture-room doorway with students, a middle-aged woman journalist and industrial worker in plain civilian clothes listening attentively to a distant speaker. Show no named historical portrait or invented exact speech. A box loudspeaker on a stand relays the debate to people outside the doorway; notebooks, fountain pen and folded newspapers with no legible writing. Kuromi stands in the doorway listening seriously; Jani sits naturally on all paws on a low step, front face visible. Period checked jackets, simple dresses and cloth satchels, illustrated university masonry. Mechanism: discussion escapes a narrow intellectual circle and creates public pressure. Oblique doorway composition with visible speaker silhouette, no giant hall spectacle.", "generationPrompt": "Use case: historical-scene. Generate ONE complete landscape 1536x1024 opaque full-color educational story illustration, one coherent moment, no panels. Identity references: image 1 is Jani the female cat; images 2 and 3 are canonical Kuromi. Use references ONLY for character identity and drawing style. All humans, architecture and objects must also be visibly HAND-DRAWN anime/gouache storybook illustration with fine clean outlines and simplified painted faces, never photographs. Natural daylight, thoughtful realistic period colors, ordinary historically accurate objects, no cinematic drama. Kuromi and Jani are small observers integrated naturally at ground level, both fully visible with readable faces, never replacing real human actors. Kuromi: charcoal black two-point jester hood, pink skull emblem, white face/body. EXACT canonical collar: solid DARK CHARCOAL, FOUR POINTS with exactly FOUR TINY PINK BALLS, one at each point. Two outer shoulder points and two lower inner points separated by an UPWARD central V-shaped notch; NO downward central fifth point, NO pink surface/trim/stripe/frill. Kuromi eyes: FLAT SOLID BLACK teardrop/ovals, exactly two SHORT CURVED outer eyelashes per eye as reference. Absolutely NO iris, brown eye color, glossy pupils, highlights, white glints, rings or long lashes. Neutral thoughtful expression, serious for hardship. Jani: FEMALE fluffy cream-white ragdoll CAT, natural feline four legs and paws, blue eyes, pink nose, dark brown fluffy tail. Strong asymmetric face: VIEWER LEFT large dark-brown eye patch; VIEWER RIGHT smaller LIGHTER brown patch; irregular white central blaze. No clothes, bowtie, human hands, anthropomorphic body or male styling. Faces must remain readable, neither turned away. No legible writing, labels, captions, dates, watermark, flags, logos or speech bubbles. No Hollywood/game/fantasy tropes, heroic battle tableaux or explosions. Respectful civilian historical reconstruction, never cute propaganda. \nScene for h11-04: Budapest June 1956, the overflow audience at a Petofi Circle press debate in the university Golya-var lecture building. A packed but orderly lecture-room doorway with students, a middle-aged woman journalist and industrial worker in plain civilian clothes listening attentively to a distant speaker. Show no named historical portrait or invented exact speech. A box loudspeaker on a stand relays the debate to people outside the doorway; notebooks, fountain pen and folded newspapers with no legible writing. Kuromi stands in the doorway listening seriously; Jani sits naturally on all paws on a low step, front face visible. Period checked jackets, simple dresses and cloth satchels, illustrated university masonry. Mechanism: discussion escapes a narrow intellectual circle and creates public pressure. Oblique doorway composition with visible speaker silhouette, no giant hall spectacle.", "generationReferences": [ "jani.png", "kuromi-canonical.png", "kuromi-canonical-2.png" ], "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "canonicalKuromi": true, "issues": [], "method": "A teljes generált kép szemrevételezve: korhű környezet, komoly vagy helyzethez illő arckifejezések; Kuromi sötét gallérja és tömör fekete szemei; Jani aszimmetrikus arcmintája." }, "corrections": [], "src": "assets/lesson-scenes/h11-04.webp", "sha256": "ecbacc596b3478a647f09ddd429345038b052a6e7406e9d060e9cb49c1707b43", "bytes": 346262, "thumbnailSrc": "assets/lesson-scenes/h11-04-preview.webp", "thumbnailSha256": "07de45b6674c11ab8062bbf12a3f75eb5efe346bd3fd49cf82e20bf275767ba0", "thumbnailBytes": 109720 }, { "unitId": "h11-05", "title": "Helyi bizottság intézi a közellátást", "alt": "Kuromi és Jani egy községi raktárban figyeli a petróleum kiosztását és az iratok elrendezését.", "caption": "1956 októberében a helyi forradalmi szervek nemcsak politikai követeléseket fogalmaztak meg: közellátást szerveztek és iratokat is megőriztek.", "scene": "Tiszagyulahaza Hungarian village at end of October 1956, a newly self-organized local committee maintaining civilian supplies in a modest community storeroom. An older village woman measures paraffin carefully from a metal can into a household container while two civilian committee members preserve stacks of local records in a wooden cupboard and note deliveries in a ledger. No readable labels or specific invented official signatures. Simple warehouse shelving, paraffin measuring jug, flour sacks, oil lamp, wool coats and caps. Kuromi seriously observes the measured delivery beside the shelf; Jani stands with four paws beside the records chest looking at viewer. No weapons, fighting, uniforms, martyr posters or cheering. Mechanism: local self-government preserves records and maintains everyday public provision during political upheaval. One intimate interior with broad doorway daylight.", "setting": "Tiszagyulaháza, 1956 októberének vége", "historicalDetails": [ "Petróleumos kanna és mérőedény", "Községi iratok faszekrényben", "Lisztzsákok", "Civil ellátási nyilvántartás" ], "placement": { "area": "base", "sectionIndex": 2 }, "period": "1956. október", "sourceBasis": [ { "book": "hu12a", "pdfPages": [ 45, 49 ], "chapter": "A forradalom céljai, kitörése és helyi önszerveződése" }, { "book": "hu12a", "pdfPages": [ 51, 52 ], "chapter": "A kormánypolitika októberi fordulata" }, { "book": "hu12b", "pdfPages": [ 39, 43 ], "chapter": "Követelések, tüntetés, rádió és sajtó" } ], "prompt": "Use case: historical-scene. Generate ONE complete landscape 1536x1024 opaque full-color educational story illustration, one coherent moment, no panels. Identity references: image 1 is Jani the female cat; images 2 and 3 are canonical Kuromi. Use references ONLY for character identity and drawing style. All humans, architecture and objects must also be visibly HAND-DRAWN anime/gouache storybook illustration with fine clean outlines and simplified painted faces, never photographs. Natural daylight, thoughtful realistic period colors, ordinary historically accurate objects, no cinematic drama. Kuromi and Jani are small observers integrated naturally at ground level, both fully visible with readable faces, never replacing real human actors. Kuromi: charcoal black two-point jester hood, pink skull emblem, white face/body. EXACT canonical collar: solid DARK CHARCOAL, FOUR POINTS with exactly FOUR TINY PINK BALLS, one at each point. Two outer shoulder points and two lower inner points separated by an UPWARD central V-shaped notch; NO downward central fifth point, NO pink surface/trim/stripe/frill. Kuromi eyes: FLAT SOLID BLACK teardrop/ovals, exactly two SHORT CURVED outer eyelashes per eye as reference. Absolutely NO iris, brown eye color, glossy pupils, highlights, white glints, rings or long lashes. Neutral thoughtful expression, serious for hardship. Jani: FEMALE fluffy cream-white ragdoll CAT, natural feline four legs and paws, blue eyes, pink nose, dark brown fluffy tail. Strong asymmetric face: VIEWER LEFT large dark-brown eye patch; VIEWER RIGHT smaller LIGHTER brown patch; irregular white central blaze. No clothes, bowtie, human hands, anthropomorphic body or male styling. Faces must remain readable, neither turned away. No legible writing, labels, captions, dates, watermark, flags, logos or speech bubbles. No Hollywood/game/fantasy tropes, heroic battle tableaux or explosions. Respectful civilian historical reconstruction, never cute propaganda. \nScene for h11-05: Tiszagyulahaza Hungarian village at end of October 1956, a newly self-organized local committee maintaining civilian supplies in a modest community storeroom. An older village woman measures paraffin carefully from a metal can into a household container while two civilian committee members preserve stacks of local records in a wooden cupboard and note deliveries in a ledger. No readable labels or specific invented official signatures. Simple warehouse shelving, paraffin measuring jug, flour sacks, oil lamp, wool coats and caps. Kuromi seriously observes the measured delivery beside the shelf; Jani stands with four paws beside the records chest looking at viewer. No weapons, fighting, uniforms, martyr posters or cheering. Mechanism: local self-government preserves records and maintains everyday public provision during political upheaval. One intimate interior with broad doorway daylight.", "generationPrompt": "Use case: historical-scene. Generate ONE complete landscape 1536x1024 opaque full-color educational story illustration, one coherent moment, no panels. Identity references: image 1 is Jani the female cat; images 2 and 3 are canonical Kuromi. Use references ONLY for character identity and drawing style. All humans, architecture and objects must also be visibly HAND-DRAWN anime/gouache storybook illustration with fine clean outlines and simplified painted faces, never photographs. Natural daylight, thoughtful realistic period colors, ordinary historically accurate objects, no cinematic drama. Kuromi and Jani are small observers integrated naturally at ground level, both fully visible with readable faces, never replacing real human actors. Kuromi: charcoal black two-point jester hood, pink skull emblem, white face/body. EXACT canonical collar: solid DARK CHARCOAL, FOUR POINTS with exactly FOUR TINY PINK BALLS, one at each point. Two outer shoulder points and two lower inner points separated by an UPWARD central V-shaped notch; NO downward central fifth point, NO pink surface/trim/stripe/frill. Kuromi eyes: FLAT SOLID BLACK teardrop/ovals, exactly two SHORT CURVED outer eyelashes per eye as reference. Absolutely NO iris, brown eye color, glossy pupils, highlights, white glints, rings or long lashes. Neutral thoughtful expression, serious for hardship. Jani: FEMALE fluffy cream-white ragdoll CAT, natural feline four legs and paws, blue eyes, pink nose, dark brown fluffy tail. Strong asymmetric face: VIEWER LEFT large dark-brown eye patch; VIEWER RIGHT smaller LIGHTER brown patch; irregular white central blaze. No clothes, bowtie, human hands, anthropomorphic body or male styling. Faces must remain readable, neither turned away. No legible writing, labels, captions, dates, watermark, flags, logos or speech bubbles. No Hollywood/game/fantasy tropes, heroic battle tableaux or explosions. Respectful civilian historical reconstruction, never cute propaganda. \nScene for h11-05: Tiszagyulahaza Hungarian village at end of October 1956, a newly self-organized local committee maintaining civilian supplies in a modest community storeroom. An older village woman measures paraffin carefully from a metal can into a household container while two civilian committee members preserve stacks of local records in a wooden cupboard and note deliveries in a ledger. No readable labels or specific invented official signatures. Simple warehouse shelving, paraffin measuring jug, flour sacks, oil lamp, wool coats and caps. Kuromi seriously observes the measured delivery beside the shelf; Jani stands with four paws beside the records chest looking at viewer. No weapons, fighting, uniforms, martyr posters or cheering. Mechanism: local self-government preserves records and maintains everyday public provision during political upheaval. One intimate interior with broad doorway daylight.", "generationReferences": [ "jani.png", "kuromi-canonical.png", "kuromi-canonical-2.png" ], "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "canonicalKuromi": true, "issues": [], "method": "A teljes generált kép szemrevételezve: korhű környezet, komoly vagy helyzethez illő arckifejezések; Kuromi sötét gallérja és tömör fekete szemei; Jani aszimmetrikus arcmintája." }, "corrections": [], "src": "assets/lesson-scenes/h11-05.webp", "sha256": "9526d7b79ca9bedcc50e928ec36268998f73600fad58ce5692f0d74e55026430", "bytes": 449338, "thumbnailSrc": "assets/lesson-scenes/h11-05-preview.webp", "thumbnailSha256": "0141ef0f465068061c61aaef273a08845c422fdec0e2ceabf628acac04ee8e0a", "thumbnailBytes": 129154 }, { "unitId": "h11-06", "title": "Menekülők fogadása egy osztrák segélyhelyen", "alt": "Kuromi és Jani egy segélyhelyen figyeli a takaróval, meleg étellel és nyilvántartással fogadott menekült családot.", "caption": "Az 1956. novemberi szovjet beavatkozás után tömegek hagyták el az országot. A határon túl civil segélyezés, nyilvántartás és ideiglenes elhelyezés segítette a menekülőket.", "scene": "An Austrian civilian reception shelter near Hungarian border in November 1956. A refugee family in worn winter coats quietly receives folded blankets and a cup of warm soup from civilian aid volunteers. A woman relief worker writes anonymous registration in a plain paper ledger; a small suitcase, tied cloth bundle and child's wool mittens rest on a wooden bench. Snowless cold muddy yard visible through open door, no flags or emblems, no uniformed armies or violence. Kuromi stands respectfully beside blanket stack with serious gentle expression; Jani sits naturally near the family suitcase, face to viewer. Entirely hand-drawn figures and environment. Mechanism: military repression forces civilian flight and reception agencies organize material help and registration. Warm understated interior, cold daylight outside, no cute celebration.", "setting": "Osztrák–magyar határ térsége, 1956 novembere", "historicalDetails": [ "Gyapjútakarók és bádogbögre", "Kis bőrönd és batyu", "Papíralapú menekült-nyilvántartás", "Fa segélyhelyi pad" ], "placement": { "area": "base", "sectionIndex": 3 }, "period": "1956–1963", "sourceBasis": [ { "book": "hu12a", "pdfPages": [ 53, 56 ], "chapter": "Nemzetközi háttér, semlegesség, novemberi intervenció" }, { "book": "hu12a", "pdfPages": [ 60, 64 ], "chapter": "Munkástanács, megtorlás, Nagy Imre pere és amnesztia" }, { "book": "hu12b", "pdfPages": [ 53, 55 ], "chapter": "A megtorlás és az emigráció" } ], "prompt": "Use case: historical-scene. Generate ONE complete landscape 1536x1024 opaque full-color educational story illustration, one coherent moment, no panels. Identity references: image 1 is Jani the female cat; images 2 and 3 are canonical Kuromi. Use references ONLY for character identity and drawing style. All humans, architecture and objects must also be visibly HAND-DRAWN anime/gouache storybook illustration with fine clean outlines and simplified painted faces, never photographs. Natural daylight, thoughtful realistic period colors, ordinary historically accurate objects, no cinematic drama. Kuromi and Jani are small observers integrated naturally at ground level, both fully visible with readable faces, never replacing real human actors. Kuromi: charcoal black two-point jester hood, pink skull emblem, white face/body. EXACT canonical collar: solid DARK CHARCOAL, FOUR POINTS with exactly FOUR TINY PINK BALLS, one at each point. Two outer shoulder points and two lower inner points separated by an UPWARD central V-shaped notch; NO downward central fifth point, NO pink surface/trim/stripe/frill. Kuromi eyes: FLAT SOLID BLACK teardrop/ovals, exactly two SHORT CURVED outer eyelashes per eye as reference. Absolutely NO iris, brown eye color, glossy pupils, highlights, white glints, rings or long lashes. Neutral thoughtful expression, serious for hardship. Jani: FEMALE fluffy cream-white ragdoll CAT, natural feline four legs and paws, blue eyes, pink nose, dark brown fluffy tail. Strong asymmetric face: VIEWER LEFT large dark-brown eye patch; VIEWER RIGHT smaller LIGHTER brown patch; irregular white central blaze. No clothes, bowtie, human hands, anthropomorphic body or male styling. Faces must remain readable, neither turned away. No legible writing, labels, captions, dates, watermark, flags, logos or speech bubbles. No Hollywood/game/fantasy tropes, heroic battle tableaux or explosions. Respectful civilian historical reconstruction, never cute propaganda. \nScene for h11-06: An Austrian civilian reception shelter near Hungarian border in November 1956. A refugee family in worn winter coats quietly receives folded blankets and a cup of warm soup from civilian aid volunteers. A woman relief worker writes anonymous registration in a plain paper ledger; a small suitcase, tied cloth bundle and child's wool mittens rest on a wooden bench. Snowless cold muddy yard visible through open door, no flags or emblems, no uniformed armies or violence. Kuromi stands respectfully beside blanket stack with serious gentle expression; Jani sits naturally near the family suitcase, face to viewer. Entirely hand-drawn figures and environment. Mechanism: military repression forces civilian flight and reception agencies organize material help and registration. Warm understated interior, cold daylight outside, no cute celebration.", "generationPrompt": "Use case: historical-scene. Generate ONE complete landscape 1536x1024 opaque full-color educational story illustration, one coherent moment, no panels. Identity references: image 1 is Jani the female cat; images 2 and 3 are canonical Kuromi. Use references ONLY for character identity and drawing style. All humans, architecture and objects must also be visibly HAND-DRAWN anime/gouache storybook illustration with fine clean outlines and simplified painted faces, never photographs. Natural daylight, thoughtful realistic period colors, ordinary historically accurate objects, no cinematic drama. Kuromi and Jani are small observers integrated naturally at ground level, both fully visible with readable faces, never replacing real human actors. Kuromi: charcoal black two-point jester hood, pink skull emblem, white face/body. EXACT canonical collar: solid DARK CHARCOAL, FOUR POINTS with exactly FOUR TINY PINK BALLS, one at each point. Two outer shoulder points and two lower inner points separated by an UPWARD central V-shaped notch; NO downward central fifth point, NO pink surface/trim/stripe/frill. Kuromi eyes: FLAT SOLID BLACK teardrop/ovals, exactly two SHORT CURVED outer eyelashes per eye as reference. Absolutely NO iris, brown eye color, glossy pupils, highlights, white glints, rings or long lashes. Neutral thoughtful expression, serious for hardship. Jani: FEMALE fluffy cream-white ragdoll CAT, natural feline four legs and paws, blue eyes, pink nose, dark brown fluffy tail. Strong asymmetric face: VIEWER LEFT large dark-brown eye patch; VIEWER RIGHT smaller LIGHTER brown patch; irregular white central blaze. No clothes, bowtie, human hands, anthropomorphic body or male styling. Faces must remain readable, neither turned away. No legible writing, labels, captions, dates, watermark, flags, logos or speech bubbles. No Hollywood/game/fantasy tropes, heroic battle tableaux or explosions. Respectful civilian historical reconstruction, never cute propaganda. \nScene for h11-06: An Austrian civilian reception shelter near Hungarian border in November 1956. A refugee family in worn winter coats quietly receives folded blankets and a cup of warm soup from civilian aid volunteers. A woman relief worker writes anonymous registration in a plain paper ledger; a small suitcase, tied cloth bundle and child's wool mittens rest on a wooden bench. Snowless cold muddy yard visible through open door, no flags or emblems, no uniformed armies or violence. Kuromi stands respectfully beside blanket stack with serious gentle expression; Jani sits naturally near the family suitcase, face to viewer. Entirely hand-drawn figures and environment. Mechanism: military repression forces civilian flight and reception agencies organize material help and registration. Warm understated interior, cold daylight outside, no cute celebration.", "generationReferences": [ "jani.png", "kuromi-canonical.png", "kuromi-canonical-2.png" ], "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "canonicalKuromi": true, "issues": [], "method": "A teljes generált kép szemrevételezve: korhű környezet, komoly vagy helyzethez illő arckifejezések; Kuromi sötét gallérja és tömör fekete szemei; Jani aszimmetrikus arcmintája." }, "corrections": [], "src": "assets/lesson-scenes/h11-06.webp", "sha256": "482db0d3c2e1b45d8c533edc5ac5f67deecbc532474ec226fbd9cbc4d111023b", "bytes": 367976, "thumbnailSrc": "assets/lesson-scenes/h11-06-preview.webp", "thumbnailSha256": "46f524270e13db3e69f3e7d15526b17873f35b5f15623a88fe3189c32951e173", "thumbnailBytes": 111596 }, { "unitId": "h12-01", "title": "Kiadói szerkesztő mérlegeli a kéziratot", "alt": "Kuromi és Jani egy kiadói irodában figyeli a szerző és a szerkesztők beszélgetését a piros ceruzával jelölt kéziratról.", "caption": "A kádári kultúrpolitika az intézményi engedélyezésen és a szerkesztőségi döntéseken keresztül is érvényesült. A megjelenés lehetősége és a tiltás határa alkukban alakult.", "scene": "A Hungarian publishing editor's modest office in the 1970s, illustrating cultural gatekeeping under Kadar. Two adult editors and a woman author soberly discuss a typewritten manuscript; one editor has marked passages with a red pencil and compares a plain approval folder. No readable writing. Period manual typewriter, rotary telephone, ashtray without active smoking, steel filing cabinet, green shaded desk lamp and wooden shelving. Through the window ordinary Budapest rooftops. Kuromi watches thoughtfully beside the manuscript table; Jani stands beside the filing cabinet with front face visible. Not a secret-police interrogation or prison. Mechanism: publication depends on institutional approval and anticipatory limits, not only an explicit public ban. Close oblique office view, humans clearly drawn in same matte anime-gouache world.", "setting": "Budapest, az 1970-es évek", "historicalDetails": [ "Mechanikus írógép", "Piros ceruzával jelölt kézirat", "Tárcsás telefon", "Engedélyezési iratmappa" ], "placement": { "area": "base", "sectionIndex": 2 }, "period": "1957–1989", "sourceBasis": [ { "book": "hu12a", "pdfPages": [ 63, 69 ], "chapter": "Pártállam, káderelit, engedmény és ellenőrzés" }, { "book": "hu12a", "pdfPages": [ 78, 78 ], "chapter": "Kultúrpolitika és Örkény jogosítványügye" }, { "book": "hu12b", "pdfPages": [ 56, 58 ], "chapter": "A pártállam megszilárdítása és a kádári alku" } ], "prompt": "Use case: historical-scene. Generate ONE complete landscape 1536x1024 opaque full-color educational story illustration, one coherent moment, no panels. Identity references: image 1 is Jani the female cat; images 2 and 3 are canonical Kuromi. Use references ONLY for character identity and drawing style. All humans, architecture and objects must also be visibly HAND-DRAWN anime/gouache storybook illustration with fine clean outlines and simplified painted faces, never photographs. Natural daylight, thoughtful realistic period colors, ordinary historically accurate objects, no cinematic drama. Kuromi and Jani are small observers integrated naturally at ground level, both fully visible with readable faces, never replacing real human actors. Kuromi: charcoal black two-point jester hood, pink skull emblem, white face/body. EXACT canonical collar: solid DARK CHARCOAL, FOUR POINTS with exactly FOUR TINY PINK BALLS, one at each point. Two outer shoulder points and two lower inner points separated by an UPWARD central V-shaped notch; NO downward central fifth point, NO pink surface/trim/stripe/frill. Kuromi eyes: FLAT SOLID BLACK teardrop/ovals, exactly two SHORT CURVED outer eyelashes per eye as reference. Absolutely NO iris, brown eye color, glossy pupils, highlights, white glints, rings or long lashes. Neutral thoughtful expression, serious for hardship. Jani: FEMALE fluffy cream-white ragdoll CAT, natural feline four legs and paws, blue eyes, pink nose, dark brown fluffy tail. Strong asymmetric face: VIEWER LEFT large dark-brown eye patch; VIEWER RIGHT smaller LIGHTER brown patch; irregular white central blaze. No clothes, bowtie, human hands, anthropomorphic body or male styling. Faces must remain readable, neither turned away. No legible writing, labels, captions, dates, watermark, flags, logos or speech bubbles. No Hollywood/game/fantasy tropes, heroic battle tableaux or explosions. Respectful civilian historical reconstruction, never cute propaganda. \nScene for h12-01: A Hungarian publishing editor's modest office in the 1970s, illustrating cultural gatekeeping under Kadar. Two adult editors and a woman author soberly discuss a typewritten manuscript; one editor has marked passages with a red pencil and compares a plain approval folder. No readable writing. Period manual typewriter, rotary telephone, ashtray without active smoking, steel filing cabinet, green shaded desk lamp and wooden shelving. Through the window ordinary Budapest rooftops. Kuromi watches thoughtfully beside the manuscript table; Jani stands beside the filing cabinet with front face visible. Not a secret-police interrogation or prison. Mechanism: publication depends on institutional approval and anticipatory limits, not only an explicit public ban. Close oblique office view, humans clearly drawn in same matte anime-gouache world.", "generationPrompt": "Use case: historical-scene. Generate ONE complete landscape 1536x1024 opaque full-color educational story illustration, one coherent moment, no panels. Identity references: image 1 is Jani the female cat; images 2 and 3 are canonical Kuromi. Use references ONLY for character identity and drawing style. All humans, architecture and objects must also be visibly HAND-DRAWN anime/gouache storybook illustration with fine clean outlines and simplified painted faces, never photographs. Natural daylight, thoughtful realistic period colors, ordinary historically accurate objects, no cinematic drama. Kuromi and Jani are small observers integrated naturally at ground level, both fully visible with readable faces, never replacing real human actors. Kuromi: charcoal black two-point jester hood, pink skull emblem, white face/body. EXACT canonical collar: solid DARK CHARCOAL, FOUR POINTS with exactly FOUR TINY PINK BALLS, one at each point. Two outer shoulder points and two lower inner points separated by an UPWARD central V-shaped notch; NO downward central fifth point, NO pink surface/trim/stripe/frill. Kuromi eyes: FLAT SOLID BLACK teardrop/ovals, exactly two SHORT CURVED outer eyelashes per eye as reference. Absolutely NO iris, brown eye color, glossy pupils, highlights, white glints, rings or long lashes. Neutral thoughtful expression, serious for hardship. Jani: FEMALE fluffy cream-white ragdoll CAT, natural feline four legs and paws, blue eyes, pink nose, dark brown fluffy tail. Strong asymmetric face: VIEWER LEFT large dark-brown eye patch; VIEWER RIGHT smaller LIGHTER brown patch; irregular white central blaze. No clothes, bowtie, human hands, anthropomorphic body or male styling. Faces must remain readable, neither turned away. No legible writing, labels, captions, dates, watermark, flags, logos or speech bubbles. No Hollywood/game/fantasy tropes, heroic battle tableaux or explosions. Respectful civilian historical reconstruction, never cute propaganda. \nScene for h12-01: A Hungarian publishing editor's modest office in the 1970s, illustrating cultural gatekeeping under Kadar. Two adult editors and a woman author soberly discuss a typewritten manuscript; one editor has marked passages with a red pencil and compares a plain approval folder. No readable writing. Period manual typewriter, rotary telephone, ashtray without active smoking, steel filing cabinet, green shaded desk lamp and wooden shelving. Through the window ordinary Budapest rooftops. Kuromi watches thoughtfully beside the manuscript table; Jani stands beside the filing cabinet with front face visible. Not a secret-police interrogation or prison. Mechanism: publication depends on institutional approval and anticipatory limits, not only an explicit public ban. Close oblique office view, humans clearly drawn in same matte anime-gouache world.", "generationReferences": [ "jani.png", "kuromi-canonical.png", "kuromi-canonical-2.png" ], "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "canonicalKuromi": true, "issues": [], "method": "A teljes generált kép szemrevételezve: korhű környezet, komoly vagy helyzethez illő arckifejezések; Kuromi sötét gallérja és tömör fekete szemei; Jani aszimmetrikus arcmintája." }, "corrections": [], "src": "assets/lesson-scenes/h12-01.webp", "sha256": "902c2249dd65c1f7b7195e699c661c3ee2e92c48e3a20b968c84b72181e3af9b", "bytes": 327014, "thumbnailSrc": "assets/lesson-scenes/h12-01-preview.webp", "thumbnailSha256": "a41556a20f428ab0a3b16c068328ebab286ed54b180d3733ac2472f2edff7601", "thumbnailBytes": 100822 }, { "unitId": "h12-02", "title": "Háztáji zöldség a szövetkezeti átvevőhelyen", "alt": "Kuromi és Jani egy szövetkezeti udvaron figyeli a család által hozott zöldségesláda mérlegelését.", "caption": "A háztáji gazdaság és a szövetkezeti felvásárlás összekapcsolódhatott. A családi többletmunka a nagyüzemi szervezet mellett is fontos jövedelmi forrás lett.", "scene": "Hungarian agricultural cooperative collection yard around 1970. A peasant woman and man bring wooden crates of peppers and tomatoes from household plots; a cooperative purchasing clerk weighs the produce on a mechanical platform scale and records quantities. Behind, a modest cooperative truck and open shed collect produce from several families. Illustrate coexistence of large cooperative operation and small household plots, not private supermarket or state propaganda. Plain work aprons, cloth headscarf, worn tractor tire in background, fruit crates, receipt pad with no legible marks. Kuromi stands at safe side of weighing platform observing; Jani stands near an empty crate facing viewer. Broad sunlit farmyard composition, no oversized vegetables, no ideological flags, no modern plastic packaging.", "setting": "Magyar termelőszövetkezet udvara, 1970 körül", "historicalDetails": [ "Mechanikus mázsáló", "Fa zöldségesládák", "Szövetkezeti teherautó", "Átvételi tömb" ], "placement": { "area": "base", "sectionIndex": 0 }, "period": "1959–1980-as évek", "sourceBasis": [ { "book": "hu12a", "pdfPages": [ 65, 66 ], "chapter": "Kollektivizálás és háztáji" }, { "book": "hu12a", "pdfPages": [ 70, 72 ], "chapter": "KGST, gazdasági reform és második gazdaság" }, { "book": "hu12b", "pdfPages": [ 59, 60 ], "chapter": "A kollektivizálás eszközei és eredménye" }, { "book": "hu12b", "pdfPages": [ 62, 64 ], "chapter": "Új gazdasági mechanizmus és politikai visszafogása" } ], "prompt": "Use case: historical-scene. Generate ONE complete landscape 1536x1024 opaque full-color educational story illustration, one coherent moment, no panels. Identity references: image 1 is Jani the female cat; images 2 and 3 are canonical Kuromi. Use references ONLY for character identity and drawing style. All humans, architecture and objects must also be visibly HAND-DRAWN anime/gouache storybook illustration with fine clean outlines and simplified painted faces, never photographs. Natural daylight, thoughtful realistic period colors, ordinary historically accurate objects, no cinematic drama. Kuromi and Jani are small observers integrated naturally at ground level, both fully visible with readable faces, never replacing real human actors. Kuromi: charcoal black two-point jester hood, pink skull emblem, white face/body. EXACT canonical collar: solid DARK CHARCOAL, FOUR POINTS with exactly FOUR TINY PINK BALLS, one at each point. Two outer shoulder points and two lower inner points separated by an UPWARD central V-shaped notch; NO downward central fifth point, NO pink surface/trim/stripe/frill. Kuromi eyes: FLAT SOLID BLACK teardrop/ovals, exactly two SHORT CURVED outer eyelashes per eye as reference. Absolutely NO iris, brown eye color, glossy pupils, highlights, white glints, rings or long lashes. Neutral thoughtful expression, serious for hardship. Jani: FEMALE fluffy cream-white ragdoll CAT, natural feline four legs and paws, blue eyes, pink nose, dark brown fluffy tail. Strong asymmetric face: VIEWER LEFT large dark-brown eye patch; VIEWER RIGHT smaller LIGHTER brown patch; irregular white central blaze. No clothes, bowtie, human hands, anthropomorphic body or male styling. Faces must remain readable, neither turned away. No legible writing, labels, captions, dates, watermark, flags, logos or speech bubbles. No Hollywood/game/fantasy tropes, heroic battle tableaux or explosions. Respectful civilian historical reconstruction, never cute propaganda. \nScene for h12-02: Hungarian agricultural cooperative collection yard around 1970. A peasant woman and man bring wooden crates of peppers and tomatoes from household plots; a cooperative purchasing clerk weighs the produce on a mechanical platform scale and records quantities. Behind, a modest cooperative truck and open shed collect produce from several families. Illustrate coexistence of large cooperative operation and small household plots, not private supermarket or state propaganda. Plain work aprons, cloth headscarf, worn tractor tire in background, fruit crates, receipt pad with no legible marks. Kuromi stands at safe side of weighing platform observing; Jani stands near an empty crate facing viewer. Broad sunlit farmyard composition, no oversized vegetables, no ideological flags, no modern plastic packaging.", "generationPrompt": "Use case: historical-scene. Generate ONE complete landscape 1536x1024 opaque full-color educational story illustration, one coherent moment, no panels. Identity references: image 1 is Jani the female cat; images 2 and 3 are canonical Kuromi. Use references ONLY for character identity and drawing style. All humans, architecture and objects must also be visibly HAND-DRAWN anime/gouache storybook illustration with fine clean outlines and simplified painted faces, never photographs. Natural daylight, thoughtful realistic period colors, ordinary historically accurate objects, no cinematic drama. Kuromi and Jani are small observers integrated naturally at ground level, both fully visible with readable faces, never replacing real human actors. Kuromi: charcoal black two-point jester hood, pink skull emblem, white face/body. EXACT canonical collar: solid DARK CHARCOAL, FOUR POINTS with exactly FOUR TINY PINK BALLS, one at each point. Two outer shoulder points and two lower inner points separated by an UPWARD central V-shaped notch; NO downward central fifth point, NO pink surface/trim/stripe/frill. Kuromi eyes: FLAT SOLID BLACK teardrop/ovals, exactly two SHORT CURVED outer eyelashes per eye as reference. Absolutely NO iris, brown eye color, glossy pupils, highlights, white glints, rings or long lashes. Neutral thoughtful expression, serious for hardship. Jani: FEMALE fluffy cream-white ragdoll CAT, natural feline four legs and paws, blue eyes, pink nose, dark brown fluffy tail. Strong asymmetric face: VIEWER LEFT large dark-brown eye patch; VIEWER RIGHT smaller LIGHTER brown patch; irregular white central blaze. No clothes, bowtie, human hands, anthropomorphic body or male styling. Faces must remain readable, neither turned away. No legible writing, labels, captions, dates, watermark, flags, logos or speech bubbles. No Hollywood/game/fantasy tropes, heroic battle tableaux or explosions. Respectful civilian historical reconstruction, never cute propaganda. \nScene for h12-02: Hungarian agricultural cooperative collection yard around 1970. A peasant woman and man bring wooden crates of peppers and tomatoes from household plots; a cooperative purchasing clerk weighs the produce on a mechanical platform scale and records quantities. Behind, a modest cooperative truck and open shed collect produce from several families. Illustrate coexistence of large cooperative operation and small household plots, not private supermarket or state propaganda. Plain work aprons, cloth headscarf, worn tractor tire in background, fruit crates, receipt pad with no legible marks. Kuromi stands at safe side of weighing platform observing; Jani stands near an empty crate facing viewer. Broad sunlit farmyard composition, no oversized vegetables, no ideological flags, no modern plastic packaging.", "generationReferences": [ "jani.png", "kuromi-canonical.png", "kuromi-canonical-2.png" ], "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "canonicalKuromi": true, "issues": [], "method": "A teljes generált kép szemrevételezve: korhű környezet, komoly vagy helyzethez illő arckifejezések; Kuromi sötét gallérja és tömör fekete szemei; Jani aszimmetrikus arcmintája." }, "corrections": [], "src": "assets/lesson-scenes/h12-02.webp", "sha256": "83d17c70c321dd321733e0111f10aa88e7b1e7268cc0032a5239579dad3b5f1b", "bytes": 384832, "thumbnailSrc": "assets/lesson-scenes/h12-02-preview.webp", "thumbnailSha256": "cb99174574e720b0871f522bb51a24327b4781f7d605cc25f9471ee573c83096", "thumbnailBytes": 131800 }, { "unitId": "h12-03", "title": "Beköltözés egy új panellakásba", "alt": "Kuromi és Jani mellett egy család hűtőt visz és edényeket csomagol ki egy új panellakásban.", "caption": "A paneles lakásépítés sok családnak jelentett komfortosabb otthont. A költözéshez új fogyasztási igények, lakáshoz jutási várakozás és családi segítség kapcsolódott.", "scene": "A Hungarian industrial town in approximately 1974, a family moving into a newly built panel apartment. A father and neighbor carry a small period white refrigerator through open apartment doorway while a mother unpacks enamel kitchenware and a child sets a schoolbag on a simple table. Narrow clean stairwell opens into a modest two-room apartment, wall radiator, linoleum floor, brown cardboard boxes, standardized white door frames. No luxurious modern decor or contemporary appliances. Kuromi watches carefully beside stacked boxes inside the apartment; Jani sits naturally beside a woven basket facing viewer. Mechanism: mass housing brings running water and new consumer goods while cramped standardized spaces require household adjustment. Doorway-level wide composition with figures interacting, not a product advertisement.", "setting": "Magyar iparváros, 1974 körül", "historicalDetails": [ "Kisméretű korabeli hűtő", "Radiátor és linóleum", "Zománcedények", "Szabványos panellakásajtó" ], "placement": { "area": "base", "sectionIndex": 0 }, "period": "1960–1980-as évek", "sourceBasis": [ { "book": "hu12a", "pdfPages": [ 72, 78 ], "chapter": "Második gazdaság, lakás, fogyasztás, női munka és kultúra" }, { "book": "hu12b", "pdfPages": [ 65, 67 ], "chapter": "Társadalmi változás, fogyasztási adatok és lakásépítés" }, { "book": "hu12b", "pdfPages": [ 61, 61 ], "chapter": "Demográfiai háttérolvasmány – mutatóit külön ellenőrizve" } ], "prompt": "Use case: historical-scene. Generate ONE complete landscape 1536x1024 opaque full-color educational story illustration, one coherent moment, no panels. Identity references: image 1 is Jani the female cat; images 2 and 3 are canonical Kuromi. Use references ONLY for character identity and drawing style. All humans, architecture and objects must also be visibly HAND-DRAWN anime/gouache storybook illustration with fine clean outlines and simplified painted faces, never photographs. Natural daylight, thoughtful realistic period colors, ordinary historically accurate objects, no cinematic drama. Kuromi and Jani are small observers integrated naturally at ground level, both fully visible with readable faces, never replacing real human actors. Kuromi: charcoal black two-point jester hood, pink skull emblem, white face/body. EXACT canonical collar: solid DARK CHARCOAL, FOUR POINTS with exactly FOUR TINY PINK BALLS, one at each point. Two outer shoulder points and two lower inner points separated by an UPWARD central V-shaped notch; NO downward central fifth point, NO pink surface/trim/stripe/frill. Kuromi eyes: FLAT SOLID BLACK teardrop/ovals, exactly two SHORT CURVED outer eyelashes per eye as reference. Absolutely NO iris, brown eye color, glossy pupils, highlights, white glints, rings or long lashes. Neutral thoughtful expression, serious for hardship. Jani: FEMALE fluffy cream-white ragdoll CAT, natural feline four legs and paws, blue eyes, pink nose, dark brown fluffy tail. Strong asymmetric face: VIEWER LEFT large dark-brown eye patch; VIEWER RIGHT smaller LIGHTER brown patch; irregular white central blaze. No clothes, bowtie, human hands, anthropomorphic body or male styling. Faces must remain readable, neither turned away. No legible writing, labels, captions, dates, watermark, flags, logos or speech bubbles. No Hollywood/game/fantasy tropes, heroic battle tableaux or explosions. Respectful civilian historical reconstruction, never cute propaganda. \nScene for h12-03: A Hungarian industrial town in approximately 1974, a family moving into a newly built panel apartment. A father and neighbor carry a small period white refrigerator through open apartment doorway while a mother unpacks enamel kitchenware and a child sets a schoolbag on a simple table. Narrow clean stairwell opens into a modest two-room apartment, wall radiator, linoleum floor, brown cardboard boxes, standardized white door frames. No luxurious modern decor or contemporary appliances. Kuromi watches carefully beside stacked boxes inside the apartment; Jani sits naturally beside a woven basket facing viewer. Mechanism: mass housing brings running water and new consumer goods while cramped standardized spaces require household adjustment. Doorway-level wide composition with figures interacting, not a product advertisement.", "generationPrompt": "Use case: historical-scene. Generate ONE complete landscape 1536x1024 opaque full-color educational story illustration, one coherent moment, no panels. Identity references: image 1 is Jani the female cat; images 2 and 3 are canonical Kuromi. Use references ONLY for character identity and drawing style. All humans, architecture and objects must also be visibly HAND-DRAWN anime/gouache storybook illustration with fine clean outlines and simplified painted faces, never photographs. Natural daylight, thoughtful realistic period colors, ordinary historically accurate objects, no cinematic drama. Kuromi and Jani are small observers integrated naturally at ground level, both fully visible with readable faces, never replacing real human actors. Kuromi: charcoal black two-point jester hood, pink skull emblem, white face/body. EXACT canonical collar: solid DARK CHARCOAL, FOUR POINTS with exactly FOUR TINY PINK BALLS, one at each point. Two outer shoulder points and two lower inner points separated by an UPWARD central V-shaped notch; NO downward central fifth point, NO pink surface/trim/stripe/frill. Kuromi eyes: FLAT SOLID BLACK teardrop/ovals, exactly two SHORT CURVED outer eyelashes per eye as reference. Absolutely NO iris, brown eye color, glossy pupils, highlights, white glints, rings or long lashes. Neutral thoughtful expression, serious for hardship. Jani: FEMALE fluffy cream-white ragdoll CAT, natural feline four legs and paws, blue eyes, pink nose, dark brown fluffy tail. Strong asymmetric face: VIEWER LEFT large dark-brown eye patch; VIEWER RIGHT smaller LIGHTER brown patch; irregular white central blaze. No clothes, bowtie, human hands, anthropomorphic body or male styling. Faces must remain readable, neither turned away. No legible writing, labels, captions, dates, watermark, flags, logos or speech bubbles. No Hollywood/game/fantasy tropes, heroic battle tableaux or explosions. Respectful civilian historical reconstruction, never cute propaganda. \nScene for h12-03: A Hungarian industrial town in approximately 1974, a family moving into a newly built panel apartment. A father and neighbor carry a small period white refrigerator through open apartment doorway while a mother unpacks enamel kitchenware and a child sets a schoolbag on a simple table. Narrow clean stairwell opens into a modest two-room apartment, wall radiator, linoleum floor, brown cardboard boxes, standardized white door frames. No luxurious modern decor or contemporary appliances. Kuromi watches carefully beside stacked boxes inside the apartment; Jani sits naturally beside a woven basket facing viewer. Mechanism: mass housing brings running water and new consumer goods while cramped standardized spaces require household adjustment. Doorway-level wide composition with figures interacting, not a product advertisement.", "generationReferences": [ "jani.png", "kuromi-canonical.png", "kuromi-canonical-2.png" ], "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "canonicalKuromi": true, "issues": [], "method": "A teljes generált kép szemrevételezve: korhű környezet, komoly vagy helyzethez illő arckifejezések; Kuromi sötét gallérja és tömör fekete szemei; Jani aszimmetrikus arcmintája." }, "corrections": [], "src": "assets/lesson-scenes/h12-03.webp", "sha256": "90b202503e0a3b6af1d720a34788f4a6b888618313772749a2918536a6c9536f", "bytes": 327670, "thumbnailSrc": "assets/lesson-scenes/h12-03-preview.webp", "thumbnailSha256": "a8fc11c773944a6b90af0abc4bb24573654e548f79b842a05bd231b0019b1110", "thumbnailBytes": 94962 }, { "unitId": "h12-04", "title": "Szamizdat készül egy lakásban", "alt": "Kuromi és Jani egy lakásban figyeli az írógéppel, sokszorosítóval és vászontáskákkal dolgozó szamizdatkészítőket.", "caption": "A szamizdat személyes hálózatokon és sokszorosításon keresztül teremtett önálló nyilvánosságot. A cenzúrán kívüli terjesztés politikai együttműködést is szervezett.", "scene": "Budapest apartment in 1987, a small civilian samizdat production group. Two adults operate a small tabletop stencil duplicator while a third collates unlettered sheets and places them into ordinary canvas bags for distribution. Manual typewriter and stencils, paper stacks, ink roller, a desk fan, lace curtain and worn apartment furniture. No readable titles, no newspaper logos. Kuromi watches the duplicator thoughtfully beside the workbench; Jani stands naturally by a canvas bag facing viewer. Not a spy film, no weapons, trench-coat agents or cinematic secrecy; daytime understated cooperative work. Mechanism: independent multiplication and personal distribution create an alternative public sphere outside state publishing. Broad tabletop view with all three people and both small observers visible.", "setting": "Budapest, 1987", "historicalDetails": [ "Asztali stencil-sokszorosító", "Írógép és stencil", "Kézzel rendezett lapok", "Vászontáskás terjesztés" ], "placement": { "area": "base", "sectionIndex": 2 }, "period": "1970–1989", "sourceBasis": [ { "book": "hu12a", "pdfPages": [ 111, 116 ], "chapter": "Adósságválság, társadalmi hatás és ellenzéki hálózatok" }, { "book": "hu12b", "pdfPages": [ 99, 104 ], "chapter": "Válság, ellenzék és az állampárt megoszlása" } ], "prompt": "Use case: historical-scene. Generate ONE complete landscape 1536x1024 opaque full-color educational story illustration, one coherent moment, no panels. Identity references: image 1 is Jani the female cat; images 2 and 3 are canonical Kuromi. Use references ONLY for character identity and drawing style. All humans, architecture and objects must also be visibly HAND-DRAWN anime/gouache storybook illustration with fine clean outlines and simplified painted faces, never photographs. Natural daylight, thoughtful realistic period colors, ordinary historically accurate objects, no cinematic drama. Kuromi and Jani are small observers integrated naturally at ground level, both fully visible with readable faces, never replacing real human actors. Kuromi: charcoal black two-point jester hood, pink skull emblem, white face/body. EXACT canonical collar: solid DARK CHARCOAL, FOUR POINTS with exactly FOUR TINY PINK BALLS, one at each point. Two outer shoulder points and two lower inner points separated by an UPWARD central V-shaped notch; NO downward central fifth point, NO pink surface/trim/stripe/frill. Kuromi eyes: FLAT SOLID BLACK teardrop/ovals, exactly two SHORT CURVED outer eyelashes per eye as reference. Absolutely NO iris, brown eye color, glossy pupils, highlights, white glints, rings or long lashes. Neutral thoughtful expression, serious for hardship. Jani: FEMALE fluffy cream-white ragdoll CAT, natural feline four legs and paws, blue eyes, pink nose, dark brown fluffy tail. Strong asymmetric face: VIEWER LEFT large dark-brown eye patch; VIEWER RIGHT smaller LIGHTER brown patch; irregular white central blaze. No clothes, bowtie, human hands, anthropomorphic body or male styling. Faces must remain readable, neither turned away. No legible writing, labels, captions, dates, watermark, flags, logos or speech bubbles. No Hollywood/game/fantasy tropes, heroic battle tableaux or explosions. Respectful civilian historical reconstruction, never cute propaganda. \nScene for h12-04: Budapest apartment in 1987, a small civilian samizdat production group. Two adults operate a small tabletop stencil duplicator while a third collates unlettered sheets and places them into ordinary canvas bags for distribution. Manual typewriter and stencils, paper stacks, ink roller, a desk fan, lace curtain and worn apartment furniture. No readable titles, no newspaper logos. Kuromi watches the duplicator thoughtfully beside the workbench; Jani stands naturally by a canvas bag facing viewer. Not a spy film, no weapons, trench-coat agents or cinematic secrecy; daytime understated cooperative work. Mechanism: independent multiplication and personal distribution create an alternative public sphere outside state publishing. Broad tabletop view with all three people and both small observers visible.", "generationPrompt": "Use case: historical-scene. Generate ONE complete landscape 1536x1024 opaque full-color educational story illustration, one coherent moment, no panels. Identity references: image 1 is Jani the female cat; images 2 and 3 are canonical Kuromi. Use references ONLY for character identity and drawing style. All humans, architecture and objects must also be visibly HAND-DRAWN anime/gouache storybook illustration with fine clean outlines and simplified painted faces, never photographs. Natural daylight, thoughtful realistic period colors, ordinary historically accurate objects, no cinematic drama. Kuromi and Jani are small observers integrated naturally at ground level, both fully visible with readable faces, never replacing real human actors. Kuromi: charcoal black two-point jester hood, pink skull emblem, white face/body. EXACT canonical collar: solid DARK CHARCOAL, FOUR POINTS with exactly FOUR TINY PINK BALLS, one at each point. Two outer shoulder points and two lower inner points separated by an UPWARD central V-shaped notch; NO downward central fifth point, NO pink surface/trim/stripe/frill. Kuromi eyes: FLAT SOLID BLACK teardrop/ovals, exactly two SHORT CURVED outer eyelashes per eye as reference. Absolutely NO iris, brown eye color, glossy pupils, highlights, white glints, rings or long lashes. Neutral thoughtful expression, serious for hardship. Jani: FEMALE fluffy cream-white ragdoll CAT, natural feline four legs and paws, blue eyes, pink nose, dark brown fluffy tail. Strong asymmetric face: VIEWER LEFT large dark-brown eye patch; VIEWER RIGHT smaller LIGHTER brown patch; irregular white central blaze. No clothes, bowtie, human hands, anthropomorphic body or male styling. Faces must remain readable, neither turned away. No legible writing, labels, captions, dates, watermark, flags, logos or speech bubbles. No Hollywood/game/fantasy tropes, heroic battle tableaux or explosions. Respectful civilian historical reconstruction, never cute propaganda. \nScene for h12-04: Budapest apartment in 1987, a small civilian samizdat production group. Two adults operate a small tabletop stencil duplicator while a third collates unlettered sheets and places them into ordinary canvas bags for distribution. Manual typewriter and stencils, paper stacks, ink roller, a desk fan, lace curtain and worn apartment furniture. No readable titles, no newspaper logos. Kuromi watches the duplicator thoughtfully beside the workbench; Jani stands naturally by a canvas bag facing viewer. Not a spy film, no weapons, trench-coat agents or cinematic secrecy; daytime understated cooperative work. Mechanism: independent multiplication and personal distribution create an alternative public sphere outside state publishing. Broad tabletop view with all three people and both small observers visible.", "generationReferences": [ "jani.png", "kuromi-canonical.png", "kuromi-canonical-2.png" ], "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "canonicalKuromi": true, "issues": [], "method": "A teljes generált kép szemrevételezve: korhű környezet, komoly vagy helyzethez illő arckifejezések; Kuromi sötét gallérja és tömör fekete szemei; Jani aszimmetrikus arcmintája." }, "corrections": [], "src": "assets/lesson-scenes/h12-04.webp", "sha256": "559e4ac551d483b6c7eb063eb6f09871c8830d1ba1ffe68a3258670e90675c20", "bytes": 377350, "thumbnailSrc": "assets/lesson-scenes/h12-04-preview.webp", "thumbnailSha256": "3e7523f3bb1215b3a7cee6f5b6419f61a54d6260051bd9c2d3b5f3f9dbb0f93b", "thumbnailBytes": 113226 }, { "unitId": "h13-01", "title": "Szabad választás egy helyi szavazókörben", "alt": "Kuromi és Jani egy iskolai szavazókörben figyeli a választókat, a függönyös fülkét és a lezárt urnát.", "caption": "Az 1990. márciusi–áprilisi választás az átmenet tárgyalásait választói felhatalmazással kapcsolta össze. A titkos szavazás és az ellenőrizhető eljárás a politikai verseny alapfeltétele lett.", "scene": "Hungarian town polling station in spring 1990 during first free parliamentary election. A diverse queue of ordinary adult citizens in period spring jackets waits while a woman voter places a folded anonymous ballot into a simple sealed wooden ballot box. A civilian election committee sits at school desks checking an unlettered paper register; a plain curtain voting booth nearby. Old classroom parquet, coat hooks, chalkboard fully blank and unbranded wall clock, no party posters or flags. Kuromi quietly watches from beside the booth, not voting; Jani on four paws beside a school desk faces viewer. Mechanism: secret individual choice and supervised procedure replace uncompetitive party-state elections. Respectful natural daylight, oblique classroom view, no celebration rally.", "setting": "Magyarország, 1990 tavasza", "historicalDetails": [ "Lefüggönyözött szavazófülke", "Lezárt faurna", "Papíralapú névjegyzék", "Iskolai padokból kialakított bizottsági asztal" ], "placement": { "area": "base", "sectionIndex": 3 }, "period": "1988–1990", "sourceBasis": [ { "book": "hu12a", "pdfPages": [ 116, 120 ], "chapter": "1989 fő eseményei, kerekasztal, köztársaság és 1990-es választás" }, { "book": "hu12b", "pdfPages": [ 104, 108 ], "chapter": "Újratemetés, tárgyalásos átmenet, népszavazás és választás" } ], "prompt": "Use case: historical-scene. Generate ONE complete landscape 1536x1024 opaque full-color educational story illustration, one coherent moment, no panels. Identity references: image 1 is Jani the female cat; images 2 and 3 are canonical Kuromi. Use references ONLY for character identity and drawing style. All humans, architecture and objects must also be visibly HAND-DRAWN anime/gouache storybook illustration with fine clean outlines and simplified painted faces, never photographs. Natural daylight, thoughtful realistic period colors, ordinary historically accurate objects, no cinematic drama. Kuromi and Jani are small observers integrated naturally at ground level, both fully visible with readable faces, never replacing real human actors. Kuromi: charcoal black two-point jester hood, pink skull emblem, white face/body. EXACT canonical collar: solid DARK CHARCOAL, FOUR POINTS with exactly FOUR TINY PINK BALLS, one at each point. Two outer shoulder points and two lower inner points separated by an UPWARD central V-shaped notch; NO downward central fifth point, NO pink surface/trim/stripe/frill. Kuromi eyes: FLAT SOLID BLACK teardrop/ovals, exactly two SHORT CURVED outer eyelashes per eye as reference. Absolutely NO iris, brown eye color, glossy pupils, highlights, white glints, rings or long lashes. Neutral thoughtful expression, serious for hardship. Jani: FEMALE fluffy cream-white ragdoll CAT, natural feline four legs and paws, blue eyes, pink nose, dark brown fluffy tail. Strong asymmetric face: VIEWER LEFT large dark-brown eye patch; VIEWER RIGHT smaller LIGHTER brown patch; irregular white central blaze. No clothes, bowtie, human hands, anthropomorphic body or male styling. Faces must remain readable, neither turned away. No legible writing, labels, captions, dates, watermark, flags, logos or speech bubbles. No Hollywood/game/fantasy tropes, heroic battle tableaux or explosions. Respectful civilian historical reconstruction, never cute propaganda. \nScene for h13-01: Hungarian town polling station in spring 1990 during first free parliamentary election. A diverse queue of ordinary adult citizens in period spring jackets waits while a woman voter places a folded anonymous ballot into a simple sealed wooden ballot box. A civilian election committee sits at school desks checking an unlettered paper register; a plain curtain voting booth nearby. Old classroom parquet, coat hooks, chalkboard fully blank and unbranded wall clock, no party posters or flags. Kuromi quietly watches from beside the booth, not voting; Jani on four paws beside a school desk faces viewer. Mechanism: secret individual choice and supervised procedure replace uncompetitive party-state elections. Respectful natural daylight, oblique classroom view, no celebration rally.", "generationPrompt": "Use case: historical-scene. Generate ONE complete landscape 1536x1024 opaque full-color educational story illustration, one coherent moment, no panels. Identity references: image 1 is Jani the female cat; images 2 and 3 are canonical Kuromi. Use references ONLY for character identity and drawing style. All humans, architecture and objects must also be visibly HAND-DRAWN anime/gouache storybook illustration with fine clean outlines and simplified painted faces, never photographs. Natural daylight, thoughtful realistic period colors, ordinary historically accurate objects, no cinematic drama. Kuromi and Jani are small observers integrated naturally at ground level, both fully visible with readable faces, never replacing real human actors. Kuromi: charcoal black two-point jester hood, pink skull emblem, white face/body. EXACT canonical collar: solid DARK CHARCOAL, FOUR POINTS with exactly FOUR TINY PINK BALLS, one at each point. Two outer shoulder points and two lower inner points separated by an UPWARD central V-shaped notch; NO downward central fifth point, NO pink surface/trim/stripe/frill. Kuromi eyes: FLAT SOLID BLACK teardrop/ovals, exactly two SHORT CURVED outer eyelashes per eye as reference. Absolutely NO iris, brown eye color, glossy pupils, highlights, white glints, rings or long lashes. Neutral thoughtful expression, serious for hardship. Jani: FEMALE fluffy cream-white ragdoll CAT, natural feline four legs and paws, blue eyes, pink nose, dark brown fluffy tail. Strong asymmetric face: VIEWER LEFT large dark-brown eye patch; VIEWER RIGHT smaller LIGHTER brown patch; irregular white central blaze. No clothes, bowtie, human hands, anthropomorphic body or male styling. Faces must remain readable, neither turned away. No legible writing, labels, captions, dates, watermark, flags, logos or speech bubbles. No Hollywood/game/fantasy tropes, heroic battle tableaux or explosions. Respectful civilian historical reconstruction, never cute propaganda. \nScene for h13-01: Hungarian town polling station in spring 1990 during first free parliamentary election. A diverse queue of ordinary adult citizens in period spring jackets waits while a woman voter places a folded anonymous ballot into a simple sealed wooden ballot box. A civilian election committee sits at school desks checking an unlettered paper register; a plain curtain voting booth nearby. Old classroom parquet, coat hooks, chalkboard fully blank and unbranded wall clock, no party posters or flags. Kuromi quietly watches from beside the booth, not voting; Jani on four paws beside a school desk faces viewer. Mechanism: secret individual choice and supervised procedure replace uncompetitive party-state elections. Respectful natural daylight, oblique classroom view, no celebration rally.", "generationReferences": [ "jani.png", "kuromi-canonical.png", "kuromi-canonical-2.png" ], "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "canonicalKuromi": true, "issues": [], "method": "A teljes generált kép szemrevételezve: korhű környezet, komoly vagy helyzethez illő arckifejezések; Kuromi sötét gallérja és tömör fekete szemei; Jani aszimmetrikus arcmintája." }, "corrections": [], "src": "assets/lesson-scenes/h13-01.webp", "sha256": "e7e2cc1217aa47bc9e7d76c12133ce14ac6749fae43203345e05e9a0acdd26bf", "bytes": 280110, "thumbnailSrc": "assets/lesson-scenes/h13-01-preview.webp", "thumbnailSha256": "d2cc30d8af7abef5ec038e5fb04dbed5f94424a60d54e73e335cf86c7d81a79a", "thumbnailBytes": 84250 }, { "unitId": "h13-02", "title": "Nyilvános önkormányzati egyeztetés", "alt": "Kuromi és Jani egy nyilvános helyi egyeztetésen figyeli az iskola térképe körül tanácskozó lakosokat és képviselőket.", "caption": "A választott önkormányzatoknak helyi igényeket és korlátozott erőforrásokat kellett összeegyeztetniük. A képviselet intézménye a döntések nyilvánosságával és számonkérhetőségével kapcsolódott össze.", "scene": "Hungarian small-town municipal public meeting in 1991 inside an ordinary council chamber. Local councillors and residents, including a woman teacher and an older factory worker, discuss competing local spending priorities using an unlettered budget sheet and a simple neighborhood street plan without text. A chairperson listens while a resident points to the local school building sketch on the plan. Period wooden meeting table, rotary microphone, paper minutes, coat rack, worn civic interior and daylight windows. No party logos, flags, celebrity politicians or giant parliament chamber. Kuromi listens near the end of the resident bench; Jani stands beside the map table facing viewer. Mechanism: local electoral accountability and limited resources require public prioritization, not centralized party command. Wide semicircular table arrangement.", "setting": "Magyar kisváros, 1991", "historicalDetails": [ "Költségvetési munkalap", "Helyi utcarajz", "Papíralapú jegyzőkönyv", "Korabeli tanácsteremi bútorzat" ], "placement": { "area": "base", "sectionIndex": 2 }, "period": "1990-es évek", "sourceBasis": [ { "book": "hu12a", "pdfPages": [ 119, 124 ], "chapter": "Demokratikus kormányzás, politikai verseny és igazságtétel" }, { "book": "hu12a", "pdfPages": [ 168, 170 ], "chapter": "Intézményi magyarázat és történeti választási rendszer – a korszakhoz kötve" }, { "book": "hu12b", "pdfPages": [ 108, 111 ], "chapter": "Paktum, önkormányzatok és politikai konfliktus" }, { "book": "hu12b", "pdfPages": [ 143, 146 ], "chapter": "Parlamentáris keret – jelen idejű részletei nem visszavetítve az 1990-es évekre" } ], "prompt": "Use case: historical-scene. Generate ONE complete landscape 1536x1024 opaque full-color educational story illustration, one coherent moment, no panels. Identity references: image 1 is Jani the female cat; images 2 and 3 are canonical Kuromi. Use references ONLY for character identity and drawing style. All humans, architecture and objects must also be visibly HAND-DRAWN anime/gouache storybook illustration with fine clean outlines and simplified painted faces, never photographs. Natural daylight, thoughtful realistic period colors, ordinary historically accurate objects, no cinematic drama. Kuromi and Jani are small observers integrated naturally at ground level, both fully visible with readable faces, never replacing real human actors. Kuromi: charcoal black two-point jester hood, pink skull emblem, white face/body. EXACT canonical collar: solid DARK CHARCOAL, FOUR POINTS with exactly FOUR TINY PINK BALLS, one at each point. Two outer shoulder points and two lower inner points separated by an UPWARD central V-shaped notch; NO downward central fifth point, NO pink surface/trim/stripe/frill. Kuromi eyes: FLAT SOLID BLACK teardrop/ovals, exactly two SHORT CURVED outer eyelashes per eye as reference. Absolutely NO iris, brown eye color, glossy pupils, highlights, white glints, rings or long lashes. Neutral thoughtful expression, serious for hardship. Jani: FEMALE fluffy cream-white ragdoll CAT, natural feline four legs and paws, blue eyes, pink nose, dark brown fluffy tail. Strong asymmetric face: VIEWER LEFT large dark-brown eye patch; VIEWER RIGHT smaller LIGHTER brown patch; irregular white central blaze. No clothes, bowtie, human hands, anthropomorphic body or male styling. Faces must remain readable, neither turned away. No legible writing, labels, captions, dates, watermark, flags, logos or speech bubbles. No Hollywood/game/fantasy tropes, heroic battle tableaux or explosions. Respectful civilian historical reconstruction, never cute propaganda. \nScene for h13-02: Hungarian small-town municipal public meeting in 1991 inside an ordinary council chamber. Local councillors and residents, including a woman teacher and an older factory worker, discuss competing local spending priorities using an unlettered budget sheet and a simple neighborhood street plan without text. A chairperson listens while a resident points to the local school building sketch on the plan. Period wooden meeting table, rotary microphone, paper minutes, coat rack, worn civic interior and daylight windows. No party logos, flags, celebrity politicians or giant parliament chamber. Kuromi listens near the end of the resident bench; Jani stands beside the map table facing viewer. Mechanism: local electoral accountability and limited resources require public prioritization, not centralized party command. Wide semicircular table arrangement.", "generationPrompt": "Use case: historical-scene. Generate ONE complete landscape 1536x1024 opaque full-color educational story illustration, one coherent moment, no panels. Identity references: image 1 is Jani the female cat; images 2 and 3 are canonical Kuromi. Use references ONLY for character identity and drawing style. All humans, architecture and objects must also be visibly HAND-DRAWN anime/gouache storybook illustration with fine clean outlines and simplified painted faces, never photographs. Natural daylight, thoughtful realistic period colors, ordinary historically accurate objects, no cinematic drama. Kuromi and Jani are small observers integrated naturally at ground level, both fully visible with readable faces, never replacing real human actors. Kuromi: charcoal black two-point jester hood, pink skull emblem, white face/body. EXACT canonical collar: solid DARK CHARCOAL, FOUR POINTS with exactly FOUR TINY PINK BALLS, one at each point. Two outer shoulder points and two lower inner points separated by an UPWARD central V-shaped notch; NO downward central fifth point, NO pink surface/trim/stripe/frill. Kuromi eyes: FLAT SOLID BLACK teardrop/ovals, exactly two SHORT CURVED outer eyelashes per eye as reference. Absolutely NO iris, brown eye color, glossy pupils, highlights, white glints, rings or long lashes. Neutral thoughtful expression, serious for hardship. Jani: FEMALE fluffy cream-white ragdoll CAT, natural feline four legs and paws, blue eyes, pink nose, dark brown fluffy tail. Strong asymmetric face: VIEWER LEFT large dark-brown eye patch; VIEWER RIGHT smaller LIGHTER brown patch; irregular white central blaze. No clothes, bowtie, human hands, anthropomorphic body or male styling. Faces must remain readable, neither turned away. No legible writing, labels, captions, dates, watermark, flags, logos or speech bubbles. No Hollywood/game/fantasy tropes, heroic battle tableaux or explosions. Respectful civilian historical reconstruction, never cute propaganda. \nScene for h13-02: Hungarian small-town municipal public meeting in 1991 inside an ordinary council chamber. Local councillors and residents, including a woman teacher and an older factory worker, discuss competing local spending priorities using an unlettered budget sheet and a simple neighborhood street plan without text. A chairperson listens while a resident points to the local school building sketch on the plan. Period wooden meeting table, rotary microphone, paper minutes, coat rack, worn civic interior and daylight windows. No party logos, flags, celebrity politicians or giant parliament chamber. Kuromi listens near the end of the resident bench; Jani stands beside the map table facing viewer. Mechanism: local electoral accountability and limited resources require public prioritization, not centralized party command. Wide semicircular table arrangement.", "generationReferences": [ "jani.png", "kuromi-canonical.png", "kuromi-canonical-2.png" ], "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "canonicalKuromi": true, "issues": [], "method": "A teljes generált kép szemrevételezve: korhű környezet, komoly vagy helyzethez illő arckifejezések; Kuromi sötét gallérja és tömör fekete szemei; Jani aszimmetrikus arcmintája." }, "corrections": [], "src": "assets/lesson-scenes/h13-02.webp", "sha256": "449558a97dcc58c668f320a76400de5ecd94307935445281d4b4b47866daac07", "bytes": 330814, "thumbnailSrc": "assets/lesson-scenes/h13-02-preview.webp", "thumbnailSha256": "e6ded6c4624a03c8bee616c71241b44f9b1d7ffee483425bfcce2f127a693d49", "thumbnailBytes": 104084 }, { "unitId": "h13-03", "title": "Álláskeresés és átképzés az ipari leépítés után", "alt": "Kuromi és Jani egy munkaügyi irodában figyeli a tanfolyami lehetőségeket ismertető ügyintézőt és az álláskeresőket.", "caption": "Az 1990-es évek ipari átalakulása munkahelyeket szüntetett meg. Az újraelhelyezkedést a képzettség, a helyi álláskínálat és az átképzés elérhetősége egyaránt alakította.", "scene": "Hungarian industrial town employment office in 1993 after factory restructuring. A woman employment counselor explains a retraining timetable represented by blank blocks on paper to two former industrial workers, a woman and a man in ordinary early-1990s clothes. A noticeboard displays anonymous plain course cards, unbranded beige CRT desktop computer, paper folders, simple metal chairs. Through the window a modest factory gate in distance, not enormous apocalyptic ruin. Kuromi observes the consultation seriously from beside a chair; Jani on four paws near the folder shelf faces viewer. Mechanism: disappearing industrial jobs require new qualifications while local vacancies and mobility limit choices. Compassionate sober civilian scene, no stereotyping, no money-rain privatization cliché. Medium-wide office view with active exchange.", "setting": "Magyar iparváros munkaügyi irodája, 1993", "historicalDetails": [ "Bézs CRT-számítógép", "Átképzési munkalap", "Papíriratok és tanfolyami kártyák", "Egyszerű munkaügyi várószékek" ], "placement": { "area": "base", "sectionIndex": 3 }, "period": "1990-es évek", "sourceBasis": [ { "book": "hu12a", "pdfPages": [ 125, 130 ], "chapter": "Piaci intézmények, privatizáció, kárpótlás és szerkezetváltás" }, { "book": "hu12a", "pdfPages": [ 132, 132 ], "chapter": "Vita a kárpótlásról: Balsai, Torgyán, Vass és Áder" }, { "book": "hu12b", "pdfPages": [ 114, 119 ], "chapter": "Privatizáció és kárpótlás eltérő értékelései" } ], "prompt": "Use case: historical-scene. Generate ONE complete landscape 1536x1024 opaque full-color educational story illustration, one coherent moment, no panels. Identity references: image 1 is Jani the female cat; images 2 and 3 are canonical Kuromi. Use references ONLY for character identity and drawing style. All humans, architecture and objects must also be visibly HAND-DRAWN anime/gouache storybook illustration with fine clean outlines and simplified painted faces, never photographs. Natural daylight, thoughtful realistic period colors, ordinary historically accurate objects, no cinematic drama. Kuromi and Jani are small observers integrated naturally at ground level, both fully visible with readable faces, never replacing real human actors. Kuromi: charcoal black two-point jester hood, pink skull emblem, white face/body. EXACT canonical collar: solid DARK CHARCOAL, FOUR POINTS with exactly FOUR TINY PINK BALLS, one at each point. Two outer shoulder points and two lower inner points separated by an UPWARD central V-shaped notch; NO downward central fifth point, NO pink surface/trim/stripe/frill. Kuromi eyes: FLAT SOLID BLACK teardrop/ovals, exactly two SHORT CURVED outer eyelashes per eye as reference. Absolutely NO iris, brown eye color, glossy pupils, highlights, white glints, rings or long lashes. Neutral thoughtful expression, serious for hardship. Jani: FEMALE fluffy cream-white ragdoll CAT, natural feline four legs and paws, blue eyes, pink nose, dark brown fluffy tail. Strong asymmetric face: VIEWER LEFT large dark-brown eye patch; VIEWER RIGHT smaller LIGHTER brown patch; irregular white central blaze. No clothes, bowtie, human hands, anthropomorphic body or male styling. Faces must remain readable, neither turned away. No legible writing, labels, captions, dates, watermark, flags, logos or speech bubbles. No Hollywood/game/fantasy tropes, heroic battle tableaux or explosions. Respectful civilian historical reconstruction, never cute propaganda. \nScene for h13-03: Hungarian industrial town employment office in 1993 after factory restructuring. A woman employment counselor explains a retraining timetable represented by blank blocks on paper to two former industrial workers, a woman and a man in ordinary early-1990s clothes. A noticeboard displays anonymous plain course cards, unbranded beige CRT desktop computer, paper folders, simple metal chairs. Through the window a modest factory gate in distance, not enormous apocalyptic ruin. Kuromi observes the consultation seriously from beside a chair; Jani on four paws near the folder shelf faces viewer. Mechanism: disappearing industrial jobs require new qualifications while local vacancies and mobility limit choices. Compassionate sober civilian scene, no stereotyping, no money-rain privatization cliché. Medium-wide office view with active exchange.", "generationPrompt": "Use case: historical-scene. Generate ONE complete landscape 1536x1024 opaque full-color educational story illustration, one coherent moment, no panels. Identity references: image 1 is Jani the female cat; images 2 and 3 are canonical Kuromi. Use references ONLY for character identity and drawing style. All humans, architecture and objects must also be visibly HAND-DRAWN anime/gouache storybook illustration with fine clean outlines and simplified painted faces, never photographs. Natural daylight, thoughtful realistic period colors, ordinary historically accurate objects, no cinematic drama. Kuromi and Jani are small observers integrated naturally at ground level, both fully visible with readable faces, never replacing real human actors. Kuromi: charcoal black two-point jester hood, pink skull emblem, white face/body. EXACT canonical collar: solid DARK CHARCOAL, FOUR POINTS with exactly FOUR TINY PINK BALLS, one at each point. Two outer shoulder points and two lower inner points separated by an UPWARD central V-shaped notch; NO downward central fifth point, NO pink surface/trim/stripe/frill. Kuromi eyes: FLAT SOLID BLACK teardrop/ovals, exactly two SHORT CURVED outer eyelashes per eye as reference. Absolutely NO iris, brown eye color, glossy pupils, highlights, white glints, rings or long lashes. Neutral thoughtful expression, serious for hardship. Jani: FEMALE fluffy cream-white ragdoll CAT, natural feline four legs and paws, blue eyes, pink nose, dark brown fluffy tail. Strong asymmetric face: VIEWER LEFT large dark-brown eye patch; VIEWER RIGHT smaller LIGHTER brown patch; irregular white central blaze. No clothes, bowtie, human hands, anthropomorphic body or male styling. Faces must remain readable, neither turned away. No legible writing, labels, captions, dates, watermark, flags, logos or speech bubbles. No Hollywood/game/fantasy tropes, heroic battle tableaux or explosions. Respectful civilian historical reconstruction, never cute propaganda. \nScene for h13-03: Hungarian industrial town employment office in 1993 after factory restructuring. A woman employment counselor explains a retraining timetable represented by blank blocks on paper to two former industrial workers, a woman and a man in ordinary early-1990s clothes. A noticeboard displays anonymous plain course cards, unbranded beige CRT desktop computer, paper folders, simple metal chairs. Through the window a modest factory gate in distance, not enormous apocalyptic ruin. Kuromi observes the consultation seriously from beside a chair; Jani on four paws near the folder shelf faces viewer. Mechanism: disappearing industrial jobs require new qualifications while local vacancies and mobility limit choices. Compassionate sober civilian scene, no stereotyping, no money-rain privatization cliché. Medium-wide office view with active exchange.", "generationReferences": [ "jani.png", "kuromi-canonical.png", "kuromi-canonical-2.png" ], "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "canonicalKuromi": true, "issues": [], "method": "A teljes generált kép szemrevételezve: korhű környezet, komoly vagy helyzethez illő arckifejezések; Kuromi sötét gallérja és tömör fekete szemei; Jani aszimmetrikus arcmintája." }, "corrections": [], "src": "assets/lesson-scenes/h13-03.webp", "sha256": "d5aa8e96d106db823cf77628fd2291f07f3b8394aafc1a705458e2e44bb2ae25", "bytes": 306900, "thumbnailSrc": "assets/lesson-scenes/h13-03-preview.webp", "thumbnailSha256": "e4d1fa101e11987bc421fc11acf73dfa35c6c23fc379d93bdebfa72c96c5744c", "thumbnailBytes": 95902 }, { "unitId": "h13-04", "title": "Átjárhatóbb határ Hegyeshalomnál", "alt": "Kuromi és Jani a gyalogoskorlát mellett figyeli a felnyitott sorompó alatt továbbhaladó autót és az ellenőrzőállás átrendezését.", "caption": "2007. december 21-én megszűnt a személyellenőrzés a schengeni belső szárazföldi határokon. Az államhatár és a külső határok ellenőrzése ettől nem tűnt el.", "scene": "Hegyeshalom Hungarian-Austrian border crossing in late December 2007, after removal of internal Schengen land-border checks. An ordinary family in a period compact early-2000s car slowly passes a raised barrier without stopping for routine passport control; two civilian road staff are removing a portable inspection stand beside the old modest border booth. Winter coats, pale cold daylight, lightly frosted verge, overhead roadway canopy and simple striped barrier without any letters or flags. Make traffic geometry coherent with one visible lane and clear safe space for pedestrians. Kuromi and Jani stand safely beside a pedestrian railing, both faces toward viewer, observing the raised barrier. No EU celebration rally, no border destruction. Mechanism: a surviving state border becomes easier to cross because routine internal checks cease; infrastructure remains. Wide low diagonal road view.", "setting": "Hegyeshalom, 2007 decembere", "historicalDetails": [ "Felnyitott határsorompó", "Megmaradt ellenőrzőfülke", "2000-es évekbeli személyautó", "Téli határállomási környezet" ], "placement": { "area": "base", "sectionIndex": 3 }, "period": "1990–2007", "sourceBasis": [ { "book": "hu12a", "pdfPages": [ 120, 121 ], "chapter": "A külpolitikai mozgástér visszaszerzése" }, { "book": "hu12a", "pdfPages": [ 165, 165 ], "chapter": "A magyar külpolitika" }, { "book": "hu12a", "pdfPages": [ 178, 182 ], "chapter": "Az Európai Unió és a csatlakozás" }, { "book": "hu12b", "pdfPages": [ 160, 162 ], "chapter": "Az európai integráció" }, { "book": "hu12b", "pdfPages": [ 166, 167 ], "chapter": "Magyarország uniós csatlakozása" }, { "title": "A Tanács 2007/801/EK határozata", "url": "https://eur-lex.europa.eu/legal-content/EN/ALL/?uri=CELEX%3A32007D0801" } ], "prompt": "Use case: historical-scene. Generate ONE complete landscape 1536x1024 opaque full-color educational story illustration, one coherent moment, no panels. Identity references: image 1 is Jani the female cat; images 2 and 3 are canonical Kuromi. Use references ONLY for character identity and drawing style. All humans, architecture and objects must also be visibly HAND-DRAWN anime/gouache storybook illustration with fine clean outlines and simplified painted faces, never photographs. Natural daylight, thoughtful realistic period colors, ordinary historically accurate objects, no cinematic drama. Kuromi and Jani are small observers integrated naturally at ground level, both fully visible with readable faces, never replacing real human actors. Kuromi: charcoal black two-point jester hood, pink skull emblem, white face/body. EXACT canonical collar: solid DARK CHARCOAL, FOUR POINTS with exactly FOUR TINY PINK BALLS, one at each point. Two outer shoulder points and two lower inner points separated by an UPWARD central V-shaped notch; NO downward central fifth point, NO pink surface/trim/stripe/frill. Kuromi eyes: FLAT SOLID BLACK teardrop/ovals, exactly two SHORT CURVED outer eyelashes per eye as reference. Absolutely NO iris, brown eye color, glossy pupils, highlights, white glints, rings or long lashes. Neutral thoughtful expression, serious for hardship. Jani: FEMALE fluffy cream-white ragdoll CAT, natural feline four legs and paws, blue eyes, pink nose, dark brown fluffy tail. Strong asymmetric face: VIEWER LEFT large dark-brown eye patch; VIEWER RIGHT smaller LIGHTER brown patch; irregular white central blaze. No clothes, bowtie, human hands, anthropomorphic body or male styling. Faces must remain readable, neither turned away. No legible writing, labels, captions, dates, watermark, flags, logos or speech bubbles. No Hollywood/game/fantasy tropes, heroic battle tableaux or explosions. Respectful civilian historical reconstruction, never cute propaganda. \nScene for h13-04: Hegyeshalom Hungarian-Austrian border crossing in late December 2007, after removal of internal Schengen land-border checks. An ordinary family in a period compact early-2000s car slowly passes a raised barrier without stopping for routine passport control; two civilian road staff are removing a portable inspection stand beside the old modest border booth. Winter coats, pale cold daylight, lightly frosted verge, overhead roadway canopy and simple striped barrier without any letters or flags. Make traffic geometry coherent with one visible lane and clear safe space for pedestrians. Kuromi and Jani stand safely beside a pedestrian railing, both faces toward viewer, observing the raised barrier. No EU celebration rally, no border destruction. Mechanism: a surviving state border becomes easier to cross because routine internal checks cease; infrastructure remains. Wide low diagonal road view.", "generationPrompt": "Use case: historical-scene. Generate ONE complete landscape 1536x1024 opaque full-color educational story illustration, one coherent moment, no panels. Identity references: image 1 is Jani the female cat; images 2 and 3 are canonical Kuromi. Use references ONLY for character identity and drawing style. All humans, architecture and objects must also be visibly HAND-DRAWN anime/gouache storybook illustration with fine clean outlines and simplified painted faces, never photographs. Natural daylight, thoughtful realistic period colors, ordinary historically accurate objects, no cinematic drama. Kuromi and Jani are small observers integrated naturally at ground level, both fully visible with readable faces, never replacing real human actors. Kuromi: charcoal black two-point jester hood, pink skull emblem, white face/body. EXACT canonical collar: solid DARK CHARCOAL, FOUR POINTS with exactly FOUR TINY PINK BALLS, one at each point. Two outer shoulder points and two lower inner points separated by an UPWARD central V-shaped notch; NO downward central fifth point, NO pink surface/trim/stripe/frill. Kuromi eyes: FLAT SOLID BLACK teardrop/ovals, exactly two SHORT CURVED outer eyelashes per eye as reference. Absolutely NO iris, brown eye color, glossy pupils, highlights, white glints, rings or long lashes. Neutral thoughtful expression, serious for hardship. Jani: FEMALE fluffy cream-white ragdoll CAT, natural feline four legs and paws, blue eyes, pink nose, dark brown fluffy tail. Strong asymmetric face: VIEWER LEFT large dark-brown eye patch; VIEWER RIGHT smaller LIGHTER brown patch; irregular white central blaze. No clothes, bowtie, human hands, anthropomorphic body or male styling. Faces must remain readable, neither turned away. No legible writing, labels, captions, dates, watermark, flags, logos or speech bubbles. No Hollywood/game/fantasy tropes, heroic battle tableaux or explosions. Respectful civilian historical reconstruction, never cute propaganda. \nScene for h13-04: Hegyeshalom Hungarian-Austrian border crossing in late December 2007, after removal of internal Schengen land-border checks. An ordinary family in a period compact early-2000s car slowly passes a raised barrier without stopping for routine passport control; two civilian road staff are removing a portable inspection stand beside the old modest border booth. Winter coats, pale cold daylight, lightly frosted verge, overhead roadway canopy and simple striped barrier without any letters or flags. Make traffic geometry coherent with one visible lane and clear safe space for pedestrians. Kuromi and Jani stand safely beside a pedestrian railing, both faces toward viewer, observing the raised barrier. No EU celebration rally, no border destruction. Mechanism: a surviving state border becomes easier to cross because routine internal checks cease; infrastructure remains. Wide low diagonal road view.", "generationReferences": [ "jani.png", "kuromi-canonical.png", "kuromi-canonical-2.png" ], "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "canonicalKuromi": true, "issues": [], "method": "A teljes generált kép szemrevételezve: korhű környezet, komoly vagy helyzethez illő arckifejezések; Kuromi sötét gallérja és tömör fekete szemei; Jani aszimmetrikus arcmintája." }, "corrections": [], "src": "assets/lesson-scenes/h13-04.webp", "sha256": "66301ee1d68f230a52263843a2d300c781c88f563633f65b9a554ea6f3618d97", "bytes": 406914, "thumbnailSrc": "assets/lesson-scenes/h13-04-preview.webp", "thumbnailSha256": "f352daf175f5df97f4f9d9c606b25250814749a90449a72fe4749faca2c2afd7", "thumbnailBytes": 127060 }, { "unitId": "h13-05", "title": "Anyanyelvű könyvtári foglalkozás Erdélyben", "alt": "Kuromi és Jani egy kisebbségi közösségi könyvtárban figyeli a könyvet választó gyermeket és az együtt olvasó családokat.", "caption": "A kisebbségi iskola és könyvtár a nyelv mindennapi használatának terét is biztosítja. Az intézmény működéséhez tanár, könyv, finanszírozás és közösségi részvétel egyaránt kell.", "scene": "A Transylvanian Hungarian minority community library in a modest small town during the 1990s. A female librarian and a young teacher arrange Hungarian-language children's books on low shelves while several children and parents read together at a plain table; book covers and spines have NO readable writing. Make cultural transmission visible through adult teaching, accessible shelving and intergenerational participation, not ethnic costume or nationalist flags. Period card-catalog drawer, old radiator, framed local building drawing without text, pencil cases and cloth schoolbags. Kuromi watches the librarian guiding a child to a shelf; Jani stands naturally beside the reading table facing viewer. Ordinary diverse hand-drawn residents, dignified non-stereotyped clothing. Warm natural library daylight with open doorway to a modest town street.", "setting": "Erdélyi kisváros, 1990-es évek", "historicalDetails": [ "Könyvtári cédulafiók", "Alacsony gyermekkönyves polc", "Közös olvasóasztal", "Korabeli iskolatáskák" ], "placement": { "area": "base", "sectionIndex": 3 }, "period": "1920–21. század", "sourceBasis": [ { "book": "hu12a", "pdfPages": [ 185, 191 ], "chapter": "Határon túli magyarok: intézmények, jogfosztás és nyelvhasználat" }, { "book": "hu12b", "pdfPages": [ 169, 173 ], "chapter": "A háború után és a kommunista diktatúrák idején" } ], "prompt": "Use case: historical-scene. Generate ONE complete landscape 1536x1024 opaque full-color educational story illustration, one coherent moment, no panels. Identity references: image 1 is Jani the female cat; images 2 and 3 are canonical Kuromi. Use references ONLY for character identity and drawing style. All humans, architecture and objects must also be visibly HAND-DRAWN anime/gouache storybook illustration with fine clean outlines and simplified painted faces, never photographs. Natural daylight, thoughtful realistic period colors, ordinary historically accurate objects, no cinematic drama. Kuromi and Jani are small observers integrated naturally at ground level, both fully visible with readable faces, never replacing real human actors. Kuromi: charcoal black two-point jester hood, pink skull emblem, white face/body. EXACT canonical collar: solid DARK CHARCOAL, FOUR POINTS with exactly FOUR TINY PINK BALLS, one at each point. Two outer shoulder points and two lower inner points separated by an UPWARD central V-shaped notch; NO downward central fifth point, NO pink surface/trim/stripe/frill. Kuromi eyes: FLAT SOLID BLACK teardrop/ovals, exactly two SHORT CURVED outer eyelashes per eye as reference. Absolutely NO iris, brown eye color, glossy pupils, highlights, white glints, rings or long lashes. Neutral thoughtful expression, serious for hardship. Jani: FEMALE fluffy cream-white ragdoll CAT, natural feline four legs and paws, blue eyes, pink nose, dark brown fluffy tail. Strong asymmetric face: VIEWER LEFT large dark-brown eye patch; VIEWER RIGHT smaller LIGHTER brown patch; irregular white central blaze. No clothes, bowtie, human hands, anthropomorphic body or male styling. Faces must remain readable, neither turned away. No legible writing, labels, captions, dates, watermark, flags, logos or speech bubbles. No Hollywood/game/fantasy tropes, heroic battle tableaux or explosions. Respectful civilian historical reconstruction, never cute propaganda. \nScene for h13-05: A Transylvanian Hungarian minority community library in a modest small town during the 1990s. A female librarian and a young teacher arrange Hungarian-language children's books on low shelves while several children and parents read together at a plain table; book covers and spines have NO readable writing. Make cultural transmission visible through adult teaching, accessible shelving and intergenerational participation, not ethnic costume or nationalist flags. Period card-catalog drawer, old radiator, framed local building drawing without text, pencil cases and cloth schoolbags. Kuromi watches the librarian guiding a child to a shelf; Jani stands naturally beside the reading table facing viewer. Ordinary diverse hand-drawn residents, dignified non-stereotyped clothing. Warm natural library daylight with open doorway to a modest town street.", "generationPrompt": "Use case: historical-scene. Generate ONE complete landscape 1536x1024 opaque full-color educational story illustration, one coherent moment, no panels. Identity references: image 1 is Jani the female cat; images 2 and 3 are canonical Kuromi. Use references ONLY for character identity and drawing style. All humans, architecture and objects must also be visibly HAND-DRAWN anime/gouache storybook illustration with fine clean outlines and simplified painted faces, never photographs. Natural daylight, thoughtful realistic period colors, ordinary historically accurate objects, no cinematic drama. Kuromi and Jani are small observers integrated naturally at ground level, both fully visible with readable faces, never replacing real human actors. Kuromi: charcoal black two-point jester hood, pink skull emblem, white face/body. EXACT canonical collar: solid DARK CHARCOAL, FOUR POINTS with exactly FOUR TINY PINK BALLS, one at each point. Two outer shoulder points and two lower inner points separated by an UPWARD central V-shaped notch; NO downward central fifth point, NO pink surface/trim/stripe/frill. Kuromi eyes: FLAT SOLID BLACK teardrop/ovals, exactly two SHORT CURVED outer eyelashes per eye as reference. Absolutely NO iris, brown eye color, glossy pupils, highlights, white glints, rings or long lashes. Neutral thoughtful expression, serious for hardship. Jani: FEMALE fluffy cream-white ragdoll CAT, natural feline four legs and paws, blue eyes, pink nose, dark brown fluffy tail. Strong asymmetric face: VIEWER LEFT large dark-brown eye patch; VIEWER RIGHT smaller LIGHTER brown patch; irregular white central blaze. No clothes, bowtie, human hands, anthropomorphic body or male styling. Faces must remain readable, neither turned away. No legible writing, labels, captions, dates, watermark, flags, logos or speech bubbles. No Hollywood/game/fantasy tropes, heroic battle tableaux or explosions. Respectful civilian historical reconstruction, never cute propaganda. \nScene for h13-05: A Transylvanian Hungarian minority community library in a modest small town during the 1990s. A female librarian and a young teacher arrange Hungarian-language children's books on low shelves while several children and parents read together at a plain table; book covers and spines have NO readable writing. Make cultural transmission visible through adult teaching, accessible shelving and intergenerational participation, not ethnic costume or nationalist flags. Period card-catalog drawer, old radiator, framed local building drawing without text, pencil cases and cloth schoolbags. Kuromi watches the librarian guiding a child to a shelf; Jani stands naturally beside the reading table facing viewer. Ordinary diverse hand-drawn residents, dignified non-stereotyped clothing. Warm natural library daylight with open doorway to a modest town street.", "generationReferences": [ "jani.png", "kuromi-canonical.png", "kuromi-canonical-2.png" ], "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "canonicalKuromi": true, "issues": [], "method": "A teljes generált kép szemrevételezve: korhű környezet, komoly vagy helyzethez illő arckifejezések; Kuromi sötét gallérja és tömör fekete szemei; Jani aszimmetrikus arcmintája." }, "corrections": [], "src": "assets/lesson-scenes/h13-05.webp", "sha256": "16cc0c8106403801a26b65d1279bd52866fdc12eec38604a9fcf23b78865b2bd", "bytes": 411908, "thumbnailSrc": "assets/lesson-scenes/h13-05-preview.webp", "thumbnailSha256": "9e23771964dc4e338f348aebeb159dfd08e9b70b294039458d10110018bdfb40", "thumbnailBytes": 126736 }, { "unitId": "h13-06", "title": "Közösségi tanulás és szabad kulturális részvétel", "alt": "Kuromi és Jani egy közösségi tanulóhelyen figyeli a gyermekeknek segítő pedagógusokat és a szülőkkel beszélgető önkénteseket.", "caption": "Az önszerveződő tanulóhely a közösségi részvételt és a tanulási lehetőséget kapcsolhatja össze. A kulturális jogvédelem és az egyenlő oktatási hozzáférés egymást kiegészítő feladat.", "scene": "A Hungarian Roma community-led after-school learning center during the 2000s. An adult Roma woman tutor and a male community organizer help a small mixed group of children with notebooks at one shared table, while a parent discusses a library borrowing card with another volunteer. Show the community's own agency and ordinary professional competence, varied natural skin tones and contemporary everyday clothes without ethnic costume, poverty spectacle or stereotypes. Modest well-kept room, shared used beige desktop computer, bookshelves, pencil cups, radiator and reusable schoolbags. No readable text, logos or invented charity branding. Kuromi observes attentively beside a shelf; Jani on four paws beside a schoolbag faces viewer. Mechanism: community organization creates access to learning and cultural participation while respecting individual identity. Natural afternoon daylight, wide room composition.", "setting": "Magyarországi roma közösségi tanulóhely, 2000-es évek", "historicalDetails": [ "Közös tanulóasztal és füzetek", "Használt asztali számítógép", "Közösségi könyvpolc", "Hétköznapi iskolatáskák" ], "placement": { "area": "base", "sectionIndex": 3 }, "period": "20–21. század", "sourceBasis": [ { "book": "hu12a", "pdfPages": [ 195, 200 ], "chapter": "Magyarországi nemzetiségek és roma közösségek" }, { "book": "hu12b", "pdfPages": [ 181, 188 ], "chapter": "Nemzetiségi viszonyok és roma társadalomtörténet" } ], "prompt": "Use case: historical-scene. Generate ONE complete landscape 1536x1024 opaque full-color educational story illustration, one coherent moment, no panels. Identity references: image 1 is Jani the female cat; images 2 and 3 are canonical Kuromi. Use references ONLY for character identity and drawing style. All humans, architecture and objects must also be visibly HAND-DRAWN anime/gouache storybook illustration with fine clean outlines and simplified painted faces, never photographs. Natural daylight, thoughtful realistic period colors, ordinary historically accurate objects, no cinematic drama. Kuromi and Jani are small observers integrated naturally at ground level, both fully visible with readable faces, never replacing real human actors. Kuromi: charcoal black two-point jester hood, pink skull emblem, white face/body. EXACT canonical collar: solid DARK CHARCOAL, FOUR POINTS with exactly FOUR TINY PINK BALLS, one at each point. Two outer shoulder points and two lower inner points separated by an UPWARD central V-shaped notch; NO downward central fifth point, NO pink surface/trim/stripe/frill. Kuromi eyes: FLAT SOLID BLACK teardrop/ovals, exactly two SHORT CURVED outer eyelashes per eye as reference. Absolutely NO iris, brown eye color, glossy pupils, highlights, white glints, rings or long lashes. Neutral thoughtful expression, serious for hardship. Jani: FEMALE fluffy cream-white ragdoll CAT, natural feline four legs and paws, blue eyes, pink nose, dark brown fluffy tail. Strong asymmetric face: VIEWER LEFT large dark-brown eye patch; VIEWER RIGHT smaller LIGHTER brown patch; irregular white central blaze. No clothes, bowtie, human hands, anthropomorphic body or male styling. Faces must remain readable, neither turned away. No legible writing, labels, captions, dates, watermark, flags, logos or speech bubbles. No Hollywood/game/fantasy tropes, heroic battle tableaux or explosions. Respectful civilian historical reconstruction, never cute propaganda. \nScene for h13-06: A Hungarian Roma community-led after-school learning center during the 2000s. An adult Roma woman tutor and a male community organizer help a small mixed group of children with notebooks at one shared table, while a parent discusses a library borrowing card with another volunteer. Show the community's own agency and ordinary professional competence, varied natural skin tones and contemporary everyday clothes without ethnic costume, poverty spectacle or stereotypes. Modest well-kept room, shared used beige desktop computer, bookshelves, pencil cups, radiator and reusable schoolbags. No readable text, logos or invented charity branding. Kuromi observes attentively beside a shelf; Jani on four paws beside a schoolbag faces viewer. Mechanism: community organization creates access to learning and cultural participation while respecting individual identity. Natural afternoon daylight, wide room composition.", "generationPrompt": "Use case: historical-scene. Generate ONE complete landscape 1536x1024 opaque full-color educational story illustration, one coherent moment, no panels. Identity references: image 1 is Jani the female cat; images 2 and 3 are canonical Kuromi. Use references ONLY for character identity and drawing style. All humans, architecture and objects must also be visibly HAND-DRAWN anime/gouache storybook illustration with fine clean outlines and simplified painted faces, never photographs. Natural daylight, thoughtful realistic period colors, ordinary historically accurate objects, no cinematic drama. Kuromi and Jani are small observers integrated naturally at ground level, both fully visible with readable faces, never replacing real human actors. Kuromi: charcoal black two-point jester hood, pink skull emblem, white face/body. EXACT canonical collar: solid DARK CHARCOAL, FOUR POINTS with exactly FOUR TINY PINK BALLS, one at each point. Two outer shoulder points and two lower inner points separated by an UPWARD central V-shaped notch; NO downward central fifth point, NO pink surface/trim/stripe/frill. Kuromi eyes: FLAT SOLID BLACK teardrop/ovals, exactly two SHORT CURVED outer eyelashes per eye as reference. Absolutely NO iris, brown eye color, glossy pupils, highlights, white glints, rings or long lashes. Neutral thoughtful expression, serious for hardship. Jani: FEMALE fluffy cream-white ragdoll CAT, natural feline four legs and paws, blue eyes, pink nose, dark brown fluffy tail. Strong asymmetric face: VIEWER LEFT large dark-brown eye patch; VIEWER RIGHT smaller LIGHTER brown patch; irregular white central blaze. No clothes, bowtie, human hands, anthropomorphic body or male styling. Faces must remain readable, neither turned away. No legible writing, labels, captions, dates, watermark, flags, logos or speech bubbles. No Hollywood/game/fantasy tropes, heroic battle tableaux or explosions. Respectful civilian historical reconstruction, never cute propaganda. \nScene for h13-06: A Hungarian Roma community-led after-school learning center during the 2000s. An adult Roma woman tutor and a male community organizer help a small mixed group of children with notebooks at one shared table, while a parent discusses a library borrowing card with another volunteer. Show the community's own agency and ordinary professional competence, varied natural skin tones and contemporary everyday clothes without ethnic costume, poverty spectacle or stereotypes. Modest well-kept room, shared used beige desktop computer, bookshelves, pencil cups, radiator and reusable schoolbags. No readable text, logos or invented charity branding. Kuromi observes attentively beside a shelf; Jani on four paws beside a schoolbag faces viewer. Mechanism: community organization creates access to learning and cultural participation while respecting individual identity. Natural afternoon daylight, wide room composition.", "generationReferences": [ "jani.png", "kuromi-canonical.png", "kuromi-canonical-2.png" ], "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "canonicalKuromi": true, "issues": [], "method": "A teljes generált kép szemrevételezve: korhű környezet, komoly vagy helyzethez illő arckifejezések; Kuromi sötét gallérja és tömör fekete szemei; Jani aszimmetrikus arcmintája." }, "corrections": [], "src": "assets/lesson-scenes/h13-06.webp", "sha256": "dea31d6e880d14a803c5fed95a1447bb9454ffc7067600e396c6ac1ddb7a1561", "bytes": 376060, "thumbnailSrc": "assets/lesson-scenes/h13-06-preview.webp", "thumbnailSha256": "e6651105bc74505bf40e77541e9715eaf7d7d434a7547561a0ac5e7904262906", "thumbnailBytes": 122998 }, { "unitId": "h13-07", "title": "Devizahitelről egyeztet egy család", "alt": "Kuromi és Jani egy tanácsadó irodában figyeli a családot, amely kimutatásokkal és számológéppel egyeztet hitelterheiről.", "caption": "A 2008-as válság a devizaalapú hitelt fizető családokat árfolyamkockázaton és munkahelyi bizonytalanságon keresztül is érintette. Ugyanannyi devizarészlethez több forintra lehetett szükség.", "scene": "Hungarian financial counseling office in 2009 during the foreign-currency mortgage crisis. An ordinary couple in period winter cardigans sit with a woman adviser comparing an unlettered bank statement, household budget sheet and a small calculator. The adviser calmly traces from a foreign-currency payment column to a forint-income column using blank rectangular marks only, no legible writing or numerical text. A small closed early-2000s laptop, paper folder, modest metal office chairs, coat stand and street-level window. Kuromi listens seriously beside the consultation table; Jani stands naturally near the couple's bag facing viewer. Avoid bank villain caricature, political posters, party figures, money piles or panic. Mechanism: exchange-rate change increases forint repayment while household income may fall. Respectful explanatory human interaction, coherent wide office scene.", "setting": "Magyar pénzügyi tanácsadó iroda, 2009", "historicalDetails": [ "Papíralapú banki kimutatás", "Háztartási költségvetési lap", "Zsebszámológép", "2000-es évekbeli hordozható számítógép" ], "placement": { "area": "base", "sectionIndex": 1 }, "period": "2000–2022", "sourceBasis": [ { "book": "hu12a", "pdfPages": [ 159, 164 ], "chapter": "Választások, válságok és pártrendszeri változások" }, { "book": "hu12a", "pdfPages": [ 167, 170 ], "chapter": "Intézmények és választási rendszer" }, { "book": "hu12a", "pdfPages": [ 173, 173 ], "chapter": "Társadalmi és gazdasági idősorok" }, { "book": "hu12b", "pdfPages": [ 151, 158 ], "chapter": "Kormányok és a 21. századi fordulatok" }, { "title": "MNB: a devizahitelek története és forintosítása", "url": "https://www.mnb.hu/sajtoszoba/sajtokozlemenyek/2025-evi-sajtokozlemenyek/10-eve-tortent-a-devizahitelek-forintositasa" } ], "prompt": "Use case: historical-scene. Generate ONE complete landscape 1536x1024 opaque full-color educational story illustration, one coherent moment, no panels. Identity references: image 1 is Jani the female cat; images 2 and 3 are canonical Kuromi. Use references ONLY for character identity and drawing style. All humans, architecture and objects must also be visibly HAND-DRAWN anime/gouache storybook illustration with fine clean outlines and simplified painted faces, never photographs. Natural daylight, thoughtful realistic period colors, ordinary historically accurate objects, no cinematic drama. Kuromi and Jani are small observers integrated naturally at ground level, both fully visible with readable faces, never replacing real human actors. Kuromi: charcoal black two-point jester hood, pink skull emblem, white face/body. EXACT canonical collar: solid DARK CHARCOAL, FOUR POINTS with exactly FOUR TINY PINK BALLS, one at each point. Two outer shoulder points and two lower inner points separated by an UPWARD central V-shaped notch; NO downward central fifth point, NO pink surface/trim/stripe/frill. Kuromi eyes: FLAT SOLID BLACK teardrop/ovals, exactly two SHORT CURVED outer eyelashes per eye as reference. Absolutely NO iris, brown eye color, glossy pupils, highlights, white glints, rings or long lashes. Neutral thoughtful expression, serious for hardship. Jani: FEMALE fluffy cream-white ragdoll CAT, natural feline four legs and paws, blue eyes, pink nose, dark brown fluffy tail. Strong asymmetric face: VIEWER LEFT large dark-brown eye patch; VIEWER RIGHT smaller LIGHTER brown patch; irregular white central blaze. No clothes, bowtie, human hands, anthropomorphic body or male styling. Faces must remain readable, neither turned away. No legible writing, labels, captions, dates, watermark, flags, logos or speech bubbles. No Hollywood/game/fantasy tropes, heroic battle tableaux or explosions. Respectful civilian historical reconstruction, never cute propaganda. \nScene for h13-07: Hungarian financial counseling office in 2009 during the foreign-currency mortgage crisis. An ordinary couple in period winter cardigans sit with a woman adviser comparing an unlettered bank statement, household budget sheet and a small calculator. The adviser calmly traces from a foreign-currency payment column to a forint-income column using blank rectangular marks only, no legible writing or numerical text. A small closed early-2000s laptop, paper folder, modest metal office chairs, coat stand and street-level window. Kuromi listens seriously beside the consultation table; Jani stands naturally near the couple's bag facing viewer. Avoid bank villain caricature, political posters, party figures, money piles or panic. Mechanism: exchange-rate change increases forint repayment while household income may fall. Respectful explanatory human interaction, coherent wide office scene.", "generationPrompt": "Use case: historical-scene. Generate ONE complete landscape 1536x1024 opaque full-color educational story illustration, one coherent moment, no panels. Identity references: image 1 is Jani the female cat; images 2 and 3 are canonical Kuromi. Use references ONLY for character identity and drawing style. All humans, architecture and objects must also be visibly HAND-DRAWN anime/gouache storybook illustration with fine clean outlines and simplified painted faces, never photographs. Natural daylight, thoughtful realistic period colors, ordinary historically accurate objects, no cinematic drama. Kuromi and Jani are small observers integrated naturally at ground level, both fully visible with readable faces, never replacing real human actors. Kuromi: charcoal black two-point jester hood, pink skull emblem, white face/body. EXACT canonical collar: solid DARK CHARCOAL, FOUR POINTS with exactly FOUR TINY PINK BALLS, one at each point. Two outer shoulder points and two lower inner points separated by an UPWARD central V-shaped notch; NO downward central fifth point, NO pink surface/trim/stripe/frill. Kuromi eyes: FLAT SOLID BLACK teardrop/ovals, exactly two SHORT CURVED outer eyelashes per eye as reference. Absolutely NO iris, brown eye color, glossy pupils, highlights, white glints, rings or long lashes. Neutral thoughtful expression, serious for hardship. Jani: FEMALE fluffy cream-white ragdoll CAT, natural feline four legs and paws, blue eyes, pink nose, dark brown fluffy tail. Strong asymmetric face: VIEWER LEFT large dark-brown eye patch; VIEWER RIGHT smaller LIGHTER brown patch; irregular white central blaze. No clothes, bowtie, human hands, anthropomorphic body or male styling. Faces must remain readable, neither turned away. No legible writing, labels, captions, dates, watermark, flags, logos or speech bubbles. No Hollywood/game/fantasy tropes, heroic battle tableaux or explosions. Respectful civilian historical reconstruction, never cute propaganda. \nScene for h13-07: Hungarian financial counseling office in 2009 during the foreign-currency mortgage crisis. An ordinary couple in period winter cardigans sit with a woman adviser comparing an unlettered bank statement, household budget sheet and a small calculator. The adviser calmly traces from a foreign-currency payment column to a forint-income column using blank rectangular marks only, no legible writing or numerical text. A small closed early-2000s laptop, paper folder, modest metal office chairs, coat stand and street-level window. Kuromi listens seriously beside the consultation table; Jani stands naturally near the couple's bag facing viewer. Avoid bank villain caricature, political posters, party figures, money piles or panic. Mechanism: exchange-rate change increases forint repayment while household income may fall. Respectful explanatory human interaction, coherent wide office scene.", "generationReferences": [ "jani.png", "kuromi-canonical.png", "kuromi-canonical-2.png" ], "width": 1536, "height": 1024, "review": { "characters": true, "asymmetricJani": true, "periodObjects": true, "lessonSpecific": true, "respectful": true, "canonicalKuromi": true, "issues": [], "method": "A teljes generált kép szemrevételezve: korhű környezet, komoly vagy helyzethez illő arckifejezések; Kuromi sötét gallérja és tömör fekete szemei; Jani aszimmetrikus arcmintája." }, "corrections": [], "src": "assets/lesson-scenes/h13-07.webp", "sha256": "63783839785bef9f5966d8158d06607c999f2895261c4ce8d8ebb2a7433618cf", "bytes": 280134, "thumbnailSrc": "assets/lesson-scenes/h13-07-preview.webp", "thumbnailSha256": "40fe0abf81da55401729c2908a5a581570538be70b5ef2e47576e960933b5538", "thumbnailBytes": 92576 }, { "lessonId": "rom-01", "src": "assets/v10-scenes/rom-01.webp", "thumbnailSrc": "assets/v10-scenes/rom-01-thumb.webp", "width": 1536, "height": 1024, "sha256": "4d6a3258a7a4403a05329df1d3930d7f1d2889493f546d2eacf90d5b2d901b42", "thumbnailSha256": "d1596dac9e941c620ae5e311136a7e38694813da4d02e06013a43accd322cf3e", "generated": true, "prompt": "Use case: historical-scene. Create one wide landscape educational storybook illustration for a Hungarian upper secondary Roman history lesson. Subject: early Rome in the 7th century BCE, modest timber and mud-brick houses with reed roofs on hills beside a ford of the Tiber; Etruscan merchants carry pottery, a simple wooden crossing and ox cart in middle distance. Kuromi and Jani stand on the riverbank observing why an inland river crossing connects trade routes. Historical accuracy: no Colosseum, imperial marble forums, imperial legionaries, aqueducts, modern roads, modern maps, fantasy, cinematic warfare or game design. Warm clean colored 2D cartoon with precise environment and natural scale, not photorealistic, no text, no panels. The two attached images are character references only. Kuromi must precisely match canonical black jester hood with pink skull, white face/body, black pointed collar with only small round pink tips, TWO small outer lashes on each eye, no pink frills or pink collar fabric. Jani is a FEMALE fluffy cream-white ragdoll cat, blue eyes, brown ears and tail, asymmetric brown facial patch as in reference, never a symmetric brown mask, no male coding. Preserve their recognizable cute cartoon look; period backdrop stays materially credible. Original pedagogic reconstruction, not archival evidence. 3:2 horizontal.", "referenceBasis": "Canonical Kuromi reference and approved asymmetric female Jani character reference; period context from the lesson sources.", "generationTool": "Built-in image_gen", "visualReview": { "reviewed": true, "characterIdentity": true, "periodContext": true, "nature": "Original educational reconstruction, not historical evidence" }, "id": "rom-01", "unitId": "rom-01", "title": "Átkelő a korai Tiberisen", "caption": "A folyó és a szárazföldi átkelő találkozása munkát, cserét és közös szervezési feladatot hozott létre. A rajz a várossá válás feltételeit szemlélteti; a korai Róma egy konkrét évének pontos rekonstrukcióját nem állítja.", "alt": "Kuromi és Jani: Átkelő a korai Tiberisen. Generált tanulási illusztráció.", "period": "Kr. e. 10–6. század; a hagyományban 753 és 509", "placement": { "area": "base", "sectionIndex": 0 }, "sourceBasis": [ { "book": "v1", "pdfPages": [ 259, 261 ], "chapter": "6.4 The Roman Republic — eredet és monarchia" }, { "book": "archive", "title": "Livius, A város alapításától: előszó és I.1–8, eredetmonda és történetírói óvatosság", "url": "https://cmuntz.hosted.uark.edu/texts/livy/book-1-part-1.html" }, { "book": "archive", "title": "Musei Capitolini: Capitoline Wolf, Scu 1181; vitatott keltezés", "url": "https://capitolini.info/scu01181/?lang=en" } ] }, { "lessonId": "rom-02", "src": "assets/v10-scenes/rom-02.webp", "thumbnailSrc": "assets/v10-scenes/rom-02-thumb.webp", "width": 1536, "height": 1024, "sha256": "766e5d585a0d60365b6e723761832e985ce01432d649a33f72a6544b04be2f13", "thumbnailSha256": "e7c205fe3e1608cbb447dd42f9fc777c5796730bc4ae8d957b0601ce134d326f", "generated": true, "prompt": "Use case: historical-scene. Single original educational 3:2 landscape illustration for Hungarian upper secondary history, warm precise colored 2D cartoon, no writing, captions, grids, panels or diagrams inside image. Two supplied images are CHARACTER REFERENCES ONLY. Kuromi: canonical black jester hood pink skull; white face/body, black pointed collar with ONLY SMALL PINK ROUND TIPS, no pink fabric/frills, small correct outer lashes as reference. Jani: FEMALE fluffy cream/white ragdoll cat with blue eyes, brown ears/tail and ASYMMETRIC BROWN FACE PATCH exactly as reference, not symmetric masked cat, no bow/costume needed. Both appear as friendly quiet observers in foreground, never commanders, perpetrators or actual historical people. Keep cute character style with historically credible environment, clothing and objects; not Hollywood, fantasy, video game, photorealism, epic battle or modern museum. No gore, no glorification. Republican Rome around the 2nd century BCE: Forum assembly space and modest Republican basilica exterior, citizens in tunics/togas listening to an orator on a low rostra; a magistrate and two lictors to one side, Kuromi gestures toward the gathering while Jani looks at people excluded from the citizen meeting at the edge. Show public negotiation not an all-inclusive modern parliament, no imperial Colosseum, no modern ballot box.\nTargeted historical correction: Edit only the lictors ceremonial bundles: remove ALL metal axe heads projecting from bundles of rods. Leave the tied wooden rods intact. Inside Republican Rome the axes should not be present. Preserve every other character, pose, building, color and composition, including exact Kuromi and asymmetrical Jani.", "referenceBasis": "Canonical Kuromi reference and approved asymmetric female Jani character reference; period context from the lesson sources.", "generationTool": "Built-in image_gen", "visualReview": { "reviewed": true, "characterIdentity": true, "periodContext": true, "nature": "Original educational reconstruction, not historical evidence" }, "id": "rom-02", "unitId": "rom-02", "title": "Döntés és részvétel a köztársaságban", "caption": "A magistratus, a szónok és a hallgatóság eltérő politikai szerepeket jelenít meg. A népgyűlési részvétel polgárjoghoz és nemhez kötött volt; a köztársaság intézményei nem egyenlő modern képviseletet jelentettek.", "alt": "Kuromi és Jani: Döntés és részvétel a köztársaságban. Generált tanulási illusztráció.", "period": "Kr. e. 5–3. század; a középső köztársaság intézményei", "placement": { "area": "base", "sectionIndex": 0 }, "sourceBasis": [ { "book": "v1", "pdfPages": [ 261, 263 ], "chapter": "6.4 The Roman Republic — köztársasági intézmények és rendi küzdelem" }, { "book": "archive", "title": "Polübiosz: Történeti könyvek VI.11–18, a kevert alkotmány modellje", "url": "https://penelope.uchicago.edu/Thayer/E/Roman/Texts/Polybius/6*.html" } ] }, { "lessonId": "rom-03", "src": "assets/v10-scenes/rom-03.webp", "thumbnailSrc": "assets/v10-scenes/rom-03-thumb.webp", "width": 1536, "height": 1024, "sha256": "ea6686062ed04594989f373ab07d7712b49f151949a4856b38d54040beb9fb50", "thumbnailSha256": "0ff6e313437ffb1ec21e1425f3bacfaeb782372181e080c3f79fc1485ff1b72e", "generated": true, "prompt": "Use case: historical-scene. Single original educational 3:2 landscape illustration for Hungarian upper secondary history, warm precise colored 2D cartoon, no writing, captions, grids, panels or diagrams inside image. Two supplied images are CHARACTER REFERENCES ONLY. Kuromi: canonical black jester hood pink skull; white face/body, black pointed collar with ONLY SMALL PINK ROUND TIPS, no pink fabric/frills, small correct outer lashes as reference. Jani: FEMALE fluffy cream/white ragdoll cat with blue eyes, brown ears/tail and ASYMMETRIC BROWN FACE PATCH exactly as reference, not symmetric masked cat, no bow/costume needed. Both appear as friendly quiet observers in foreground, never commanders, perpetrators or actual historical people. Keep cute character style with historically credible environment, clothing and objects; not Hollywood, fantasy, video game, photorealism, epic battle or modern museum. No gore, no glorification. Southern Italian road and allied town in the 3rd century BCE: a small Roman military column in contemporary oval shields, bronze/Montefortino-style helmets and mail/pectorals passes an allied town gate while local Italic envoys exchange a rolled treaty and ox carts bring grain. Kuromi and Jani observe alliance logistics. Different local clothes, dry fields and plain stone walls, no imperial lorica segmentata, no modern flags.", "referenceBasis": "Canonical Kuromi reference and approved asymmetric female Jani character reference; period context from the lesson sources.", "generationTool": "Built-in image_gen", "visualReview": { "reviewed": true, "characterIdentity": true, "periodContext": true, "nature": "Original educational reconstruction, not historical evidence" }, "id": "rom-03", "unitId": "rom-03", "title": "Szövetségi kötelezettség és ellátás Itáliában", "caption": "A hadsereg embereket és élelmet kapott az itáliai kapcsolatrendszerből. A szerződésre utaló jelenet különböző státusú közösségek együttműködését szemlélteti, nem egy konkrét fennmaradt egyezmény aláírását.", "alt": "Kuromi és Jani: Szövetségi kötelezettség és ellátás Itáliában. Generált tanulási illusztráció.", "period": "Kr. e. 5. század–264", "placement": { "area": "base", "sectionIndex": 0 }, "sourceBasis": [ { "book": "v1", "pdfPages": [ 263, 264 ], "chapter": "6.4 The Roman Republic — itáliai terjeszkedés" }, { "book": "archive", "title": "Gary Forsythe: Rome’s Conquest and Unification of Italy, 299–264 BC; fejezetösszefoglaló", "url": "https://doi.org/10.1525/california/9780520226517.003.0011" }, { "book": "archive", "title": "Cambridge Ancient History: The conquest of Italy, fejezetösszefoglaló", "url": "https://www.cambridge.org/core/books/abs/cambridge-ancient-history/conquest-of-italy/9516E2A26F96E263AB36F0C1A9653662" } ] }, { "lessonId": "rom-04", "src": "assets/v10-scenes/rom-04.webp", "thumbnailSrc": "assets/v10-scenes/rom-04-thumb.webp", "width": 1536, "height": 1024, "sha256": "f546333c3ed1c1af309135b67e1f7afbb85a7b4fff594ac292ed1e92516056c0", "thumbnailSha256": "f406c105bcc939ddf345441d8939e15539c3b136688b655c0052df57bc95411a", "generated": true, "prompt": "Use case: historical-scene. Single original educational 3:2 landscape illustration for Hungarian upper secondary history, warm precise colored 2D cartoon, no writing, captions, grids, panels or diagrams inside image. Two supplied images are CHARACTER REFERENCES ONLY. Kuromi: canonical black jester hood pink skull; white face/body, black pointed collar with ONLY SMALL PINK ROUND TIPS, no pink fabric/frills, small correct outer lashes as reference. Jani: FEMALE fluffy cream/white ragdoll cat with blue eyes, brown ears/tail and ASYMMETRIC BROWN FACE PATCH exactly as reference, not symmetric masked cat, no bow/costume needed. Both appear as friendly quiet observers in foreground, never commanders, perpetrators or actual historical people. Keep cute character style with historically credible environment, clothing and objects; not Hollywood, fantasy, video game, photorealism, epic battle or modern museum. No gore, no glorification. Second Punic War Mediterranean port around 210 BCE: wooden oared warship beside grain-laden merchant ship at a harbor, bundles, amphorae and sacks passed aboard; soldiers with Republican-era oval shields and helmets, Kuromi/Jani compare land route and supply at the quay. Background distant coastline, no fantasy rams, no medieval galleons, no elephant spectacle, no invented battle map. Show sea power and supply rather than direct violence.", "referenceBasis": "Canonical Kuromi reference and approved asymmetric female Jani character reference; period context from the lesson sources.", "generationTool": "Built-in image_gen", "visualReview": { "reviewed": true, "characterIdentity": true, "periodContext": true, "nature": "Original educational reconstruction, not historical evidence" }, "id": "rom-04", "unitId": "rom-04", "title": "Hajó, gabona és a pun háború tétje", "caption": "A tengeri szállítás és az itáliai szövetségesek kitartása tette lehetővé a hosszú háborút. A kép előterében szereplő térképszerű kellék szerzői szemléltetés; történeti útvonalakhoz a lecke forrástérképét használd.", "alt": "Kuromi és Jani: Hajó, gabona és a pun háború tétje. Generált tanulási illusztráció.", "period": "Kr. e. 264–146", "placement": { "area": "base", "sectionIndex": 0 }, "sourceBasis": [ { "book": "v1", "pdfPages": [ 264, 266 ], "chapter": "6.4 The Roman Republic — a pun háborúk" }, { "book": "archive", "title": "Polübiosz III: az okok és a Hannibál elleni háború összefüggései", "url": "https://penelope.uchicago.edu/Thayer/E/Roman/Texts/Polybius/3*.html" }, { "book": "archive", "title": "Polübiosz XV: az afrikai hadszíntér és a háború lezárása", "url": "https://penelope.uchicago.edu/Thayer/E/Roman/Texts/Polybius/15*.html" }, { "book": "archive", "title": "Musei Capitolini MC 9002: a zámai csata freskója, 1580–1582; Commons/Google Art Project tárgyrekord", "url": "https://commons.wikimedia.org/wiki/File:Roviale_Spagnolo_-_Battle_of_Zama_-_Google_Art_Project.jpg" } ] }, { "lessonId": "rom-05", "src": "assets/v10-scenes/rom-05.webp", "thumbnailSrc": "assets/v10-scenes/rom-05-thumb.webp", "width": 1536, "height": 1024, "sha256": "f214cc59d2e3e0bb7cdc7e3b9729abd8d2b8729e1043aedcc9997d276e28dd9e", "thumbnailSha256": "0d52a3ff61467e87233e8f1e14c66116190c0f227f3a826daf5b7b0e742e573e", "generated": true, "prompt": "Use case: historical-scene. Single original educational 3:2 landscape illustration for Hungarian upper secondary history, warm precise colored 2D cartoon, no writing, captions, grids, panels or diagrams inside image. Two supplied images are CHARACTER REFERENCES ONLY. Kuromi: canonical black jester hood pink skull; white face/body, black pointed collar with ONLY SMALL PINK ROUND TIPS, no pink fabric/frills, small correct outer lashes as reference. Jani: FEMALE fluffy cream/white ragdoll cat with blue eyes, brown ears/tail and ASYMMETRIC BROWN FACE PATCH exactly as reference, not symmetric masked cat, no bow/costume needed. Both appear as friendly quiet observers in foreground, never commanders, perpetrators or actual historical people. Keep cute character style with historically credible environment, clothing and objects; not Hollywood, fantasy, video game, photorealism, epic battle or modern museum. No gore, no glorification. Roman provincial harbour after the Punic wars, around 120 BCE: a tax contractor checks an account on a wax tablet while stevedores handle grain amphorae from a merchant ship; modest Greek-style stoa behind them, local farmers talk to an official with attendants. Kuromi and Jani watch how conquest connects tribute and commerce. Coherent Hellenistic/Roman Republican objects and tunics, no coins with emperors, no modern ledger book.", "referenceBasis": "Canonical Kuromi reference and approved asymmetric female Jani character reference; period context from the lesson sources.", "generationTool": "Built-in image_gen", "visualReview": { "reviewed": true, "characterIdentity": true, "periodContext": true, "nature": "Original educational reconstruction, not historical evidence" }, "id": "rom-05", "unitId": "rom-05", "title": "Provinciai bevétel a kikötőben", "caption": "A szállítás, a helyi termelés és a római elvonás ugyanazon hálózathoz kapcsolódott. A viasztábla a nyilvántartást jelzi; a rajz szereplői fiktívek, nem egy konkrét adószerződés tanúi.", "alt": "Kuromi és Jani: Provinciai bevétel a kikötőben. Generált tanulási illusztráció.", "period": "Kr. e. 202–133", "placement": { "area": "base", "sectionIndex": 0 }, "sourceBasis": [ { "book": "v1", "pdfPages": [ 266, 269 ], "chapter": "6.4 The Roman Republic — mediterrán terjeszkedés és társadalmi következmények" }, { "book": "v1", "pdfPages": [ 296, 298 ], "chapter": "7.3: The Roman Economy: Trade, Taxes, and Conquest; csak a gazdasági mechanizmusokhoz, a császárkori adatokat nem vetítjük vissza" }, { "book": "archive", "title": "Polübiosz III.4: a hódítás eredményét a meghódítottak szempontjából is vizsgálni kell", "url": "https://penelope.uchicago.edu/Thayer/E/Roman/Texts/Polybius/3*.html" }, { "book": "archive", "title": "Thesszaloniki Régészeti Múzeum: az 197-es mozgósítási rendelet és Künoszkephalai keltezése", "url": "https://www.amth.gr/en/exhibitions/exhibit-of-the-month/1903" }, { "book": "archive", "title": "Robert Morstein Kallet-Marx: Hegemony to Empire, 1. Macedonia Provincia – a 148–146-os berendezkedés értelmezése", "url": "https://publishing.cdlib.org/ucpressebooks/public/book/hegemony-to-empire-the-development-of-the-roman-imperium-in-the-east-from-148-to-62-b-c.html" }, { "book": "archive", "title": "The Metropolitan Museum of Art: Rome: A New Center for Hellenistic Art – görög tanítók, hadizsákmány, gyűjtés és műkereskedelem", "url": "https://www.metmuseum.org/exhibitions/listings/2016/pergamon/exhibition-galleries" } ] }, { "lessonId": "rom-06", "src": "assets/v10-scenes/rom-06.webp", "thumbnailSrc": "assets/v10-scenes/rom-06-thumb.webp", "width": 1536, "height": 1024, "sha256": "fa3da19aac9f293b8e1d930a784716e28e7452b17e72ba78756e48a99429f205", "thumbnailSha256": "26091122d4a3654c302f3d7bddd182263e525987758ed9a090969c532b3e8f40", "generated": true, "prompt": "Use case: historical-scene. Single original educational 3:2 landscape illustration for Hungarian upper secondary history, warm precise colored 2D cartoon, no writing, captions, grids, panels or diagrams inside image. Two supplied images are CHARACTER REFERENCES ONLY. Kuromi: canonical black jester hood pink skull; white face/body, black pointed collar with ONLY SMALL PINK ROUND TIPS, no pink fabric/frills, small correct outer lashes as reference. Jani: FEMALE fluffy cream/white ragdoll cat with blue eyes, brown ears/tail and ASYMMETRIC BROWN FACE PATCH exactly as reference, not symmetric masked cat, no bow/costume needed. Both appear as friendly quiet observers in foreground, never commanders, perpetrators or actual historical people. Keep cute character style with historically credible environment, clothing and objects; not Hollywood, fantasy, video game, photorealism, epic battle or modern museum. No gore, no glorification. Italian countryside around 130 BCE, foreground small farmer family and modest plot beside boundary markers, middle distance larger estate with an overseer directing field workers and oxen; Kuromi and Jani observe landholding inequality from a low wall. No happy slavery imagery, chains, violence, modern farm machinery or claim all workers are enslaved. Simple tunics, period agricultural tools.", "referenceBasis": "Canonical Kuromi reference and approved asymmetric female Jani character reference; period context from the lesson sources.", "generationTool": "Built-in image_gen", "visualReview": { "reviewed": true, "characterIdentity": true, "periodContext": true, "nature": "Original educational reconstruction, not historical evidence" }, "id": "rom-06", "unitId": "rom-06", "title": "Kis földbirtok és nagybirtoki munka", "caption": "A földtulajdon, a katonai szolgálat és a munka megszervezése összefüggő társadalmi kérdéssé vált. A jelenet nem azonosít minden mezőgazdasági dolgozót rabszolgaként: a munkaviszonyt külön forrásból kell megállapítani.", "alt": "Kuromi és Jani: Kis földbirtok és nagybirtoki munka. Generált tanulási illusztráció.", "period": "Kr. e. 2. század; 133–121", "placement": { "area": "base", "sectionIndex": 0 }, "sourceBasis": [ { "book": "v1", "pdfPages": [ 267, 269 ], "chapter": "6.4 The Roman Republic — társadalmi változás és a Gracchusok" }, { "book": "v1", "pdfPages": [ 291, 294 ], "chapter": "7.2: Slavery in the Roman Empire; a munkaformák és jogfosztás magyarázatához, későbbi példák visszavetítése nélkül" }, { "book": "archive", "title": "Appianosz, Polgárháborúk I.7–13: a közföldhasználók és a szegényebb igénylők érvei", "url": "https://penelope.uchicago.edu/Thayer/E/Roman/Texts/Appian/Civil_Wars/1*.html" }, { "book": "archive", "title": "Plutarkhosz, Gaius Gracchus 5–8: gabona, bíráskodás, utak és politikai együttműködés", "url": "https://penelope.uchicago.edu/Thayer/E/Roman/Texts/Plutarch/Lives/Caius_Gracchus*.html" } ] }, { "lessonId": "rom-07", "src": "assets/v10-scenes/rom-07.webp", "thumbnailSrc": "assets/v10-scenes/rom-07-thumb.webp", "width": 1536, "height": 1024, "sha256": "cf22a33634c80b0a6ec14400b620a484ebf3771b1fed69865299502e3e8a797b", "thumbnailSha256": "423bcd43b1d0a0a2c8307aa4a7e51c6fe6c6c4b53c2ea1cdc3f620898b2a6b76", "generated": true, "prompt": "Use case: historical-scene. Single original educational 3:2 landscape illustration for Hungarian upper secondary history, warm precise colored 2D cartoon, no writing, captions, grids, panels or diagrams inside image. Two supplied images are CHARACTER REFERENCES ONLY. Kuromi: canonical black jester hood pink skull; white face/body, black pointed collar with ONLY SMALL PINK ROUND TIPS, no pink fabric/frills, small correct outer lashes as reference. Jani: FEMALE fluffy cream/white ragdoll cat with blue eyes, brown ears/tail and ASYMMETRIC BROWN FACE PATCH exactly as reference, not symmetric masked cat, no bow/costume needed. Both appear as friendly quiet observers in foreground, never commanders, perpetrators or actual historical people. Keep cute character style with historically credible environment, clothing and objects; not Hollywood, fantasy, video game, photorealism, epic battle or modern museum. No gore, no glorification. Roman allied veteran petitioners around 90 BCE wait outside a magistrate's portico; one man carries a rolled petition while worn shields and travel bundles rest nearby. A local Italic family and lictors suggest disputed citizenship and authority. Kuromi and Jani watch quietly. Wax tablets, simple Republican buildings, no imperial emperor statue, no modern protest placards, no actual named protagonist likeness.\nTargeted historical correction: Edit only the lictors ceremonial bundles: remove ALL axe heads, leave tied bundles of wooden rods intact. Preserve all other pixels/content including Kuromi, asymmetric Jani, people, Republican dress and architecture.", "referenceBasis": "Canonical Kuromi reference and approved asymmetric female Jani character reference; period context from the lesson sources.", "generationTool": "Built-in image_gen", "visualReview": { "reviewed": true, "characterIdentity": true, "periodContext": true, "nature": "Original educational reconstruction, not historical evidence" }, "id": "rom-07", "unitId": "rom-07", "title": "A polgárjog és a veteránok igénye", "caption": "A szövetséges közösségek tagjai és a hadjáratok résztvevői eltérő jogokkal és követelésekkel fordultak a római vezetéshez. A jelenet a politikai alku hátterét szemlélteti; nem kortárs képi tudósítás.", "alt": "Kuromi és Jani: A polgárjog és a veteránok igénye. Generált tanulási illusztráció.", "period": "Kr. e. 107–79", "placement": { "area": "base", "sectionIndex": 0 }, "sourceBasis": [ { "book": "v1", "pdfPages": [ 267, 270 ], "chapter": "6.4 The Roman Republic: társadalmi válság, Marius és Sulla" }, { "title": "Sallustius: Bellum Iugurthinum, 85–86", "url": "https://penelope.uchicago.edu/Thayer/E/Roman/Texts/Sallust/Bellum_Jugurthinum/3*.html", "accessed": "2026-10-22" }, { "title": "Plutarchos: Marius élete, 12–14 és 45", "url": "https://penelope.uchicago.edu/Thayer/E/Roman/Texts/Plutarch/Lives/Marius*.html", "accessed": "2026-10-22" } ] }, { "lessonId": "rom-08", "src": "assets/v10-scenes/rom-08.webp", "thumbnailSrc": "assets/v10-scenes/rom-08-thumb.webp", "width": 1536, "height": 1024, "sha256": "7c0bd6515a44d9b02bc2414a0aa5ef30e45a9b9476172b49f6c895d2a30f307e", "thumbnailSha256": "a7527ada3904e28272d316559c45e91f1498329063d75be018a490dcc61eee93", "generated": true, "prompt": "Use case: historical-scene. Single original educational 3:2 landscape illustration for Hungarian upper secondary history, warm precise colored 2D cartoon, no writing, captions, grids, panels or diagrams inside image. Two supplied images are CHARACTER REFERENCES ONLY. Kuromi: canonical black jester hood pink skull; white face/body, black pointed collar with ONLY SMALL PINK ROUND TIPS, no pink fabric/frills, small correct outer lashes as reference. Jani: FEMALE fluffy cream/white ragdoll cat with blue eyes, brown ears/tail and ASYMMETRIC BROWN FACE PATCH exactly as reference, not symmetric masked cat, no bow/costume needed. Both appear as friendly quiet observers in foreground, never commanders, perpetrators or actual historical people. Keep cute character style with historically credible environment, clothing and objects; not Hollywood, fantasy, video game, photorealism, epic battle or modern museum. No gore, no glorification. Republican Rome around 49 BCE, a street beside the Curia where armed soldiers wait while magistrates in togas talk tensely, a courier brings a sealed dispatch and citizens keep their distance. Kuromi and Jani notice a legal political dispute now backed by armed force. Late Republican equipment mail shirts and oval shields, no assassinations, no Colosseum, no cinematic hero Caesar, no text.", "referenceBasis": "Canonical Kuromi reference and approved asymmetric female Jani character reference; period context from the lesson sources.", "generationTool": "Built-in image_gen", "visualReview": { "reviewed": true, "characterIdentity": true, "periodContext": true, "nature": "Original educational reconstruction, not historical evidence" }, "id": "rom-08", "unitId": "rom-08", "title": "Amikor a döntés mögé hadsereg áll", "caption": "A köztársasági vitákban az önálló hadvezéri erő növekvő súlyt kapott. A rajz egy fiktív római helyzeten keresztül érzékelteti a politikai és katonai hatalom összekapcsolódását.", "alt": "Kuromi és Jani: Amikor a döntés mögé hadsereg áll. Generált tanulási illusztráció.", "period": "Kr. e. 67–44", "placement": { "area": "base", "sectionIndex": 0 }, "sourceBasis": [ { "book": "v1", "pdfPages": [ 270, 273 ], "chapter": "6.5 The Age of Augustus: Pompeius, Caesar és a polgárháború" }, { "title": "Suetonius: Divus Iulius, 19–22; 31–34; 76–82", "url": "https://penelope.uchicago.edu/Thayer/E/Roman/Texts/Suetonius/12Caesars/Julius*.html", "accessed": "2026-10-22" } ] }, { "lessonId": "rom-09", "src": "assets/v10-scenes/rom-09.webp", "thumbnailSrc": "assets/v10-scenes/rom-09-thumb.webp", "width": 1536, "height": 1024, "sha256": "a5aadd03f73f7cc5178ca034d1c9902d7a97d93cec6bf20d3dafb59c1da61fab", "thumbnailSha256": "1a6f447252b25c299f6f9770d7b78f3569aec9b1a62abd99bdc1e2ba3c7ef2dd", "generated": true, "prompt": "Use case: historical-scene. Single original educational 3:2 landscape illustration for Hungarian upper secondary history, warm precise colored 2D cartoon, no writing, captions, grids, panels or diagrams inside image. Two supplied images are CHARACTER REFERENCES ONLY. Kuromi: canonical black jester hood pink skull; white face/body, black pointed collar with ONLY SMALL PINK ROUND TIPS, no pink fabric/frills, small correct outer lashes as reference. Jani: FEMALE fluffy cream/white ragdoll cat with blue eyes, brown ears/tail and ASYMMETRIC BROWN FACE PATCH exactly as reference, not symmetric masked cat, no bow/costume needed. Both appear as friendly quiet observers in foreground, never commanders, perpetrators or actual historical people. Keep cute character style with historically credible environment, clothing and objects; not Hollywood, fantasy, video game, photorealism, epic battle or modern museum. No gore, no glorification. Early imperial provincial town around 10 CE, a newly installed idealized marble Augustus statue in a small public courtyard with Roman magistrates and local inhabitants, an attendant has a wax tablet, restrained laurel decor and a small altar. Kuromi and Jani observe official imagery and negotiated local authority. The statue should resemble classical Augustus hair locks but not a modern actor. No giant triumphal spectacle, no Christian cross, no medieval crowns.", "referenceBasis": "Canonical Kuromi reference and approved asymmetric female Jani character reference; period context from the lesson sources.", "generationTool": "Built-in image_gen", "visualReview": { "reviewed": true, "characterIdentity": true, "periodContext": true, "nature": "Original educational reconstruction, not historical evidence" }, "id": "rom-09", "unitId": "rom-09", "title": "Augustus képe egy tartományi városban", "caption": "A császár idealizált képmása a helyi közösségekben is láthatóvá tette az új hatalmat. A rajzos szobor a hivatalos arcképtípusra utal; a lecke múzeumi fényképe külön eredeti tárgyi forrás.", "alt": "Kuromi és Jani: Augustus képe egy tartományi városban. Generált tanulási illusztráció.", "period": "Kr. e. 44–Kr. u. 14", "placement": { "area": "base", "sectionIndex": 0 }, "sourceBasis": [ { "book": "v1", "pdfPages": [ 273, 275 ], "chapter": "6.5 The Age of Augustus: a principatus létrejötte" }, { "book": "v1", "pdfPages": [ 296, 299 ], "chapter": "7.3 The Roman Economy: adók és katonai költségek" }, { "title": "Augustus: Res gestae 34–35", "url": "https://penelope.uchicago.edu/Thayer/E/Roman/Texts/Augustus/Res_Gestae/3*.html", "accessed": "2026-10-22" } ] }, { "lessonId": "rom-10", "src": "assets/v10-scenes/rom-10.webp", "thumbnailSrc": "assets/v10-scenes/rom-10-thumb.webp", "width": 1536, "height": 1024, "sha256": "c3fa597a4d108cead4081c8b9becd1a702052a5560e0ac032b958e85ad51bd12", "thumbnailSha256": "9402888e11b316653a76982f90bbc0eb2ae92666b5ad7325b25d88c151e75612", "generated": true, "prompt": "Use case: historical-scene. Single original educational 3:2 landscape illustration for Hungarian upper secondary history, warm precise colored 2D cartoon, no writing, captions, grids, panels or diagrams inside image. Two supplied images are CHARACTER REFERENCES ONLY. Kuromi: canonical black jester hood pink skull; white face/body, black pointed collar with ONLY SMALL PINK ROUND TIPS, no pink fabric/frills, small correct outer lashes as reference. Jani: FEMALE fluffy cream/white ragdoll cat with blue eyes, brown ears/tail and ASYMMETRIC BROWN FACE PATCH exactly as reference, not symmetric masked cat, no bow/costume needed. Both appear as friendly quiet observers in foreground, never commanders, perpetrators or actual historical people. Keep cute character style with historically credible environment, clothing and objects; not Hollywood, fantasy, video game, photorealism, epic battle or modern museum. No gore, no glorification. Danube frontier in Pannonia around 160 CE. Roman river cargo boat unloading grain sacks at a simple wharf beside a timber watchtower, distant modest stone fort and road, local traders and Roman soldiers in mail shirts checking stores. Kuromi and Jani quietly watch the porters. Broad lowland river and wooded opposite bank. No continuous stone wall across the Danube, no medieval castles, no modern borders or modern boat.", "referenceBasis": "Canonical Kuromi reference and approved asymmetric female Jani character reference; period context from the lesson sources.", "generationTool": "Built-in image_gen", "visualReview": { "reviewed": true, "characterIdentity": true, "periodContext": true, "nature": "Original educational reconstruction, not historical evidence" }, "id": "rom-10", "unitId": "rom-10", "title": "Egy dunai határállomás ellátása", "caption": "A határvédelemhez hajózás, gabona, fizetés és helyi közvetítés is kellett. A tábor környéke forgalmi tér volt, nem összefüggő modern országhatár vagy mindenütt kőfal.", "alt": "Kuromi és Jani: Egy dunai határállomás ellátása. Generált tanulási illusztráció.", "period": "Kr. u. 1–2. század", "placement": { "area": "base", "sectionIndex": 0 }, "sourceBasis": [ { "book": "v1", "pdfPages": [ 296, 299 ], "chapter": "7.3 The Roman Economy: Trade, Taxes, and Conquest" }, { "book": "v1", "pdfPages": [ 306, 312 ], "chapter": "7.5 The Regions of Rome" }, { "title": "Plinius: Epistulae 10.96", "url": "https://dcc.dickinson.edu/pliny-letters/10-96", "accessed": "2026-10-22" }, { "title": "Traianus válasza: Epistulae 10.97", "url": "https://dcc.dickinson.edu/pliny-letters/10-97", "accessed": "2026-10-22" }, { "title": "Aquincum, régészeti összefoglalás; The Princeton Encyclopedia of Classical Sites", "url": "https://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A1999.04.0006%3Aentry%3Daquincum", "accessed": "2026-10-22" }, { "title": "Constitutio Antoniniana 212; P.Giss.40 szövegkiadás", "url": "https://droitromain.univ-grenoble-alpes.fr/Constitutiones/Antoniniana_DDBDP.gr.htm", "accessed": "2026-10-22" }, { "title": "BTM Aquincumi Múzeum: Aquincumi füzetek 22, 2016; közölt ásatási jelentések", "url": "https://www.aquincum.hu/wp-content/uploads/2015/06/Aqfuz_22_web.pdf", "accessed": "2026-10-22" } ] }, { "lessonId": "rom-11", "src": "assets/v10-scenes/rom-11.webp", "thumbnailSrc": "assets/v10-scenes/rom-11-thumb.webp", "width": 1536, "height": 1024, "sha256": "bd6061dffb722f7065b9dd78f003f1de710ad5326c53d96d596ae03dcde5ee37", "thumbnailSha256": "7bfbd7eca834ea7c8235bf2846ebd86bfecd68af86fb5fd24cc723915ea9c77c", "generated": true, "prompt": "Use case: historical-scene. Single original educational 3:2 landscape illustration for Hungarian upper secondary history, warm precise colored 2D cartoon, no writing, captions, grids, panels or diagrams inside image. Two supplied images are CHARACTER REFERENCES ONLY. Kuromi: canonical black jester hood pink skull; white face/body, black pointed collar with ONLY SMALL PINK ROUND TIPS, no pink fabric/frills, small correct outer lashes as reference. Jani: FEMALE fluffy cream/white ragdoll cat with blue eyes, brown ears/tail and ASYMMETRIC BROWN FACE PATCH exactly as reference, not symmetric masked cat, no bow/costume needed. Both appear as friendly quiet observers in foreground, never commanders, perpetrators or actual historical people. Keep cute character style with historically credible environment, clothing and objects; not Hollywood, fantasy, video game, photorealism, epic battle or modern museum. No gore, no glorification. Late Roman provincial tax-and-supply station around 300 CE, a civilian official with short late antique tunic checks a papyrus account while a merchant brings coin and farmers deliver grain sacks; soldiers with oval shields in the background, ordinary late Roman portico. Kuromi and Jani compare grain and coin on a low counter. Show state revenue and army supply, not a tyrant scene. No medieval chainmail knights, Renaissance clothing, printing press, modern numerals or books.", "referenceBasis": "Canonical Kuromi reference and approved asymmetric female Jani character reference; period context from the lesson sources.", "generationTool": "Built-in image_gen", "visualReview": { "reviewed": true, "characterIdentity": true, "periodContext": true, "nature": "Original educational reconstruction, not historical evidence" }, "id": "rom-11", "unitId": "rom-11", "title": "Adó, pénz és új katonai igény", "caption": "A késő római állam bevételekkel és szervezeti változtatásokkal próbálta fenntartani a hadsereget. A jelenet összefüggést szemléltet; nem egyetlen pénzreform vagy uralkodói rendelet hiteles képi másolata.", "alt": "Kuromi és Jani: Adó, pénz és új katonai igény. Generált tanulási illusztráció.", "period": "Kr. u. 235–395", "placement": { "area": "base", "sectionIndex": 0 }, "sourceBasis": [ { "book": "v1", "pdfPages": [ 423, 430 ], "chapter": "10.1 The Eastward Shift: válság, reformok, Constantinus és vallás" }, { "title": "Lactantius: Galerius 311-es és Constantinus–Licinius 313-as türelmi intézkedése", "url": "https://sourcebooks.web.fordham.edu/source/edict-milan.asp", "accessed": "2026-10-22" }, { "title": "Codex Theodosianus 16.1.2; 380-as hitrendelet", "url": "https://open.oregonstate.education/ancientcivilizations/chapter/theodosian-code/", "accessed": "2026-10-22" } ] }, { "lessonId": "rom-12", "src": "assets/v10-scenes/rom-12.webp", "thumbnailSrc": "assets/v10-scenes/rom-12-thumb.webp", "width": 1536, "height": 1024, "sha256": "c85aa63f897d17021381718a10fce3ca27b34b514890495f2c1d76ebb646f232", "thumbnailSha256": "da3265bc1951716128d21e306551019167a0490db17628feac9084b38d48c403", "generated": true, "prompt": "Use case: historical-scene. Single original educational 3:2 landscape illustration for Hungarian upper secondary history, warm precise colored 2D cartoon, no writing, captions, grids, panels or diagrams inside image. Two supplied images are CHARACTER REFERENCES ONLY. Kuromi: canonical black jester hood pink skull; white face/body, black pointed collar with ONLY SMALL PINK ROUND TIPS, no pink fabric/frills, small correct outer lashes as reference. Jani: FEMALE fluffy cream/white ragdoll cat with blue eyes, brown ears/tail and ASYMMETRIC BROWN FACE PATCH exactly as reference, not symmetric masked cat, no bow/costume needed. Both appear as friendly quiet observers in foreground, never commanders, perpetrators or actual historical people. Keep cute character style with historically credible environment, clothing and objects; not Hollywood, fantasy, video game, photorealism, epic battle or modern museum. No gore, no glorification. Eastern Roman legal scribes in Constantinople around 535 CE. Several scribes in simple late antique tunics and pallia compare papyrus rolls with a modest bound codex at a wooden desk in an austere plastered administrative room, shelves of scrolls, oil lamp, daylight, simple window. Kuromi and Jani observe transmission and compilation of law. No ornate medieval monastery, no quills with modern fountain pens, no printing press, no readable letters or claim exact portrait of Justinian.\nTargeted historical correction: Correct only the view through the window. It is Constantinople around535CE: remove EVERY minaret and Ottoman mosque feature and remove the completed iconic Hagia Sophia dome. Replace that distant vista with a modest late antique harbor city of plain brick/plaster buildings and a simple church roof, no minarets. Keep all interior scribes, faces, clothing, Kuromi, asymmetric Jani, scrolls, table, lighting and composition exactly. This is a targeted correction of an anachronistic generated background.", "referenceBasis": "Canonical Kuromi reference and approved asymmetric female Jani character reference; period context from the lesson sources.", "generationTool": "Built-in image_gen", "visualReview": { "reviewed": true, "characterIdentity": true, "periodContext": true, "nature": "Original educational reconstruction, not historical evidence" }, "id": "rom-12", "unitId": "rom-12", "title": "A római tudás új használói", "caption": "A jog, az írásbeliség és az épített környezet a nyugati császári hatalom megszűnése után is eltérő formákban élt tovább. A jelenet a 6. századi keleti birodalom írásos igazgatására és jogi munkájára utal.", "alt": "Kuromi és Jani: A római tudás új használói. Generált tanulási illusztráció.", "period": "Kr. u. 376–6. század", "placement": { "area": "base", "sectionIndex": 0 }, "sourceBasis": [ { "book": "v1", "pdfPages": [ 431, 434 ], "chapter": "10.1 The Eastward Shift: a Nyugat bukása" }, { "book": "v1", "pdfPages": [ 434, 437 ], "chapter": "10.2 The Byzantine Empire and Persia: Iustinianus" }, { "title": "Iustinianus: Institutiones 1.1–1.3 szövege", "url": "https://sourcebooks.web.fordham.edu/basis/535institutes.asp", "accessed": "2026-10-22" }, { "title": "Anonymus Valesianus, Pars posterior 36–38; Nepos és Augustulus", "url": "https://penelope.uchicago.edu/Thayer/E/Roman/Texts/Excerpta_Valesiana/2*.html", "accessed": "2026-10-22" } ] }, { "lessonId": "ww2-01", "src": "assets/v10-scenes/ww2-01.webp", "thumbnailSrc": "assets/v10-scenes/ww2-01-thumb.webp", "width": 1536, "height": 1024, "sha256": "d7d04a44ce7d4f17002dcdcae6d0b418499aded08c42c2bfcf6ceff400ce2893", "thumbnailSha256": "245b62f5705741d26b5cfff8e2f496485d8151ac453153e0bbbad4e49a124a26", "generated": true, "prompt": "Use case: historical-scene. Single original educational 3:2 landscape illustration for Hungarian upper secondary history, warm precise colored 2D cartoon, no writing, captions, grids, panels or diagrams inside image. Two supplied images are CHARACTER REFERENCES ONLY. Kuromi: canonical black jester hood pink skull; white face/body, black pointed collar with ONLY SMALL PINK ROUND TIPS, no pink fabric/frills, small correct outer lashes as reference. Jani: FEMALE fluffy cream/white ragdoll cat with blue eyes, brown ears/tail and ASYMMETRIC BROWN FACE PATCH exactly as reference, not symmetric masked cat, no bow/costume needed. Both appear as friendly quiet observers in foreground, never commanders, perpetrators or actual historical people. Keep cute character style with historically credible environment, clothing and objects; not Hollywood, fantasy, video game, photorealism, epic battle or modern museum. No gore, no glorification. A modest British fighter-control room in southern England summer1940, WAAF women operators wearing authentic blue-grey1940uniforms and headsets at a plotting table with simple undecorated tokens, telephone cables, wall clock, a window with countryside and distant small radar masts. Kuromi and Jani quietly observe from the edge, both serious-curious not celebration. Human work linking radar warning, telephone and air defense. No computer screens, no jet aircraft, no explosions, no invented readable map labels.", "referenceBasis": "Canonical Kuromi reference and approved asymmetric female Jani character reference; period context from the lesson sources.", "generationTool": "Built-in image_gen", "visualReview": { "reviewed": true, "characterIdentity": true, "periodContext": true, "nature": "Original educational reconstruction, not historical evidence" }, "id": "ww2-01", "unitId": "ww2-01", "title": "A brit légvédelem összekapcsolt állomásai", "caption": "Az észlelés, az információ továbbítása és a vadászok irányítása együtt növelte a védelem hatásosságát. A rajz összetett rendszert szemléltet; nem egyetlen harci bevetés dokumentuma.", "alt": "Kuromi és Jani: A brit légvédelem összekapcsolt állomásai. Generált tanulási illusztráció.", "period": "1937–1940", "placement": { "area": "base", "sectionIndex": 0 }, "sourceBasis": [ { "book": "v2", "pdfPages": [ 535, 543 ], "chapter": "13.1 An Unstable Peace: agressziók, Lengyelország, Franciaország és Nagy-Britannia" }, { "url": "https://www.rafmuseum.org.uk/research/online-exhibitions/history-of-the-battle-of-britain/how-radar-works.aspx", "title": "RAF Museum: How Radar Works és a Dowding-rendszer", "accessed": "2026-10-22" }, { "url": "https://www.raf.mod.uk/what-we-do/our-history/anniversaries/battle-of-britain/", "title": "Royal Air Force: Battle of Britain", "accessed": "2026-10-22" } ] }, { "lessonId": "ww2-02", "src": "assets/v10-scenes/ww2-02.webp", "thumbnailSrc": "assets/v10-scenes/ww2-02-thumb.webp", "width": 1536, "height": 1024, "sha256": "c0834caa35ad22908fd3402664cfdb49862179b1a9d54fe7b9a8c91ccccd4b37", "thumbnailSha256": "009140bf663e5ca701b02d5de630ce77c53123fb5af68e92dca4baf480f1d2e6", "generated": true, "prompt": "Use case: historical-scene. Single original educational 3:2 landscape illustration for Hungarian upper secondary history, warm precise colored 2D cartoon, no writing, captions, grids, panels or diagrams inside image. Two supplied images are CHARACTER REFERENCES ONLY. Kuromi: canonical black jester hood pink skull; white face/body, black pointed collar with ONLY SMALL PINK ROUND TIPS, no pink fabric/frills, small correct outer lashes as reference. Jani: FEMALE fluffy cream/white ragdoll cat with blue eyes, brown ears/tail and ASYMMETRIC BROWN FACE PATCH exactly as reference, not symmetric masked cat, no bow/costume needed. Both appear as friendly quiet observers in foreground, never commanders, perpetrators or actual historical people. Keep cute character style with historically credible environment, clothing and objects; not Hollywood, fantasy, video game, photorealism, epic battle or modern museum. No gore, no glorification. Eastern front1942 rear-area railway unloading site in muddy rural landscape. Freight wagons, ordinary canvas-covered1940s trucks, horses pulling a supply cart, people unloading crates and grain sacks onto a muddy road, simple field kitchen, leafless trees and overcast sky. Kuromi and Jani observe how the railhead does not reach the fighting units. Plain subdued1940suniforms without ideological symbols, no modern trucks, no tanks dominating, no snow excuse caricature, no gore.", "referenceBasis": "Canonical Kuromi reference and approved asymmetric female Jani character reference; period context from the lesson sources.", "generationTool": "Built-in image_gen", "visualReview": { "reviewed": true, "characterIdentity": true, "periodContext": true, "nature": "Original educational reconstruction, not historical evidence" }, "id": "ww2-02", "unitId": "ww2-02", "title": "Utánpótlás a keleti fronton", "caption": "A vasút, a közúti szállítás és az utolsó szakasz kézi vagy állati ereje korlátozta a hadműveleteket. A rajz egy fiktív 1942-es ellátási helyzet, nem konkrét sztálingrádi fénykép pótlása.", "alt": "Kuromi és Jani: Utánpótlás a keleti fronton. Generált tanulási illusztráció.", "period": "1941–1943", "placement": { "area": "base", "sectionIndex": 0 }, "sourceBasis": [ { "book": "v2", "pdfPages": [ 548, 550 ], "chapter": "13.2 Theaters of War: a keleti hadszíntér és fordulat" }, { "url": "https://encyclopedia.ushmm.org/content/en/article/invasion-of-the-soviet-union-june-1941", "title": "USHMM: Invasion of the Soviet Union, June 1941", "accessed": "2026-10-22" }, { "url": "https://encyclopedia.ushmm.org/content/en/article/the-soviet-union-and-the-eastern-front", "title": "USHMM: The Eastern Front", "accessed": "2026-10-22" }, { "url": "https://www.nationalww2museum.org/war/articles/history-through-viewfinder-36", "title": "National WWII Museum: Leningrád ostroma, 1941–1944", "accessed": "2026-10-22" } ] }, { "lessonId": "ww2-03", "src": "assets/v10-scenes/ww2-03.webp", "thumbnailSrc": "assets/v10-scenes/ww2-03-thumb.webp", "width": 1536, "height": 1024, "sha256": "0ec1313348b55ab19819f03a4174662e9f6b7b59eb6616cee6a88db685ac14db", "thumbnailSha256": "25322331f7e2eb37b58e21d85d69e0b047a7c56094f734efd8d3167028d37c28", "generated": true, "prompt": "Use case: historical-scene. Single original educational 3:2 landscape illustration for Hungarian upper secondary history, warm precise colored 2D cartoon, no writing, captions, grids, panels or diagrams inside image. Two supplied images are CHARACTER REFERENCES ONLY. Kuromi: canonical black jester hood pink skull; white face/body, black pointed collar with ONLY SMALL PINK ROUND TIPS, no pink fabric/frills, small correct outer lashes as reference. Jani: FEMALE fluffy cream/white ragdoll cat with blue eyes, brown ears/tail and ASYMMETRIC BROWN FACE PATCH exactly as reference, not symmetric masked cat, no bow/costume needed. Both appear as friendly quiet observers in foreground, never commanders, perpetrators or actual historical people. Keep cute character style with historically credible environment, clothing and objects; not Hollywood, fantasy, video game, photorealism, epic battle or modern museum. No gore, no glorification. North Atlantic convoy seen from an escort ship's aft deck in1943, several differently sized grey merchant steamships in separated formation under overcast skies, long moderate ocean swell, a signalman at an ordinary signal lamp, lifeboat and depth-charge rails only at the stern. Kuromi and Jani sit safely on a dry protected observation corner beside coiled rope, quiet serious mood. Credible1940s steel steamships and canvas life jackets, no battleship fleet spectacle, no modern container ships or missiles, no submarine visible under the ocean, no readable text.", "referenceBasis": "Canonical Kuromi reference and approved asymmetric female Jani character reference; period context from the lesson sources.", "generationTool": "Built-in image_gen", "visualReview": { "reviewed": true, "characterIdentity": true, "periodContext": true, "nature": "Original educational reconstruction, not historical evidence" }, "id": "ww2-03", "unitId": "ww2-03", "title": "Konvoj az Atlanti-óceánon", "caption": "A kereskedelmi hajók, a kísérőegységek és az időben érkező rakomány együtt szolgálták a hadszínterek ellátását. A rajz a konvojrendszer elvét mutatja; a hajók száma és típusa nem konkrét konvojjegyzék.", "alt": "Kuromi és Jani: Konvoj az Atlanti-óceánon. Generált tanulási illusztráció.", "period": "1940–1943", "placement": { "area": "base", "sectionIndex": 0 }, "sourceBasis": [ { "book": "v2", "pdfPages": [ 543, 549 ], "chapter": "13.1–13.2: brit segítség, Európa és Észak-Afrika" }, { "url": "https://www.iwm.org.uk/sites/default/files/files/2023-10/second_world_war_galleries_large_print.pdf", "title": "Imperial War Museums: Second World War Galleries, atlanti konvojok és tengeralattjáró-elhárítás, 54–55. o.", "accessed": "2026-10-22" }, { "url": "https://www.nationalww2museum.org/sites/default/files/2019-01/D-Day%20EFT%20curriculum%20materials_optimized.pdf", "title": "National WWII Museum: európai hadjáratok ellenőrző kronológiája", "accessed": "2026-10-22" } ] }, { "lessonId": "ww2-04", "src": "assets/v10-scenes/ww2-04.webp", "thumbnailSrc": "assets/v10-scenes/ww2-04-thumb.webp", "width": 1536, "height": 1024, "sha256": "6ec468057ad5bcef12524bac1e61630508e9c7c005d560c495f0a78be033d8c3", "thumbnailSha256": "68e61bf9c2cd06086006418dfef58763c124d042e88b35416a52cab995a19cdf", "generated": true, "prompt": "Use case: historical-scene. Single original educational 3:2 landscape illustration for Hungarian upper secondary history, warm precise colored 2D cartoon, no writing, captions, grids, panels or diagrams inside image. Two supplied images are CHARACTER REFERENCES ONLY. Kuromi: canonical black jester hood pink skull; white face/body, black pointed collar with ONLY SMALL PINK ROUND TIPS, no pink fabric/frills, small correct outer lashes as reference. Jani: FEMALE fluffy cream/white ragdoll cat with blue eyes, brown ears/tail and ASYMMETRIC BROWN FACE PATCH exactly as reference, not symmetric masked cat, no bow/costume needed. Both appear as friendly quiet observers in foreground, never commanders, perpetrators or actual historical people. Keep cute character style with historically credible environment, clothing and objects; not Hollywood, fantasy, video game, photorealism, epic battle or modern museum. No gore, no glorification. U.S. aircraft carrier flight deck in the Pacific aroundJune1942. Deck crew in colored cloth jerseys and life vests prepare parked SBD Dauntless propeller dive bombers, wings and wheel chocks, low carrier island and ocean beyond, no combat firing. Kuromi and Jani observe from a safe railed gallery. Period flat wooden plank deck, straight not angled, no jets, no helicopters, no modern deck tractors, no cinematic smoke, no huge American flags. Focus on preparation and timing.\nTargeted historical correction: Targeted historical correction ONLY to national insignia on aircraft. This scene is June1942: US aircraft have a WHITE FIVE-POINT STAR inside a BLUE CIRCLE WITHOUT ANY WHITE SIDE BARS. Remove white sidebars from every aircraft roundel and keep the white star and plain blue round background. Preserve all planes, crew, deck, colors, composition, Kuromi and asymmetric female Jani exactly. Do not add a red dot, red ring, text or modern insignia.", "referenceBasis": "Canonical Kuromi reference and approved asymmetric female Jani character reference; period context from the lesson sources.", "generationTool": "Built-in image_gen", "visualReview": { "reviewed": true, "characterIdentity": true, "periodContext": true, "nature": "Original educational reconstruction, not historical evidence" }, "id": "ww2-04", "unitId": "ww2-04", "title": "Fedélzeti előkészítés a Csendes-óceánon", "caption": "A hordozófedélzeti munka, a repülőgépek alkalmazása és a felderítés időzítése befolyásolta a tengeri ütközeteket. A rajz egy 1943 körüli hordozófedélzet tanulási célú, egyszerűsített jelenete; nem a midway-i csata egy pontos pillanata.", "alt": "Kuromi és Jani: Fedélzeti előkészítés a Csendes-óceánon. Generált tanulási illusztráció.", "period": "1941–1943", "placement": { "area": "base", "sectionIndex": 0 }, "sourceBasis": [ { "book": "v2", "pdfPages": [ 545, 547 ], "chapter": "13.1: az amerikai–japán háború kezdete" }, { "book": "v2", "pdfPages": [ 550, 552 ], "chapter": "13.2: East Asia and the Pacific" }, { "url": "https://www.nationalww2museum.org/war/podcasts/secret-wwii-spies-special-ops/part-2-breaking-midway-code", "title": "National WWII Museum: Breaking the Midway Code", "accessed": "2026-10-22" }, { "url": "https://www.archives.gov/research/military/ww2/photos", "title": "National Archives: WWII Photos, Pearl Harbor és a csendes-óceáni hadjáratok", "accessed": "2026-10-22" } ] }, { "lessonId": "ww2-05", "src": "assets/v10-scenes/ww2-05.webp", "thumbnailSrc": "assets/v10-scenes/ww2-05-thumb.webp", "width": 1536, "height": 1024, "sha256": "766dabea4e95e5a7ce0d73deec0cf9a8870de048590d2383d307c4156f6c7660", "thumbnailSha256": "58c321fcbdae70aa040efb5ec39bf267741c47c60fc87c25130abba70baa5382", "generated": true, "prompt": "Use case: historical-scene. Single original educational 3:2 landscape illustration for Hungarian upper secondary history, warm precise colored 2D cartoon, no writing, captions, grids, panels or diagrams inside image. Two supplied images are CHARACTER REFERENCES ONLY. Kuromi: canonical black jester hood pink skull; white face/body, black pointed collar with ONLY SMALL PINK ROUND TIPS, no pink fabric/frills, small correct outer lashes as reference. Jani: FEMALE fluffy cream/white ragdoll cat with blue eyes, brown ears/tail and ASYMMETRIC BROWN FACE PATCH exactly as reference, not symmetric masked cat, no bow/costume needed. Both appear as friendly quiet observers in foreground, never commanders, perpetrators or actual historical people. Keep cute character style with historically credible environment, clothing and objects; not Hollywood, fantasy, video game, photorealism, epic battle or modern museum. No gore, no glorification. Normandy beach logistics inJune1944 after a bridgehead is secured, vehicles drive slowly from a landing craft onto a practical beach exit, supply crates and fuel cans stacked neatly, engineers make a road of matting, distant modest portable harbor structures and boats. Kuromi and Jani observe safely from a sandy rise, reflective not celebratory. Soldiers and1940s trucks normal scale, civilians absent from unloading zone, no active shellfire, no modern tanks or container cranes, no theme park battlefield.", "referenceBasis": "Canonical Kuromi reference and approved asymmetric female Jani character reference; period context from the lesson sources.", "generationTool": "Built-in image_gen", "visualReview": { "reviewed": true, "characterIdentity": true, "periodContext": true, "nature": "Original educational reconstruction, not historical evidence" }, "id": "ww2-05", "unitId": "ww2-05", "title": "Hídfőből működő ellátási rendszer", "caption": "A partraszállást követően járműveket, üzemanyagot és élelmet is a frontra kellett juttatni. A jelenet a normandiai utánpótlás feladatát emeli ki, nem a teljes nyugati hadjáratot sűríti egy csatává.", "alt": "Kuromi és Jani: Hídfőből működő ellátási rendszer. Generált tanulási illusztráció.", "period": "1943–1945", "placement": { "area": "base", "sectionIndex": 0 }, "sourceBasis": [ { "book": "v2", "pdfPages": [ 549, 550 ], "chapter": "13.2: Itália és Teherán" }, { "book": "v2", "pdfPages": [ 565, 567 ], "chapter": "13.4: az európai háború vége" }, { "url": "https://www.nationalww2museum.org/students-teachers/student-resources/research-starters/research-starters-d-day", "title": "National WWII Museum: Research Starters – D-Day", "accessed": "2026-10-22" }, { "url": "https://www.nationalww2museum.org/war/articles/immeasurable-brutality-nazi-soviet-war-1941-1945-interview-jeff-rutherford-phd", "title": "National WWII Museum: a keleti háború és Bagration, szakértői interjú", "accessed": "2026-10-22" }, { "url": "https://www.archives.gov/research/still-pictures/highlights/into-the-jaws-of-death", "title": "National Archives: Into the Jaws of Death, 1944. június 6.", "accessed": "2026-10-22" } ] }, { "lessonId": "ww2-06", "src": "assets/v10-scenes/ww2-06.webp", "thumbnailSrc": "assets/v10-scenes/ww2-06-thumb.webp", "width": 1536, "height": 1024, "sha256": "6df403dc8be10f3883c0547e6f7cc3908168bdc1fd77e55877fb5bd07d39930f", "thumbnailSha256": "1d1f248f3632606074758395932854067b3ce123bf294d821cac86b32220f3d1", "generated": true, "prompt": "Use case: historical-scene. Single original educational 3:2 landscape illustration for Hungarian upper secondary history, warm precise colored 2D cartoon, no writing, captions, grids, panels or diagrams inside image. Two supplied images are CHARACTER REFERENCES ONLY. Kuromi: canonical black jester hood pink skull; white face/body, black pointed collar with ONLY SMALL PINK ROUND TIPS, no pink fabric/frills, small correct outer lashes as reference. Jani: FEMALE fluffy cream/white ragdoll cat with blue eyes, brown ears/tail and ASYMMETRIC BROWN FACE PATCH exactly as reference, not symmetric masked cat, no bow/costume needed. Both appear as friendly quiet observers in foreground, never commanders, perpetrators or actual historical people. Keep cute character style with historically credible environment, clothing and objects; not Hollywood, fantasy, video game, photorealism, epic battle or modern museum. No gore, no glorification. Japan lateAugust1945 after the surrender announcement: ordinary civilian family carrying bundles and sharing simple food beside a modest temporary shelter, roof tiles and damaged low wooden houses in middle distance, relief distribution table and muted late summer daylight. Kuromi and Jani quietly sit beside the family, compassionate serious mood. Show civilian survival without gore, radiation caricature, mushroom cloud, spectacle, celebrations, weapons or flags. Period Japanese everyday clothing, no contemporary city skyline, no modern disaster equipment. Not a reconstruction of a specific victim or bombing moment.", "referenceBasis": "Canonical Kuromi reference and approved asymmetric female Jani character reference; period context from the lesson sources.", "generationTool": "Built-in image_gen", "visualReview": { "reviewed": true, "characterIdentity": true, "periodContext": true, "nature": "Original educational reconstruction, not historical evidence" }, "id": "ww2-06", "unitId": "ww2-06", "title": "Civil túlélés és a háború lezárása Japánban", "caption": "A lakóhelyek pusztulása és az ellátás összeomlása a civil népességet is sújtotta. A kép fiktív civil helyzetet jelenít meg; a japán megadás több katonai és politikai tényezőjét a lecke szövege külön magyarázza.", "alt": "Kuromi és Jani: Civil túlélés és a háború lezárása Japánban. Generált tanulási illusztráció.", "period": "1944–1945", "placement": { "area": "base", "sectionIndex": 0 }, "sourceBasis": [ { "book": "v2", "pdfPages": [ 564, 570 ], "chapter": "13.3–13.4: Manhattan-terv, Japán veresége, korabeli atomfegyver-vita" }, { "url": "https://www.archives.gov/milestone-documents/surrender-of-japan", "title": "National Archives: Instrument of Surrender, 1945. szeptember 2.", "accessed": "2026-10-22" }, { "url": "https://www.nationalww2museum.org/war/articles/japans-surrender-military-coup-1945", "title": "National WWII Museum: To Bear the Unbearable – Japan’s Surrender, Part II", "accessed": "2026-10-22" }, { "url": "https://www.nationalww2museum.org/war/articles/what-and-when-v-j-day", "title": "National WWII Museum: What and When Is V-J Day?", "accessed": "2026-10-22" } ] } ] }